Inner Sanctuary

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A just-signed bill authored by California state Assemblyman Marc Levine has given the state another bulwark against the Trump administration’s zero-tolerance immigration policies and expands the state’s social safety net for undocumented immigrant youth.

AB 2642 makes it easier for out-of-state nonprofit organizations to care for undocumented youth in California, potentially keeping them out of detention centers, “and helping them obtain special immigrant juvenile status,” says a Levine statement, “that allows them to remain in the country legally.”

Levine’s law builds on previous legislative efforts undertaken in the state to provide safeguards for vulnerable immigrants who are aging out of the state’s foster-care system and could be subject to deportation. In 2014, Levine authored the immigrant-friendly AB 900 which, according to a statement from Levine’s office, “aligned state law with federal law by providing probate courts with expanded jurisdiction for youth, who are older than 18 and younger than 21, and who are also eligible to apply for Special Immigrant Juvenile Status (SIJS).” Brown signed that bill in 2015, and Levine says it’s helped thousands of vulnerable youth in the state.

His latest bill builds on the SIJS asylum bill by expanding the available social services net to undocumented youth. Until now, only nonprofits incorporated in California could serve as a legal guardian for unaccompanied minors. Levine’s bill allows out-of state nonprofits operating in California “help meet the growing demand to protect immigrant children that is straining the capacity of California-based organizations.”

In an interview, the three-term state assemblyman, representing California’s 10th district, echoes other empathic electeds and Californians who have taken note of the Trump family-separation policy and are troubled by the advent of detention centers for immigrant youth amid ramped-up deportation efforts underway by federal officials. The state has itself passed a set of “sanctuary state” laws which have been upheld of late in federal court.

When it comes to what actual powers the state’s sanctuary bill conveys, Levine says it’s a great question and that he’s often engaged in conversations with his wife to the effect of, “Are you doing everything that you can to stand up to the Trump administration?”

Short of physically putting himself between Immigration and Customs Enforcement agents and immigrant children, he highlights that it’s crucial for elected officials to “bear witness” to the numerous facilities spread throughout the state that are currently housing immigrant youth.

Trump’s Department of Justice sued the state over its sanctuary law last year. It’s been a useful tool for law enforcement agencies to the extent that it forbids local law enforcement from turning detainees over to ICE agents.

Levine recently visited a facility in San Bernardino, which he describes as an “eye-opener. We are pulling people out of communities and detaining them in the desert,” he says, “far from the public eye and media attention. It’s dangerous for these facilities to be in the middle of nowhere,” he says, and all the more crucial for officials to inspect the facilities under the unfolding immigration crisis sparked by Trump’s policies. “We must bear witness to the detention centers,” he says as Trump uses his Department of Justice to “mold the U.S. into his twisted vision.”

Several weeks ago the Bohemian and Pacific Sun reported on a detention center in Fairfield which predates the Trump era, the BCFS Health and Human Services facility. That center has been used to house youths who have been (unfairly, it turns out) suspected of gang affiliation, and who are also undocumented.

Without criticizing the Fairfield facility, Rachel Prandini, a staff attorney at the Immigrant Legal Resource Center and Legal Services for Children, both in San Francisco, says the Levine bill could provide a measure of protection for any resident at that facility who reaches the age of 18 and ages out of the facility, and might be picked up by ICE. “It is possible that it could help kids there,” says Prandini.

Levine’s bill arrives on an immigration landscape that’s been upended by Trump’s zero-tolerance policies. The assemblyman says he held off on introducing his bill in order to keep distinct the difference between the recent family separation crisis and immigration policies that predated recent moves undertaken by Trump’s Department of Justice. The Fairfield facility has been operational since 2010.

“They are separate and distinct in that we are trying to keep children out of detainment facilities,” he says, “so that they could pursue legal status in California and remain here instead of being deported.”

His previous immigrant-focused bill, says Levine, provided a measure of asylum for youthful undocumented immigrants in the state who were fleeing violence in countries such as Honduras and El Salvador. “We had problems with the challenge of children fleeing horrific, terrible situations in other countries and coming to California where there was no social safety net for them. They were preyed upon by organized crime,” he adds, and AB 900 afforded those youth a legal guardian for three years after they turned 18.

“Those years would give them time to get legal status.” The bill’s been a big success, he says, and the immigrant-rights organization the Canal Alliance in San Rafael estimates that some 50 children have been protected by SIJS locally, “and thousands of children across California.”

Sonoma Says No

As tourists filled tasting rooms and boutique shops in Sonoma Plaza, citizens of Sonoma gathered at city council chambers on Monday, weighing a proposal to allow cannabis dispensaries to operate in the city.

The five-member council denied the proposal by a vote of 3–2, but ordered a report outlining the major effects of medicinal marijuana on the community, postponing the matter until November 2020.

The assessment must be presented to the council within 30 days, and could cost the city up to $25,000. Vice Mayor Amy Harrington, who voted for the initiative, requested a motion to cap the study at $10,000. However, that was denied by a 3–2 vote.

Members of the council cited their concerns over fiscal, law enforcement and traffic impacts that medical cannabis dispensaries could have on Sonoma as primary factors in not adopting the resolution brought forth by the Sonoma Citizens for Local Access group, headed by resident Jon Early.

Early grew tired with the perceived “lack of forward momentum” from the city and took matters into his own hands. He collected more than 700 signatures to bring the initiative in front of the city council.

“The main benefit for the city of Sonoma is access,” Early said. “Local access.”

Sonoma currently allows for the personal cultivation of up to three cannabis plants, and earlier this year voted to approve the delivery of medical pot within the city, but Monday’s vote further stymies efforts for a local dispensary.

More than 60 percent of Sonoma residents voted in favor of Proposition 64, a higher percentage than Sonoma County and the state of California, respectively.

The issue drew no shortage of public speakers, as residents expressed their fears that dispensaries could attract unwanted elements to the area and that businesses could potentially use the city as “an ATM machine” without proper taxes.

Councilmember David Cook, who voted against the initiative, worries that dispensaries could threaten Sonoma’s status as “the jewel of Sonoma County.” During the meeting, Councilmember Rachel Hundley, who voted in favor of the initiative, said the presence of a medical-marijuana dispensary is something the city envisions as a “small, owner-involved operation.”

Early contends the motion for denial by the city council is a way to “circumvent” his group’s ordinance in favor of an ordinance presented at the meeting by Hundley.

“It’s difficult to accept their motives—or their ulterior motives,” he said. “Their choice today does nothing more than kick the can further down the road on this issue.”

Play On

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Jukebox musicals have become the bread and butter for a lot of community theaters. Minimal casts, simple sets and the built-in audience that comes with a show about a popular singer or musical group are tough for an artistic director to resist.

In 1988, playwright Ted Swindley took 27 songs recorded by Patsy Cline and created Always . . . Patsy Cline, running now at Sonoma Arts Live through July 29. Not so much a musical biography as a snippet of Cline’s career as seen through the eyes of her biggest fan, it covers the six years from her appearance on Arthur Godfrey’s television program till her death at age 30 in an aviation accident.

Louise Seger (Karen Pinomaki) fell in love with Cline’s music the moment she heard it on a Texas radio station. When she hears that Patsy (Danielle DeBow) will be making a local appearance, she and some friends hightail it to the Empire Ballroom to discover no one’s there, but Patsy. They strike up a conversation and become fast friends. Patsy ends up spending the night at Louise’s before heading back out on her tour. They regularly corresponded after that night, and it’s those letters that are the basis for the show.

DeBow is a gifted vocalist who, in conjunction with her backup singers “The Jordanaires” (Sean O’Brien, F. James Raasch, Michael Scott Wells, Ted von Pohle) and musical director Ellen Patterson and a six-piece band, delivers a quality evening of Cline’s greatest hits, including “Sweet Dreams” and “Crazy.” The songs are interspersed with Louise’s musings about her life and her love for Patsy. Pinomaki is very entertaining as the bombastic, big-haired Louise, though there are moments where less would be more.

Director Michael Ross, who’s directed a few female-centric musicals in his day (Gypsy, Little Women, etc.) shows a real mastery of the material here. Also responsible for costumes and some of the set design, he gets almost everything right. Costume work is stellar, as DeBow must go through a dozen changes throughout the evening, with each one colorfully evoking period and personality. The two-level set/three-sided audience design is interesting, but it leads to some awkward blocking and audience perspectives.

Terrific performances, colorful design work and classic Americana combine to make Always . . . Patsy Cline one of the best jukebox musicals I’ve seen on a North Bay Stage.

Rating (out 5 five): ★★★★

The Golden Era

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It’s been a tough summer for food writers. Last month, Anthony Bourdain took his life in a French hotel room, and this past weekend came the sad news that Los Angeles Times food critic Jonathan Gold died from pancreatic cancer. He was 57.

Gold began his career at the LA Weekly, where he won a Pulitzer Prize in 2007. He helped pave the way for Bourdain and scores of other food writers like me who looked not to white tablecloth restaurants with $450 tasting menus for great food, but holes-in-the-wall with greasy, laminated menus where English was usually a second—or third—language. While he wrote expertly of upscale restaurants, he was at his best when he probed the outer burgs of San Fernando Valley and the myriad family-run restaurants and food carts that featured cuisine from seemingly every corner of the world. By decoding and demystifying the polyglot cuisines and cultures of greater Los Angeles, Gold made the city feel smaller.

And he did it with great storytelling that not only made you hungry, but opened your eyes to a wider world filled with people struggling to survive, enjoy life and hold on to what is precious to them—people just like you.

Like any good critic, Gold’s writing was about more than his subject at hand. His reviews went beyond what to order at this or that taqueria or Korean barbecue joint. They were about nothing less than our shared humanity. Gold had an insatiable curiosity for the people and food of Los Angeles that make it a great city. He plumbed the depths of L.A.’s ethnic diversity, demystifying and celebrating what may have seemed foreign and weird, but was really just someones’s mom or dad’s home cooking.

Gold was a fearless diner who showed us there was really nothing to fear at all. He ate with gusto and dove headlong into the unknown with love, curiosity and compassion. America could use a lot more of that spirit right now.

I hope the taco trucks and dumpling shops are open 24/7 wherever you are, Jonathan.

Stett Holbrook is the editor of the ‘Bohemian’ and the ‘Pacific Sun.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: July 25, 2018

C Change

The “No on C” side conducted a campaign of disinformation that intentionally created confusion (“Full Measure,” July 18). I was polled three times over the course of several months prior to the election, and had one paid campaigner come to my door after that. The first poll surveyed what issues people in Napa County did and did not like. Then the “No on C” folks claimed in their advertising that Measure C would cause all the things the poll covered that people didn’t like.

They also claimed that they were in support of sustainable agriculture, which, of course, people like me, who they surveyed that first time around, favored. Overuse of our water and the loss of significant watershed habitat does not, however, help sustain agriculture over the long haul.

The next two polls were push-polls designed to tilt people into opposition of Measure C, again by spreading disinformation based on what people did and didn’t like in the first poll.

It was the worst form of propaganda, pure and simple, paid for by moneyed interests.

Calistoga

Time Has Come

The recent U.S. Supreme Court ruling denying Sonoma County’s petition for certiorari in the Andy Lopez matter was welcome news to many, especially when taken in the light of recent rulings by this present “activist” conservative court, which has not hesitated to weigh in on matters regarding the extension of the concept of qualified immunity for police officers.

That our five Sonoma County supervisors would cast a yes vote to appeal this sad case to the highest court in the land is indicative of a serious disconnect with the community and reality. But the most egregious side effect of their poor decision is the prolonged hurt that it has caused the Lopez family. When juxtaposed against the viable alternative of settlement, this becomes all the more outrageous.

The time has come for the supervisors to face reality that settlement of this matter is the best option for catalyzing the healing process. Our county owes the Lopez family at least this much—and so much more.

Sebastopol

Promise Broken

Prior to the last election for First District supervisor, I was on a committee of five from the Sonoma County Democratic Club. We interviewed all candidates running for the position. We directly asked supervisor Susan Gorin what she thought of marijuana and where she thought it should be cultivated in Sonoma County for commercial businesses. Her reply: it should be grown in industrial, self-contained areas and not in rural residential neighborhoods. Do your research. Read the paper. Susan Gorin has not kept her campaign promise to our committee as to where commercial marijuana should be cultivated.

Santa Rosa

Write to us at le*****@******an.com.

Music Streamer

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Born in Sonoma and now living in Santa Cruz, songwriter and bandleader Marty O’Reilly has gained a reputation as one of the region’s hardest working troubadours, leading his quartet, the Old Soul Orchestra, on countless tours since 2014 and releasing one of this year’s most dynamic albums, Stereoscope, back in February.

This summer, O’Reilly takes a break from his fast-paced touring life to spend time camping and writing music in an Airstream trailer on Mt. Tamalpais as part of a songwriting residency, which includes a concert on Saturday, Aug. 4, at Sweetwater Music Hall in Mill Valley.

“It was all kind of last-minute,” says O’Reilly. “[Airstream] hit me up, and it worked out perfectly.”

O’Reilly is the inaugural participant in Airstream’s new Artist-in-Residence Project, one of several lifestyle marketing campaigns the company has launched, and was chosen from a field of over 50 up-and-coming artists.

Having just returned from a massive European tour in support of Stereoscope, O’Reilly happily took advantage of the opportunity to temporarily relocate to the Marin hills.

“One of the cool things about this is that Airstream has been really relaxed. There’s no sense of pressure, which is important to being creative,” says O’Reilly. “If you’re going to make something good, you can’t feel like you have to meet some quota; it’ll be forced.”

Though Airstream’s sponsorship means that video crews occasionally come up to produce content with O’Reilly performing in and around the trailer, the songwriter spends as much time barbecuing and hiking as he does writing new material. “I want to write a lot of new music and I’m being productive, but I don’t feel like I have to be productive,” he says.

Musically, O’Reilly is also looking to change the pace. Stereoscope was a lush, complex and adventurous record, but, O’Reilly says, “I don’t want to make that record again, I don’t want to make another record like it, and I don’t want to do anything like my first record either. I’m trying to think and feel about what I want from this next piece of work.”

Additionally, O’Reilly says his isolation on Mt. Tam and his interactions with residents of Mill Valley led to several existential conversations about the meaning of art and music.

“My mantra right now, creatively, is to give yourself permission to enjoy what you’re doing and make art for the fun of it.”

Sour Note

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A familiar drama unfolds every summer as my father attempts to save a small crop of cherries from two little trees from attack by air: it’s man vs. mockingbird.

Typically, the birds get their fill of cherries, occasionally fluttering about unhelpfully while the man patiently shows them out from a patchwork of netting they got themselves trapped inside in their gluttony, as if the indignity was theirs alone.

Finally, last year he got a bumper crop when we wrapped the tree, like a mummy, in agricultural fabric. Looks weird, but it works, and I commemorated the success by fermenting my share, about a pound of black Tartarian cherries, in a five-gallon batch of saison-style homebrew. I’d like to think they added a bit of fruit nuance, but it’s nothing like Lagunitas Brewing Company’s Cherry Jane sour ale, a “One Hitter” release in stores now in six-packs of 12-ounce bottles.

Brewed with what they call Turkish Delight cherry juice (which has the added summer-day utility of recalling a cool day in Narnia), it’s a vivid pink hue, like a dark rosé wine, but refreshes with a sousing factor of just 5.5 percent alcohol by volume (abv). While a bit austere, like crushed black cherries in galvanized metal, the aroma is also reminiscent of good German lager, and the sweet cherry flavor just rounds out the dry, puckery finish. It’s got a little Brettanomyces, but like other brews from Lagunitas’ funky forays, it’s not really that funky—maybe a bit extra tart.

Hoping to find a seasonal trend, I head to Sebastopol’s Crooked Goat, which is comfortable in the fruit-beer niche. “I don’t think any of us think of ourselves as beer snobs,” says head brewer Will Erickson. “Beer should be fun!” As a starter for non-beer drinkers in the company of beer fans, as their license doesn’t allow let them to serve local ciders or wines, Crooked Goat offers the raspberry-pink First Crush (5.0 abv). It’s a hit four times out of five. First Crush, made with puréed berries from the Pacific Northwest, smells like fresh raspberries. Although it contains no hops, I get a sense of spice from the berry seeds.

Up the road in the Barlow, Woodfour Brewing Company is just getting ready to brew its sour farmhouse ale from locally grown strawberries. Meanwhile, Anderson Valley Brewing Company’s Framboise Rose gose is a lightly tinted pink, lightly strawberry flavored, salty refreshment at
4.2 percent abv.

On a gose note, I’m looking forward to Fogbelt Brewing’s Margarita-style gose, brewed with lime and tequila oak, due in cans in early August. If the birds leave me some wine grapes, I just might make it my official beer of this year’s harvest.

Film with Terroir

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‘We are shining a light on the folks,” says Brooke Tansley, executive artistic director of the newly launched Folklight Film Club. A Sonoma County–based film production company, Folklight has created the first wine club–inspired experience to be centered on making a movie.

Tansley, a veteran actress and producer who previously heralded the Sonoma Laughfest, got the idea after getting to know the wine industry through her husband’s work in the North Bay.

“We started seeing parallels between the entertainment industry and wine,” Tansley says. “The purpose of storytelling as a tradition is to strengthen the bonds of a community through experiences and wisdom, and to pass that on. The values in fine winemaking are the same thing.”

For Tansley, wine is all about the shared moments between people—much like the experience of seeing a film in a packed theater. “I started thinking,” she says, “what if we made a wine club, but we made movies instead?”

Similar to the way a wine club offers members exclusive access to a winery and special events not available to the public, Folklight Film Club’s plan is to feature behind-the-scenes access to filmmaking. For a quarterly fee, members can participate in and influence a full-length feature film production from script to screen.

The first thing club members will do is share their own ideas and/or personal experiences that they would like to see on the big screen. From there, Folklight will commission a professional screenwriter to craft a script that will then get the full filmmaking treatment. Other scheduled film club events include a cast and crew panel discussion, a concert featuring music from an original soundtrack for the film, a gallery viewing of art inspired by the film and eventually a red carpet premiere.

Tansley points out that this community-driven model of filmmaking is antithetical to traditional filmmaking, where a single writer, director and studio come up with an idea and then go about producing it. “We are creating the infrastructure to making the film before the film exists,” she says.

Membership enrollment is open now to residents of Sonoma, Napa, Marin and Mendocino counties, though space is limited and enrollment closes after the summer. The two-year membership, including all the events and engagement, is $79 quarterly and discounts are available for making yearly or one-time payments, and for pairs or groups.

“What we’re going to end up with is a feature film that we are calling the first farm-to-table film, or work of ‘film terroir,'” says Tansley, who admits she has no idea at this point what filmic possibilities could come from this endeavor.

“We are going to have a film that is going to capture who these people are at this place and at this time. It’s going to be really exciting to see what story we end up telling.”

For more details on Folklight Film Club and to sign up now, visit folklightfilmclub.com.

New Documentary on Tubbs Fire Premieres in Santa Rosa

Sonoma County Sheriff Rob Giordano and Santa Rosa Fire Chief Tony Gossner were among those in attendance last night, Thursday, Jul 19, for the world premiere of the new documentary “Urban Inferno: The Night Santa Rosa Burned” at the Roxy Stadium 14 in downtown Santa Rosa.
Now screening daily at the nearby Third Street Cinemas, the 40-minute, locally-produced documentary recounts last October’s devastating Tubbs Fire, the most destructive wildfire in California history, and focuses on the initial impact of the fire on Santa Rosa.
Speaking alongside director Dr Stephen Seager, a longtime Santa Rosa resident, and co-producers Metta Seager, KSRO president Michael O’Shea and KSRO news director Pat Kerrigan and others, the sheriff and fire chief took questions from the local crowd who attended the sold-out premiere and heard from others who shared their experiences.

Told through on-camera interviews and raw video compiled from cell phone footage, police body cameras and other sources which captured the firestorm that swept through parts of Santa Rosa in the late night and early morning of Oct 8-9, 2017, “Urban Inferno” is at times harrowing and heartbreaking, though it deftly tells the complex story of the unprecedented event and highlights the heroism that rose up to meet the chaos. In particular, the film explains how Gossner’s decision to focus on evacuation over firefighting likely saved hundreds of lives.
“Urban Inferno” also shines light on the work of the news staff at KSRO 1350 AM, who broadcasted commercial-free for 24 hours a day as the fire unfolded and who largely became the only line of communication for thousands of Santa Rosans forced to flee their homes.
For some in the audience, the screening was a raw reminder of last October’s events, and footage of destruction was met with gasps at times, though the film takes a respectful and hopeful tone. “Urban Inferno” opens today, Jul 20, with regular screenings, and all proceeds from the premiere and the subsequent screenings will go to the Sonoma County Resilience Fund. Click here for times and tickets.

Kaiser Evacuated, Highway 101 Closed

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All patients and staff at the north campus of Kaiser hospital in Santa Rosa were evacuated Wednesday afternoon after a tanker truck carrying liquid oxygen crashed into a hospital building and sparked a brush fire. Highway 101 at Mendocino Avenue was also closed in both directions near Mendocino Avenue. There were no immediate reports of injuries.

This is second time in nine months that the hospital has been evacuated. The facility was evacuated in October after last year’s fires threatened the medical campus.

Inner Sanctuary

A just-signed bill authored by California state Assemblyman Marc Levine has given the state another bulwark against the Trump administration's zero-tolerance immigration policies and expands the state's social safety net for undocumented immigrant youth. AB 2642 makes it easier for out-of-state nonprofit organizations to care for undocumented youth in California, potentially keeping them out of detention centers, "and helping them...

Sonoma Says No

As tourists filled tasting rooms and boutique shops in Sonoma Plaza, citizens of Sonoma gathered at city council chambers on Monday, weighing a proposal to allow cannabis dispensaries to operate in the city. The five-member council denied the proposal by a vote of 3–2, but ordered a report outlining the major effects of medicinal marijuana on the community, postponing the...

Play On

Jukebox musicals have become the bread and butter for a lot of community theaters. Minimal casts, simple sets and the built-in audience that comes with a show about a popular singer or musical group are tough for an artistic director to resist. In 1988, playwright Ted Swindley took 27 songs recorded by Patsy Cline and created Always . ....

The Golden Era

It's been a tough summer for food writers. Last month, Anthony Bourdain took his life in a French hotel room, and this past weekend came the sad news that Los Angeles Times food critic Jonathan Gold died from pancreatic cancer. He was 57. Gold began his career at the LA Weekly, where he won a Pulitzer Prize in 2007. He...

Letters to the Editor: July 25, 2018

C Change The "No on C" side conducted a campaign of disinformation that intentionally created confusion ("Full Measure," July 18). I was polled three times over the course of several months prior to the election, and had one paid campaigner come to my door after that. The first poll surveyed what issues people in Napa County did and did not...

Music Streamer

Born in Sonoma and now living in Santa Cruz, songwriter and bandleader Marty O'Reilly has gained a reputation as one of the region's hardest working troubadours, leading his quartet, the Old Soul Orchestra, on countless tours since 2014 and releasing one of this year's most dynamic albums, Stereoscope, back in February. This summer, O'Reilly takes a break from his fast-paced...

Sour Note

A familiar drama unfolds every summer as my father attempts to save a small crop of cherries from two little trees from attack by air: it's man vs. mockingbird. Typically, the birds get their fill of cherries, occasionally fluttering about unhelpfully while the man patiently shows them out from a patchwork of netting they got themselves trapped inside in their...

Film with Terroir

'We are shining a light on the folks," says Brooke Tansley, executive artistic director of the newly launched Folklight Film Club. A Sonoma County–based film production company, Folklight has created the first wine club–inspired experience to be centered on making a movie. Tansley, a veteran actress and producer who previously heralded the Sonoma Laughfest, got the idea after getting to...

New Documentary on Tubbs Fire Premieres in Santa Rosa

Locally-produced "Urban Inferno: The Night Santa Rosa Burned" begins daily screenings.

Kaiser Evacuated, Highway 101 Closed

All patients and staff at the north campus of Kaiser hospital in Santa Rosa were evacuated Wednesday afternoon after a tanker truck carrying liquid oxygen crashed into a hospital building and sparked a brush fire. Highway 101 at Mendocino Avenue was also closed in both directions near Mendocino Avenue. There were no immediate reports of injuries. This is...
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