Emboldened Bias: How Legacy Media Fails Trans People

The same day that Tyler Robinson shot Charlie Kirk, co-founder of the conservative student organization Turning Point USA, The Wall Street Journal hastily and erroneously reported that the bullets Robinson used were inscribed with “transgender ideology.” 

Quickly, advocates and other news outlets, even The New York Times—which has a track record of biased and inaccurate coverage of LGBTQ issues—pushed back, contending that the unvetted report about rampant violence perpetrated by trans people “had gained enough heft to become fixed in the right-wing imagination.”

And it did.

Conservatives had already been using the tragic August 2025 shooting at a Minneapolis Catholic school, perpetrated by a transgender woman, to ramp up inflammatory anti-trans rhetoric—and the establishment press played right into their hands. After Kirk’s death, while Rep. Nancy Mace called for all trans people to be institutionalized and used a slur for trans people on the House floor, the Los Angeles Times ran an op-ed by Josh Hammer, a conservative political commentator, who wrote that “transgenderism … found itself implicated in another horrific shooting.”

Hammer’s op-ed was not just an “alternative viewpoint”; it was rife with deliberate misinformation, as underscored in a subsequent letter to the editor that the paper published days later. His use of  “transgenderism,” a derogatory term employed by anti-trans figures, delegitimizes trans identities. 

He also suggests trans people are more prone to political violence—a familiar and calculated ploy by those on the right to dehumanize trans people, which viciously, in turn, makes them targets. Never mind that countless analyses have concluded that trans people are far more likely to be victims of violence than they are to commit violence against others, or that the out-of-control anti-trans legislation actively puts trans people in danger. When corporate media neglects to emphasize these points, its coverage bolsters anti-trans politics.

And it’s already shaping culture. Robby Starbuck, an adviser on AI bias for Meta, has spent time since his appointment ceaselessly spreading disinformation about “shootings, transgender people, vaccines, crime and protests” online. Eric Bloem, vice president of corporate citizenship at the Human Rights Campaign Foundation, told The Guardian, “People should be able to find safe, welcoming communities online. Robby Starbuck pushes a dangerous anti-LGBTQ agenda, spreading disinformation and denying the very existence of transgender people.”

At a time when trans rights are increasingly threatened, Democrats are distancing themselves from trans issues while attempting to forge middle-of-the-road positions on trans issues that might be more palatable to centrists and Republicans.

In June 2025, the Supreme Court ruled, in U.S. v. Skrmetti, that bans on gender-affirming care for transgender minors are constitutional. The court’s 2022 Dobbs decision had included comparable language, reasoning that abortion should be at the discretion of “the people and their elected representatives.” The Dobbs ruling caused a collective uproar for Democrats, who held “press events, hearings and rallies in support of abortion and women’s rights,” as many outlets, including NOTUS, reported.

But when asked if the Skrmetti decision should encourage the left to renew and reinvigorate its support for trans people, Rep. Julie Johnson, co-chair of the Congressional Equality Caucus, said that although she believes “health care should be at the right and the role of the parent … the Supreme Court has ruled,” and the Democrats are “either a party that supports the rule of law or not.”

In her 2025 memoir, Kamala Harris stated that the Trump campaign mischaracterized her position in its “Harris is for They/Them” ad. She maintains that although she feels a “deep connection” with transgender people (whatever that means), she has “concerns” over trans-inclusive sports policies. Still, she acknowledged that her campaign failed to give “even more attention to how we might mitigate Trump’s attacks.”

Prior to this, some Democrats attributed Trump’s win to the Harris campaign focusing too much on transgender rights.

“The Democrats have to stop pandering to the far left,” Rep. Tom Suozzi told The New York Times last November. “I don’t want to discriminate against anybody, but I don’t think biological boys should be playing in girls’ sports.”

This oft-repeated concern has been consistently challenged and debunked by both trans advocates and scientific experts. Yet, The New York Times presented Suozzi’s statement without context or correction, treating it as a legitimate position rather than scrutinizing its accuracy or implications.

Joshua D. Safer, executive director of the Mount Sinai Center for Transgender Medicine and Surgery, told the ACLU that “a person’s genetic make-up and internal and external reproductive anatomy are not useful indicators of athletic performance.” Moreover, he said that, for example, “for a trans woman athlete who meets NCAA standards, there is no inherent reason why her physiological characteristics related to athletic performance should be treated differently from the physiological characteristics of a non-transgender woman.”

After Charlie Kirk’s death, the right-wing Heritage Foundation, most famous for its authoritarian Project 2025, called for the FBI to designate “Transgender Ideology-Inspired Violent Extremism,” or TIVE, as a domestic terrorism threat category. This unhinged appeal by the Heritage Foundation arose from a bogus claim by the organization that “50% of all major (non-gang related) school shootings since 2015 have involved or likely involved transgender ideology.” When Wired asked for the data behind this figure, the Heritage Foundation’s Oversight Project could not properly cite the research. Instead, they supplied a tweet from one of its vice presidents.

This frightening push by conservatives to treat trans people as a national security threat was utterly absent from corporate media outlets, including The New York TimesThe Washington Post and CNN. The silence allowed a dangerous narrative to fester unchallenged in right-wing echo chambers, where calls for state surveillance of trans people are becoming more normalized.

Anti-trans legislation and policies further endanger an already marginalized group. But so, too, does shoddy media coverage. For example, The New York Times frequently quotes Tony Perkins, president of the notoriously homophobic and transphobic Family Research Council (FRC), but regularly features his more moderate (or more secular) claims, rather than representing him and his organization authentically as demagogic and divisive.

The New York Times even described FRC as “a conservative policy and lobbying group” at a time when the Southern Poverty Law Center designated it as an anti-gay hate group that “portray[s] gay men as sexual predators and pedophiles, pushing the fantastic falsehoods that the LGBT rights movement seeks to eliminate age of consent laws and that adoption by gay parents creates a risk of parental sexual abuse.”

These “filtered” versions of the spokespeople for anti-trans organizations skew the public’s perception. When media institutions fail to investigate extremist narratives masquerading as policy (or even uninformed positions), they create space for hateful, fringe ideologies to gain traction under the guise of legitimacy, ultimately bestowing authority on figures and groups that a dutiful Fourth Estate ought to hold accountable.

As attacks on trans communities intensify, both politically and rhetorically, responsible journalism must rise to meet the moment. Anything less is a failure not only of the press but of our shared commitment to truth, equity and basic human dignity.

Shealeigh Voitl is Project Censored’s associate director.

Photo Finish: Audio Angel’s Latest EP, ‘Snapshot,’

At the recent show celebrating her new, genre bending 5-song EP, Snapshot, local performer Audio Angel had a unique and moving experience while on stage at Santa Rosa’s Hook and Ladder Winery. 

Speaking by phone, she tells the story of a husband and wife who had just kind of wandered into the show, having never even heard of Audio Angel. They took a seat, and as the show progressed, Audio Angel noticed the woman was consumed by tears, weeping openly throughout the show. The moment took her aback but also solidified a longstanding belief about the power of creativity and connection.

“I feel like, as Audio Angel, that I am here to serve the music. Whatever is supposed to reach you will reach you during my shows, and I feel like the music and art is here to assist us best,” she says. In times as troubling as these, this statement could scarcely ring more true.

Audio Angel came to the Bay Area in the late ’90s and immediately fell in with the dance party scene that was happening. “I went out to a jungle party, and these incredible lady DJs were playing. I was dancing, and they were like, ‘Your energy is so great. You should come MC with us.’ And I’m like, ‘Yeah, what’s an MC?’” she says with a laugh. “I just knew I loved what they were doing.”

That same energy is palpable throughout Snapshot as Audio Angel effortlessly moves through genres like house, dance, gospel and rock, just to name a few influences that come to mind. Some albums that push boundaries might feel forced or as if they’re actively trying to be diverse. But instead of coming off as phony, Audio Angel’s music feels honest and—as she so eloquently stated—as if she’s serving the muse.

After teaming up with the lady DJs, Audio Angel eventually eased into herself as a vocalist and songwriter. “I would go with them to raves. And when we  drove around, they realized I would be singing along with the tracks. And they’re like, ‘Wow, you should sing along with yelling,’” she says with a laugh. “And then I got my first official booking at the end of 1997 with them at a party called The Gathering and got up and sang.” From there, Audio Angel began to take flight.

Speaking with Audio Angel, a reoccurring thread of her loyalty to the craft while being open to possibilities runs through the conversation. Statements like “Music is my woman, and she does whatever she wants. She tells me what she wants me to do; she is in her own timing” blend seamlessly with a more straightforward look at her work. That view includes saying, “I feel my job is to take risks and make it attractive.” This also speaks to the bustling Sonoma County music scene that, if one is really paying attention, is developing a pretty serious case of cultural homogenization. 

Yet, even this proves as a motivator for Angel, who isn’t afraid to push boundaries with her craft. However, in order to do this, she needed a team of musicians that can be as diverse and brave as the music. Fortunately, she’s found fellow travelers in that sense with a band consisting of local favorite Josh Windmiller on guitar, Nate Dittle on keys, Libby (just Libby) on drums, Zachary Thorne on trumpet and Dave Rapa on bass. 

While Audio Angel works hard at her music as well as keeping busy with music coaching, voice-over work and some acting, the focus is on the EP release on Nov. 11, which, for those who believe in signs and wonders, is 11/11. This is intentional, says Angel, because “I’m a hippie, and I believe in angel numbers, and that’s when the universe is taking a picture of your thoughts. That’s what they say.”

For more information, including upcoming gigs, visit audioangelworld.com.

American Gangster: Brecht’s Parable Play Runs in Petaluma

As far-right authoritarians gain power around the world (cough, cough), artists in our community have been seeking ways to produce works that meet these unprecedented times. 

Petaluma’s Mercury Theater has chosen a play by German playwright Bertolt Brecht. He saw the writing on the wall in Germany and fled his country before World War II. While waiting in Finland to immigrate to the United States in 1941, Brecht expanded on one of his earlier works. That work became The Resistible Rise of Arturo Ui.

It’s refreshing to see Brecht’s somewhat-obscure allegory about Hilter’s ascension being produced locally and with such a dedicated cast. This saga of a mobster on a despotic tear, directed by Keith Baker, runs through Nov. 16 at the old Cinnabar Theater in Petaluma. 

Kevin Bordi, as the titular villain, doesn’t act or play his role. He simply embodies it. His multi-layered performance demonstrates how a truly skilled actor incorporates every inch of themself into a character. There’s no self-service other than the story. This was quite simply one of the best performances I’ve seen on a local stage.

He has enthusiastic support from his fellow ensemble members, especially Mercedes Murphy (who never takes a scene for granted) and Be Wilson (whose comedic clowning develops into something more innately sinister), as well as John Browning, Zane Walters and Lisa Flato, all who excel at creating deft and dynamic characters. Norman Hall almost steals the show as a washed-up Shakespearean actor who shows Ui how to act more polished for the public.

The actors are immersed in the story with keen focus, and the audience very quickly becomes attuned to that energy as well as the horrifyingly prescient script. 

Standout scenes include a bonkers kangaroo court interlude, as well as the finale, which along with a sobering end to the first act, serves as a warning on what’s to come if people don’t stand up to corrupt power. 

Sets (Keith Baker), costumes (Tracy Hinman), lighting (Missy Weaver), audio design (Jared Emerson-Johnson) and projections (Chuck Starzenski) all enhance the production, giving it a cartoonish vibe which surreally punctuates how very serious the message is. I felt increasingly anxious as each scene unfolded. 

Want to be jolted awake by how quickly history can repeat itself? Go see this play. 

Take heart, however, for the moral of this tale is embedded in the title: Resistible

Mercury Theater presents ‘The Resistible Rise of Arturo Ui’ through Nov. 16 at 3333 Petaluma Blvd. N., Petaluma. Thurs 11/06, Fri & Sat, 7:30pm; Sun, 2pm. $20–$35. 707.658.9019. mercurytheater.org.

Living Wines: New Chapter for Martha Stoumen

Winemaker Martha Stoumen opened her debut tasting room in downtown Healdsburg on Oct. 9, marking a milestone since launching her brand in 2014. 

The venue embodies her dedication to natural winemaking and building community, with the intention to serve as a “third place” gathering space.

Stoumen, a Sonoma County native, refined her craft around the globe before returning home to establish her label. She specializes in making wine from organic, old vine, dry-farmed vineyard sources, using less common varieties like colombard and negroamaro, as well as historic field blends.

Recently, the brand joined The Overshine Collective, uniting six independent producers who share resources while preserving creative control, in partnership with founder David Drummond.

Amber Turpin: How did you get into this work?

Martha Stoumen: Go intern on a farm in Tuscany, ride your bike through the morning mist to work, eat figs from centuries-old trees flanking the vineyard, and I promise you’ll come home declaring you want to be a winemaker too. After studying environmental studies, traditional agricultural systems and Italian in college, I went to work at a farm outside of Siena called Tenuta di Spannocchia. 

There, I fell in love with so many tastes and smells and feelings. But the bubbling tanks in the cellar, the smell of fermentation, the feeling of being physically spent at the end of the day—the magenta foam—was truly the best. I felt like a little kid at play.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

The first time I tried a natural wine (a very well made one at that), my senses were pulled into a new plane with extra dimensions. I didn’t know what natural wine was. But once I researched how this wine was farmed and made, it all made sense.

What is your favorite thing to drink at home?

We have a beverage for every moment. My five year old makes smoothies and chooses different fruit blends in the morning—he’s quite good at it. So coffee and/or smoothie in the morning. Fine-bubble sparkling water makes me feel like a wealthy woman, so a fancy bottle becomes a treat during a difficult work day. And of course wine in the evening. There is no match for the diversity in flavors of wine.

Where do you like to go out for a drink?

The Redwood in Sebastopol. But don’t just drink; eat too.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I would wish for the wine equivalent of Noah’s Ark to wash ashore. I love drinking across the vast wine spectrum, and I’ll never taste all of the expressions that this one fruit can make (aka, don’t make me choose).

Martha Stoumen Wines, 325 Center St., Healdsburg, 707.473.8266. marthastoumen.com.

Art Happenings and Dinosaurs Collide with LEGO

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San Rafael

Verse & Vision

Poetry and art converge at Blue Light at the Gallery, a live reading hosted by Marin Society of Artists. Set amid the gallery’s current exhibition, “Wild California,” the evening features Kary Hess, Bill Vartnaw and Kathleen McClung—three poets whose work spans place, memory, cinema and the luminous edges of daily life. Doors open early for art-viewing and mingling; guests are encouraged to bring snacks to share (no alcohol permitted). 6pm, Friday, Nov. 7, Marin Society of Artists, 1515 Third St., San Rafael. Free. marinsocietyofartists.org.

Mill Valley

‘Between Worlds’

Visionary artist Jacqueline López blurs the veil between the seen and unseen in Between Worlds, a solo exhibition at Mill Valley City Hall. Featuring 18 evocative masks, paintings and altars, the show explores transformation, identity and the sacred in everyday life. An opening reception with the artist includes a brief talk about her process and inspiration. 5:30–7:30pm, Tuesday, Nov. 11, Mill Valley City Hall, 26 Corte Madera Ave. Free. shamanist.art.

Santa Rosa

Dinos vs. LEGO

Dinosaurs meet LEGO in an unprecedented family event as Jurassic Quest and Brick Fest Live join forces at the Sonoma County Fairgrounds. One may explore 165 million years of animatronic dinosaurs, then dive into a million bricks of hands-on creativity. The event features lifelike dino exhibits, fossil digs, baby dino encounters and LEGO attractions like glow zones, derby races and record-breaking builds—all under one ticket. Noon–8pm, Friday, Nov. 7; 9am–6pm, Saturday, Nov. 8; 9am–5pm, Sunday, Nov. 9, Sonoma County Fairgrounds, 1350 Bennett Valley Rd., Santa Rosa. Tickets and info at jurassicquest.com.

Healdsburg

Click & Clink

This Friday, one may celebrate the artistry of photographer Andy Katz, now a proud Healdsburg local, whose images capture the soul of Wine Country and beyond. A Sony Artisan of Imagery, Katz has published 14 books, with his newest—America the Beautiful—on the horizon. Katz will be present for an evening of wine, photography and conversation amid the ambiance of Aperture Cellars. 6pm, Friday, Nov. 7, Aperture Cellars, 12291 Old Redwood Hwy., Healdsburg. Tickets $60, bit.ly/3LiJMT0.

Stop Talking About ‘Protests’

I am tired of hearing about “protests” and “protesters.” Those terms sound whiney and powerless to me. “Protest” means to object, which is, of course, what we are doing when we hit the streets, but we’re doing something equally—or I would say more—important. We are demonstrating. 

What are we demonstrating? We are demonstrating support for our issue and point of view. We are saying “here is a crowd of people who agree that (insert the issue).” We want those who hold the power in our society to change something. That’s more than just objecting to the status quo—more than just “protesting.” It is articulating a vision of something more satisfactory.

Why is this important? The key dynamic is the perception of who holds the ultimate power. Is it those “in power,” or is it the people? It is demeaning for the people to plead with their elected officials for a little more this or a little less that. They are our servants and are supposed to work to deliver what the majority of us want. That’s democracy.

The media have veered away from the terms “demonstration” and “demonstrators,” which were once common. When they instead call our actions “protests” and those who participate “protesters,” they are casting us in the role of supplicants to masters. When we ourselves use those “protest” terms, we accede to the perception of ourselves as supplicants. In other words, we give our power away. We are not “protesters”; we are “demonstrators,” and we are demonstrating our strength.

Moreover, demonstrating is a numbers game. Demonstrations that increase in size over time demonstrate increasing support for our issue(s). And if that is true, what do demonstrations that decrease in size say? 

One general rule is “if your next demonstration is not going to be larger than your last demonstration, don’t do it.” That may sound like anathema to some organizers, but we must think strategically rather than tactically. We demonstrate if it serves our overall purpose, not just because we decide we want to.

Peter Bergel is a retired director of Oregon PeaceWorks.

Mark Maker: Painter and Tattoo Artist Ash Gregorio

As a tattoo artist, Ash Gregorio’s human canvases run through the normal range. As a painter, her canvases run from large to the very large. Although she is defensively evasive as to the meaning of her paintings, bigness itself is a statement, connoting ambition—and a desired impact on the viewer. 

Gregorio works in oil, the medium of the old masters—departing from their ways in building from a base layer of shocking pink paint. Her overlaying palettes are the soft pastels of an idealized girlhood, shading from hot to cool tones, contrasted sharply with dark blacks, and blues and the greens of bruising.

What one sees in her paintings is her point of view—a young woman gazing at a young woman. Her subjects are typically alone, typically elaborately dressed and styled, amid children’s toys in the private domestic settings of bedrooms and bathrooms. Although the spaces are windowless, one has a sense that it is night. 

The expressions of the women are single-note uncomplicated—silly or sassy or dissociated. But the general impact of these large canvases is emotionally varied. They typically contain the ebullient vitality and tender melancholia of early womanhood.

I first became aware of Ash Gregorio when she painted a model from the Chenoa Faun circus collection presented at the North Bay Fashion Ball—an event I co-produced with Lena Claypool (see the painting of Georgie at Gregorio’s Instagram portfolio, @ash.gregorio). When I first met her to interview, Gregorio was elaborately dressed and styled in black—a pastiche of indy rock sleaze, clown, Bo Peep and black metal.

As we sat and sweated on a hot park bench, I found her easy and amused, with a satiric bite held just behind her pearl teeth. I was unsurprised to find that Gregorio was a recent graduate of the Sonoma  State University BFA program, which has had a fine record for producing accomplished figurative painters.

Cincinnatus Hibbard: Label yourself, Ash.

Ash Gregorio: I am a queer artist from Rohnert Park. I paint what I see.

You have been on a sad clown kick. What is the narrative of those paintings?

These young women are sad because they don’t want to perform—but  are being forced to. It relates to how young women are seen and presented—as spectacle. It’s sad. And it’s infuriating.

Do you listen to music while you paint?

Yes, mostly classic metal, like Mega Death and Lamb of God—and techno, like Machine Girl. I used to go to a lot of raves.

Is their music playing within the scenes you paint?

No, I would say they are silent scenes.

I hate to say it, but you could sell the hell out of these in LA.

Everyone tells me that (laughs). I don’t like LA. I’m from a small town—even Santa Rosa seems like a big city to me.

I understand you’re about to go even bigger with your painting. 

I won a grant to paint a mural in Santa Rosa from LGBTQ Connections. I have never done a mural, and I’m going to have to work in acrylics. I’m a little scared about that (laughs).

Learn more: Available to show and to sell her works, Ash Gregorio can be reached through her fine art Instagram, @ash.gregorio. At True Til Death Tattoo, she specializes in fine lines. Her subjects range from cybersigil angel wings to flowers to lettering to bones to ‘Adventure Time’ cartoon characters.

Free Will Astrology: Nov. 5-11

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ARIES (March 21-April 19): In 1995, wolves were reintroduced to the American wildlife area known as Yellowstone Park after a 70-year absence. They hunted elk, which changed elk behavior, which changed vegetation patterns, which stabilized riverbanks, which altered the course of the Lamar River and its tributaries. The wolves changed the rivers. This phenomenon is called a trophic cascade: one species reorganizing an entire ecosystem through a web of indirect effects. For the foreseeable future, Aries, you will be a trophic cascade, too. Your choices will create many ripples beyond your personal sphere. I hope you wield your influence with maximum integrity.

TAURUS (April 20-May 20): I authorize you to explore the mysteries of sacred laziness. It’s your right and duty to engage in intense relaxing, unwinding and detoxifying. Proceed on the theory that rest is not the absence of productivity but a different kind of production—the cultivation of dreams, the composting of experience and the slow fermentation of insight. What if your worth isn’t always measured by your output? What if being less active for a while is essential to your beautiful success in the future?

GEMINI (May 21-June 20): You are not yet who you will become. Your current struggle has not yet generated its full wisdom. Your confusion hasn’t fully clarified into purpose. The mess hasn’t been composted into soil. The ending that looms hasn’t revealed the beginning it portends. In sum, Gemini, you are far from done. The story isn’t over. The verdict isn’t in. You haven’t met everyone who will love you and help you. You haven’t become delightfully impossible in all the ways you will eventually become delightfully impossible.

CANCER (June 21-July 22): By the time he became an elder, Cancerian artist David Hockney had enjoyed a long and brilliant career as a painter, primarily applying paint to canvases. Then, at age 72, he made a radical departure, generating artworks using iPhones and iPads. He loved how these digital media allowed him to instantly capture fleeting moments of beauty. His success with this alternate form of expression has been as great as his previous work. I encourage you to be as daring and innovative as Hockney. Your imaginative energy and creative powers are peaking. Take full advantage.

LEO (July 23-Aug. 22): In his “Letter from Birmingham Jail,” Black activist Martin Luther King Jr. wrote, “We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.” He was proclaiming a universal truth: Real courage is never just about personal glory. It’s about using your fire to help and illuminate others. You Leos are made to do this: to be bold not just for your own sake, but as a source of strength for your community. Your charisma and creativity can be precious resources for all those whose lives you touch. In the coming weeks, how will you wield them for mutual uplift? 

VIRGO (Aug. 23-Sept. 22): Who would have predicted that the first woman to climb Mount Everest would have three planets in Virgo? Japanese mountaineer Junko Tabei did it in 1975. To what did she attribute her success? She described herself not as fearless, but as “a person who never gives up.” I will note another key character trait: rebellious willfulness. In her time, women were discouraged from the sport. They were regarded as too fragile and impractical for rugged ascents. She defied all that. Let’s make her your inspirational role model, Virgo. Be persistent, resolute, indefatigable, and, if necessary, renegade.

LIBRA (Sept. 23-Oct. 22): Among the Mbuti people of the Congo, there’s no word for “thank you.” Gratitude is so foundational to their culture that it requires no special acknowledgment. It’s not singled out in moments of politeness; it’s a sweet ambient presence in the daily flux. I invite you to live like that for now, Libra. Practice feeling reverence and respect for every little thing that makes your life such an amazing gift. Feel your appreciation humming through ordinary moments like background music. I guarantee you that this experiment will boost the flow of gratitude-worthy experiences in your direction.

SCORPIO (Oct. 23-Nov. 21): Martin Luther King Jr. said that harnessing our pain and transforming it into wise love can change the world for the better. More than any other sign, Scorpio, you understand this mystery: how descent can lead to renewal, how darkness can awaken brilliance. It’s one of your birthrights to embody King’s militant tenderness: to take what has wounded you, alchemize it and make it into a force that heals others as well as yourself. You have the natural power to demonstrate that vulnerability and ferocity can coexist, that forgiveness can live alongside uncompromising truth. When you transmute your shadows into offerings of power, you confirm King’s conviction that “the arc of the moral universe is long, but it bends toward justice.”

SAGITTARIUS (Nov. 22-Dec. 21): Apophenia is the tendency to perceive meaningful patterns in seemingly random data. On the downside, it may cause a belief in delusional conspiracy theories. But it can also be a generator of life’s poetry, leading us to see faces in clouds, hear fateful messages in static and find key revelations in a horoscope. Psychologist C.G. Jung articulated another positive variation of the phenomenon. His concept of synchronicity refers to the occurrence of meaningful coincidences between internal psychological states and external events that feel deeply significant and even astounding to the person experiencing them. Synchronicities suggest there’s a mysterious underlying order in the universe, linking mind and matter in nonrational ways. In the coming weeks, Sagittarius, I suspect you will experience a slew of synchronicities and the good kind of apophenia.

CAPRICORN (Dec. 22-Jan. 19): Philosopher Alfred Korzybski coined the phrase “the map is not the territory.” In other words, your concepts about reality are not reality itself. Your idea of love is not love. Your theory about who you are is not who you are. It’s true that many maps are useful fictions. But when you forget they’re fiction, you’re lost even when you think you know where you are. Here’s the good news, Capricorn: In the weeks ahead, you are poised to see and understand the world exactly as it is—maybe more than ever before. Lean into this awesome opportunity.

AQUARIUS (Jan. 20-Feb. 18): Babies are born with about 300 bones, but adults have 206. Many of our first bones fuse with others. From one perspective, then, we begin our lives abundant with possibility and rich with redundancy. Then we solidify, becoming structurally sound but less flexible. Aging is a process of strategic sacrifice, necessary but not without loss. Please meditate on these facts as a metaphor for the decisions you face. The question isn’t whether to ripen and mature—that’s a given—but which growth will serve you and which will diminish you.

PISCES (Feb. 19-March 20): Beneath every thriving forest lies a lacework of mycelium. Through it, tree roots trade nourishment, warn each other of drought or illness, and make sure that young shoots benefit from elders’ reserves. Scientists call it the “wood-wide web.” Indigenous traditions have long understood the principle: Life flourishes when a vast communication network operates below the surface to foster care and collaboration. Take your cues from these themes, Pisces. Tend creatively to the web of connections that joins you to friends, collaborators and kindred spirits. Proceed with the faith that generosity multiplies pathways and invites good fortune to circulate freely. Offer what you can, knowing that the cycle of giving will find its way back to you.

This Bites: Tick Causes Red Meat Allergy

Alpha-gal syndrome is an allergy to red meat caused by tick bites. It is most commonly associated with the lone star tick, recently found as far from its usual range in the South as Martha’s Vineyard. Less widely reported is that California’s own western black-legged tick can also trigger the potentially fatal condition. 

Two years ago, Laura Hieb, a retired teacher from Jenner, learned about alpha-gal in the most dangerous way.

“I went to a July fourth party. Very upscale. The host bought delicious steaks for everyone,” Hieb said. “I came home around 10:30pm and around 1:30am became violently ill.” 

Alpha-gal is a sugar present both in the meat of most mammals, though not humans, and the saliva of certain ticks. When a tick bite elicits an immune response from its human victim with alpha-gal present in the wound, because it is foreign to them, their body learns to treat it as a threat, regardless of the source. Their next exposure to alpha-gal, whether from a tick or a steak, can cause hives, dizziness, vomiting and diarrhea, and in the most severe cases, swelling of the tongue, throat and airway.

“I was rapidly going into anaphylactic shock. I could not breathe; my throat was closing. And of course I was out here in Jenner all alone,” said Hieb, who luckily recognized the symptoms from previous allergic reactions and self-administered Benadryl. “I took maybe five and lay down and tried to focus on breathing. And I made it through.”

Unlike most allergic reactions which take effect almost immediately, AGS symptoms often occur several hours after exposure, complicating diagnosis, delaying or misdirecting treatment. This can also lead to repeated accidental exposures which some evidence suggest results in increasingly severe reactions.

Though the western black-legged tick is found in 56 out of 58 counties, confirmed AGS diagnoses in California are still relatively rare, so meaningful data on the risk-per-bite of developing AGS doesn’t yet exist. Cases as severe as Laura Hieb’s are rarer still. But for those unfortunate few, it is life changing. And so she worries others are being missed. 

After Hieb’s physician tested for all the known allergens she was exposed to at the party, to no avail, she solved the puzzle herself. “Within just days, I saw this article in AARP magazine about alpha-gal, so I called the allergist,” Hieb said. The detail that stood out to her was the delayed reaction, along with a tick bite on her back. But until she educated them, her care providers at Kaiser Permanente were completely unaware of the issue.

In fact, of 1,500 medical practitioners surveyed by the CDC, 42% had never heard of AGS and another 35% were not confident in their ability to diagnose or manage AGS patients.

Once AGS develops, lifestyle changes are the only preventative option to date. “I’ve had to change my diet completely,” Hieb said. “I had another scary incident eating at a restaurant because I didn’t realize there was bacon crumbled on my omelette… So now I carry an EpiPen.”

Avoiding alpha-gal is made all the more complicated since it can show up in unexpected places such as cosmetics and medications. Incidentally, it was an alpha-gal-containing cancer drug undergoing a clinical trial that tipped doctors off to the molecule’s deadly potential.

In 2004, a subset of patients receiving Cetuximab had severe allergic reactions on their first dose. Drug allergies usually build up over time. Meanwhile, doctors in the southeastern U.S. were seeing odd, delayed allergic reactions to red meat. University of Virginia allergist Dr. Thomas Platts-Mills and his team found alpha-gal antibodies common between both sets of patients and noted that many recalled tick bites. Further investigation confirmed that tick bites could trigger the same reaction as Cetuximab and that alpha-gal was the causal factor.

Not every tick bite results in a sensitivity to alpha-gal, and the risk is difficult to quantify since the majority of bites go unreported, the severity of AGS symptoms vary and awareness of the condition remains low. Depending on which study is cited, the rate of bites that result in some degree of alpha-gal sensitivity might be anywhere from 5.5–35%. 

Research from Germany, where native species of ticks also cause AGS, has shown rural communities to be 20 times as likely to develop the condition. In the same research, those repeatedly exposed to tick bites, like hunters and forestry workers, were at the highest risk of all, with some evidence suggesting an accumulative effect, but that is unconfirmed.

Low level alpha-gal sensitivity may go unnoticed and, since the most common symptom is gastrointestinal distress, intermediate cases are easily mislabeled as other enigmatic digestive issues like irritable bowel syndrome or Crohn’s disease. According to the Centers for Disease Control, more than 110,000 AGS diagnoses have been made in the United States since 2010. But the CDC’s research suggests that including undiagnosed cases would increase the number to as high as 450,000; if the lone star tick keeps expanding its range, a phenomenon attributed to climate change, they expect it to keep climbing.

The arrival of the lone star tick in affluent Martha’s Vineyard has caused a spike in awareness of AGS, increasing the likelihood of future resources dedicated to treating or curing the condition. But not everyone agrees that this is the desirable outcome.

Speaking on a panel at the 2016 World Science Festival, bioethicist Matthew Liao used tick-borne AGS as an example when describing methods for inducing behavioral changes in unwilling people for his interpretation of the greater good. 

This sentiment was echoed in a recent paper by medical ethicists Parker Crutchfield and Blake Hereth wherein they argue “that if eating meat is morally impermissible, then efforts to prevent the spread of tickborne AGS are also morally impermissible.” The two go on to conclude: “It is presently feasible to genetically edit the disease-carrying capacity of ticks. If this practice can be applied to ticks carrying AGS, then promoting the proliferation of tickborne AGS is morally obligatory.”

According to California State Parks information officer Adeline Yee, the best way to prevent all tickborne illnesses found in our state, whether AGS, Lyme disease or Rocky Mountain spotted fever, is to prevent tick bites from happening. 

Some tips include: Tuck pants into long socks while hiking. Walk in the middle of trails to avoid areas ticks enjoy, such as long grass or shady, moist underbrush. Be sure to check thoroughly for hitchhikers in gear and on the body. Enlist the help of a friend for hard to see places.

If one knows they might be around ticks, they may consider sealing pants at the ankles with duct tape and applying a layer sticky side out. That way, if they stumble across some of the pesky parasites, they will see them on the tape and know to check their body extra carefully. Should one slip through and manage to attach to their body, a loved one or a pet, proper and prompt removal can go some way to reducing the likelihood of an illness.

Collectively, our best defense is awareness. Awareness about ticks, about illnesses like AGS and awareness of fringe ethicists championing their weaponization in the name of utopia.

Raging Toxic Masculinity, ‘Macbeth’ Haunts Healdsburg

PSA: Children should not sit in the front row of an in-the-round Macbeth where the actors are conducting their story on top of the audience. Especially when said kids are waving to the actors and snickering at such lines as: “…spirits…unsex me here.” I can imagine how annoying it must feel to be deep in monologue while preadolescents squirm. 

Such was opening night of Shakespeare’s tragedy, presented by The Raven Players and directed by Steven David Martin. It runs at the Raven Performing Arts Theater in Healdsburg through Nov. 9. 

Much of the dark nuance of this haunting tale of the danger of unchecked power was replaced by a loud, stylized approach. 

The disadvantage of staging this show in such an intimate space was that errors proved more noticeable than if there was distance between the audience and the players. It also led to distracting sightlines.

Costumes (Jeanine Gray) suffered due to this close scrutiny. It’s hard to lose oneself in the supernatural when mysterious entities are wearing sweats, scrunchies and yoga pants.The odd purple rags and hoods weren’t evocative of much, and the hoods frequently tripped the actors up. 

The sound design (Dennis Whitaker), near constant, was assaultively loud and usually abruptly cut off, thus negating any illusionary hold.

Set design by Jenna Vera Dolcini with serpent iconography was intriguing, as was the use of orange paint for blood, a very physical witch ensemble and an eerie underscore.

Macbeth (Matthew Witthaus) stomped about the stage more concerned with his manly swagger than any of the events that were taking place in the play. If his choice was to make Macbeth a raging, petulant symbol of toxic masculinity, then Witthaus was quite effective. I hope this was the intention.

Katie Watts-Whitaker played Lady Macbeth as a true believer of prophecy, obsessed with power and cruelty; therefore, her downfall wasn’t as effective as it could have been if she’d layered the character more.

Subtle work came from Nicolas Augusta as the porter and Declan Hackett as MacDuff. Tamara Brooks as the second witch had a wonderful disturbing physicality. The choice of the three witches having an accompanying chorus of tortured souls was unique, but this construct sucked all the intensity from the Weird Sisters.

I applaud this ensemble for tackling one of the Bard’s most complex works with confidence. It’s the duty of artists to swing big, even if they miss.

‘Macbeth’ runs through Nov. 9 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Thu–Sat, 7:30pm; Sun, 2pm. $10–$25. 707.433.6335. raventheater.org.

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Alpha-gal syndrome is an allergy to red meat caused by tick bites. It is most commonly associated with the lone star tick, recently found as far from its usual range in the South as Martha’s Vineyard. Less widely reported is that California’s own western black-legged tick can also trigger the potentially fatal condition.  Two years ago, Laura Hieb, a retired...

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