Elevated With Legacy

Soon after California’s Department of Public Health lodged cannabis-industry laborers on the state’s “essential workforce,” and therefore not required to stay at home, David Drips, 39, and his business partner, Zac Hansen, 28, began performing essential tasks on a windswept, 300-acre farm in West Sonoma County.

The fierce wind, along with county regulations and regulators, seems to have given Drips and Hansen more trouble than the coronavirus, at least so far. Neither of them has been physically ill.

At 410 feet above sea level, I had a spectacular view of Sonoma Mountain, Taylor Mountain and the Cotati Grade on Highway 101.

Drips sat down, rolled a fatty, fired it up and inhaled. If he was stoned, I couldn’t tell. I didn’t need his joint, and wouldn’t have taken it even if he had offered.

In a text that morning, my friends at the National Organization for the Reform of Marijuana Laws (NORML) urged me and all cannabis consumers not to share pipes, joints and bongs, and, if-and-when possible, to turn to tinctures and edibles since they don’t stress lungs. Those NORML friends also urged the use of 90-percent-plus Isopropyl Alcohol to rid germs and pathogens from delivery systems.

Before I met with Drips and Hansen, I bought gummies at my local dispensary, and after consuming just one I was high. Tens, if not hundreds of thousands, of other Californians were also high. In the wake of the virus, cannabis sales have boomed, according to one source, by more than 200 percent. Last year legal cannabis sales in California topped $3 billion, while the illicit market came in at just under $9 billion.

Drips and Hansen, both in T-shirts and jeans, started their business on Petaluma Hill Road. Hence the name of their company, “Petaluma Hill Farms,” which they’ve retained, though they were forced to move to Two Rock Road where there are more rocks and cattle than human beings.

“We were fucked by the Sonoma County Planning Department,” Drips says. “We understand the need for some rules, but the county has used too big an axe, so a lot of my friends have been cut out of the industry. The only option for Zac and me has been to adapt. We moved from a parcel zoned RR, or “Rural Residential,” to LEA, or “Land Extensive Agriculture District.”

The 300-acre-parcel is well suited for cannabis. There are no schools or school kids nearby, and no next-door neighbors who might go to court to stop them. The cannabis garden itself is set back 900 feet from the road. There are no creeks to protect and no trees that might need to be chopped down to provide more sunlight.

“We have all the sun we need,” Drips says. “Plus good soil and lots of clean water. That equals good marijuana.”

Drips isn’t your ordinary California pot farmer, though few—if any—pot farmers are “ordinary.” Over the past 40 years, I have met scores of them: the law abiding and the outlaws, the environmentally conscious, the greedy and the compassionate. Drips keeps on keeping on and abides by best industry practices. Hundreds, if not thousands, of growers—some of them his friends—once cultivated modest commercial gardens in and around Sebastopol and were pushed out by legalization, taxation and regulation.

“I have faith in what we do at our farm,” Drips says. “I believe in marijuana sociologically, economically, medically, spiritually and more. I can’t see doing any other job, though I have worked in construction.”

Hansen adds, “I love this work.”

A graduate of Rancho Cotate High School, where he played lacrosse, Hansen has grown cannabis ever since he turned 16. His 8-year-old daughter attends school in Rohnert Park, his hometown.

Like Hansen, Drips knows and loves Sonoma County, though he was born in Stockton, has traveled widely and has lived in Louisiana, Florida and Virginia.

“America is a beautiful place,” he says. “Though there’s no place more beautiful than here.”

What makes Drips stand out more than anyone else in the field of marijuana cultivation is that he served for five years in the U.S. Navy, and was deployed in Kosovo, Iraq and Afghanistan.

“The military helped me to grow as a person,” he says. “I visited 23 different countries and acquired a foundation of knowledge.”

Sonoma County officials may not know his military background and training. He doesn’t brag about it, though he’s not hiding it either. Assertive without being aggressive, he’s ready to fight the good fight.

“The county is waging a war of attrition against marijuana growers,” Drips explains. “They want us to fail. They hope that we’ll pack up, clear out and not come back.”

Drips says he has no beef with most of the county supervisors, including Linda Hopkins, Shirlee Zane and Susan Gorin. He’s attended enough meetings to know them and he’s spoken out so often that he’s made a name for himself as an advocate for the cannabis industry. But let’s be absolutely clear: He doesn’t appreciate the folks at Code Enforcement who have hammered away at him and at other growers sometimes, it seems, just to be ornery.

Drips has had a series of verbal skirmishes with officials who want him to jump through one hoop after another: build a fence, plant trees to hide the fence, pave a road in case of fire and more.

Drips hasn’t minded spending money on essentials at Friedman’s Home Improvement and Harmony Farm Supply & Nursery, and paying Weeks Drilling and Pump for a well. In fact, he points out that he and his fellow marijuana farmers have helped to keep local businesses afloat through drought and fire.

“I have not taken any corporate investment,” Drips says. “It’s all personal savings, though a friend gave me a $30,000 personal loan.”

He’s received counsel from a half-dozen lawyers, including Joe Rogoway, Omar Figueroa and Lauren Mendelsohn. Drips and the growers who have his back, as he has theirs, recently revived the dormant Hessel Grange, which now, for the first time, has an emphasis on cannabis farmers and farming.

“Some of us feel like we’ve been denied our basic rights,” Drips says, “But we still believe in the American Dream.”

His son Donough attends elementary school and his stepson Joshua goes to high school. Drips would like them to inherit the business and become farmers.

No Relief

Today (March 29) is the third day since Congress passed a Covid-19 relief bill that is supposed to actually help everyday people. The first two relief bills demonstrated that people like you and me are not Congress’ No. 1 priority. A huge corporate bailout and a one-time payment of $1200—not enough to pay the rent for most people—shows how out-of-touch Congress is.

The rent is due in two days, and I have yet to hear any elected official tell America just when we’ll see this stimulus money. And while evictions and foreclosures have been frozen, rent and mortgage payments have not.

So where is the outrage from our federal officials? Who is speaking up for YOU? Who is demanding to know when their constituents will see a check or standing up and saying “This just isn’t enough”? Why do we keep electing the same hacks? Where is our representation? America can do better than it is doing and Americans can do better than 99 percent of our current elected officials.

Jason Kishineff

American Canyon

Other Options

Amazon’s top legal executive suggested the company’s senior leaders fend of workplace safety criticism by turning the focus onto an activist warehouse worker it had fired just days earlier, according to leaked notes from a meeting with top executives.

Amazon General Counsel David Zapolsky proposed a strategy with CEO Jeff Bezos in attendance, and Amazon Senior Vice President of Operations Dave Clark and Senior Vice President of Global Corporate Affairs Jay Carney executed it.

Bezos won’t quit, but he has the authority and obligation to FIRE Clark, Carney and Zapolsky.

There are other options for Amazon; they just require a few more clicks of the mouse.

Gary Sciford

Santa Rosa

When it roars it purrs

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Like the rest of the nation, I’ve been sheltering in place trying to avoid the most virulent contagion in recent memory—Tiger King. In my limited space here, I won’t bother explaining what this Netflix phenom is all about except to say it’s a streaming docu-series about an eccentric private zoo-owner, whose story is aptly summed in the show’s subtitle “Murder, Mayhem and Madness.” ’Nuff said—if you need more, read Sarah Summers’ exclusive “Before You Watch ‘Tiger King’ Tonight, Read This” at Bohemian.com.

Being the editorial professional that I am, I thought I should at least know what Summers’ excellent article was about before running it so, yes, I risked my wellbeing in the interest of journalistic integrity and cued up Tiger King. But before doing so, I also thought it prudent to inoculate myself with some wine. Ergo, I opened a bottle of my regular Wednesday night go-to—the Eric Kent 2018 Appellation Series, Sonoma Coast, pinot noir.

I usually sip this fine, complex red while ensconced on a couch at La Dolce Vita Wine Lounge but alas, sheltering in place precludes me from doing so. Fortunately, the proprietor makes her stock available for no-contact pick-up outside the Petaluma wine lounge at a discounted retail price (about $25). Brilliant. So here we are and this is where the eerie synchronicity begins: On the back of the wine’s tastefully appointed label is an image, one that draws its inspiration from Dada, Surrealism and Pop Art (my holy trifecta), and one that also suddenly took on added resonance—yep, it’s a tiger.

Now, I’m not one to get woo-woo about a picture of a cat on a wine bottle just because there’s one on TV, but my Jungian hackles do get up when, within minutes, I receive a random email with William Blake’s The Tyger copypasta’d in it.

Tyger Tyger,
burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?

Neither my hand nor eye was immortal enough to frame such fearful symmetry, and suffering a childlike propensity for being Jung and easily Freudened, I stood a chance of having a full-blown panic attack had the remedy not been readily at hand—the lush red and black fruit, hints of Asian spice, a whisper of French oak and 14.2 percent alcohol already in my glass.

“This inaugural bottling is already very pleasing and we’re certain it will reward some near to mid-term cellaring (if you can keep your hands off it),” reads the wine’s romance copy. “Sonoma Coast Pinot lovers will not want to miss this delicious gem.” Here, here. Pair with Joe Exotic, Blake and perhaps Jacques Tourneur’s 1942 film Cat People.

LBC begins online programming

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Since 1981, the Luther Burbank Center for the Arts has hosted national touring artists in its 1,600-seat theater and been the home for locals Left Edge Theatre and Roustabout Theater. Now, the doors to the Santa Rosa art center are shut for the foreseeable future due to the coronavirus outbreak.

Yet, the LBC is more than a building, and the nonprofit organization’s staff now works to continue their various community engagement and education initiatives, shifting to an online format with three free, digital, social-media programs—Let’s Be Creative, Drop the Mic and Luther Locals.

“We knew that we wanted to produce something for the families and students at home, to keep them connected to the arts and arts education,” says Ashleigh Worley, director of education and community engagement. “The other demographic that is important to us is teachers, and what can we offer for schools and teachers that would be helpful.”

Let’s Be Creative is the LBC’s answer to the first part of that equation. The daily video series features interactive lessons in dance, musical instrument care, visual arts and more for kids of all ages. For teachers, the LBC is launching a weekly email list of local resources for teaching classes at home.

The LBC’s other digital programs hope to keep the general public connected to arts as well.

Drop the Mic is a curated content list of online clips, shows and other projects, with weekly topics centered around streaming concerts, comedy culinary arts and more. Luther Locals features a weekly remote performance from a local musician.

“Luther Locals is an idea of how we can engage more with our local artists, because there are so many talented people here,” says Anita Wiglesworth, director of programs and patron services. “The current situation had us shift focus to not only support our local artists, but provide entertainment for our community.”

Luther Locals debuted last week with a video by Sonoma County pianist and singer-songwriter (and former LBC box-office employee) Joni Davis, who performed a darkly melodic original song, “Lyell Canyon,” from her living room.

“I wrote that song a couple years ago,” Davis says. “It came out of a hard time, when I took a minute out of my life to sit and think. When Anita approached me for this idea, I thought of it, because I feel like I’m in that same reflective space with everything that’s going on.”

Luther Burbank Center for the Arts’ digital programs are on
facebook.com/lutherburbankcenter.

How Tarot Helped This Writer-Artist Find a Brighter Future

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Petaluma-native Kary Hess’ new endeavor, the SparkTarot deck, could not have come at a better time. As the world seemingly unwinds minute by the minute and navigating the phantasmagoria of coronavirus, climate change and social unrest becomes ever more chaotic amidst the town criers and unhinged madmen, our days are harrowing at best.

“Some have asked me if the tarot can predict the outcome of the current pandemic,” says Hess, a regular Bohemian contributor known for her community and social-issue-themed features, who is also the life partner of its editor Daedalus Howell. “Tarot can show you how you can approach the situation, creating an outcome for you. And as I always say, it’s not set in stone—if you don’t see a desirable outcome, you can always consider what you can do differently now to evoke a different outcome later.”
Hess’ new deck just might help with navigating the path in the days that lie ahead. Included in the box set she created are a deck of 78 luminous, hand-painted cards and a 178-page guidebook, which she wrote to help people interpret the cards on their own. Tarot cards are designed to help focus the seeker’s intentions; to provide a little cosmic perspective about what is and what may be; and to help meaning reveal itself through seemingly random assemblages of figures, objects and animals.

Often dismissed as New Age or occult, the tarot is not as old as one might think. Tarot first appeared as a deck of playing cards in 15th-century Europe, becoming trendier in later centuries when used for divination. The suits associated with contemporary playing cards—spades, clubs, hearts and diamonds—varied significantly by region. The modern tarot includes five suits: triumphs, cups, wands, swords and pentacles. The SparkTarot replaces swords with serpents, and pentacles with stones.

Hess’ figures are mostly female, and intentionally represent racial diversity, making the deck not only more inclusive but opening up new possibilities for interpretations.

“Traditional tarot decks are pretty medieval; white and male oriented,” Hess says. “I wanted this deck to be diverse and feminine, so most of the cards are women, even those that are traditionally male. That said, there are a couple of potentially male characters in the deck.”

Hess has a degree in fine arts and has worked as a website and graphic designer as well as a journalist. She first became interested in creating cards as a child.

“I’ve always loved card decks,” she says. “When I was a kid, I made a deck of playing cards with different art than the usual plain hearts, diamonds, clubs and spades. I remember thinking that the simple imagery on the playing card deck was a missed opportunity for art.”

Over the years she began creating several tarot decks but never painted more than a few cards each time.

“With this one I accidentally tricked myself into creating it,” Hess says. “My partner and I had just made a feature-length art film and one night we were watching an Agnès Varda movie, Cléo from 5 to 7, to get inspiration for the next film. The opening sequence was a tarot reading. I said, ‘We need a tarot scene in the next film.’”

As the film’s production designer, she very practically decided she only needed to make nine cards for the shot.

“After creating the nine cards, I was on a roll,” she says. “After seven months, I’d painted the entire tarot deck, posted the cards on Instagram as I went, wrote a corresponding guidebook and started a business around it.”

Hence, the “Spark.”

Her art supplies all fit into a portable bag, so she was able to paint most of the cards at cafés around the Bay Area.

“I painted each card very deliberately and with absolute focus on the meaning behind it,” Hess says. “I considered older decks, looked at the imagery, decided what the core experience needed to be and began sketching. After one to three sketches, I’d have my image. Then I drew it into a watercolor sketchbook and painted it. I’d listen to inspiring music or podcasts while painting.”

In the conception phase of SparkTarot, Hess sought to create a deck that leaned towards life’s potential and away from ominous foreboding.

“The imagery on the SparkTarot deck isn’t created to be scary, so it doesn’t cause troubling readings visually, which some decks can do,” Hess says, addressing doubters and those afraid of what a reading will reveal. “As far as the readings themselves, when I read tarot I help guide people to see how they can approach an issue based on their current situation, so they are always in control of how they choose to react.”

Hess’ cards connect phantom threads that stitch together imagery, intention and the latest theories in physics.

“The Tarot has long been considered ‘woo-woo’ or ‘magic,’ but it might also be a perfect example of the quantum concept of collapse,” she writes in her blog. “Wave function collapse—known as the ‘Copenhagen interpretation’—was discovered by Niels Bohr and Werner Heisenberg, and is the proposal that all outcomes of a situation exist simultaneously—also called ‘superposition’—until an observer takes action by observing, which then collapses the possibilities into one state or another.”

Hess, who radiates a youthful glow in her late 40s, believes learning how to take spiritual guidance into one’s own hands is needed now more than ever.

“It has been so fulfilling to use my skills of painting, writing and graphic design with a spiritual project that is also really helpful to people looking for their next steps in life,” she says.

Hess believes tarot can both deepen and heal one’s broken connections to others and the natural world by simply helping them tune into their own process, using imagery with the universe as a guide.

“What is great about tarot is that it is a simple, personal way to see your next step,” Hess says. “Sometimes life can be overwhelming or confusing, and it’s great to have the path illuminated, even just a little bit.”

Hess explains how when one reads tarot, intentions infuse the cards, which informs how their imagery is interpreted. Because the cards represent aspects of life, it’s as if the universe participates in making sense of them—and by extension, one’s own life.

“Maybe someday science will really explain what seems like magic to us now,” Hess says. “Malleable time, possibilities manifested with intention. But for now, we have tarot.”

And what better way to re-enchant the psychic forest in these trying times, than with a little magic?

To learn more, visit SparkTarot.com. [DEPARTMENT OF CORRECTIONS: The print and initial web version of this story failed to disclose that the story’s subject is in a relationship with the editor. It is this publication’s policy for editorial personnel to recuse themselves from stories in which they have a material conflict of interest, which was not done in this case. The Bohemian apologizes for this error.]

Logan On Hold

As the timetable for the coronavirus outbreak and the subsequent stay-at-home response continue to lengthen into May and beyond, more and more events and planned creative projects are being shelved for a later date or being canceled outright.

The recently crowdfunded documentary Your Friend Logan: The 4-Track Mind of Logan Whitehurst, about late North Bay–musician Logan Whitehurst, is the latest endeavor to suffer from the sheltering orders. Director Conner Nyberg announced today on the project’s Kickstarter site that the production, planned to begin this summer, has been delayed at least a year due to the current pandemic.

As reported in the Bohemian in February, the documentary, helmed by the South Carolina–based Nyberg and North Bay–producer-and-performer Matlock Zumsteg, will include interviews with dozens of people who knew Whitehurst best and incorporate Whitehurst’s original animations and rare archive material to create an intimate and celebratory film.

Nyberg’s statement on the delay notes that several of the interviewees are high-risk for coronavirus and the disease COVID-19, and that one interviewee was recently quarantined. The 20-year-old Nyberg also begins film school fall semester, meaning the earliest he and Zumsteg now predict that filming can begin is summer of 2021.

That said, the production crew remains hard at work prepping the film’s production, including combing through archival footage from Whitehurst’s life in music and art.

Read the full statement from Nyberg below.

Hi everyone. Some bad news today.

When the fundraiser ended, COVID-19 just began to spread in the States. At the time, Matlock (our producer) and I were cautiously optimistic, believing that once the initial panic had worn off, things would be able to carry on as usual.

Needless to say, that hasn’t been the case, and it appears that things still have ways to go before it starts to get better again. Several of our interviewees are high-risk (one interviewee was recently quarantined), and if projections are true, we’ll be expecting a second wind from this virus when school starts back up in the fall.

So we’ve decided to indefinitely postpone production.

Like everyone else, we’re taking this all day by day, but if we had to give an ETA for when we’ll be able to start back up production, our best estimate would be Summer 2021. This is keeping in mind that this virus probably will not totally blow over until the end of the year, and that I’ll be starting my first year of university this fall.

That being said, work on the documentary is not over. Far from it – we’re taking advantage of this situation to get even more done. This has given us even more preparation time, a chance to collect more resources, and more time to focus on getting rewards out to all of you.

Speaking of which, there are only a handful of people who haven’t yet completed their reward surveys! Please fill those out as soon as you can, so that we can try and get the batch of Needlejuice rewards out at one time.

We apologize for such a large delay. This is as unusual of a situation as it gets, and we hope you understand. We also hope that all of you are safe and that you’ll stay safe.

Thank you for all of your support so far, and we will continue to keep you guys updated on this awesome project.

Your friend,

Conner

Explore the Museum of Sonoma County in a Virtual Escape Room

Though the Museum of Sonoma County in Santa Rosa is currently closed to support the local efforts to contain the spread of COVID-19, it continues to engage the public with online content including an online coloring book and digital records of its permanent collection of historical Sonoma County artifacts and art.

But, just when you think it’s safe to virtually delve into the museum’s collection, located in the storage area under the historic 1910 Santa Rosa Post Office building, the door closes and locks behind you! There’s only one way out in the Museum of Sonoma County’s Virtual Escape Room—discover local art and history while you search for clues to get the key to the locked door.

Get up close and personal as you search through objects including a purse made by a Miwok woman out of gold-miner bootlaces in 1895, or the painting “Daughter and Cat” by Marguerite Wildenhain, the renowned potter from Pond Farm in Guerneville.

After you’ve made your escape, view more items from the Museum of Sonoma County’s extensive collection or travel back in time with videos like this one about the Historic 1910 Santa Rosa Post Office, narrated by Peter Coyote.

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Sheltering in Place and Your Mental Health

During this unprecedented moment in history, many of us are now weighing myriad life-changing issues—from employment and financial matters to worries about the health and safety of ourselves and our loved ones. And we’re coping with this while under state-imposed quarantine.

How does one remain mentally healthy in such stressful circumstances? Irem Choksy, a licensed mental health therapist who is providing mental health support at no cost during this difficult period, offers insights on how to manage the range of feelings that may occur while we’re sheltering in place and grappling with this sudden, new “normal.”

Bohemian: What are the adverse effects of sheltering in place on mental health?

Irem Choksy, LMFT: As new shelter-in-place restrictions come into play, and we attempt to slow the spread of COVID-19, many people are feeling stressed, anxious and confused about their overall health, finances and relationships. While it is absolutely normal to experience some anxiety, it can make some people feel a disproportionate amount of worry, fear and restlessness.

The sheltering measures—while helpful with lessening the spread of the virus—create added barriers of loneliness and isolation. Many people following this order can feel very socially isolated. People who already suffer from existing mental health issues like depression and anxiety are the most vulnerable to the additional stress. The increased stress of parents having to work remotely and care for their children, worry about possible reduced hours/layoffs, overall finances, doing chores and having significantly fewer touchpoints, makes it more challenging. Senior citizens who may be more isolated and people who live alone are also especially at risk.

B: What are some ways we can mitigate these effects?

IC: I think reminding ourselves that social distancing doesn’t mean isolating—that we can take this as an opportunity to knit our social support system together in a unique way. Also, keeping in our forefront that we are in this together, and not having to do this on our own. Checking in with family and friends via phone and trying out different ways to stay connected through different apps and video platforms to chat is a great coping tool and a beneficial way to reduce isolation that many people may experience.

It also helps to have a routine—to create a new “normal” and find time to engage in creative activities. My family and I decided that we would collaborate to write a round-robin story spanning over a month on google docs, and this has created excitement, fun conversations and togetherness—with individuals near and far.

It may also be a good idea to limit exposure to news and social media. Allowing a certain allotted amount of time each day to stay current on news/social media can reduce overexposure to anxiety-provoking news.

Self-care at this time would be integral. Allowing yourself to get adequate restful sleep, healthy meals on time and some physical activity can be some great adaptive coping tools to manage anxiety and stress.

Glimpse into your past and evaluate how you have coped with past stressors—music, cooking, or art—and tap into those. This may be a good time to explore a new hobby as well. There are many apps offered for free at this time—trying out mediation/deep breathing and journaling can be cathartic.

B: What are some symptoms that may suggest a more serious mental health problem is developing in either oneself or others?

IC: Feeling low and uncertain, worried and perhaps restless and fearful to a certain level is normal right now, however when these stressors impact your ability to function—manage daily life, sleep, maintain healthy relationships—that’s a cause for concern. If you are having feelings of hopelessness, irritability, continued loss of appetite, or significant anxiety throughout the day, it’s a good idea to get support.

I have noticed drivers being nicer on the road, people scouring stores to purchase groceries for the elderly, individuals sewing homemade masks for healthcare workers—there is a lot of good happening amid this public health crisis. Developing a positive outlook for the present and our collective future is one good way to reduce feelings of negativity.

B: When should one consult a professional like yourself?

IC: I am a licensed Mental Health Therapist. Due to multiple current stressors created by COVID-19, I am providing free after-hours, non-emergency, mental health support to our community. If you are feeling stressed, anxious, depressed or just need to let it out—you can do so in a confidential manner. If you are looking to cope with your current situation, gain coping tools and get emotional support, therapy may be right for you. It takes courage to face struggles and life’s challenges. I am providing mental health support at no cost during this difficult period. If you need this, we can schedule a phone session.

Irem Choksy, LMFT, can be reached at ir*********@***il.com, or via phone at 408.782.4736. For more information, visit www.iremchoksy.com.

Governor Won’t Touch the Tap

Building on efforts to provide support for residents during the statewide State of Emergency due to the COVID-19 pandemic, Gov. Gavin Newsom today suspended public water systems’ ability to disconnect water service to residences and critical infrastructure sector small businesses.

The executive order issued today builds on the steps already taken by the California Public Utilities Commission for private water systems and more than 100 public water systems within the state that have adopted their own policies for not shutting off water service to residents facing financial distress during the health emergency.

California Secretary for Environmental Protection Jared Blumenfeld praised the governor’s leadership in ensuring safe and affordable drinking water. “A lot of communities and families are having their water shut off,” Blumenfeld said. “This executive order allows for water to be turned back on and not shut off during this emergency – both residences and critical workforce small businesses.” The Secretary added that water shutoffs have created hardships, but “This will do a huge amount to change that.”

“Access to water and sanitation are critical to maintain in the midst of this public health crisis,” said State Water Resources Control Board Chair E. Joaquin Esquivel. “If individuals and families are cut off from running water or sanitation, the lack of access can compound the public health challenges we face.

“Many of our state’s public water agencies have shown incredible leadership by voluntarily providing these critical protections to their customers. This order will ensure there is statewide protection for Californians as we remain in our homes and follow the guidance of our public health experts. These protections and the ongoing crisis may create challenges for our state’s public water systems, and the State Water Board is committed to working with agencies experiencing difficulties.”

In addition to a prohibition on residential and critical infrastructure sector small business water shutoffs, the executive order requires water systems to restore service to residences that were shut off for non-payment after the March 4, 2020, emergency proclamation. The order also directs that State Water Board to identify ways to support water systems and their customers throughout the crisis.

To implement the executive order, the State Water Board is working on several interactive websites for water customers and drinking water systems. As soon as those portals are ready, they will be posted on the State Water Board’s website found at waterboards.ca.gov.

Before You Watch ‘Tiger King’ Tonight, Read This

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The new Netflix docuseries Tiger King: Murder, Mayhem and Madness has gone viral as Covid-19 accelerates across the country, catching an American public unprepared. And yet Tiger King, for all its kitsch and depravity, is not only entertaining millions of streamers on lockdown, but is eerily relevant—a timely parable for the pandemic.

The main subject of this true-crime saga is Joe Exotic—a sequin-wearing, bleach-mulleted, trigger-happy, country-music lip-synching, tiger-smuggling, ex-zookeeper and gay polygamist currently sitting in an Oklahoma federal prison. The Tiger King himself.

Joe’s admiration and hatred of notorious rival big-cat keepers fuels the drama and seems, at first, to be a virtual and literal showdown between those who rehabilitate and those who profit off captive big cats. But as the cameras open the gates to these warring tiger kingdoms, what escapes are bleak narratives of abject poverty, addiction, trolls, misogyny, white saviorism, the dispossession of rural Americans and celebrity-culture obsession. The human and animal trafficking on display are driven by desperation and criminal exploitation, and the web of subjects, geography, filmmakers and their inner circles, is a tangled one indeed. Director and producer Eric Goode is no exception.

Goode and co-director Rebecca Chaiklin spent years following Joe Exotic and a stranger-than-reality-TV cast of subjects. Goode’s 90-year-old mother Marilyn, a long-time Sonoma resident and conservationist, was with him in South Florida five years ago when the Tiger King story took an early turn. Marilyn is visible in one of the first scenes, watching her son carry a massive 23-year-old python out of a garage. Goode traveled to South Florida to investigate a reptile dealer, but his story takes a fortuitous turn when a client turns up with a snow leopard caged in the back of his van.

“[Eric] saw that snow leopard in the heat and was appalled,” Marilyn remembers. “He started to realize that these people were trafficking.”

But Goode, like Joe Exotic, has his own collection of really wild pets. Marilyn describes her son as “turtle obsessed.” Goode spent much of his feral childhood exploring his family’s property in Sonoma Valley. Marilyn bought him his first turtle, and gradually watched her son’s budding interest evolve into a lifestyle.

“We have a co-dependent relationship,” Marylin says. “He was a shy, introverted boy and always liked snakes and lizards. I never wanted him to hoard things or keep them. On one hand I’ve instilled in him a sense of environmentalism and, on the other, he has a bizarre desire to be important and to be a collector. He started collecting things that he shouldn’t have collected.”

Joe Exotic, who recently filed a $94 million federal Civil Rights lawsuit from prison, is elated with the show’s success and his ascension to superfame. Though celebrities like Cardi B and Kim Kardashian might find his story endearing, Marilyn Goode finds it disturbing.

“I always felt like ‘poor Joe Exotic, he’s so hungry to be somebody,’” Marylin says.

The show’s success has been credited, in part, to the binge habits of Netflix viewers in the time of self-quarantine. It is sensational and bizarre and yet, somehow, makes total sense given the rapidly unraveling reality TV show in the nation’s capital—one is difficult to distinguish from another.

“My son is so lucky,” Marylin says. “Who would’ve thought this show would come out when everyone is like the tigers, locked in their houses?”

Goode’s own fixation with exotic animals helped him gain access to places and interviewees who might have otherwise turned him away.

“He has a very slithery way of getting into these places,” says Marilyn. “He can really talk to them.”

Nobody in Tiger King, on or behind the camera, is not part of the story. Each handyman, ex-teenage husband, campaign manager, former recruit—even the director’s mother—has their piece to add. Marilyn recalls the day she was with her son on their way to a turtle convention in New Orleans.

“In the middle of it, Eric leaves me in the Bayou,” she says. “He says he has to meet this man—another possessed, strange person. He goes into the deep jungle woods and leaves me and I sit there, in the car, for about three hours. I’m just sitting there, watching huge spiders weaving outside the window.”

And so possession begets obsession.

Tiger King also reminds viewers of the role Americans play in bringing wild animals to markets, both domestically and as visitors abroad, from remote places where novel coronaviruses have opportunities to jump from wild animals to livestock to humans.

“Eric has been to all of these terrible markets where they sell wild animals,” Marylin says.

It is not a love for wildlife that brings keepers like Joe Exotic to put wildlife in danger, but rather a desire to bring the wildlife into their own natural habitat. Marilyn observes that popularized contempt for foreign markets is a matter of cultural relevance.

“It certainly bothers me that people are saving dogs to eat them in Vietnam, but you also have to look at the way we treat cattle in this country,” she says.

Joe Exotic is in prison for a long list of tiger-related crimes, as well as murder-for-hire. The murder target was Big Cat Rescue CEO Carole Baskin, a multi-millionaire with a mysteriously disappeared husband and a cat-savior complex.

Despite her polished rhetoric and her all-cat-print wardrobe, Marilyn believes Baskin is “just as exploitative of the big cats as her rivals. They all have an obsession. These places all start with ‘we’re gonna save these animals’ and then they become something like Safari West. They all eventually become very problematic.”

Baskin has the money to pay her staff well enough to make the work of keeping tigers irresistible, and yet her staff is primarily volunteer. In Tiger King, Baskin seems to spend most of her time and money bolstering her presence on social media and tying up deplorables like Joe Exotic in court until they are broke and imprisoned. Her relevance as a big cat rescuer relies on big cats remaining under threat. She is the good guy. If the cats were free and their habitat intact, Baskin’s crusade would be over.

Tiger King is a powerful reminder that American life was already in crisis. Whether viewers idolize Joe Exotic as the backwoods champion of Trump’s America or as a politically incorrect icon who uses his incarceration to push for prison reform, the country can’t stop watching. Meanwhile, calls to return to business as usual, now or ever again, feel alarming, if not impossible.

Marilyn brings 90 years of wisdom to her visions for the future.

“My mother, who lived to 105, lived during the Spanish Flu pandemic in Alameda,” she says. “It went on and on and on. She remembered, in all the neighborhoods, people were bringing out bodies. But a lot of people survived.

“I don’t think we’ll ever be the same from this. I think we’re going to move towards socialism or something revolutionary. We’re going to have to make a radical change—something that will really turn things upside down. It’s very frightening. Right now I’m putting in a vegetable garden.”

And if the change isn’t radical, it might be exotic.

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