Healdsburg Jazz Festival Founder Jessica Felix Announces Retirement

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After more than two decades of booking and directing the Healdsburg Jazz Festival, Jessica Felix has announced her retirement effective at the end of September.

Felix first formed the festival in 1999, focusing her extensive experience in booking jazz bands throughout Northern California on the small North Sonoma County town.

In addition to bringing the world’s foremost jazz musicians to the region for the annual summertime Healdsburg Jazz Festival, Felix also sponsored numerous music education programs in Healdsburg schools and presented masterful concerts throughout the year.

Now, Felix is ready to pass the reigns of the festival on to a new generation of jazz fans, and plans to spend her retirement traveling and returning to her work in jewelry-making.

“I love this music deeply and feel very proud of the vast and diverse array of incredible artists I have presented over the years, bringing many to the West Coast for the first time,” Felix says. “It’s time to be in the audience. It’s time to just enjoy my life.”

As the head of the Healdsburg Jazz Festival, Felix connected the town through music in times both good and bad, facing financial challenges and natural disasters with perseverance and a collaborative spirit that involved the whole town; from the vineyards to the restaurants, hotels, bars, schools and citizens, many of whom became festival volunteers or provided financial support, and some of whom offered up their guest homes to musicians.

With that support network in place, Felix feels confident that the festival will continue without her running the show.

“I have a strong board and staff, and with my artistic director successor—who we’ll be announcing soon—the festival will flourish,” she says.

Drummer Billy Hart, who holds the record for Healdsburg Jazz Festival appearances at 14, says that the festival’s success is due to Felix’s ability to make him and other touring musicians feel like family.

“Healdsburg festivals were around the time of my daughter’s birthday, so Jessica made sure the whole family came up. And she would come by to help us celebrate. You have to understand that being a touring musician puts a strain on families,” Hart says in a statement. “So being able to have your family with you is a special thing. And it wasn’t just me she did that for. Plus, she would find these beautiful homes for us to stay in, peoples’ second homes, where we could have privacy. And had restaurants that gave us great food.”

In addition to hospitality, Felix is an innovative music booker with a deep knowledge of the art form.

“Jessica sort of loves the music like a musician loves it,” Hart says in his statement. “She has some kind of way of communicating with us that shows she understands the creative aspects of what we’re doing. That makes her important to musicians, especially improvising musicians. It makes her very important to me.”

Felix has also earned a reputation as a fierce advocate for the music and the festival.

“Jessica is a warrior,” jazz flutist James Newton says in a statement. “She fights for the music, and ‘no’ is rarely in her vocabulary. You need people like that.”

That advocacy continued up until this summer, when the Covid-19 pandemic forced the cancellation of the 2020 Healdsburg Jazz Festival. Instead of sitting the summer out, Felix led a team to create an entire online program of music and educational offerings including Zoom classes on important jazz figures, listening parties and more. For more information on these programs, visit the festival’s website.

Former festival board member Gloria Hersch sums up Felix’s lasting impact on the North Bay by saying, “Jessica brought the musicians to Healdsburg, but she also brought Healdsburg to the musicians.”

Rancor at Petaluma Protest over Black Teacher Firings

Hundreds of protesters crowded the St. Vincent’s Church Plaza on Sunday as part of a demonstration organized by St. Vincent’s High School alum Aidan Lynch and local Black Lives Matter supporters. Central to the protest was the firing of two Black women staff members at the Catholic High School.

The demonstration began at the private Catholic high school and culminated at the St. Vincent’s Church Plaza with a press conference communicating the protestors’ concerns, which stem from mid-June, when St. Vincent’s High School (SVHS) dismissed Dean of Counseling Joanna Paun and Physical Education Teacher Kinyatta Reynolds. The terminations came “one week after attempting to engage Principal Patrick Daly, Father Donahue, and the SVHS Board in a dialogue about institutional racism at the school and their proposed solutions,” according to an open letter written to school officials by Lynch and signed by over 200 other alumni.

Daly did not respond to the teachers’ attempts to dialogue about racism, but their positions were eliminated. Incidentally, the date of the teachers’ dismissal was the same as Juneteenth,, the annual observance of the Emancipation Proclamation, which some have observed as adding insult to injury, according to Lynch in an NBC news interview.

“It is ludicrous that SVHS fired all Black faculty under the guise of budget restructuring, while simultaneously accepting federally-insured money,” says Lynch in the alumni letter.

“What I would like to see is for everyone to engage in real, honest conversations without fear of retaliation,” said Paun in the same NBC news interview.

Calls to SVHS seeking comment from Daly went unanswered.

The masked protest was met by a sparse pro-Trump group—mostly without masks—that stood on the front steps of the Catholic church waving flags and signs that said Back the Blue and Trump 2020.

One counter-protester continuously attempted to drown out the press conference by shouting at them from a megaphone. Another counter-protester was seen shoving a BLM protester according to a bystander who wished to remain anonymous. “All of a sudden, I heard yelling and noticed the blonde woman in the red MAGA tank top aggressively going after one of the BLM protestors, shoving her to the ground, and pulling her hair. Several bystanders, including myself, ran over to intervene,” the bystander recounted. “That’s when she shoved her flag pole toward my chest.”

Young children also witnessed the incident. A Petaluma Police Department Press Release states that they have not yet been contacted by any victims.

Daly’s recent in-person roundtable conversation with President Trump about reopening schools was also cause for concern to the alumni and protesters. The SVHS alumni letter states “[Daly’s] decision to appear at the White House soon after [the dismissal of the teachers] served as a clear response, and spoke plainly that racism can occur with impunity at Saint Vincent de Paul on Daly’s watch.”

The SVHS alumni expressed a desire for fuller transparency with the school’s hiring practices budgets, inclusion efforts, and caution over the optimistic school reopening plans. The plans include a contingency plan for fully opening schools in person the week of September 8th, despite “a record-breaking month of fatalities linked to the coronavirus pandemic…500,000 confirmed cases of COVID-19, the most of any state” according to an August 3rd article in the Los Angeles Times.

In a response on the SVHS school website, Daly and school President Rev. William Donahue say that Daly went to the White House Forum not to “pay court to any person,” but to share their “knowledge and experience”. Additionally, they deny any wrongdoing and say that the staff members “were not singled out due to race or any other form of invidious discrimination.”

Principal Daly of St. Vincent’s High School was the only representative of Catholic and West Coast high schools at the July 7th White House roundtable conversation on reopening schools. He was praised by Trump during the meeting for wanting to fully open St. Vincent’s High School this Fall in spite of record numbers of COVID-19 cases.

Long-Running Napa Valley Chamber Music Festival Comes Home

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Wine Country views and world-class music come together each August in the Napa Valley for the Music in the Vineyards chamber music festival.

For 25 years, the nonprofit organization, which hosts fundraising events throughout the year for its musical outreach programs, showcases dozens of artists performing at several winery venues throughout the region.

This August, the 26th annual Music in the Vineyards is forced to move out of the fields and onto the internet, with a virtual iteration of the popular fest, Music in the Vineyards @ Home, streaming via YouTube for free beginning Aug. 5.

The online festival boasts a strong lineup of performers and winery venues partnering together to continue the event’s tradition of pairing wine and music in an intimate setting.

Music in the Vineyards @ Home presents each of the festival’s dozen concerts streaming online at the dates and times of its original concert schedule, running on select dates Aug. 5 through Aug. 23. All streaming concerts will remain online until Aug. 31, and all will be available to watch for free; donations will be accepted in lieu of tickets to help provide funding for the participating musicians and to help plan for a live festival in 2021.

Each concert will feature a unique winery venue, which will each offer discounts for festival patrons to wine order online to enjoy with each performance streamed.

Artistic Directors Michael and Daria T. Adams will introduce each evening’s performance, and the streaming concerts will also include interviews with the musicians, winemaker conversations and other surprise extras.

On Wednesday, Aug. 5, Music in the Vineyards @ Home Festival opens with selections by and inspired by Johann Sebastian Bach, the German composer and master of the Baroque era whom festival organizers write is “the go-to composer for musicians who are sequestered alone.” Broadcast at 7:30pm and hosted by Napa Valley’s picturesque Domaine Carneros winery, the concert begins with a performance of Bach’s “Suite No. 3 in C Major” by cellist Tanya Tomkins. Then, pianist and composer Michael Brown and cellist Nicholas Canellakis perform Brown’s original composition, “Prelude and Dance.” Finally, Music in the Vineyards favorites the Pacifica Quartet perform Felix Mendelssohn’s “String Quartet Op. 44, No.1.”

On Friday, Aug. 7, Leap Frog Winery hosts a streaming concert that musically travels to France to examine classical works by composers such as Chevalier de St-Georges—classical music’s first known composer of African descent—as well as French superstar composers César Franck, Claude Debussy and Maurice Ravel.

On Saturday, Aug. 8, Music in the Vineyards @ Home presents an evening of music, this time presented with host winery Charles Krug, which focuses on a theme of “Virtuosity.” Masterful performers such as the San Francisco–based Thalea String Quartet musically present that notion of expertise, with selections including “Dimensions for String Quartet” by contemporary European composer Garth Knox and the famously difficult Paganini Caprice No. 5 for violin played on the viola by Canadian musician Pierre Lapointe.

Sunday, Aug. 9, features a concert presented in partnership with Chimney Rock Winery that is dedicated to the memory of those who have recently died, with plaintive music from Bach and two Laments from the British Isles.

Many other international artists and acclaimed wineries join the Music in the Vineyards @ Home Festival during the remainder of the online schedule, and a full list of shows and performers can be found online, as well as winery-discount deals from participating venue hosts. Tune in to the free virtual festival on the MITV website and on YouTube.

Are you medically exempt from wearing a mask?

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On Sunday, about thirty people gathered in a small mid-town park in Petaluma to stage a political protest march. They were protesting against a Black Lives Matter protest against the firing of Black teachers by a local high school. Many of the protest protestors were waving American flags and “Back the Blue” signs and chatting face to face.

Most of them were not wearing face masks.

I took a few photos. Why? Because I am trying to understand why it is now a badge of honor in some social circles to not wear a mask in public places. The day before the protest of the protest, I was buying a tool at a ranching supply store on Lakeville Street when a woman and two children flowed through the doors, only to be verbally stopped in place by the sales clerk.

She informed the customers that they had to don masks to enter the store. The woman exclaimed that her family is “medically exempt” and do not need to wear masks. The clerk sighed as the woman moved briskly towards us sans mask. I jumped into the conversation.

“Excuse me, Ma-am, but there is no such thing as a medical exemption that allows for you to not wear a face-covering in a store.”

She insisted that she and her children are “medically exempt” and that privacy laws do not allow her to explain why and it is none of my business.

I raised the stakes, saying “Shall we video this conversation? maybe it can go viral.”

She donned a mask and went shopping.

The clerk told me, “My son has really bad asthma and he has to wear a mask!” We shared a comradely moment of Covid-19 fatigue and parted.

Covid-19 is a truly nasty disease with life-long lasting debilitating effects if it does not kill you outright, painfully, and in isolation. The invisibly spreading malady does not respect age, gender, class, caste, or nationality. It has brought the world to its knees and the end is not in sight. The good news is that the spread of the dread disease can be prevented by wearing a cloth mask indoors, and by physical distancing outdoors, and by not breathing on other people, or sucking in air laced with spikey-deadly nano devils.

But to be successful, masking and distancing have to be widely practiced. Sadly, the health of 300 million Americans is at risk because hordes of mask-resisting true believers in lies promoted by ultra-reactionary media and insane politicians consider Covid-19 to be a hoax, a liberal scheme to weaken Trump’s authoritarianism, a Jewish or Antifa or Black Lives Matter plot. Wearing a mask is in their hormonally convoluted minds an assault on individual “freedom” – an illegal abrogation of their supposed right to freely infect other people.

When challenged to wear masks appropriately, many resort to the false claim that they are medically exempt. There is even a bogus “US Department of Justice” certificate of exemption you can download and flash as “proof” of your special legal status as a virus-spreader.

In reality, there is no federal law containing a medical exemption for masks, although the Centers for Disease Control and Prevention advises physicians to tell persons suffering from facial deformities or severe respiratory and heart problems that they do not have to wear masks. Although, they should then shelter in place, so that they do not infect others.

In short, there is no such thing as a law or order providing for a medical exemption that allows for the infection of others, nor should there be. Let’s look at the Covid-19 orders.

Under an order issued by the California Department of Public Health, people older than two years of age must wear face masks indoors when they are around those with whom they do not reside. They must wear them outdoors when closer than six feet to other persons.

There is an exemption for, “Persons with a medical condition, mental health condition, or disability that prevents wearing a face covering. This includes persons with a medical condition for whom wearing a face covering could obstruct breathing or who are unconscious, incapacitated, or otherwise unable to remove a face covering without assistance.”

Those persons are asked to shelter in place or to wear a plastic face shield if they must be in contact with others. They are not allowed to go shopping without a face mask or shield.

Sonoma County’s health order explains why mask wearing is compulsory, “Persons have been shown to be infectious up to 48 hours before onset of symptoms, and as many as 50% of infections seem to occur from asymptomatic persons. All persons who contract COVID-19, regardless of their level of symptoms (none, mild, or severe), may place other vulnerable members of the public at significant risk.”

The Sonoma County order warns, “The violation of any provision of this Order constitutes a threat and menace to public health, constitutes a public nuisance, and is punishable by fine, imprisonment, or both.” Those unmasked folks walking around with All Lives Matter signs might want to consider the implications of their defiance of the laws and the social good.

Report: U.S. Response to Coronavirus Pandemic Has Been Poor at Best, Disastrous at Worst

No matter how you dissect the numbers—and there are many ways to slice them—Randall Bolten says the United States’ response to the coronavirus pandemic has been “shockingly poor, if not disastrous.”


Bolten, a longtime Silicon Valley CFO, UC Berkeley professor, data scientist and author of Painting With Numbers: Presenting Financials and Other Numbers So People Will Understand You, points to this country’s failure to control the spread of new cases as the reason for his dire assessment. That, plus the continuing deaths, inadequate testing and the politicization of decisions that should be purely science-based, but are often not, as factors to why the U.S. has the highest rate of new cases of Covid-19 in the world.

According to Reuters, the U.S. took 98 days to reach one million confirmed cases of Covid-19, but just 16 days [in mid to late July] to increase from 3 million to 4 million.

Last week, Bolten released a research note of four specific graphs focusing on the U.S. and comparing how it is doing in the crisis compared to 13 other countries with similar resources and healthcare infrastructure, including Canada and a dozen other devloped Western European nations.

For the purposes of his study, Bolten left out Japan, Taiwan, Australia and New Zealand “because their Covid-19 numbers are too small to show up on these graphs.”

Bolten’s first graph featuring the trend of new Covid-19 cases in the U.S., the most widely-used measure of the pandemic’s spread, showed the U.S. and Sweden were the only two out of 14 countries in this study that hit a second surge/peak around Week 13 after the pandemic first hit the respective countries.

However, Sweden’s new cases are now down 50 percent, while the average number of new cases in the U.S. through July 23 rose by more than 2,600 per hour, the highest rate in the world. While many have attributed the surge in new cases to an increase in testing, Bolten said even if that were true, more testing cannot explain that many new cases.

“If testing is getting ramped up in other wealthy parts of the world, why are other countries not seeing the spike in new cases as the U.S.,” said Bolton, who spent 35 years in Silicon Valley working as a finance executive at high-tech companies. “If in fact we’re doing a lot more random testing and getting the pandemic under control, then what we call the positivity rate—the percentage of tests showing up positive for Covid-19—would go down and it’s not going down. More testing doesn’t mean more new cases. It just isn’t true, and those kind of statements are on the verge of lying.”

The U.S. recorded more than 1,100 Covid-19 deaths on each day from July 22 to 24, and even though the mortality rate has lowered, Bolten said the narrative that some people are taking that Covid-19 is not a deadly disease is flat-out dishonest.

“When the dust settles on this, we’re going to find out the fatality rate for Covid is somewhere around 1 percent,” he said. “The fatality rate of the common flu is 1/10th of 1 percent. In other words, Covid is 10 times as lethal as the flu. Covid is lethal and a lot of what you hear from people pooh-poohing this that it isn’t very deadly, well, that’s just not credible. One of the reasons they say this is to make their failure to deal with the pandemic not as terrible a mistake as it really is.”

Bolton said that motivating and mandating safe public practices and effective testing are the two critical factors a nation can take to control a pandemic’s spread, especially when a significant portion of those infected are asymptomatic. The former has elicited fierce arguments—requirements to wear masks in public have become the subject of a fierce political divide—as many argue such orders violate the U.S. Constitution.

States that have been hit hardest in the recent surge—California, Arizona and southern states—all reopened their economies sooner than they should have, with certain segments of the population failing to observe sound personal safety and health conduct.

“The population simply hasn’t gotten on board with good health management practices,” Bolten said. “Wearing masks, social distancing, this is really straightforward stuff. The problem is when a hot spot shows up in one place, it’s inevitable it will spread to another place. This is especially true in a big country like the U.S., where even now there is a fair amount of mobility with people traveling either in cars or planes.”

When it comes to strategic testing—testing people as the result of contact tracing, periodic testing in high-risk and high-contact occupations like health care and food service, and testing individuals when a recent experience justifies—Bolten’s study says the U.S. ranks only in the middle of the pack compared to other Westernized countries.

Strategic testing differs from necessary testing, which involves testing because people show symptoms. Strategic testing is superior because they give more insightful results to help control the spread of the disease.

Bolten said that countries that have done an effective job of testing—think Taiwan, South Korea, Japan, Iceland and Denmark—don’t have a lot of new cases and thus don’t burn up testing capacity dealing with people who are sick.

As a result, those countries can use the testing capacity to proactively test on people who are in sensitive industries so they don’t inadvertently start another hot spot. That’s why testing is so important, but it takes a fair amount of technology and a lot of personnel to implement something like contact tracing.

“So someone can test positive for Covid whether they’re showing symptoms or not, and they can get a phone call from somebody who is a tracer who will say, ‘OK, let’s go back three days. Who have you been in contact with?’” Bolten said. “The contact tracer can go backward and start letting people know they may have been in contact with a person who tested positive and they should get tested. This isn’t complicated, but it takes a lot of process and some technology to do contact tracing effectively.”

The eight to 10 days Bolten said it takes to receive a result from a Covid-19 test in the U.S. is another impediment to controlling the spread of the pandemic. By then the patient could be cured, out into society and infected a bunch of people without knowing it.

“So all in all testing is just a disaster in spite of what people are saying,” Bolten said in a recent interviw. “Frankly, I know our president said testing is overrated and that’s the kind of thing you would say if you were doing a terrible job of nationally organized testing. You haven’t done a good job, so of course you’re going to say testing is overrated. It’s kind of a sour grapes statement to say considering this country has kind of dropped the ball on how to handle this pandemic.”

Labor groups push for pandemic protections

With limited federal labor benefits, including increased unemployment benefits, set to expire—or at least be significantly reduced—in the coming days, California labor groups are pushing state and local lawmakers to boost labor protections in the Golden State.

Throughout the pandemic, a statewide coalition of labor advocates has urged lawmakers to extend sick leave and other benefits, which they argue will allow workers to stay home and prevent the spread of Covid-19.

In February, state Assemblymembers Ash Karla and Lorena Gonzalez introduced Assembly Bill 3216, which would offer workers various extra protections amid the pandemic. The Assembly passed the bill in June, and the Senate is currently considering doing the same.

However, in an effort to appease business groups, the legislation has been significantly watered down during the legislative process, says Maddy Hirshfield, the political director for the North Bay Labor Council.

As a result, the North Bay Labor Council and its allies are pushing local North Bay cities and counties to pass stronger local sick-leave laws, namely a 10-day sick-leave mandate for companies with over 500 employees. 

Under federal rules, employers with more than 500 employees are exempt from Covid-19 sick leave rules. And, under the current version of AB 3216, employees would only receive three days of additional sick leave.

Hirschfield and other advocates, including North Bay Jobs With Justice, who support the state and local measures, say that in addition to providing workers with economic protections when they fall sick, the rule will help prevent the spread of Covid-19. For instance, if a low-income worker in the food service or hospitality industry catches the virus, they would be paid to stay home instead of being required to return to work.

“People will go to work sick if they don’t think they’re going to get paid. It’s just the reality,” says Hirschfield. “It’s a public health risk in the best of times, but during the pandemic it’s a public health nightmare to have people going to work sick.”

“If we’re ever going to flatten this curve we’ve got to use all the tools in the toolbox and providing people an incentive to stay home when they’re sick is a pretty important tool,” Hirschfield adds.

To date, nine local governments, including the cities of Santa Rosa, San Mateo County, San Jose and San Francisco, have passed local sick-leave policies since the start of the pandemic shutdown. Hirshfield says the group is pushing the Sonoma County Board of Supervisors and other cities in the county to consider a version of 10-day sick-leave policy.

Santa Rosa passed the sick-leave extension unanimously in June. Their ruling exempted the city’s own employees from the new rule.

As one might imagine, some businesses are not happy about the state and local proposals, arguing that additional sick leave will be costly to employers who they say are also struggling due to the pandemic’s economic impacts. 

An Assembly staff report states that a group of employers, including the California Chamber of Commerce, opposes AB 3216, the state labor legislation.

“[The bill] imposes staggering, significant and unprecedented new requirements on businesses of all sizes in California during a time of crisis when they can least afford it,” the report states.

In addition to expanding and extending sick leave during the pandemic, the bill would require some employers—including hotels and event centers—to offer laid-off employees their jobs back in writing once the company begins to rehire. That requirement, known as the Right of Recall, seems particularly offensive to business groups.

In a letter to the Assembly opposing AB 3216, the California Chamber of Commerce raised the threat of litigation against the state and the local governments which have already passed similar legislation. According to the Assembly staff report, the Chamber is arguing that the requirement is “the statutory right of recall contained in AB 3216 is legally suspect and would likely be struck down.”

The city and county of Los Angeles passed Right of Recall requirements for some businesses back in May.

Crazy Artist Types

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Artists are better at coping with challenges—because we’re crazy. Last spring, Artnet News published an interesting piece about researchers from the Yale Center for Emotional Intelligence—yes, apparently there is such a place—that found that creativity correlates with psychological weakness … (wait for it) … and mental strength (phew!).

“In 1963, the pioneering creativity scholar Frank Barron wrote that the ‘creative genius … is both more primitive and more cultured, more destructive and more constructive, occasionally crazier and yet adamantly saner than the average person,’” writes Rachel Corbett in a piece that boasts the longest headline ever published: Artists Are More Anxious and Depressed Than Those in Other Professions—But They Are Also Better at Coping With Challenges, a New Study Says.

File this under “Tell Me Something I Didn’t Know That Also Justifies My Bad Behavior and Fragile Self-Image.” What’s interesting is that Barron’s seemingly contradictory claims were reached via “personality tests and interviews” during the early “Mad Men”–era, prior to the use of more empirical processes. And yet, “they may turn out to be verifiably true,” writes Corbett, Artnews’ deputy editor. She adds, “In other words, the artists were both ‘crazier’ and ‘saner’ than the non-artists, as Barron phrased it.”

Here, here.

Interesting how “non-artist” is essentially used as a synonym for “neurotypical.” Of course, this reading correspondingly suggests that artists are inherently “neuroatypical.” This I’ve always found to be a kind of sloppy catch-all for those whose mood, anxiety and personality disorders (not to mention glistening, effervescent talent) diverge from an imaginary norm. And despite the voguish notion that so-called “invisible disabilities” like the ones listed above are, in fact, superpowers. But the truth is, no matter how dramatically I remove my glasses or rip open my shirt, no one ever says, “It’s Superman!” so much as, “He’s off his meds!”

Meanwhile, the Yale Center for Emotional Intelligence has created a rubric that might be useful for those, like me, who need to upgrade their super-ego to see how well they measure up. Meet RULER (see what I did there?), an acronym for the five skills of emotional intelligence (recognizing, understanding, labeling, expressing and regulating). I have zero mastery of exactly all of the above, which may qualify me to be a guinea pig at the Center. This is the only way I’ll ever get into Yale. New Haven, here I come!

Daedalus Howell is writer-director of the feature film ‘Pill Head,’ now playing on Amazon Prime.

Open Mic: Sadness in His Madness

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By Paul E. Cheney

A beggar stands bored

Reaches for his pocket

Finds nothing restored

His cigarette hangs

As disgust plagues his ways

Remorse for him

A way of life

Slow death, without change

Paths to follow, or rearrange

I felt sorry, as often I do

When many a poor man

Enters my view

No other direction, nor inflection

Of an exit, for a prosper

Richer sight ahead

Many wishing, and knowing

They were better off dead

He shakes come morning

Worries without warning

Begs at passersby

Wonders not at questions why

Drinks ’til sunset

Considering tomorrow’s upset

Another day for the beggar man

Chalk one off for you and I

We can be there

Like him

Fate

Future

On a whim

Paul E. Cheney lives in Petaluma.

Letters to the Editor: New Plan

This is my third go around being homeless and flying under the radar. I am blind so I of course don’t have the luxury of being able to hide in a van, (“A Man, a Van, a Plan” Features, March 11) which means I have to be more creative. 

The safest thing for me to do before the pandemic was to hang out at one of the 24-hour restaurants near me. Since everything is closed now, pretty much the only way for me to sleep is on BART. I just ride around on the train for a couple hours unless the driver orders people to get off. 

Most of the time, they will just take a break for about five minutes and then turn the train right back around so if you go to San Francisco airport, it will just switch right back around and take you to Richmond. My number one fear is that a police officer will mistake me for someone who is loitering or on drugs. A more risky move for me is to sleep at the bus stop benches. The danger is that I never know if an officer might spot me while they are making their rounds.

People always say to me, why don’t you get a social worker or why don’t you go to one of the shelters that offer services? They will not treat me like a human being. Anytime I’ve tried to do that in the past, they automatically want me to attend counseling or take part in one of their job training programs. They assume that I became homeless because of poor choices that I made in my life. The truth is though that bad things do happen to good people. Along with everybody else, I did not ask for this pandemic to shut everything down. I think a lot of homeless people don’t want to come forward about their predicament for similar reasons as mine. They don’t want to be stereotyped. They don’t want to be labeled. A vast majority of us are decent people with loving hearts.

Hearn Stewart

Oakland

Via Bohemian.com

Pray Their Names

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What’s in a name? Reverend Katie Morrison, the creator behind the traveling outdoor-art installation “Pray Their Names,” aims to help us find out. 

The project was envisioned by Morrison as a field of 160 wooden hearts—each bearing a hand-lettered name—memorializing 160 Black lives that have been lost to police violence. It is currently at the First Congregational Church of Sonoma United Church of Christ.

“In the BLM movement we’ve been hearing the call to ‘say their names,’ and I wanted to create a space where people could say their names and then go deeper,” Morrison says. “I call it ‘Pray their Names.’ It’s not separate from Black Lives Matter, it’s in the spirit of the movement. Whatever your spiritual practice, you can interact with the names.” 

Walking amongst the names is a moving experience. Placing one’s own body amongst these lives is a testament to the power of art to influence us in ways beyond intellectual knowing.

The church’s Reverend Curran Reichart, who is married to Morrison, says, “Before she was a teacher, Katie traveled the nation, teaching churches about inclusion. The vision for this installation comes out of a lifelong sense of solidarity with the pain and suffering endured by Black and Brown bodies.”

Morrison, known to her Special Education students at Venetia Valley K-8 School as “Ms. Mo,” says of her piece, “I hope that this visual work will be a source of healing for all bodies, a unifying force to bring people together to meet in the pain and wrestle with the implications of institutionalized racism. Once we acknowledge and face the wrong, we can begin to do what is right.”

There have been more than 8,000 deaths of Black and Brown people by police since Emmett Louis Till’s lynching in Mississippi in 1955. Each of the 160 hearts represent the life of a Black person killed while unarmed and/or in police custody. The blank hearts represent the lives lost whose stories were not told. 

“I want to be clear,” Morrison says, emphatically. “This exhibit is not against the police; just because you do something for people doesn’t mean it’s against other people. I believe the police need places to be resensitized to Black bodies as human beings and places to grieve alongside and places to be able to stand tall again and do a better job.” 

Morrison, who was an American Studies major with a focus on race relations, explains that our culture teaches white people many ways to fear Black people, while they simultaneously benefit from that culture—economically, historically and politically. The police, in particular, have a long, entwined history with racism.

“There are so many connections from the beginning of policing and how police forces came to be in America that is directly linked to slavery,” she says. “The first patrols were slave patrols, and now we have patrol cars.”

At least 20 volunteers became involved in the Pray Their Names project.

“It’s been an incredible opportunity for storytelling all the way through,” Morrison says.

Morrison initially called her friend, Sonoma artist Lois Chambers, to tell her the idea she had for the field of hearts. Chambers recommended Peter Craig, a professional woodworker in town, to cut the hearts, and also her daughter, Nicole Grimes—a professional sign maker at Vine Country Signs in Sonoma—to do the hand lettering of the names. Jeanne Sharkey dug the foot-deep holes in the field next to the church. It took two days to dig just 32 holes. 

“It was like cement; it was so hard to crack the earth,” Morrison says of the field, equating it to how people feel about the subject of her piece. “It’s also so hard for people to crack open and be raw about racism.”

Intent was all-important—Morrison made sure the project was infused with reverence every step of the way.

“Everything about this needs to be respectful,” she says. “Through all the work there’s no joking around, we do this with prayerful intention. If you’re coming to volunteer, you’re willing to hold the grief. When we handle these hearts, we’re thinking about the families, we’re thinking about the mothers who lost children, we’re thinking about the traumatized communities. That intention has been infused every step along the way.”

Visitors can scan a code with their phone on the entryway sign to read the stories of each person named. There are 144 stories, each researched by a team of volunteers.

“Folks can walk the rows with their phone and not only say the names but see the face and read the story, be confronted with the horror within the story of how their lives were ended and then walk in their body with it and hopefully be called to a deeper sense of commitment to dismantle the 1,000 cuts a day that are racism,” Morrison says.

It is Morrison’s hope that the healing power of the memorial be for both Black and white people: that Black people will feel heard and seen in their grief and trauma, and that walking with these stories will give others the clarity and the boldness to confront one another when a friend or colleague expresses racism.

“What reparations can you do—if our government isn’t going to do it, what can you do?” she asks. “What Black businesses can you support? How can you be sure that people on the margins are getting some of the benefits that you get based on being of European descent?”

“As progressive people of faith, we believe that there can be no peace until there is justice for all God’s children, no exceptions,” Reichart says. “Pray Their Names evokes the spirit of all that is good in us. Literally out of the weeds in the churchyard, hearts now bloom.”

The dedication was well-attended and included inspiring talks from Morrison, Reichart and D’Mitra Smith, outgoing Sonoma County Human Rights commissioner. Mayor Logan Harvey and Police chief Orlando Rodriguez were invited, but both were out of town during the event. The mayor helped with the installation beforehand and recorded a message for the dedication expressing his support.

A reading of the names will be held on Friday, July 31 at 7pm. Everyone is invited to come, help read names, lay flowers and walk among the hearts.

The installation of hearts will travel to at least four locations in the coming months. After a month in Sonoma, it will move to Santa Rosa, then Berkeley, then Mill Valley.

And what’s in a name?

“A whole life is in a name,” Reichart says. “From conception to death our names speak of the hopes and dreams of our parents, our own aspirations and accomplishments, our bruises and our blessings, all in that universally shared possession—a name.” 

First Congregational Church UCC, 252 West Spain St., Sonoma. July 18–August 14. Open sunrise to sunset. Free. facebook.com/praytheirnames.

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