Open Space Case

In the middle of the Covid crisis, political unrest and economic uncertainty, the County of Sonoma is seeking to bypass voters and flout open-space protections to push forward a new luxury resort and major event center at 3890 Old Redwood Highway in the heart of the key voter-protected Windsor-Larkfield-Santa Rosa Community Separator greenbelt.

County planners want to allow construction of a luxury resort subdivision of a dozen Wine Country party houses and a warehouse-sized event building. The plan is for a hundred events serving a total of 10,000 people per year open daily for drinking, dining, weddings and music until 10pm on open, undeveloped land next to a youth summer camp.  

Even worse, the luxury resort is to be located in the Tubb’s fire burn zone at the foot of Fountaingrove, putting more people in harm’s way. The project will exacerbate the housing crisis and will compete with local businesses.

Strangely, county planners have determined that there will be no significant environmental impacts from the intensified commercial use of the property to Piner Creek, a large pond home to yellow legged frogs and giant salamanders, or to the old oaks that dot the property.

The luxury project is also on the outside edge of the voter-approved Santa Rosa Urban Growth Boundary where urban development has twice been determined by voters to end.

A public hearing by the Board of Zoning Adjustments is set for 1pm on July 9 for a vote on the environmental review and the project. The luxury resort and event center violates critical community separator protections, the General Plan and Zoning Code and overrides the will of the voters. It shouldn’t be reviewed or approved at a time of crisis when voters countywide are facing life and death issues.

Teri Shore

Regional Director, North Bay

Greenbelt Alliance

Big Skills Tiny Homes teaches on the job

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The homes may be tiny, but the career options are big with Big Skills Tiny Homes. This Marin nonprofit provides self-discovery, mentoring and skill development to students interested in the trades.

During the nine-month program, students learn the trade skills needed to build a house—a tiny house—that is then sold to fund the next team of student builders. 

Sean Ticknor, president and founder of the nonprofit, explains why he began the program.

“As a construction-industry professional for the past 20 years I am aware of the need for more skilled tradesmen and tradeswomen,” he says. “And, as a parent actively engaged in the community, the high schools are not providing any kind of pipeline for skilled tradespeople, but there is pressure to go to college.”

Ticknor wanted to fill that gap. So last fall, with 18 years of experience working as an engineer and structural designer, he led three student builders—Melena King, Melkyn Mazariegos and Owen Navarro—through the entire home-building process.

“I see the need to offer high school graduates an additional option—an option that would give a young person the opportunity and time to experience the trades,” Ticknor says. “An option that would build a young person’s skills and confidence. And, an option that would result in the identification of a financially rewarding and satisfying career—without the accumulation of considerable debt.”

Indeed, students these days need more options upon graduation, as well as mentors to help them navigate those options. Through the process of building a tiny home from start to finish, students are exposed to a variety of trade disciplines and are then mentored afterward to use their experiences to identify their future career path.

A natural mentor, and regular volunteer at his two sons’ schools, Ticknor found that the kids in the program were eager to learn and that experts in the trades were also very willing to share what they knew. 

“It was a delightful year, the kids learned so much,” he says. “Tradespeople are thrilled to share their expertise and are more than happy to share their skills and knowledge. Guest speakers and field trips were easy to arrange.” 

From September 2019 through May 2020 the team worked Monday–Friday from 8:00am to 12:30pm, learning every skill needed to build a tiny house. In the fall, they learned everything from trailer preparation and foundation work, to floor, wall and roof framing, sheathing, and door and window installation. In winter, it was time to install siding, a roof, plumbing and electrical, gas lines, HVAC and insulation; and to do the trim work. In late spring, the finishing touches were added—appliances, a complete kitchen and bathroom, built-ins and paint.

“The first build couldn’t have gone much better, except for the Covid-19 lockdown at the end,” Ticknor says. “All of them have a job if they want it—two are working right now, the other is in school.”

The beautiful home they built was finished in May and is now for sale. When it sells, the money will go toward funding the next tiny house build. They are now accepting student applications or the next round of the paid program, which begins Sept. 8, 2020. 

“We believe in self-discovery through real-world experiences, because knowing what you like to do and what you are good at leads to a career you love,” Ticknor says. “Being a mentor is a real privilege—I am so delighted with this first round of three students; each one was so hard-working, smart and attentive. It’s great to see that each one is working toward something that matches their personality.”  

Besides, tiny houses are the wave of the future, especially if you can build one yourself.

www.bigskillstinyhomes.org

Companies Tied to Nancy Pelosi, Devin Nunes Received Covid Loans

The half-trillion-dollar loan program advertised as a lifesaver for the country’s struggling small businesses is again under fire after the Small Business Administration (SBA) on Monday released a list containing hundreds of recipients of the program, revealing that several private equity-backed chains owned by members of Congress and dozens of publicly traded companies and corporations received millions.

The Paycheck Protection Program (PPP)—a part of the Coronavirus Aid, Relief and Economic Security Act—first drew scrutiny after it quickly burned through its initial $350 billion allocations by helping large public companies secure multi-million dollar loans while several small businesses missed out. There’s also the fact that the big banks administering the program on behalf of the government are expected to net hundreds of millions of dollars in fees.

If at least 75 percent of the loan is used for payroll, it becomes “forgivable,” according to the SBA.

To see the full list of recipients that received a loan of at least $150,000 click here.

Here are a few of the companies which received large or otherwise notable loans in the North Bay:

— Ygrene Energy Fund, a Petaluma company that offers energy efficiency financing and has raised millions of dollars in venture capital investments, according to news reports, received a loan of between $5 and $10 million to cover 229 employees.

— The Francis Ford Coppola Winery, named for its movie-director owner and based in Geyserville, received a loan of between $5 and $10 million to cover 469 employees.

— The parent company of Napa County’s French Laundry restaurant received a $2 to $5 million loan for 163 employees. Thomas Keller, the company’s owner and celebrity chef, is suing his insurance company for failing to pay for losses due to the pandemic.

— Piatti Restaurant Company, which owns and operates Mill Valley’s high-end Italian restaurant, received a $2 to $5 million loan for 459 employees.

— 23 Bottles of Beer, LLC, the parent company of the North Bay’s Russian River Brewing Company, received a $2 to $5 million loan for 196 employees.

— The Girl and the Fig, a popular restaurant in the city of Sonoma, received between $1 and $2 million for 138 employees.

— Then there are the politicians. According to Bloomberg News, Paul Pelosi, the husband of Speaker of the House Nancy Pelosi, the longtime San Francisco congresswoman, holds an 8.1 percent stake in the San Rafael-based EDI Associates. EDI in turn has an investment in the El Dorado Hotel, located in the city of Sonoma. EDI Associates received a loan of between $350,000 and $1 million for 52 employees. A spokesperson for Nancy Pelosi told Bloomberg that Paul Pelosi was “not involved in or even aware of this PPP loan.”

— Congressman Devin Nunes, a Republican who represents the Central Valley, has reportedly outdone Pelosi on the loan front. Nunes owns a stake in Alpha Omega Winery, according to news reports. The St. Helena winery received a $1 to $2 million loan for an unreported number of employees.

Additional reporting by Tony Nuñez.


Editor’s note:
The Bohemian is part of a group of 12 weekly newspapers that did apply
for and receive a PPP loan of $1-2 million through Nuz, Inc. in Santa
Cruz.

Matt Reischling Takes a Holiday

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Petaluma-native Matt Reischling has been around. He attended UCLA, lived on a boat in Oakland for a year and has made his home in a hodge-podge of places such as Italy and San Diego, where he began his first band, The Marinators.

“I wrote a lot of bizarre topical songs about inhalers, sea lions and basketball,” Reischling says.

For a decade, he called Los Angeles home, recording and playing music under the moniker Confessions of a Corn Silo, though he says “the L.A. intensity” began to creep into his psyche, and he moved back to the North Bay five years ago.

“I needed to get out of there (L.A.), and the best place to do it was to come back to where I first lived,” he says. “But I wanted to try to reinvent myself after all these experiences, and in the past three years I’ve found my voice again.”

That new musical voice shines through on Spirit Holiday, the debut album from Reischling’s new solo project, Matt Reischling & the Black Box.

Available now online, the 12-track LP is a melodic and lyrically reflective collection of original tunes (and one David Bowie cover) that looks back on Reischling’s adventures and imagines new ones.

“The album is essentially, among many different things, a reintroduction of my music, which I’ve been writing for 20 years,” Reischling says. “Some people ask me, ‘Is it weird to come back to where you grew up?’ And I say, ‘No, I’ve had 20 years of living away.’ This place has changed, I’ve changed and it was all kind of meant to be.”

Reischling credits that feeling of fortuitousness upon his return to the North Bay with the group of musicians he fell in with, including guitarist Lincoln Barr and drummer Anthony Vaccaro.

Both appear on Spirit Holiday, as do bassist Daniel Spree, cellist Linda Amari and percussionists Juan ‘Tato’ Pacheco and David Gray.

Musically, Spirit Holiday is a mix of alternative-rock, indie-rock, folk and pop tunes that call to mind artists like Neil Young, Grandaddy and Sparklehorse. Lyrically, the record is a vulnerable exposé on Reischling’s changing emotional headspace.

For example, opening track, “Willingly,” begins with Reischling singing, “Well, I lost myself recently / I let go of myself willingly.”

“That’s how I felt at the time playing the song, as that’s how I felt coming back here,” Reischling says of the song’s lyrics. Through the course of the album, Reischling’s mindset changes as he writes about developing a positive outlook in the album’s title track.

“The last two or three years, I’ve been getting back into good health,” Reischling says. “I went to Mexico, Cuba, Chiapas, various places in search of healing and inspiration. I wrote that song about going somewhere to seek something out, even if you don’t know what it is.”

Other tracks on Spirit Holiday reference a wide range of topics, from grocery store flirtations, to the late actor Philip Seymour Hoffman, to a child ghost; proving that Reischling still has that penchant for the bizarre in his songwriting.

Now that Spirit Holiday is available on streaming sites such as Bandcamp, Spotify and Apple Music, Reischling is looking forward to the next iteration of Matt Reischling & the Black Box, including planned publishing projects and other creative avenues.

“I’m grateful anytime I can play anywhere,” Reischling says. “The band thing was happening for a couple years. That is on hiatus, so I’ve refashioned the Black Box to be a solo thing with different players. I’m always going to be vacillating between playing solo, which I feel like I do well, and with a group of people who want to play with me at the time. I’m open to everything.”

‘Spirit Holiday’ is available online wherever you stream music and available to purchase as a digital album on Mattreischling.bandcamp.com.

Petaluma Approves Leghorns Park Artwork, Dodges Legal Questions

As the nationwide Black Lives Matter protests continue, artwork affiliated with the movement has become a flashpoint for disagreement in cities across the country.

On Saturday, July 4, a woman in Martinez was filmed using a small bucket of black paint and a roller to cover up the first, bright-yellow “L” in the city’s new “Black Lives Matter” mural. During the video, a man accompanying the woman calls racism a “leftist lie.”

The Martinez Police Department is reportedly now searching for the couple who defaced the artwork, which had been permitted by the city.

Artwork has played a central role in Petaluma’s protests, raising conflicts among community members—and legal questions—over the past month. As a result, at a meeting on Monday, July 6, the Petaluma City Council weighed in on several art-related questions but left underlying legal issues largely unaddressed.

The council approved the creation of a Black Lives Matter street mural without discussion. The artwork, similar to the ones cropping up in cities across the country including Martinez, will spell out “Black Lives Matter” on a yet-to-be-determined public street.

Next, the council temporarily approved an impromptu art installation at the city-operated Leghorns Park, which, in recent weeks has become the center of a legal debate after a man visited the park multiple times to tear down signs, allegedly hitting one woman in the face with his elbow in the process.

Although numerous protesters witnessed the man in action on June 20, a responding police officer told protesters there wasn’t much he could do.

The officer, caught on film, explains that he cannot arrest or charge the man for removing and destroying the artwork because the artwork exists in something of a legal gray zone.

The city chose, at that time, not to enforce the municipal code that usually bars citizens from installing unpermitted art or signs in many city-owned spaces. Because the art was technically not permitted, the police could not prosecute the man for removing it, the officer says.

“We can’t play favorites, so to speak,” the officer comments. “If we’re charging him with taking down the signs, then we’d have to charge you for putting up the signs.”

In a series of interviews last week, the Bohemian attempted to clarify how the Petaluma Police reached this understanding of the law and who offered them legal advice.

Deputy Police Chief Brian Miller said in an interview that the man’s decision to remove the art could be considered free speech under the First Amendment. He also said that the District Attorney’s office advised the police department that the man was “acting on behalf of the City” when he tore down and destroyed the signs.

The District Attorney’s Office denies they offered the department that advice, and City Attorney Eric Danly stated in an email, “The person who removed the signs was not acting as an agent of the City.” Nor did the public attorneys advise the police department that the vandalism of the artworks was protected as freedom of expression.

Although it is now caught up in a nationwide political discussion, the Leghorns Park installation had decidedly non-political beginnings.

Back in December, the Kindness Committee, a group founded by local high school students, began installing their artwork on fences at public schools and parks. The early installations included phrases such as “be nice,” “go for it,” and “be happy,” according to a presentation two of the group’s founders gave to the city council.

In June, as the nationwide Black Lives Matter protests began, the Kindness Committee began installing work in support of the movement at parks around the city. Only then did the students’ artwork become controversial, the Kindness Committee’s members and supporters said during the council meeting.

In mid-June, after some of the signs were ripped down, the Kindness Committee organized a “sign hanging party.” Some of those signs were ripped down as well, but local Black Lives Matters activists and sympathizers continued to add their own work to the Kindness Committee’s Leghorns Park display throughout the month.

In letters submitted to the council, a few residents criticized the appearance and political significance of the artwork. One man, speaking during public comment, said that permitting the artwork, even temporarily, could lead the city to slip into lawlessness.

Those statements—and the people who removed the art—seemed racist, supporters of the artwork said.

“I think this art has brought out the racism in our community and I encourage you to pass this resolution,” former councilmember Janice Cader-Thompson said during the meeting’s public-comment period.

Ultimately, the city council approved the artwork until Aug. 6 with an option to extend until Sept. 15.

The council did not address the underlying legal issues raised by the June 20 video of the police’s response to the man removing the artwork. But, if he returns to tear down the now-permitted artwork, the police will be obligated to charge him.

Does city-permitted artwork pack the same political punch as unpermitted artwork? Protesters who spoke at the meeting seemed to think the city’s approval signifies a small step in support of the movement, although the city, as with most others in the North Bay, has been slow to embrace the movement’s larger calls for systemic police reform, reallocating funding away from law enforcement or abolishing police departments altogether.

For their part, protesters continue to use unpermitted artwork as a tool.

During a march on Saturday, July 4, protesters installed artwork all over the station’s sign and front doors.

“Abolish the police,” one poster taped over a sign in front of the station read.

Although the police did not attempt to stop the installation, the artwork had been removed by Tuesday afternoon.

Nearly a month earlier, on June 12, the Petaluma Police Department took to Facebook with a post featuring artwork in support of police.

“We would like to thank the chaplains, volunteers and community members who showed their support this morning by placing colorful signs on our building… Please know your posters have been moved inside for us to enjoy for weeks to come,” the Facebook post, which was tagged #thinblueline, stated.

Additional reporting by Peter Byrne.

Night In: Transcendence Theatre Presents Virtual Season of Shows

For the last eight summers, Transcendence Theatre Company has taken up residence among the historic Kohler & Frohling Winery’s open-air ruins at the Jack London State Park in Sonoma County to perform “Broadway Under the Stars.”

Dubbed “the Best Night Ever,” this long-running season of theatrical showcases regularly features top Broadway professionals singing and dancing to the greatest musical theater hits within four different offerings that include family-friendly concerts and an end-of-summer gala celebration, to boot.

“This is our ninth season and it’s been amazing because the entire community has made this possible,” artistic director Amy Miller says. “We’ve had over 700 artists perform on the stage, but we are growing because of the support of the community. We all built this together.”

This summer, Jack London State Park’s ruins will remain closed to gatherings due to the ongoing Covid-19 pandemic. In lieu of a now-canceled theater season, Transcendence Theatre Company is transitioning to a virtual incarnation of the “Broadway Under the Stars” series to present the “Best Night Ever Online,” featuring four different performance compilations from the company’s last eight years of shows, all captured on rarely before seen videos.

“It was always part of the vision to have an online media network and education network,” Miller says. “I never thought a worldwide pandemic would push that into being, but now we are working on it sooner rather than later, with what’s going on.”

The “Best Night Ever Online” virtual season opens this weekend with Don’t Stop Believin,’ running on the internet on Fridays, Saturdays and Sundays July 10 through 19. The video presentation includes pre-show entertainment and interviews, and the performance compilation features more than 80 artists combining their talents over the years, highlighted by popular Broadway numbers such as Chicago’s “All That Jazz” and Hamilton: An American Musical’s “My Shot.”

“We taped our shows in extremely high-quality film from the beginning,” Miller says. “We’ve sung over a thousand songs, and we have many years of the best of the best. You’ll see performances from 2012 up to 2019.”

Miller adds that in watching the videos, Transcendence Theatre Company’s evolution as an organization is also on display, as three-piece bands turn into a dozen-piece orchestra through the years.

“You see the stage grow and the performers grow, so it’s kind of like reminiscing,” Miller says. “This is also never-before-seen footage, we never shared a lot of this online before.”

Beyond the entertaining videos, “Best Night Ever Online” teams up with several Sonoma County food vendors and wineries, which will create special menus for each show, and pair them with selected wines. These meals and wines will be available for delivery and pick-up to further enhance the at-home experience. Participating vendors include the Girl & the Fig, Perkins Catering Company and Sonoma Valley–based Chef Kyle Kuklewski.

“What we’re doing is trying to create online, what happens in the park,” Miller says. “We’re encouraging people to make their own ‘Best Night Ever’ while we’re not together.”

“The Best Night Ever Online” series continues through the summer with virtual versions of the popular Fantastical Family Night running July 24–26, a moving I Hope You Dance performance showcase running August 14–16 and 21–23 and a season-closing Gala Celebration running online September 11–13.

Reservations to the online shows are offered on a donation-only basis, meaning many North Bay theater lovers who have never had the chance to check out the “Broadway Under the Stars” series in person now have the opportunity to catch up on nearly a decade of Broadway-level performances.

As a nonprofit, Transcendence Theatre Company also gives back a portion of donations to a different fellow North Bay nonprofit for each of this summer’s 18 online performance nights.

“We’re trying, like we always do, to unite the community,” Miller says. “We’re trying to uplift the community in the best way we can. We’re grateful for the whole community and I’m also grateful that we can make these inspiring shows.”

‘Don’t Stop Believin’ runs online July 10–12 and July 17–19. Fridays, 7pm; Saturdays and Sundays, 1:30pm and 7pm. Online reservations are free, donations welcomed. Bestnightever.org.

Open Mic: Sonoma County Alliance Called Out Again

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Deja vú—the feeling that we’ve been here before. What’s caused it this time? Well, the Sonoma County Alliance has been called out, yet again, as a racist organization. Ten years ago an independent expenditure committee, headed by the Alliance, put out a mailer for David Rabbit that was against making Sonoma County a sanctuary county. The overall tone of the mailer was not of a healthy discourse on the topic, but more along the lines of how violent illegal Mexicans would be rampaging and murdering all the white people who are simply out for a nice picnic. In other words, it was a race-baiting mailer that would make Donald Trump proud.

When we add in the fact that many industries represented by the Alliance—such as agriculture, construction and hospitality—are the ones that actually employ high numbers of undocumented people, the true reason for the mailer is obvious. It was made to appeal to people’s base instincts.

Not only did then-Sonoma-County-Alliance-president Lisa Shaffner refuse to dialogue about how the mailer might be problematic, she accused naysayers of simply “liking to fight.” David Rabbit, showing a complete lack of leadership, told the Press Democrat, “It is what it is.” In fact, few community members repudiated the racist nature of the mailer. None of the Alliance organizations that were contacted responded, let alone gave up their memberships. Lisa Wittke Shaffner has gone on to bigger and better things, including sitting on the Sonoma County Board of Education.

The self-proclaimed “Latino Leaders of Sonoma County,” Los Cien, even spoke against the Alliance’s recent tone-deaf letter. Nevermind that 10 years ago they had nothing to say against the racist mailer that targeted their very own community.

Trying to get Sonoma County to act against racism 10 years ago was an exercise in futility, even after articles in the paper, radio interviews and a Bohemian cover story. If you were silent 10 years ago, it’s time to do some soul searching as to why. That’s what anti-racist work is all about.

Laura Gonzalez

Former president of the Latino Democratic Club


‘Peanuts’ Gang Goes Back on Display This Month in Sonoma County

UPDATE (JULY 13): After a brief reopening last week, the Schulz Museum is temporarily closed again due to the latest state and county COVID-19 safety orders. The museum will be closed through August 2, and until further notice thereafter.

Fans of the  “Peanuts” comic strips have something to look forward to this summer, as the popular Charles M. Schulz Museum and Research Center in Santa Rosa is scheduled to reopen on Wednesday, July 8.

Following guidance from the State of California and the County of Sonoma as well as the Centers for Disease Control and Prevention (CDC) and the Occupational Safety and Health Administration (OSHA), the Charles M Schulz Museum will reopen with several Covid-19 safety measures in place to provide a safe, low-risk environment for all visitors and staff. When the doors open, the public is invited to view several new features, including new exhibitions and a selection of rarely seen items from the Museum’s archives.

“In this time of daily unease, we are grateful to be reopening our doors and providing a place for people to have a joyful escape,” said Jean Schulz, widow of “Peanuts” creator Charles Schulz and museum board president, in a statement. “I think we could all use some good cheer right now.”

The museum closed its doors to the public on March 16 when Sonoma County issued the shelter in place order in accordance with the state’s efforts to stop the spread of Covid-19. That sheltering order is now eased for indoor museums in Sonoma County allowing them to reopen with safety guidelines in place.

As such, the Charles M Schulz Museum is implementing policies such as requiring visitors wear face coverings and maintain social distancing rules that will be denoted in the museum’s high-traffic areas by Snoopy paw prints on the floor.

Current exhibitions at the museum include “Lucy! Fussbudget to Feminist,” the first exhibition to focus exclusively on “Peanuts” character Lucy, and which opened just one day before the museum’s temporary closure. Also on view is “Greetings, Charlie Brown! The Peanuts-Hallmark Connection” and a new exhibition, “Girl Power in Peanuts,” that opens at the end of July.

The Charles M Schulz Museum also hints that a new addition is also on the way and will be revealed in mid-July in the museum’s Biographical Gallery. For now, the museum is only saying that four large cases with built-in drawers will be installed to allow more artwork, correspondence, and personal effects from Charles Schulz to be shared with the public.

“We’re taking this opportunity to curate the cases from scratch,” museum curator Benjamin L. Clark said in a statement. “In the nearly 20 years since the museum opened, new objects, stories, and information have come to light, giving us a better understanding and a more complete view of Charles Schulz. These updated cases will reflect our best and latest research in a way that we’re excited to share.”

The museum also reopens under new leadership, as outgoing museum director Karen Johnson recently announced her retirement after 15 years heading the institution. Gina Huntsinger, the current general manager of Snoopy’s Home Ice for the past three years and the Museum’s marketing director for 12 years prior, will be stepping into the role of director.

“While this is an unusual way to start my tenure as the museum’s director, I am so excited to return to my roots of celebrating the legacy of Charles Schulz and his art,” Huntsinger said in a statement. “During the temporary closure, the staff took the opportunity to deeply clean and revitalize the building. We are looking forward to welcoming the public back and sharing some laughs—even if under the cover of our masks!”

For those who are high-risk for Covid-19, or limiting travel and out-of-house activities, the museum has also increased its online offerings, including a ‘Schulz Museum at Home’ webpage full of free resources and activities to enjoy from home.

The museum has also introduced online art and cartooning classes for kids, teens and adults that allows students to join artist instructors virtually from many different locations and time zones. Those classes include a new “Peanuts” live drawing series led by staff artists that continues with a class on “How to Draw Woodstock” on July 13 and “How to Draw Snoopy” on August 10. In addition, the museum hosts an online panel discussion on July 27 on the topic of “Exploring Intersectional Identities Through Queer Comics.”

“This fall marks the 70th anniversary of Peanuts,” Huntsinger said in her statement. “Whether you join us in person or online, we invite you to connect with Snoopy, Charlie Brown, and the ‘Peanuts’ gang and see why this comic strip has endured for so many generations.”

The Charles M Schulz Museum reopens, Wednesday, July 8. For more information on hours and safety protocols, visit schulzmuseum.org.

Lavender Labyrinth Serves As Sustainable Sanctuary For North Bay Residents

This week marks the 34th anniversary of the theatrical release of the David Bowie star vehicle Labyrinth. How better to commemorate the moment than by visiting Santa Rosa’s own local labyrinth and who better to send than a man whose namesake designed the labyrinth of classical mythology? 

Bees N Blooms, located on Petaluma Hill Road at the base of Taylor Mountain Park, is an 11-acre, certified organic farm that produces lavender and a variety of lavender products, from honey and wax from 10 colonies of honey bees, to cut flowers for arrangements, and pollinator-friendly plants and trees. It also has a labyrinth made of the bright purple aromatic plant.

“We were searching for a crop that was drought tolerant and good for the pollinators,” says Susan Kegley, who purchased the land and moved to Santa Rosa from Berkeley with her husband Geoff in 2016. Originally, the acreage was a hay field heavily grazed by cattle, which degraded the soil—but it was also a “blank canvas” for the Kegleys, who are avid gardeners. Soon after, Geoff suggested lavender as their crop-of-choice, and the notion to create a labyrinth from the genus followed.

“Were just kind of kidding with each other to start with, but I started looking around for designs and found a great design that we could do here and then we just decided to do it,” says Kegley. 

Their design is a modification of the labyrinth set into the floor stones of Chartres Cathedral in France. Instead of winding into a center with space for little more than a single person (the original design is thought to represent the solo experience of a religious pilgrimage), the Kegleys’ labyrinth leads to a spacious lawn. Once reached, the space can be used for events like weddings, corporate outings or even croquet.  

“We needed something that we could do with a backhoe,” Kegley says, pointing to the comfortably wide pathways within seven circles of lavender, each a different variety. All told, the  half-mile labyrinth contains more than 900 lavender plants.

Besides creating a pollinator heaven the Kegleys wanted to do “something that would be a good spot for the humans, too.” 

As advocates of sustainable and regenerative agriculture, the entire farm is in service to a diverse collection of pollinator and bird-friendly crops as well as a habitat for local wildlife, the aforementioned humans and the biosphere-at-large. In short, the Kegleys are stewards of the land—an apt next chapter following Susan’s’s previous career. She holds a Ph.D. in chemistry and founded the Pesticide Research Institute.

“I was doing work on pesticides and pollinators and had a research project going with commercial beekeepers, following them throughout the year, looking at different things that might be affecting their hives and impairing their performance and killing them off,” she recalls. 

She became a beekeeper, in part, to evaluate the scientific studies and the regulatory studies that the Environmental Protection Agency was doing on pesticides.

“It’s really easy to skew the results of a test,” says Kegley, who found herself smitten with the insect. “It’s fascinating and the bees continue to teach you something no matter how long you’ve been doing it. It’s just a source of continual wonder.”

As is the labyrinth—if this reporter wasn’t allowed to use a shortcut, he’d still be in it.

The public is invited to come harvest the lavender that comprises the labyrinth beginning this week as part of a “U-Cut Lavender experience.” Covid-19 protection protocols will be observed (masks, social-distancing, etc.). The experience is available during regular hours July 3, 5, 10, and 12. Reservations must be made online at beesnblooms.com.

Open from 10am to 3pm, Fridays and Sundays (closed Saturdays). Bees N Blooms is located at 3883 Petaluma Hill Road, Santa Rosa. For more information, call 707.293.8293.

Derby Weekend in Petaluma Raises Funds for Redwood Empire Food Bank

Located on 15 acres in East Petaluma, Sonoma Valley Stables is the North Bay’s top spot for horses and their humans to train for the sport of Hunter/Jumper, also known as show jumping. Owner Ned Glynn and a world-class team of trainers teach a full range of riding and jumping programs that are customized for the horse and its rider.

In addition to training young riders in the North Bay, Sonoma Valley Stables has a history of giving back to the community with its annual Derby Weekend. Despite this year’s Covid-19 pandemic, the Stables was able to host its third annual Derby Weekend last Friday, June 26, to Sunday, June 28.

The event, which safely hosted 60 rider participants and their families over the course of three days, raised over $25,000 to support the Redwood Empire Food Bank’s “Every Child/Every Day Initiative” to end hunger in the community.

In the past three years, Sonoma Valley Stables has raised over $70,000 for Redwood Empire Food Bank by hosting the Derby Weekend event and receiving donations from sponsors.

“We are at a critical moment in time as we continue to innovate, adapt and expand our services,” Redwood Empire Food Bank CEO David Goodman said in a a statement. “The ongoing and generous support of our partners, like that of Sonoma Valley Stables, is imperative for us to keep up with the food demand this pandemic has brought on.”

Redwood Empire Food Bank’s “Every Child/Every Day Initiative” is currently providing hot and healthy meals through the summer to the nearly 1,000 Sonoma County children who risk experiencing hunger over the summer months. The initiative will serve more than 41,000 hot and healthy meals this summer through August.

While planning for this year’s Derby Weekend, Sonoma Valley Stables was initially concerned that the COVID-19 pandemic would cancel the outdoor event, but Sonoma County Supervisor David Rabbitt informed Glynn and the staff that the county would allow equestrian activities like Derby Weekend to take place.

“After careful consideration, we decided to move forward with hosting Derby Weekend this year,” Glynn said in a statement. “We believed this event would be beneficial for many during this challenging time, especially since our local food bank is working extra hard to meet the needs of our community right now. We took every effort to make sure the riders, attendees, and staff felt safe and comfortable throughout the entire event.”

To follow safety guidelines, Sonoma Valley Stables regularly disinfected the facility, placed hay bales eight-feet apart to ensure physical distancing, used a non-contact thermometer to check temperatures, and cancelled their Saturday evening party. ShadyLady Sun Protection, one of this year’s sponsors, also donated face coverings for participants to wear.

Derby Weekend started a few days early for most of the riders, as the Stables hosted a clinic with equestrian coach and event judge Cynthia Hankins. This clinic was an opportunity for the young participants to learn what judges look for during riding and jumping competitions to gain an edge in the Derby.

The official event kicked off on Friday, June 26, with morning Hunter classes, and the Hunter competitions continued through Saturday. Hunters-over-fences champions were Nico Alario and Chaparral’s Hawkeye for the pony class, Aliana Ashburn and Educated Guess for the 2’0”, Aimee Lafayette and Gucci St. Anne for the 2’3”-2’6”, Amy Brubaker and Frascati for the Jr/Am 2’9”-3’0”, Kylee Arbuckle and Brown Sugar for the professional 2’9”-3’0”, Avery Glynn and Nostalgic for the Jr/Am 3’0”-3’3”, and Arbuckle and Opulence for the professional 3’0”-3’3”. MacLean Sennhenn and Franktown’s Heaven’s Sake took first for the Cross Rail Hunters. Francesca Mortensen and Well Said won the Walk-Trot over Poles competition.

On Sunday, June 28, four different derbies took place. Elsa Warnelius-Miller and Illumination won the 2’0” derby, Nico Alario and Chaparral’s Hawkeye was crowned champion of the pony derby, Lafayette and Gucci St. Anne came in first for the 2’6” derby, and to wrap up the weekend, Margaret Pogue and Edesa’s Iggy Pop took the victory for the 3’0” derby. Finally, Estaban La Paz was crowned this year’s Best Horse.

Sonoma Valley Stables plans to host Derby Weekend again next year. For more information on the facilities’ horses and trainings, visit Sonomavalleystables.com.

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