Culture Crush: Fog Holler, Mindful Eating Film Festival, and More

Petaluma

Fog Holler 

Head over to The Block this weekend for a night of music and coordinated outfits from Fog Holler. Formed in 2018, the group claims to pair “raw, honest poetry with keening brother duo harmonies reminiscent of the Stanley Brothers and the Blue Sky Boys.” They describe their original music as “at once a poignant, self-reflective reaction to modernity and a vibrant celebration of American roots music.” The group recently released their fourth album, Fog Holler, which explores themes including mental health, climate crisis, gender identity and more. Tough content becomes easily digestible when paired with the right melody. Come have a night out and explore the world through Fog Holler’s eyes! The show is this Friday, Aug. 5, at The Block, 20 Grey St, Petaluma. Show from 6-9pm. Free. www.theblockpetaluma.com 

Marin

Mindful Eating Film Festival

Spend this weekend in an entertaining and meaningful way by attending the 3rd Annual Mindful Eating Food & Film Festival at the Marin County Civic Center and Fairgrounds. This event is produced by Rancho Compasión in Nicasio, a Bay Area urban animal sanctuary for misused farm animals. The film festival offers an opportunity to sample plant-based food, meet humanitarian changemakers, view documentaries, and learn about animal welfare and the food we eat. Opening night includes a “Green Carpet Gala” and the West Coast premiere of The Smell of Money, produced by actress Kate Mara. Food from Miyoko’s, OmniPork and Souley Vegan will be available. Proceeds from the festival will support the lives of over 90 rescued sanctuary animals, as well as students and community members engaging in the humane education programs. The festival opens Saturday, Aug. 6 and runs through Sunday, Aug. 7 at the Marin County Civic Center and Fairgrounds, 3501 Civic Center Dr., San Rafael. Tickets for a 5pm VIP reception and film screening of The Smell of Money on Saturday at Dominican University are $100. Tickets for films on Sunday are sold separately. www.ranchocompasion.org 

Cloverdale

Fruits of Labor

Fruits of Labor, a film that documents a Mexican American teenager’s struggle to graduate high school when increased ICE raids take place in her community, is showing this weekend in Cloverdale. Set in an agricultural town on the central coast of California, this is a coming-of-age story about a teenager facing circumstances that keep her family trapped in poverty. Following the film, Dr. Daniela Domínguez will moderate a Q&A with director Emily Choen Ibañez. Funds raised through ticket sales and donations will go directly to La Familia Sena’s emergency relief funds, which provide an emergency safety net for the most vulnerable community members. Fruits of Labor screening and Q&A is Saturday, Aug. 6, 6pm, at the Cloverdale Performing Arts Center, 209 N Cloverdale Blvd. Tickets are $25 pre-purchased on the website or $30 at the door. www.lafamiliasana.org 

Healdsburg

John Jorgenson

Calling all music lovers for a night of elite guitar playing from John Jorgenson and his quintet at the Raven Performing Arts Center. A globally renowned guitar player, Jorgenson has recorded and/or toured with Elton John, Tommy Emmanuel, The Byrds, Bob Dylan, Willie Nelson, Johnny Cash, Emmylou Harris, Barbra Streisand, Luciano Pavarotti, Roy Orbison, Patty Loveless, Michael Nesmith, John Prine and Bonnie Raitt, to name but a few. He and his quintet are known as the “U.S. ambassadors of gypsy jazz.” Their sound is reminiscent of the Django Reinhardt style that came out of Paris in the 1930s. In fact, Jorgenson himself played Reinhardt in the Hollywood feature film Head in the Clouds. Hear the legend Saturday, Aug. 6 at The Raven Performing Arts Center, 115 North St., Healdsburg. Show starts at 8pm. VIP: 1st six rows center, $45; general admission, $25. www.raventheater.org 

—Jane Vick 

Sierra Camille’s Aerial Magic

Hello, my loves! I hope this finds everyone feeling a bit better than before, and that last week’s “Look” brought a glimmer of meaning, usable in the tougher moments. Though I still feel a bit like a succubus on legs, I’m endeavoring to move through.

As promised, this week we return to our usual programming, and welcome to our column’s stage the talented performer and trapeze artist Sierra Camille. 

Camille grew up “talking too loud and making as much noise as possible” in Santa Rosa, exploring the world of dance, aerial silks, comedy and clowning. In short, she was being a one-woman-circus. 

Following her passion led Camille to co-found Levity Aerial Troupe and Skytopia Aerial Arts. Now based in Oakland, she offers classes on character building (who are you as a performer?), conditioning, choreography and performance technique, and more. 

Camille is currently on the road, touring the West Coast with Circus Nonsense. She took a moment from her wild life on the road to answer a few of my questions. 

JV: How was growing up in Santa Rosa? 


SC: I feel really lucky to have gone to high school in Santa Rosa. Being in Artquest at Santa Rosa High School was really formative for me. Being surrounded by a bunch of other weirdo art kids was one of the first times I really felt like I fit in anywhere.

JV: What do you love most about aerial silks?

SC: Of course I love the feeling of flying on silks, but also circus and training aerial has given me such a wonderful relationship to my body and what I’m capable of. Being really strong is incredibly fun and inspiring. 

JV: Do you do circus performances full time? 

SC: I’m a full time circus performer. I freelance for different circus companies, and I’m currently setting up my own production company, so I can create ensemble-based aerial theater and circus shows with other performers. Our first show will be coming next spring. I’ve been able to chase this dream thanks to my “Patron Camilleons,” who support me on Patreon.

There you have the scoop, my dears! She’s a sight to behold. So, once the Oakland-based aerial queen is back in the Bay Area, stay tuned for a performance near you. To learn more about Sierra Camille, visit www.sierracamille.com

—Jane

Jane Vick is an artist and writer currently based in Oakland. She splits her time between Europe, New York and New Mexico. View her work and contact her at janevick.com.

The Flynn Creek Circus 20th Anniversary Show

The Flynn Creek Circus might be a familiar name to some. Circus fans and Northern California locals may have even attended the first shows back in 2002. 

For those not familiar with the name, now is the chance to become acquainted. The Flynn Creek Circus, started by husband and wife duo Blaze Birge and David Jones, has been gracing fields, farms and convention centers up and down the West Coast for two decades. This year’s performance, Balloons, Birds & Other Flying Things, honoring their 20th anniversary, comes to Sebastopol Aug. 11-14 after stops in Petaluma and Rohnert Park in July. 

Using memories solicited from previous audience members, Balloons, Birds & Other Flying Things is a series of vignettes told through music, acrobatics, comedy and jaw-dropping feats of circus talent. 

Inspired by Albert Einstein’s quote, “The distinction between past, present and future is only a stubbornly persistent illusion,” the show is centered on a father and daughter who attend the circus together, creating a memory which moves through the daughter’s life even after her father passes away. 

In preparing the show, Birge and Jones were inspired by the ongoing experience of raising their own daughter while running a circus. Balloons, Birds & Other Flying Things is an invitation into the mysterious nature of our experiences and memories.  

“Flynn Creek is special in that it’s a very narrative circus—we kind of do contemporary circus theater in a way, because there’s always a storyline involved that’s thoughtful and absurd, and funny,” said MC and marketing manager Nicole Laumb. 

The group began with a series of epic, circus-society-type parties in Comchee, a small village on the Mendocino Coast where Birge was living. As a circus performer touring in America and Europe at the time, Birge wanted a local group. 

“There was nothing, there was no circus whatsoever. So I started throwing these rural kinds of parties with circus performances,” Birge recalled. 

The property hosting the parties was on Flynn Creek Road, hence the circus’s name. From Birge’s account of the early gatherings, they were nothing short of epic. 

“They were pretty wild. I mean, it’s in the middle of nowhere, and 800 people would show up. They all had themes—one year we did an Egyptian theme where we collected roses from a friend’s garden and covered the entire walkway with rose petals. That’s how we got started,” Birge said. 

Birge originally studied philosophy and performance art installation in college, and found her love of circus inadvertently through investigation into rigging to suspend sculptures. She ended up apprenticing with a circus in London, never anticipating she herself would end up in the ring. 

“I was interested in the acrobatics side. I won’t pretend I wasn’t, but I was 25. I really didn’t think that that was something I was going to be able to do. But I did! I went and apprenticed under a fifth generation Romanian circus family in England, and just sort of fell into the performance side, and particularly the aerial arts. It was all encompassing, and what I’ve been doing for the last 20 years!” Birge said. 

From those early 2000s’ parties, the show and company grew to what it is today, a touring circus with a rotating cast, changing every year to incorporate the myriad circus talents worldwide. This year’s cast includes slack rope walker and choreographer Esther De Monteflores,  Boston-based circus artist Alexis Hendrick, French circus company CollectifA4, drummer Zak Garn and more. 

Each performer carries a unique and inspiring story of finding their love of circus, from those who knew at an early age to those—like Birge—who amazed themselves with their ability and the chances of fate that led them to performing. The eclectic group is joined together by their dedication to and love for the craft, and their commitment to the adventurous lifestyle that circus performance offers. 

“The cast is also the crew. We travel weekly, put up the tent, perform, take down the tent and move to the next location. Everyone is working, sweating, making sure that the show goes,” Laumb explained. 

Going to the circus isn’t like going to a play or a concert—there is a uniqueness to the experience of the circus that I as an audience member have often wondered about. Hearing the phrase, “The circus is coming to town,” brings a sense of fear, mystery, nostalgia, timelessness and wonder all at once.  

As a bystander, I’ve always attributed these associations to old films like Something Wicked This Way Comes or books like The Night Circus, which weave romance, danger and magic into the very fabric of the circus tent. Outside of cinema and literature, I inquired with Birge as to just what that inimitable circus-quality stemmed from.

Birge responded: “Circus is incredibly authentic, in a way that theater is not, in a way that dance is not. What you’re looking at contains true risk, true athletic risk that has consequences. And that thrilling element is very unique. That, coupled with the amount of time it takes to master these completely useless skills. There is this weird silliness factor surrounding the incredible risk that creates pure entertainment. What you’re seeing is somebody’s will, somebody’s passion, somebody’s absolute determination to accomplish. And you’re seeing the residue of all the failures it took to get to that success as well. And I think that’s the authenticity you’re seeing. It just comes across.” 

In a way, circus is magic—a feat of human determination and a commitment to the absurd, resulting in something profoundly entertaining and almost inexplicable. Sounds a bit like life, doesn’t it? Only this version includes tightrope walkers and trapeze artists. 

See ‘Balloons, Birds & Other Flying Things’ at the Sebastopol Grange, 6000 Sebastopol Ave., from Aug. 11-14. Tickets and additional information available at www.flynncreekcircus.com.

Sonoma County Fair Tropical Fairadise

Sponsored content by Sonoma County Fair

All your fair favorites are back this year and bigger than ever! Horse Racing, Giant Carnival, Animals, Brew Fest, Great Free Shows, Flower Show, Kids Arena and more!

Want to get the most out of your day at the Fair? Plan early and save! Early bird tickets are available until Aug. 3 at SonomaCountyFair.com or mark your calendars for these dates:

  1. Thursdays, kids ages 12 and under get into the Fair for FREE!
  2. Fridays, seniors Age 60+ $1 admission (Aug. 5, Aug. 12)
  3. Aug. 5 DRESS LIKE  A PIRATE, pirates get in for $5
  4. Tuesday, Aug. 9, FOOD DRIVE! Bring three items from Food Bank’s ‘Most Wanted List’ for $1 Admission

Here’s our dream day at the Fair:

1. Walk through the Hall of Flowers and explore this year’s Islands of Adventure. At work behind the scenes for the past four months, Sonoma County’s professional landscapers, landscape designers, amateur gardeners, and young floral enthusiasts are busy creating a flower lover’s dream come true! This year, each garden will highlight a tropical island. From Isla Nublar to Bali Hai, visitors can expect water features and even a tiki bar where they can put their toes in the sand. Can’t wait to see the floral exhibit? Attend the Hall of Flowers preview party on Wednesday, Aug. 3, at 5:30 p.m. Get tickets here: http://www.sonomacountyfair.com/fair/tickets.php

hall of flowers, sonoma county landscapers, gardeners, fair, festival

2. Visit the livestock area! Want to see cows, chickens or other animals? The Sonoma County Fair livestock shows are the annual showcase of the best of the best, with exhibitors from throughout the state as well as hundreds of animals from the dairies and ranches for which Sonoma County is famous. Sonoma County’s young ranchers and farmers work all year long to select, purchase, feed, and groom livestock to be judged, graded and sold at the Fair. Projects include steers, goats, lambs, hogs, poultry, and rabbits. Before visiting, check this schedule here: http://www.sonomacountyfair.com/fair/livestock-exhibitors.php

junior livestock, sonoma county fair

3. When you’re ready for lunch, try one of the Fair’s delicious options. What’s on the menu at the Fair? You’ll find a delightful variety of snacks, hearty meals and unbelievable goodies at this year’s Sonoma County Fair! Look for the return of Pronto Pup, the Dawghouse, Boss Burger, Wicked Slush, Reggae Rasta, Funnel Cake and Ricardo’s Hawaiian Feast to name a few as well as some all-new vendors. Want to try something new? As a special treat on Fridays (Aug. 5 and 12), all Fair food vendors will be whipping up special $5 items for hungry fairgoers from noon to 5 p.m. This is a chance to try some new things for only $5! For a full list of Fair foods, visit http://www.sonomacountyfair.com/fair/fair-food.php

sonoma county fair food, hambugers, hot dogs, pasta, pizza, deserts, cake

4. After lunch, catch a horse race! This year, racing returns to the Sonoma County Fairgrounds for the first time since 2019! The eight-day Wine Country Racing Meet at the Sonoma County Fairgrounds in Santa Rosa kicks off Thursday, Aug. 4, and runs through Sunday, Aug. 14, 2022. Live racing will be conducted on a Thursday-through-Sunday basis. Fans who attend the Santa Rosa races are given free entrance to the lower racing grandstand and paddock area. Upstairs seating options are available for purchase online here:
http://www.sonomacountyfair.com/fair/tickets.php or at the grandstand ticket booth upon arrival.

horse racing sonoma county fair

5. For those with an adventurous spirit, don’t miss the most popular rides plus some new ones! Grab a Carnival Pre-Sale COMBO pass Good any day of the Fair, which includes Fair admission and a wristband to ride all day at the spectacular carnival. Only available through Aug. 3 ($53 Value—Pre-Sale Price $43). Kids Carnival opens at noon and Main Carnival Opens at 3 p.m. Get your Carnival combo tickets here: http://www.sonomacountyfair.com/fair/carnival.php

carnival rides, sonoma fair

6. In the evening, attend a community concert free with Fair admission tickets. See incredible music acts like Journey’s former lead singer, Steve Auguri, or Debby Holiday, an International singer/songwriter with 15 Billboard Top 20 Dance Chart Hits, presenting a compelling tribute to the “Queen of Rock ‘n’ Roll,” Tina Turner, and more! Find the full music lineup here:
http://www.sonomacountyfair.com/fair/headlining-concerts.php

steve auguri, journey, live music sonoma county fair

Sonoma Supervisors Discuss New Wildfire Evacuation Zone Access Rules

With another wildfire season underway, the Sonoma County Board of Supervisors on Tuesday, July 19 held a long-awaited discussion about creating new rules governing access to evacuation zones during wildfires. 

The meeting, which drew a considerable crowd, was a long time coming. Since the 2017 wildfires, the county has been using an interim policy developed by county employees that allows some agricultural businesses to bring workers into evacuation zones. Public records reviewed by the Bohemian show that, during the 2020 Glass Fire, numerous companies were allowed to bring workers into evacuation zones, sometimes to harvest grapes and complete other business.

That practice has raised concerns from some workers and advocates, who say that low-wage employees who are unable to skip work due to financial concerns are being put in danger by the current access policy.

For the past several years, North Bay Jobs with Justice (NBJWJ), a local labor nonprofit, has been pressing local lawmakers and businesses to develop greater protections for farm workers during wildfires. The group’s “Five For Farmworkers” campaign calls for changes including increased translation services for workers who speak Indigenous languages, payment for farm workers who lose work due to wildfires and increased wages for workers who do decide to work in hazardous conditions.

The campaign has drawn significant media coverage and, in turn, opposition from some in the wine industry. Earlier this year, an industry group, Sonoma Wine Industry for Safe Employees (Sonoma WISE), launched a website opposing NBJWJ’s campaign. The group has also brought wine industry workers to public meetings, including the July 19 hearing, to speak against NBJWJ’s campaign. 

In June, the Guardian reported that nine of the roughly 150 workers Sonoma WISE brought to a May Board of Supervisors meeting had since told NBJWJ that they were pressured into attending by their employers. “If I didn’t do it, I would be out of a job,” one anonymous worker told the publication.

Asked about NBJWJ’s allegation, John Segale, a public relations consultant working for Sonoma WISE, told the Guardian, “Nobody has told anyone what to say. The vineyard employees chose to become active on this issue because they were mad at how they were repeatedly disrespected by [NBJWJ executive director] Max Alper and North Bay Jobs with Justice.”

At the July 19 meeting, county staff presented the board with five options for moving forward on the evacuation zone access policy. Of the choices, industry representatives and workers supporting Sonoma WISE spoke in favor of allowing the Sheriff’s Office to create and implement a policy. NBJWJ’s supporters backed the idea of the Board of Supervisors crafting their own policy.

Both groups voiced frustration that the county had not developed a formal policy before the start of fire season, given that the issue has been publicly discussed for several years and other counties already have policies in place. The delay means that business owners, workers and county authorities will once again navigate a fire season without publicly-debated regulations around who should be allowed access to farms during wildfires.

Similar discussions have been happening across the state. Last year, Gov. Gavin Newsom signed into law Assembly Bill 1103, legislation that lays out a framework for counties to regulate access to dairies and other livestock during wildfires. The bill does not include regulations on plant-based agriculture businesses, including grape growers and wineries, leaving counties with those industries the task of creating their own access rules.

For months ahead of the meeting, Sonoma County had been promising to host a community meeting to hear input on its rules governing access to wildfire evacuation areas and other fire-safety related issues. However, the forum was delayed repeatedly and, ultimately, the supervisors simply discussed the evacuation zone access policy at a regular meeting on July 19.

Supervisor Lynda Hopkins, a member of an ad hoc committee created to discuss and craft new rules, said at the meeting that the public forum was canceled due to rising Covid cases and other factors.

Later in the meeting, Mike Martini, the owner of Taft Street Winery, spoke in favor of allowing the Sheriff’s Office to manage the process and urged the supervisors to pass a policy immediately.

“This is a safety issue, and decisions should be made by public safety professionals…,” Martini said. “These are the men and women who are going to determine what the evacuation areas are; these are the men and women who should be making the determination for access.”

Representatives of NBJWJ raised transparency concerns about allowing the Sheriff’s Office to develop the access program.

Max Bell Alper, NBJWJ’s director, said, “There’s just literally no transparency or accountability built into that option with the sheriff.”

“I hope the Sheriff’s Department works to build some trust in the community, but the reality is where people see the sheriff, especially immigrant workers, is during evictions, deportations and police violence. It’s not a fair system to allow only the sheriff’s to make decisions [around access],” Alper added.

During discussions about the path forward, Supervisor David Rabbitt voiced support for allowing the Sheriff’s Office to take control of the issue, while other supervisors leaned towards being directly involved in crafting a policy.

The supervisors dove into some of the finer points of whom should and should not be allowed to access evacuation zones and for what purposes—not to shoot drone footage for YouTube or feed one’s cats, for instance. Some supervisors noted that other industries, including construction and hospitality, are also impacted by wildfires.

Responding to a question from the board about the feasibility of the sheriff crafting a policy, Assistant Sheriff Jim Naugle said that the program should be a collaborative effort. 

“Just to be clear, this is nothing we could do on our own anyway… I don’t have the resources or the knowledge to verify the agriculture operations that are plant based. I don’t have the resources or the knowledge to verify livestock or what other communities might be impacted,” Naugle said. 

“For this to work, I think it has to be a collective thing and, I think, anything we would present to the board would include verification from [other departments],” Naugle added. 

Ultimately, the supervisors directed county staff to return on Aug. 30 with a policy based on their conversation. Though other agencies may be involved in crafting the access policy, the enforcement during wildfires will be done by the Sheriff’s Office and other first responders.

The board made reference to some of NBJWJ’s other Five For Farmworkers campaign items, but did not take action on them.

Earlier this summer, the Board of Supervisors included $1 million in the county’s budget to pay workers who lose work during wildfires. The details of how that money will be used have not been determined.

The Dangers of Comfort and Compromise

I am writing in response to Don Erikson’s essay on last week’s Open Mic page, in which he advocates finding common ground as well as avoiding topics of race and politics to better get along with those who disagree with us. Although I find his sentiment laudable and well-intentioned, I believe it to be ultimately harmful and wrong.

First, the left and right are NOT equally at fault for the current division in our country, as Mr. Erikson implies. There is no radical left; there is a socially responsible left that crusades for the needs and welfare of all people and the environment. However, there is a radical right, manifested in an increasingly nationalistic, white supremacist Evangelical Christian movement with the GOP that is steadily moving toward fascism and is gaining power and political influence.

We have a national affinity for comfort and convenience. Hence, many liberals are reluctant to stand up to the various outrages we are witnessing from the right. We are cautioned against “making things worse” and to wait for the “right time” to make changes (BTW, when is the right time??). It’s so much easier to avoid conflict and find common ground that upsets no one. This is a doubly seductive stance because not only is it comfortable but seems so much more evolved and enlightened than the messiness of conflict. Glossing over the pressing and critical issues that confront us is actually facilitating evil under the guise of getting along that neatly fits into our comfort zone.

I do not disparage Mr. Erikson or those sharing his view, which is commendable yet flawed. Compromises made by the left will not be reciprocated by the right.

This is a time to defend the principles we profess to believe in, which include calling out and fighting against that which is harmful to our people and environment. In the words of the late, great John Lewis: “Get in good trouble!” Let’s make things better and not be afraid of the trouble that is an inevitable part of the struggle for what is right—our country deserves it.

Christopher Newhard lives in Cazadero.

Art of Living from the Romans

When we complain how our education system doesn’t prepare young people with the skills they need for real life, we usually mean pragmatic things reflecting the fluctuating needs of the marketplace and innovations in technology.

But the most useful skills in the world are useless if you can’t manage life itself.

Two thousand years ago, a manual was written containing some of the most timeless wisdom ever committed to parchment. Penned by a disciple of Epictetus (pronounced epic-TEET-us), a second-century Roman philosopher, the book encourages one to cultivate a detached attitude towards life, withstand adversity and pursue the highest virtues. 

It was lately given a freeform interpretation by Sharon Lebell under the title The Art Of Living: The Classical Manual On Virtue, Happiness And Effectiveness, and it is the one self-help book everyone should own, consisting of pithy tidbits to read each morning before venturing forth into the world. Here are a few examples: 

  • As you think, so you become.
  • First say to yourself what you would be, and then do what you have to do.
  • Regardless of what is going on around you, make the best of what is in your power, and take the rest as it occurs.
  • Attach yourself to what is spiritually superior, regardless of what other people think or do. Hold to your true aspirations, no matter what is going on around you.
  • Most of what passes for legitimate entertainment is inferior or foolish and only caters to or exploits people’s weaknesses. Avoid being one of the mob who indulges in such pastimes. Your life is too short, and you have important things to do.
  • There is only one way to happiness, and that is to cease worrying about things which are beyond the power of our will.

As you can see, the crux of Epictetus’ thought centers around the simple premise of taking responsibility for that which you can control and letting go of all that which you can’t. In the middle of the 20th century, this notion would become the foundation of the branch of psychology known as Cognitive Behavioral Therapy.

But perhaps most interesting is the context in which this wisdom was expounded. While Epictetus was writing his practical maxims, Rome was in steep decline with a thousand-year dark age on the horizon. And yet here we are two millennia later, still reading Epictetus’ wisdom, thereby proving the truth of his words, that the timeless realm of the soul really does transcend the rise and fall of empires.

Notes from the Set of (Not) a Werewolf Film

When news editor Will Carruthers offhandedly suggested I write a dispatch from the set, he had no idea I had been keeping a production diary.

Films are what I do when I’m not newspapering, and this particular film, presently titled Wolftone, is a bit of Gen X angst spun as a rom-com but with fangs and fur.

It’s a werewolf movie that takes pot shots at Herman Hesse’s Steppenwolf (not a werewolf book, mind you), horror genre idioms, but mostly my generation’s commitment to not aging gracefully, the (de)evolution of traditional relationships and how second chances are seldom on our own terms.

Some might say this is a vanity project (I write, direct and star), but I’d like to think I’m taking one for our Team X, saying what a lot of us have been thinking. Trust me, this is not a flattering piece of material. But I am stoked to join the ranks of such quasi-contemporaries as B.J. Novak (congrats on Vengeance!), as well as ancient writer-director-actor antecedents—from schlocky Ed Wood to artiste Orson Welles.

As culture writer Andrew Bloom wrote when mulling the spectrum between Wood and Welles, “all art contains a piece of the author’s soul, from cinema’s highest highs to its lowest lows, and that fact connects everyone with the foolhardy impulse to try to make good on the impulse to create.”

I agree with Bloom wholeheartedly and I applaud all artists, however they heed the call—filmmakers in particular. And by “filmmakers” I mean all those hearty souls participating in every aspect of production. These are precisely the kind of people with whom you would want to venture into deep space. You have no idea where you’re going and if you’ll ever get home, but the hope is to eventually share something amazing everyone can someday see for themselves.

Films are impossible but not implausible, which is why they still happen. 

And so far as one’s aesthetic ambitions will lead where they may, the drive to make these cinematic monsters necessarily derives from a collective spirit. And that, ultimately, belongs to the audience. Over flickering fires to cinematic streams, movies and their progeny are how our culture best reflects itself.

But culture ain’t what it used to be. We exist in atomized algorithmic-driven niches now. The blockbusters and water-cooler attractants of yore have given way to an amazing glut of “content,” nearly as many shows as subscribers. 

So, why make independent films in this climate? As Quentin Tarantino reminds his casts and crews when goading them into a final take: “We love making movies.” 

That’s why.

‘Bohemian’ and ‘Sun’ editor Daedalus Howell is directing his second feature film. Find him at daedalushowell.com.

‘Drowsy Chaperone’ Awakes in Sonoma

“I hate theater.”

No, that’s not the long-suspected confession of a theater critic. It’s the opening line from the Sonoma Arts Live production of The Drowsy Chaperone, now running through July 31.   

That line, followed by a litany of complaints about modern theater (shows are too long, actors shouldn’t interact with the audience, Elton John, etc.), is uttered in darkness by a disembodied voice. The lights come up on a gentleman (Tim Setzer) sitting in a comfy chair next to a record player, surrounded by Broadway musical cast albums.  

The “Man in Chair” is feeling a little blue and usually finds solace by escaping into the fantasy world of Broadway. After first considering an escape to River City, IA via The Music Man, he decides to return to the decadent world of the 1920s, as presented in the classic Broadway musical, The Drowsy Chaperone (an entirely fictional show). As he plays the soundtrack, the characters from the show appear in his apartment and the audience is treated to a play-within-a-play, which is an amalgam of showbiz musicals of the time.

Broadway star Janet Van De Graff (Maeve Smith) seeks to give up the stage to marry the man she loves (Stephen Kanaski), much to the chagrin of her producer (Pat Barr). Under pressure from an investor and his gangsters (Rick Love, Kaikane Lavilla), the producer schemes to break things up by having a Latin Lothario (Andrew Smith) seduce Janet. Will love win out in the end? Need one ask?

The Man in Chair provides running commentary throughout the show, which also includes a staid butler (Sean O’Brien), a harried best man (Jonathen Blue) and, of course, a drowsy chaperone (Daniela Innocenti Beem).

Despite its opening line, Chaperone is a love letter to musical theater. There’s singing, dancing, comedy, colorful period costuming by Rebecca Valentino and just a wee bit of heart. Director Michael Ross shows a sure comedic hand in guiding his cast in threading the needle between loving parody and outright spoof.

Talented North Bay regulars populate the large cast, with Setzer the calm but bitingly amusing center of the on-stage storm. Sherrill Peterson’s band delivers the music, Maeve Smith and Dani Beem deliver the vocals, and the entire cast delivers in the Liz Andrew-choreographed numbers.  

The Drowsy Chaperone delivers a lightweight escape for all. 

‘The Drowsy Chaperone’ runs through July 31 at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs–Sat, 7:30pm; Sun, 2pm. $25–$37. 866.710.8942. Proof of vaccination with ID and masking are required to attend. sonomaartslive.org

Look Within—Finding Meaning in Darker Moments

Hello, loves! It’s been far too long—how does this find everyone? 

I’ve been away from “Look” for myriad reasons. Before I return to my usual programming, which has evolved from fashion to highlighting the unique and inspiring human beings of Marin and Sonoma counties, I want to dedicate this week’s column to a topic very meaningful to me: how we are doing.

I, for one, am not really okay. Since late 2019, things haven’t felt okay, right up to this moment. I’m sitting on my balcony, riddled with another bout of Covid, despite my two vaccines and a booster, listening to a festival in downtown Oakland and feeling like an alien on planet Earth. The steady drip of bad news—inflation, the tsunami of technology and the disintegration of our government—are enough to leave anyone (me) feeling like the American dream we were promised probably never existed, or, if it did, is dying an ugly death on the table. 

Mental health is tenuous, connections are difficult. Loneliness tints eyes locked to social media feeds a shade of washed blue. Things like meeting a stranger at a coffee shop—things I used to take for granted—are out of sight in my rear-view mirror. 

I don’t know if things will ever return to the way they were. I’m only 30, and lately it’s seeming like the more years I accrue, the emptier my head gets. It’s hard to predicate anything with the youthful self-assurance all my years of philosophy and poetry gave me during college. Life feels much bigger, much more unruly, though it was all the philosophers and poets were writing about.

There are days when things feel a bit too much. There are days when I feel myself wrung out like a sponge, searching for a drop of humanity left. 

For anyone, anyone at all, who is feeling this way, I offer this Frederick Nietzsche quote, which gives me solace and even a sense of meaning during the darker days: 

To those human beings who are of any concern to me I wish suffering, desolation, sickness, ill-treatment, indignities—I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, the wretchedness of the vanquished: I have no pity for them, because I wish them the only thing that can prove today whether one is worth anything or not—that one endures.

Next week, space willing, we will return to our usual programming. For this week, for those struggling with the weight of the world, may we endure. 

Love always and to the best of my abilities, 

Jane

Jane Vick is an artist and writer based in Oakland. She splits her time between Europe, New York and New Mexico. View her work and contact her at janevick.com.

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