No “I” In Dependent

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Sonoma County police accountability activists are up in arms this week over possible changes to the county’s Independent Office of Law Enforcement Review and Outreach, the office established in the wake of 2013’s office-involved-shooting of Andy Lopez by Sonoma County Sherif Officer Erick Gelhaus.

The IOLERO’s new director, Karlene Navarro, will reportedly propose that the Community Advisory Council, a part of the IOLERO whose members are currently appointed by the IOLERO director, will now be appointed by the Sonoma County Board of Supervisors.

With that news, one activist wrote to the Bohemian to lament the death of the “I” in IOLERO. Navarro replaced San Francisco attorney Jerry Threet in March, with the backing of Sheriff Mark Essick and the board of supervisors. As the Bohemian reported at the time, Navarro’s husband was a prosecutor in Sonoma County District Attorney Jill Ravitch’s office while Ravitch was exonerating the officer, Gelhaus, whose actions helped give rise to the IOLERO.

According to sources familiar with the IOLERO, Navarro recently told the CAC that on Sept. 10 she’d be recommending shifting appointments to CAC from her office to the supervisors.’ According to CAC members who recounted the meeting, the change would be immediate and would spell the end of the current CAC board—along with their labor.

The CAC as currently comprised has been working for months on proposed “use of force” recommendations for the sheriff’s office. That work is now in jeopardy, says CAC member Jim Duffy in an email he sent to other CAC members and that was forwarded to the Bohemian.

It shouldn’t come as any surprise that the county is working to cut IOLERO off at the knees. Late last year, the SCSO pushed the supervisors to end the IOLERO outright as it accused Threet of indulging his anti-police “bias” as its first director. Threet’s now in private practice.

In response to IOLERO’s annual report last year, the sheriff’s office called for the county get rid of Threet and hire an outside contractor to investigate cases of alleged police bias on a case-by-case basis. For their part, Sonoma County supervisor David Rabbitt and Shirlee Zane have both echoed concerns about IOLERO raised by the SCSO in public remarks—even as the county has paid out millions of dollars in excessive-force lawsuits in recent years. The supervisors unanimously welcomed Navarro into her new post. Now it looks like they might be deciding who gets to be on the CAC, too.
So: Where did that “I” go?

Tom Gogola is news editor the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Laughing Matters

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A recent New York Times headline asked the question, “Can a Play About Vaccines Be a Laughing Matter?” Bay Area audiences can answer that question themselves by attending one of two current productions of the play in question—Jonathan Spector’s Eureka Day. You can catch it Off-Broadway in New York, or you can go to the North Bay’s Spreckels Performing Arts Center in Rohnert Park where it’s running through Sept. 22.

Commissioned and produced by Berkeley’s Aurora Theatre Company in 2018, Oakland-based playwright Spector’s look at how the leaders of a Berkeley Charter School deal with an outbreak of the mumps won that year’s Bay Area Critics Circle Award for Original Script. Not really a debate on the issue of vaccinations (it’s clear in the play where Spector stands), it’s more a look at how the attempt to find common ground on certain issues is an exercise in futility.

Everything you need to know about the school becomes clear in the first few minutes. Gathered in the school library, the members of the school’s executive committee are discussing whether to add “Transracial Adoptee” as an option for prospective parents on the school website. As everything at Eureka Day is decided by consensus, a lengthy debate ensues between Head of School Don (Jeff Coté), and parents Suzanne (Sarah McKereghan), Carina (Val Sinckler), Meiko (Eiko Yamamoto), and Eli (Rick Eldrege). This debate and its various amusing sidetracks set you up for the even-larger debate to follow.

The school is notified that one of their students contracted the mumps and the County Health Department is prohibiting students with no documentation of immunity from returning to school. How will the consensus-minded board and the parents deal with an issue that has no consensus?

Hysterically, it turns out, as the first act ends with a brilliantly scripted and gut-bustingly funny “Community Activated Conversation” (their term for a Facebook Live session) between the executive committee and the parents.

So yes, a play about vaccines can be a laughing matter. The second act shows that it can also be somber, serious and enlightening. Director Elizabeth Craven and her pitch-perfect cast give life to Spector’s infuriating, moving and completely recognizable characters who manage to illuminate us as to why some people choose to believe what they believe without validating those choices.

Sometimes agreeing to disagree just isn’t enough. Can we all agree on that?

Rating (out of 5): ★★★★★

‘Eureka Day’ runs through Sept. 22 at Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. Friday–Saturday, 7:30pm; Sunday, 2pm; Thursday, Sep 19, 7:30pm. $12–$26. 707.588.3400. spreckelsonline.com

Head for the Hills

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People talk about the Russian River Valley’s several “neighborhoods,” or unofficial subregions of the wine appellation. Can I taste the difference? First, I’ll experience the difference on a bike ride to the Sebastopol Hills neighborhood.

It’s nice to start this 14-mile ride at the Balletto Vineyards tasting room on Occidental Road, west of Santa Rosa, but only the most steely-nerved cyclists might want to power up the poorly maintained “bike lane” that I take, alongside heavy traffic, to Highway 116. Alternately, ride north on the West County Trail and then continue west on Occidental Road through Green Valley, Russian River Valley’s only official sub-appellation.

I turn left at Mill Station, and soon find Cherry Ridge Road on the right. Now I’m slowly gaining elevation on a hill in Sebastopol, for sure—but the vineyards here, framed by redwood groves, are technically still in Green Valley.

Catching my breath at Grandview Road, I see that it lives up to its title. Watching my downhill speed, I glide to a brief rendezvous with Bodega Highway. A jog to the west and then south again at Sexton Road, and I’m climbing again. But this time, I feel cooler despite the exertion. In this area, low clouds are still moving in from the coast. Winding up the hill, I catch a glimpse of Balletto’s Sexton Hill Vineyard, followed by Pratt Sexton Road. There’s a scent of south county eucalyptus.

I pause at Cider Ridge, then chase shadows of clouds down Burnside Road to Watertrough. There are several routes back from here; I take bumpy little Elphick Road to 116, where the lunch options start.

Inman Family Wines Endless Crush Pratt Sexton Road Rosé of Pinot Noir ($38) My favorite of Inman’s single-vineyard rosé series, this shows chalky, saline notes of crushed sea shells, plus strawberries and a cool scoop of fresh cream. Light strawberry-raspberry flavors belie a fair bit of body.

Balletto 2017 Sexton Hill Pinot Noir ($46) This starts to say, “classic Russian River Valley” with rich aromas and flavors of mixed berries, strawberry jelly, milk chocolate and cinnamon, but a tart core of lingonberry fruit and hibiscus tea flavors ultimately say something more “coastal,” and keep the palate from feeling too lush or jammy.

Balletto 2016 Cider Ridge Pinot Noir ($44) Maybe it’s the name that’s got me thinking hot apple cider and mulled wine, but I did write “clove, cinnamon and allspice” in my tasting notes, followed by “a heady hint of balsam.” The leaner of the duo, Cider Ridge’s cranberry and lingonberry flavors slip away on a silky note. Both wines are great values—for this neighborhood.

Fashionable Sebastopol

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The massive floods of this past winter surprised no one on the Russian River, but The Barlow, Sebastopol’s relatively new lifestyle-and-shopping compound, was caught off guard. Massive damage to stores and business led to disputes over floodgate policies with the Barlow owners, eventually resulting in closures of such prominent business as the restaurant Zazu and Tamarind, the stylish boutique on the edge of the property, that has since capitalized on its second location in Healdsburg.

Some businesses weathered the storm while others arrived in the Barlow after the floods. One such new business is Rust, a clothing store that relocated to the retail zone in July. Featuring the signature Nor-Cal mix of breezy dresses, straw hats and graphic tees, the boutique, owned by Alice Briggs, infuses a light-hearted, feminine vibe into the area’s upscale mix of businesses.

Across the street, the recently opened Scout West County is a larger, more lucrative reincarnation of Kitty Hawk Gallery, a store and gallery that operated in downtown Sebastopol until a year ago. Grace and Oliver Estrada, the husband and wife duo behind the business, opened their boutique in June, taking over a large space previously occupied by a furniture gallery.

“We feel as though the Barlow has become a destination more recently,” says Grace Estrada. “We’ve noticed large groups and families from far and wide coming to spend the day to eat, shop, drink and explore this area.”

Estrada ambutuiously calls her boutique ” the new modern general store. We now sell women’s clothing, men’s clothing, furniture, home accessories, jewelry and beyond.” The store’s tagline, “a few good things” is purposefully vague—anything and everything for the home and wardrobe, as long as it’s tasteful.

As for the tough winter, Estrada says “an honest statement is that overall, it has been extremely challenging after the flood. We are trying to stay strong and remain optimistic, but it is difficult because the foot traffic we had previously has not yet returned. Many assume because we did not have actual water damage we are fine, but the reality is our business is struggling immensely and we hope customers from afar will return.”

Another newcomer adding to Sebastopol’s fashion scene is Indigo Denim Bar. The store opened nine months ago in downtown Sebastopol after relocating from Garberville shortly before the floods hit. Bignon was not directly affected by the flooding because of her Main Street location.

The shop offers a collection of jeans, as the name suggests, by brands including Sam Edelman and Etica Denim, alongside accessories, tops and shoes.

“I was drawn to the area by the wonderful small-town feel and confident that the success the Barlow was having was revitalizing Sebastopol,” says owner Annie Bignon. “My soul is in a historic space, so I sought out a period building with soul, which you will see reflected in my boutique. I’m a juxtaposition between between classic historical and modern contemporary.”

Road Home Redux

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Lessons Learned Can Cypress avoid the pitfalls that delayed its New Orleans Katrina Cottage experience?

Balloons flapped like giant, inflatable grapes in the hot wind of Santa Rosa’s Fountaingrove area as a host of leaders heralded the completion of the first “Sonoma Wildfire Cottage” on a recent Friday afternoon.

Against a backdrop of under-construction cottages and a corporate parking lot, Sonoma County Supervisor James Gore took the mic and announced that the project underway was a portent of things to come. The cottages, he declared, represented the first metaphoric sparks to kick off a wildfire of public-private housing build-outs in Sonoma County.

Habitat For Humanity’s nine-unit pilot program is housing, if only temporarily, families displaced by the 2017 wildfires. It’s a partnership with the Washington D.C.–based lobbying firm The Cypress Group.

The homes are located on a seemingly unusual plot of land on the Medtronic medical equipment campus and provide a visual symbol of the $1.2 million private-public partnership. The emphasis is on private contributions and public assertions that this is how Sonoma County is going to house a handful of wildfire victims short-term, while also setting a path forward to address the county’s crippling 25,000-unit housing deficit that predated the fires.

Officials from all walks of government were on hand to celebrate the completion of “House #1,” a tidy, white two-bedroom, shotgun-style cottage whose components were built off-site and constructed on the lot. Hand-made quilts were ceremoniously presented to the new occupants and reporters were able to tour the unit built to withstand fires. Can they also withstand local politics and zoning issues?

Gore was joined at the event by co-supervisor Shirlee Zane, Rep. Mike Thompson and Santa Rosa Mayor Tom Schwedlhelm. Everyone lauded the effort and declared it a huge moment in the history of Sonoma County’s housing crisis. Efren Carrillo, the former county supervisor and current executive with Burbank Housing, was also on hand.

The cottage community is an ambitious, complicated project that has attracted private sponsors from around the region—everyone from the Piazza Hospitality Group to Safeway Inc. has contributed to the effort—and was sponsored by a group called Wine Country Rebuild that’s comprised of young winemakers.

Senses Wines in Occidental founded Wine Country Rebuild after the 2017 wildfires. Thew group crowdfunded $1.2 million for wildfire cottages (Senses was co-founded by Christopher Strieter, Myles Lawrence-Briggs and the actor Max Thieriot). The project is being built by the national housing organization Habitat for Humanity, which has extensive experience in sweat-equity partnerships with would-be homeowners. This is a different kind of project for HFH—volunteers from Medtronic and regional construction firms provided much of the sweat equity here.

But what of The Cypress Group? The organization’s website says when it comes to its strategic-advisory services “we view political risks as the probability that changing laws or regulations will create loss or change for a client.”

And it looks as if the group did see some risk in engaging with Sonoma County’s rebuilding efforts. In his remarks to the crowd gathered in mid-August to check out the Wildfire Cottages, HFH’s outgoing Interim Executive Director John Kennedy noted the powerhouse lobbyist jumped on board the project with reluctance. It was an off-hand remark but one that’s worth exploring, as it may signal whether The Cypress Group is really up to the task of coordinating Sonoma County and Santa Rosa’s multi-faceted rebuilding efforts.

The Cypress Group is a strategic advisory and lobbying organization in D.C. that emerged from the wreckage of Hurricane Katrina in 2005 as an untested housing developer with deep connections in Louisiana Democratic politics and a stated desire to do something about their nearly-destroyed state and city of New Orleans. With Democratic Governor Kathleen Blanco in the statehouse, Cypress leveraged their influence in Baton Rouge and Washington to manage the Katrina Cottages program that took root after the storm.

Cypress Partner Patrick Cave, a proponent of the New Urbanism school that highlights walkable communities and scaled-housing solutions, linked up with New Urbanist Marianne Cusato to locate some 450 “Katrina Cottages” under FEMA rebuilding programs after the storm. The Cypress Group created an organization called the Cypress Community Development Corporation (CCDC) and put Cusato in charge of it. They’ve heralded the Sonoma Wildfire Cottage program as not just the solution to Sonoma’s housing crisis, but possibly for the whole state. The CCDC stresses its role as a not-for-profit division of the lobbying and advisory organization that “specializes in developing innovative housing solutions for disaster rebuilding and workforce housing.”

Those issues have intersected in a negative, high-rent manner in Sonoma County, where workforce housing is scant and pricey and where a natural disaster burned thousands of homes and businesses.

Habitat for Humanity contacted the organization after the 2017 wildfires, but the Cypress non-profit was initially reluctant to take on the rebuilding effort in Sonoma County, says Kennedy. In his remarks to the crowd gathered at the Medtronic campus, he recounted Cypress leaders telling him, “We had some experiences with New Orleans that weren’t exactly good, but we’ll team up.”

Kennedy didn’t elaborate to the crowd as to the source of The Cypress Group’s “hesitation” to join the Sonoma County-City of Santa Rosa rebuilding effort.

In a follow-up interview he says their reluctance was two-fold. First, he said, the firm was hesitant because the Sonoma Wildfire Cottage program is utilizing numerous contractors and developers to execute the vision of affordable (or at least, more affordable) homes for local residents. That’s a recipe for an inefficient construction management plan that’s potentially fraught with political considerations, with local and regional contractors vying for a piece of the Habitat for Humanity plan.

The Sonoma Wildfire Cottage project is already a year past Wine Country Rebuild’s schedule. The company’s website says that “construction on the cottages is expected to begin in the summer of 2018 and the anticipated date for occupancy late fall and early winter of 2018.” A year later, one cottage has been completed and occupied.

And, Kennedy told this reporter that The Cypress Group doesn’t necessarily hold the same sway in Washington housing agencies under President Donald Trump as it did with previous administrations. Trump’s been bad for the state on numerous fronts, Kennedy says with a slight laugh, including housing.

But Cusato, and Cypress Group promotional materials, insist the firm is well-positioned to deliver on its promise, despite a build-out of similar intent in New Orleans that was anything but smooth: “The Cypress Model for neighborhood building is distinctly applicable to housing families in the wake of a disaster—quickly, safely and cost-effectively—with a view of the long-term health and stability of the family in a stable and permanent community,” says the company website.

As I reported in 2012 for the online investigative website The Lens, the Cypress Model in the Crescent City was anything but a quick and cost-effective build-out, and included a last-minute rush to remediate Katrina Cottages that had been heavily damaged after sitting out in the elements for years before being placed in their permanent locations around New Orleans.

Back in 2012, The Cypress Group was under the gun to beat a FEMA deadline for delivery of around 15 highly nomadic Katrina Cottages that had been moved all over the state before winding up in New Orleans and that accrued nearly $1 million in remediation costs along the way.

So, quickly and cheaply? Not so much, at least in New Orleans. The Katrina Cottage program did play out much more smoothly in other parts of the state and in Mississippi. But in New Orleans, after a five-year odyssey that was promised as a quick and long-term solution to residents displaced by Katrina, the last of the Katrina Cottages were sited in the city’s Lower Ninth Ward in 2012.

New Orleans housing officials had a difficult time trying to site the Katrina Cottages, owing to designated lot sizes that turned out to be too small to accommodate the houses, or weren’t zoned to accept the homes.

Is this the source of The Cypress Group’s “hesitation” to jump on the Sonoma Wildfire Cottages, which are already a year behind the proposed schedule outlined by Wine Country Rebuild? Cusato says there was no hesitation at all—simply a concern about the ambitious, multi-contractor arc of Habitat’s plan.

By the time those cottages were completed and residents moved into them, so much time had passed between the promise and the reality that they weren’t even calling them Katrina Cottages in New Orleans anymore. The promise of a quick and efficient post-disaster response that didn’t involve toxic FEMA trailers was never realized in New Orleans. And now the same company is expressing reservations about doing business in Sonoma County, based on its NOLA experience. The Sonoma Wildfire Cottages, says Kennedy and Cusato, have yet to be matched with a lot in Santa Rosa.

The Cypress Group has positioned itself as a high-flying strategic advisory and lobbying organization with a robust client base that includes a few clients that might raise eyebrows among North Bay liberals. The company has billed out some $2 million in lobbying fees so far in 2019, according to online records. Lobbying clients include Koch Industries and Grupo Salinas, among others. The latter is a California-based consortium that represents the interests of Advance America Cash Advance Centers, a business targeted by workforce activists for its high-interest, payday loans. Other Cypress clients include Wells Fargo, Prudential, Citi and Metlife.

The Cypress Group has long been held as an example of the “revolving door” lobbying community in Washington. Its founder, J. Patrick Cave, was an Assistant Treasury Secretary before leaving government and founding The Cypress Group. The revolving door apparently keeps spinning, and it looks like, on paper at least, the organization took measures to get some traction with the Trump Administration: In April 2018, according to the Wall Street Journal, the company hired former Trump White House Deputy Chief of Staff Rick Dearborn as a partner.

And now there’s a robust public-private partnership playing out in Santa Rosa. The mantra at last week’s Sonoma Wildfires well-attended opening on the Medtronic campus was that one house built is one less house that needs to be built to address the city and county’s growing homelessness and affordable housing problem.

The nine houses were designed and built by different firms and range from a one-bedroom house that looks like a Frank Lloyd Wright pool cabana to shotgun cottages that wouldn’t look out-of-place in New Orleans. The Wright-ish house and a handful of others others like it are pre-built homes that were placed on the Medtronic campus with a crane. Those homes, says Kennedy, would fetch $350,000 on the open market.

The remainder are two-bedroom shotgun-style homes that are largely pre-constructed and then assembled on site. Those, says Kennedy, are the ticket—or possible ticket—to solve an affordable housing crisis that’s so massive, he says, you’d need a China-like mass-manufacture of cottages to ease the local strain.

In Habitat for Humanity’s grand vision, that’s the local model moving forward, explains Kennedy. He’s excited about the possibility of California replicating the Habitat For Humanity model in Edmonton, Canada, where there’s a HFH house-building factory that pumps out housing components that come together, not quite Acme-style, but pretty quickly, on site. Those homes, he says, would list at $400,000 in the Sonoma County housing market. Habitat for Humanity has leased a 30,000 square-foot property in Rohnert Park, he says, in an effort to replicate its Edmonton mass-buildout model.

For now, the homes are being rented to wildfire survivors who were among the last victims unable to secure permanent housing after the 2017 inferno. The renters come from a familiar stream—they were selected by Catholic Charities from a pool of more than 40 families and individuals who are still sleeping on friends’ couches and elsewhere two years after the fires.

Under its arrangement with Medtronic, the houses will be on this plot for two years. Kennedy says it could be up to five years, but that’s yet to be finalized. The final resting place for these homes remains an open question—subject to finding a plot of land, dealing with any zoning or other local issues that may arise, and finding a buyer through Habitat for Humanity.

Adrienne Lauby is the president of the Board of Sonoma Applied Village Services, a local nonprofit that’s taken up the call for finding affordable housing solutions in a city and county that aren’t always amenable to grassroots notions about tiny houses, solar yurts and parking lots populated with trailers and campers.

She’s been fighting for funding and grants under the county’s Home Sonoma network and received word last week that her group will be getting a $450,000 grant from a $500 million state fund for housing programs (Sonoma County got $12.6 million of that grant). They’ve got the green light to explore tiny houses and parking-lot communities. The next step, says Lauby, is to try and find a place to develop those programs.

Lauby is supportive of the Sonoma Wildfire Cottage plan and believes that every bit of housing helps. She cautions, however, that local leaders need to focus on the plight of the some 2,000 regional homeless persons who’ll likely be sleeping out in the elements again this winter.

“There’s no doubt that it requires a community response,” she says, invoking the wildfires’ impact on an already-compromised Sonoma County housing dynamic. Small business, big business, government—she says they all need to come together but also notes there’s a disconnect in the county and Santa Rosa between homeless people.

She cites “a disparity between the ‘good homeless’ who were hurt by the fire and the ‘bad homeless’ who were already homeless.” The latter’s plight was exposed for all the world to see following the wildfires, much as Hurricane Katrina served to highlight a city that had suffered decades of poverty and neglect.

“The city, county and the state have all declared a homeless emergency, but none of them are doing anything,” Lauby says. Since the wildfires, Santa Rosa has turned back numerous grant proposals from local housing nonprofits such as Homeless Action, mostly on technical grounds and because of the rules of the grant (ie, proposals for grant monies were too small to be considered).

The federal and state money now arriving in Sonoma County, through the state’s Homeless Emergency Aid Program, says Lauby, “tends to go into brick and mortar housing” projects and isn’t pegged at smaller-scale solutions.

So, while Sonoma Wildfire Cottages is pushing out $400,000 for potential workforce housing, Lauby says tiny-home solutions in the $5,000 range have been brushed aside as private-public partnerships such as this one have found favor with local officials. The city of Santa Rosa has been especially aggressive in keeping tiny homes, trailer-park parking lots and other small-scale homeless solutions out of the city.

Lauby says everyone’s in the same boat when it comes to finding a place to for new housing—whether it’s a tiny home or one of the Wildfire Cottages. She cites the excruciatingly slow pace of local permitting as a factor even as she notes that the county is the biggest property owner in Sonoma County.

“There are things like vet’s buildings, corners of parks, unused baseball parks,” she says, which could and should be considered for alternative housing solutions in her view. But her organization, she says, has been stymied by safety issues raised by first responders when they’ve submitted small-scale grant proposals, and by what she says is an over-reliance on working within established rules and guidelines. She says the safety issue is mis-construed: It’s not safe, she argues, to sleep outside or under a freeway overpass.

And she notes that if the county and Santa Rosa can accommodate a village of corporate-friendly homes in an industrial zone, why can’t local electeds be more amenable to solutions to help the very poor and the chronically homeless, who were here before the fires and whose plight has only sharpened with the loss of 5 percent of the region’s housing stock?

She also notes there’s competition afoot in the county for what Cypress is angling to accomplish—whether it’s apartment complexes made from repurposed shipping containers or a big push from the manufactured-housing industry. “Cypress is in a crowded market,” she says.

In an interview, Cusato says that Cypress was never hesitant about teaming up with Habitat for Humanity. “We actually always wanted to do the project,” she says. “It’s our business model.” She said any reluctance on Cypress’ part was a function of Habitat’s adding the variable of multiple builders to the project and that the Cypress nonprofit “helped shape the program with them. We asked them, ‘are you sure you want to enter in to this with all these variables, all these different builders on site sort of bumping into one another?”

She says Cypress came to realize the benefit of having multiple builders working on the cottages, since it would provide a point of comparison to determine which builders were up to the task of delivering on-time, high quality homes.

Cusato also brushed aside concerns about Cypress’ political juice in Washington these days and stressed that their housing model is a bipartisan approach and that “this has nothing to do with one administration over another. This has to do with the fact that we have a broken system. It doesn’t matter who is in office.”

The Cypress housing nonprofit’s next move in the Sonoma Wildfire Cottages project is the release of a lessons-learned report which, says Cusato, would be useful to any California municipality that wants to consider a Cypress-HFH public-private program. “There’s a whole lot of potential here to help other communities in California,” she says. There were lots of lessons learned from the Katrina and Rita experiences but one key takeaway is the persistence of localism in the face of proposed mega-projects. “What we’ve learned is that every place is unique, and every place is universal. Every place is 100 percent local, but patterns emerge that are all similar.” One of the Katrina Cottage community build-outs in coastal Louisiana was rejected by locals because the cottages looked like manufactured homes even though they weren’t. “The NIMBY’s came out and said we can’t do this here,” she recalls.

College Try

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True to Dorm SRJC’s proposed housing facility is just a $43 million bond away from completion.

Santa Rosa Junior College’s plans for its first new student housing project since the 1990s, a five-story, 378-bed complex on its Santa Rosa campus, aims to transform into an around-the-clock school.

The as-yet unnamed $42 million complex is slated to open in fall 2022 and the college plans to hold community forums next month with students and community at large. That’s the word from Kate Jolley, interim vice president of finance and administrative services at SRJC. The school says it’s addressing housing insecurity for its students head-on. To date, the school has not secured financing for the project, but claims they will complete it by 2022.

SRJC expects to issue 40-year bonds for the project, says Jolley, but hasn’t done so yet—the debt structure for the student housing plan has yet to be finalized. An initial public offering for the tax-exempt bonds is anticipated for November 2020, she says.

“In 2015, I noticed more students had a hard time finding housing,” says Dr. Frank Chong, president of SRJC. ” Rents were going up. I heard from students who said they could not afford to attend the JC because of housing costs.”

Chong went to the school’s board of trustees in 2016 to pitch a housing plan that became even more urgent with the 2017 wildfires. Pedro Avila, vice president of student services, says many students withdrew from classes because of housing scarcity and rising rents exacerbated by the fires. A spring 2018 survey conducted by the Scion Group bears out Avila’s concerns: 30 percent of respondents had considered withdrawing from SRJC because of the cost of housing or housing insecurity.

More than 100 students out of nearly 1,800 surveyed said they planned to leave the school for those reasons. More than half expressed interest in living in SRJC housing.

The plans are ambitious and costly. The school plans to demolish the Foundation and Public Relations building, some temporary and portable buildings and the Button Building, which houses the school’s human resources department. The new housing footprint will also eat up some parking spaces. Demolition is scheduled for next spring at the corner of Elliot Avenue and Armory Drive off of Highway 101. The school says it will add parking spaces to accommodate those lost to the new housing facility.

School officials say early on the student housing has the potential to generate $110,000 in revenue per year. Fifteen years after its construction, the facility is expected to generate approximately $1 million per year.

“Annual revenue could grow from there, depending on the needs of the project and successful occupancy rates,” says Jolley. Revenue from the project will support the student housing itself and the SRJC district—the Santa Rosa campus, the Petaluma campus and Shone Farm.

The school has come up with a plan for projected rents that they will use, in part, to pay off the private contractor that’s building the proposed facility. Jolley says rents will start at $843 per bed per month in a double room, up to $1,012 for a single room. A room in a four-bedroom apartment will rent for $1,209. The proposed rates include furnished rooms and utilities. While the proposed rents aren’t especially low for students on a budget—they’re far cheaper than those on the open market. The average one-bedroom rental in Santa Rosa comes in at around $1,950, according to online data at RENTcafe and other online real-estate sources.

SRJC will consider giving priority to veterans, low-income students and students coming out of foster care, and, says Avila, will find the funding to house them, too. “We are going to create an endowment under the SRJC Foundation. We will identify potential donors. The donated funds will be used to subsidize rent for low-income students.”

The student-housing workgroup is scheduled to meet throughout this fall to establish criteria for living in this proposed student housing. The workgroup will also determine which students will have priority spots. Families are not part of the equation: Individuals who live in student housing must be SRJC students; units will not be available to families.

Jolley says the SRJC is considering 10-month and 12-month leases and stresses housing insecurity as the driver: “We have a lot of students who are homeless or in a risky living situation,” she says.

Students have already raised a few red flags. The rent is trending toward unaffordable for some. Others havehave concerns that local residents might scheme to take advantage of the rents that are low relative to the area’s whopping cost-of-living. “I get a lot of questions from potential students coming from far away who have trouble finding housing,” says Martha Torres, a student ambassador at the school. “But if the rent gets more expensive, it might be too much.”

For Anna Kidd, also a SRJC student and student ambassador, a major looming issue is that the school will need to vet full-time students.

“A number of students attend full-time for the first few weeks but then drop half their units,” she explains. “Often they’re working two to three jobs in order to afford rent, on top of school. They also can’t afford the full load unless they have the necessary support and income to attend full-time.”

SRJC’s student housing workgroup selected the Scion Group in spring 2018 as a housing advisor for the project. Scion assisted SRJC with a student housing feasibility study and provided guidance in selecting a developer.

Scion also recommended SRJC use a public-private partnership financing model, which involves collaborating with a development firm to build and manage the student housing on SRJC District–owned land. Later, SRJC selected Servitas, a Dallas-based developer, through a request for proposal process. The student housing workgroup led that process.

Avila says Servitas will manage the student housing operations and it will have minimal impact on SRJC’s resources. He adds that the junior college chose Servitas because they met SRJC’s three goals: affordability, sustainability and utilizing local labor at prevailing wages.

Servitas is the public-private partner for student housing for another California junior college, Orange Coast College (OCC) in Costa Mesa. “Their experience with that project will benefit SRJC’s student housing,” says Avila. For one, they’ll be using light-gauge steel instead of wood in the construction of the building.

The proposal is a hit with David Guhin, Santa Rosa assistant city manager. He anticipates a smooth build-out. Most of the permitting will take place through the state, he says, and won’t have to go through the Sonoma County or Santa Rosa permitting wringer.

“We are excited about this project as it aligns with our overall housing goals,” says Guhin, who pledged to assist with community engagement and interactions with city services.

Bet on Black

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The first thing to know about Santa Rosa band The Dylan Black Project is that there is no Dylan Black.

Rather, the band—guitarist and vocalist Terry Sanders, keyboardist Steve Seydler, drummer Greg Saunders and bassist Elmar Kurgpold—take their name from a pseudonym Jimi Hendrix earned in London in the ’60s.

“No one knew who he was at the time, and he was notoriously shy,” says Terry Sanders of Hendrix. “So, he would play and then grab his guitar and leave. And people would say, ‘Did you see that guitarist? The black guy with hair like Dylan?'”

Sanders, a San Francisco native who cut his teeth with hip-hop and R&B groups like Digital Underground, and Seydler (Petty Theft) go back 20 years, and they formed The Dylan Black Project with Saunders (Stax City) and Kurpold close to a decade ago. They’ve steadily gained a following for their tight rhythms, funky grooves and exceptional onstage musicianship.

“Coming from that old R&B background, it’s all about the continuity of the set,” Sanders says. “We have all this movement, within the music, that is polished. There’s no second-guessing onstage.”

The group is a staple at summer concerts throughout the North Bay, performing on Thursday, Aug. 29, at the Windsor Town Green, and on Saturday, Aug. 31, at Redwood Café in Cotati. In the last few years, The Project also found themselves on bigger stages, opening for Boz Scaggs last year at Rodney Strong Winery and making fans as far away as Concord.

This fall, The Dylan Black Project heads into the studio for the first time as a group to record their debut album. “We’re getting a lot of love, a lot of people who want to play our music,” Sanders says.

In particular, Sanders looks forward to recording his 2017 song “Sonoma Shine,” which he wrote before the Tubbs Fire, but which resonated with the North Bay when a Facebook video of him performing it went viral in the aftermath of the tragedy.

Until the album comes out, The Dylan Black Project will continue to play live, and Sanders will continue to embrace the fact that everyone, Scaggs included, calls him Dylan.

“It’s like Jethro Tull or Steely Dan—none of those people exist,” he says. “I get a kick out of it.”

The Dylan Black Project performs Thursday, Aug 29, at Windsor Town Green (701 McClelland Dr., Windsor. 6pm. Free. townofwindsor.com) and Saturday, Aug 31, at Redwood Café (8240 Old Redwood Hwy, Cotati. 8:30pm. $10. 707.795.7868).

Built to Last

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Even before the devastating wildfires of October 2017 destroyed thousands of homes and buildings in Napa and Sonoma County, architect Brandon Jørgensen had notions of what he now calls “Architecture of Resilience.”

“The idea was kicking around in my head for a few years,” says Jørgensen. “The fires concretized the idea and I immediately took action.”

Growing up in Napa Valley, the architect saw wildfires come and go, and observed the destruction they left in their wake.

“Every fire, it gets worse and worse,” he says. “I thought to myself that policy makers aren’t necessarily going to take action that’s the best for the environment, and who better to take action than people who are trained to design the environment—architects and engineers.”

Two years ago, Jørgensen created “Architecture of Resilience,” a group of architects working on thoughtful design as Napa rebuilds burned structures. On Sept. 7, Jørgensen and a panel of colleagues will discuss the topic in a public conversation at di Rosa Center for Contemporary Art in Napa.

“It’s been an adventure to keep it going and keep it in the forefront of thoughts,” Jørgensen says, of the group. “But, it’s something that’s active every day in terms of conversations with clients, contractors and my peers. Every time I feel it drifting, I try to bring it back into the fore.”

From choosing fire-resistant building materials to developing fire-resistant landscaping, Jørgensen’s concept is, at its core, a call to sustainable and environmentally conscientious building.
“It’s a re-framing or a repurposing of thoughts on the building process, which is exciting because a lot of people are coming around to it and understanding the importance of it,” he says.

Through his design firm, Atelier Jørgensen, the architect works on several North Bay projects that utilize fire-resilient ways of thinking. For example, one rebuild uses a wood frame, though that wood is the newly-developed magnesium oxide board—developed and manufactured by ExtremeGreen—that is half the thickness of traditional fireboard, with double the resistance to combustion.

“This is something we’ll get into in the conversation (on Sept. 7),” he says. “What details I’m using, what details my peers are using.”

For the upcoming conversation, Jørgensen is assembling a panel featuring his old professor of architecture at the University of California, Berkeley, Stanley Saitowitz, and nationally recognized designer Anne Fougeron. “When you get those two in a room together, they have opinions that both complement and contradict each other, which always leads to new ideas,” says Jørgensen.

Also joining the conversation is California and Hawaii-based architect Craig Steely, who’s partnered with Jørgensen on past projects.

Ultimately, Jørgensen wants to see architecture of resilience become common sense. “It would be nice when people come to wine country, they are constantly aware of their environment,” he says. “And they are aware of how to fit into it, and not just plop something down onto it.”

‘In Conversation: The Architecture of Resilience’ happens on Saturday, Sept 7, at di Rosa Center for Contemporary Art, 5200 Sonoma Hwy, Napa. 3pm. $10. dirosaart.org.

Bee Natural

Directors Tamara Kotevska and Ljubomir Stefanov spent three years filming the life of Hatidze Muratova. This lean, hard-working woman in her mid-50s practices an almost extinct craft: She’s a gatherer of wild honey in the vicinity of her deserted village.

This is an obscure corner of the Balkans, where it already looks as if it’s after the end of the world. The country is so little known that its name change didn’t make it into most reviews of Honeyland; as of last February, Macedonia is now known as the Republic of North Macedonia. Haditze gathers honey and tends her disfigured, slowly dying mother. She hikes up the narrow ledges of the hills and picks open the rocks, smoking the bees out with a dung-fired smoker. Haditze’s skills are such that she’s able to do this unveiled and barehanded, calming the bees by murmuring to them. They crawl on her fingers as if they were pets.

Her life is interrupted when new neighbors move into the village. The Sam family, mom, dad Hussein Sam, their seven or eight kids and several chickens, live inside their trailer. In all innocence, Haditze teaches dad how to gather honey, trusting that there’s enough for everyone.

Hussein mucks it up with overproduction, and by introducing aggressive, perhaps Africanized bees. Hussein’s kids are tough enough to deal with the half-wild cattle that kick them and knock them over. But they can’t deal with Hussein’s viciously stinging bees.

Hatidze trusted the filmmakers. Perhaps she was unclear on the concept of what movies are, living as she does in a stone-floored house without electricity or plumbing. And Kotevska and Stefanov honored Hatidze. Though from what we see, there is an open question of what was dramatized and what naturally appeared in front of the lens.

‘Honeyland’ is now playing at the Smith Rafael Film Center in
San Rafael.

So Long, Easy Rider

0

Get your motor runnin’, head out on the highway … ” So growls John Kay, vocalist for the rock band Steppenwolf, in one of the opening songs from the movie Easy Rider, which Peter Fonda, who died last week, co-wrote. Although Fonda’s career spanned 50-plus years, he will perhaps be remembered—rightly so—for this piece of cinema which debuted in 1969, a seminal year for all things cultural in America.

Easy Rider bore little resemblance to the light-hearted and laugh-filled buddy/road movies that preceded it. No, this road trip opened us up to America’s “heart of darkness” and, like a laser beam, focused national attention on the disintegration of culture that was occurring—and highlighting what was still to come. As the two “bad boy” main characters glide and roar across the badlands of this country in their two-wheeled chariots, they encounter various characters and fellow travelers. From the wastelands of Los Angeles, where a drug deal is struck; to the high deserts of New Mexico, where a generation seeks alternative ways of living; to New Orleans, Mardi Gras and acid-tripping; to the South, where bigotry and violence are on display; we watch our screen heroes attempt to make sense—while continually inhabiting altered states of consciousness—of the forces pressing in around them.

Fonda was an actor and an auteur. This movie alone is sufficient to bring ongoing applause and accolades, for breaking new ground in personal filmmaking through a strong narrative and the use of improvisation beyond the script. Include a powerful soundtrack, yet another revolutionary device, and you have a film that is both a historical document of the times and still amazingly relevant today. It’s a small, independent film that tells an epic tale.

E.G. Singer lives in Santa Rosa. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

No “I” In Dependent

Sonoma County police accountability activists are up in arms this week over possible changes to the county’s Independent Office of Law Enforcement Review and Outreach, the office established in the wake of 2013’s office-involved-shooting of Andy Lopez by Sonoma County Sherif Officer Erick Gelhaus. The IOLERO’s new director, Karlene Navarro, will reportedly propose that the Community Advisory Council, a part...

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Bet on Black

The first thing to know about Santa Rosa band The Dylan Black Project is that there is no Dylan Black. Rather, the band—guitarist and vocalist Terry Sanders, keyboardist Steve Seydler, drummer Greg Saunders and bassist Elmar Kurgpold—take their name from a pseudonym Jimi Hendrix earned in London in the '60s. "No one knew who he was at the time, and he...

Built to Last

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Bee Natural

Directors Tamara Kotevska and Ljubomir Stefanov spent three years filming the life of Hatidze Muratova. This lean, hard-working woman in her mid-50s practices an almost extinct craft: She's a gatherer of wild honey in the vicinity of her deserted village. This is an obscure corner of the Balkans, where it already looks as if it's after the end of the...

So Long, Easy Rider

Get your motor runnin', head out on the highway ... " So growls John Kay, vocalist for the rock band Steppenwolf, in one of the opening songs from the movie Easy Rider, which Peter Fonda, who died last week, co-wrote. Although Fonda's career spanned 50-plus years, he will perhaps be remembered—rightly so—for this piece of cinema which debuted in...
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