Roster of Abuse

A‌ shocking report released last week by the law firm Jeff Anderson & Associates in Saint Paul, Minn., identified 26 members of the Roman Catholic clergy in Marin, Napa and Sonoma counties who are alleged to have had child sexual-abuse histories that in some cases dated back to the 1960s.

The firm’s findings come as the California Attorney General Xavier Becerra has pledged to investigate sexual-abuse charges in the Bay Area and the alleged cover-up by the Catholic Church.

A review of the firm’s thumbnail sketches of the 200-plus accused clergymen from the Bay Area may give insight into what the Boston Globe and the film Spotlight highlighted—that for decades, the Catholic Church dealt with its pedophilia problems by apparently shuffling sex-abusing clergy from one diocese to another. And it indicates that numerous California Catholic clergy sex abusers may have gotten away with their crimes due to a 2003 Supreme Court ruling that rejected a California attempt to retroactively eliminate statutes of limitations for certain sex crimes, including those perpetrated against minors.

Here are the clergy members of the Roman Catholic church who at one time or another were assigned to schools and churches in Marin, Napa or Sonoma counties, and who are alleged to have committed sexual assault against children, according to Anderson & Associates:

Marin County

• Msgr. Peter Gomez Armstrong, according to the law firm’s report, has been accused of sexually abusing at least one child. He worked at St. Vincent’s School for Boys in San Rafael between 1975 and 1979, and died in 2009.

• Fr. James W. Aylward was subject to a civil suit alleging sexual abuse against a minor, which the law firm reports was settled by the Archdiocese of San Francisco. After assignments to San Francisco, Millbrae, San Mateo, Washington, D.C., and Pacifica, Aylward arrived at St. Sylvester’s in San Rafael in 1990 and stayed on for five years. He was then sent to Burlingame for a few years and then to Our Lady of Mt. Carmel in Mill Valley from 1998 to 2000. His whereabouts are currently unknown, says the law firm report.

• Fr. Arthur Manuel Cunha was assigned to Our Lady of Loretto in Novato and served there between 1984 and 1986. He was absent on sick leave in 1986–87. From 1987 to 1989, his whereabouts were unknown, according to the law firm. He was absent on leave again from 1989 to 1991, and his whereabouts have been unknown since then. The law firm reports that Cunha was “arrested in 1986, pleaded guilty, and was sentenced to 60 days in jail and four months of counseling in connection with sexually abusing two boys.” He’s been named in multiple civil lawsuits.

• Fr. Sidney J. Custodio was assigned to St. Raphael’s Church in San Rafael in 1955; sex-crime allegations against him were lodged while he worked at St. Gregory in San Mateo County. According to the law firm, his whereabouts have been unknown since 1975.

• Fr. Pearse P. Donovan was assigned to Marin Catholic High School in San Rafael from 1953 to 1955, and allegations of sexual abuse against him were levied when he later worked at St. Clement in Hayward. He’s been named in at least one civil lawsuit, reports Anderson & Associates. He died in 1986.

• Msgr. Charles J. Durkin is reported to have retired in 2002, “a month after the San Francisco District Attorney’s Office requested 75 years worth of church records related to abuse allegations,” reports Anderson. He worked at St. Sebastian’s in San Rafael in 1962, and lived at the Nazareth House in San Rafael after he retired in 2003. He died in 2006 and was the subject of an accusation of sexual assault that occurred while he was at the Star of the Sea in San Francisco, where he served from 1956 to 1961, and again from 1996 to 2003.

• Fr. Arthur Harrison was charged with criminally abusing a 10-year-old when he was assigned to Our Lady of Loretto in Novato, in 1960. The case was dismissed because of the statute of limitation, but the Diocese of San Jose lists Harrison as a clergy-member “with credible allegations of sexual abuse of children,” according to the law firm report. He died in 2006.

• Msgr. John. P. Heaney served from 1971 to 1974 at Marin Catholic High School in Kentfield, and again at St. Rita’s in Fairfax from 1974 1979, according to the firm. Allegations against Heaney arose while he was the SFPD chaplain between 1976 and 2002, and he was criminally charged, in 2002, with multiple felony counts of child abuse that were dropped because the statute of limitations had run out. He died in 2010.

• The Rev. Gregory G. Ingels got his start as a clergyman at Marin Catholic High School in Kentfield in 1970 and was also assigned to St. Isabella’s church in San Rafael in 1982. “Multiple survivors have come forward alleging sexual abuse” by Ingels from 1972 to 1977, reports the Anderson law firm, while he was at the Kentfied school. He too was criminally charged with child sexual abuse, but the charges were dropped owing to the 2003 Supreme Court ruling. His whereabouts since 2011 are unknown, says the law firm.

• Fr. Daniel T. Keohane was assigned to St. Anthony of Padua, in Novato, from 2006 to 2009; a sexual-abuse allegation was made against him for activities he allegedly committed while he was at the Church of the in San Francisco in the 1970s. The San Francisco diocese deemed the allegations credible, as it recommended further investigation. He took a leave of absence in 2015 and his whereabouts since then are unknown, reports the law firm.

• Fr. Jerome Leach served at St. Patrick’s Church in Larkspur from 1980 to 1983 and the Anderson report notes that he was alleged to have committed sex crimes there and at All Souls in San Francisco. In 2002, he was arrested and charged with child sexual abuse, but again, the statute of limitations had run out.

• Fr. Guy Anthony Mrunig spent his career as a clergyman at St. Sebastian’s in Kenfield-Greenbrae from 1971 to 1973; at Marin Catholic High School in Kentfield from 1972 to 1978; and at the Serra Club of Marin County from 1973 to 1977. The report says that multiple survivors have come forward alleging sexual abuse while he was at Marin Catholic in Kentfield. He reportedly left the priesthood to marry a former student from the high school and his whereabouts since 1979 are unknown, says the law firm.

• Msgr. John O’Connor was placed on leave by the Archdiocese of San Francisco in 2002 “after it received an allegation of improper contact with a boy occurring more than thirty years ago,” the law firm reports. During his career, he was mostly assigned to churches in San Francisco, but was at St. Isabella’s in San Rafael between 1964 and 1971. He was “absent on leave” between 2005 and his death in 2013.

• Fr. Miles O’Brien Riley was assigned to St Raphael’s in San Rafael from 1964 to 1968 and also worked as a chaplain at San Quentin State Prison during that time. He was accused of sexually abusing a girl when she was 16, and the Anderson & Associates document notes that the Archdiocese of San Francisco permitted Riley to retire quietly in 2003.

• Fr. John Schwartz was ordained in 1981 and, after assignments in Oregon, wound up at St. Anselm’s in Ross in 2004–06. No further information is provided by the Anderson report on allegations against Schwartz, whose whereabouts since 2012 are unknown, says the law firm.

• Fr. Kevin F. Tripp was ordained in 1968 and spent much of his career in Massachusetts, where, in 2002 the district attorney in Fall River released a list of priests under investigation for sexual abuse, and Tripp was on the list, according to the law firm. The Massachusetts district attorney’s finding alleged that there were two persons who had been victimized by Tripp. The law firm determined that as of 2003, and according to a San Francisco Faith newsletter, Tripp was the executive director of the Marin Interfaith Council in San Rafael.

• Fr. Milton T. Walsh’s first clergy assignment was at Our Lady of Loretto in Novato before heading to Rome to get his doctorate in 1982. He reportedly returned to Novato on a break from his studies, “where he allegedly sexually abused a boy whose family he had grown close with during his time working at Our Lady of Loretto,” reads the law firm report; he was at Loretto between 1978 and 1980. Walsh was arrested for the sexual assault in 2002 after being caught in a Novato police-department telephone sting where he admitted to the sexual abuse of a minor—but the charges were dropped. Yes, the statute of limitations case, again. His whereabouts since 2015? Unknown, says the law firm.

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Napa County

• Fr. Edward F. Beutner was ordained in 1965 and spent the next quarter century moving from assignments in Wisconsin to California, including a one-year special assignment at Mont La Salle in Napa. No further information is provided from Anderson & Associates on his alleged misdeeds. He died in 2008.

• Fr. Don D. Flickinger was charged by the San Jose Diocese with having engaged in sexual activity with minors in the years 2002, 2005 and 2006. The cases were all settled, and a 2011 lawsuit against Flickinger alleged that he had a history of sexual misconduct spanning 40 years. He spent two years, 1981 to 1983, at Napa’s Mont La Salle Novitiate.

• Fr. Francis J. Ford was ordained in 1951 and died in 1985. He served as Chaplain at Napa State Hospital from 1974 to 1976. No further information on Ford was provided in the Anderson law firm report.

• Br. John Moriarty worked at the St. Helena Christian Brothers’ Retreat House, in Napa County, from 1974 to 1978 and is alleged to have committed sexual abuse against children in 1975–76. He is believed to have passed in 2013, but his whereabouts since 1993 are unknown, says the law firm.

• Fr. Francis Verngren was the subject of a 2003 civil lawsuit file by a man who says the priest sexually abused him from 1966 to 1979, when Verngren was principal at St. Mary’s College High School in Berkeley. He was also affiliated with the St. Mary’s College High School in Napa between 1964 and 1984, and died in 2003.

Sonoma County

• Br./Fr. Donald W. Eagleson’s abuse charges stem from a 1971 incident while he was a Brother of the Holy Cross and allegedly sexually abused a youth. He was assigned to St. Vincent de Paul in Petaluma between 1986 and 1987. In 2002, he was assigned to Sacred Heart Church in Eureka, where another abuse allegation arose regarding his 1971 activities. He was at Nazareth House in San Rafael in 2004 when, the law firm reports, he died.

• Fr. J. Patrick Foley was identified last month, by the San Diego diocese he served in for decades, as a likely candidate to have committed sexual abuse against minors. After a 1991 leave of absence from the San Diego diocese, he arrived at Christian Brothers High School in Sacramento for a few years before landing in the Santa Rosa diocese, according to the law firm. He was suspended in 2010 and his whereabouts since 2015 have been unknown, reports the law firm.

• Br. Joseph (Jesse) Gutierrez-Cervantes was hired as a contract psychologist at Hanna Boys Center in Sonoma in 1984 and was fired two years later “after sexual misconduct allegations surfaced” that Gutierrez had sexually abused boys during therapy sessions. According to the Anderson report, his current whereabouts, clerical status and whether he has access to children are unknown.

• Fr. Austin Peter Keegan “has been accused of sexually abusing at least 80 children and has been named in at least one civil lawsuit. Keegan’s abuses are alleged to have started in the 1960s when he worked for the Archdiocese of San Francisco and the Diocese of Santa Rosa, where he served from 1977 to 1979. He was at St. Eugene’s Cathedral in Santa Rosa from 1980 to 1981, but the law firm reports his whereabouts have been unknown since then.

Letters to the Editor: October 31, 2018

Setting a
Standard

Those animal-rights protesters exposed some horrific animal abuse at our local farms, as evidenced by the video they released (“Cage Match,” Oct. 24). I wish the Sonoma County Farm Bureau and the sheriff’s department were more interested in stopping this illegal animal cruelty than covering up for them. The video clearly exposes the claims of Whole Foods as buying only from “humane” farms and wanting transparency as a shameless marketing ploy. Sonoma County could be setting the standard for animal welfare! Thank you to the protesters for making us aware.

Santa Rosa

Unrest in
the Forest

Besides destroying thousands of homes, many thousands of trees were lost in last year’s fires. Sadly, when burned lands were cleared, there were live trees cut down needlessly due to a combination of expediency, greed and carelessness.

Now that PG&E is facing scrutiny for responsibility for the fires, many remaining trees are again under threat. PG&E and its contractors are engaged in a program of extreme vegetation removal. They claim that they must cut 12 feet or more away from power lines and poles for the sake of public safety. This is excessive; their regulations call for a four-foot safety area, not 12 feet. By cutting a huge swath of trees and vegetation, they claim they will not need to cut again for 10 years. They end up cutting trees that are very old and healthy, and which are not adding to the danger of forest fires.

Near my home, I see many large oak trees that have been marked with “to-be-cut” ribbons on them. Those trees are located on sparsely wooded land and pose no fire risk. Also, I have been told that numerous large trees, some that were over a hundred years old, have been cut down by PG&E or its agents in error.

The tree companies are being paid in a manner that encourages overcutting—the more they cut, the more money they make. Those evaluating what to cut are not arborists, and the tree-cutting companies are from all over the country, which means that those doing this work lack an ecological, professional or local connection to what is being done.

Trees are the lungs of the earth, and their presence contributes to human emotional health. Trees are already under assault by drought, insects, fires, climate change, disease, vineyard conversion and development. Must PG&E also destroy trees needlessly to add to this carnage?

“They’ll grow back” is the retort to questioning the cutting. But the trees may not grow back, and if they do, it may happen when many of us are
long gone.

Of course tree and vegetation management is needed for fire protection, but it needs to be done conscientiously. Please contact PG&E and your local government representatives and ask that vegetation removal be done with care and discretion. It is not necessary to destroy the village in order to save it.

Calistoga

Game of Chicken

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Animal rights activists are protesting on Northern California ranches. Sometimes they go beyond their First Amendment rights and break the law.”

That message was delivered loudly and clearly to nearly 100 people who attended a workshop at Shone Farm in Santa Rosa last week. Called “Beyond the Fence Line” (see “Cage Match,” Oct. 24), the event on Oct. 29 was sponsored by the powerful Sonoma County Farm Bureau. By the end of the afternoon, it was pretty obvious—to some attendees, anyway—that there is anti-activist collusion underway between the Farm Bureau, its friends and allies in the county, and local law enforcement.

Many regional ranchers clearly think that animal-rights activists are a menace to them and to society. The Farm Bureau agrees. The ranchers and the bureau may be well-meaning, but the fiery language used to describe animal-rights activists is likely to widen the divide rather than help residents interested in this issue to come to a common understanding.

For her part, Tawny Tesconi, executive director at the Farm Bureau of Sonoma County, condemned recent protests at local chicken farms as “domestic terrorism.” Brian Sobel, from Sobel Communications, echoed her cry as he too lambasted “domestic terrorists.” Sobel didn’t mean pipe-bomber Cesar Sayoc. And he didn’t mean Robert Bowers, who shot and killed 11 people at a Pittsburgh synagogue over the weekend.

Understandably, farmers don’t want protesters to disrupt their livelihood. But it doesn’t help to demonize animal-rights activists as “terrorists.” Nor did it help matters when Troye Shaffer, from the Sonoma County District Attorney’s office, stood at the podium and called the demonstrators “ne’er-do-wells,” a prejudicial statement if ever there was one—especially given the mass arrest of 68 protesters and the fact that, as of last week, the district attorney was still sorting out the charges.

The animal-rights activist group called DxE has made shoppers and eaters aware of factory farming and the inhumane conditions in which animals are raised and slaughtered. One rancher at Shone Farm encouraged everyone “to run clean operations.”

Indeed, more time and money should be spent on running clean operations than on fences, gates, surveillance, arrests and prosecutions, which will only exacerbate an Us vs. Them mentality that already exists—and that shouldn’t. The Farm Bureau and law enforcement officials ought to be accountable to all of us, not to special interests with deep pockets and the ear of local law enforcement. And please, no more inflammatory language.

Jonah Raskin is a frequent contributor to the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication,
write op*****@******an.com.

Cry Folk

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Radoslav Lorkovic

It’s been a busy past couple of years for Richard Shindell. In 2017, he released his 10th full-length solo album, Careless. Then he reunited with former bandmates Dar Williams and Lucy Kaplansky to tour this year as Cry Cry Cry, the much loved folk supergroup who released a single folk-rock covers album in 1998.

Having wrapped up the reunion, Shindell is back touring solo. He performs in the North Bay with a show at HopMonk Tavern in Novato on Nov. 2.

“I’m really happy about both things. I like the record—it was a long time in the making. And then to immediately follow it up with this amazing opportunity to put Cry Cry Cry together, which I thought would never happen, it’s just a blessing.” says Shindell.

Given that Cry Cry Cry was originally a single album project, the reunion surprised Shindell as much as it did the fans.

“I think there are a lot of different reasons [we reunited]. I can’t point to any one causal thing,” says Shindell. “Lucy [Kaplansky] and I made a record together back in 2015—the Pine Hill Project. It was a Cry Cry Cry sort of project. There were other people’s songs, and the idea was to sing a lot of harmonies. It’s a record that Lucy and I had wanted to make for a long time. In fact, prior to the original Cry Cry Cry, Lucy and I had talked about making such a record and we never did. And partially that’s because Cry Cry Cry happened.”

Shindell notes that the purpose of the 1998 self-titled album was to hold a mirror to the folk community at that juncture.

“There was a deliberate effort made to record songs that we love by people that we knew in our community,” Shindell says. “Cliff Eberhardt for example. His ‘Memphis’ might be my favorite song on the record.”

The band also recorded songs by performers they weren’t as familiar with. “There’s a Robert Earl Keen song,” Shindell says. “I don’t know Robert Earl Keen, but he’s a heck of a songwriter. Dar wanted to sing this R.E.M. song, ‘Fall on Me,’ so it wasn’t like we only wanted to do that one thing. There were songs that came from other areas.

“Ultimately what you want to do when you make a record is just find out what sounds good.”

Lake’s Latest

Weed the People is director Abby Epstein and executive producer Ricki Lake’s timely and compelling documentary about using cannabis oil as an alternative medicine for children with cancer. The film features half a dozen case studies of babies and teens who take this form of medical marijuana to reduce tumors. It is, as one believer states in the film, “not a cure, but an extension of life.”

“It wasn’t my medicine or my cause,” Lake says, “but my husband passed away, and [cannabis] was his passion.”

Marijuana is still classified by the DEA as a Schedule 1 drug, though, as the film notes, the government has a medical patent on marijuana. In America, there has been minimal research on the effects of treating cancer with cannabis—most studies show the negative, not positive effects—but in countries like Israel and Spain, there are encouraging findings about the drug’s healing properties.

Weed the People firmly establishes the drug-policy issue as a human-rights issue and follows several families benefiting from cannabis treatment to track their progress. “We met a little girl who was 30 pounds and six years old,” Lake says, “and this is crazy, but we moved her and her family into our house, and took her to osteopaths and a cannabis doc. Weed the People comes from our personal experience and natural curiosity.”

The film features several women on the front lines, including Mara Gordon, co-founder of Aunt Zelda’s, which creates and sells cannabis oils to patients, and Bonni Goldstein, a medical director at Canna Centers, who lectures on the efficacy of cannabinoid therapy.

It is one of four documentaries Lake has produced on social issues, after The Business of Being Born, Breastmilk and the forthcoming Sweetening the Pill. The film, Lake says, was made “specifically to take the stigma away. It’s not about legalization, regulation or getting high; it’s about children dying of cancer and the heroic docs and scientists putting their time into this.

“There are enough films about drug reform and legalization,” Lake adds. Weed the People “was about the kids and following the stories, and hopefully to get change to happen.”

‘Weed the People’ screens at UA Berkeley 7 on Nov. 3 at 7pm, and again at Rialto Cinemas in Sebastopol on Nov. 4 at 2pm. Source: Alternet.

Spook Show

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If you’re wary of attending the latest splatter fest at your local multiplex and seek kinder, gentler Halloween season entertainment, Napa’s Lucky Penny Productions brings you Noël Coward’s Blithe Spirit, directed by Barry Martin and running through Nov. 4. It’s an old-fashioned ghost story laden with Coward’s acerbic wit and charm.

Author Charles Condomine (Tim Kniffin) is researching the occult world for his next novel. He’s invited a local medium, Madame Arcati (Karen Pinomaki), to conduct a séance in his home. Charles is convinced she’s a charlatan, but Arcati manages to call forth the spectral presence of his late first wife, Elvira (Sydney Schwindt). As Charles is the only one who can see or hear Elvira, his current wife, Ruth (Kirstin Pieschke), thinks he’s going quite mad. Soon convinced of Elvira’s presence, Ruth finds herself in a battle with Elvira over their husband.

At first terrified with the situation, Charles actually begins to take some delight in the circumstances and starts to adapt to living with two wives—even if one is dead. Elvira goes about scheming to get Charles to join her on the “other side,” while Ruth seeks out Madame Arcati to help rid her of the troublesome spirit. That’s easier said than done.

Kniffin is solid as the initially flustered but soon rolling-with-the-punches Charles who, after closer examination, is really quite a cad. He’s the perfect vehicle to deliver some classic Coward lines in a classic Coward manner. Schwindt is a lot of fun as the devilish Elvira and gets a major assist from makeup designer Brette Bartolucci.

Pinomaki has the showiest role (it won Angela Lansbury her fourth Tony for the 2009 revival) and garners big laughs with her physicality. Festooned in costume designer Barbara McFadden’s colorful accoutrements, Pinomaki earns those laughs by playing the character straight. Her visual outlandishness and other spectral bits are nice counterparts to the dry verbal humor for which Coward is best known and that this cast delivers well. The play creaks a bit, but in a day when stage pyrotechnics can overwhelm a show, it’s nice to be reminded that the words are what really matter.

Rating (out of 5): ★★★½

Kitchen Kinks

0

Holy crap, this place is huge!

This was my first thought as I got out of my car at a recent visit to Russian River Brewing Company’s new, second location in Windsor. I arrived at 1:30pm, just in time for a late lunch at the brewpub. Only five days after the grand opening on Oct. 11, I knew that a few amenities—especially the planned guided tours of the brewery and the tasting room—were still a few weeks off.

I did a double-take upon entering the brewpub. The décor took me back to my years living in Tennessee—a rustic-farmhouse aesthetic that reminded me of so many similar upscale Nashville restaurants. It was surprising to discover it in the middle of Sonoma County.

Nearly 150 people had already made the discovery and were dining in the indoor restaurant, the outdoor bar and in the comfortable leather chairs that surround the indoor fire pit. I order a Supplication and took a seat at the crowded indoor bar
so I could better overhear what others thought of the long-anticipated arrival of the RRBC’s Windsor outpost.

I am a total Fourth Street Santa Rosa RRBC brewpub loyalist—and as such, the Windsor menu made me feel like a stranger in a strange land: squash soup, steak and, alas, avocado toast. The pork schnitzel sandwich and the fries looked good. I put in an order and finished off the beer. A few minutes later, the food arrived, alongside a fresh Pliny.

The meal left something to be desired, and here’s hoping RRBC Windsor works out the opening-week kinks. The fries were hot, but also soggy. The schnitzel was cooked to perfection, but came on a sesame seed bun (pretzel is traditional). To my right, a patron who just paid $22 for a steak lamented to the bartender that he’d erred in ordering it. “Too dry.”

I also witnessed a poor avocado toast buried under a mountain of mixed greens.

When I visited, the brewery was still waiting on Comcast to install the cable for the TVs flanking the bar areas (it has since been installed), and the mini-brewery had yet to arrive. Now set to open next spring, the mini-brewery is a glass viewing area that will eventually allow visitors to watch brewers experiment with flavors that may or may not become permanent fixtures on the Windsor menu.

Minor gripes aside, the Windsor location allowed me to do something I’ve never done before: open a cooler and grab a six-pack of Pliny to go. There appear to be thousands of ice-cold beers for sale in the gift shop. The days of Pliny scarcity are over—at least for those of us living in the North Bay. Hallelujah!

Give owners Vinnie and Natalie Cilurzo space and time to work out the bugs, and RRBC Windsor should become a mainstay of the tourist circuit and a nice hangout spot for locals—especially during the rainy season, when the weather will compel people to curl up by the indoor fire with their favorite brew.

I’m looking forward to my second visit, on a day like that.

Russian River Brewing Company,
700 Mitchell Lane, Windsor. 707.545.2337. Facility tours are
scheduled to start Nov. 15.

Wine Dark Brew

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These are sour times. Dark times. Good times for dark and sour beer.

The hazy days of summer IPA are long gone, and the good dead grape is settled down for its long sleep in casks of oak. In the quiet after the commotion of harvest, a feral black cat stalks the vineyard, forever interrupting the frantic errand of some small creature scuttling under fallen leaves, stocking up on seeds as night draws nearer each day.

Though the grapes had saved their sweetest for last, there’s a sourness in the air now, as left-behind and fallen grapes and apples play host to much smaller creatures’ feast: Lactobacillus, Brettanomyces and other unruly guests make a cruel mockery of the good work of Saccharomyces cerevisiae, the sacred yeast of the winemaking and brewing world.

But in beer, what’s gone all wrong can be made right, explains Lagunitas Brewing Company’s “head brew-monster” Jeremy Marshall about its limited release, Sonoma Farmhouse Brett stout. “This beer started almost as a mistake,” Marshall says in brewery notes. “Back in 2010, a batch of imperial stout didn’t go exactly as planned, so we put it into some red wine barrels, with a little brett. A couple years later, we took that beer out of barrels and found it had changed into something different and wonderful.”

Lagunitas-strong, at an imperial 11.3 percent alcohol by volume (abv), this monster brew is deep and engaging, not hot—a dark harmony of vinous heritage and all those bugs that are bad for wine. But this October limited release is hard to find; get bottles while you can at the brewery’s swag shop for $10.

For that wine-dark taste without the sour, try Plow Brewing’s Irons in the Fire porter aged in Pinot Noir barrels, on tap or in a crowler (a growler in a can) to go for $15.

The hue of leaves turning red, Fogbelt Brewing’s Methuselah ($18) is brewed with light pilsner malt, but aged with Zinfandel grapes for two years in wine barrels. The tart taste is deepened by a fruity, raisiny undertone, with something of that sour funk of old books nuancing its slightly beery bouquet. Which brings us to Barrel Brothers’ Leather-Bound Books ($18), a dusky brown sour ale aged in Pinot Noir barrels with unspecified dark fruits. Like damp straw and healthy compost, there’s something farm-yardy but fresh and sweet about the Leather-Bound, and it’s tarter, with more of a fig than raisin character of the darker Duchesse de Bourgogne, a Belgian sour that it resembles. My spirits are lifted already.

Sonoma County Theater Honored at Marquee Theater Journalists Association Awards

Sonoma County theater artists gathered Monday night at the Juncture Taproom and Lounge in Santa Rosa for the Third Annual Marquee Theater Journalists Association Awards. Seventeen awards were given to local theatre artists and productions whose nominations were culled from the sixty-six Sonoma County productions attended by members from September 1, 2017 through August 31, 2018.
The MTJA was founded in 2015 by Sonoma County-based theater journalists with the intent of developing a critically-based awards program to acknowledge outstanding work done by the local theater community. Current members include the North Bay Bohemian’s Harry Duke, Sonoma County Gazette’s Alexa Chipman, Talkin’ Broadway’s Jeanie K. Smith, and Aisle Seat Review’s Barry Willis and Nicole Singley. All are members of the San Francisco Bay Area Theatre Critics Circle (SFBATCC) and/or the American Theatre Critics Association (ATCA).
The MTJA Awards have the distinction of being the first theatre awards program to eliminate gender distinction in the performance categories, simply recognizing outstanding lead and supporting performances by genre.
The Sonoma Arts Live production of Always… Patsy Cline was the single most awarded production of the evening, taking home awards for Lead and Supporting Performances in a Musical as well as Costume Design, Musical Direction and Outstanding Musical Production. Rohnert Park’s Spreckels Theatre Company production of By the Water was recognized with three awards; Outstanding Lighting Design, Outstanding Supporting Performance in a Drama, and Outstanding Drama Production. The choreography in their production of Peter Pan was also recognized. Santa Rosa’s Left Edge Theatre took home awards for three different shows including Lead Performance in a Comedy, Supporting Performance in a Comedy, and Outstanding Comedy Production. Sebastopol’s Main Stage West had two shows recognized with three awards including Outstanding Sound Design, Outstanding Set Design, and Outstanding Lead Performance in a Drama. Healdsburg’s Raven Players and Santa Rosa’s 6th Street Playhouse each took home one award.

Here is the complete list of nominees with winners designated by a (W):

Outstanding Poster/Program Design
Elizabeth Craven – Blackbird – Main Stage West
Marla Goodman – Constellations – 6th Street Playhouse
Elizabeth Craven – Eurydice – Main Stage West
Richard Sheppard – I Love You, You’re Perfect, Now Change – Raven Players
Richard Sheppard – Water by the Spoonful – Raven Players (W)

Outstanding Costume Design
Michael Ross – Always… Patsy Cline – Sonoma Arts Live (W)
Tracy Hinman – Death of a Salesman – 6th Street Playhouse
Maryanne Scozzari – Into the Woods – Santa Rosa Junior College
Pamela Johnson – Peter Pan – Spreckels Theatre Company
Jeanine Gray, Michael Mingoia – Shrek, the Musical – Raven Players

Outstanding Lighting Design
Missy Weaver – Blackbird – Main Stage West
Missy Weaver – Buried Child – Main Stage West
Eddy Hansen – By the Water – Spreckels Theatre Company (W)
April George – Disgraced – Left Edge Theatre
April George – The Realistic Joneses – Left Edge Theatre

Outstanding Sound Design
Jessica Johnson – By the Water – Spreckels Theatre Company
Doug Faxon – Eurydice – Main Stage West
Doug Faxon – Grace – Main Stage West (W)
Argo Thompson – Honky – Left Edge Theatre
Carla Spindt, Argo Thompson – Women in Jeopardy! – Left Edge Theatre

Outstanding Set Design
David Lear – Blackbird – Main Stage West (W)
Eddy Hansen, Elizabeth Bazzano – By the Water – Spreckels Theatre Company
Peter Crompton – Into the Woods – Santa Rosa Junior College
Michael Ross, Theo Bridant – Always… Patsy Cline – Sonoma Arts Live
Elizabeth Bazzano, Eddy Hansen – Peter Pan – Spreckels Theatre Company

Outstanding Choreography
Katie Watts-Whitaker – I Love You, You’re Perfect, Now Change – Raven Players
Craig Miller and Amanda Morando – Illyria – 6th Street Playhouse
Joseph Favalora – La Cage aux Folles – 6th Street Playhouse
Michella Snider – Peter Pan – Spreckels Theatre Company (W)
Katie Watts-Whitaker – Shrek, the Musical – Raven Players

Outstanding Musical Direction
Ellen Patterson – Always… Patsy Cline – Sonoma Arts Live (W)
Dave MacNab – Daddy Long Legs – Main Stage West
Lucas Sherman – Illyria – 6th Street Playhouse
Ginger Beavers – La Cage aux Folles – 6th Street Playhouse
Timothy Eisman – Peter Pan – Spreckels Theatre Company

Outstanding Ensemble
By the Water – Spreckels Theatre Company
Equus – 6th Street Playhouse (W)
Good People – Cinnabar Arts
Grace – Main Stage West
The Realistic Joneses – Left Edge Theatre

Outstanding Musical Production
Always… Patsy Cline – Directed by Michael Ross – Sonoma Arts Live (W)
Daddy Long Legs – Directed by Elly Lichenstein – Main Stage West
Illyria – Directed by Craig Miller – 6th Street Playhouse
Peter Pan – Directed by Sheri Lee Miller – Spreckels Theatre Company
Shrek, the Musical – Directed by Kerry Duvall – Raven Players

Outstanding Lead Performance in a Musical
Danielle DeBow – Always… Patsy Cline – Sonoma Arts Live (W)
Madison Genovese – Daddy Long Legs – Main Stage West
Carmen Mitchell – Illyria – 6th Street Playhouse
Michael Conte – La Cage aux Folles – 6th Street Playhouse
Sarah Wintermeyer – Peter Pan – Spreckels Theatre Company

Outstanding Supporting Performance in a Musical
Karen Pinomaki – Always… Patsy Cline – Sonoma Arts Live (W)
Gillian Eichenberger – Illyria – 6th Street Playhouse
Bill Garcia – Shrek, the Musical – Raven Players
Tim Setzer – Illyria – 6th Street Playhouse
Joseph Favalora – La Cage aux Folles – 6th Street Playhouse

Outstanding Comedy Production
Good People – Directed by Michael Fontaine – Cinnabar Arts
Quartet – Directed by Jereme Anglin – Cinnabar Arts
The Realistic Joneses – Directed by Argo Thompson – Left Edge Theatre (W)
Sideways – Directed by Argo Thompson – Left Edge Theatre
Women in Jeopardy! – Directed by Carla Spindt – Left Edge Theatre

Outstanding Lead Performance in a Comedy
Trey G. Riley – Honky – Left Edge Theatre (W)
Chris Ginesi – The Realistic Joneses – Left Edge Theatre
Chris Schloemp – The Realistic Joneses – Left Edge Theatre
Shannon Rider – Women in Jeopardy! – Left Edge Theatre
Laura Jorgensen – Quartet – Cinnabar Arts

Outstanding Supporting Performance in a Comedy
Liz Rogers Beckley – Honky – Left Edge Theatre
Dorian Lockett – Inspecting Carol – Sonoma Arts Live
Richard Pallaziol – Women in Jeopardy! – Left Edge Theatre
Jazmine Pierce – Sideways – Left Edge Theatre
Zane Walters – Women in Jeopardy! – Left Edge Theatre (W)

Outstanding Drama Production
Blackbird – Directed by David Lear – Main Stage West
By the Water – Directed by Carl Jordan – Spreckels Theatre Company (W)
Death of a Salesman – Directed by Craig Miller – 6th Street Playhouse
Disgraced – Directed by Phoebe Moyer – Left Edge Theatre
Grace – Directed by John Craven – Main Stage West

Outstanding Supporting Performance in a Drama
Mark Bradbury – By the Water – Spreckels Theatre Company
Mary Gannon Graham – By the Water – Spreckels Theatre Company (W)
Mike Schaeffer – Disgraced – Left Edge Theatre
Jill K. Wagoner – Steel Magnolias – 6th Street Playhouse
Ariel Zuckerman – Death of a Salesman – 6th Street Playhouse

Outstanding Lead Performance in a Drama
Illana Niernberger – Grace – Main Stage West
Mike Pavone – By the Water – Spreckels Theatre Company
Sharia Pierce – Blackbird – Main Stage West (W)
James Rowan – The Elephant Man – Curtain Call Theatre
Jared Wright – Disgraced – Left Edge Theatre

Word Crimes

God bless all the actors who aren’t there because of their looks.

The literally catty tragicomedy Can You Ever Forgive Me? commences nicely with Melissa McCarthy playing Lee Israel, surly, shabby and frumpy at a publisher’s office—meeting a deadline at 3am with the help of a big glass of something on the rocks. She’s fired for drinking on the job, even at that hour. As she leaves, a younger employee mutters, “If I ever get like that, kill me.” Israel snaps back: “If you ask me nicely, I’ll kill you now.”

This true-life tale of a drinker with a writing problem is set in 1991. Print hasn’t keeled over quite yet, but Israel, who’d previously published a number of celebrity bios, is having trouble landing an advance.

When vet bills for her ancient cat press her, Israel goes to sell a prized possession: a personal note from Katherine Hepburn from the days when the two had collaborated on an autobiography.

The money is good enough that Israel falls into a unique field of crime: forging celebrity letters to sell to the local bookstores. She recruits her seedy drinking buddy, Jack, played by Richard E. Grant in a performance that’s been generating Oscar buzz. His untrustworthy barfly is the kind of man who introduces himself as “Jack Hock: big cock”—dodgy and gay and British and drunk, a mountebank with fingerless Fagin gloves. Jack and Israel’s scam turns out to have consequences, however, and also blights the author’s potential friendship (friendship, or more) with pretty bookstore owner Anna (Dolly Wells), who has writing ambitions of her own.

The elegant soundtrack sports jazz crooner Blossom Dearie, the ill-fated country rocker Spade Cooley and a bit of Justin Bond covering Lou Reed’s “Goodnight Ladies” in a deserted cabaret. Ornery and salty as the film is, it has a cool counterpoint of loneliness to it. And it shows how lost even the recent past is—it has the sense of New York when it was New York, when it was gritty and bad, and seemingly every business sign was missing a letter or a light.

‘Can You Ever Forgive Me? opens Friday, Nov. 2, at Summerfield Cinemas, 551 Summerfield Road, Santa Rosa. 707.525.8909.

Roster of Abuse

A‌ shocking report released last week by the law firm Jeff Anderson & Associates in Saint Paul, Minn., identified 26 members of the Roman Catholic clergy in Marin, Napa and Sonoma counties who are alleged to have had child sexual-abuse histories that in some cases dated back to the 1960s. The firm's findings come as the California Attorney General Xavier...

Letters to the Editor: October 31, 2018

Setting a Standard Those animal-rights protesters exposed some horrific animal abuse at our local farms, as evidenced by the video they released ("Cage Match," Oct. 24). I wish the Sonoma County Farm Bureau and the sheriff's department were more interested in stopping this illegal animal cruelty than covering up for them. The video clearly exposes the claims of Whole Foods...

Game of Chicken

Animal rights activists are protesting on Northern California ranches. Sometimes they go beyond their First Amendment rights and break the law." That message was delivered loudly and clearly to nearly 100 people who attended a workshop at Shone Farm in Santa Rosa last week. Called "Beyond the Fence Line" (see "Cage Match," Oct. 24), the event on Oct. 29 was...

Cry Folk

Radoslav Lorkovic It's been a busy past couple of years for Richard Shindell. In 2017, he released his 10th full-length solo album, Careless. Then he reunited with former bandmates Dar Williams and Lucy Kaplansky to tour this year as Cry Cry Cry, the much loved folk supergroup who released a single folk-rock covers album in 1998. Having wrapped up the reunion,...

Lake’s Latest

Weed the People is director Abby Epstein and executive producer Ricki Lake's timely and compelling documentary about using cannabis oil as an alternative medicine for children with cancer. The film features half a dozen case studies of babies and teens who take this form of medical marijuana to reduce tumors. It is, as one believer states in the film,...

Spook Show

If you're wary of attending the latest splatter fest at your local multiplex and seek kinder, gentler Halloween season entertainment, Napa's Lucky Penny Productions brings you Noël Coward's Blithe Spirit, directed by Barry Martin and running through Nov. 4. It's an old-fashioned ghost story laden with Coward's acerbic wit and charm. Author Charles Condomine (Tim Kniffin) is researching the occult...

Kitchen Kinks

Holy crap, this place is huge! This was my first thought as I got out of my car at a recent visit to Russian River Brewing Company's new, second location in Windsor. I arrived at 1:30pm, just in time for a late lunch at the brewpub. Only five days after the grand opening on Oct. 11, I knew that a...

Wine Dark Brew

These are sour times. Dark times. Good times for dark and sour beer. The hazy days of summer IPA are long gone, and the good dead grape is settled down for its long sleep in casks of oak. In the quiet after the commotion of harvest, a feral black cat stalks the vineyard, forever interrupting the frantic errand of some...

Sonoma County Theater Honored at Marquee Theater Journalists Association Awards

Sonoma County theater artists gathered Monday night at the Juncture Taproom and Lounge in Santa Rosa for the Third Annual Marquee Theater Journalists Association Awards. Seventeen awards were given to local theatre artists and productions whose nominations were culled from the sixty-six Sonoma County productions attended by members from September 1, 2017 through August 31, 2018. ...

Word Crimes

God bless all the actors who aren't there because of their looks. The literally catty tragicomedy Can You Ever Forgive Me? commences nicely with Melissa McCarthy playing Lee Israel, surly, shabby and frumpy at a publisher's office—meeting a deadline at 3am with the help of a big glass of something on the rocks. She's fired for drinking on the job,...
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