North Bay Resident Jonathan Melrod Pens Labor Memoir

Over the past year, the U.S. has experienced a surge in labor organizing. 

After decades of decline in union participation and real wages, workers at Amazon, Starbucks, REI and numerous other companies big and small have voted to form unions or participated in other forms of labor actions, often in the face of fierce resistance. The surge in labor action has been accompanied by historic popularity of unions, with 71% of respondents to an August Gallup poll voicing approval for unions, the highest rate since 1965.

This makes it a fitting time for the publication of Sonoma County resident Jonathan Melrod’s new memoir, ‘Fighting Times: Organizing on the Front Lines of the Class Struggle.’ The book centers on Melrod’s 13-year effort to “harness working class militancy and jump start a revolution on the shop floor of the American Motors’ auto assembly plant.”

After cutting his teeth as a college radical, Melrod takes a union job at an American Motors’ factory and begins to make trouble. Melrod and his colleagues publish a radical workers’ newsletter titled ‘Fighting Times,’ lead numerous strikes and walkouts, and, ultimately, face down the American Motors-funded defamation lawsuit against the newsletter’s editors.

Much has changed in the world since the 1970s, but Melrod’s memoir, jam-packed with stories from the front lines, makes for an entertaining, educational and timely read. An excerpt from the book follows.

‘Fighting Times,’ published by PM Press, will be available in stores and online on Sept. 27. Melrod will speak at the Sebastopol Copperfield’s Books on Thursday, Oct. 6 at 7pm. The event is free, but RSVPing online is recommended. —Will Carruthers, News Editor

The ups and downs in auto, based largely on consumers’ preference for this or that model, meant assembly plants went through cycles of layoffs and expanded employment. The Kenosha American Motors’ plant saw a mass hiring of young workers who were rebellious and not cowed by the company or the union. And dissatisfaction with Department 838 long-term chief steward Russ Gillette reached a tipping point.

Gillette’s name did not even appear on the vote tally for the 1979 stewards’ election. I can no longer recall if Gillette went on sick leave or chose not to run, but he’d had enough. Gillette’s departure fractured his clique’s standing.

When election results were posted, I had placed second with 132 votes, topped only by Peggy Applegate, the only woman steward.

For the election, I organized a team of fresh, young activists, loosely affiliated with the UWO United Workers Organization, to run for stewards’ positions. Of the twelve positions, four of our candidates won in addition to me. The most significant victory accrued to Jimmy Graham as the first steward of color in Department 838.

Joanne Tank and Jimmy Graham were elected as union stewards in the 1979 department elections that dislodged the conservative “all-white” clique. Photo courtesy of Jonathan Melrod.

The vote totals presented a conundrum. Kojak, my former Milwaukee head steward, was elected and announced his intent to run for chief. Jim Gathings, who had placed behind me with 127 votes, also announced he was running for chief.

Gathings hailed from the 838 old school and was a pickup-driving, tobacco-chewing, self-proclaimed cowboy with an inflated belly hanging over a large turquoise belt buckle. Like quite a few in the plant, Gathings’s other job was tending his farm, and he also held a semiskilled repair job.

Rather than run for chief, I opted to let Kojak challenge Gathings, planning to devote the year to teaching UWO-affiliated candidates how to become effective union reps. I could be patient, as I was down for the long haul.

Gathings, still able to rally Gillette’s base, beat Kojak, who had appealed primarily to former Milwaukee guys who had previously transferred to the Kenosha plant.

By virtue of being chief, Gathings gained entitlement to overtime if any worker in 838 on his shift was scheduled to work overtime. Gathings sucked up every minute of overtime, providing a fat paycheck but also inextricably tying him to management, as a piglet latched to its mother’s teat.

While daily interaction between Gathings and me remained superficially cordial, underlying tension tinged our every conversation. Our clashing outlooks surfaced with venom one Monday morning. Heading for nine thirty break, I ran into an animated scrum of young department members. “Melrod, did you hear? Gathings told Cathy (the steward) she shouldn’t be kissin’ on a nigger. It’s way fucked up.”

A group of Department 838 folks had been partying behind Madore’s bar after work the preceding Friday. Cathy and Jessie Sewell, a Black worker, exchanged a kiss. A kiss between a Black guy and a white woman—nothing more.

Nevertheless, the incident was stoking a brushfire, and I needed to get the facts down.

Jessie worked one station up the line. I had spent hours hanging with Jessie, and other regulars, behind Madore’s, drinking pints. Jessie was also a solid Fighting Times ally.

As soon as I could get a utility worker to relieve me, I checked in with Cathy. She was a new steward, and I had been mentoring her to adopt a more confrontational stance with management.

“Hey, Cathy—heard some bullshit’s going down with Gathings. He’s been running his mouth spouting racist shit about Jessie and you. What’s up?”

“Jon, I’m afraid for this to turn into a big public incident. I don’t want Gathings coming down on me.”

“I hear you, Cathy, and I get it, but Gathings got no right to talk about you. Just because he’s chief doesn’t mean he’s got any business getting in your face about who you want to party with or who you kiss! That’s sexist, racist b.s. Plus you’re a steward now, and you need to set an example of good unionism. Gathings, and I don’t care if he’s chief, can’t go around mouthing racist bullshit. He’s gotta treat you like a grown woman, with respect. Gathings is way out of line.”

“Jon, please let me think about it.”

“Cathy, it’s not you causing trouble—it’s Gathings. But if you feel like it’s over and want to drop it, I’m cool.”

By lunch, the whole department buzzed. Blacks were outraged. Many grabbed me, wanting to know what could be done. In the past, a racist incident might have sparked an angry reaction and then fade; not this time, I thought.

As department chair, I put the incident on the agenda. I met with the other stewards who had run with me, and we discussed our obligation to address racism at the department meeting. Graham took a strong position, as he had previously complained about Gathings’s shit attitude toward Blacks.

With increasing intensity, word spread of a confrontation going down. Black people, many of whom had never thought of attending a department union meeting, beat the drum to call out Gathings. Similarly, many younger whites took offense at Gathings’s behavior.

I needed to get Jessie onboard. “Hey, bro. Que pasa? What’s up with this Gathings bullshit? He’s been mouthing some nasty name calling ’bout you.”

A pained look crossed Jessie’s face, a stark contrast to his usual clowning demeanor. He looked hurt and embarrassed. Even though he was free and equal to Gathings, he felt stuck taking shit from a self-proclaimed cowboy whose primary reason for being chief was greed.

“Melrod, what I’m gonna do? Ain’t nobody care. Gathings is chief.”

“Fuck that, bro! We got our guys—Ernie, your main man—and Pedro got the Mexicans. We got the Blacks who are tired of racist shit. We got the young people and the Fighting Times people. We don’t gotta let this slide. We gotta jack Gathings up. It’s on the agenda for the department meeting. Ya with me?”

Tension on the floor ratcheted up. I noticed Gathings huddling with his white repair buddies (there being only one Black 838 repair worker).

It might have been the largest department meeting in 838’s history. I looked out, and many of our people had shown up, particularly Blacks. I also noticed a gaggle of repair workers and a smattering of old-school, conservative types who I assumed had attended at Gathings’s urging. I called the meeting to order. Old business first.

“Hey, Melrod, we ain’t here for no old business. We’re here ’bout what Gathings said about Jessie.”

“All right then, new business.”

I called an audible, turning toward Gathings sitting next to me, a rather uncomfortable seating plan.

“Jim, I believe folks want to hear about the incident with Jessie and Cathy that involves you.”

“Yeah, yeah. I wasn’t serious. I was just joking ’bout what I said. It ain’t that big a deal.”

I’d been watching Jessie; his face tightened. He sat for a few uncomfortable seconds. I waited for the slightest movement of his hand and immediately called on him before he put it back down.

“I been hearing Gathings has been talking about me. He got no business talkin’ about me being Black or any color.”

Gathings, in a voice barely audible, said, “Yeah, I shouldn’ta said nottin’.” This can’t be the end of it, I thought. This is too important.

I saw Graham’s hand. “Jimmy.”

“That ain’t an acceptable apology. If Gathings is chief, he can’t be talkin’ racist shit about no one. The union is about us all. The union’s strong only if we are together. I never want to hear no one using language calling a brother or sister that fucked-up word! You hear me, Gathings?”

“I didn’t mean no harm.”

“Gathings—ain’t the point. Your talk is harmful. You got no right talkin’ about Jessie or Cathy. Ain’t your business.”

After his years as a labor organizer, Jonathan Melrod moved to the Bay Area to attend law school. Photo courtesy of Jonathan Melrod.

For the first time, Blacks in the department stood their ground and made their voices heard, not just about the incident with Jessie and Cathy but also how they felt ignored and disregarded by the union. Gathings had been the catalyst, but the discussion was cathartic for airing long-held grievances about discriminatory treatment and favoritism—from both management and union.

Somebody tapped a keg, and I noticed people filling big red cups with beer. Beer on an empty stomach, particularly as tempers flared, didn’t portend well.

“I think we covered the agenda, but I have a few comments. First off, I want to thank the huge turnout. Anyone who’s got something to say can say it here. Having said that—the bottom line is there’s no place for racism in our union, no way, no how! Adjourned.”

Steward John Leyendecker and I chatted in the beer line. Beers in hand, we talked. In the drift of the crowd, we ended up across from Gathings and another old-school steward. You could cut the tension.

Gathings stared at me with palpable scorn. We couldn’t have come from two more different worlds. I had left the East Coast for college in Madison. He had stayed on the farm and gone to work young at AMC. He chewed tobacco. I smoked pot. His proudest moment was when his daughter placed first at 4-H for her cow, and I had come from Milwaukee and uprooted his world, in his eyes.

“Hey, Melrod. I don’t like what you been saying about me.”

“Only talkin’ truth, Gathings. You had a chance to call me out but didn’t. I don’t like hearing how you dissed my partner Jessie. I can’t change your thinking, but we all got to act right in the union.”

“Fuck you, Melrod. I’ll say what the fuck I want.”

The space between us shrank. I braced for incoming, but then Leyendecker [one of the recently elected young stewards] inserted himself between us. Leyendecker, at least according to him, had been a Navy SEAL. I admit, he threw down like a guy who knew how to fight.

“Go ahead, you redneck, bring it.”

The other old-school steward jumped in. “Let’s all cool it. Meeting’s over.”

“Yeah,” I said as Leyendecker and I turned to leave.

In a testament to the power of grassroots union democracy, the department meeting had taken up the key issue of racism, previously ignored or swept under the carpet.

‘Fats’ Waller Tribute Show

Theater is like any other art form—sometimes a job, sometimes a chore—but every once in a while, the right artists meet the right project and magic is born. That magic can be found in Sonoma Arts Live’s (SAL) season-opening production of Ain’t Misbehavin’, running now through Sept. 25.

Directed by Aja Gianola-Norris, choreographed by Tyehimba Kokayi and with FIRST TIME musical director Neil Fontano, this musical revue of the works of Thomas “Fats” Waller is a breath of fresh air in this community. The cast of five—Gianola-Norris, D’Artagnan Riviera, Serena Elize Flores, Phillip Percy Williams and Jonathen Blue—are absolutely effervescent.  

Set loosely in early 20th-century Harlem, the show opens with the high-energy titular song, then swirls into the brilliant camp of “Yacht Club Swing” (featuring Gianola-Norris), a comedically effective “Cash for Trash” (Elize Flores), a classy “Lounging at the Waldorf” (Riviera), the funny “Your Feet’s Too Big” (Williams), a heartbreaking “Mean to Me” (Blue) and the immaculately sorrowful strength of an all-cast “Black and Blue.” 

There is less of a plot here than a theme. That theme is joy: the joy of living, the joy of being human, the joy of being Black. Ain’t Misbehavin’ shines a sparkling spotlight on a topic that is often overlooked in American theater: the humanity and happiness of Black people. That happiness explodes from the Rotary Stage.

It would be disingenuous to pretend this show was perfect and the few things “wrong” with this show can be easily fixed if SAL would be willing to do so. 

The sound mixing was not up to par, and it was sometimes difficult to hear performers over the excellent band. 

More egregious was that Sonoma Arts Live sent the performers of color on stage with white body microphones that were distracting at the best of times and downright insulting during tender moments. Body mics are a required expense of doing musicals. The purchase or rental of mics for non-white actors should be an expectation of any theater doing this or any musical.  

Despite these issues, I still come to an obvious conclusion: Go see this show! Take your family and your friends. Treat yourself to a second or third trip. These artists are more than worthy of your admiration, and it is impossible not to feel joy in their presence.

‘Ain’t Misbehavin’’ runs through Sept. 25 on the Rotary Stage at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs-Sat, 7:30pm; Sun, 2pm. $25 -$42. Masking is encouraged. 707-484-4874. sonomaartslive.org

Peter Hassen Solo Show at Modern Art West Gallery

Sonoma locals might be familiar with the name Peter Hassen. 

Images of his striking bronze sculptures—which sat in the Sonoma Plaza as part of a collaborative installation between the Sonoma Valley Museum of Art and The City of Sonoma in 2021—may come to mind. For those who don’t know him or his work, Hassen is a multimedia artist, whose art localizes themes of science, nature and spirituality. From large-scale sculpture to painting to video to printmaking, Hassen’s work is an invitation to consider the human relationship with, well, everything else. 

Lucky for those who love art and the nature of inquiry, Hassen has an upcoming solo show, “Indicators: Nature in Flux,” which opens on Sept. 17 at Modern Art West gallery in downtown Sonoma. 

“Indicators: Nature in Flux” features prints, mixed media and sculpture work, all of which explore such themes as speculative future outcomes based on current climate crisis, the magnificent footage of space captured by the James Webb Space Telescope, work inspired by David Attenborough’s documentary, A Life On This Planet, and more. 

Viewers can mine Hassen’s work for insights into spirituality, scientific discovery, cultural phenomena and environmental observations. 

I had the pleasure of meeting Hassen in 2021 during the installation of the aforementioned sculptures—at 5am, leveraged into place by giant cranes—and he struck me as a cool, kind man. Upon learning of his solo show, I was excited to more deeply acquaint myself with him. I invite readers to do so also, and get to know the man behind the art prior to the show’s opening. 

Who is Peter Hassen? 

Originally from Cincinnati, OH, Hassen graduated from University of Colorado with a BFA in studio arts and a minor in religious studies. His involvement in conceptual and public art projects began in the 1990s and hasn’t stopped. 

Over the past few years, he has been a resident at the Voigt Family Sculpture Foundation, and had his work featured at the Marin Civic Center, Bolinas Art Museum, Bedford Gallery, Marin Art and Garden Center and AXIS Gallery. 

Dedicated to exploring social and environmental circumstances in his work, Hassen creates to invite curiosity and spark thought. Inspired by street artists, he will both place his work publicly in collaboration with a city or nonprofit, and renegade establish it in a wilderness location. The works are messages, meant to be seen by all. 

Unbeknownst to me in our initial meeting, I learned over the course of this interview that Hassen has Parkinson’s disease, which has progressed in the last few years. For a man with such artistic talent and so much to express, the disease presents a poignant and pressing challenge. 

“As Parkinson’s progresses, I find that the nature of my fabrication is changing to incorporate more digital collage and large format printing. I find that I’m in a race. Parkinson’s works to shut down one’s ability to express oneself— to ‘be’ in the world. It stifles your voice, activity, desire, intellect, facial expressions, mobility, balance and more—essentially robbing you of your personality. My art making is more important than ever as a personal expression of my life’s passion. I gotta keep making it—while I still can!”   

Despite the increasingly present nature of his disease, Hassen’s work and Parkinson’s are separate. Though it affects him, it does not define him, and his larger focus on humanity remains paramount. Hassen anticipates that at some point, Parkinson’s will inhibit him physically to a significant degree. But he recalls Matisse, who, with crippling arthritis, continued to make art with only a pair of scissors. 

“I wonder about the ways I’ll be able to work a computer trackpad in the future?” he mused.  

Inspirations

Hassen is greatly inspired by history in his work, citing one of his favorite quotes as “Be humble; a lot happened before you were born.”  He sees great value in revisiting historical narrative, culling the accounts for the correlations evident between then and now. 

“History is a rich field to mine, because while it doesn’t repeat itself, it certainly rhymes,” said Hassen. “It’s hard not to see and exploit the narratives.” 

Hassen’s work, for the last several years, has been inspired by the ongoing climate crisis. I need hardly say that while I write this, we are in a dangerous heatwave. But rather than fear-monger or otherwise add to the cacophony of distraught voices, Hassen seeks, with his art, to transmute the overtly bad situation into a more complicated, multi-faceted one, worth exploring. 

In other words, rather than viewing humanity as in a fight with nature, Hassen invites us to view humanity as a participating part of nature. He seeks to create work that invites viewers to consider more of a balanced perspective of themselves and their role—a yin and yang sense of both our generative and our destructive tendencies, as a species.  

“The trick,” said Hassen, “is to not come across as didactic, but to give the viewer enough clues that let them pull the pieces together. We’re all adults here, and it’s not my job to lead the viewer by the nose to a conclusion. I use layers of information that give hope and meaning, if one is willing to keep digging. Mostly I use beauty as a tool—portraying beautiful flowers that are also medicinal, or using elemental and sacred geometry as a background pattern, or creating a fascinating latticework pattern that is made of frog skeletons, or candy-colored climate gasses.”  

Never pedantic, and neither overly hopeful nor overtly pessimistic, Hassen’s exhibition is a powerful entity. The rich history present, the layers of symbolism and the beauty with which each piece conveys its message, result in mysterious artworks that seem to be in a language we once knew but have forgotten. The work stirs a memory in us, shaking us and waking us up. 

“Hope is difficult to peddle these days,” said Hassen. “And there are no easy answers. My hope is that the beauty in my work can inspire people to get off the mark and start making that transformative change.”  

‘Indicators: Nature in Flux’ is on view Sept. 17-Nov. 10 at Modern Art West, 521 Broadway, Sonoma. www.modernartwest.com 

Culture Crush—Stargazing, Terra Art Collective, and More

0

Petaluma 

Soil Not Oil 

Come explore practical solutions to climate change at the annual Soil Not Oil International Conference.This event, held at Tara Firma Farms, will include presentations from Calla Rose Ostrander, natural and working lands climate change coordinator at California Natural Resource Agency; author and energy expert Richard Heinberg, discussing the shifting energy terrain; Dr. Elaine Ingham, who uncovered the Soil Food Web four decades ago; Pamm Larry, the initial instigator of Prop. 37; author, teacher and ecofeminist Starhawk; Dr. Ignacio Chapela; filmmaker John D. Liu; Stacy Malkan; author Jeffrey Smith; Diana Donlon, MD; Michelle Perro; Miriam Volat; and many more. The 8th Soil Not Oil Gathering will take place Sept. 17-18 at Tara Firma Farms, 3796 I St., Petaluma. Tickets  $100-$300. www.soilnotoilcoalition.org 

Glen Ellen

Stargazing 

Before summer ends, spend an evening under the stars at the Star Party at Robert Ferguson Observatory. Throughout the course of the evening, presentations on various astronomical topics will be given, and at dusk the observatory’s three main telescopes will be available for star viewing, with helpful and informed docents on hand to educate and answer questions. Spot the Andromeda Galaxy, Betelgus, Aries, Orion and more. Be delighted by the miracle of the night sky! The Star Party will take place Saturday, Sept. 17 at the Robert Ferguson Observatory, 2605 Adobe Canyon Rd., Kenwood. 9-12pm. Tickets are $10 per adult, $5 for seniors 62+, students and youth, 12 to 17. Under 12 free. Registration required. www.rfo.org 

Point Reyes

Terra Art Collective

Spend some time this weekend considering a better future for humans and the planet through the lens of art. Terra Art Collective will present the work of artists Shannon Amidon, Michele Guieu, Leah Jay and Deborah Kennedy, who produce art focused on ecological challenges, at Gallery Route One in Point Reyes Station. The show features watercolors, encaustics and interactive installations that help viewers and creators to imagine a new way of interacting with our world—creating a healthy, high-functioning natural environment, while also meeting human needs. The Terra Art Collective show will run through Oct. 2 at Gallery Route One, 11101 Highway One, Ste. 1101, Point Reyes. 

Nicasio

Charlie Musselwhite

The classic Rancho Nicasio welcomes blues legend Charlie Musselwhite. Born in Mississippi and making his way to California by way of Memphis and Chicago, Musselwhite cut a record with his landmark Stand Back! to rave reviews at only 22. He relocated to San Francisco in 1967, where his album was being played on underground radio, and was welcomed with open arms into the counterculture scene as an authentic purveyor of the real deal blues. He has been touring for the last 50 years, giving credence to the theory that great music only gets better with age. Come on out and see for yourselves! Musselwhite plays Sunday, Sept. 18 at Rancho Nicasio, 1 Old Rancheria Rd., Nicasio. Gates open at 3pm. Tickets $40. www.ranchonicasio.com 

—Jane Vick 

‘California Burning’ chronicles PG&E’s history and recent scandals

Last week’s historic heatwave served as a reminder of the historic fragility of the Golden State’s power system.

In the past 20 years, Northern Californians have been plunged into darkness on numerous occasions. So, when state officials warned of blackouts again last week due to surging demand, millions of people were left wondering if their electricity would once again be shut off. Thankfully, the system largely met the challenge, with power for most of the state staying on despite record-breaking temperatures on back-to-back days.

Still, the power system will face more challenges in the years to come, all while navigating a rapid transition to green energy sources. Recently, the state legislature passed Senate Bill 1020, which would require the state to use 90% clean electricity by 2035.

Meanwhile, there is a crucial concern to keep in mind: safety.

The state’s largest utility, Pacific Gas and Electric (PG&E), is striving to reform itself and make safe thousands of miles of long-ignored gas and electric lines in a drought-stricken tinder-box that constitutes the company’s sprawling northern California territory. Yet, following a dozen years of deadly scandals involving the utility’s equipment, PG&E, a government-sanctioned monopoly, has continued to limp along.

Those interested in how the utility managed to survive should pick up Wall Street Journal reporter Katherine Blunt’s new book, California Burning: The Fall of Pacific Gas and Electric—and What it Means for America’s Power Grid. The book is perhaps the first general-audience read which explains how California’s largest utility came to be and, more recently, dipped into bankruptcy twice within 20 years.

Throughout the tale, PG&E’s financial model, paired with state agencies’ inability or unwillingness to hold the company accountable, are running themes. Indeed, California Burning offers repeated examples of how, when the profit-driven company runs into trouble, the state swoops in with support to keep the company chugging along.

While PG&E’s marketing materials largely focus on serving customers, the company is publicly-traded on Wall Street, meaning executives need to be mindful of the company’s stock price and popularity with private investors. Financial incentives are enshrined in state law as well. Blunt reports that state regulations governing the utility’s profits lead the company to prioritize building new capacity—known as capital projects—over maintaining existing equipment. 

For a long time, PG&E was able to get away with skimping on maintenance. But, starting with the deadly 2010 San Bruno pipeline explosion, followed by a run of deadly wildfires caused by PG&E’s equipment, the inherent conflict between the needs of PG&E’s customers and shareholders has come to the forefront again and again.

In January 2019, due to wildfire litigation costs, the utility landed back in bankruptcy court. (Eighteen years earlier, PG&E declared bankruptcy after the state’s failed experiment with energy deregulation.)

Massive hedge funds bought up PG&E stocks at bargain basement prices while other firms invested in bonds and insurance policies, all hoping to make a killing on the outcome of the bankruptcy case. Dozens of high-priced lawyers cycled through a San Francisco courtroom, generating thousands of pages of legal filings in support of various clients’ financial interests.

Eager to move on, California lawmakers set a June 30, 2020, deadline for PG&E to exit bankruptcy. However, the resulting bankruptcy deal left fire victims last in the pecking order, receiving a payout half in PG&E’s (unreliable) stock. Ultimately, PG&E once again escaped bankruptcy. And state lawmakers set up the California Wildfire Fund, a $21 billion pot half paid for by utility customers, to offer the state’s utilities a buffer against future wildfire costs.

If there’s a weakness to Blunt’s book, it’s that it doesn’t delve deeply enough into PG&E’s long-running role in California politics. With its historically steady profit stream, the “natural monopoly” has spent tens of millions of dollars on local, state and federal politicians’ campaigns, employing well-connected lobbyists and lawyers to defend its interests, and contributing generously to nonprofits and business groups around the state. 

(A North Bay example of this largess: In 2019, the Bohemian reported that PG&E had infused two of Press Democrat-owner Darius Anderson’s nonprofits with $2.2 million months after the deadly October 2017 Tubbs fire. Separately, the company hired Anderson’s lobbying firm, Platinum Advisors, to represent the company’s interests in Sacramento. These interlocking dynamics were never adequately disclosed in the Press Democrat’s reports on PG&E.)

The company has also been revealed to develop cozy relationships with regulators. After the 2010 San Bruno pipeline explosion, emails emerged showing that California Public Utilities Commission (CPUC) commissioners were socializing with PG&E executives.

One can’t always directly connect those financial contributions to decisions by politicians and regulators, but the steady flow of money does help make the status quo enticing to those in various positions of power.

That attachment to the status quo became most apparent in 2019. Following two years of disastrous and deadly wildfires, some started by PG&E’s equipment while the company was still in probation due to the San Bruno pipeline explosion, the utility, then in bankruptcy, decided to preemptively shut off customers’ lights when winds raised the risk of toppling a tower or pushing a tree into a wire.

The resulting power outages impacted hundreds of thousands of Bay Area residents and increased political pressure on the newly-elected Gov. Gavin Newsom. A growing number of people, including mayors from across Northern California, supported transforming PG&E into a publicly-owned utility or nonprofit cooperative.

Ultimately, Newsom decided against radical change, instead implementing more regulations on PG&E.

While a public takeover would eliminate the need to send profits to investors and allow for lower borrowing costs, freeing up money to invest in safety, the purchase would be pricey, potentially delaying the company’s exit from bankruptcy and facing resistance from private shareholders, Blunt reports. 

Another factor which may have protected the utility, somewhat ironically, was PG&E’s maintenance backlog. Blunt writes that Newsom’s team was concerned that the state would take on legal liability for the company’s decaying, explosive and fire-causing infrastructure.

However, another reason for politicians’ unwillingness to transition to a publicly-owned utility goes largely unexamined in the book. Going public would cut off the stream of PG&E’s contributions to politicians and other groups, and would make state officials and career-driven politicians directly liable—from a legal and public relations standpoint—if the utility’s equipment kills more people and customers’ bills continue to rise.

Only time will tell whether PG&E’s investor-backed business model can withstand the chaos of climate change. Publicly or privately owned, the coming years will no doubt offer a bumpy road for the company and its customers.

Remembering Sonoma County community advocate Doña Maria Cañas

I can’t remember when I first met Doña Maria Cañas, because she has always been part of everything that is important and that I love about Sonoma County. But I suspect it was during my first summer here in 2016, during an art show or the demonstration in downtown Santa Rosa after the promotion of the sheriff deputy who killed Andy Lopez.

Cañas fought for decades against racism and for immigrant/women’s/workers’ rights, police oversight, criminal law reform and students. Although her stature was short, her personality was gigantic. She had no problem telling the truth to anyone. A beautiful mixture of poignant words (including precise and necessary obscenities), her burst of laughter resonated throughout any space.

Beyond her activism, Cañas was a healer, artisan, poet and nurturing woman. She was the mother of three sons, but also the tìa to many of us. Worried that my work would make me ill, she routinely checked up on me. She valiantly shared the story about how her many years as a social justice warrior took its toll on her mental health, and how a literal dream told her she needed to paint, which healed her. Consequently, she started a group (that just recently became an official non-profit) for the emotional well-being of women. She invited loved ones to dance under the moon, to hug trees, to come to her driveway and paint or write, or to come to her home and eat pupusas.

Cañas also was a beautiful example of a healthy and long-lasting relationship between equals. Although her relationship with Don German began when they were teenagers, they still seemed like newlyweds. You often would see them holding hands or showing other forms of affection. She wrote the most passionate love poems for him.

She was one of the pillars of our community, and her departure shook us more than the Loma Prieta earthquake. Those who are lucky enough to have a copy of her book or a piece of her art will always have her by their side. I am thankful to have known her, loved her, and been loved by her.

Weekly Astrology

ARIES (March 21-April 19): Aries-born Kareem Abdul-Jabbar was one of the greatest basketball players ever. He excelled at most aspects of the game. Some experts say his rebounding was only average for a player his size—seven feet, two inches. But he is still the third-best rebounder in National Basketball Association history. And he played for 20 years, until age 40. What tips might Abdul-Jabbar have for you now? Here’s a suggestion from him that aligns with your current astrological omens: “Work on those parts of your game that are fundamentally weak.” The implication is that you have a lot of strengths, and now it’s time to raise up the rest of your skill set.

TAURUS (April 20-May 20): As a Taurus, you are always wise to be reverent toward your five senses. They are your glorious treasures, your marvelous superpowers, your sublime assets. In the coming weeks, they will serve you even better than usual. As you deploy them with all your amazement and appreciation unfurled, they will boost your intelligence. They will heighten your intuition in ways that guide you to good decisions. You will tune into interesting truths that had previously been hidden from you. I suspect your sensory apparatus will be so sharp and clear that it will work almost as extrasensory powers.

GEMINI (May 21-June 20): When you Geminis are at your best, you don’t merely tolerate dualities. You enjoy and embrace them. You work with them eagerly. While many non-Geminis regard oppositions and paradoxes as at best inconvenient and at worst obstructive, you often find how the apparent polarities are woven together and complementary. That’s why so many of you are connoisseurs of love that’s both tough and tender. You can be effective in seemingly contradictory situations that confuse and immobilize others. All these skills of yours should come in handy during the coming weeks. Use them to the hilt.

CANCER (June 21-July 22): Author Jean Frémon says Cancerian naturalist Henry David Thoreau “always had two notebooks—one for facts, and the other for poetry. But Thoreau had a hard time keeping them apart, as he often found facts more poetic than his poems.” Judging from your current astrological omens, Cancerian, I suspect you are entering a time when facts will be even more poetic than usual. If you open yourself to the magic of reality, the mundane details of everyday life will delight you and appeal to your sense of wonder. Routine events will veer toward the marvelous. Can you bear to experience so much lyrical grace? I think so.

LEO (July 23-Aug. 22): “What good is it if you read Plato but never clean your toilet?” writes author Alice Munro. To which I add, “What good is it if you have brilliant breakthroughs and intriguing insights but never translate them into practical changes in your daily rhythm?” I’m not saying you are guilty of these sins, Leo. But I want to ensure that you won’t be guilty of these sins in the coming weeks. It’s crucial to your long-term future that you devote quality time to being earthy and grounded and pragmatic. Be as effective as you are smart.

VIRGO (Aug. 23-Sept. 22): “To love oneself is hard work,” declares Virgo author Hanif Abdurraqib. He adds, “But I think it becomes harder when you realize that you’re actually required to love multiple versions of yourself that show up without warning throughout a day, throughout a week, throughout a month, throughout a life.” Let’s make that your inspirational strategy, Virgo. The coming weeks will be a favorable time to refine, deepen and invigorate your love for all your selves. It may be hard work, but I bet it will also be fun and exhilarating.

LIBRA (Sept. 23-Oct. 22): How to be the best Libra you can be in the next three weeks: 1. Make sure your cool attention to detail never gets chilly. Warm it up now and then. Invite your heart to add its counsel to your head’s observations. Tenderize your objectivity. 2. Always be willing to be puzzled. Always be entertained and educated by your puzzlement. Proceed on the theory that nothing ever changes unless somebody is puzzled. 3. Practice, practice, practice the art of moderation. Do so with the intention of using it as a flexible skill rather than an unthinking habit. 4. Applying the Goldilocks principle will be essential. Everything must be just right: neither too much nor too little; neither overly grand nor overly modest.

SCORPIO (Oct. 23-Nov. 21): There are blessings in every abyss. You, of all the signs in the zodiac, have the greatest capacity to find those blessings and make them yours. Likewise, there is an abyss in each blessing. You, of all the signs, have the most power to make sure your experiences in the abyss don’t detract from but enhance the blessing. In the coming weeks, dear Scorpio, take maximum advantage of these superpowers of yours. Be a master of zeroing in on the opportunities seeded in the dilemmas. Show everyone how to hone in on and enjoy the delights in the darkness. Be an inspirational role model as you extract redemption from the messes.

SAGITTARIUS (Nov. 22-Dec. 21): One of my favorite Sagittarians is practical mystic Caroline Myss, who was born with sun and Mercury and ascendant in Sagittarius. In accordance with current astrological omens, I’ve gathered six of her quotes to serve your current needs. 1. There isn’t anything in your life that cannot be changed. 2. When you do not seek or need approval, you are at your most powerful. 3. Healing comes from gathering wisdom from past actions and letting go of the pain that the education cost you. 4. The soul always knows what to do to heal itself. 5. What serves your spirit enhances your body. What diminishes your spirit diminishes your body. 6. What is in you is stronger than what is out there to defeat you.

CAPRICORN (Dec. 22-Jan. 19): I have always felt you Capricorns are wise to commune with rocks, dirt, mud, sand and clay. I think you should regularly touch the actual earth with your hands and bare feet. If I’m out hiking with a Capricorn friend, I might urge them to sniff blooming mushrooms and lean down to kiss the exposed roots of trees. Direct encounters with natural wonders are like magic potions and miracle medicine for you. Moreover, you flourish when you nurture close personal relationships with anything that might be described as foundational. This is always true, but will be extra true for you in the coming weeks. Your words of power are kernel, core, gist, marrow and keystone.

AQUARIUS (Jan. 20-Feb. 18): The coming weeks will be a favorable time to dream up creative solutions to problems that haven’t fully materialized yet. Then you can apply your discoveries as you address problems that already exist. In other words, dear Aquarius, I’m telling you that your uncanny facility for glimpsing the future can be useful in enhancing your life in the present. Your almost psychic capacity to foretell the coming trends will be instrumental as you fix glitches in the here and now.

PISCES (Feb. 19-March 20): In the coming weeks, logic may be of only partial use to you. Information acquired through your senses might prove less than fully adequate, as well. On the other hand, your talents for feeling deeply and tapping into your intuition can provide you with highly accurate intelligence. Here’s a further tip to help you maximize your ability to understand reality: Visit a river or creek or lake. Converse with the fish and frogs and turtles and beavers. Study the ways of the crabs and crayfish and eels. Sing songs to the dragonflies and whirligig beetles and lacewings.

Hip-hop Showcase Manifests at Big Easy

Lately, when one encounters the term “manifest,” two notions come to mind.

Either the woo-woo pseudoscientific “Law of Attraction” or the odious 19th-century doctrine that the United States had the right to expand and colonize the North American continent.

Then there is Decolonized Mindz Entertainment’s play on the term—“Manifest Your Destiny,” which upends facile definitions as it manifests its ongoing North Bay hip-hop showcase in local venues. The next iteration will be at Petaluma’s Big Easy, Friday night. 

The brainchild of local hip-hop artist Damion Square, the promoter partnered with the area’s resident impresario, Josh Windmiller, to create the showcase, which delivers a diverse array of artists, each with a unique take on the genre.

Says Square, “The distinguishing factor about these particular acts is that they are the cremé de la cremé of hip-hop acts in the North Bay.” He adds, “Every single one of the artists has shown an extreme amount of dedication and devotion to their craft, and the elevation of hip-hop in general. These artists are breaking the mold, with an eclectic array of hip-hop artists, as opposed to the conventional ‘male dominated’ lineup of most hip-hop showcases.” 

The bottom line, adds Windmiller, is creating a community and introducing more people to performers who are “advancing homegrown hip-hop in the North Bay.”

Among the line-up for the Big Easy showcase are Simoné Mosely, D.square, KingLung and Eki’Shola. Also performing is Tru Lyric, an artist born and raised in Santa Rosa, who attended the high school formerly known as Analy.

“I want to bring something new and fresh to the genre of hip-hop,” says Tru Lyric, who is frank about using his talent for penning lyrics as a means of managing his depression and anxiety. Part of his project is using his musicianship to help others facing the same challenges. His most recent release, a digitally launched EP entitled Black Kids Like Emo, dropped in June 2021.

The critically-lauded Eki’Shola, who local audiences will recognize from such accolades as being featured in NPR’s Tiny Desk Contest, on KQED, and as Best of the Bay 2020 Editors’ Pick, also shares the bill this Friday. KingLung, who appeared in last week’s showcase at Horse and Plow Winery in Sebastopol, returns for this week’s showcase. “I’d say my music is leaning towards revolutionary, and would be a mix between hip-hop, R&B, soul and conscious rap,” says KingLung. “I consider myself a MC, and a poetic lyricist, more than just a rapper.”

Says Windmiller, “Damion and I booked five incredible acts that represent an expansive approach to hip-hop and soul.” 

He adds, “The variation over the course of the evening will really be exciting, featuring everything from lone MCs to electronic jazz, R’n’B and a live band.”

‘Manifest Your Destiny’ begins at 7:30pm, Friday, Sept. 9 at The Big Easy, 128 American Alley, Petaluma. Tickets are $10 (sliding scale option available).

Left Edge at The California Theatre

The California Theatre, the North Bay’s newest entertainment venue, hosts Left Edge Theatre’s season-opening production of Fun Home. A musical adaptation of Alison Bechdel’s 2006 graphic memoir of the same name, it took home five Tonys, including Best Musical, for its 2015 Broadway run. The show is scheduled to run through Sept. 18.

Bechdel’s original work, Fun Home: A Family Tragicomic, is a graphic memoir of her childhood and youth, her relationship with her father and her struggles with her sexual identity. The show, with book and lyrics by Lisa Kron and music by Jeanine Tesori, presents itself as if the panes Bechdel were drawing to illustrate her memoir come to life on stage.

Adult Alison (Emily Jansen-Adan) sits at a drawing board as she attempts to caption the illustrations representing significant moments in her life from childhood through the present. The show is nonlinear, so recollections of Alison as a child (Addison Sandoval) are intermingled with memories of Alison’s time at college (Rae Lipman). Her relationship with her father Bruce (Anthony Martinez) is the thread that connects it all together. Bruce is emotionally unstable due to a lifelong inability to deal with his own sexuality that’s exacerbated when Alison finally becomes comfortable with hers.

More “coming out” than “coming of age” story, Fun Home hits a lot of emotional buttons, and director Maureen O’Neill’s cast push those buttons with surprising depth and sincerity of feeling. The three Alisons are all superb, with Sandoval’s delivery of “Ring of Keys” and Lipman’s performance of “Change My Major” definite highlights. The songs perfectly capture the awakening of sexual identity and the joy of a “morning after.”

The supporting cast is good, with Elizabeth Henry doing fine work as a woman coming apart after a lifetime of looking the other way at her husband’s “dalliances.”

Keyboards and percussion by Lucas Sherman and Grant Branham provide the musical support. Even just two pieces occasionally overwhelm the vocals, as the lyrics are key for a full appreciation of the show. Adjustments in either sound levels or speaker placement should be considered.

The venue itself shows promise, though modifications to turn a former restaurant into a performance space are no-doubt still in the works.  

Fun Home and The California are both welcome entries to the North Bay theater scene.

Left Edge Theatre’s ‘Fun Home’ runs through Sept. 18 at The California Theatre. 528 7th St., Santa Rosa. Thu-Sat, 7:30pm; Sun., 2pm. $15–$40.  Masking optional but encouraged.  707.536.1620. www.leftedgetheatre.com www.leftedgetheatre.com

West County Insiders Share Gems

Your average Sebastopudlian, as I will choose to call the residents of this jewel of west county Sonoma, might not be what you think.

For some, Sebastopol is a hippy enclave; for others, a hick ag-town; and for still others, the hipster epicenter of 21st century Sonoma County.


Yes, the answer is yes, all these things are true. Which makes Sebastopol as equally compelling for a stop off on a weekend drive as for a week-long destination holiday.

In my interviews, I got the sense that Sebastolpudlians are a prideful people, not boastful, but confident in their contribution to the collective good. The recommendations I got from talking to everyone from elected officials to the literal man on the street always started with something that was truly local, available to all, and fun.


Famed local real estate agent and long time personal friend Amee Sas recommended Wildflour Bread in Freestone, calling it “a must.”


“That’s 10 minutes from here,” I said over tea at Taylor Lane in The Barlow. “Is that Sebastopol though?”


“Yeah, certainly people from Sebastopol pop over there. It really is just like outer Sebastopol, you know what I mean?” said Sas, all respect to the 300 or so Freestoners. “And if you’re coming out to Sebastopol on a weekend, you absolutely must go to the Wildflour Bakery. You absolutely must.”


There you will find unique savory and sweet breads well worth the drive. Kids can stretch their legs in the large patron’s garden. Easy going hiking trails are nearby.
Both women recommended the Ives Pool, “serving the community since 1941,” according to its website. Located in Ives Park, the recreational pool offers a place to do laps, have family swim times, participate in swim team and take lessons.


“Ives Pool is so lovingly stewarded by the board of directors and the swim team folks,” said Hopkins. “A lot of people really come together to keep [the pool] open and functioning.”


“It’s a lot of fun to head over there, especially on a hot day,” she said. “[Swimming] is such a great form of exercise.”


Sas enthused about the generous activities of the local Rotary, which uses the pool as the site for a city-wide school district program called Learn to Swim. “Every public school in Sebastopol has this free swimming program that all second graders go to,” said Sas. How great is that, all funded through Rotary efforts? “Like, you’ll save a life, you know?”


Of course Sebastopol is famous for its annual event, the Gravenstein Apple Fair, a festival where attendees learn about animal husbandry, dying wool and “how to make your own apple cider,“ enthused Sas.


While the Gravenstein Apple Fair happened last month, Sebastopol has plenty of outdoor events in summer and fall, especially music oriented.


“If you ever get a chance to go to one of the Love Choir concerts, it will hit you in your soul bone to like go to that thing, you know?” preached Sas, speaking about the standout west county ensemble.


On Wednesdays during the summer, the Peacetown Summer Concert Series plays at The Barlow, downtown Sebastopol’s friendly rival next door, a well landscaped walking, shopping and eating center mixed-in with commercial business space.


You still have time to catch the last performance of the year, if you read this fast enough. On Sept. 8, the Whiskey Family Band will play—“Poor Man’s Whiskey lite,” according to the Peacetown website. The concert series displays that range of cultures that makes Sebastopol so interesting. While it may be country revival this week, earlier this summer reggae came through for the hippies, and afro-funk for the hipsters. And I will bet you a dollar that a broad swath of the Sebastopol cultural tapestry is there for all the shows.


At The Barlow, “there’s also art browsing, nature walks, Family Village at McKinley Street Community Stage, and lots of great food and drink at area restaurants,” according to The Barlow’s website.


Pro-tip: Pop into the lovely Community Market at the edge of The Barlow along Highway 12 for fresh, local products.


The charming HEAD WEST, a regional, outdoor retail marketplace, happens on the second weekend of the month right there on McKinley Street, the main street of The Barlow.


A market of makers, merchants, crafters, designers and artists, it gives preference to handmade, locally sourced, small batch, eco-friendly, conscious offerings and products. The market also provides “community booths,” featuring no-cost space for BIPOC, AAPI, LGBTQIA+ or non-profit vendors.


Across the street from The Barlow is the, as its name suggests, wonderful and unique Chimera Arts & Maker Space.


“Chimera Arts provides access to tools, classes and one-on-one training to Sonoma County and beyond. Beginners to skilled craftspeople use our facility to bring their creative projects to life.

“In the past year, we’ve also launched our youth program, designed to help kids experience the joy of hands-on making,” said Joe Szuecs, Chimera’s president, via email.


Chimera hosts First Fridays, an open house spread across the ample grounds of the Makerspace, with live music, hot dogs for sale and demos of works in progress. All are welcome.


Another insider tip from Sas: “You have to go to the Slow Food Russian River chapter to find the community-run apple press that’s free to use. You can press 100 pounds of your own apples to make your own apple juice there, just totally free.”


As you can imagine, there are endless options to eat around town. Here are a few local favorites that have a broad appeal for any visitor.One that is a personal favorite in my family, and which we will drive 30 minutes from Petaluma especially for, is Handline, a fast-casual masterpiece of seafood that takes on classic fast food—but classier than I made it sound.

“There is an homage to the old Foster Freeze [that was there for years],” said Sas, talking about the swirl cones on sale at Handline. “It is organic, and I enjoy it,” she laughed.


Asking people around downtown what was good to eat, Ramen Gaijin came up more than any other. In case you are out of the market, and think this is just another good ramen joint, this purely Sebastopudlian farm fresh ramen exemplifies that magic ratio of authentic to wholly original. Dope, trippy superhero art on the walls is another plus. Book ahead of time.


While you wait for your table, pull out that preroll you purchased at everybody’s favorite dispensary, Solful, just outside downtown. Light up in the square like everybody else does, and lean back in appreciation of the high quality cannabis that was carefully recommended to your preferences by the friendly and singularly attentive Solful team.

In the few minutes before Ramen Gaijin staff call your name, you will admire the mix of Priuses and big trucks, the lovingly displayed American and Pride flags, the long haired hippy and the big-bearded mechanic walking past.


“Another thing that I really enjoy and love about Sebastopol,” said Sas, “is that on Fridays you’ll often see on one street corner in town, women in black protesting and on the other corner, you’ll see like veterans holding American flags with pictures like, ‘My son served in the Navy.’ And this is a town where those kinds of discussions are still being had in a public forum.”


“Certainly Sebastopol is a place where in the 1960s people came from San Francisco to go live back on the land, and we still have those communes here in Sebastopol,” said Sas.


“And we also still have a healthy dose of farming community that still lives here,” she said, “and the combination of the two is what makes us great. I really believe that.”

North Bay Resident Jonathan Melrod Pens Labor Memoir

Over the past year, the U.S. has experienced a surge in labor organizing.  After decades of decline in union participation and real wages, workers at Amazon, Starbucks, REI and numerous other companies big and small have voted to form unions or participated in other forms of labor actions, often in the face of fierce resistance. The surge in labor action...

‘Fats’ Waller Tribute Show

Theater is like any other art form—sometimes a job, sometimes a chore—but every once in a while, the right artists meet the right project and magic is born. That magic can be found in Sonoma Arts Live’s (SAL) season-opening production of Ain’t Misbehavin’, running now through Sept. 25. Directed by Aja Gianola-Norris, choreographed by Tyehimba Kokayi and with FIRST TIME...

Peter Hassen Solo Show at Modern Art West Gallery

Sonoma locals might be familiar with the name Peter Hassen.  Images of his striking bronze sculptures—which sat in the Sonoma Plaza as part of a collaborative installation between the Sonoma Valley Museum of Art and The City of Sonoma in 2021—may come to mind. For those who don’t know him or his work, Hassen is a multimedia artist, whose art...

Culture Crush—Stargazing, Terra Art Collective, and More

Petaluma  Soil Not Oil  Come explore practical solutions to climate change at the annual Soil Not Oil International Conference.This event, held at Tara Firma Farms, will include presentations from Calla Rose Ostrander, natural and working lands climate change coordinator at California Natural Resource Agency; author and energy expert Richard Heinberg, discussing the shifting energy terrain; Dr. Elaine Ingham, who uncovered the...

‘California Burning’ chronicles PG&E’s history and recent scandals

Fire fighting plane - Ben Kuo - Unsplash
Last week’s historic heatwave served as a reminder of the historic fragility of the Golden State’s power system. In the past 20 years, Northern Californians have been plunged into darkness on numerous occasions. So, when state officials warned of blackouts again last week due to surging demand, millions of people were left wondering if their electricity would once again be...

Remembering Sonoma County community advocate Doña Maria Cañas

Doña Maria Cañas - Bernice Espinoza
I can’t remember when I first met Doña Maria Cañas, because she has always been part of everything that is important and that I love about Sonoma County. But I suspect it was during my first summer here in 2016, during an art show or the demonstration in downtown Santa Rosa after the promotion of the sheriff deputy who...

Weekly Astrology

ARIES (March 21-April 19): Aries-born Kareem Abdul-Jabbar was one of the greatest basketball players ever. He excelled at most aspects of the game. Some experts say his rebounding was only average for a player his size—seven feet, two inches. But he is still the third-best rebounder in National Basketball Association history. And he played for 20 years, until age...

Hip-hop Showcase Manifests at Big Easy

Lately, when one encounters the term “manifest,” two notions come to mind. Either the woo-woo pseudoscientific “Law of Attraction” or the odious 19th-century doctrine that the United States had the right to expand and colonize the North American continent. Then there is Decolonized Mindz Entertainment’s play on the term—“Manifest Your Destiny,” which upends facile definitions as it manifests its ongoing North...

Left Edge at The California Theatre

The California Theatre, the North Bay’s newest entertainment venue, hosts Left Edge Theatre’s season-opening production of Fun Home. A musical adaptation of Alison Bechdel's 2006 graphic memoir of the same name, it took home five Tonys, including Best Musical, for its 2015 Broadway run. The show is scheduled to run through Sept. 18. Bechdel’s original work, Fun Home: A Family...

West County Insiders Share Gems

Your average Sebastopudlian, as I will choose to call the residents of this jewel of west county Sonoma, might not be what you think. For some, Sebastopol is a hippy enclave; for others, a hick ag-town; and for still others, the hipster epicenter of 21st century Sonoma County. Yes, the answer is yes, all these things are true. Which makes Sebastopol...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow