Letters to the Editor: March 13, 2019

Floating Away

I’m glad to see the Bohemian begin to introduce your readers to the fast-approaching floating offshore wind industry (“Full Tilt,” Feb. 27).

Going forward, it would be useful to see a more balanced coverage of something that may well permanently industrialize significant portions of California’s coastal waters, rather than a reprint of the industry’s own public relations while failing to mention its sometimes adverse impacts on our natural world.

One of the key entities behind the emerging PR blitz for floating wind cited in the Boho story says it exists to help the oil and gas offshore oil and gas drilling industry “diversify” its portfolio of projects. Not surprisingly, since one of the most probable dominant bidders for offshore tracts in California waters being offered by Trump’s Bureau of Ocean Energy Management (BOEM) recently dropped the word “oil” from its corporate name. And unfortunately, the recent federal government shutdown cut short the public comment period for the Humboldt and Morro Bay coastal wind lease offerings so severely that even key agencies were unable to comment, while requests for an extension of the comment deadline went unheeded by BOEM.

As with any major irreversible planning decision, sound science should be guiding the public and our decision makers, but a lot of the relevant scientific questions about stray electrical fields in ocean waters from unhooked “plug and play” power cables; about whale entanglements amid the virtual net of seafloor anchor cables; about attraction of—and potential damage to—sensitive species of at-risk seabirds; and about how to ensure safety where commercial fishing overlaps (or is displaced by) the proposed wind leases, still remain unanswered.

Offshore wind projects would inevitably have onshore impacts if they are to deliver power to sites on land, meaning more transmission lines and infrastructure. Any rational energy strategy for the future of our state should include energy-efficiency and energy-conservation implementation, rather than blithely ignoring that part of the equation.

When we know that the industrial supply chain for floating offshore wind is comprised almost exclusively of some of the biggest firms in the global offshore oil drilling complex, when so many of the wind bidders here will be oil companies, and in a world where fracked natural gas is being wastefully burned off and thrown away at record rates by “flaring” in various states, a PR-fueled rush to exploit our most productive coastal upwelling waters might benefit from being just a bit more precautionary and science-based than is presently being suggested by its paid cheerleaders.

Bodega Bay

Air It Out

I am once again disappointed with Will Carruthers’ lazy reporting on the fire-debris-removal scandal involving AshBritt and other contractors (“Dirty Business,” March 13). There is a real story here: the excessive charges for debris removal are scandalous, and the statement by state’s emergency services director that debris-removal contractors defrauded the state demands real investigation. The issues raised in the new lawsuit against AshBritt and Tetra Tech demand investigation. But instead of real investigation, Carruthers gives us another loosely woven house of straw built on innuendo and implied (but never documented) collusion.

The latest article implies something is amiss with the county’s new emergency manager, Christopher Godley, because he didn’t update his LinkedIn profile and because other employees working for a separate division of Godley’s prior employer (Tetra Tech) evidently falsified hazardous materials testing results on a San Francisco development project. What kind of guilt-by-association hokum is that? I worked with Chris during his prior employment with Sonoma County, and he was a model of professionalism and integrity.

And, of course, the article concludes with another of Carruthers’ obligatory swipes at Darius Anderson for reasons that remain unclear. If there’s really “something” there, let’s air it out. Our community deserves better reporting on these issues.

Santa Rosa

Write to us at le*****@******an.com.

Mill Valley private-equity exec named in college-admissions criminal scam

William E. McGlashan, a Mill Valley resident and executive at the private-equity giant TPG, has been named in a sweeping set of indictments issued this that allege that he and dozens of other parents paid off college admissions off…..  

The Good Seeds

Today’s pot is hardly the skunkweed of the ’80s. While this won’t be news to many, I wonder if people realize the complexities involved in growing today’s designer weed, medicinal or recreational. I certainly didn’t when I set out to write a novel featuring a medical-marijuana operation.

The Wolf Tone takes place in 2011 Montana, ancient history by industry standards. These were the days of the cannabis caravan, a roving convoy of RVs and trailers that traveled the state, setting up in box-store parking lots to offer patients a one-stop shop. State law was hazier back then. One of the FAQs on the state health and human services website was whether a tenant had to tell his landlord if he was growing weed. The answer? The law was “ambiguous on the matter.”

Banks were willing to issue business loans to providers, so long as they were in compliance with the state laws, murky as they may be. Private equity backers were interested in Montana commercial growers. Providers were interviewed on television, allowing the public to scrutinize this new form of entrepreneur.

Through extensive interviews with my brother, who had a small grow in Oregon, I learned the mathematical side of plant cultivation. He had three plants under two high-pressure sodium (HPS) lamps that yielded close to three pounds of product every harvest. I learned the difference between indica and sativa strains—indica will put you on the
couch, while sativa can offer a functioning high.

I filled a notebook with equations: X number of HPS lamps could take this number of plants, which would equal a predictable yield. A lot could go wrong. Spider mites, for instance. Plant mold. Like most specialized growers, one who concentrates on a particular strain, my brother had his own brew of nutrients and products he used to combat mold and pests.

Growing cannabis is complex. The flowering females need a period of 12 hours in darkness to begin forming buds. Once the plants are ready for harvest, they must be cured. Cure time effects THC levels, and thus the quality of the product.

My brother believed in a long, slow cure at room temperatures between 60 and 70 degrees. Three weeks total, give or take. He could tell when his flowers were ready to be cut by the feel of the buds and the crispness of the branches. After trimming, he would pack the flowers in large glass jars for the final weeks of cure, airing them out multiple times a day.

People have gotten better at growing dope, just as we’ve gotten better at cultivating organic apples and designing energy efficient homes. Getting better at stuff is what our species does.

Source: Alternet.

Space Force

Expert script-flippage gives texture to the heartfelt female empowerment message within Captain Marvel. It begins as a war-on-terror movie, with an extraterrestrial military gearing up for a mission against the shape-shifting Skrulls, hiding among the locals on a planet that looks like Afghanistan. Later, we arrive at our more current malaise when the film’s true villain starts talking of aliens who “threaten our borders.”

Brie Larson’s brown-eyed and appealing underplaying sells this material, which isn’t the freshest. She is called “Vers,” an amnesiac soldier of the outer space Kree empire, with the ability to blast photon rays from her fists. After a skirmish, Vers falls to earth like a comet into 1990s North Hollywood.

The ruckus summons America’s top secret agent Nick Fury (Samuel L. Jackson, digitized to a younger form and still possessing both eyes). The corpse of a dead Skrull convinces Fury of Vers’ story. As they try to round up the aliens, the jagged bits of Vers’ past keep flashing back: she recalls her former life as an air force fighter pilot, and she recalls her lifelong friendship with her fellow pilot Marie Rambeau (Lashana Lynch).

Larson and Jackson have a smooth rapport. If Larson brings in a great deal of feeling to the role, she also brings some playfulness. Our heroine can be slightly bratty, pestering Fury at a bar about why he thinks everyone should call him by his last name—an echo of all the raffish word-bandying that went on in Pulp Fiction. “And what will your kids call you?” “Fury.”

Despite some starchy Louisiana heartland sequences, this is an effective fantasy of power used with grace and without arrogance. Captain Marvel isn’t as supermacha as GI Jane or Starship Troopers, however; the movie is not about Vers becoming a good, disciplined soldier. She finds her independence at last.

When Captain Marvel is over, one notes that a conventional romantic lead isn’t here, and also wasn’t missed. Directors Anna Boden and Ryan Fleck, and the five credited writers give this heroine’s journey the same attractive solitude that male heroes—super and otherwise—have enjoyed in the movies forever.

‘Captain Marvel’ is playing in wide release in the North Bay.

Dark Matters

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In a Feb. 27 letter to the editor of this publication, a theater patron decried one North Bay company for its tendency to program shows with dark themes that portray men and women at their worst. The letter writer went on to suggest attending a then-running show at Santa Rosa’s Left Edge Theatre. That patron may want to skip what’s running there now through March 24.

The Nether is playwright Jennifer Haley’s look at a not-too-distant future where the internet has evolved into a virtual realm that is rapidly replacing components of the real world. Students don’t go to schools anymore. Vacationers don’t travel anywhere. They all just “plug in.”

Within the Nether, there’s a deeply hidden place called, appropriately enough, “the Hideaway,” where visitors can indulge in their every whim and lead “a life without consequence,” because it all just happens in the participant’s minds. It’s the invention of a man named Sims (Chris Schloemp) who designed it as a way to deal with his pedophilia. If he can satisfy his urges through avatars created by other consenting adults, is anyone really hurt?

An investigator named Morris (Leila Rosa) seems to think so, and a great deal of the play involves her interrogation of Sims and a weary Hideaway visitor named Doyle (David Yen). The rest of the play takes place in that virtual world, a Victorian home whose main occupant is an 11-year-old girl named Iris (adult Lana Spring). The arrival of a new visitor (Jared N. Wright) brings both worlds crashing down.

“Policing the internet” is a phrase we hear often these days, and Haley takes that thought and runs with it in provocative and challenging ways. I’ve revealed little of the details and direction that this show eventually goes, but enough in the hope that you won’t feel the need, as several audience members did at the performance I attended, to exit at intermission.

I’m not sure why director Argo Thompson inserted that intermission in this originally 80-minute show, but I think it suffers for it. This is a show best experienced in a single, uninterrupted and, yes, uncomfortable sitting.

It’s got a generally strong cast handling very difficult material, though Rosa’s investigator seemed to be channeling Jack Webb at times.

Theater doesn’t get any tougher than The Nether. It’s not for everyone, or maybe anyone, but if you do attend, prepare to be bothered.

Rating (out of 5): ★★★½

Still Bleeding Blues

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Bill Bowker: it’s a name that’s fun to say, and one familiar to residents across Sonoma County. His voice is just as familiar, and contributes to the longevity of his show, Blues with Bowker, celebrating 40 years on the radio March 16.

Bowker has been involved in radio longer than that, though. “As a young kid with my folks, I came out to Southern California, and in 1961 is when I went to radio school,” he says. “I heard Howlin’ Wolf do a song called ‘Evil,’ and it was pretty scary to me as a kid, but what was crazy was that a song could affect me so much.”

It was after hearing this rough, gravelly blues song that Bowker really began delving into the world of blues and radio. After getting his license from broadcasting school, he went to work for a country station in 1969. “That weekend was Woodstock, that weekend when I first got hired,” Bowker laughs.

During this same time, FM radio was developing as a creative space. “What we called ‘freeform radio’ was emerging. It allowed us to play whatever we wanted, because it was so new and unexplored,” he says.

In 1979, the station he worked for expanded to KVRE in Sonoma County, and Bowker traded Los Angeles for Northern California. “When we came up here it was like freedom again, it was a place where we could make something happen. It gave us a chance to do something here,” Bowker says.

What he did was take part in a radio show that has kept from succumbing to the world of mainstream music. Bowker eventually moved from KVRE to the Krush, 95.9-FM, where Blues with Bowker broadcasts weekdays from 3pm to 7pm and Sundays from 7pm to 9pm.

“Blues music is initially how I realized my affection for music,” Bowker says. “The music is so free—I like that freedom.” Though he has a fondness for the blues, what he really has an affection for is the song. “It’s about quality, not genre,” he says.

This is evident on his weekday show, which plays music stretching from rock to Americana, and often features local artists. “I just think, this is something I like, and I hope I can expose it and I hope it works,” he says.

Forty years later, it’s safe to say it does.

Surfin’ Curds

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By late January, it was clear that I was not on track to meet my New Year’s dietary goals, so I cast about for any possible culprit besides my own self-discipline.

My eyes landed on the plate of cheese I’d enjoyed almost nightly with crackers, maybe a little secchi salami, and maybe a little wine. No, not the cheese! Suppose it was the crackers?

“A small amount of fat is better than a slice of bread,” Maureen Cunnie tells me. Cautioning that she is not a nutritionist, but operations manager at Cowgirl Creamery, Cunnie affirms that I’m behind the times if I feel guilty about indulging in their double-cream cheese products because of the bad rap on fat.

“Well, that trend is actually changing very rapidly. There’s high demand for high-protein, high-fat foods, and away from overly processed foods.” Matter of fact, says Cunnie, a nationwide cream and butter shortage is looming as a result.

Cheese is definitely part of an everyday diet, says Cunnie. “Cheese is very nutritious, it has fat and protein. If you’re athletic or into working out or doing cross training, you need both that fat and protein to retain muscle.”

I’m getting an idea, since the endless steak-scarfing of low-carbohydrate diet schemes like Atkins, or various “paleo” concepts, just feels a bit tedious. Why not, instead of gnawing on ribs in some spurious version of the Upper Paleolithic, move the clock forward a few thousand years to the pastoral era?

Pastoralism is more than a pretty picture. For thousands of years pastoral societies in Africa, Asia and Europe have herded goats, sheep, yaks—you name it, it’s got milk, they herd it—and made various fermented products. Borrowing a page from controversial “keto” diets, where the idea is to focus the body’s attention on fat, I’ll go further and bastardize food philosopher Michael Pollan’s “eat food” precept: Eat cheese. Lots of it. Go nuts.

A rigorous survey of online resources—or the first page of Google results, where any modern chump gets his healthcare information—turned up just one mention of pastoralism writ as fad diet, and trademarked, no less: “The Pastoral Life—Home of The Pastoral Diet™ & Movement Plan.” (Consult the digital influencer of your choice, or better yet, a doctor, before beginning any new diet.)

Unfortunately, the author let the site’s hosting expire shortly thereafter, but from what I remember it goes like this: I can eat plenty of cheese if I mimic the active lifestyle of a wiry herdsman leading his flock around the mountains. And oh yeah, a little goatskin flask of wine is absolutely OK.

That’s it. I’m sold.

Soon, I’m pushing my herd uphill to greener pastures on Point Reyes-Petaluma Road. Though it’d be a kick to run a bunch of bleating sheep down D Street, my herd is actually two wheels on a steel-frame road bike. But I’m climbing hills in cow country, all right, and the cars that pass me do exhibit curious herding behavior, following each other almost nose to tail on this well-worn trail.

My first stop is Marin French Cheese, founded in 1865 when, apropos, a sudden demand for a high-protein egg alternative was filled with the Petite Breakfast Cheese. The hot tip here is to get the discounted off-weighted samples. I catch a round of Schloss that’s still sliceable and move on.

I learn from my friendly cheesemonger at Cowgirl Creamery that their aromatic Red Hawk is only made in Point Reyes Station because it wouldn’t ripen the same in another environment. I opt for Wagon Wheel, which is like a fontina but more rich and buttery.

A detour to Nicasio Valley Cheese nets a rare hunk of aged San Geronimo—fine-textured, less buttery but almost smoky, with a meaty umami quality. Cheesemaking at this creamery, which has Swiss-Italian heritage, can be viewed through a window while one nibbles on samples.

Back in town, I find something besides cheddar and ice cream at Petaluma Creamery—a dry Jack goat cheese that’s flaky and tangy.

Midway up a treacherous path in the hills of West County—Occidental Road—the tiny shop at Bohemian Creamery is packed with artisan treats like Bo Peep. Now this looks like something an old shepherd pulled out of his rucksack, but it’s creamy under the rustic-looking rind, like Toma. In town, Sebastopol’s Wm. Cofield Cheesemakers specializes in English-style cheddar and a Stilton-style cheese called Bodega Blue that’s got a hint of cheddar, in contrast to Point Reyes Bay Blue.

Finally, a long lonely trek down Llano Road is rewarded with wholesale-priced St. George at Joe Matos Cheese Factory. The farmstead and its population of phlegmatic farm cats is charmingly unimproved, but the dependable St. George cheese has lately been joined by two extra-aged versions.

OK, by month’s end I’ve gained five pounds. But I don’t blame the cheese, the beautiful cheese, and let us not speak of the wine. I blame the weather—seems the shepherd took shelter for much of this rainy February.

See if you can do better at next weekend’s Artisan Cheese Festival, where the curds are mounded high at Sunday’s walk-around tasting. Go ahead, climb every mountain. Need more exercise, do another lap.

California Artisan Cheese Festival, March 23–24. Tickets, $25–$150. Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. 707.545.4200. artisancheesefestival.com.

Core Values

In recent articles, the Bohemian did not include important facts when reporting about AshBritt Environmental’s involvement in last year’s wildfire debris cleanup in Sonoma and Napa counties (“Dirty Business,” March 6; “Cleanup Crew,” Feb. 13). Thank you for the opportunity to set the record straight.

AshBritt started as a small, family operated landscaping firm that assisted as a subcontractor in debris recovery efforts in 1992 after Hurricane Andrew. Since then, we have successfully served more than 500 clients and been directly involved in the recovery efforts of more than 60 federally declared disasters in 19 states as a prime contractor. Our work has led to collaboration with many federal and state agencies, including FEMA, CalOES, CalEPA and the U.S. Army Corps of Engineers (USACE). The greatest assurance we can provide is that during our 25 years in the emergency-response industry, we have never failed to complete a project.

Recently, the Bohemian reported that AshBritt and Tetra Tech were listed as defendants in a lawsuit over excavation of properties that were subject to cleanup under the USACE contracts after the 2017 wildfires in Sonoma County. What the paper failed to tell readers is that the same law firm had launched a parallel lawsuit against AshBritt and Tetra Tech, as well as ECC Contractors, for their role in cleanup work in Napa County, and those claims have already been dismissed, specifically against AshBritt.

In the lawsuit reported on last week, AshBritt’s role is limited to work performed on a single property, for which we strenuously deny the claim. In fact, ECC Contractors performed work on the majority of properties in that suit. ECC is currently one of the prime contractors for CalRecycle’s Camp fire and Woolsey fire in Paradise and Ventura, respectively.

AshBritt maintains the highest levels of safety, quality and integrity in conducting all of our services and operations. In this instance, our work was closely supervised by the USACE and was in strict compliance with its specifications. Furthermore, our excavation is consistent with the work of other prime contractors, and with previous state-managed and supervised CalRecycle debris-removal projects.

Another misleading item in the Bohemian‘s reporting is the implication about the company’s relationship with state lobbyist Darius Anderson. The emergency-response work mentioned in the article is a federal project for which he had no involvement or role. Other state contracts mentioned are competitively awarded or were not won by AshBritt. Simply put, he has had no role procuring or representing AshBritt in any of the work cited in several of the Bohemian‘s stories.

AshBritt is proud to have been a USACE contractor, and we stand by our work on the project and that of our over 30 local and California contractors that performed debris-removal on properties.

Now as the nation’s leading disaster-recovery firm, our core values about paying it forward are ever present—whether that is hiring local, small business contractors, as we did in Sonoma and Napa counties, or finding community-identified recovery projects like the Hopper Wall reconstruction project. We are there when communities need us.

Gerardo Castillo is chief of staff for AshBritt Environmental.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Wait for It

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Was it the colonel in the library with the port pipe? Or Miss Scarlet in the kitchen with a wee dram on Christmas?

Those are the sort of tweedy, fusty images that I found gallantly contradicted in a few articles from the good writers at the Irish Times on the subject of port wine. Instead, they said, Irish bartenders these days are mixing it up in cocktails or serving it chilled and neat. But that’s all I’ve got, vis-à-vis the obligatory St. Paddy’s Day theme, so I’m moving on to one that, if very much about a binge, less so concerns drinking: the California Artisan Cheese Festival the following weekend. In the nexus of both stories, I discovered that tawny port is a cheese pairing nonpareil.

It all started when I was offered a few samples of tawny port from Portugal. Sure it’s “out of market,” but being part Irish, at least the part that counts when it comes to freely offered samples of fortified wines, I said, sure. Now I had to find the local stuff. What’s the difference between ruby and tawny?

“My understanding is that in Portugal, ports have to be aged a minimum of 10 years before the tawny designation can be used,” explains local port maker Bill Reading at Sonoma Portworks. Reading says that in some other countries and production contexts, so-called tawny port might have as little as three years aging, hastily accelerated by the use of heat. “My view is that there is only one way to achieve the rich flavors and amber color of true tawny ports—and that is through an application of patience.”

Reading just released a third batch of his Maduro Reserve tawny port ($48), aged 13 years in oak, and it earned 94 points from Sonoma County’s own Christopher Sawyer. I didn’t know he did points! It’s a lighter hue than both Dow’s 10-year ($37) and 20-year ($65) tawny port, yet still on the red side of the sunset spectrum. With notes of roasted Macadamia nuts and oiled teak, it’s similar yet earthier and less syrupy than the Portugal wines, with more acid in the center: the bright red fruit sings through a bite of Cofield Bodega Blue Stilton–style cheese, lifting the flavors of both instead of smothering one or the other, as so many touted wine pairings tend to do. Wow.

For sipping solo, try Meadowcroft’s All She Wrote port-style dessert wine ($36), a style in between ruby and tawny, only available at the tasting room in Cornerstone Gardens. It’s more tannic than the others, yet beguiling in its silky, Zinfandel fruited intensity. That’ll put some tweed on your vest.

New IOLERO director’s husband is a former Sonoma County prosecutor under Jill Ravitch

Sonoma County announced this week that it’s poised to hire Karlene Navarro, a Petaluma defense attorney, to take over as director of the county police-accountability office, the Independent Office of Law Enforcement Review and Outreach. San Francisco attorney Jerry Threet left the post at the end of February.

Navarro is scheduled to appear before the Sonoma County Supervisors on their March 12 meeting for their approval.

It remains to be seen whether they’ll ask her about her husband, a former prosecutor in Sonoma County District Attorney Jill Ravitch’s office at the time Ravitch exonerated the SCSO officer whose actions helped give rise to the IOLERO.

Sonoma County Supervisor and board chairman David Rabbitt said of the Navarro hire in the Press Democrat today: “We are confident that Ms. Navarro has the qualifications, background and integrity to carry out the difficult responsibilities of this position which the public rightfully deserves.” Rabbit’s district includes Petaluma. The story did not mention Navarro’s husband.

Christopher Honigsberg, was, until recently, a Sonoma County Assistant District Attorney until he was posted to a Sonoma Superior Court judgeship last February by former Gov. Jerry Brown, according to a Press Democrat report from February of 2018 that identifies Honigsberg as the husband of Karlene Navarro.

Honigsberg was hired by the Sonoma County District Attorney Jill Ravitch in 2009, and she sang his praises to the PD upon his 2018 departure: “I think it’s an outstanding appointment. It’s a loss for our office but a real win for the county at large.”

The IOLERO was created in the aftermath of the 2013 shooting of Andy Lopez by a Sonoma County Sheriff’s Office deputy. In 2014, while Honigsberg was on her staff, Ravitch elected to not bring charges against the deputy and released a lengthy report of her investigation that cleared the officer of any criminal charges.

The Bohemian has a message in with him at Sonoma Superior Court asking about his time at the D.A.’s office. Gelhaus remains on the SCSO force.

The county settled a federal civil-rights lawsuit with the Lopez family late last year for $3 million even as Rabbitt raised concerns about the budgetary impact of the IOLERO’s annual $500k budget, and about Threet’s work as the office’s first director.

Also late last year, the SCSO pushed the Sonoma County Supervisors to consider eliminating the full-time county position and replace it with a contracted auditor, claiming that the IOLERO under Threet was biased against the SCSO and that he was improperly creating police policy in his role.

The SCSO’s attempt to eliminate the IOELRO under Rob Giordano’s leadership is a matter of public record, as its written response to Threet’s annual report from last year amply demonstrates:

“The Sheriff’s Office feels a more productive model to accomplish this is to hire a truly neutral, independent, and unbiased auditor for a specific, limited period of time. If there is no expectation of employment beyond a specific period of time, there is no pressure or inherent need to justify IOLERO. This would greatly reduce the chances of either intentional or unintentional bias developing in the auditor. It would also afford the Sheriff’s Office the opportunity to get input from a variety of perspectives outside of the County. The Sheriff’s Office looks forward to continuing to work with the Board of Supervisors to fine tune the auditor model.”

Rabbitt has echoed those concerns raised in the SCSO report in public remarks, as has supervisor Shirlee Zane.

In January, newly elected Sheriff Mark Essick told the Press Democrat that he was pleased with the county’s choice to replace Threet, which then was under wraps as Navarro underwent a background check.

“I’m excited,” Essick told the local paper of record. “I think this person will bring a different perspective to IOLERO than the current director.”

Letters to the Editor: March 13, 2019

Floating Away I'm glad to see the Bohemian begin to introduce your readers to the fast-approaching floating offshore wind industry ("Full Tilt," Feb. 27). Going forward, it would be useful to see a more balanced coverage of something that may well permanently industrialize significant portions of California's coastal waters, rather than a reprint of the industry's own public relations while failing...

Mill Valley private-equity exec named in college-admissions criminal scam

William E. McGlashan, a Mill Valley resident and executive at the private-equity giant TPG, has been named in a sweeping set of indictments issued this that allege that he and dozens of other parents paid off college admissions off.....  

The Good Seeds

Today's pot is hardly the skunkweed of the '80s. While this won't be news to many, I wonder if people realize the complexities involved in growing today's designer weed, medicinal or recreational. I certainly didn't when I set out to write a novel featuring a medical-marijuana operation. The Wolf Tone takes place in 2011 Montana, ancient history by industry standards....

Space Force

Expert script-flippage gives texture to the heartfelt female empowerment message within Captain Marvel. It begins as a war-on-terror movie, with an extraterrestrial military gearing up for a mission against the shape-shifting Skrulls, hiding among the locals on a planet that looks like Afghanistan. Later, we arrive at our more current malaise when the film's true villain starts talking of...

Dark Matters

In a Feb. 27 letter to the editor of this publication, a theater patron decried one North Bay company for its tendency to program shows with dark themes that portray men and women at their worst. The letter writer went on to suggest attending a then-running show at Santa Rosa's Left Edge Theatre. That patron may want to skip...

Still Bleeding Blues

Bill Bowker: it's a name that's fun to say, and one familiar to residents across Sonoma County. His voice is just as familiar, and contributes to the longevity of his show, Blues with Bowker, celebrating 40 years on the radio March 16. Bowker has been involved in radio longer than that, though. "As a young kid with my folks, I...

Surfin’ Curds

By late January, it was clear that I was not on track to meet my New Year's dietary goals, so I cast about for any possible culprit besides my own self-discipline. My eyes landed on the plate of cheese I'd enjoyed almost nightly with crackers, maybe a little secchi salami, and maybe a little wine. No, not the cheese! Suppose...

Core Values

In recent articles, the Bohemian did not include important facts when reporting about AshBritt Environmental's involvement in last year's wildfire debris cleanup in Sonoma and Napa counties ("Dirty Business," March 6; "Cleanup Crew," Feb. 13). Thank you for the opportunity to set the record straight. AshBritt started as a small, family operated landscaping firm that assisted as a subcontractor in...

Wait for It

Was it the colonel in the library with the port pipe? Or Miss Scarlet in the kitchen with a wee dram on Christmas? Those are the sort of tweedy, fusty images that I found gallantly contradicted in a few articles from the good writers at the Irish Times on the subject of port wine. Instead, they said, Irish bartenders these...

New IOLERO director’s husband is a former Sonoma County prosecutor under Jill Ravitch

Sonoma County announced this week that it's poised to hire Karlene Navarro, a Petaluma defense attorney, to take over as director of the county police-accountability office, the Independent Office of Law Enforcement Review and Outreach. San Francisco attorney Jerry Threet left the post at the end of February. Navarro is scheduled to appear before the Sonoma County Supervisors on...
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