Train Pains

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For several years, a southern California businessman has been pushing to develop a 6.5-acre piece of land at the eastern end
of Petaluma.

The land, owned by Todd Kurtin’s company, Lomas Properties, is adjacent to the proposed location of the Corona Road SMART station. Once completed, it will be the second station serving the city.

According to Petaluma’s 2013 SMART Station Area Plan, city planners expected the Corona Road Station to serve as a park-and-ride to offset parking at the Downtown Station, with the possibility of turning into a denser development later on.

“In the short-term, the Corona Road SMART Station will likely function as a suburban park-and-ride station. However, in the long term, the Corona Road Station Area may evolve to include transit-oriented development,” the report states.

But some residents opposing the current proposal argue that now is the time to develop the property in a transit-friendly fashion, not later.

Lomas Properties’ current plan, which the Planning Commission considered twice in November, calls for primarily single-family homes—some attached and some detached—on a land directly next to the proposed train station.

Lomas Properties’ first proposal, presented at a Nov. 12 Planning Commission meeting, called for 110 single-family homes across 5.23 acres of the 6.5-acre piece of land in question.

A second, revised proposal, unveiled at a Nov. 19 Planning Commission meeting upped the total number of units to 116. Lomas Properties also dropped their request for a zoning adjustment on the property.

Brian Barnacle, a resident working against the current proposal, says it is a wasted opportunity of a prime piece of land located next to public transit.

“From top to bottom, it’s more of the same,” Barnacle says, referencing the urban sprawl development that covers much of Petaluma.

Last week, Barnacle and other residents sent a 15-page letter to the Petaluma City Council outlining numerous criticisms of the plan and the city’s planning process.

“It would be incredibly shortsighted to approve the project when we so desperately need long-term vision,” the letter states in part. “We residents are relying on you to be bold, encourage density, discourage the automobile, and ensure we are implementing good business practices.”

At the center of the critique is the issue of Transit Oriented Development (TOD), a form of urban planning which prioritizes dense developments within walking distance of public transportation options.

TOD has become something of a buzzword among urban planners in recent years. As California and the North Bay face interlocking threats—unaffordable housing prices, income inequality and the increasing impacts of global warming—TOD supporters say implementing the development principles is a way of combating multiple problems at once.

There are many benefits to TOD, including reduced urban sprawl, reduced reliance on cars—thus reducing vehicle miles traveled, expense on working families, and traffic congestion—and, hopefully, a more diverse and affordable range of housing options.

For the North Bay, the SMART stations are a once-in-a-generation opportunity to prioritize this kind of development, Barnacle argues.

Barnacle’s letter suggests that the Petaluma City Council rejects the current proposal—which they expect to consider early next year—consult TOD experts, pursue millions of dollars in state funding for TOD projects, and review Lomas Properties’ prior experience completing TOD developments.

However, there is already a lot of momentum behind the current plan. According to the Nov. 12 Planning Commission report, Lomas Properties may end up with interlocking agreements with the city and SMART.

As part of a proposed development agreement with the city, Lomas Properties would donate a 1.27-acre sliver of the property for use as a SMART park-and-ride.

Under a separate, existing deal with SMART, Lomas Properties would purchase a piece of downtown real estate.

“The applicant is also in contract with SMART to purchase the approximately 4.65-acre parcel adjacent to the downtown SMART station. Approximately $6 million in proceeds from that sale are designated for construction of the second SMART station at Corona Road. The [proposed] development agreement [with the city] includes reference to this requirement as an essential part of securing development of the Corona Road Station,” the staff report states.

And then there’s the time crunch, according to staff. The report presented at the Nov. 12 meeting warns that “If the necessary entitlements are not secured by March 2020 [to align with an existing construction contract] the needed construction contracts will not be able to be secured until construction of the Cloverdale station, which remains uncertain.”

All in all, both stations’ development could have a big impact on the future of Petaluma. Whatever the city builds will likely remain in place for decades.

The proposal is expected to be considered at additional city meetings in January.

As pressure mounts on local politicians to humanely relocate the residents of a growing encampment along the Joe Rodota Trail, the U.S. Supreme Court has weighed in on a case that may impact future policies.

On Monday, Dec. 16, the high court opted not to consider the ninth U.S. Circuit Court of Appeals 2018 decision on a case concerning the City of Boise’s policies for punishing people living on the city’s streets.

Ultimately, the Appeals Court, which serves California and seven other states, concluded that “as long as there is no option of sleeping indoors, the government cannot criminalize indigent, homeless people for sleeping outdoors, on public property, on the false premise they had a choice in the matter.”

Because the Supreme Court decided not to hear the case, known as Martin v. City of Boise, the Appeals Court’s decision will stand. The case may have some impact in Sonoma County, where local homeless advocates reached a temporary legal agreement with Santa Rosa and the county regarding their rules for relocating people living outside.

The local injunction, which the parties agreed on this July, cites the Martin v. City of Boise case as an uncertain factor. With less uncertainty around the court case, the local parties will have to consider the new legal standing when they revisit the injunction, which currently sunsets in June 2020.

Under the injunction, the city and county are not allowed to move encampments, unless they have shelter beds, hotel vouchers or another alternative which meets the person’s needs to offer as an alternative.

Over the past several months, an encampment along the Joe Rodota Trail has swelled to an estimated 180 residents, sparking conversation and criticism of the lack of action by Santa Rosa and Sonoma County politicians to shelter—and move off of the trail—the people living there.

On Tuesday, Dec. 17, the Sonoma County Board of Supervisors considered temporary housing alternatives for the people living on the trail, including housing them at the fairgrounds in Santa Rosa.

Reached by phone on Monday, Dec. 16, Alicia Roman, an attorney who worked on the local injunction, said she was “excited that the supervisors are having this discussion” and that the Supreme Court declined to change the lower court’s ruling on Martin v. City of Boise.

Still, there are a lot of questions needing answers, including where and how the county and other local governments will offer temporary housing options, she added.

Cosmic Fun

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On the longest night of the year, Dec. 21,
music will light the way to Occidental for the Cosmic Americana Solstice Dance, featuring Sonoma County favorites Laughing Gravy and the Drifting Cowpokes performing the music of country and rock icons Gram Parsons and Hank Williams respectively.

The show is a late addition to the weekend’s schedule, as Laughing Gravy frontman Doug Jayne and friends agreed to fill the stage at the Occidental Center for the Arts in place of singer Teresa Tudury, who had to cancel an appearance due to illness.

“She called me up and told me her symptoms, and I told her she had to bail on this gig,” says Jayne, who was to emcee Tudury’s concert. When the OCA asked if Jayne could come up with something to replace the show, he looked to his band Laughing Gravy and their main inspiration, Parsons.

“The thing about Gram Parsons is that he died young, but in the time that he was alive, he was a member of the Byrds, and was part of the seminal album Sweetheart of the Rodeo which started the country-rock thing back in 1968,” Jayne says.

Parsons specialized in what he called “Cosmic American Music,” which blended R&B, rock & roll, country music and blues. That wide appeal of music is on display when Laughing Gravy performs the songs that Parsons made famous, and the group has been a staple of the North Bay scene since forming nearly 20 years ago.

Today, Laughing Gravy is comprised of Jayne on guitar and vocals; Kevin Russell on vocals, guitar and banjo; Allegra Broughton on guitar and vocals; Sam Page on vocals and bass; Dan Ransford on drums; and Kirby Pierce playing keyboard.

Russell is also a member of the Drifting Cowpokes, who first formed back in September as the backing band for a concert hosted by Jayne at the Mystic Theatre in Petaluma which celebrated the release of a 2–CD set, The Songs of Hank Williams: a compilation of Northern California musicians, that raised funds for KRCB-FM.

“We’re bringing the band back,” Jayne says. “It’s going to be a real fun night.”

The Cosmic Americana Solstice Dance happens Saturday, Dec. 21, at Occidental Center for the Arts, 3850 Doris Murphy Ct., Occidental. 7:30pm. $15–$20. 707.874.9392.

Noblesse Oblige

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Documentarian Lauren Greenfield upends the ever-growing field of journalistic plutography; that is, journalistic worship of the filthiest of the filthy rich. Greenfield’s 2012 Queen of Versailles attempted to explain how an 85,000-square-foot, $65 million house could end up with dog turds on the floor.

Greenfield’s The Kingmaker provides remarkable access to a 90-year-old Imelda Marcos. Hearing the name of the uncrowned queen of the Philippines, one recalls the word “shoes.” In February 1986, mobs found 3,000 pairs of her shoes when they broke into the palace of Imelda and her brutal dictator husband Ferdinand. At a rally for her successful senatorial campaign, supporters serve the grandmother cupcakes decorated with doll-sized shoes made of frosting.

Greenfield observes, without comment, Imelda’s terrific sense of resentment and self-pity. The gentle, fair-minded viewer will worry that the film is making fun of a gaga old lady. Far from it. Underestimating Imelda is foolish; for all her white-gloved charm, she’s busy helping her son Ferdinand Junior—nicknamed Bonbong—run for high office as part of a family restoration.

The secret to Imelda Marcos is selective vision and iron-clad compartmentalization, in which effect never quite follows cause. She believes in her own willpower: “I gave birth to what I dreamed, and I always got my way.”

With mixed success, she’s held onto the billions she and her husband stole from the Philippines. While the Marcoses stonewall, cracks emerge. For the camera, Imelda displays her collection of framed photos of meetings with yesterday’s world’s leaders. Ferdinand knew better than to leave the Philippines, since he was allergic to coups. So Imelda went forth for the gripping and grinning with everyone from Henry Kissinger to Muammar Gaddafi.

The lessons Americans can derive from this brilliant and frightening documentary are too obvious to name. One learns a lot about Imelda, but one also learns a little about Melania. It’s to Greenfield’s credit that she caught the mask of glamour slipping for a second, revealing the hideous tyranny beneath it.

‘The Kingmaker’ is playing at the Smith Rafael Film Center in San Rafael.

Spoilers

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The latest Star Wars movie drops this week and the internet is abuzz with speculation about how The Rise of Skywalker will end the nine-part family space saga. Given the sense of ownership fans have for the franchise, the producers might consider including a fan or two in one of their future films. Someone, say, like me. Fortunately, I’ve written some notes for my Star Wars spin-off.

FADE IN: A long time ago, in a pipe dream about 15 minutes ago…

Anyone who’d pitch a Star Wars flick based on themselves would hail from the oilier side of the galaxy. I accept this. There you’ll find me as Lando Calrissian’s PR guy, having discredited myself as a reporter at the Dagobah Post Dispatch (we’ll get back to that). I’d have my own humanoid protocol droid (“E-3PO,” the snarky silver one from The Empire Strikes Back) and maybe a pet Ewok with a drinking problem (for comic relief).

Things are copasetic, that is until house-sitting Lando’s bachelor pad gets out of hand. Let’s just say a small house party for a couple of hundred close friends turns into mayhem when some Wookies crash it. Meanwhile, the ravishing adopted daughter of Grand Moff Tarkin, makes off with my boss’s prized Kyber Crystal (it enables practitioners of either side of the Force to raise the dead). But we don’t know this yet. No one knows this, which is why it’s just sitting on Lando’s fireplace mantle.

So, I’m basically screwed when the boss comes back, unless … She calls. Tarkin’s daughter is blackmailing me for the crystal. She agrees to meet me and my droid at some fancy Coruscant bar to discuss a price. She brings her partner in crime, Boba Fett. Our negotiations don’t go well (Fett just nods his head a lot and shoots stuff). E3 panics and farts a smoke bomb. We run. They follow. We get in the Millennium Falcon (Lando left the keys) and they get into Fett’s ship. Space chase!

E3 and I crash Lando’s beloved Falcon on some desert shithole called Tatooine. There, we evade capture by disguising ourselves as Jawas. “Aren’t you a little tall for a Jawa?” asks a plucky gun moll we meet at a nightclub while on the lam (Note: At some point, Fett should fall into the Sarlacc Pit again and say “Deja vu all over again!”).

I try to light the gun moll’s hookah (chivalry’s not dead) but learn that I’m messing up her investigation—it turns out she’s an undercover space cop. And probably a princess, too. BUT NOT MY SISTER. She’s been tracing a conspiracy to bring Darth Vader back from the dead. And they need the Kyber Crystal. Hijinks ensue and I make the Kessel Run in 11 parsecs (that’s right, 11—suck it, Solo) and I blow up the third Death Star (“Third time’s the charm”) and then I kill the resurrected Darth Vader with—get this—Ben Kenobi’s lightsaber (the irony!) and then the gun moll tells me—wait for it—the lightsaber was her dad’s. Chills, man.

By the end of this adventure they’ve shined up E3 and repaired the Falcon, my Ewok gets sober and I put the Kyber Crystal back on the mantle just as Lando opens the door. “Why, you slimy, double-crossing, no-good swindler,” he says, then gives me a big hug. The Force is with me. Always.

Made in California

Alongside traffic and coffee, news radio is a staple of my morning commute. As I flip through the stations, I’ll sometimes hear a pundit lament that “Nothing is made in America anymore.”

In reality, there are nearly 13 million manufacturing workers in the United States, including thousands in California. Some of these folks are employed by U.S.-based firms. Many others work for companies headquartered abroad.

These international companies employ more than 769,000 Californians. That includes 199,900 employees in manufacturing jobs—or nearly 26 percent of all California jobs created by international companies.

According to the latest government data, the number of California jobs created by international companies jumped by 29 percent during the past five years. More than 1,980 different international companies employ California workers.

International firms pay better. Americans who work for global companies earn 26 percent more compensation than the average worker in the same geographic area, according to a new analysis from the National Bureau of Economic Research.

International companies benefit all workers, not just the ones they employ directly. When an international firm sets up a manufacturing plant and creates 1,000 new jobs in America, workers at domestic firms in that geographic area experience a collective $16 million boost in wages. So, for every local job created by an international firm, the wage pool for employees in the area increases to the tune of $16,000 annually.

International companies also benefit U.S. small businesses. Over the past one and a half decades, international companies increased the amount of business they do with U.S. suppliers by nearly 30 percent—jumping from $1.5 trillion to $2.4 trillion, after adjusting for inflation.

Sourcing locally is important for reasons beyond just economics—it allows U.S. small businesses to demonstrate a commitment to social equity and environmental sustainability.

As we celebrate local manufacturers statewide, let’s recognize how international companies catalyze local economic growth—giving a whole new meaning to “made in California.”

Nancy McLernon is the president and CEO of the Organization for International Investment. We welcome your contribution. To have your topical essay of 350 words considered for publication, write
op*****@******an.com.

Use of Force

The “No Holds Barred” article (Dec. 11) was upsetting to read. I was left feeling shocked and sad and angry.

After a “car chase” with an innocent man, “the situation soon escalated”? Aren’t the officers on scene the ones that escalated it?

David Ward DIED from an “attempted neck restraint” through a car window. I wonder if we’ll see body camera footage and I wonder if any of the other officers present thought maybe it was a bad idea.

The newly-appointed head of the IOLERO has fired every single activist member of the Community Advisory Council?!

She mentioned researching the carotid restraint—why? David Ward is DEAD now. Who cares about the research, it’s obviously a terrible thing to do.

Another comment is either out of context in the writing, or just weird; she “never understood” the CACs previous approach to policy recommendations; “My question to the CAC was why should the sheriff’s office dictate what recommendation to me”? What does that even mean?

Navarro is currently searching for new members? Could Will Carruthers have gone into a bit of detail there? Lastly, Navarro says that in July some assistant sheriff told the CAC “I’ve already talked to you about use of force policies.” Oh, so we’re done? Move on?

Please continue reporting on all of this!

Santa Rosa

Yiddishe
Chrisgiving

Nicole R. Zimmerman’s article, “Finding Hanukkah in the Happy Holidays,” (Dec. 4) brought a smile to my face, and in this season of sharing, I thought I’d share one of my fondest memories.

It was about five years ago when my Christmas, my partner’s Hanukkah, and our mutual Thanksgiving made for a perfect storm of a celebration.

We have dear friends in England, a family of five: Mum, Dad, two teen boys and a 7-year-old princess, who were coming to visit us at Christmas. They had two requests:

“Would it be possible to experience a traditional American Thanksgiving dinner?” Sure!

Said Mum, “The turkey needs to be kosher, is that okay?” Ohhhhhkay.

So, off I traipsed to Safeway. Nada. Raley’s. Zip. Lucky’s. Nada. Petaluma Market. Bupkis. As a last resort, I tried Whole Foods. The butcher said, “We don’t carry them, but we can special order one for you.” Done!

The day came for the pick-up and the cost – oy vey! – was a combo of Whole Food’s premium pricing + a bird practically as rare as the dodo = ka-ching! Hey, it’s only money!

As the resident roast-turkey maven, my partner cooks only twice a year—Thanksgiving and Christmas—and he does it incredibly well, including excellent stuffing, gravy and a killer sweet potato casserole. I do the rest.

Dinner was terrific…for our Brit buddies, just “meh” for us. Apparently, our yiddishe turkey was not exactly a “spring chicken.” But it didn’t matter. The joy in sharing our bounty with good friends at “Chrisgiving,” as we dubbed it, is what makes these times so special.

Happy Holidays to all! (You too, Donald!)

Petaluma

Write to us at le*****@******an.com.

Imagine

As John Lennon sings, “So this is Christmas,” I look at our workaday consumer world and the state of environmental reality 2019 and consider “and what have you (we) done?”

With ever-increasing extreme weather, fires, droughts, ocean life and level changes, I question the impacts of what seems to be excessive consumerism on those we are trying to express our love to.

I question the idea that new, improved “whatevers” will somehow make everybody’s lives better and suggest that we may be being both too humancentric, and mistaken. Sixteen year old Greta Thunberg is the Time Person Of The Year, while our President Tweet Tweets…… and the bankers tabulate profits and the Coral Reefs are in big trouble. One look at the trash cans on every street on the day after could be a clue.

“And so this is Christmas,” which now begins at Halloween and juggernauts through the media frenzy of Black Friday, Cyber Monday, “get it NOW, on sale, free shipping,” and the illusory and mythic “everything is better with new stuff” dream.

Are we perhaps stressed, burdened by expectations, buying stuff we don’t really need, on credit with money we don’t have, and leaving landfills where life once lived?

“And so this is Christmas,” and with the spirit of goodwill and love for all beings, are our purchases and gifts creating or adding to a living and healthy planet for the future lives of those we are expressing our love and caring to? Are we “buying locally” and supporting local businesses or sending our $ off to internet land? And what of the rest of plant and animal life? Are we improving the air, water, soil, or diversity of life through our purchases, or leaving toxic wastelands?

“And so this is Christmas.” Yes, our clothes and things do wear out, but what are the true costs and future effects of our consumerism? Are we sharing with friends, family, community and connecting with each other or spending time in undisturbed non-humanized living Nature? All the shiny new “stuff” can feel just as empty on the day after as a bottle.

Do we consider who made whatever we are buying, what remains of or in the environments which manufactured it? How long will it last, and can it be repaired or reused?

When you look at a pile of wrapped presents under a tree, do you see infinite possibilities, smiling happy faces, children jumping with gleeful excitement? Do you see the landfills, the clear cuts, the toxic remains of the mining and smelting and manufacturing? Do you see the mountains of designed to break products which are too quickly obsolete, or just “out of style”?

“And so this is Christmas.” May we be healthy, happy, and support living environments.

Fairfax

Write to us at le*****@******an.com.

Ethnobotany!

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Tucked away at the downtown Occidental Art Center, the Botanical Dimensions Ethnobotany Library is a surprising, rare jewel featuring a collection of over a thousand books.

Many are rare or hard-to-find and are about plants, indigenous cultures, psychedelics, mycology, mythology, cultural anthropology, herbalism, ritual, shamanism, healing, art and more. The study of ethnobotany looks at the relationship between plants, humans and fungi over time and between cultures and therefore involves many interconnected subjects.

At a time when even used bookstores are hard to find, one can walk into this quiet, magical world of unusual books, make a cup of tea and read all afternoon. Library members have access to the lending shelves, members’ events and special discounts on a range of unique classes, including Global Ethnobotany or Cannabis and Spirituality: An Explorer’s Guide to an Ancient Plant Ally.

Kathleen Harrison and Terence McKenna founded Botanical Dimensions (BD) in 1985, and Harrison established the Ethnobotany Library in November 2015. BD’s original mission was to collect, protect, propagate and understand plants of ethnomedical significance and their lore.

“We do all that and more,” Harrison, an ethnobotanist, teacher, artist and writer, says. “We work to preserve biodiversity, respecting natural ecosystems and traditions of ecological knowledge. We appreciate, study and educate others about plants and mushrooms that are felt to be significant to cultural integrity and spiritual well-being.”

Besides the library, BD implements other plant-focused educational programs, including the Mazatec Project in Mexico, the Amazon Herbarium Project in Peru and the Forest-Garden in Hawaii. The latest project with Harrison’s daughter, photographer Klea McKenna, is a film called Almost Visible about a multi-generational, decades-long relationship between Harrison and McKenna’s family and a Mazatec clan in Mexico. There is currently an end-of-year Giving Campaign underway on their website to raise funds for the library and educational programs.

The library reflects Harrison’s unified perspective and comes from her own personal collection, curated over the years. She accumulated a huge collection of books—including many rare titles—during her decades of study and travel.

“I had way too many books,” she laughs. “I’ve always bought used books; if I’m interested in something I buy books about it.”

Five years ago she decided to thin her collection, so she distributed a few boxes of books to her students at the California School of Herbal Studies, where she’s taught an annual, day-long ethnobotany class for the past 20 years. While Harrison was grateful that her plant books went to appreciative, budding herbalists, she wondered if the rest of the collection might benefit more people if it were grouped together and made publically accessible.

“My book collection is my worldview,” she says. “It’s a 360-degree view of the plant-human-fungal matrix and I decided to keep it all together. Because it represents an inquisitive, full-circle way of seeing the world.”

Harrison is unusually well-integrated. While part of the library reflects her work with psychedelic plants, she respects all aspects of the cultures that use them. Though she never shies away from the topics of ayahuasca or “magic” mushrooms, she places as much importance on plants involved in basket-weaving or cordage as she does on plants involved in shamanic ceremonies.

“I brought over 1,000 books to start the library,” Harrison says. “I also brought art, objects and artifacts. When I teach, I ransack my house for objects, and some of them end up staying here.”

Over the course of the past 20 years, Harrison took hundreds of students on ethnobotany field trips to Hawaii, Mexico, Ecuador and the Peruvian Amazon. Nowadays, she teaches close to home in Occidental.

“It was intense to take a lot of college kids to the Peruvian Amazon,” she says. “I got tired of traveling so much.”

The library includes an adjoining 40-person classroom where she and others teach a variety of unique classes. Her teaching style is conversational and flows with the group in attendance. Classes range from Botanical Illustration to Psychedelic Plants: An Introduction to the Biology and Ritual Ethnobotany of Peyote, Tobacco and Ayahuasca.

“Once you get into worldview you have a lot of branches to follow,” she says, pulling out a book called Translated Woman by Ruth Behar. “There’s mythology, nature, spirituality—even writers about animism here.”

Her own writing can be found in the new book Psychedelic Mystery of the Feminine edited by Maria Papaspyrou, Chiara Baldini, David Luke and Allyson Grey.

“All our work protects and distributes knowledge about plants, cultures and how they weave together over time,” Harrison says. “It’s always evolving and changing. The library represents the many aspects of the ever-evolving, complex relationship between humanity and the plant-fungal world.”

Stage Tales

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Dressing Room Reading Actors backstage at a local theater take time out to browse Tice Allison’s ‘Badass Acting.’

The front cover of the new book Badass Acting, by Tice Allison, features a photo of the author in the act of devouring an insect. Allison actually makes the critter look, well, kind of delicious.

The picture is a publicity shot from Raven Players’ 2015 production of Dracula, where Allison—a Sonoma County native and recently relocated resident of Vantage Borough in Lancaster County, Pennsylvania—played the Count’s bug-eating servant Renfield. Allison has a long Sonoma County career of playing characters like Renfield.

“I play creeps,” he says, via phone from his new home, currently dusted with snow. “I’ve made a career out of playing a whole lot of creeps. I like creeps. There’s a lot of meat there for an actor.”

And now, with the book he’s self-published and is selling through his website, Allison is hoping to help other actors get in touch with their own inner creep—or hero, ingénue, romantic lead or supporting character, as it were.

Though Allison sold his Sebastopol home in the spring and then moved across the country, he says that in many ways, Badass Acting has its roots in Sonoma County and environs. Many of the anecdotal experiences he vividly describes in the book occurred at the Raven Theater, Sixth Street Playhouse, Lucky Penny Community Arts Center and other Bay Area institutions.

A professional freelance graphic artist by “daytime” trade, Allison has been working on the book, in some capacity, for about three years.

“I’ve written and rewritten and rewritten it—I’ve chronicled every single play I’ve ever been in, and tried to determine what I may have learned from it, and what lessons I may have come across over those productions,” he says. “Turns out, I’ve learned a lot. I really wanted my book to be something that people could use to enhance their own acting experiences. So far, the response has been pretty gratifying.”

Admitting readily that some might wonder why an unknown actor would think anyone would be interested in his views on acting, Allison says he wrote the book for people like himself— community theater actors who dream of maybe being discovered and venturing into film or television; people he calls Joe Blow Nobodies.

Asked if he misses Sonoma County, Allison says that while he misses some of the theaters he worked with and some of the people he shared some stages with, the relocation has proven to be extremely positive.

“Moving here was easily the best thing I’ve ever done for myself,” he says. And yes, he’s still acting, having recently appeared in a production of Agatha Christie’s And Then There Were None, in which he played the villain.

“True to what I am best known for,” he says.

That production was at Lebanon Community Theater, in Lebanon (pronounced “Lebnun,” he points out).

“It’s a beautiful little theater,” Allison says. “It reminds me of Cinnabar Theater or the Raven Theater. I look forward to doing more theater here, and who knows, maybe being the author of Badass Acting will help open some doors.”

Tidings of Joy

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Musical adaptations of Christmas movie classics close out the year with two shows running through Dec. 22. Sonoma Arts Live presents A Christmas Story, The Musical while Lucky Penny Productions brings Miracle on 34th Street, The Musical to Napa.

Bob Clark’s A Christmas Story was a moderate film success back in 1983. Based on the writings of humorist Jean Shepherd, repeated TV airings made it a holiday staple which means, of course, it had to be turned into a musical.

All young Ralphie Parker (Tuolumne Bunter) wants for Christmas is an official Red Ryder, carbine-action, 200-shot, range-model air rifle, with a compass in the stock and this thing that tells time. Thwarted by his mother (Morgan Harrington), his teacher (ScharyPearl Fugitt) and even Santa Claus, things don’t look promising on Christmas morn. Will his Old Man (Rick Love) come through?

The script follows the film fairly closely, with key moments converted to musical numbers by Benj Pasek and Justin Paul (Dear Evan Hansen). The Old Man’s infamous leg lamp becomes “A Major Award,” the tongue-on-the-flagpole bit is “A Sticky Situation,” and the play turns the standard admonition to any child desirous of a BB gun into the show-stopping, Michella Snider-choreographed tap-dancing extravaganza “You’ll Shoot Your Eye Out.”

Turning a 90-minute film into a full-blown musical leads to padding and there’s way too much focus on the parents in this production, but Bunter is very good as Ralphie and the show retains a lot of the film’s charm.

Rating (out of 5): ★★★ ½

The same cannot be said for Miracle on 34th Street, the Musical.

How Meredith Willson (The Music Man) managed to strip an Oscar-winning story of most of its charm and turn the leads into two very unlikeable people is something of a miracle in itself.

The tale of a little girl (Ava Reynolds, alternating with Grace Martin) who doesn’t believe in Santa Claus and the romance between her mother (Alison Quin) and a neighbor (F. James Raasch) misses on almost every count.

The cast tries hard, with Tim Setzer’s Kris Kringle and Jill Wagoner’s prosecuting attorney giving the best performances, but there’s zero chemistry between the leads and there’s little love evident in a show whose original title was Here’s Love.

★★

‘A Christmas Story: The Musical’ runs through Dec. 22 at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thu–Sat, 7:30pm; Sun, 2pm. $25–$42. 707-939-9018. sonomaartslive.org.
‘Miracle on 34th Street: The Musical’ plays through Dec. 22 at the Lucky Penny Community Arts Center, 1758 Industrial Way, Napa. Thu–Sat, 7pm; Sat & Sun, 2pm. $25–$40. 707.266.6305. luckypennynapa.com.

Dec. 13–14: Double Dose of David Luning in Sebastopol

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North Bay singer-songwriter David Luning moved his way up the ranks from open mics to headlining gigs and major festival appearances with a passionate streak of Americana music that both kicks out the lights and tugs at the heartstrings. This week, Luning displays his eclectic talents with a pair of juxtaposing concerts. On Friday, Dec. 13, Luning performs an acoustic show, and on Saturday, Dec. 14, Luning goes electric with a full band at HopMonk Tavern, 230 Petaluma Ave., Sebastopol. 8pm both nights. $24–$29 and up. 707.829.7300.

Train Pains

For several years, a southern California businessman has been pushing to develop a 6.5-acre piece of land at the eastern end of Petaluma. The land, owned by Todd Kurtin's company, Lomas Properties, is adjacent to the proposed location of the Corona Road SMART station. Once completed, it will be the second station serving the city. According to Petaluma's 2013 SMART Station...

Cosmic Fun

On the longest night of the year, Dec. 21, music will light the way to Occidental for the Cosmic Americana Solstice Dance, featuring Sonoma County favorites Laughing Gravy and the Drifting Cowpokes performing the music of country and rock icons Gram Parsons and Hank Williams respectively. The show is a late addition to the weekend's schedule, as Laughing Gravy frontman...

Noblesse Oblige

Documentarian Lauren Greenfield upends the ever-growing field of journalistic plutography; that is, journalistic worship of the filthiest of the filthy rich. Greenfield's 2012 Queen of Versailles attempted to explain how an 85,000-square-foot, $65 million house could end up with dog turds on the floor. Greenfield's The Kingmaker provides remarkable access to a 90-year-old Imelda Marcos. Hearing the name of the...

Spoilers

The latest Star Wars movie drops this week and the internet is abuzz with speculation about how The Rise of Skywalker will end the nine-part family space saga. Given the sense of ownership fans have for the franchise, the producers might consider including a fan or two in one of their future films. Someone, say, like me. Fortunately, I've...

Made in California

Alongside traffic and coffee, news radio is a staple of my morning commute. As I flip through the stations, I'll sometimes hear a pundit lament that "Nothing is made in America anymore." In reality, there are nearly 13 million manufacturing workers in the United States, including thousands in California. Some of these folks are employed by U.S.-based firms. Many others...

Use of Force

The "No Holds Barred" article (Dec. 11) was upsetting to read. I was left feeling shocked and sad and angry. After a "car chase" with an innocent man, "the situation soon escalated"? Aren't the officers on scene the ones that escalated it? David Ward DIED from an "attempted neck restraint" through a car window. I wonder if we'll see body camera...

Ethnobotany!

Tucked away at the downtown Occidental Art Center, the Botanical Dimensions Ethnobotany Library is a surprising, rare jewel featuring a collection of over a thousand books. Many are rare or hard-to-find and are about plants, indigenous cultures, psychedelics, mycology, mythology, cultural anthropology, herbalism, ritual, shamanism, healing, art and more. The study of ethnobotany looks at the relationship between plants, humans...

Stage Tales

Dressing Room Reading Actors backstage at a local theater take time out to browse Tice Allison's 'Badass Acting.' The front cover of the new book Badass Acting, by Tice Allison, features a photo of the author in the act of devouring an insect. Allison actually makes the critter look, well, kind of delicious. The picture is a publicity shot from Raven...

Tidings of Joy

Musical adaptations of Christmas movie classics close out the year with two shows running through Dec. 22. Sonoma Arts Live presents A Christmas Story, The Musical while Lucky Penny Productions brings Miracle on 34th Street, The Musical to Napa. Bob Clark's A Christmas Story was a moderate film success back in 1983. Based on the writings of humorist Jean Shepherd,...

Dec. 13–14: Double Dose of David Luning in Sebastopol

North Bay singer-songwriter David Luning moved his way up the ranks from open mics to headlining gigs and major festival appearances with a passionate streak of Americana music that both kicks out the lights and tugs at the heartstrings. This week, Luning displays his eclectic talents with a pair of juxtaposing concerts. On Friday, Dec. 13, Luning performs an...
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