Local Mixers

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The conversation around locally sourced food and beverage products is so much about organic microgreens, heritage pigs and that sort of wholesome, farmers market stuff. Nice, yeah, but how about the booze, the icy cocktails that are shaken, not stirred, and served up in that very international symbol of tippling, the martini glass?
To answer this pressing question, I narrowed the field of cocktails to five unfussy, mostly standard-issue drinks you’d order in any bar, anywhere, with the stipulation that both booze and mixer—garnish, if possible—be North Bay-made, and presented samples in little plastic cocktail cups to a group of Bohemians.
Gin and Tonic
This citrusy, balanced, not too sweet and very summery refresher was the hands-down favorite. The gin was the easy part—Spirit Works Distilling of Sebastopol makes one from organic winter wheat. It has a sweet nose, big on coriander, with a vanilla note and a silky mouthfeel—if you can believe I’m still talking about gin, here. Finding a local craft tonic alternative to the mass-market, high-fructose corn syrup or artificially sweetened brands was the hard part. I asked Phaedra Achor, maker of Monarch Bitters in Petaluma, if she knew of any. “I make a delicious tonic syrup!” she replied. Her product is a concentrated syrup made with organic cane sugar and organic lemon peel, plus herbs and bark. It’s customizable—just add carbonated water to your liking. I liked best a mix of one-half ounce syrup to 4 or 5 ounces soda water—a higher dose seems to suppress the bubbles. The only local fail here is the lime—ask friends and neighbors if they’ve got a rare lime tree, or more likely, a Meyer lemon tree tucked away in the yard.
Runner up: Bummer & Lazarus gin, a grape-based spirit from Raff Distillerie of San Francisco, is more forward with green herbs and crushed juniper leaf aromas, and lends a more medicinal character to the G&T. H.O.B.S. gin, from Healdsburg’s Young & Yonder Distillery, is also juniper forward, but the aroma here is a bit too “medical” for my taste, reminiscent of depressing well drinks from dive bar days gone bye-bye.
When I asked a bartender for a ready-to-go list of classic cocktail recipes, I was at first disappointed that he couldn’t offer advice unless he’d tasted all of the components to make sure the balance was correct. But when I started mixing, beginning from recipes cribbed from the International Bartenders Association (IBA) and Wikipedia, I not only understood, but also was more excited about the project. Mixing an all-local cocktail is more than just a feel-good subbing of a craft spirit for a corporate brand—it’s a whole new cocktail.
Just for kicks, I mix 3 ounces gin with 3 ounces club soda, and 1 ounce Monarch tonic syrup, and find it’s just hard to overdo it on that Spirit Works.
Martini
Forget about where the martini was invented—Martinez or San Francisco—because we can reinvent the martini right here in the North Bay. Let’s start with 2 ounces Spirit Works gin, again, but where to find the vermouth, besides those bottom shelf brands that smell like stale wine breath? It’s rare—just 67 cases of Paul Hawley’s side project, Menagerie white vermouth ($22), were made from fortified Sonoma County Sauvignon Blanc and Viognier, but it smells just as pretty as you’d expect from those grapes, plus a whiff of fresh fennel.
Mixed at 2 ounces gin to one-fourth ounce vermouth, this martini was clean and pretty, and it’s even nice at the old-school ratio of two to one. But it’s almost too pretty too dirty up with a splash of juice from McEvoy Ranch’s spiced olive blend. Vodka partisans will find Spirit Works’ vanilla-scented vodka makes the martini so pillowy and soft, a thin slice of Meyer lemon peel is the better garnish.
Like it dirty? That’s where Young & Yonder’s H.O.B.S. gets its turn to shine in the neon light. The Menagerie warms the aroma, but it retains that cool, alcohol edge, and can take an olive or two. Alas, the Raff had a bummer reaction to this particular vermouth.
Manhattan
Years ago, I liked Manhattans for about a week before I tired of the sickly-sweet vermouth. Menagerie red vermouth ($22), made from Sonoma County Zinfandel, is wholesomely delicious with real red cherry-like fruit, scented with fennel, and is not at all sweet.
The Bohemian Manhattan is a fairly dry and adult beverage matching 1 part vermouth to 2 parts Sonoma Distilling Sonoma rye. Monarch provides the bitters. The “dash” of bitters called for in the recipes was too subtle, however, so I consulted Achor—she likes to add at least 5–10 drops, and that was about right for her aromatic bitters, which round out the palate like an oak addition in wine. This is very dry with less vermouth—Sonoma rye stands up to a 2 to 1 mix, with Monarch’s cherry-vanilla bitters adding a tease of a sweet topnote. It’s cherry season, so go find a fresh one for garnish instead of the grotesquely colored candied kind.
Sazerac
Sonomify this New Orleans cocktail with 2 ounces Sonoma rye, and just one-fourth ounce of Raff’s Emperor Norton absinthe adds more than enough green herbal notes (Young & Yonder also makes a fine absinthe). Instead of Peychaud’s bitters, Monarch’s bacon-tobacco bitters, which does not contain nicotine, contributes a leathery note, like a smoky Johnnie Walker.
White Russian
The dude abides in the North Bay, if you skip the vodka and just pour Griffo Distilling’s Cold Brew coffee liqueur, made from their grain-to-glass distilled vodka and Equator Coffee’s mocha java, over ice. No syrupy Kahlua-like liqueur, Cold Brew smells transparently like coarse-ground medium roast coffee. Add a splash of Straus Family organic cream to tie the whole drink together.

The Bohemian Manhattan is a fairly dry and adult beverage matching 1 part vermouth to 2 parts Sonoma Distilling Sonoma rye. Monarch provides the bitters. The “dash” of bitters called for in the recipes was too subtle, however, so I consulted Achor—she likes to add at least 5–10 drops, and that was about right for her aromatic bitters, which round out the palate like an oak addition in wine. This is very dry with less vermouth—Sonoma rye stands up to a 2 to 1 mix, with Monarch’s cherry-vanilla bitters adding a tease of a sweet topnote. It’s cherry season, so go find a fresh one for garnish instead of the grotesquely colored candied kind.SazeracSonomify this New Orleans cocktail with 2 ounces Sonoma rye,

New Jam

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Welcome to the Neo-Heathen Male Bonding and Drumming Society’s annual camp out, where a dwindling group of aging death metal fans communes in the desert to ceremoniously beat their bongos, reveal their deepest fears and failures, pass around a really big stick and pay tribute to the Egyptian lord of death. But unbeknownst to the membership, this year’s recruit—AKA “The New Bitch”—is actually Anubis, the lord of death himself. Will anyone make it out alive? Let the mead flow and the rituals commence!

Outrageously funny and surprisingly poignant, Drumming With Anubis makes its world premiere at Santa Rosa’s Left Edge Theatre through June 30. Local playwright David Templeton (and occasional Bohemian contributor) has crafted a clever tale as unique as it is hilarious, imbuing grave material with carefree humor, indelible humanity and ample room for heartfelt reflection.

Under the capable direction of David L. Yen, a well-matched ensemble scores with impeccable pacing and lively action. Chris Schloemp is hysterical and endearing as the tribe’s makeshift leader, “Chick,” chanting “Dethdog” songs around the campfire. Nick Sholley delivers a touching performance as arthritic Neil (“Professor”), earning laughs with his steadfast recitation of group regulations. Leather jacket-clad Anthony Martinez brings the right amount of fragile masculinity to macho “Bull,” and Richard Pallaziol is the perfect fit for reformed alcoholic “Stingray,” whose wide-eyed reactions and strange obsession
with a cooler add much to the
general amusement.

Mark Bradbury shines as Anubis, evolving from innocuous to ominous and ultimately sympathetic. In fact, the lord of death turns out to be a pretty complicated dude. But he’s not the only unexpected guest at this year’s retreat, nor is he the only one harboring a secret. When no-nonsense Nicky Tree (Ivy Rose Miller, also excellent) shows up to crash the party, everything tumbles out into the open.

Argo Thompson’s static set is appealing and immersive, brought to life by Schloemp’s beautiful projections. Costumes reflect clear attention to detail, aptly chosen by Sandra Ish. Technical work is commendable, too, thanks to Joe Winkler’s desert nightlife sounds and April George’s seamless lighting.

To put it bluntly, there is nothing about this show that isn’t highly enjoyable and remarkably good. It’s a one-of-a-kind, must-see production.

Rating (out of 5): ★★★★&#9733

“Drumming With Anubis” runs through June 30 at Left Edge Theatre. 50 Mark West Springs Road, Santa Rosa. Fri & Sat, 8pm; Sun, 2pm.
$25-$40. 707.546.3600.

I Can’t Go There

Tom Gogola used great fortitude in maintaining objectivity in describing the tight-rope straddled by Republican Fred Schein in a substantial article “Log Cabin Fervor” (May 29, 2019) Schein admits, “it is lonely being a Gay Republican.” Curiosity held my attention as I try to understand the seeming contradiction. Schein touched on Republican support for small business and boasts of Young Republicans; college students at Berkeley, Davis and Sonoma State, saying: “they can shoot.”

I read with a nondiscrimination effort the difference between Democrats and Republicans while I process the current strangeness of our country. I appreciate that we should all be treated equal and Schein’s effort is heartfelt, but I cannot cross the party chasm.

Novato

Stop the Burning

Woody Hastings said it so well in his Open Mic (“Pass on New Gas Stations,” May 29, 2019): approving “any new fossil energy-based facilities or infrastructure in Sonoma County” should be an exception, because of commitments the county has made to respond to the climate crisis. It’s time to be done burning fossil fuel.

I’m hopeful we’re nearing a tipping point. In Congress, HR 763, with 41 co-sponsors and counting, will put a fee on carbon. Just like with cigarettes, we need to charge more for what we don’t want people to buy. The bill pays the fees back as dividends to American households to help us jump-start our own energy-wise investments. We need to stop burning carbon every which way!

Petaluma

Try a Little
Tenderness

I read in the SF Chronicle the Trump Administration plans to allow medical staff in the nation to deny treatment to lesbians, gays, bisexual or transgender patients because of religious or moral beliefs held by the health care workers; thus allowing doctors, nurses, ambulance drivers, emergency medical technicians, even receptionists to deny care. I thought of my late wonderful lesbian cousin, Denise, who lived in a rural county whose only hospital was religious based, and I wonder if they would have helped her with her ovarian cancer.

So, I turned immediately to Stevie Wonder vinyl and his 1976 ‘Songs in the Key of Life’, put on side one, cut one and listened:

“Love’s in need of love today

Don’t delay

Send yours in right away

Hate’s goin’ round

Breaking many hearts

Stop it please

Before it’s gone too far”

That’s only the first few bars in this remarkable song and album. One wonders how cruel Trump and his staff are willing to go

San Rafael

Write to us at le*****@******an.com.

Minimum Rage

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After prevailing in the city of Sonoma, a local effort to jump start the state’s 2023 $15 minimum wage mandate now moves to Petaluma and Santa Rosa, says local wage-equity activist Marty Bennett.

Last week the Sonoma City Council unanimously passed a local minimum wage ordinance that will see the city’s minimum wage rise to $16 an hour by 2023. The effort was driven by the local umbrella-advocacy organization North Bay Jobs for Justice and opposed by a number of restaurants in Sonoma.

The labor push was designed to get a jump on the state’s new minimum wage law which, by 2023, will see California’s floor wage rise by stages to $15 an hour for companies that employ 25 people. Companies that employ more than 25 will be onboard with the $15 wage by 2022. The current minimum wage in the state is $11 an hour; that will rise by a dollar a year until 2023.

The California law that prompted the wage hike was opposed by a cross-section of industries in the state, including the state’s restaurant lobby. The wage hike, when fully implemented, will raise restaurants’ operating expenses by between 2 and 3 percent, according to industry analyses of its impact. In the restaurant business, that means customers could see higher menu prices to offset the impact.

The regional restaurant industry has also highlighted the economic fallout from 2017’s catastrophic wildfires that struck the North Bay—and that an accelerated minimum wage rollout is the last thing they need right now as the region rebounds from the $14 billion in damage wrought by the fires. Conversely, Bennett highlights the benefits to restaurants insofar as higher wages mean a higher rate of employee retention.

Under California labor law, when there’s a conflict between the federal, state and local minimum wage, “the employer must follow the stricter standard; that is, the one that is most beneficial to the employee.”

The national “Fight for $15” was the backdrop that led to the 2017 effort in California to increase the state minimum wage, as the state push then became “$15 by 20.”

Bennett says the campaign to encourage localities to get a jump on the 2023 mandate is driven almost entirely by the cost of housing in the region. According to online data, the median cost of a home in Sonoma County is $614,900 compared to a statewide average of $548,000 and a national average of $219,000.

In Sonoma County, the average rent for a one-bedroom apartment, according to data assembled by bestplaces.net, is $1,447, about $100 more than the state average and $500 more than the national average. The situation for families is even more challenging: a four-bedroom home rental in Sonoma averages $3,300 a month compared to $2,755 for the state as a whole and $1,800 nationally.

In opposition to Sonoma’s action on raising the minimum wage, a consortium of restaurants brought in the legal firepower of the Littler Mendelson Workplace Policy Institute, which has positioned itself as a foil to much of the pro-$15 studies and analyses that have been undertaken since the state raised the minimum wage.

A June 3 letter from the law firm and a group of restaurants filed with the Sonoma City Council on the eve of the voted stressed that while the restaurants supported the council’s efforts to increase the financial well-being and security of its residents and those working in the city, they opposed the local ordinance.

The restaurants—which included the Girl and Fig, Mary’s Pizza Shack and HopMonk Tavern Holdings—argued that they shouldn’t pay front-of-the-house employees the proposed minimum wage because they were already making more than the minimum wage when their tips were included in the tally of their hourly wage. The argued in favor of a continued “two-tier” wage structure and said that since the state minimum wage doesn’t apply to all employees, nor should a local minimum wage.

The restaurants noted for example that the “vast majority of California cities with minimum wage ordinances potentially may not cover unionized workers,” given that most localities in the state have laws that “allow unionized workers to waive all or part of an ordinance’s requirements via collective bargaining.”

The restaurants also argued that Sonoma could have limited the scope of the ordinance without sacrificing the council’s goal of ramping wages for its local workforce. California is one of seven states that prohibits employers from considering tips when determining whether an employee has earned at least the minimum wage, they note. “As a result, tipped employees in California are economically better off than their counterparts in most other parts of the country.”

The restaurants then encouraged the council to establish one minimum wage for so-called “back of the house” employees and another, lower minimum wage, for tipped employees. Citing state law, the council rejected the restaurants’ lawyers efforts to enact the tip credit.

The nine signatories to the June 3 letter did not prevail, and Bennett at Jobs for Justice is unsurprisingly not moved by the bad-for-business arguments advanced by Sonoma’s local restaurants.

Now he says the local effort to get a jump on 2023’s state-mandated $15 an hour wage moves to Petaluma and then to Santa Rosa. Bennett’s cautiously optimistic, he says, that restaurants and businesses in Petaluma will be more amenable to accelerate the minimum wage hike, even if at least one of the signatories to the Sonoma letter (Mary’s Pizza Shack) has an outpost in Petaluma.

Bennett says small businesses have told him they support the $15 minimum wage by 2023, and in a report on Jobs with Justice’s efforts, the head of Petaluma’s Chamber of Commerce, Onita Pellegrini, told the North Bay Business Journal in February that “We are all very much aware that the minimum wage is not anywhere near to a living wage.” Whether or how that sentiment translates into on-the-ground ordinances remains to be seen, though Bennett says that, at the very least and unlike the experience in Sonoma, the Petaluma business community has so far been neutral on the accelerated plan to get to $15 before 2023.

Bennett’s been reading the tea leaves in Santa Rosa and is cautiously optimistic that the city’s at least taking up the issue in a public workshop scheduled for this summer.

City officials in Santa Rosa like councilman Tom Sawyer have expressed concern over the potential impact a minimum wage increase could have on downtown Santa Rosa’s bustling restaurant-and-retail scene—especially in the aftermath of wildfires.

But it’s not just restaurant workers who would benefit from an enhanced minimum wage. According to numbers assembled by the Massachusets Institute of Technology’s “Living Wage Calculator,” California workers in the food preparation and service industry earn an average of $25,234. Workers in the region’s farming, fishing and forestry industry make about $1,000 less a year on average.

Classical Soiree

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Franz Schubert (1797–1828) is considered a titan of the Romantic period of classical music. While the Austrian composer died young, he left behind a vast opus, including more than 600 vocal works, seven complete symphonies, several operas and a large body of piano and chamber music.

During his lifetime, Schubert also established a new kind of musical gathering, called a

schubertiade, in which he and his friends would convene at a private residence for daylong musical festivities that were informal and spontaneous. Music, conversation and other merriment, as well as feasts of Viennese delicacies, were a common sight at these Schubertiades, and the tradition continued on after Schubert’s death.

In fact, schubertiades are still happening around the world today, celebrating the music of Schubert. In Sonoma County, the Sky Hill Cultural Alliance is bringing the festivities to the Petaluma Historical Library & Museum for the North Bay’s first ever schubertiade on Sunday, Jun 16.

“Schubert wrote some of the most beautiful music in the world,” says Sky Hill Cultural Alliance founder and director Elizabeth Walter. “Music came out of him like a fountain, his friends would say. He didn’t ‘compose;’ music poured out of him.”

The afternoon affair will feature a dozen musicians and vocalists, including local violin prodigy Nigel Armstrong, filling the museum with the romantic-era music. Schubert’s beloved “Trout Quintet” will be the centerpiece of the show, but the event will showcase many other small masterpieces as well.

In the schubertiade tradition, complimentary wine and traditional Viennese savories and sweets will be served during breaks in the performances. Walter stresses that the relaxed event is designed so that people can come and go throughout the afternoon.

Sky Hill Cultural Alliance has made the museum its primary venue for concerts and events that aim to introduce classical music to local audiences, especially young people.

“There are scientific studies all over that show that listening to classical music at a young age helps the brain develop,” says Walter. “So many kids nowadays don’t get a chance to fall in love with classical music. We want to bring music to everybody, especially young people.”

Schubertiade happens Sunday, Jun 16, at Petaluma Museum, 20 Fourth St., Petaluma.1pm. $30-$40; students are $10; kids under 10 are free. schubert2019.brownpapertickets.com.

Shaft’s Big Burn

Shaft is supposed to be about a black private dick, not a shtick about his privates. This catastrophic reboot insists that we won’t know NYC detective John Shaft is a bad m.f. unless he talks about his dick every six seconds.

Barbershop excepted, director Tim Story has never made anything like a good movie. Here he’s re-rebooting a super-detective franchise of the 1970s starring the imposing Richard Roundtree, successfully redone by the late John Singleton in 2000 with Samuel L. Jackson in the lead. Detective movies take care of themselves; Jackson tooling around listening to sweet soul music in a big Chrysler is almost a movie on its own. Instead, this is a lot of awkward bonding: the old detective getting his son to nut up and be macho.

The imam of a sinister Harlem mosque may be responsible for the OD of a friend of Shaft’s estranged son. Son JJ (Jessie Usher) is a plaid-wearing Urkel, an FBI data analyst, the kind of Ivy Leaguer who has a pair of crossed lacrosse sticks over his bed.

Story’s direction has the rhythms of bad TV, those shows that presume you’re distracted. The plot beats explained as if by PowerPoint presentation, underscoring clues you couldn’t miss if you were three-quarters drunk and playing around with the dog on the couch. The easily solved mystery unfolds in textureless cityscapes.

Apart from JJ’s girlfriend Sasha (Alexandra Shipp) and mom (the great Regina Hall of Support the Girls) Shaft is a movie where the women are either strippers or club girls.

Jackson is entitled to every dollar he can get. The hardest working and best paid movie star alive withstands moments like his fatherly advice to JJ about how to deal with Sasha: “Tear that ass up.” He’ll survive. Whether this kind of banal sadism is the best use of his ever-dwindling time is another matter.

‘Shaft opens Friday, June 14, in wide release.

Sonoma Mystery

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Mute, hooded and clutching an intricate wooden puzzle, a young man (Weston Lee Ball) walks out of a lightly raining night into a police station lobby. Asking for a pen and a piece of paper, he writes the sentence, “My name is Donovan Reid.”

Co-writer, co-producer and director Austin Smagalski, raised in Sonoma County and now living in Los Angeles, shot Donovan Reid in Dillon Beach and Petaluma.

“I knew going into this project that we were going to have limited resources, so while I was writing I had very specific locations in mind that I had been to before while I was growing up in Sonoma County,” says Smagalski.

This good-looking, low-budget tantalizer goes straight into the mystery of a 10-year old boy’s vanishing and reappearance as a man a decade later. Yet after he’s grilled a bit by the police, we have evidence enough that this supposed Donovan Reid is lying.

On the one hand, this mystery mirrors real-life situations, as in the recent case of an imposter in Ohio who pretended to be the vanished Timmothy Pitzen. On the other hand, Donovan Reid avoids the quick resolution of that midwestern masquerade—a fast DNA test revealed the claimant to not be Pitzen. It takes a bit of work to avoid giving this young man a similar test to solve the riddle; it’s like the lengths Hitchcock took to keep his characters from going to the police.

The cast is poised enough to suspend disbelief and they almost all look like they’re on their way up. In particular is Ball, a slight, haunted type, and the appealing Jazmine Pierce, as Harper, who knew Donovan as a boy and who wrote a book about the tragedy. Pierce’s Harper is cozy and guileless; any reporter who looked that open-faced would have a smooth career.

Anthony Martinez, as Donovan’s father Hank, is loving, fallible and a little too trusting. If there’s nothing as dire as a drunken dad, Martinez is more frightened of himself than maudlin in a scene where he’s bathing his nerves in bourbon. Lydia Revelos, as Donovan’s mother, is required to do the heaviest lifting in the picture, as she works through her suspicions. Cotati’s Mike Schaeffer stars as the shrewd police detective who has been on the case since the boy Donovan vanished, quietly authoritative as the sort of cop who gets fierce pleasure out of cornering a liar.

The best aspect of Smagalski’s well-built feature-length debut is the ambience.

“I wanted the two main locations to emphasize the tones of the story being told in those spaces,” says Smagalski.

Christine Adams’ photography of the Sonoma coast is gorgeously somber, setting a mood with lapping water and ribbons of fog, and Santa Rosa-based composer Jared Newman’s score provides an appropriate musical match for the story; electronic howls for the tensest moments, and moods similar to the ethereal minimalism of ‘70s Brian Eno.

Donovan Reid is evidence not just of one career worth watching, but of several.

Charlie Swanson contributed to reporting on this article. ‘Donovan Reid’ is available on Amazon Prime. donovanreidmovie.com

Life of Brine

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Taste Test Sonoma Brinery’s escabeche is distinctive because it’s fermented.

I never thought I’d be the kind of person who eats sauerkraut straight out of the jar. Post apocalypse, maybe. But outside of that scenario, who eats sauerkraut that way?

Sure, I welcome a little pickled cabbage into my life, now and then. Who doesn’t?

But last year an astonishing encounter with a popup deli—Great Scott, the chef is grilling the sauerkraut before grilling the Reuben!—inspired a trip to the store for some “authentic” German sauerkraut, to try grilling my own. And I’ve got say, alongside a kielbasa-style veggie sausage and mashed potatoes, it does seem like the right kind of condiment.

But I was surprised when I began to see locally made sauerkraut featured prominently in the fresh deli case at the supermarket. That all changed one day at the California Artisan Cheese Festival, where local purveyors not purveying cheese included products from Sonoma Brinery. Specifically, they offered a taste of their latest product, escabeche, and I took a bite. That crunch, in my mind, echoed throughout Grace Pavilion. Then, I tried the new dill pickle spears. I became woke to the brine.

Escabeche, as it’s experienced hereabouts, is a mix of pickled carrots, onions and jalapeños, and is commonly served in Mexican restaurants and found in the canned food aisles of grocery stores. I like pickled jalapeños, and even serranos when I feel like bringing on the heat, but this was something different. What was it that made it more…alive?

After tracking down a carton of Sonoma Brinery’s escabeche in Oliver’s Market—I’m just noting this because it’s hard to find elsewhere—I confirmed that I love the taste, but I disagreed with the thin-sliced style. I’d prefer quartered spears of jalapeño, like the pickles. Could I make my own? Consulting the oracle of the internet, the answer was, “Yes.”

Pickling peppers the natural way, by fermentation, is said to be as easy as adding salty water, and waiting a few days. Could it really be that easy? My first batch turned out crunchy and tasty. My second batch, with radishes added, turned bright pink. Was it the radishes, or had something gone awry?

You can’t believe everything you read on the internet, so I made an appointment with David Ehreth, president and managing partner at Sonoma Brinery, to get the scoop. Ehreth started the company in his garage in 2004 as sort of a retirement project after a career as a telecom executive in Petaluma’s “Telecom Valley,” a phrase he says he helped coin. Today, he doesn’t look much retired—he’s in the middle of a meeting with his sales manager, plus half a dozen other things, in a good sized commercial building in Healdsburg.

Ehreth says his was one of the first serious brineries on the scene, predating Santa Rosa’s Wildbrine and Farmhouse Culture of Santa Cruz.

“We were the first guy to show up with a live cultured, fermented pickle,” says Ehreth. “And in our other hand, a live cultured sauerkraut.”

They’re all competitors of sorts, but each specializes in different products. Ehreth explains that at first he aimed for a niche that didn’t compete with existing products in the stores he was pitching.

“I’m here to make your pickle sales increase,” he’d say, “not simply replace an existing product.”

Existing products include pickles and other vegetables are processed using either vinegar or heat-treated after fermentation.

So what is fermentation, if it’s not the kind that produces alcohol, like wine or beer?

“If I can go nerd on you for a moment,” Ehreth warns, before diving into a synopsis about the lactobacillus bacteria that exist on the surface of all fresh vegetables. “You can’t remove them by washing.” What’s more, they immediately begin to feed and reproduce—but not in a bad way, unless they’re a bad actor, he insists

“Those bacteria will really stake out their turf,” says Ehreth. “They’re very territorial. They go to war with each other.” The incredible part of it is that the four horsemen of the food industry—listeria, E. Coli, botulinum, and salmonella—are on lactobacilli’s hit list. None survive. Five bacteria enter—one bacterium leaves.

Quoting the Food and Drug Administration, Ehreth states, “There has been no documented transmission of pathogens by fermented vegetables.”

The problem with my pink batch of pickled peppers, Ehreth suggests, may have been wild yeast getting a toehold—red is a sign of yeast.

“When you buy Sonoma Brinery,” he says, “you are buying a level of expertise.”

Pickles don’t have to be translucent and soggy, like some home-fermented pickles I’ve graciously accepted but never finished eating, or store-bought pickles that are pickled in vinegar.

“You need surplus to make vinegar,” Ehreth explains, recounting the demise of fresh pickling. Before World War II, vinegar was made from comparatively precious products like wine and apple cider. After the war, there was an abundance of nitrogen fertilizer on hand. Armed with this, farmers created a surplus of corn and grains, and one of the things you can do with grain is make cheap, distilled white vinegar. Producers said, “Look at this, we don’t have to ferment.”

Vinegar works very fast—fermentation at Sonoma Brinery takes 8–15 days.

The other difference is that almost all jalapeño products are heat processed, says Ehreth, and there’s no way you can heat treat and not adversely affect the texture of a jalapeño.

The escabeche was the one product he didn’t create. They had launched their curtido, a Central-American style sauerkraut, and had some jalapeños around, so production manager Mayra Madrigal tried a batch of escabeche.

“It was so good it made my head explode,” says Ehreth.

Sonoma Brinery sources conventionally farmed pickling cucumbers, according to Ehreth, because the organic kind are unicorns—the nation’s largest pickle buyer buys conventional pickles for its burgers, so there isn’t much incentive for growers to go organic until so goes Mickey D’s.

In his spartan kitchen and office, Rick Goldberg of Wildbrine is finishing up a test project, scooping batter from a mixing bowl. On one counter, an earthenware crock is burping slowly with another new project. But while Goldberg’s office, which he shares with business partner Chris Glab, has the feel of a startup, it’s one of the nation’s largest fermented food startups to date.

Outside, employees whiz by, riding on electric pallet jacks, moving half-ton bins of plastic-wrapped product on shipping pallets to and fro. It’s a much larger operation than Sonoma Brinery, although the building is shared with HenHouse Brewing and another company.

This isn’t Goldberg’s first food venture.

“I was retired,” says Goldberg. “I wasn’t looking to go back to work.”

Previously, he and Glab turned a bagel-and-cream cheese wholesale business to food trucks into a multi-million dollar cheese spread and salsa business (remember Sonoma Salsa?), selling it to a larger company in 2006, which later was absorbed by yet another company.

Goldberg volunteered at the Ceres Community Project in Sebastopol, which brings wholesome meals to people facing serious illnesses, with the help of high school students. There, he learned about the health benefits of probiotic, fermented foods, and began packaging fermented foods as a “one or two day a week thing,” to sell in a few local stores. It’d be a little project for his retirement, and make a few bucks for Ceres.

Eight years later, Wildbrine is hand-chopping and machine-chopping through some 5 million pounds of organic cabbage a year, distributing it throughout the U.S., Canada and Japan, and, according to Goldberg, it is the biggest selling brand in its category according to market data that doesn’t include Whole Foods—although they certainly have a big presence there.

“When I grew up, we were always out playing in the dirt,” Goldberg says, musing about the bugs in our biota. “We had our hands dirty, and then we’d grab a sandwich. I think we over-sanitized our gut, and realized we had made a mistake.”

That being said, Wildbrine follows an exacting protocol of sanitation for employees and visitors: I must don a beard net, hair net, plus booties for my shoes, and a smock in order to tour kraut factory.

At 10:30am, there’s already a full sheet of batches logged and tested. They’ll pack 35,000 pounds of kimchi today, all of it weighed by hand and adjusted by employees with contents from a half-ton bin filled with something that looks like spilled pizza. It’s amazing that this spicy mix contains no tomatoes.

Wildbrine’s newest products use surplus cabbage leaves from their kimchi and sauerkraut process, but the culture is fermented with cashew nuts to make a simulacrum of Brie cheese and butter. The result is darker than brie, with a texture akin to halvah, but the bloomy rind is spot-on in aroma. The butter is kind of in between hummus and foie gras—it would go well on a bagel.

Wild West Ferments also has its origins in health concerns. Around the time that co-founders Maggie Levinger and Luke Regalbuto met while attending Humboldt State University, Levinger’s mother was diagnosed with colon cancer, spurring their interest in intestinal health and probiotic foods.

After college, the couple traveled in Eastern Europe and Latin America, experiencing fermented foods like smreka in Bosnia and kisli kupis in Romania, while working in organic farms through the WOOF program. They began fermenting foods in the kitchen of an Inverness restaurant, and sold their products at farmers markets. Four years ago, they took it up a notch.

Behind a shuttered storefront in Petaluma, formerly a French restaurant, Regalbuto and three workers are grating cabbage and carrots to make “24 Carrot Gold,” a carrot-heavy sauerkraut. Wild West is a decidedly more small-scale outfit than the others, but they’ve got their niche—and this is the first brinery visit where I can smell some real brine, from my first step through the door.

Regalbuto shows me to the fermentation room, which must have formerly been the dining room—the faux-textured paint job does lend the scene an Old World feel, and it’s filled with brown, earthenware crocks imported from Germany. Is that a burp I just heard? Yes, Regalbuto says, the fermentations are burping away through a seal of water on the jar lids. They’re a pain to maintain, he says, but it’s worth it.

“Now, the others won’t like me talking about this,” says Regalbuto, before explaining that he feels that plastic may not be the ideal medium in which to ferment raw foods. But to each his own.

Selling at farmers markets in San Rafael and Point Reyes Station, Wild West just recently got back into the new regime at Whole Foods, requiring a big jump in production from this small business, which ferments for six weeks—a bit longer than the others.

Waving his hand like a stadium fan, Regalbuto describes the arc of flavors and competing microbes that rise, then fall, in epochs during fermentation—it’s kind of like naturally fermented wine.

Each of these brineries have their own repertoire, whether heavy on the radish, like Wild West, or spicy with the kimchi, like Wildrine. The signature sauerkraut is the telling one—Wild West’s is more finely chopped, herbal and floral than others, highlighting coriander spice, while Wildbrine’s is coarse and juicy, with a garlicky aftertaste.

Maybe it’s all about the different recipes, and the sourcing of produce. But also, likeGoldberg told me toward the end of my visit at Wildbrine, “It’s really a piece of magic, it’s not just science.”

Local Standout

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Not to over-generalize, but resort food tends to be plentiful, yet lacking in creativity, thoughtful sourcing of ingredients and memorable culinary moments,” says Cole Dickinson, executive chef of Layla, the latest addition to the recently refurbished MacArthur Place Hotel and Spa in Sonoma.

This is decidedly not the direction Dickinson took after joining the hotel to oversee all culinary operations after stints at Healdsburg’s Dry Creek Kitchen, The Bazaar by Jose Andres in Los Angeles and Acacia House at the Las Alcobas Resort in Napa. Occupying a spacious, rustic room at the property’s main building, Layla is the sit-down option among the hotel’s offerings, alongside a casual grab-and-go cafe and a lounge serving cocktails and bar food.

Layla, from the sand dune-like menu design to the wicker touches in the dining room, is a Mediterranean restaurant, which hasn’t been common among Sonoma or Napa as far as hotel eateries go. Why not? Dickinson isn’t sure.

“I tend to draw inspiration from my surroundings, cooking with seasonal ingredients grown locally,” he says. “Sonoma has a Mediterranean climate with hot, arid summers and wet winters, so we have a bounty of local agricultural produce—grapes, of course, as well as olives, fresh legumes and vegetables—that mirrors the best from the Mediterranean region.”

The menu at Layla isn’t afraid of summoning ingredients from all corners of the region, from the mainstream to the more obscure. In the shared plates section, the octopus ($21), the roasted carrots ($10) and the baba ganoush ($9) deliver an enjoyable start, turning the tired “share everything” directive into something you’d actually want to do. The charred octopus slices come with a tangy romesco sauce and perfectly cooked confit potatoes. The carrots, sprinkled with slightly sweet pine nut granola, are memorable among the common sight of roasted carrots. The best dish out of the three is the unorthodox baba ganoush, made from zucchini instead of the traditional eggplant. Flavored with zaatar and dotted with walnuts, pureed black garlic and addictive pickled raisins, the spread packed enough freshness and nuance.

What came after didn’t disappoint either. The textures in the local greens salad ($12) kept things interesting with raw and pickled asparagus making an appearance. The Israeli couscous was another surprise; known in Israel as children’s comfort food and normally served with simple tomato sauce, the small, pearly pasta “grains” were instead cooked in shellfish broth and butter, and served with bites of lobster, making for a complex, very adult main course. Similar outside-of-the-box thinking was present at the chicken agrodolce ($29), an inventive and good-looking dish doing the trendy “both ways” trick; crisped chicken breast with toasted shallots on one side of the plate, a bold, delicious savoy cabbage roll stuffed with minced chicken on the other, with a rich egg yolk custard to cut through the sweet and sour notes. The halibut ($32) kept it simpler, expertly cooked and resting on a bed of pickled peppers, chickpeas and tomato sauce liberally called “shakshuka” on the menu, despite the lack of eggs. A refreshing pate de bombe ($10); greek yogurt mousse, rhubarb and coconut sorbet, was just the light, barely sweet finish the meal needed.

Layla is an ambitious take on the something-for-everyone hotel restaurant. Standing out in the local landscape, Layla’s creative menu is worth the drive, from Sonoma’s downtown or beyond.

Sonoma Harvest Music Festival Expands to Two Weekends This Fall

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Ms Lauryn Hill tops the bill for the upcoming Sonoma Harvest Music Festival.

Last year’s inaugural Sonoma Harvest Music Festival, which took place over one weekend on the grounds of the historic B.R. Cohn Winery in Glen Ellen, was a major success. In fact, it was so successful that the event’s producers, BottleRock Presents, are doubling their efforts for the Sonoma Harvest Music Festival’s second year and offering two full weekends of live music this September 14-15 and 21-22.
Each weekend features a unique lineup of music’s biggest names, with Ben Harper & the Innocent Criminals and Ms. Lauryn Hill headlining the first two days, and Chvrches and Death Cab for Cutie headlining the second weekend.
In addition to the music, the Sonoma Harvest Music Festival will again showcase Sonoma County’s world renowned wine and culinary stars, along with celebrated craft brewers. The Harvest Music Festival benefits Sonoma County Regional Parks Foundation.
Two-day festival passes for both Sonoma Harvest Music Festival weekends at B.R. Cohn Winery range from $249 to $499 VIP. Weekend passes go on sale starting this Wednesday, June 12 at 10am. Single day festival passes will be available at a later date.
Visit sonomaharvestmusicfestival.com for more details.

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Not to over-generalize, but resort food tends to be plentiful, yet lacking in creativity, thoughtful sourcing of ingredients and memorable culinary moments," says Cole Dickinson, executive chef of Layla, the latest addition to the recently refurbished MacArthur Place Hotel and Spa in Sonoma. This is decidedly not the direction Dickinson took after joining the hotel to oversee all culinary operations...

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