Divine Honeymoon

In our last Spirit column, we explored the esoteric concept of the sacred marriage of opposing energies, best represented through astrology with Sun and Mars on the masculine side and Moon and Venus on the feminine. Now it’s time for the honeymoon. Our soundtrack is the 1983 New Wave hit “Sex” by the band Berlin.

In the pop duet, the female singer refers to herself as a virgin, goddess, bitch and geisha, while the male singer simply repeats the same response: “I’m a man.” Whether purposefully or not, the lyrics thus express a fundamental teaching of the wisdom tradition, which distinguishes between two dimensions of reality: the world of being and the world of becoming.

The world of becoming is considered feminine and to it belongs birth and death, changes of season and everything pertaining to the sphere of nature and human events. In contrast to this dynamic playing field was posited an unchanging metaphysical reality ruled by a Sky Father, be it Zeus in Greek mythology, Ahura Mazda in Zoroastrianism or Allah in Islam.

In Hinduism, the goddess Shakti represents the feminine principle, or everything that is dynamic energy within the world of becoming. In contrast, her celestial consort Shiva enacts the male principle of immutable power,  just as a stone in a creek causes the current to flow fastest even though the stone does nothing but simply be there. Shakti’s changeability, shape-shifting as in the song lyrics from one feminine guise to another like the phases of the moon, is drawn to Shiva’s steadfastness like steel to a magnet.

A curious difference between East and West is that European civilization created the scientific study of sex, but never produced a sacred handbook such as The Pillow Book from China or Kama Sutra from India. Is it possible Westerners have misunderstood the dynamics of sex for millennia?

The classic Tantric sexual position known as the lotus places the woman, embodying the goddess Shakti, in the lap of the man, who sits cross-legged and plays the role of Shiva. In their divine embrace, Shakti gyrates with her dynamic energy while Shiva’s role is to sit like a stone in a creek—or a king on a throne—and “hold the center” or “do without doing,” acting as the fixed axis around which the sexual energy turns. In this dynamic fusing of being and becoming, we may say that the female role is actively passive while the male role is passively active.

After voicing their opposing parts in the cosmic union, the singers in our ’80s New Wave tune intone the final line in unison: “And we make love together.”

Christian Chensvold blogs about the world’s wisdom traditions at trad-man.com.

Drought Challenges Dry Farmers

As the drought drags on with no end in sight, California farmers face the sobering prospect of springs and wells drying up.

But at Red H Farm in Sebastopol, that isn’t a consideration, much less an option, because their well collapsed six years ago. That’s when farmer Caitlin Hachmyer turned to dry farming. Now, she relies on the rain to feed her crops, and obsesses over the soil to keep it moist through the dry season. It works; most of her fields don’t need any irrigation, and while yields are lower, less water makes for a more concentrated flavor—a bite of her dry-farmed tomatoes is a reminder that they are, in fact, a fruit.

But after two years of meager rain, the ground is parched. Blasting heat waves serving up triple-digit temperatures, and fleeting coastal fog, are beginning to take a heavy toll. “I’m at about 50% of my usual harvest this time of year,” Hachmyer says. Clearly, there’s only so much dryness that even dry farming can take. She’s anxious about the long, hot months ahead, and hopes the remaining crops nestled in her lower-lying fields fare better.

Given the region’s arid climate, the sustainable ethos of dry farming seems like a no-brainer. Heavy rains soak loamy and clay fields in the winter, and cool summer fog helps to lock it in during the dry months. Meanwhile, drought-tolerant, early maturing crops sip moisture through deep roots while developing rich, intense flavors. But as seasonal precipitation gets stingier and less reliable, its long-term sustainability in the North Bay is starting to look uncertain. Local farmers are abandoning dry fields as they contemplate shutting down for the season, or moving altogether to greener, more water-secure pastures up north.

Seasonal patterns were consistent on Hachmyer’s 1.2-acre family farm for as long as she can remember. “I grew up here,” she says, her slender frame capped by a no-nonsense bun, “so I have a 37-year relationship with this particular place.” Fields flooded in winter, and foggy mornings rarely pushed summer temperatures past the high 80s. By fastidiously working the soil with absorbent organic matter and protecting it with woven tarps and thick mulch, her crops thrived without irrigation, even during past droughts.

“Usually, June is the most lush, beautiful time on the farm,” Hachmyer says. “Things start drying out in July and August, but in a regular year, I’d still be harvesting broccoli florets from a February planting.” Typically, she’d have a summer bounty of vegetables, leafy greens and squash, followed by a fall crop of flavor-rich tomatoes. “But this year, there’s just no water,” she says. And an early summer heat wave left many of her plants withering. “Even in [previously dry] years, my soil has still had tons of moisture, but this extreme drought is like ‘next level.’”

North Bay rainfall has averaged 13 inches this year—about a third of normal. That sounds extreme, even for dry farming, but the volume of rain is only one factor, says Paul Vossen, an agricultural consultant based in Santa Rosa. Filling the soil profile with moisture also requires consistent and cumulative precipitation.

“If you get 13 inches all in a few rains, particularly if one was in late spring, then you’d have your soil profile full,” he says, “and everything would be pretty good, actually.” Intermittent sprinkles can turn the hills grassy in the spring, but crops require deeper, consecutive soakings.

Vossen recently retired as the University of California Cooperative Extension farm advisor, where he specialized in farming in drought conditions. After 35 years on the job, he’s seen it all—but agrees that this year is exceptional. And the rise in seasonal temperatures only adds to the challenges. “It’s one thing to dry farm when it’s in the 80s [during the day] and cool at night,” he says, “and another when it’s 100 degrees every day.”

On a 10-acre farm outside of Petaluma, Jesse and Moira Kuhn of Marin Roots Farm are down to their last harvest of dry-farmed greens. They didn’t get their usual profusion of native crops like chickweed and miner’s lettuce this spring, says Jesse Kuhn, and their fields are crackling dry. “We’ve got a little bit of chamomile, lamb’s quarters, dandelion and spring onions—maybe one last pick.”

Kuhn, who grew up in San Geronimo, enlisted his father’s help in digging a deeper spring, which he’s using to irrigate herbs and microgreens inside two greenhouses. “It’s still very, very little water,” he says, shaking freshly dug pebbles out of his pockets. “But we have to rely on it to carry whatever we plant through the remainder of the season, because whatever little water is left in the soil is going to go quickly.” He grins solemnly beneath his handlebar mustache.

The Kuhns have resisted the siren call of more water security, in less-pricey regions up north. “We both have family here,” he says, “along with all of our restaurant accounts and farmers markets, [largely within] a 50-mile radius.” But with no signs of the drought easing, they’re looking to plant new roots in Marin, in fields with better access to water.

Twenty miles northwest, towards Bodega Bay, David Little has dry-farmed potatoes and tomatoes on nearly 50 acres of coastal land for the past quarter century. The San Anselmo native runs Little Organic Farm with his daughter, Caressa, and her fiancé, Anthony Giaccobe, on fields cobbled together on five different ranches across the Marin-Sonoma border.

Little is quick to note that he fallows nearly half of his acreage, often for two to three years at a time, to allow the soil to recharge with moisture and nutrients. He also sites his fields carefully, planting crops at the base of slopes and hills, where water tends to collect underground. It’s a long-term investment in land management, and this year, the odds seem a bit tenuous. 

Loquacious and eccentric, Little’s presence is as big as his personality. “Alice Waters came by my [farmers market] booth and asked me how I was doing with the drought,” he says. He and the famous Chez Panisse owner go way back, apparently. “I just told her, ‘less yields, smaller potatoes, more flavor, less waste.’”

Indeed, his tubers are compact, ranging in size from marbles to golf balls, perfect as sides to a fancy dish. Little digs up an entire plant, shaking the clumpy-but-dry soil off the roots to pick a cluster of baby Crimson Kings. He harvests about six per plant, explaining that were he to leave them longer, they would continue to grow in size and yield upwards of 14. “We’re robbing the cradle to get new potatoes for the sweetness and texture, and also to get back in the market because we’re strapped for money.”

For farmers, “the struggle is real,” Giaccobe says. “Normally, our tomato crop pays for the harvest of the potatoes, but I don’t even know if [they’re] going to grow this year.” He was surprised at the number of customers who balked at their 25% price hike last year. “There’s a disconnect between what’s going on in nature, how hard the work is and how much everything else—paper bags, boxes and labor—is going up in price.” He and Caressa hope to boost business by venturing into potato chips. “It’s a great way for us to utilize everything; all the ugly potatoes that people don’t want to buy.”

The farm also experienced an unexpected blow in late May, when a freak frost hit a low-lying field and destroyed three acres of potatoes. It came on the heels of plummeting restaurant sales during the Covid pandemic, and a two month market hiatus during a dip in yields. “If I sound disgruntled, it’s because I am,” Little says. “It’s just crazy times for small farms.”

As the dry season continues, farmers pray for emergency relief, which looks as elusive as the next rainfall. Currently, federal and state drought relief is limited to livestock and perennials, not diversified annual crops, says Red H’s Hachmyer, adding that immediate funds are desperately needed to keep family farms afloat. “It’s slim margins as it is,” she says. “It’s really important to make sure that small-scale farmers don’t throw in the towel this year.”

Meanwhile, Hachmyer is considering raising funds to dig a new well. “There’s really not a whole lot more adapting that I can do,” she says. “At some point, my plants just need at least a little bit of water.”

Naoki Nitta is a food and sustainability writer based in San Francisco.

North Bay Theaters Plan In-Person Seasons

After a year of performing to virtual audiences, North Bay theater companies are ready to welcome people back to the theater, and several local companies have announced their 2021–2022 seasons of shows, ranging from classics to world premieres.

Earlier this summer, Left Edge Theatre in Santa Rosa became the first organization to perform indoors again, at the production of the comedy Slow Food

Now, Left Edge is taking advantage of the return of social gatherings by premiering a season entirely made up of both local and world premieres. Opening the season, North Bay playwright Kelly Gray pens the new experimental one-act play Beautiful Monsters, succinctly described as an “obituary for the year 2020 with music and dance.” The one-act actually makes its world premiere outdoors at Horse & Plow Winery in Sebastopol Aug. 20–22, before moving indoors to Left Edge Theatre Sept. 4–19.

When Beautiful Monsters does premier indoors in September, it will join another one-act, I and You, written by Bay Area playwright Laura Gunderson, about two classmates who bond over Walt Whitman. leftedgetheatre.com

Also in Santa Rosa, 6th Street Playhouse is planning a full in-person season with five shows in the 184-seat GK Hardt Theater and five in the 99-seat Monroe Stage Theater. The season, which opens Aug.12 with the Nora and Delia Ephron-written comedy Love, Loss and What I Wore, is curated for mass appeal and features classic plays like A Raisin in the Sun, zany murder whodunnits like Murder for Two and crowd-pleasing musicals like Scrooge in Love in the holiday season. 6thstreetplayhouse.com

Sonoma Arts Live, which performs on the Rotary Stage in Andrews Hall in the Sonoma Community Center, is calling this a season to celebrate. 

“Governor Newsom’s June 15th announcement was such a celebratory day for all of us,” says Sonoma Arts Live Artistic Director Jaime Love. “It was then that we knew we could finally announce what we’d been hoping for; the ability to open our doors and provide entertainment for a live audience. I feel that people are ready to gather safely and share an experience again.”

The season will begin Sept. 24 with Sunset Boulevard, directed by Carl Jordan and featuring local star Dani Innocenti Beem (Merman’s Apprentice, Hello, Dolly!) as the silent film star Norma Desmond. Sonomaartslive.org

Sebastopol’s Main Stage West will also re-emerge from the unexpected hiatus with a season of six plays that all speak to the post-pandemic landscape. The season opens with the workplace comedy Patty from HR on Aug. 27. mainstagewest.com

Marin Theatre Company is still putting the final touches on its 2021–2022 season, though the season is starting strong with its September opening production, the Ivy-league dramatic mystery The Sound Inside, penned by Pulitzer Prize finalist Adam Rapp and directed by Marin Theatre Company Artistic Director Jasson Minadakis. marintheatre.org

Also in September, the Ross Valley Players kicks off its 92nd season with the clash-of-wills comedy Ripcord, running Sept. 10 to Oct. 10. Next, Ross Valley Players teams with Marin’s longrunning Mountain Play Association for an indoors production of the musical Camelot in November. rossvalleyplayers.com

Culture Crush: This Week’s Live Events

Napa Valley

After a year on hold, Festival Napa Valley welcome audiences back for a full program of events this summer. Marking the Festival’s 15th anniversary and celebrating the return to live events, the concert schedule includes opera, chamber music and jazz. Festival Napa Valley kicks off with an Opening Night recital on Friday, July 16, featuring soprano Lisette Oropesa (pictured) at Charles Krug Winery in St. Helena, and the festival’s lineup also boasts highlights ranging from a Tony Bennett tribute to the Arts For All Gala featuring superstar Jennifer Hudson to free symphonic concerts with Festival Orchestra Napa and more. July 16-25, tickets available at Festivalnapavalley.org.

Bolinas

For the last year, Bolinas Museum has partnered with photographers to take black-and-white portraits of Bolinas and Stinson community members for “Together Alone / Alone Together,” a project that is displayed in the museum’s windows. This week, the museum teams with Smiley’s Schooner Saloon for the project’s Together Again Open House. The evening includes a slideshow of portraits from the project and copies of the Together Alone / Alone Together book on hand. There will also be a story booth in which participants can record their own stories. Then, move to Smiley’s to enjoy live music on Friday, July 16, at 48 Wharf Rd, Bolinas. 5pm. Free. bolinasmuseum.org.

Rohnert Park

This past May, the SOMO Grove Dinner Series was one of the first ways for the North Bay to see live music in over a year. The series—which blends locally sourced meals and locally sourced bands at socially distant, outdoor shows—was such a rousing success, it’s returning for four new dates of live music featuring popular local acts. This week, the series hosts stellar vocalist Stella Heath leading the Billie Holiday Project for a night of jazzy tunes and dinner from Heirloom Café on Friday, July 16, at SOMO Village, 1100 Valley House Dr., Rohnert Park. Doors 6:30pm, Show 7:30pm. $35. Tickets at somovillage.com.

Ross

Native Californian explorer and writer Obi Kaufmann examined the state’s most precious resources in his books The California Field Atlas, The State of Water and The Forests of California. Now, Kaufmann returns to Marin Art and Garden Center to share a new presentation, “The State of Nature,” in which he speaks on a number of unfolding crises in California, the nation and the biosphere. Kaufmann will also sign copies of his books—which will be for sale—and he will celebrate the reopening of the center’s newly renovated and wonderfully rustic outdoor Redwood Amphitheater on Sunday, July 18, at 30 Sir Francis Drake Blvd, Ross. 11am. Free. Maringarden.org.

Glen Ellen

Inspired by the seafaring adventures of author Jack London and his wife Charmian, the Jack London Yacht Club has all the trappings of a traditional yacht club, except for the fact that the “yachts” measure 22 inches long. These miniature boats normally sail each spring in the Jack to Jack Yacht Race, though the pandemic canceled this year’s event. In its place, the club is popping mini Champagne bottles at the Anchors Aweigh Yacht Christening. Several small boats will be on display, and new members will christen their vessels, at a gathering with food, live music, auctions and more on Sunday, July 18, at Jack London Lodge, 13740 Arnold Dr., Glen Ellen. 2pm. $55–$70. Jacklondonyachtclub.org.

Open Mic: Under Ground Power Proposal

By Jonathan Greenberg

As we wait, with dread, for this year’s fire season, it is astonishing that not a single dollar of California’s immense $76 billion budget surplus is being allocated for the only means of preventing wildfires from starting, which is burying overhead power lines.

Since 2017, four of the six most destructive fires in the state—three of them here in Norcal—were sparked by overhead power lines. Burying those overhead power lines that pose the highest risk of fires is by far the most important preventive measure that our government can take to protect us from wildfire. It would also eliminate the expanding number of crippling power shutdowns that PG&E orders because of the fire risks that overhead—but not underground—power lines pose.

Senator Mike McGuire and the Wildfire Working Group recently announced a package of new bills to legislatively complement the $2 billion that Gov. Newscom plans to spend on CAL FIRE to prepare for, remediate and fight wildfires after they start.

Yet none of this funding will go toward burying power lines or slowing power shutdowns. That’s why the Sonoma Independent and the Davis Community Vision Alliance formed a grassroots Bury Fire-Causing Power Lines Now! Campaign and a Change.org petition to “Use 2% of California’s Budget Surplus to Bury Highest Risk Fire-Causing Power Lines.”

Please join us in calling on Sen. McGuire and the Senate Natural Resources Committee Chair Henry Stern to ask them to introduce an emergency trailer bill allocation of $1.5 billion to bury the 500 riskiest miles of overhead power lines.

Our proposed bill and related information can be read at SonomaIndependent.org. It requires utility companies to match every $2 of state funding with $1 of their own, and will quadruple the number of risky overhead power lines that are being buried currently.

The legislature will vote on this to append our tax dollars by the end of the month. Let’s make sure that it protects us all with effective fire prevention, and not just preparation and response.

Jonathan Greenberg is the founder and editor of SonomaIndependent.org. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: More Point Reyes Reactions

Local Coverage

Thanks so much for your coverage of our public lands, Point Reyes (“Death by Design,” June 30)! It is so valuable for me to find local coverage of the Seashore. Great to see a paper with independent integrity!

Catherine L. Portman, Woodland

Myths of Point Reyes

I appreciate the letter from Dr. John W. Cruz on July 7 regarding the horrors of elk culling in Point Reyes National Seashore. I agree with him that it’s high time to restore Point Reyes. 

Where Dr. Cruz writes “The agreements that were made 60 years ago were from a different era … and it’s time to start buying out the ranchers,” I point out that there were no agreements, ever, that ranching should stay in perpetuity in our national park. In fact, the reservations of use were explicitly time-bound—25 years or life—and the lease agreements are legally cancelable by the Interior Secretary at any time.

Furthermore, the ranches were already bought by the public, for the time-adjusted amount of almost $400 million, plus the mentioned period of continued occupancy. It’s a testament to the thickness of the fog of obfuscation generated by the interested parties that such basic facts are misapprehended even by people distinctly interested in the health of the park.

Other persistent myths are that the ranches in Point Reyes are good stewards of the land in Point Reyes—they are documented as significant sources of air and water pollution, soil depletion and erosion, invasive species, etc.—that they preserve and honor history there—they are modern, industrial-scale operations which obscure and disrespect the much older Coast Miwok history—and more. These and other myths are detailed in a recent webinar from the Coalition to Save Point Reyes National Seashore that can be found at savepointreyesnationalseashore.com.

Ken Bouley, Inverness

Write to us at le*****@******an.com.

City Council Will Vote on Removing Member of Petaluma Race Relations Committee

At their Monday, July 12 meeting, the Petaluma City Council will decide whether to kick a controversial resident off of a committee tasked with advising the city on race relations and police policies. 

If passed, the resolution would remove Stefan Perez from his appointed seat on the Ad Hoc Community Advisory Committee (AHCAC). Perez, who is one of 28 AHCAC members, has been criticized since late May when a prominent Twitter user began sharing Perez’s past social media posts featuring racist and misogynistic humor.

A resolution prepared by City Attorney Eric Danly explains that, as the creator of the committee, the city council has the inherent power to remove or replace members of it with or without cause. The resolution also cites the council’s power to “declare the office of an [AHCAC] member vacant and appoint a qualified person to fill the vacancy.” In effect, the proposal would amend the council resolution used to form the AHCAC in order to remove Perez from his appointment and abolish his seat.

Although the resolution does not mention Perez’s social media posts or any other specific reason for removing him from the AHCAC, the move appears to be a change of course for the city. Since the criticisms of Perez began nearly two months ago, city officials have remained largely silent despite requests for action. 

In a June 9 statement, the City Council urged members of the AHCAC and the public to “refrain from participating in disparaging behaviors on social media” and raised First Amendment concerns about “regulating Committee members’ speech,” an apparent response to residents calling for Perez’s removal from the AHCAC.

Asked for comment on the July 12 agenda item, Roy Miller, Perez’s attorney, stated in an email Friday that “Mr. Perez is considering attending the council meeting and/or providing a statement to the council about the issue.”

Mayor Teresa Barrett, city manager Peggy Flynn and city attorney Danly did not respond to a request for comment on Friday. 

Arising out of the racial justice protests in 2020, the city council formed the AHCAC in early 2021 to discuss what makes community members—particularly those from marginalized groups—feel unsafe in Petaluma and provide recommendations to the city council on city and police policies aimed at improving race relations. 

After a virtual town hall listening forum in June 2020 attended by more than 300 community members, the city of Petaluma hired Tracey Webb as a Diversity, Equity and Inclusion consultant and facilitator, first tasked with interviewing BIPOC community members and gathering their recommendations for next steps. The AHCAC was created based on Webb’s listening sessions and analysis. 

Bringing together more than 20 Petaluma representatives of local organizations serving communities of color and other marginalized groups, the AHCAC would meet for six monthly meetings facilitated by Webb. In addition to the 22 committee members who were recommended by community organizations, several more individuals who were unaffiliated with those groups were considered for appointment by the City Council, based on their expressed interest in participation. 

In a Feb. 25 letter to the council, Perez requested a seat on the committee, stating that “I believe having another indigenous citizen would help bolster the council’s goal to have a committee made up of BIPOC citizens, particularly from Petaluma.”

At the time, several Petaluma residents spoke in support of Perez while others raised concerns about Perez’s social media posts and online interactions over the past year, including comments he made raising alarm about racial justice protests where he alleged that BLM activists and “antifa” members were dangerous.

Ultimately, Councilmember Dr. Dennis Pocekay appointed Perez to the AHCAC at a March 15 meeting. In all, 28 people were appointed in March. So far, the committee has met three times.

On May 20, Perez became the center of an Internet-fueled scandal when many of Perez’s social media posts featuring Nazi imagery, racist and misogynistic humor, were shared by Chad Loder, an activist and Twitter user with a sizeable following.

Loder also alleged that Perez, who owns a video production company, ran several Golden State Nationalist social media accounts. 

[Read ‘Bad Blood,’ the Bohemian’s June 9 article, for more information about Loder’s allegations.]

In early June, Roy Miller, an attorney representing Perez, denied that Perez runs the Golden State Nationalist accounts. When asked about a particular post on Perez’s personal Twitter account, Miller stated that Perez’s “entire Twitter feed is made up of jokes and dark humor for the most part so the reader shouldn’t necessarily take them seriously.”

Stefan Perez - Twitter

As Perez’s social media posts began to circulate in Petaluma, many residents called for Perez’s removal from the AHCAC, but the City Council remained largely quiet. At a Monday, June 7 meeting, Pocekay apologized “for being the person who put Stefan’s name out there.” The other council members did not address the issue at the meeting.

Two days later, the city released a letter signed by three members of the city council—Mayor Teresa Barrett as well as councilmembers Mike Healy and D’Lynda Fischer—addressing the allegations circulating online on behalf of the entire council. Although the letter does not name Perez, it was widely understood to be in reference to him.

“We strongly urge that all AHCAC members and our entire community refrain from participating in disparaging behaviors on social media and elsewhere, and stay engaged with what we set out to do from the onset–undertake the challenging and essential work of discussing race relations in Petaluma,” the letter states in part.

The letter goes on to state that, because the AHCAC process is considered a government action, “the First Amendment prohibits the City from regulating Committee members’ speech, or participation in the AHCAC based on protected speech.” The letter adds that the council hopes it will not be necessary “to initiate actions which could include removal of Committee members or represented organizations from this important process.” 

Although Perez did not attend the  AHCAC’s June 15 meeting, the committee spent considerable time discussing his behavior and what some viewed as the City Council’s lack of support for committee members who felt threatened or disappointed by Perez. 

At the meeting, AHCAC member Eric Leland attempted to pass a motion to “censure” Perez. Leland’s motion failed to gain enough support in a straw vote after City Attorney Eric Danly raised legal concerns about the phrasing of the motion and other AHCAC members said they would rather move on with the committee’s intended work instead of lingering on Perez.

NOTE: The final paragraph of this article previously stated that an AHCAC member proposed a motion to “censor” Perez. The motion was meant to “censure” Perez.

This article is part of the Bohemian’s ongoing series about the fallout from the April pig’s head vandals and the surrounding intrigue. Read the first part of the series here.

Thoughts, news tips or comments? You can reach Will Carruthers at wc*********@*****ys.com.

When You Say ‘I’

Mental Health Month

There once was a girl named Sunny, whose smile was as bright as the California sky, until she lost her spark and became depressed. She began meditating in the park every day, but the answer to her troubles never came to her. “Oh my God, what’s wrong with me?” she asked herself. Then one day an old friend saw Sunny and laughed. She said that meditation was useless and to come have a few drinks and just forget her troubles.

Sunny did, but that night something strange happened. She didn’t know if it was a bad dream from too much wine, but a man appeared in her room and said his name was Michael and that he had a message for Sunny. “The message is from God,” he said. “He wants you to know that when you go to the park each day in search of answers, is it not He who summons you there?”

This tale of the girl, whose inner spark went out, comes from an old Arab proverb, and like the Archangel Michael I, too, bear a message. May is Mental Health Month, during which the stars have aligned for the Bohemian to launch a new column on spirituality, metaphysics, ancient wisdom and the secret laws of the cosmos that will help you cultivate the strength and tranquility you need for navigating these uncertain times.

Problems of the heart and mind, after all, can also be called problems of the soul and spirit. Overcoming them requires expanded consciousness; a broader frame of reference based on transcendence of the merely human. This is what is meant by the notion that you are not your thoughts, but rather the being that has thoughts. But when you’re despondent, you become identified with the gray clouds in the sky—rather than the sky itself. This is why the world’s spiritual traditions focus so much on what you mean when you say, “I.” 

Prince Siddharta—the man who became known as the Buddha or Enlightened One—was a lot worse off than you. He left his palace and family to wander for six years, nearly starving himself to death, before finally he saw through the illusion of his misery and could say, “Enlightenment means the end of suffering.”

It has been wisely said that we are not human beings seeking a spiritual experience, but spirit beings having a human experience. Think of me as a fellow adventurer, a travel writer with a map to inner awakenings and flashes of insight that can guide you on your hero’s journey. Because whether you know it or not, you’re on one.

Christian Chensvold blogs about the world’s wisdom traditions at trad-man.com.

By the Numbers

A world of wonder

In the beginning was the creation of light, a prism that disperses the seven colors of the rainbow.

Seven is a rather magical number that belongs to that mysterious architecture of the cosmos called sacred geometry. Seven astral bodies are visible from earth with the naked eye, for which the days of the week are named. There are seven energy wheels called chakras in the body, and seven heads on a hydra, so watch out. The Sound Of Music teaches us do-re-mi-fa-so-la-ti, which are the seven tones in the musical scale that Miles Davis used to write “Seven Steps to Heaven.” In the Old Testament, Salome performs the dance of the seven veils, and in the Babylonian myth Ishtar descends to the underworld through seven gates, there to find all the used VHS copies of Ishtar.

Twelve is another special number. Two sets of 12 make the 24 hours of the day, half for the sun and half for the moon. There are 12 apostles of Christ, 12 gods of Mount Olympus, 12 signs of the zodiac and 12 donuts in a dozen, but don’t eat them all because the gods punish small things quickly.

Sacred geometry shows us that the universe repeats the same patterns at different levels of resolution. A spiral can be as small as a snail’s shell or as vast as a galaxy. Sacred geometry even comes through sound waves, since stroking a violin bow on a metal sheet covered with sand causes the sand to create a snowflake pattern. Change the tonal frequency of the stroke and the snowflake changes. Even the vastness of space is mirrored in the emptiness of the atom. 

The earth’s movement is also full of mystery. It rotates daily and orbits the sun annually, but it also wobbles on its axis, which is tilted at 23.5 degrees. This causes the spring equinox to cycle backward through the 12 signs of the zodiac over the course of 26,000 years in what’s known as the precession of the equinoxes. Jesus of Nazareth was born in the age of Pisces and is thus closely associated with the symbol of the fish. The 1967 musical Hair hails the dawning of the Age of Aquarius. 

The universe is a majestic place, and how fortunate we are to live in its eternity for a speck of time. The ancients said the bulk of mankind lives in a state of limited awareness akin to sleep, and the process of opening one’s consciousness is called the doctrine of awakening. So close your eyes, open your mind and begin to see. 

New Murals in Sonoma Valley Go on Display with Community Celebration

In March 2021, Sonoma Valley Museum of Art (SVMA) announced that Mexican-born and Santa Rosa-raised artist Maria de Los Angeles would create two major murals as part of a building rehab project in Glen Ellen.

This month, the murals will finally go on display; and SVMA–along with sponsors Holly and Stephen Sorkin–hosts a daylong gathering to celebrate the occasion. The free event happens on Saturday, July 10, from 11am to 4pm, at the murals’ location at 13647 Arnold Drive in Glen Ellen.

Currently living on the East Coast, De Los Angeles immigrated to the North Bay from Mexico at age 11 with her family. She began making art as a child and graduated from Santa Rosa High School in 2006. Bolstered by selling artwork to friends and neighbors in Santa Rosa, De Los Angeles continued her art education at Pratt Institute and then earned an MFA at Yale University.

She has subsequently taught at the Pratt Institute in Venice, and participated in artist-in-residence programs at Los Angeles County Museum, MASS MOCA and elsewhere. De Los Angeles wrote about her childhood and early adult experiences in the feature article, “A Dreamer’s Diary,” published in the Bohemian in March 2017.

De Los Angeles’ colorful work often reveals simultaneous narratives that slowly unfold to the viewer. Themes often reference ancestors, transition, journey, and basic humanity, among other themes, and often also include a positive focus on serenity, love, and peace.

The murals coming to Glen Ellen are part of a building rehab project, and the artwork includes historical and cultural iconography that is specific to the Sonoma Valley.

Earlier this year, de Los Angeles spent several months researching the history and culture of the region, including interviewing the many diverse community members for inspiration.

Following the research process, de Los Angles actually painted the murals in her New Jersey studio by utilizing an innovative process known as the mural cloth process. The cloth process allows her to create the murals in her art studio rather than painting them directly onto a building or wall facade.

After delivery from the artist’s studio, the mural cloth will be mounted by local installer Sarah Zbinden.  De Los Angeles will then retouch the murals in Glen Ellen as needed after the installation. 

“It’s a public work to promote conversation about shared experience,” says de Los Angeles.

De Los Angeles will be on hand for this week’s community celebration on July 10, and the event will unveil the murals with an afternoon of music, dance, art projects, food and presentations by local dignitaries.

“SVMA is delighted to curate this special public art project,” says Linda Keaton, SVMA executive director. “These murals are a great way to explore and discuss the cultural history of Glen Ellen. Maria and the entire team have done extensive research and outreach about the region, and Maria has incorporated that research into the mural design.”

“We are grateful to SVMA for curating this visually engaging and culturally relevant public art,” says co-sponsor Stephen Sorkin. “These murals provide an opportunity for the community to celebrate those who have built Glen Ellen and explore the complex history of Sonoma Valley.”

Get details on the upcoming community celebration at SVMA.org.

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