Culture Crush

0

Santa Rosa + Other Locations

Indie Film Festival

Lights, camera action as the eighth annual AVFest returns, in person for the first time since 2019. A film festival that originated from a collaboration to promote film between Cloverdale and Healdsburg, AVfest regularly showcases and hosts new emerging talent from around the world, and provides an opportunity for the community to gather together, appreciate film and connect with one another. This year, the festival starts with feature film Calendar Girls, a documentary centered around retired Florida dancers, in support of the natural and gracefully aging woman. There will be an accompanying Block Party opening night, on First Street in Cloverdale. AVFest is all over, with events in Cloverdale, Windsor, Healdsburg and a new expansion into Santa Rosa at Lost Church, with a Live@LostChurch screening featuring upcoming Asian-American filmmaker H.P. Mendoza, who Buzzfeed has referred to as one of 28 Asian-American filmmakers to watch. There are multiple screenings in multiple locations; visit avfilmpresents.org for all event details. Live@LostChurch is Friday, May 6, at Lost Church, 427 Mendocino Ave., Santa Rosa. Doors open at 7pm; event starts at 7:30pm. Individual tickets $25, student tickets $5. www.avfilmpresents.org 

Oakland

Dream Pop/Folk

Kalinders is the music project of Sonoma County-raised, Oakland-based singer/songwriter Holly Tzeigon-Whitaker. Kalinders has a dreamy folk meets pop sound, built from Tzeigon-Whitaker’s years of playing on her own and reflecting on her sound while spending time living on a goat farm in Sebastopol. In Fall 2021, Kalinders recorded their debut singles, Convenient Hell and Evidence Now, at White Whale Studios in Santa Rosa, with additional support from Maryam Qudus at New, Improved Studios in Oakland. Convenient Hell dropped this Friday, accompanied by a music video available on YouTube. Kalinders, Mac Cornish & Ha Vay will play at Amado’s San Francisco, 998 Valencia St., San Francisco, Thursday, June 2, at 7pm. Tickets are $15 in advance and $20 at the door. www.amadossf.com

Healdsburg

Sip n’ Sculpt

This weekend, celebrate International Sculpture Day in Healdsburg at Savor Sonoma Sculpture with nine Sonoma County sculptors and their artworks. Hosted by the T Barny Gallery & Sculpture Gardens, this event invites you to savor local sculpture in stone, wood, bronze, fabricated metals, bone, ceramics and electronic parts. According to T Barny, “The idea of bringing nine Sonoma County sculptors together creates a feast for the senses. To ‘savor’ sculpture, you need to see it, touch it…” The T Barny Gallery & Sculpture Gardens are the home of sculpture T Barny, who has been creating with stone for over 40 years, and has taught stone carving in California, Kansas, Washington and New Mexico. His sentiment around sculpture is informed by over four decades of relationship with the craft. Along with his staff, which includes several very reliable dogs, he curates a significant selection of work. Savor Sonoma Sculpture will be held at T Barny Gallery & Sculpture Gardens, 4370 Pine Flat Rd., Healdsburg. Event is 9am-4pm Saturday, April 30 and Sunday, May 1 and is free. www.sonomacounty.com

Sonoma

Catskills Comes West

Presented by Sonoma Arts Live and directed by Jaime Weiser Love and Larry Williams, with musical direction by Sherrill Peterson, Saturday Night at Grossinger’s is a representation of the once-glorious 1,200 acre resort—complete with its own post office and airstrip—frequented by artists, writers and actors from New York City. The stage is set on a Saturday night in the early ’60s in the Catskills. When the regularly scheduled stars don’t show up to entertain the full house, the founders of Grossinger’s Resort gather around to share how it all happened—how the Catskills came to be the East Coast entertainment retreat. This kind-of-true tale of fame, fortune and fun is an excellent activity for a Saturday night. Saturday Night at Grossinger’s is playing at the Rotary Stage in Andrews Hall, Sonoma Community Center, 276 E Napa St., Sonoma. Showtime 7:30pm April 30, with other times available through May 8. Tickets range from $25-$42. www.app.arts-people.com 

—Jane Vick

Astrology – April 27, 2022

ARIES (March 21-April 19): I recommend you adopt a limitation that will enable you to claim more freedom. For example, you could de-emphasize your involvement with a lukewarm dream, so as to liberate time and energy for a passionate one. Or you could minimize your fascination with a certain negative emotion to make more room for invigorating ones. Any other ideas? You’re in a phase when increased discipline and discernment can be liberating.

TAURUS (April 20-May 20): “Imagining anything is the first step toward creating it,” wrote author and activist Gloria Steinem. “Believing in a true self is what allows a true self to be born,” she added. Those are excellent meditations for you to focus on right now, Taurus. The time is ripe for you to envision in detail a specific new situation or adventure you would like to manifest in the future. It’s also a perfect moment to picture a truer, deeper, more robust version of your beautiful self—an expanded version of your identity that you hope to give birth to in the coming months.

GEMINI (May 21-June 20): Gemini author William Butler Yeats won a Nobel Prize for Literature, so I conclude he had considerable talent and wisdom. But he cultivated interests and ideas that were at variance with most other literary figures. For example, he believed fairies are real. He was a student of occult magic. Two of his books were dictated by spirits during séances. In the coming weeks, I invite you to draw inspiration from his versatile repertoire. Welcome knowledge in whatever unusual ways it might materialize. Be eager to accept power and inspiration wherever they are offered. For inspiration, here’s a Yeats’ quote: “I have observed dreams and visions very carefully, and am certain that the imagination has some way of lighting on the truth that reason has not, and that its commandments, delivered when the body is still and the reason silent, are the most binding we can ever know.”

CANCER (June 21-July 22): You know what’s always good for your well-being? It’s helping people who are less fortunate and privileged than you. To enhance your health, you can also fight bigotry, campaign against the abuse of animals and remedy damage to the natural world. If you carry out tasks like these in the coming weeks, you will boost your vigor and vitality even more than usual. You may be amazed at the power of your compassion to generate selfish benefits for yourself. Working on behalf of others will uplift and nurture you. To further motivate you, here are inspirational words from designer Santiago Bautista: “I am in love with all the gifts of the world, and especially those destined for others to enjoy.”

LEO (July 23-Aug. 22): “There is a moment in each day that Satan cannot find,” wrote author and artist William Blake. Here’s how I interpret his poetic words: On a regular basis, you become relatively immune from the debilitating effects of melancholy, apathy and fear. At those times, you are blessed with the freedom to be exactly who you want to be. You can satisfy your soul completely. In the next six weeks, I suspect there will be more of these interludes for you than usual. How do you plan to use your exalted respite from Satan’s nagging?

VIRGO (Aug. 23-Sept. 22): Poet Louis Little Coon Oliver (1904–1991) was a member of the indigenous Mvskoke people. He declared, “I do not waste what is wild.” That might mean something different for him than what it would mean for you, but it’s an excellent principle for you to work with in the coming weeks. You will have more access than usual to wildness, and you might be tempted to use it casually or recklessly. I hope that instead you harness all that raw mojo with precision and grace. Amazingly, being disciplined in your use of the wildness will ensure that it enriches you to the max and generates potent transformative energy.

LIBRA (Sept. 23-Oct. 22): I suspect you will have the skills of an acrobat in the coming weeks—at least metaphorically. You will be psychically nimble. Your soul will have an exceptional ability to carry out spry maneuvers that keep you sane and sound. Even more than usual, you will have the power to adjust on the fly and adapt to shifting circumstances. People you know may marvel at your lithe flexibility. They will compliment you for your classiness under pressure. But I suspect the feats you accomplish may feel surprisingly easy and breezy!

SCORPIO (Oct. 23-Nov. 21): A Tumblr blogger named Af-70 gives copious advice. From his wide selection of wise counsel, I have selected six tips that are right for your needs in the coming weeks. Please study the following counsel. 1. “Real feelings don’t change fast.” 2. “Connect deeply or not at all.” 3. “Build a relationship in which you and your ally can be active in each other’s growth.” 4. “Sometimes what you get is better than what you wanted.” 5. “Enjoy the space between where you are and where you are going.” 6. “Keep it real with me, even if it makes us tremble and shimmer.”

SAGITTARIUS (Nov. 22-Dec. 21): Consider putting a sign on your door or a message on your social media that says something like the following: “I’ve still got some healing to do. While I’m making progress, I’m only part way there. Am open to your suggestions, practical tips and suggestions for cures I don’t know about.” Though the process is as yet incomplete, Sagittarius, I am proud of how diligent and resourceful you have been in seeking corrections and fixes. My only suggestions: 1. Be bold about seeking help and support. 2. Be aggressive about accessing your creativity. Expand your imagination about what might be therapeutic.

CAPRICORN (Dec. 22-Jan. 19): “To uncover what is hidden in my soul might take me a week or two,” my friend Allie told me. I told her she would be lucky if her brave and challenging exploration required such a short time. In contrast, some people I know have spent years trying to find what is buried and lost in their souls: me, for instance. There was one period of my life when I sought for over a decade to find and identify the missing treasure. According to my astrological analysis, you will soon enjoy multiple discoveries and revelations that will be more like Allie’s timeline than mine: relatively rapid and complete. Get ready! Be alert!

AQUARIUS (Jan. 20-Feb. 18): A Thai cook named Nattapong Kaweenuntawong has a unique method for cooking the soup served in his Bangkok restaurant. At the end of each night, he saves the broth for use the next day. He has been doing that daily for 45 years. Theoretically, there may be molecules of noodles that were originally thrown in the pot back in 1977. In accordance with current astrological omens, I urge you to dream up a new tradition that borrows from his approach. What experience could you begin soon that would benefit you for years to come?

PISCES (Feb. 19-March 20): Pisces-born Casimir Pulaski (1745–1779) was a Polish nobleman and military commander. As a young man, he fought unsuccessfully to free Poland from Russian domination. Driven into exile, he fled to America, arriving during the Revolutionary War with Britain in 1777. General George Washington was impressed with Pulaski’s skills, making the immigrant a brigadier general. He distinguished himself as a leader of American forces, exhibiting brilliance and bravery. For that excellence, he has been honored. But now, over two centuries later, his identity is in flux. DNA analyses of Pulaski’s remains suggest he was an intersex person with both male and female qualities. (Read more: tinyurl.com/PulaskiSmithsonian.) I bring this to your attention, Pisces, because the coming months will be a favorable time to question and revise your understanding of your identity. May you be inspired by Pulaski’s evolving distinctiveness.

Exquisite Guest – Andrei Codrescu returns to Occidental

0

By Mark Fernquest

Long ago, when I was a youngster in the 1980s, my bookish older brother brought home an unusual literary magazine he’d scored at City Lights Bookstore in San Francisco. It was narrow and long, this lit mag, made of stapled white paper with no real cover, and absolutely packed with avant-garde poetry and experimental prose. It was called Exquisite Corpse: a Journal of Books and Ideas.

At that time all I knew was that in a stultifyingly plastic and soulless time and place, Exquisite Corpse was a literary magazine of notable content and quality, one that superseded my own intellectual ability to fully understand. That situation never actually changed, for what it’s worth— I remain perpetually unable to grasp all cutting-edge intellectual content—but I found out many years later that the experimental lit rag was the brain-child of an internationally famous man named Andrei Codrescu.

Codrescu—American-Romanian poet, novelist, NPR commentator and one-time local Monte Rio resident (1973–1977)—immigrated to the United States in 1966 and proceeded to take the literary world by storm, writing more than 20 books, including two due out later this year, as he rotated through various cities and locales around the country. He also achieved some high degree of notoriety and fame by accruing several literary awards, including the Ovid Prize for Poetry and—twice—the Pushcart Prize, and by publishing work in The New York Times, the Chicago Tribune, the Los Angeles Times, Harper’s and The Paris Review.

Many not-quite-so-bookish people will recognize Codrescu from NPR’s All Things Considered, where he has been a commentator since 1983 and where many of his essays are now stored in a digital archive. He has also taught poetry and literature at Johns Hopkins University, Louisiana State University and the University of Baltimore.

The New York Times has called Codrescu “one of our most magical writers,” while Lawrence Ferlinghetti said he “creates a craving for the subversive.” It is safe to say that Codrescu has worn numerous creative and intellectual hats during his dynamic lifetime, all of them culture-changing. His latest books, a poetry collection, Too Late for Nightmares, and a fantasy fiction novel, Meat from the Goldrush, are both slated for publication this fall.

Next Thursday, May 5, at 7pm, Codrescu will return to his one-time home in West County to roil the air with a solo poetry reading at our very own Occidental Center for the Arts. Be forewarned: This one-night stand will comprise the entirety of his California tour. Refreshments will be provided and books will be available for purchase. Tickets, which are limited in number, are available for $25 for general admission and $20 for OCA members. To mark the occasion, ticket-holders will receive a poem by Andrei Codrescu in a limited handset letterpress broadside edition of 100, designed and printed by Pat Nolan and Eric Johnson at North Bay Letterpress Arts.

As for my brother’s mid-1980s copy of Exquisite Corpse, it ended up in my possession and now resides somewhere in one of my 40 boxes of books. If I can mine it out by Thursday, I’ll flash it from my seat in the OCA and see if I can get it signed during Codrescu’s brief stopover in our tiny, but magical, corner of the world.

Occidental Center for the Arts. 3850 Doris Murphy Ct., Occidental. 707.874.9392. www.occidentalcenterforthearts.org

North Bay Cities Implement Drought Restrictions and Plan for the Future

The ground was wet from a light rain on a recent afternoon drive through Dry Creek Valley below Lake Sonoma. Passing the endless rows of green vineyards that cloak the valley, it appeared as though water was plentiful here. 

However, this is not so. Pulling up to a look-out beside Lake Sonoma, the water sat 30 feet below the tree line, a stark marker of how parched the lake is.

Warm Springs Dam, which created Lake Sonoma in 1984, was built to control flooding in Dry Creek Valley. Today, it provides water to 600,000 residents of Sonoma and Marin County and is the largest recreational lake in the North Bay. 

However, Lake Sonoma is currently only at 58% of its total capacity, the lowest April water level ever recorded. 

In 2021, according to the National Oceanic and Atmospheric Association, although Sonoma County had below average rainfall and many called it the driest year on record, Lake Sonoma still sat at 62% capacity.

“This time of year, we’re [usually] seeing Lake Sonoma anywhere [around] 80 plus percent,” said Brad Sherwood, assistant general manager of Sonoma Water.  

“Because of winter storms, it’s pretty full by this time of year,” Sherwood explained.

Although storms in December 2021 swelled water supplies, Sonoma County then experienced one of the hottest and driest Januarys on record. This, coupled with little rain in February and March, greatly reduced the water supply of Lake Sonoma. 

The problems didn’t start this year, however. The past dry years are still affecting Lake Sonoma and Sonoma’s water supply at large.

“When we’re looking at Lake Sonoma, it is a multi-year water supply,”  Santa Rosa Water Department director, Jennifer Burke, said. “We’re really looking at trying to save as much water as possible so that we can get to and through another dry year if that were to come.”

With lower water levels in Lake Sonoma and elsewhere across the Russian River Watershed beginning to strain resources, many municipalities that depend on this water are beginning to reintroduce drought restrictions. Windsor, Rohnert Park and Santa Rosa are requiring residents, businesses and public agencies to reduce water use by 20% from 2020 levels. In Marin, where some towns receive water from Lake Sonoma, the Marin Municipal Water District has mandated a 40% reduction of water use across the county. 

North Bay governments aren’t the only ones implementing new constraints. This January, the state of California reintroduced water restrictions to ensure that water conservation is maintained as a high priority across the state. While these restrictions are less straightforward  than local mandates, they make it clear that the drought is a great concern at the state level as well.

For many water agencies, water is usually pumped out of a reservoir and then passed to a water treatment facility, where it is filtered several times. After that, it is treated with chlorine and other chemicals to ensure it is potable. The water from Lake Sonoma is cleaned with a more natural approach. 

“We’re not like your average water agency,” Sherwood said.

Take the Sonoma Water’s water-cleaning process as an example. The agency pumps water from Lake Sonoma to Dry Creek below the reservoir which then flows into the Russian River. From there, the water is filtered through the Russian River’s naturally-occurring sands and gravels, cleansing the water using the ground itself.

After this, the water is treated with chlorine, and the acidity is adjusted to ensure no bacteria or viruses have contaminated it.

Now, the agency is experimenting in order to better survive periods of drought. 

“We’re seeing more droughts, more often,” Burke said. “As we continue to look at the modeling and climate change impacts, we are probably going to see more of this increase in frequency.”

This means that residents need to start using water less. These mandatory reductions are created to ensure this occurs. If a household or business were to use too much water to irrigate over a prolonged period of time, government agencies might issue citations or even shut off an offender’s water. 

Luckily, according to Sherwood, Sonoma County is well prepared to conserve water, because  droughts are so common in the region.

Sonoma County is “using less water than we were 20 years ago… Our community is very conservation minded,” Sherwood said. “But at the same time, you’ve got less water to squeeze out of the sponge, right?”

While residents and businesses across Sonoma should reduce their water consumption, agencies and cities are also looking to new solutions to the growing threat of climate change driven droughts. 

One option Santa Rosa is considering is groundwater recharge. This involves studying parts of the city where officials could pump water into the ground for backup storage to use in hotter and drier months. 

Sonoma Water is currently doing something similar in the Santa Rosa Plain. After installing a promising groundwater storage project in 2019, Sonoma Water decided to expand the project by storing water from heavy winter storms in the Santa Rosa Plain for use in the summer. This new groundwater system effectively raises the water table, making pumping from a well easier. When fully implemented, it will expand the groundwater system storage capacity. This plan is currently in its second stage, awaiting assessments that will ensure the safety of the project.

The Santa Rosa Plain Project is similar to proposed ideas by the Coho Partnership, spearheaded by Sonoma County resident and watershed expert, Brock Dolman. In addition to benefiting humans, increasing groundwater reserves is critical for fish in North Bay rivers and creeks, since many species, including coho salmon, need groundwater-fed streams in order to thrive. 

However, Dolmand said, more of these alternative water source projects are needed in order to better cohabitate with native wildlife.

While these projects have proven effective, government agencies need to invest more heavily in them to meet the challenges of the day, according to Dolmand.

“We have all the solutions we need all laid out and proven—now is the time to push them out towards greater actualization at meaningful scales from ridge to river to reef,” Dolman said.

Another tool Sonoma Water hopes to use in the coming years, provided they receive the necessary grants, is called FIRO, or Forecast Improved Reservoir Operations. Using weather modeling, FIRO helps interpret when is best to pump water out of the reservoir. Effectively this system, based on scientific observations rather than antiquated bureaucratic rules, ensures more water security in a watershed.

Over eight years ago, FIRO was put in place as an experiment in Lake Mendocino (another essential water source for Sonoma County), and, according to Sherwood, the complex tool has “tremendously saved water” in Mendocino in the past two years. 

As a result, Sonoma County officials plan to use FIRO in Lake Sonoma in the next two years. 

While options are plentiful in regards to water security in Sonoma, it is only an ever increasing issue as the climate crisis grips the North Bay and the rest of the planet. Looking out to the damp landscape across the reflection of Lake Sonoma, a lake built originally to prevent flooding, it is clear the county is in the midst of a great shift to a drier, hotter, more severe climate.

High Horizons: The Future of Cannabis

4/20 is the cannabis enthusiast’s equivalent of Easter, Earth Day and the Super Bowl all rolled into one big fatty. But have you ever heard of 421?

421 Group is a business consultancy based in Sebastopol with a focus, as its name suggests, on what’s next in cannabis. A few years ago, when I was—full disclosure—a strategy consultant for 421, the focus was on designing new companies and getting them through the new and evolving permitting processes at the state and local level. 

With the legal cannabis industry in a bit of a freefall over the last year, despite the obvious uptick in cannabis consumption, I reached out to my old buddy, 421 Group partner and COO Johnny Nolen, to find out what is next in cannabis innovation?

THC vs Entourage

With the concept of THC—the chemical abbreviation of the main psychoactive component of cannabis—rising to the center of collective stoner consciousness in the last decade, something has been left behind. It is called the entourage effect and comes from metabolizing THC in conjunction with other cannabinoids. 

“[Suddenly] it’s, ‘Oh shit. We took all the good stuff out,’” said Nolen, reflecting on the ongoing trend of higher and higher THC percentages. “You don’t have the same robust, wonderful full mind-body-spirit euphoria high from 99% THC…THC does one thing. It’s the whole, you know, pile of stuff that makes the different highs really interesting and enjoyable.”

Now the trend is heading in the opposite direction. Products like “live rosins [are] bringing more of the plant in,” said Nolen. Even though they have lower percentages in terms of THC, these ”broad spectrum oils, which are less refined and less distilled, [are bringing] more of [the full experience] back,” he continued. 

Trend summary: Cannabis has always been more than THC. Let weed be weed.

Nanotechnology: Not just for supervillains anymore.

Nolen’s other venture, which shares talent and DNA with 421 Group, is the Resourcery, a white label manufacturer and distributor. Have a dispensary and want your own brand of vapes? Cultivator looking to increase your margins with value-adding extractions? If so, check out the Resourcery.

“Personally, [one thing] I get really excited about when I experience it as a consumer is nano-emulsion of ingredients into edibles and tinctures,” said Nolen, before describing the process, which is more and more in demand for Resourcery’s clients.

“The delivery [of nanoemulsion cannabinoids] is so much more effective and efficient,” enthused Nolen. “It’ll go through the skin of your mouth. [They are] tiny, tiny little particles.”

This is totally different from the old-school space brownie, “Delta 11, Alice in Wonderland, edible 14 hours kind of experience,” laughed Nolen. “With the nano, it starts absorbing into your bloodstream as soon as it hits your tongue. [And] once it’s in your bloodstream, it’s like you vaped. [A] two to five minute onset for most of them, [with] a shorter [duration] of like two hours, like vaping.” 

This sounds good to me, since I have found myself too often at 7pm realizing it’s suddenly too late for my gummy. Said Nolen, “So you don’t have that, ‘Oh boy, man I got to go to work tomorrow and I want to get a little high, but I don’t want to be high for the whole rest of my life.”

More recently, the Resourcery team has launched Phytomagic, a new brand that adds technology upgrades to some long-loved west county Sonoma herbal infused cannabis tinctures, including those known as Granny Jane’s (maker of this writer’s anniversary night to-go, “Pan-nabis”). These tinctures, based on those classic formulas, now use the nano-emulsion tech to get you perfect quickly.  

“I think [nano will] be the standard within five years,” said Nolen. “Nobody’s gonna put straight distillate into their edibles anymore [now that] we realize we could have it this way.”

“Super exciting. I was just taste testing them, so full disclosure: all non-THC, but I have eaten a lot of herbal tinctures today,” smiled Nolen, cheeks possibly a little rosey over Zoom. “Lots of skullcap and lemon balm and ginger going on here. It’s warm and fuzzy and weird.”

Trend summary: Timing is everything. Soon you won’t need to pass a jay to get high together.

Economic Crunch

Cannabis is having a true renaissance in products, use-cases and technology. And legalization means one thing more than any other: that people are not being thrown in jail for providing the flower to those in need.

“I think we’re going to see that necessity is the mother of invention, [and] from this crucible of stress, the companies that do survive are going to really come up, really bloom,” said Nolen. Expect cannabis brands to “come out with a real strong core identity, and a real strong direction for where they’re headed after it settles back down,” he added.

“So to what do you attribute the economic pressures, the industry crisis?” I asked. 

“You know, some people are talking about how we’re now feeling the impact of the lack of cannabis tourism in California, and that an enormous amount of California’s cannabis industry actually came from people from out-of-state, coming in either to smoke pot on their vacation while they’re in this wonderful place or also just smoking pot while they’re on vacation,” said Nolen. In fact, tourism numbers throughout the U.S. have continued to drop even as recently as the first quarter of 2022, according to independent research by the website Destination Analysts.

“Some of the dispensaries have talked about as much as a 50% drop in sales,” said Nolen. “You know we can’t really parse out what’s [lost tourism], what’s increased competition as more licenses are issued or what. But that’s, you know, that’s drastic for an established dispensary to drop by 50%.”

“Another theory around, [and] it’s either interesting or hysterical in a sensationalist way, is that some cannabis companies are intentionally taking the Amazon approach of disruption, where they are bringing in millions of dollars of funding for the sole reason to bottom out prices to choke out smaller operators, [so] they [can] be [eating] up more of the percentage of the market, you know?” confided Nolen. 

That approach is definitely worrisome for a homegrown industry like cannabis, which has thrived by staying integrated with the communities it grows out of, whether Sonoma, Mendocino or Oakland. Communities have always grown and sold their own.

The Amazon model, like Walmart, is to undercut competition not just to increase market share, but to become the market.

That leads to “the real dark sort of like ‘cannabis noir,’ like foreboding, and everything is terrible, and all-the-characters-have-a-sad-ending kind of look at things,” said Nolen. “Of course, it’s feasible, a hundred percent feasible. I mean, Amazon did it in real life, in front of everyone, and no one said anything about it. People who have solar panels on their house still shop at Amazon every day,” he pointed out. 

Meanwhile Nolen said he has “known farmers that were selling their pounds for the value of the cultivation tax, basically plus like 10 bucks. So they’re making $10 in profit on the pound after the cultivation tax went through.”

Trend summary: It’s dark right now. Vote with your dollars to support the local experience you love.

What About Marin?

I asked Nolen what is going to happen next in Marin, if anything, ever.

“I don’t know. I’m not gonna hold my breath, I mean I’ve been in the industry for almost 20 years, and [all that time] I’ve been waiting for Marin County to become reasonable about cannabis,” Nolen said. If Marin is worried about crime and safety, Nolen pointed out, “Having safe, secure, intentional, tested cannabis available for your citizens is the safest route by far.” Meanwhile, Marin “residents are going to other jurisdictions to get this experience,” and taking their dollars with them.

Trend summary: Marin, the origin of “420” but really nothing else to do with cannabis, stays off the map.

PG&E Settles Wildfire Cases With $55 Million Deal

For better or worse, California’s largest utility company is here to stay.

Last year, Sonoma County District Attorney Jill Ravitch’s office filed numerous charges against PG&E stemming from damage caused by the October 2019 Kincade Fire, which burned over 77,000 acres over 15 days, triggering the evacuation of over 200,000 North Bay residents. In 2020, CalFire determined that the fire was caused by PG&E’s equipment, however the company was committed to fighting the criminal charges brought by Ravitch’s office.

Then, on Monday, April 11, Ravitch announced she had reached a deal to end her case against PG&E, northern California’s massive, investor-owned utility with a lengthy criminal record. 

The utility agreed to a pay out and oversight, with no admission of guilt. In exchange, Ravitch dropped criminal charges against the company. On the same day, prosecutors in five counties affected by the 2021 Dixie Fire also announced similar agreements with PG&E. 

Under the agreements, PG&E will pay $35 million to a variety of nonprofits in the fire-impacted communities over the next five years. They will also hire 80-100 additional PG&E workers in Sonoma County and provide funding for the Santa Rosa Junior College’s Fire Technology Program and a new utility vegetation management training program.

Most importantly, according to Ravitch, PG&E will be placed under court oversight and pay for an independent company to monitor the company’s wildfire safety work in Sonoma County. All told, the settlements announced are expected to cost PG&E $55 million over the next five years.

While acknowledging the deal would be criticized as inadequate, Ravitch said it was the “best we could [do] under the circumstances,” with the current laws on the books. Ravitch argued that settling now led to a higher payout from the company and would allow fire victims to close their insurance claims sooner.

In a statement following the announcement of the settlements, PG&E CEO Patti Poppe said “We respect the leadership of the local DAs, welcome the new level of transparency and accountability afforded by these agreements, and look forward to working together for the benefit of the communities we collectively serve.” 

All of this seems mighty familiar.

In January, PG&E was allowed to exit federal probation for its role in the 2010 gas line explosion in San Bruno which killed eight people. Judge William Alsup, who supervised the company through its five-year probation period, penned an eight-page statement about the United States Attorney’s decision not to request an extension of the probation period, despite signs that the company would “emerge from probation as a continuing menace to California.”

“While on probation, PG&E has set at least 31 wildfires, burned nearly one and one-half million acres, burned 23,956 structures, and killed 113 Californians,” Alsup wrote.

In March, the California State Auditor released a report finding that the state’s oversight of utilities’ wildfire safety work has been severely lacking. The report found that utilities are not doing fire safety work fast enough in high-risk areas and the California Public Utilities Commision, which regulates PG&E, “has not used its authority to penalize utilities when its audits uncover violations” in utilities’ wildfire mitigation work. 

With so much public animosity towards PG&E and evidence that state regulators aren’t doing enough to keep the company in check, Ravitch did not have an enviable job. 

In an effort to explain her decision making, she compared her settlement to previous wildfire cases involving PG&E and called out the decisions of other Californian politicians. 

At one point, Ravitch compared her decision to reach a financial settlement with the outcome of the criminal case in Butte County following the November 2018 Camp Fire. In that case, PG&E pled guilty to 84 counts of involuntary manslaughter and paid a $3.5 million fine. 

“Is [the settlement] perfect? Absolutely not. But I was not going to end up like [District Attorney] Mike Ramsey up in Butte County listening to the CEO admit responsibility for 84 deaths and then simply paying a fine and walking away. That was not justice in my opinion,” Ravitch said.

Still, the latest $55 million settlement is a small cost for PG&E. In fiscal year 2021, PG&E reported annual revenues of nearly $21 billion. Patricia Poppe, the company’s fifth CEO in five years, was paid $51.2 million in 2021, mostly in stock options.

And, Ravitch’s decision to drop charges before a full trial means that some evidence about the PG&E’s role in starting the fire may never become public.

During the press conference, Ravitch, who is retiring after her current term, also critiqued other public officials, including Governor Gavin Newsom, the state legislature, and state Attorney General Rob Bonta.

“I’m just a prosecutor in Sonoma County. I mean, if I had a magic wand and I could wave it, maybe PG&E wouldn’t exist anymore. But Governor Newsom has decided that PG&E is going to continue. So we’re going to continue to deal with PG&E in our community and this is the best way we could find to deal with PG&E and whatever impact their actions will have on us going forward,” Ravitch said, apparently referring to the Newsom’s decision not to take the company public in 2019 while it’s stock price plummeted.

Next on the docket was the state legislature. Ravitch suggested that, if lawmakers strengthened the penalties for utilities failing to complete required work, local prosecutors could more effectively hold the company accountable with larger fines or place PG&E under probation without the company’s agreement, an option that Ravitch says is not currently possible.

Ravitch also called out the top prosecutor in the state, Attorney General Rob Bonta. Bonta’s office, Ravitch said, had not offered any assistance to the local prosecutors facing off against PG&E. Why Bonta’s office did not help isn’t clear, however, it seems that Ravitch never actually reached out and directly asked for help. Instead, she was expecting Bonta to proactively offer assistance.

“In the past, if the attorney general has an interest in a case, the attorney general will step in and take it over and I think it’s fair to say that didn’t happen here. And it should (have) in my opinion,” Ravitch said at the April 11 press conference. When asked about this, a spokesperson for Bonta told a Marketplace reporter that Ravitch never specifically requested assistance.

No matter who is ultimately to blame—Spoiler: It’s a systemic issue—the latest settlement won’t solve all of PG&E’s problems overnight.

In his January letter, Judge Alsup estimated that it will take PG&E at least another seven years to adequately clean up all of the hazardous trees and vegetation in its coverage area, after neglecting to complete the legally-required work for decades.

Flea Look – Chelsea NY’s Artists; Fleas Market in Marin County

0

Good morning, my darlings! How is everyone getting along with Wednesday? As this is now apparently a half travel half fashion column, I’ll update you on my location—Chicago, which is freezing and gray and a stark change from the balmy 72 degrees and gently swaying palm trees of Los Angeles. Take me back! I’m here for my brother’s senior art show however, and tremendously proud. He’s a gifted artist and one of my favorite human beings, so I’ll take the somber ambiance. It’s a mood anyway; I can get with it. Thrilled to report that when next I take a look at Look, it will be from the well-lit and art-covered nest of my home office. Hooray for homecomings!

To this week’s fashion affair. Is anyone familiar with the New York based market, Artists & Fleas? Prepare to be, because they’re coast hopping and can be found this week at none other than the Marin Country Mart in Larkspur, CA! Think The Barlow’s Way Out West Market, but with an NY flair. Quelle rêve!

Marin Country Mart has had an open air shopping vibe since 1975 and reps a collection of organic eateries, boutique fitness and wellness spots, independent boutiques and myriad events, all situated around a central courtyard overlooking the Bay. Very European.

Artists & Fleas is the flea marketer/thrifter/local buyer’s fantasy—vintage, hand tie-dyed surf ware, crocheted bikinis, handmade sustainable jewelry and more can be found here. So many cute and unique options will add a level of inspiration and intrigue to any outfit.

Don’t miss the looks, the vibe and the fun! Head to Marin Country Mart’s Artists & Fleas Market this weekend. Revel in the California sun—do it for me; I miss it! For info and times, go to marincountymart.com or @artistsandfleas + @marincountrymart instagram.

Looking phenomenal, everyone. See you next week!

Love,

Jane

 
Jane Vick is an artist and writer currently based in Oakland. She splits her time between Europe, New York and New Mexico. View her work and contact her at janevick.com.

Trivia

0

1 California’s toughest maximum-security prison has what birdlike name?

2 What’s the current year, in Roman numerals?

3 British Queen Elizabeth II was born in London on April 21 of what year, whose digits add up to 18?

4 Cats have whiskers not only on their face and head, but also where on their bodies, and for what beneficial purpose?

5 After the American Civil War, 15,000 freed slaves left the United States to live in what African country?

6 Who was the first vice president in the U.S.?

7a. Today’s Russia was previously known as the USSR, an abbreviation for what 4-5-word name?

7b. The USSR existed for about how many years?

8a. This past year’s popular movie, Belfast, won a number of awards. In what country is the city of Belfast located?

8b. What world-famous singer/songwriter and former Marin Country resident was born in Belfast?

8c. The Academy Award-winning Best Picture from 2002 had a one-word title, the name of a large city, but not Belfast. What was the title of this Best Picture?

9a. What is the scientific name for the North Star?

9b. Seven of the stars in the constellation Ursa Major form what grouping, named for a household product?

10 At 16,066 ft, the Vinson Massif is the highest mountain peak in what continent?

BONUS QUESTION: In 2010, 24-year-old Georgia Boscolo, of Venice, Italy, became the first woman to hold which profession, ending 900 years of male dominance in this field.

Have a great question? Send it in with your name and hometown, and if we use it, we’ll give you credit.  ho*****@********fe.com.

ANSWERS:

1 Pelican Bay, in Del Norte County

2 MMXXII

3 1926

4 On the back of lower front legs–used for navigation, sensing movement and position

5 Liberia (whose capital is Monrovia, named after the U.S. president)

6 John Adams, who served under George Washington

7a. Union of Soviet Socialist Republics

7b. About 70 years, from 1922 until 1991

8a. Northern Ireland

8b. Van Morrison (whose music is featured in the movie)

8c. Chicago

9a. Polaris, also called polar star or polestar

9b. Big Dipper

10 Antarctica, about 700 miles from the South Pole

BONUS ANSWER: She became the first woman to pilot a gondola on the canals of Venice, the first gondoliera, after 400 hours of training and practice.

Maternal strife staged at Cinnabar

Playwriting is often a form of artistic exorcism. Many a play has been written to bring a form of closure to unresolved conflicts, strained relationships or traumatic experiences, and to release the hold that personal demons have on their authors. For playwright Edward Albee (Who’s Afraid of Virginia Woolf?), that demon happened to be his adoptive mother. Three Tall Women, Albee’s two-act exorcism, is running at Petaluma’s Cinnabar Theater through April 24.

It’s a four-character piece in which names are never spoken. The program lists them only as “A,” “B,” “C” and “The Young Man.” A (Laura Jorgensen) is a woman of 92, though she’ll only admit to being 91. B (Amanda Vitiello) is her caretaker, and C (Tiffani Lisieux) is a young lawyer assigned to assist in managing her financial affairs. A is in failing health, both physically and mentally. She struggles with incontinence, has short term memory problems and is extremely argumentative. B is used to A’s behavior, but it’s C’s first visit, and she has little patience for A and her accusations of theft and mismanagement. After a lengthy conversation about A’s past that’s full of the casual racism and homophobia that comes with privilege, A retires to her bed, where she suffers a stroke.

When the curtain rises on the second act, A is still in her bed. B and C enter the room dressed in beautiful evening wear. Then A walks in and joins them. The conversation begins again, and within a short while one realizes that all three are in actuality one person. B and C are now A at younger stages in her life, and they have questions to ask and things to say to each other. This is never more so than when The Young Man (Jean Colin-Cameron) appears.

Director Michael Fontaine has an excellent cast up to the challenge of not only playing multiple roles, but playing the same role as well. The contrast between the characters portrayed in the first act and the character portrayed in the second is striking, with Vitiello in particular having to do a 180.

While there are laughs in the show, it is by no means a comedy. I actually found the audience’s reaction to some of A’s bigoted epithets a little disconcerting.

That’s no fault of the artists, though, all of whom should stand tall for their work here.

‘Three Tall Women’ runs through Apr. 24 at Cinnabar Theater, 3333 Petaluma Blvd. N., Petaluma. Fri–Sat, 7:30pm; Sun, 2pm. $25–$35. Proof of Covid vaccination and masks required to attend. 707.763.8920. cinnabartheater.org

Prestige Play: Local playwright David Templeton honored

“To be a or not to be a playwright” has crossed the mind of more than a few scribes. For Petaluma’s resident playwright, David Templeton, a recent accolade affirms that writing for the stage has indeed been the right choice.

Templeton was recently honored by the 2022 Harold and Mimi Steinberg/American Theatre Critics Association (ATCA) New Play Award and Citations for his play Galatea—a sci-fi think piece that is by turns comedic, heartrending and ultimately cathartic. The citation for the work (which our own theater critic called “Excellent”) came with a sizable cash prize. What follows is a Q&A with the playwright.

What does a recognition of this caliber mean to you as a playwright? I’d imagine it is extremely validating. How have you kept alive the faith and drive to create throughout your career, which just seems to get better every year?

David Templeton: It means a lot, and I’m deeply honored by it and grateful for it. It means, I’d like to think, that I’m writing plays and telling stories that people are excited about, that are engaging enough and unusual enough to inspire people to talk about them, and remember them and, in this case, nominate them for national playwriting awards. As you point out, I’ve been doing this for a while now, and this is by far the most significant validation I’ve received. As for how I’ve kept the momentum going, I think it’s a combination of inspiration and stubbornness. I have ideas for new stories all the time, and when one really grabs me, the way the core idea of Galatea did, that’s the spark of inspiration I need to start writing it, and when the writing goes well, each new discovery I make as I tap away at my laptop seems to inspire more ideas and more discoveries. It’s kind of intoxicating.

Why plays? You’ve written prose and journalism of all sorts but what keeps bringing you back to the stage? 

DT: I’m not sure I have a clear answer why. I just love the theater, the way stories on stage are often told through dialogue and conversation rather than primarily action. That feels magical to me. The first professional play I ever saw on stage, when I was 9 years old, was James Baldwin’s “Blues For Mister Charlie,” in Los Angeles in 1969. It was produced by a friend of my mom, and she was involved in doing box office and publicity and stuff for it. I actually was brought along to rehearsals, some of them held outdoors by the director’s pool. I’d sit there mesmerized as they ran lines, some of which were pretty scathing and eye-opening to a 9-year-old. Then I saw at least three performances of the play, and spent a lot of time with the actors during that period. I imagine that experience gave me a sense of the power of theater that was strong enough to stay with me as I’ve dabbled in other forms of writing, which I also love. But theater will always carry a special spark of magic for me.

I think it’s fascinating how you take an ancient art form and, with Galatea, use it to explore the future. From where do you summon the inspiration and courage to push the boundaries of the stage into genres like sci-fi?

DT: I love all kinds of genres, and I never want to write the same play twice. Though “Mary Shelley’s Body” has science-fiction-adjacent themes, it’s more of a straight-ahead horror story with touches of gothic romance. So though I’ve written science fiction short stories, “Galatea” really is my first science-fiction play. I think the fact that it’s done so rarely on stage is part of the appeal because I really do want to bring something new to the stage every time I tackle a play. Once I had envisioned the key ideas at the heart of the play, which came from questions I started playing with about robots and everyone’s assumptions that synthetic life forms would inevitably view themselves as superior to humans, I felt obligated to see the project through, because as far I know, some of the things I explore here have never been done exactly like this. That’s pretty exciting, and for me, it fueled the long effort of creating something as complicated as a science-fiction play. 

How has being a theater critic and culture writer informed your creative pursuits?

DT: I was a reviewer for 16 years. That’s at least one play a weekend, often more, for 52 weeks a year for over a decade and a half. I estimate that I’ve seen between 1,000 and 1,500 plays on stage. That’s quite an education. I’ve seen so many new plays that basically do nothing original. I think that adds to my drive to always tell a story in an original way, or bring something new to a familiar set-up. In “Drumming with Anubis,” I loved the idea of incorporating an actual drumming circle around a campfire and then introducing characters who at first might seem like stereotypes, but quickly shred the audience’s assumptions about these guys and what they’re about. In my next play, the plot incorporates competitive jigsaw puzzling, so I get to have actors rapidly building puzzles as part of the action, something I’ve never seen on stage before. I think all of my years as a reviewer and an arts writer have given me a pretty clear idea of what kinds of things have been done to death, so I have a strong awareness of where to go as I attempt to tell stories in new ways. 

What’s next? 

DT: I’m currently working on the aforementioned puzzle play, which is actually about a parrot and its relationship with two of the humans it knows during its long life. It’s titled “Featherbaby,” and with any luck, it will be produced in about a year or so. It’s the hardest thing I’ve done so far, but it’s going to be funny, and sweet and heartbreaking and make us all think about the true meaning of friends and companionship. This November I will be performing my one-man show “Polar Bears” in New York City at the United Solo Theater Festival. And if things go according to plan, there will be a book collection of four of my plays coming out this year or early next, presenting my genre stuff as literature, since it’s something of an open secret that reading plays is a blast. The book will be titled “Monsters, Gods and Robots.” Meanwhile, I’m researching two other plays I hope to do, one of them a ghost story, of sorts, set in the world of female boxing. As I said, I never want to write the same story twice.

This November, Templeton will perform his one-man-show ‘Polar Bears,’ at New York City’s United Solo Theater Festival. A collection of four of his plays, ‘Monsters, Gods and Robots,’ will be published next year. A longer version of this interview is available at bohemian.com and pacificsun.com.

Culture Crush

Santa Rosa + Other Locations Indie Film Festival Lights, camera action as the eighth annual AVFest returns, in person for the first time since 2019. A film festival that originated from a collaboration to promote film between Cloverdale and Healdsburg, AVfest regularly showcases and hosts new emerging talent from around the world, and provides an opportunity for the community to gather...

Astrology – April 27, 2022

ARIES (March 21-April 19): I recommend you adopt a limitation that will enable you to claim more freedom. For example, you could de-emphasize your involvement with a lukewarm dream, so as to liberate time and energy for a passionate one. Or you could minimize your fascination with a certain negative emotion to make more room for invigorating ones. Any...

Exquisite Guest – Andrei Codrescu returns to Occidental

By Mark Fernquest Long ago, when I was a youngster in the 1980s, my bookish older brother brought home an unusual literary magazine he’d scored at City Lights Bookstore in San Francisco. It was narrow and long, this lit mag, made of stapled white paper with no real cover, and absolutely packed with avant-garde poetry and experimental prose. It was...

North Bay Cities Implement Drought Restrictions and Plan for the Future

Lake Sonoma - April 2022
The ground was wet from a light rain on a recent afternoon drive through Dry Creek Valley below Lake Sonoma. Passing the endless rows of green vineyards that cloak the valley, it appeared as though water was plentiful here.  However, this is not so. Pulling up to a look-out beside Lake Sonoma, the water sat 30 feet below the tree...

High Horizons: The Future of Cannabis

4/20 is the cannabis enthusiast’s equivalent of Easter, Earth Day and the Super Bowl all rolled into one big fatty. But have you ever heard of 421? 421 Group is a business consultancy based in Sebastopol with a focus, as its name suggests, on what’s next in cannabis. A few years ago, when I was—full disclosure—a strategy consultant for 421,...

PG&E Settles Wildfire Cases With $55 Million Deal

PG&E building, Petaluma
For better or worse, California’s largest utility company is here to stay. Last year, Sonoma County District Attorney Jill Ravitch’s office filed numerous charges against PG&E stemming from damage caused by the October 2019 Kincade Fire, which burned over 77,000 acres over 15 days, triggering the evacuation of over 200,000 North Bay residents. In 2020, CalFire determined that the fire...

Flea Look – Chelsea NY’s Artists; Fleas Market in Marin County

Good morning, my darlings! How is everyone getting along with Wednesday? As this is now apparently a half travel half fashion column, I’ll update you on my location—Chicago, which is freezing and gray and a stark change from the balmy 72 degrees and gently swaying palm trees of Los Angeles. Take me back! I’m here for my brother’s senior...

Trivia

1 California's toughest maximum-security prison has what birdlike name? 2 What’s the current year, in Roman numerals? 3 British Queen Elizabeth II was born in London on April 21 of what year, whose digits add up to 18? 4 Cats have whiskers not only on their face and head, but also where on their bodies, and for what beneficial purpose? 5 After the...

Maternal strife staged at Cinnabar

Playwriting is often a form of artistic exorcism. Many a play has been written to bring a form of closure to unresolved conflicts, strained relationships or traumatic experiences, and to release the hold that personal demons have on their authors. For playwright Edward Albee (Who’s Afraid of Virginia Woolf?), that demon happened to be his adoptive mother. Three Tall...

Prestige Play: Local playwright David Templeton honored

“To be a or not to be a playwright” has crossed the mind of more than a few scribes. For Petaluma’s resident playwright, David Templeton, a recent accolade affirms that writing for the stage has indeed been the right choice. Templeton was recently honored by the 2022 Harold and Mimi Steinberg/American Theatre Critics Association (ATCA) New Play Award and Citations...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow