Editorial

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Party Hearty

The national news media are reporting that many members of the newly created Reform Party–created Oct. 24 by followers of Ross Perot’s United We Stand America–are jumping on the Pat Buchanan bandwagon. But a cursory phone survey of local Reform Party members indicates that in the North Bay at least this pseudo-populist will have to look elsewhere for votes.

“Well, this one isn’t throwing her support behind Pat Buchanan,” laughs Barbara Enbody, a former Republican and ex-1st Congressional District coordinator for the Reform Party. “I’d always been a Republican and was a longtime supporter of that party. But in 1992, after Pat delivered his hateful message at the Republican National Convention, I decided that I would never–ever–be a Republican again. It was nothing but intolerance and divisiveness. I feel like he wants to take back hundreds of years to the burning of the witches of Salem.”

While the Reform Party–created in just a few short weeks after Perot poured $700,000 of his own money into an intensive petition drive–is not fielding a candidate of its own in the primary election, it’s a sure bet that Reform Party members will be courted heavily by Republican and Democratic hopefuls.

Clearly, that courtship will be difficult if major party candidates fail to take these feisty third-party activists seriously, since they are among the best-informed segment of the electorate. “The whole thing with United We Stand, the one test everything has to meet, is whether something is good for the country,” says Enbody, who is still undecided whom she will vote for in the upcoming election.

“One thing I will say, no matter what folks think of Ross Perot, he got a lot of us up off of our couch and paying attention to what’s going on. And for that the nation should be grateful.”

From the Feb. 28-Mar. 6, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Usual Suspects

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Usual Suspects

Gold Diggers, Cont.

The 5th Supervisorial District isn’t the only political race this March, but it does provide an unusual amount of column fodder. And if the ability to raise dough qualifies you to hold office (and statistics support that notion), we can already see the winners. But let’s not get too cynical. As reported earlier last month, the seven west county candidates have set a record-breaking pace when it comes to campaign contributions and raised slightly over $205,000. Former construction contractor Bill Dowd leads the pack, collecting $10,000 since Jan. 1 to bring his total to $69,388. His biggest single contributors of late are Freestone realtor Gene Walker ($671), Canyon Rock Co. Inc. of Forestville ($600), and Codding Enterprises of Santa Rosa ($599). Dowd’s closest competition in the cash department are attorney Eric Koenigshofer, who’s collected $45,779, including a bushel of cash from local lawyers, and Mike Reilly, holding down a close third with $44,765. Laurence Sterling, whose family owns Iron Horse Vineyards near Forestville, has raised $32,800. Gay rights activist Maddy Hirshfield clocks in with $13,006. Sebastopol businesswoman Shela Furze, who has been rather evasive about her Christian Coalition connections, has raised $8,484. . . . Winner of the Deadhead candidate award: Eric Koenigshofer who has not only reaped a fair amount of local wine industry money, but also picked up $500 from Grateful Dead drummer Mickey Hart and his attorney wife Caryl Orbach, as well as some CDs and books for a fundraising auction. And you thought we were avoiding the real issues.

Face Value

It’s a truism that name recognition is all-important in politics, but two local candidates are taking that a step further. Shela Furze and Holly Gustafson, probably the two least-known candidates in the crowded west county 5th District Supervisorial race, have sought to counter their lesser familiarity in the most graphic way possible–photographs of the candidates are featured on their campaign signs.

Sound of Silence

You didn’t think we’d hold an election in the 5th District without gender politics rearing its ugly head, did you? After learning that she would be appearing with just the other women candidates on KSRO, Gustafson blasted talk-show host Alan Stock for arranging an “all girls” panel on his morning program. The three women had been invited to appear on Thursday (coincidentally, the anniversary of the birth of women’s suffrage champion Susan B. Anthony), and the four men on Friday. Gustafson called the situation “inappropriate in this day and age.” Stock responded that the arrangement was purely coincidental and based on the availability of the candidates. He has said he was amused when he’d noticed the politically incorrect lineup but saw no reason to change it. Hey, Alan, what’s the sound of a hundred west county feminists’ radios tuning out KSRO? . . . Meanwhile, the most recognizable name in any race in the Democratic primary is looking a little different in the harsh light of the hustings. Former congressman turned Assembly candidate Doug Bosco appears to have embraced the Greco-Reagan method of tonsorial maintenance (as in Grecian Formula), even as his “message” harkens back to the quasi-progressive stances that first carried him to Sacramento back in 1978. Would that make him a dye-hard Democrat?

Flatliner

An upbeat, almost giddy gang of Democrats swarmed past tables piled with cooked crab at the party’s annual Sonoma County confab last Friday, and it only seemed as though the rash of candidates for various offices accounted for a majority of the several hundred faithful in attendance. Perhaps tapping the source of the positive vibrations, party wag Carol Ellis led the group in a pep rally-style chant of “Go, Pat, go” to cheer on GOP presidential spoiler Pat Buchanan. Later, featured speaker David Bonior, the House minority whip, succinctly characterized the four leading Republican presidential contenders (Steve Forbes, Buchanan, Lamar Alexander, and Bob Dole, respectively) as “flat tax, flat earth, flat wrong, and flattening out.” Rim shot.

From the Feb. 28-Mar. 6, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

1st Assembly District Campaign

Faceless First

A covey of newcomers seek a seat in the 1st State Assembly District

By Bruce Robinson

The 1st Assembly District is one of the biggest in the state, but that’s not why it has drawn such a large number of candidates this year. The combination of a departing incumbent, Dan Hauser, D-Arcata, and an unpredictable electorate has made the sprawling North Coast district an attractive target for a slew of opportunistic political hopefuls.

Eight candidates representing the two major parties appear on the March primary ballot, but only two of them have held elective office before: Republican Bonnie Neely, now in her third term as a Humboldt County supervisor, and former Democratic Assemblyman and ex-Rep. Doug Bosco of Sebastopol.

The rest of the field consists of labor attorney John Cumming of Eureka, mill worker Richard Marks of Samoa, business owner Karen Scott of Gualala, and teacher Virginia Strom-Martin of Duncan Mills, all Democrats; and accountant Steve Henricksen of Windsor and rancher Margie Handley of Willits, both Republicans.

No clear front-runner has yet emerged from either group, though Cumming–a relative unknown in the south portion of the district, has picked up crucial endorsements from former Rep. Dan Hamburg and the state Democratic Party.

In the crowded Democratic field, Bosco clearly is best known, but that’s not entirely to his advantage, given Bosco’s past leanings toward timber interests. “He has name recognition, but he’s going to have to work hard,” observes Gail Culverwell, chair of the Sonoma County Democratic Central Committee. “I see a great portion of that district being environmentally sensitive, and I would think that would be a cause for concern for Doug.”

Hauser, who has held the seat for the past 14 years, but is being forced by the new term-limits law to step down, says that Bosco has not done the political fence-mending necessary to rebuild support within the party. “A number of Democrats would blame Doug for [Dan] Hamburg’s defeat [in 1994], having wounded him in the primary,” Hauser observes, “and I would think the people who were mad at him in 1990 are madder at him now.”

That disaffection is implicit in the decision by the Democratic Party caucus to give its endorsement to Cumming, a party officer and labor lawyer from Eureka. “He’s the kind of guy who would do his homework and take care of business, a workmanlike type of person,” says longtime local Democratic activist David Thatcher. Thatcher sees Cumming’s lack of elective experience as a drawback, but commends him as an “aggressive campaigner.”

Education is the strong suit for Strom-Martin, a high school teacher with strong ties to the California Teachers Association. She has also won the endorsement of the National Women’s Political Caucus, but is not well known outside of western Sonoma County and the teachers’ union. Thatcher praises Strom-Martin as “an effective, well-informed, vocal leader,” but fears her base of support is too narrow for this sprawling district.

Scott and Marks are widely seen as also-rans with little support even in their home counties. Scott challenged Hauser in the 1994 primary, purportedly to gain name recognition for her run this year, but that move also annoyed others in the party. Thatcher dismisses Scott as “a ridiculous candidate” who even failed in her stated aim of earning recognition two years ago.

As for Marks, his positions in support of the timber industry and school vouchers and against same-sex marriages set him apart from the rest of the field. “He’s definitely marching to his own drummer,” says Culverwell.

On the Republican side, all three candidates appear better positioned to make a strong run. Margie Handley, the owner of a Willits paving company, is running for a third time, having fallen short in two previous campaigns for a state Senate seat. “Margie barely lost to Mike Thompson a couple of years ago. She ran a pretty positive campaign and I think most voters remember that still,” says Bill Gass, chairman of the Sonoma County Republican Central Committee.

Handley also boasts a sizable campaign war-chest, and while she draws significantly on her own financial resources, “I don’t think she’s using her own money to buy an office,” states Santa Rosa attorney Glenn Smith, a former GOP county Central Committee member. “I’ve never met anyone who wanted to be elected to office so much, without any agenda,” Smith says. “She just wants to go out there and do some good government.”

Windsor businessman Steve Henricksen, who worked as an organizer in Paul Kelly’s supervisorial campaign in the last election, “is the pick of the conservative Christian wing of the Central Committee, at least as far as Sonoma County is concerned,” Smith notes. Henricksen is a member of the county Central Committee and the Sonoma County Fair Board.

At the other end of the GOP spectrum is Neely, described by Hauser as “a pro-choice moderate” who would “probably be the most formidable of the Republicans” in the race. Well known in her home county, she is just beginning to mount a campaign presence in the southern portions of the district. She is also trailing Handley’s potent fundraising efforts by a reported 2-1 margin.

That is also a factor for the fragmented Democratic efforts, Hauser worries. “I think the Democrats are at a disadvantage because there hasn’t been the work done over the past two to three years over voter registration or laying the fundraising base it takes to run in this district,” he comments. He reports that the speculation in Sacramento is that Bosco “may win in the primary, because of the name recognition, but would certainly lose in the general because of the disaffected Democrats.”

From the GOP perspective, “I think there has been enough of a shift in the electorate to elect a moderate Republican,” Smith says, even though more than half of the district’s registered voters are listed as Democrats.

“If the right candidate surfaces after the primary with the right message, it’s likely that a lot of Democrats will cross over to support that candidate,” Gass concurs. But if he or she “is perceived as an ultra-right wing conservative, I don’t think that candidate has a chance.”

From the Feb. 28-Mar. 6, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team. &copy 1996 Metro Publishing and Virtual Valley, Inc.

Hate Crimes

Target: Hate

Coalition aims to halt hate crimes

By Bruce Robinson

“The whole idea is prevention, to bring people together before there’s a problem.” Maddy Hirsch-field, a highly visible lesbian activist and candidate for supervisor, is talking about the pending creation of a county Hate Crimes Coalition, a panel of citizens, law enforcement and court officials, and those who may at times be targets of discrimination, verbal abuse, or worse.

As chair of the Issues and Review Committee of the county’s Commission on Human Rights, Hirschfield helped sponsor a series of public forums on hate crimes in cities from Healdsburg to Guerneville to Petaluma. At each session, people were invited to recount their own experiences and impressions, and did so with sometimes painful candor.

At the last of the forums, held Feb. 15 in Petaluma, an 85-year-old Russian Jew recounted the indignities he had experienced through 74 years of life in the south county city. And it continues to this day, he told the small crowd at the Lucchesi Community Center. “I go to the senior center and I see these people, and many–not all, mind you–but a lot of them laugh; it’s nothing but jokes about niggers and Jews,” he says.

In the SRO gathering in Guerneville that began the forums last June, a wide cross-section of the community turned out, alarmed by the beating of a gay man as he exited a local bar a few weeks before.

“The whole community out here was upset over a rash of harassment and hate crimes,” says Bob Young, the Guerneville realtor who chairs the Human Rights panel and suggested the hate crimes activities.

Citing another incident in which a group of young male “rednecks” used highway cones to label the area outside a local resort as a “Homo-Free Zone,” Young adds that “it wasn’t just gay people reacting to this. It upsets the business community.”

But in most places, the problems are far less overt. Japanese Americans requested a forum in Sebastopol, but none came forward to discuss the subject. And if they are not discussed in informal forums, local human rights advocates say, it is easy to imagine how few incidents are actually reported to authorities.

In the first year that county officials tracked hate crimes in Sonoma County, from June 1994 to May 1995, slightly more than one per month was reported, according to Lt. Ernie Ballinger of the Sonoma County Sheriff’s Department. While state law calls for additional penalties in hate crime cases, “there has to be proof that the crime was motivated by hate against that person’s minority status. That’s hard to prove,” Hirschfield notes. “It’s almost as if the burden of proof is on the victim.”

That’s one reason that hate crimes tend to be widely underreported. Others include fear of retribution, and language barriers, especially among minorities. But another factor is often overlooked. “There’s a lot of shame involved,” Hirschfield explains. “You’re being attacked for one of the things you most innately are.”

The creation of the preventative coalition–which would report to the county Human Rights Commission–is seen as a means of countering some of those anxieties, as it can serve as a liaison between law enforcement officials and groups who feel targeted.

“The forming of a coalition will really support groups that are realizing they have to have more of an active role in the community around discrimination issues,” says Lorene Irizary, director of the county Office of Commissions.

The series of forums–attended by Deputy District Attorney David Dunn and representatives from the Sheriff’s Department, as well as local police chiefs–were “a revelation” to those unaware of the extent to which discrimination exists in the county, according to Irizary.

“The key to success for the planned coalition,” she adds, is “getting the right people in place. You want the people who can impact changes to be part of it, and you want the community to come forward.”

Once the coalition is active, it is assumed that the statistics will show a jump in hate crimes, owing to increased reporting, but Irizary anticipates another, quieter but more important result, too. “You want to create some change in the system, some empowering of communities to not feel so isolated around their differences and being targeted about their difference,” she says.

“One of the things that builds a sense of community is being able to problem-solve together.

“I see it impacting not just hate crimes, but discrimination issues. Hate crimes are the tip of the iceberg, the most violent end of the spectrum of discrimination.”

From the Feb. 28-Mar. 6, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team. &copy 1996 Metro Publishing and Virtual Valley, Inc.

Peter Calthorpe

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Man with a Plan

Architect Peter Calthorpe puts a new spin on North Bay growth

By Bruce Robinson

“We’ve got to rethink the American Dream,” suggests Peter Calthorpe. “That large lot, single-family home is less and less appropriate to who we are–economically, demographically, socially–and yet we haven’t completely changed that mode. When you begin to rethink that, and you realize we’re going to have more diverse neighborhoods, opportunities open up that perhaps weren’t present in previous dialogues.”

And that diversity is a key to creating neighborhoods and communities that bring people together, Calthorpe elaborates, as opposed to the conventional subdivision model of the past half-century. “I think the one-size-fits-all phenomenon has worked, not because we’re all the same, but because we all looked at our houses as investments, with an eye toward what’s going to resell,” .he says.

“Well, those days are over. Accelerated deprecation on housing is going to be a thing of the past, primarily because the baby boom is through the demand cycle. The second income, which made it possible for people to come in and spend so much for houses, has been absorbed into the price structure. Those two things–more money and more demand–have crested, and you’re not gong to see incredible returns on your investment in the house. So that means people are gong to pick housing that’s much closer to their needs, less as an investment and more as a home, which then means it’s going to be more diverse, which I think is a very healthy thing.

“The tragedy of the last 30 years is that subdivisions create micro-neighborhoods, but they don’t create full neighborhoods–places where there is a diversity of housing, there are walkable destinations, recreation, and shops as well as housing, schools. Very simple things, but things we tend to be missing when we go at it one subdivision at a time.”

An architect and urban planner who has won international recognition for his people- and pedestrian-oriented concepts, such as “pocket parks,” Calthorpe is outlining his ideas at an elongated hexagonal table inside the airy new office he designed inside a whitewashed cinderblock warehouse near the freeway in Berkeley. Even as he has relocated from Sausalito to within bicycling distance of his university area home, he is preparing to apply his ideas to Sonoma and Marin counties.

Calthorpe has been hired to conduct a $400,000 “Intermodal Transportation and Land Use Study” for the two neighboring counties that is being paid for with “Caltrans money that can only be used for studies,” notes Petaluma Supervisor Jim Harberson. The end result is intended to “marry together transportation and land use in a comprehensive plan,” Harberson says. “I’m hoping that minimally we get some agreement and support from various factions in Sonoma and Marin about improving the freeway and get some consensus about what to do with the railroad.”

Unlike the previous 101 Corridor Action Study, Calthorpe’s work is expected to yield some recommended changes in the two counties’ General Plans, which Harberson predicts will be controversial. “I think some people who envision this as a way of helping slow down growth in Sonoma County may be disappointed when the results come out,” Harberson says. “It could wind up being a blueprint for growth in Sonoma County.”

Calthorpe, however, is not forecasting such sweeping consequences from his work. “The question of fair-share affordable housing, the question of jobs-housing balance, those are bi-county questions, very political questions,” he notes. “At best, we’ll be able to give people a different kind of language to talk about those questions. At worst, we’ll just have to throw up our hands and say people have been bloodied enough between the two counties and are probably not going to move very far.”

Recognizing the high value both counties place on open space and agriculture, the professorial planner expects that “infill” development strategies–construction of so-called mother-in-law apartments and other second-units–may be a major part of the plan when it is completed early next year. “Everybody thinks there is a direct linkage between density, affordability, and transit. Those three things go together,” he explains. “We just built a neighborhood down in Mountain View that is single-family detached [homes] and they’re 12 units per acre. They’re three times the traditional density, but they have all the attributes except for the large yard, and there are a lot of families who don’t want the large yard any more.

“All of a sudden, you’ve got a form of affordable housing that isn’t an apartment complex, you’ve got a form a density that isn’t a three-story sore thumb, and all of a sudden, maybe neighborhoods can accept more diversity in their housing stock. And that changes the issues around affordability and around transit.”

It also changes the implications of growth, which Calthorpe suggests should be weighed on a neighborhood-by-neighborhood basis. “Lets take this specific neighborhood and say, ‘What happens when you add this number of units, or this much commercial or retail?’ People can see that growth can repair their neighborhood, that that growth can actually make their neighborhood better. They’re so use to growth equaling degradation that they’ve forgotten that if we got back to some real human-scaled urban design, this growth can actually make our community better.

Instead of a big strip commercial center out there on the main street, we can have a mixed-use neighborhood village center that’s walkable, that’s comfortable, that’s interesting, that’s not dominated by parking lots and traffic.

“The moment they see that, they get a different attitude about the numbers and towards the idea of infill.”

These ideas have already gotten some play in Windsor, where Calthorpe helped draft the Community Design section of the new town’s first General Plan. “The most important thing we tried to do is help the city see itself as a series of neighborhoods, not as a series of zoning classifications,” he explains. “We tried to work with them to see how those neighborhoods could be fashioned, not only out of the new growth, but perhaps even out of some of the existing growth.”

And does Calthorpe agree with critics of the proposed Windsor Wal-Mart that the superstore would ravage some of those carefully designated neighborhoods? Not really. “It’s no secret I think it’s destructive,” he responds. “But short of real regional cooperation, there’s really nothing to be done. I can’t fault them, because the alternative is to still have the negative impacts of Wal-Mart, just in the next town. We had a concept where Wal-Mart could have gone into the old town center, believe it or not, if they’d have been willing to put their parking on the roof.

“Of course, Wal-Mart wasn’t interested because they don’t want to deviate from the norm. But there are ways, you see.”

From the Feb. 15-21, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Costume Bank

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Cape Crusaders

Non-profit Costume Bank supplies the sartorially challenged

By Zack Stentz

I love costumes. I mean, I really love costumes. Ever since I can remember, I’ve been captivated by the transformative powers of wearing strange clothing. Captain Kirk, the Grim Reaper, an FBI agent (I know, a redundancy)–I’ve been them all. As a child, I was lucky enough to have indulgent hippie parents who let me wear my Puff the Blue Kitten Halloween costume to school every day until mid-December, by which time the foam-filled tail had nearly fallen off and the eyeliner pencil used daily to apply my whiskers had worn down to the nub. To this day, All Hallows’ eve remains my favorite holiday.

But since no 12-step groups for compulsive costume wearers exists (“I’m Zack, and I’ve been a costume wearer for 21 years.” “Hi, Zack.”), I’ve come instead to the Costume Bank, where they understand my peculiar passion.

They’re not costuming 12-steppers, but they are definitely addicted to costumes. Check out the Greater Bay Area Costumer’s Guild to network with costume fanatics from Sonoma to Santa Cruz, as well as find more costuming resources locally and on the web.

Started in 1989, the non-profit Costume Bank supplies Sonoma County theaters, schools, churches, and other groups with an inexpensive supply of costumes for their every theatrical need. “We’ve gotten 40 new clients within the last year alone,” says executive director Karen Simon, who co-founded the Costume Bank with the late Bill Sherman, a theater arts professor at Sonoma State University.

The bank is currently located in the back of Simon’s Sebastopol home, but is rapidly outgrowing its current facility. “We’re in desperate need of a new space,” she says. “The roof leaks and we’ve used up all the space in here. What we really need is for someone to donate about 2,000 square feet of space somewhere in the county.”

In the current location, literally thousands of costumes hang from densely packed racks, grouped loosely by historical era. The outfits span the centuries, from Roman and biblical wear–“we supply a lot of church plays”–through Elizabethan attire and on up to the styles of the present day. Near one wall sit several sewing machines used to repair old costumes and construct new ones.

The collection has accumulated over the years through donations from individuals and defunct theater groups, and expands each time Simon and her volunteers are called upon to supply a new play. Simon is particularly eager to fill in the gaps in the bank’s collection, which she identifies as early 20th century, Restoration era, and Dickensian. “We get the most requests for 1930s and ’40s costumes; then comes the Victorian era,” says Simon. “And last summer we did the costumes for two Shakespeare plays, which kept us busy.”

The Costume Bank is also kept busy by Petaluma’s Cinnabar Theater. “We’ve used them for every play we’ve done in the last year and a half,” says Cinnabar wardrobe mistress Jerrie Patterson. “By providing an inexpensive source of costumes to non-profit theaters like us, they let us stretch our resources in a way we couldn’t before. They’re a tremendous resource to the community.”

But being a community resource by supplying costumes below cost doesn’t come easy, and the bank’s board of directors is searching for ways to put the enterprise on firmer financial ground. “It’s tough for us right now,” admits Simon. “We’re very dependent on grant money to operate, and that’s difficult to come by.”

“Fundraising is a big priority,” agrees Pamela Haystrom, who in her capacity as Sonoma State University costume designer often works with the Costume Bank and sits on its board of directors. “We really want to be able to be more accessible to the public.”

This is all quite interesting, but I’m beginning to get fidgety. The Roman centurion breastplates on the wall, no doubt worn by Christ-tormentors in some long-forgotten passion play, the conquistador helmets from Man of La Mancha, and Rumanian army headgear from Mad Forest hanging from the ceiling, they beckon me.

Finally, I pop the question. “Can I try one on?” I plead, knowing the Costume Bank’s policy of not loaning costumes to individuals.

“OK,” Simon answers generously. “What would you like?”

“I don’t care. Anything weird.”

Simon nods and sends her teenage daughter into an adjoining storage room. She soon returns, bearing a silver lamé jumpsuit garish enough to make late-period Elvis cringe. “It was the costume for Judas in Jesus Christ Superstar,” Simon explains helpfully.

I disappear into the changing area, and within moments I’m no longer a mild-mannered reporter, but David Bowie circa 1972, lacking only a guitar and the Spiders from Mars to be ready for the stage.

“Very nice,” Simon says. Her daughter rolls her eyes.

But despite her willingness to indulge me, it’s clear Simon’s costume passion differs from mine in one respect. “I love making them, but I don’t really like to wear costumes very much,” she says, and explains that she gets much more joy out of supplying others with their sartorial needs and using the costumes as a window to provide history lessons on the eras they represent.

So after resisting the temptation to belt out a chorus of “I Don’t Know How to Love Him,” I return the outfit. It just wouldn’t do for the bank to break its policy for one person. And besides, lamé itches.

For more information about the Costume Bank, write to P.O. Box 1524, Sebastopol, CA 95473, or call 824-1201.

From the Feb. 15-21, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
Copyright &copy 1996 Metro Publishing and Virtual Valley, Inc.

‘Beautiful Girls’

Snow Job

‘Beautiful Girls’ not a pretty sight

By Richard von Busack

Elements always create a mood on screen. The sea represents untamed nature, the rain signifies sorrow, sunshine means passion. Snow always represents hominess, roots, those good, solid, old-fashioned values that seem to be eluding most of us somehow.

Tim (nephew of Jonathan) Demme’s Beautiful Girls takes place somewhere between Boston and Chicago in a snowy small town, and in fact the main characters work as snow-plowers. The movie isn’t about girls, beautiful or otherwise. It is instead about men as a tribe, about our lack of willingness to settle down, and to stay settled once we’ve committed. The men in Beautiful Girls are lured to trifling with women, but are eventually set straight, as if by the hand of God; Moe, the most reprehensible of the bunch, is even put in his place by a 13-year-old girl.

Like The Brothers McMullen, Beautiful Girls takes the serious matter of men’s fears of relationships and makes it the subject of unfunny satire. And no matter how strongly it endorses the goodness and rightness of men settling down to be dads, it, like The Brothers McMullen, portrays women as strange, even dangerous creatures: probably unknowable, decidedly unlikable.

In the lead, Matt Dillon is a ex-high school “legend”–legendary lover, the film seems to suggest. His name is Tommy aka “Birdman,” and he can’t choose between two women he’s seeing: either the one who is meant by the director to be right for him (Mira Sorvino, in full-bore Shelly Winters whine) or the reckless married woman who still wants him.

In from Boston on a visit is another member of the gang, Timothy Hutton, a lounge piano-player about to get a real job and settle down with his girlfriend Tracy back east. Spoiling for a final fling, Hutton also finds himself drawn to two different girls, Alieta (Uma Thurman), who is also visiting her relatives, and his dad’s neighbor girl Marty, an almost supernaturally precocious and flirtatious 13-year-old. This potentially illegal liaison is the sole bit of spice in the movie, but the flirtation with the underage girl is kept light and rather twittery. Too bad, because it was a chance for some heartfelt scenes instead of situation comedy; to a 13-year-old, life is high tragedy. For comedy relief there’s coarse Moe (Michael Rappaport), Dillon’s partner on the snow plow, a Joe Sixpack with centerfolds taped to his wall. Moe has lost his girlfriend (Martha Plimpton) from waiting too long to give her a ring and some babies.

Of the large cast, Dillon is easily the best; he’s an actor who can do more with tripe than a Spanish chef, and he’s also the best-looking character in the film. Too bad he has to play his last scenes covered with bruises (beaten up by an enraged husband; let it be a lesson to us all).

The moralistic qualities of Beautiful Girls are complemented by its awkward script. Screenwriter Scott Rosenberg writes in a lot of different voices, but they all come out the same, whether little girl or beery reprobate. And he’s florid: “You don’t like this boozy after-hours musician banter,” says Hutton to Thurman right before offering to “pepper your belly with baby kisses.”

Thurman’s an almost allegorical character in Beautiful Girls. She seems to represent the spirit of monogamy, come to tempt the cast but ultimately to remind them to be faithful. She vanishes as mysteriously as she arrived. Equally inexplicable is an atrocious feminist scene, with Rosie O’Donnell lecturing Dillon and Rappaport about their idealization of Penthouse pets, much in the same tone as when she earlier warned a woman she’d get cobwebs in her womb if she didn’t land a man. In the lecture scene, O’Donnell tells the men to get used to her, because she is what a real woman looks like. No wonder they seek out fantasy–O’Donnell isn’t ugly, but nobody’s attractive when they’re braying.

But then everyone in Beautiful Girls looks as if they have a touch of the flu. Maybe they’re pouring absinthe at that folksy bar the characters all hang out at, as if waiting to enact a beer commercial. Everyone is distinctly green-tinted, or maybe it’s light reflected from the moss on the script. Beautiful Girls is the cinematic equivalent of spinach, in which the sincerity is piled as high as the snowdrifts.

From the Feb. 15-21, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Dr. Reinhold Aman

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Rude Words

Santa Rosa professor is the ‘Noah Webster of verbal aggression’

By David Templeton

“This is the first interview I’ve given in five years,” smiles Dr. Reinhold Aman, ushering me into his book-lined, box-filled Santa Rosa home. “I’m a private person. I don’t seek the spotlight.” During our chat, he is soft-spoken and grandfatherly, his voice barely more than a whisper. He chuckles often. “And of course,” he adds with a grin, “I’ve been in prison.”

Now, there’s a line that could either start a conversation or stop it cold. “I’m not ashamed of it,” he says. “I committed no crime. I was just trying to get rid of a horrible judge and a slimebag lawyer, and I stepped on one too many legal dicks.”

Dr. Aman is the one-time professor of medieval literature who became an editorial force of nature with his eye-opening book series Maledicta: The International Journal of Verbal Aggression. With subscribers in nearly every nation on the planet, and with such fans as Stanley Kubrick and George Carlin to sing his praises, Aman has carved out a singular reputation as the world’s most scholarly dirty old man.

Once called the “Noah Webster of verbal aggression” by the Chicago Tribune, Aman has long known the explosive nature of words. But even he was surprised when his colorfully titled, self-published pamphlet Legal Scumbags of Wisconsin was interpreted by a grand jury as constituting a physical threat against that aforementioned judge, who had ruled unfavorably against him when Aman lived in Wisconsin. Aman was threatened with 25 years in jail and ended up serving 22 months.

“So I went to jail for using language a little too effectively,” he says, laughing. “And now I can call myself a ‘jolly good felon.’ One thing the establishment can’t handle is honesty. They say, ‘Tell the truth, and the truth will set you free.’ But in Hungary there is a much better saying. ‘Tell the truth and they will smash your head in!'”

Aman has spent the months since his release reorganizing his publishing business and preparing for the release of Maledicta 11 (Santa Rosa: Maledicta Press [P.O. Box 14123, Santa Rosa, CA 95402], 1996; $15) and the compendium volume Opus Maledictorum: A Book of Bad Words (New York: Marlow & Co., 1996; $14.95).

Maledicta 11 is the long-awaited follow-up to Maledicta 10 (published in 1990), and is being snapped up by long-deprived fans. Opening with Aman’s scathingly angry (and very funny) “Open Letter to Janet Reno,” the mail-order book contains dozens of short works on the etymology and social impact of everything from bathroom graffiti and dirty jokes to racial slurs and blasphemies.

Opus Maledictorum is a mesmerizing sampling of essays previously published in the journal. An excellent starting point for newcomers to the often-shocking world of verbal aggression, the collection contains such vocabulary-building essays as “Elementary Russian Obscenity,” “A Taxonomy of the Provenance of Metaphorical Terms of Abuse,” “I Wanna Hot Dog for My Roll: Suggestive Song Titles,” and “Tom, Dick and Hairy: Notes on Genital Pet Names.” Most of the contributors hold Ph.D.s and enjoy international academic respect in their fields. Authors include Dr. Rasmus Fog, Lois Monteiro, filmmaker John Hughes, and Aman himself, who writes with clear, scholarly efficiency while displaying a fondness for puns and a sharp, salty sense of humor.

“Most of my work does not deal with obscenity as such, with sex and scatology and all that,” Aman explains, when asked what would drive a kindly old gentleman to peruse dictionaries all day in the search for dirty words. “Obscenity is less than 2 percent of what I do. I’m interested in verbal aggression. Anything negative. Unfortunately, it’s the vulgarity that gets all the attention. If I never have to write about ‘fuck,’ ‘shit,’ and cocksucker’ again, I’m happy. But I record it all honestly.

“White Anglo-Saxon Protestant mentality is very uptight when it comes to sex and excrement, body parts and bodily functions. The American ‘dirty dozen,’ those words that are supposedly so scandalous, are extremely boring. If you want colorful insults, both the clean ones and the really nasty ones, you have to look to other cultures. I’ve done research in about 220 languages, and I’ve heard just about everything you can think of.”

Some examples, perhaps?

“Well, in Thailand,” he complies, “they might say, ‘Talking to you is like playing a violin to a water buffalo.’ What a beautiful image. Some of the best are Yiddish insults. They are very clever. ‘May you inherit three ships of gold and may it not be enough to pay your doctors’ bills.’

“In Spain and the other Catholic countries, they use a lot of blasphemy, in the same way we might use body parts. Sometimes the two cultures merge and you hear something like ‘By the 24 balls of the 12 apostles of Christ!’ Other cultures might use family members in their insults. One insult I heard from a Muslim Gypsy was, ‘I fuck the soul of your dead mother!'” Aman grins. “That one combines everything, doesn’t it? I get goosebumps!”

He goes on to discuss the novelty of animal affronts, listing such insulting comparisons as ‘snake,’ ‘rat, and ‘barracuda.’ “That last one is a good insult for a lawyer,” he deadpans.

“All of these words are very powerful,” he continues. “I read a story in the newspaper recently. There was a guy who was robbing a bank in San Francisco. Now if he had just walked up to the teller and said, ‘Give me all the money,’ she would have given it to him and he would have taken off. But he said, ‘Give me all the fuckin’ money!’ and this elderly bank teller was so upset that he had used that word . . . she took the till and hit him over the head with it. The cops came and took him away.

“This is something I know firsthand,” he laughs. “I used a few words like that, and look what happened to me.”

From the Feb. 15-21, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Keith Walker

Grain of Truth

Keith Walker
A Trail of Corn: A True Mystery
Santa Rosa: Golden Door Press, 1995; $24.95

Reviewed by David Templeton

Newspaperman Keith Walker’s A Trail of Corn: A True Mystery is a surprisingly fast read for a book over 750 pages long. Presented as a fact-filled non-fictional exploration of the details surrounding the celebrated 1955 murder trial of convicted murderer Burton Abbott, Corn is as compelling, as exciting, as captivating as any of the best-selling law operas of Scott Turow or John Grisham.

Beginning with a sensational cliffhanger, as lawyers work desperately for a literal last-minute stay of execution, the book weaves hundreds of meticulous facts with fascinating dialogues re-created from the notes and descriptions of all the parties involved.

The controversial murder case involved a 14-year-old Berkeley girl whose body was discovered buried near the Trinity County cabin of Alameda resident Burton Abbott–who, during a high-profile trial and a media frenzy foreshadowing the juice eventually squeezed from Simpson–was accused, convicted, and sentenced to die. The term “trail of corn” was used by the district attorney to describe the evidence that lead the police to Abbott.

The crime, the trial, and its aftermath are investigated here in minute detail, evidence of Walker’s 35-year journalistic quest to unearth the truth about the murder, exposing hundreds of errors and mistakes on both sides of the case. Walker, a Santa Rosa resident, makes his own case with style and passion, pointing out the inherent unfairnesses that often arise within the American criminal-justice system. A Trail of Corn is a spellbinding piece of work.

From the Feb. 15-21, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

Terry Ehret

Woman with Book

Terry Ehret sets the still lives of Picasso’s portraits free

By Gretchen Giles

“I had heard of it because people had talked about getting a Nimrod, and it sounded like something painful,” laughs Terry Ehret. Sitting relaxed on the couch of her Petaluma home, this poet and SRJC English instructor is discussing her work and the October surprise of winning the literary magazine Nimrod‘s Pablo Neruda Prize for poetry, one of the most prestigious awards in the aerie of the written word.

Initially urged by a writing friend to submit her efforts to the journal, Ehret–who has published two volumes of poems, Suspensions and Lost Body–gathered up a sheath of poems entitled The Thought She Might: Picasso Portraits and sent them out “with a wing and a prayer.” Ehret found out a week late that she had made it to the final round of competition, her youngest daughter having misplaced the mail behind the fish tank. And the night before she received final notification that the title and the $1,000 award were hers, her eldest daughter dreamt that she had won.

Now Ehret hopes that her daughter will dream of an NEA grant.

Motherhood and feminism equally inform Ehret’s work. Through the demands of her three daughters and her many part-time positions–in addition to her responsibilities at the JC, she teaches at San Francisco State and is an active member of the California Poets in the Schools program–Ehret has learned how to write in snatches, up on the couch late into the evening, hidden away in the early morning hours in her study, or scribbling away longhand in the car on family camping trips.

“I have to say that I’ve nurtured in myself the ability to incorporate distraction into my work,” Ehret says, smiling, “whereas before I used to filter it out. I used to get frustrated and angry–which is unfair to my children. It means letting go some of the ego control, of this-is-what-I-am, but it’s probably a more honest reflection of what my life is like. In the long run, I’m happier to have let that distraction in than trying to shut it out. “

As a writer whose immersion in the emerging feminist criticism of the early ’80s helped shape her as an academic, Ehret is inextricably entwined in the experience of the female. Accordingly, when she began to tackle Picasso’s cubist images, prompted by a portrait of a woman reading that hangs in her study, her work centered around his portraits of women.

“I have a real love affair with Picasso as an artist,” Ehret says, “and I like to do in language what he did visually on the canvas. So I was really trying to steal his thunder; I was trying to get his energy and his dismantling and reassembling of the world. I wanted to see what he was seeing when I entered these paintings. At the same time, I wanted to hear what these women had to say, because I don’t know how much opportunity they had to speak to Picasso in a way that he could hear them. I wanted to hear how they would talk about how it feels to be reassembled by someone as powerful in terms of his vision and his influence as Picasso. I was getting the women to speak to me at the same time as I was trying to get as close as I could to Picasso’s visual technique in the language.”

While Ehret may admire the late artist’s technique, his personality leaves her less enthused. “I admire him so much, but–God, he was terrible!” she laughs. “He was also extraordinary. What I think is terrifying is that since ‘the artist as hero’ idea has existed–from the Renaissance on–male artists have gotten away with being really shitty people. For a woman to disregard her children, to emotionally abuse her spouse for the sake of her art . . . she would be labeled a monster. I mean, look at what’s happened to Anne Sexton, she’s been torn apart.

“Art is not to be excused, it’s just not,” Ehret states emphatically. “At the same time, there is such a vulnerablitiy that I see when I really spend time with [Picasso’s] work. The artist himself comes across as very vulnerable, and I’m interested when I can come across that transparency and there is so much tenderness and revulsion there.

“That’s what gets me, that’s what draws me back again and again, because I want to get to that point where I can sense how he could feel both things about his subject, and how it is for that subject to be regarded with both tenderness and revulsion.

“And yes,” she smiles, “there are women who have been equally unpleasant human beings, but in the long run, I’d rather be a decent human being and be happy with my art.”

Terry Ehret will give a slide show and poetry reading froÏm her The Thought She Might series on April 15 at noon. Santa Rosa Junior College, Newman Auditorium, 1501 Mendocino Ave. Free. 527-4372.

From the Feb. 15-21, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
&copy 1996 Metro Publishing and Virtual Valley, Inc.

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