Shakespeare in the Piazza: ‘Two Gentlemen’ at Bacchus Landing

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For years, Healdsburg’s Raven Players have been presenting a summer Shakespeare production “under the stars” at the perfectly serviceable but rather bland West Plaza Park. They’ve upgraded a bit this year by relocating to Bacchus Landing for their production of Two Gentlemen of Verona. The Wine & Event Center is hosting the production through Aug. 16.

There’s a small elevated stage in the center’s piazza with a wall over which the Players have draped a backdrop to provide a sense of location. Rows of padded chairs face the stage, with a few tables and cushier chairs in the front available to those willing to shell out some more bucks. Wine and wood-fired oven pizza are available for purchase to make the evening more of an outing.

The show itself is one of Shakespeare’s earlier works. I’ve always thought it was one of the Bard’s easier plays to follow, written before he got all “Shakespeare-y.” It’s the tale of besties Valentine (Matt Farrell) and Proteus (Paul MacKinnon), whose friendship is tested by (of course) a woman. 

Valentine leaves Verona for Milan, where he falls in love with Sylvia (Kate Edery). Proteus stays back in Verona, as he can’t bear to leave his love, Julia (Alyssa Rempel), but soon finds himself sent to Milan anyway. He becomes smitten with Sylvia himself, and, as all best friends do, plots to have Valentine removed from the picture. Word gets back to Julia what Proteus is up to, so she disguises herself as a man and heads for Milan to see what’s up. Comedy ensues.

Co-directors Steven David Martin and Jenna Vera Dolcini have made this a “concept” production, with the concept being Shakespeare set in 1950s Italy. That means leather jackets and bad pompadour wigs for the boys, poodle skirts and saddle shoes for the girls, and really bad Italian accents for everyone. Adjusting one’s ear to the language of Shakespeare is a bit more challenging with the wildly over-the-top and often inconsistent accents.

Also challenging is the occasional low-flying jet from nearby Sonoma County Airport, the constant beeping of pizza pagers, and the inflow and outflow from the audience of those pizza-seeking patrons.

The Raven’s summer Shakespeare productions have always been sort of light-hearted larks, as is this one. Your enjoyment of it may be in direct proportion to the amount of wine you ingest beforehand.

The Raven Players present ‘Two Gentlemen of Verona’ through Aug. 16 at Bacchus Landing, 14210 Bacchus Landing Way, Healdsburg. Thurs-Sat, 7:30pm. $5-$25. 707.433.6335. raventheater.org.

The Shows Must Go On, DIY Music Promoters Keeping a Scene Alive

El Infierno Cantina sits within a nondescript building on a street corner in Santa Rosa’s Railroad Square. 

Through the entrance area, past the bar and a scattering of high-top tables, and up a set of stairs lies a surprisingly large venue space with a full-sized stage, sound booth and elevated booth seating wrapped around a sizable dance floor. 

Formerly the location of The Last Day Saloon, El Infierno Cantina (on Santa Rosa’s 5th Street) is packed from 9pm, every Friday and Saturday, as a nightclub that specializes in high-energy Latin DJs and bands. On Sunday, July 27, though, it opened its doors to host the fifth anniversary of Nothing to Fear, a punk and metal festival put on by local promoter Down the Street Booking.

From 3 to 10pm on that Sunday, 16 bands from Sonoma County, the greater Bay Area and beyond congregated in the space to rip through 25-minute sets across three different stages, or one stage and two makeshift floor-pits, to be more precise. 

Some folks in attendance came to see local favorites like New Low, a brutal post-hardcore outfit, and Sex-Ed, a freaky mishmash of electronic production and high-energy punk, but many in attendance were there for the sake of supporting the show or discovering something new. Most striking was the generational spread of the audience. Teenagers with dyed liberty spikes, grandpas wearing Asics and everyone in between were interspersed in the crowd, throwing up horns and trying not to get laid out in the pit.

It may be surprising to learn that Santa Rosa has a relatively robust scene for DIY and heavier genres of music. Running along the fringes of Americana, funk and cover shows that pop up in every winery and brewery in town is a collective of bands, fans and organizers dedicated to keeping things a little louder.

Gabriel Ferreira was born and raised in Sonoma County. In 2006, as he and his friend were walking out of a Taco Bell, something happened that changed the general trajectory of his life. “Some hipster on a bike rode up to us and gave us the tiniest little pocket-sized flyer for a show at Last Day Saloon (now El Infierno),” he says. “We went, and this band played a lobby show. That was my first introduction to the music scene in the city that I lived in.” 

Years later, Ferreira now runs Down the Street Booking, a local booking platform that puts on one to two shows monthly across town. Many of the acts in Down the Street shows are local or from surrounding cities, but Ferreira will also work with out-of-town bands on tour, hoping to fill out their dates on a West Coast run.

“I do come across people occasionally who come to a show and say they had no idea we had national touring acts coming through our scene,” says Brandon McCubbin. He runs Bitter End Booking, another Sonoma County-based booking agency that focuses on heavier genres. McCubbin has recently expanded the scope of Bitter End to include band management and regional booking, and he has his eyes on building toward a national platform. But at the same time, he remains loyal to his hometown. “I will always book shows here in Sonoma County. This is my home, and I’ll never leave,” he notes.

Since right after the Covid lockdowns were lifted, Ferreira and McCubbin have been operating at full-tilt booking shows around Santa Rosa. One of Ferreira’s first shows was called Outside Bands and took place at the now closed Whiskey Tip on Sebastopol Road. He has been working with El Infierno for some time to bring in regular shows. McCubbin consistently books at the Arlene Francis Center in Railroad Square and Shady Oak Barrelhouse, and recently brought Death Metal to the California Theater in Downtown Santa Rosa for the first time.

While both acknowledge there are challenges to booking in Santa Rosa, neither complains about a lack of available talent. Here is an incomplete list of local bands worth checking out, as compiled by McCubbin in under 10 minutes: Laceration, Hexen House, Coffin Hunters, Hangnail, Deer Lord, Burning Palace, Sex-Ed, A Hero To Fall, Intrinsic Maleficence, Trecelence, Scythe. This doesn’t even include the innumerable acts from Oakland and Sacramento that he and Ferreira have working relationships with. It would appear that our city has an embarrassment of riches when it comes to music to hit something to.

The real obstacle to booking shows in Santa Rosa is two-fold. First, getting people to come to shows. “A good attended show for what I’m doing is 30 to 35 people,” says Ferreira. At this number, he explains, he can break even on his costs and pay out a bit to the bands he’s booked. “We don’t always get there, but it usually works out,” he adds.

“Santa Rosa is what is called a B-market,” says McCubbin. In booking-industry terms, that refers to the quantification of potential audience turnout and cultural interest in a specific genre of music. With a metropolitan population of roughly 175,000 people, it feels reasonable to assume that there are at least 35 people in Santa Rosa who are interested in punk and metal, but many of them may already have plans to attend a different show locally or go see a bigger act in an A-market venue in San Francisco. 

The other obstacle is venues. Santa Rosa is in constant flux for available venue space, especially during peak weekend hours. One option for DIY bookers is to just hold shows at off-the-books spaces. I have been to shows in tattoo shops, taquerias and barns, but these spaces inevitably get shut down. “There aren’t many venues that are all ages and serve alcohol. Which is crucial when you need a big turnout,” says McCubbin.

“There will always be somewhere to throw a show because people want to have shows here,” says Ferreira, “but it’s hard to find something permanent.”

As a result, bookers in the area will create a patchwork of shows at various venues, which can be hard for people to track. The best bet for anyone trying to keep a finger on the pulse of DIY shows in Santa Rosa would be to follow the bookers themselves on social media.

Despite the challenges inherent to putting on this type of show in Santa Rosa, neither Ferreira nor McCubbin gives any indication of wanting to stop. 

For Ferreira, there is an element of giving back inherent to what he does. “I’m a dude who plays guitar in a band first and foremost,” he clarifies, “but I really like being able to help other bands get shows when they reach out to me.” He also hopes other people in the area get inspired to start throwing their shows as well. “You don’t need to be where I am with equipment and experience to do this. You just need to have the drive and passion to do it and stick with it,” he continues.

McCubbin’s thoughts on continuing are in a similar vein: “Music is my life. I do it because I love it, and I don’t see myself ever stopping, even when it gets hard or I lose money on big touring packages.”

In terms of the future of the scene, there is only so much a handful of folks can accomplish. The truth is that supply shows up for demand. If someone wants there to be more punk in their area and say, hypothetically of course, they read an article in their local paper about two guys working hard to make that a reality, perhaps the best thing they can do is find out when and where the next show is and go to it.

Tom Areton, Co-Founder of The Museum of International Propaganda

The word “museum” has a must and a dust, and a strong connotation of things past. But this local museum has a burning contemporary relevance. 

For if, as pundits say, we are in a “post truth” era, then we are entering a new red age of propaganda. And propaganda is the sole topic and study of this niche museum.

In its small space, The Museum of International Propaganda is divided into permanent and touring halves. The permanent collection is divided again into seven themes and aims common to propaganda, with examples from more than 25 past and present dictatorships.

The museum is maintained at considerable personal expense as a free resource by its co-founders, Lilka and Tom Areton—who personally collected the pieces through extensive global touring. Along with their historic context, each piece has a personal story attached of how it was gifted, bought, brokered or smuggled out by the Aretons.

On my visit, only Tom Areton was available for an interview. I found him an imposing figure and a master story-teller. I sat, rapt, as he sat, backed and paralleled by a large state portrait of Russian Vladimir Ilyich Ulyanov Lenin—“father of 20 revolutions.” It’s an irony that amuses Areton.

Parenthetically, the painting was bought in a back alley Polish flea market for Soviet rubble.

A settled American now, Areton was once a Czechoslovakian refugee from the Warsaw Pact.

Just a month before Soviet Russian tanks crushed the youth-led “Prague Spring” democracy movement, he escaped on a student visa to Paris.

In the U.S., Tom Areton met Lilka, with whom he bonded, in part, over a shared love of travel and a shared fascination with agitprop and the many methods of disinformation.

Cincinnatus Hibbard: Tom, could you name the seven themes which group the political propaganda in your permanent collection?

Tom Areton: Yes, there is propaganda that “idealizes the leader of the state,” that which conveys the “threat of fear and intimation,” that which “glorifies the nation” under the leader, propaganda which “promotes the average or common people” as the true heroes, that which “vilifies” the real or imaged enemies of the state and that which “venerates the military,” the wars past and the wars to come.

And in that you see a complete propaganda campaign. Tom, I understand you and your wife chose to limit yourself to political propaganda of the last century. What types of propaganda did you exclude?

Religious propaganda, health-issue propaganda, contemporary-issue propaganda, electoral propaganda and advertising.

You would consider advertising propaganda?

Yes. Edward Bernays, a double nephew of Sigmund Freud, is “the father of spin.” He worked for governments and for corporations; he wrote two great books—Propaganda in 1928 and Public Relations in 1945.

That’s chilling—“Public Relations,” written as the sequel to “Propaganda.”

Bernays believed that for democracy to work in a smooth, enthused way, you had to have a mass agreement between people. So he used the psychology of propaganda to get people to agree. He thought propaganda could be a good thing. Propaganda was not always considered a bad thing. It is complicated. But I would hope that people that come to the museum will leave with a better sense of how they are being manipulated by the propaganda all around them.

Learn more. The Museum of International Propaganda is open without charge, Thursday and Friday from 3:30 to 6:30pm, and Saturday from 11:30am to 5pm. It is located in San Rafael. The museum invites individuals and school groups (by appointment). In addition to its permanent and special exhibit library, the museum hosts speakers, debates and a library on propaganda. Donations are welcome. Learn even more by going to museumofpropaganda.org.

Culture Crush, Aug. 6

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Sebastopol

How ’Bout Them Apples?

The 52nd Annual Gravenstein Apple Fair returns Saturday and Sunday, Aug. 9-10, bringing its signature blend of homegrown charm, community spirit and orchard-to-festival activities to Ragle Ranch Regional Park. With award-winning local food, live music, craft beverages, and, of course, heirloom apples galore, this bash celebrates Sonoma County’s agricultural roots in full bloom. Produced by Sonoma County Farm Trails, the fair is a fundraiser, a feast and a fan favorite (voted Best Festival in Sonoma County three years running). Expect interactive farm experiences, kids’ activities, cooking demos and a deep core of eco-conscious vibes—it’s also a Zero Waste event. 10am to 6pm, Saturday and Sunday, Aug. 9-10, Ragle Ranch Regional Park, 500 Ragle Rd., Sebastopol. Advance tickets and full lineup at GravensteinAppleFair.com.

Santa Rosa

Arts Ed Mixer at Food Park

Supporters of arts education may start here: On Wednesday, Aug. 20, the Arts Education Alliance is hosting a casual, no-agenda networking mixer at Mitote Food Park in Santa Rosa. Whether one is an educator, artist, administrator or just curious about what’s happening in the arts education world, they may bring their ideas, business cards and a friend for an evening of connection, tacos and inspiration. 5:30-7:30pm, Wednesday, Aug. 20, at Mitote Food Park, 100 Sebastopol Rd., Santa Rosa. RSVP at bit.ly/sococreative-mixer.

Point Reyes Station

Think Inside the Box

The West Marin tradition returns: The Box Show™ is back at Gallery Route One from Aug. 16 to Sept. 13. This annual auction transforms 150 identical wooden boxes—crafted this year by Tomales High woodshop students—into wildly inventive artworks by local creatives. The result? A riot of whimsy, beauty and surprise that fuels a fundraiser for arts education and community programming. Opening reception from 3-5pm, Saturday, Aug. 16 at Gallery Route One, 11101 Highway 1, Point Reyes Station. Admission is free. Bidding runs through Sept. 13 at auctria.events/BoxShow2025. Full details and virtual tour at galleryrouteone.org.

Fairfax

The Devil You Know

As the Grateful Dead’s 60th anniversary swells with fanfare and Aug. 9 marks three decades since Jerry Garcia’s passing, Fairfax plays host to a uniquely personal tribute. This Friday, Aug. 8, filmmaker and author Len Dell’Amico—longtime creative collaborator and friend of Garcia—comes to the Fairfax Pavilion to discuss his new memoir, Friend of the Devil: My Life with Jerry Garcia and the Grateful Dead. Presented by Point Reyes & Wayfinder Books, this rare appearance offers behind-the-scenes insight into the band’s most electric era, from a director who helped shape the visual legacy of the Dead from 1980 to 1995. One may come for the stories, stay for the spirit. 6pm, Friday, Aug. 8, Fairfax Pavilion, 142 Bolinas Rd. More info at bit.ly/deadbook-fairfax.

Your Letters, Aug. 6

Costs Up and Wages Down

When does our government expect the average American worker to be able to afford to survive in today’s high priced society?

The prices of food have skyrocketed. I definitely think about what to eat—and where to spend—before I buy.

Those living on less than $2,000 a month are getting a rude awakening. They now are getting their Social Security benefits cut in order to pay for part B of Medicaid.

The cost of gas rises and changes daily. Grocery prices climb higher every week. Insurance companies are charging their customers premiums that most can not afford. I’ve met people who have three to five different jobs just to survive in today’s economy. 

Companies need to pay workers what they’re worth in order to survive in today’s society. The American consumer, who is just barely surviving, will be getting kicked back down even further. Our retired veterans are getting their benefits slashed in half.

I’ve met people still getting up to work graveyard shifts at gas stations just to have a job at retirement age. This is no way to live at 65.

When stores like the new Dollar Store in Windsor captivate the American consumer, that makes a bold statement on the status quo about those who are the “one percent” and those one step from homelessness.

Nicole Sartain
Ukiah

We appreciate your letters to the editor—send them to le*****@******an.com and le*****@********un.com. Letters may be edited for clarity and space.

Of Science, Art and Ag, Joe Nielsen’s Winemaking

Joe Nielsen became director of winemaking at Ram’s Gate Winery in 2018, implementing holistic farming and sustainable practices that reduced water use by 33%, earned California Certified Organic Farmers (CCOF) organic certification and resulted in being set to become Regenerative Organic Certified (ROC) this year. 

This big move is hugely important as we face the effects of a changing climate. Nielsen moved from Michigan to California in 2008 and now lives in Santa Rosa with his wife and two kids.

Amber Turpin: How did you get into this work?

Joe Nielsen: I began college on the pre-med track, envisioning a future in medicine—until a close friend surprised me with an unexpected suggestion: ‘You’d make a great winemaker.’ At the time, the idea felt completely out of left field. I wasn’t from a region where wine played a role in daily life, so the thought had never even crossed my mind. But the seed was planted. 

Over time, I found myself drawn to the blend of science, art and agriculture that winemaking offers. I eventually shifted my studies to focus on viticulture and enology—grape growing and winemaking—and never looked back.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

Not at first—I fell in love with grape growing before I truly appreciated winemaking. There was something captivating about how a vineyard fits so naturally into the landscape, each one uniquely shaped by its environment. The idea of guiding a plant to produce a beautiful, expressive beverage, rooted in history and time, completely drew me in.

Early on, I was especially inspired by Sauternes and German rieslings. Their elegance, complexity and age-worthiness opened my eyes to what wine could be—and they still hold a special place in my heart.

What is your favorite thing to drink at home?

Depending on the season, scotch is high on my list. Bruichladdich is one of my favorites. It is light enough for summer, yet complex enough for winter.

Where do you like to go out for a drink?

One of my favorite spots in Sonoma to stop in for a glass of wine is the girl & the fig. The restaurant has an incredible wine list focused on Rhône varieties—a category that I happen to love and also produce at Ram’s Gate. Another spot I love in Sonoma is Layla at MacArthur Place. The hotel is beautiful, with incredible farm-to-table dishes, and the wine list highlights many local producers. The selection of cocktails is also thoughtfully made with fresh, seasonal ingredients.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Likely Chablis or Meursault—a crisp, mineral-driven white wine is the perfect pairing with island sunsets and ocean breezes.Ram’s Gate, 28700 Arnold Dr., Sonoma, 707.721.8700. ramsgatewinery.com.

Free Will Astrology: Aug. 6-12

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ARIES (March 21-April 19): The Tagalog word gigil refers to the urge to squeeze or pinch something adorable. It’s an ecstatic tension that verges on overflowing the container of decorum. In the coming weeks, you Aries could feel gigil for the whole world. Everything may seem almost too vivid, too raw, too marvelous and altogether too much. I advise you to welcome these surges and allow them to enhance your perceptions. Laugh hard. Cry freely. Invite goosebumps. Please note: But don’t actually squeeze anyone without their permission.

TAURUS (April 20-May 20): In Japan’s Snow Country, artisans practice yuki-sarashi. It involves laying woven cloth on snow under sunlight to bleach, brighten, purify and soften the fibers through the effects of snow, sunlight, cold and ozone. Because this process doesn’t require harsh chemicals, it helps maintain the fabric’s strength and prevents it from yellowing over time. I propose you make yuki-sarashi a useful metaphor, Taurus. Something fragile and fine is ready to emerge, but it needs your gentle touch and natural methods. You are often grounded in the adept manipulation of raw material—what works, what holds, what can be relied on. But this burgeoning treasure needs maximum nuance and the blessings of sensitive care.

GEMINI (May 21-June 20): When African American dancer Josephine Baker arrived in Paris in 1925 at age 19, she was seeking refuge from her home country’s racism. Her electrifying performances soon made her a celebrity. Author Ernest Hemingway said she was “the most sensational woman anyone ever saw.” As she grew wealthy, she donated generously to French charities, hospitals and schools. Her compassionate works evolved further, too. During World War II, she worked as a spy for the French Resistance against the Nazi occupation. Later, she became a civil rights activist in the U.S. Can you guess the astrological sign of this multi-faceted star? Gemini. I hope you will be inspired by her in the coming weeks. May you, too, use your natural gifts and stylish flair to serve the greater good. Look for opportunities to mentor, encourage and advocate for those lacking your advantages.

CANCER (June 21-July 22): When a glacier moves, it doesn’t rush. It presses forward incrementally, reshaping mountains, carving valleys and transporting boulders. In a metaphorical sense, Cancerian, you are now in glacier time. A slow, relentless and ultimately magnificent process is afoot in your life. Others may not yet see the forward momentum. Even you may doubt it. But the shift is real and permanent. Trust the deep, inexorable push. Your soul is hauling whole landscapes into new configurations. 

LEO (July 23-Aug. 22): In the Arctic, the sun shines for 24 hours a day during midsummer. There is no night, only the surreal glow of prolonged gold. The human body, confused by the unending day, may be confused about when to sleep. For some, this creates disorientation, and for others, a strange euphoria. In my astrological opinion, Leo, you have entered a metaphorical version of this solar dreamscape. Your creative powers are beaming like a relentless sun. There may be little darkness in sight. So how will you rest? How will you replenish under the glow of fervent possibility? Be wisely discerning with your energy. Don’t mistake illumination for invincibility. Bask in the light, yes, but protect your rhythms. 

VIRGO (Aug. 23-Sept. 22): Now is an excellent time for you to swear sacred oaths. I suggest you get less comfortable with transitory arrangements and short-term promises. The near future will also be a ripe phase to make brave commitments that require you to go farther and deeper than you’ve dared to before. I recommend you forgo the cheap thrills of skipping along from one random moment to the next. Embrace a game plan. Finally, I urge you to cast magic spells on yourself that will release your unconscious mind from old fixations that subtly drain your power to fulfill your dreams. Please, please, please surrender trivial obsessions that distract you from your life’s key goals.

LIBRA (Sept. 23-Oct. 22): In West African traditions, griots are key figures in their communities. They serve as storytellers, oral historians, poets, genealogists and advisors. Their presence is often central to events like weddings, funerals and ceremonies. In the coming weeks, Libra, I hope that you will embrace a role that resembles the griot. Your ability to enhance and nurture your network is at a peak. You have extra power to weave together threads that have become frayed or unraveled. Given your potential potency as a social glue, I advise you to avoid gossip and instead favor wise, kind words that foster connection.

SCORPIO (Oct. 23-Nov. 21): The phrase “elegant sufficiency” is an old English expression meaning “just enough” or “a sufficient amount in a refined or tasteful way.” I am expanding it to also mean “the simplest solution that solves a problem completely without unnecessary complexity.” It’s your power phrase, Scorpio. What you need is not intricate perfection, but elegant sufficiency: enoughness. I suggest you welcome this gift with enthusiasm—not in a resigned way, but with a quiet triumph. Maybe your plan doesn’t need more bullet points. Maybe the relationship doesn’t require further analysis. Maybe your offering is already thorough. Allow yourself the sweet satisfaction of having just the right amount. What you have created may be more organically whole than you realize.

SAGITTARIUS (Nov. 22-Dec. 21): How do you become a maestro of desire? What must you do to honor your beautiful yearnings and cull your mediocre ones? What’s the magic that will help you fulfill your life’s purpose by trusting your deepest cravings? Here are some tips. First, jettison your inessential desires and cherish the precious yearnings that are crucial. Second, dispose of outmoded goals so you can make expansive space for robust goals that steer you away from the past and guide you toward the future. These are challenging tasks. The very good news is that the coming weeks can be a turning point in your quest to claim this birthright.

CAPRICORN (Dec. 22-Jan. 19): I’m writing a fairy tale about an ancient land whose queen regards poetry as essential to the public good. She often invites poets to perform for her and her court. When they finish a stirring passage, they bow—not to the queen or other observers, but to the silence they mined to access their inspiration, to the pregnant chaos from which the poem was born. The pause is a gesture of gratitude and acknowledgment. I invite you to partake in similar acts of appreciation, Capricorn. Bow toward the mysteries from which your blessings flow. Honor the quiet sources that keep you fertile. Praise the treasures in the dark that fuel your intense activities.

AQUARIUS (Jan. 20-Feb. 18): When I advise you to get naked,  I’m not necessarily suggesting that you doff your clothes. What I primarily mean is the following: Shed the armor around your heart; strip off your defense mechanisms; discard knee pads you wear while kissing butt or paying excessive homage; recycle shoes, jackets, pants and opinions that don’t fit you; and discard pride-spawned obstacles that impede your communions with those you love.

PISCES (Feb. 19-March 20): The Finnish word sisu describes a radical, unglamorous persistence. Those who possess sisu can summon extraordinary determination, tenacity and resilience in the face of confusion or difficulty. It’s not about bravado or flair, but about soulful gutsiness. I suspect it’s time for you to draw on your sisu, Pisces. It will empower you to tap into reserves of strength that have previously been unavailable. You will activate potentials that have been half-dormant.

Open Mic: Inept Reps, Reflecting on Whom We Elected

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It might be fun, just for a sec, to talk about what we U.S. citizens should expect from the people we elect to represent us in local, state and federal offices. 

Because we voters have made so many dreadful mistakes in this regard over the past 70 years or so, one might look around today and ask, how in the hell did so many unqualified people get elected in this country?

Putting aside for a moment that the professionals in the two major parties have conspired to create a system, on purpose, that lacks accountability, innovation and choice, and that minority rule is the rule—and not the exception—that favors both parties, even those facts cannot erase the mistakes or excuse voters for being this stupid. 

We are talking crack-smoking stupid here. These people are so many hundreds of miles from being the best and the brightest of American life that all we can do now is laugh, were it not so painful.

So, what should we want in our representatives? Education? Experience? Commitment to democratic ideals, which would include involving people of a wide variety of political philosophies in decision making? That would be a start. 

Basic knowledge about the global economy and about making the taxpayer dollar go as far as it can? Sure. Ability to work together to solve our most challenging problems, large scale and small? Of course. Also, honest, hard-working, intelligent, ethical, trustworthy and selfless.

We could go on. The problem is that almost no one, particularly in Congress and The White House, has a single one of these qualities. Think about that. No one with minimum standard qualifications. We’re talking about 100 senators; more than 400 members of the House, including our beloved speaker; the entire executive branch; and the Supreme Court. 

There isn’t a single person we can trust that I know of. All are bought and paid for by one interest group or another. This is Politics, Incorporated. If this is an exaggeration, it ain’t much of an exaggeration.

Rather than worry about how we got here, I think it might be time to decide what we do next as a society, because this crap is going to get much worse before it gets better.

Craig Corsini lives and writes in San Rafael.

Unplugging the Matrix. Could a New Approach to Incels Work?

An anonymous Reddit user from San Jose said, “I’ve kinda given up on dating, I just enjoy myself and my hobbies. I work, take care of my folks as they get older. I guess you could call it the MGTOW (Men Going Their Own Way) thing.”

The concept of “men going their own way” isn’t new. While it’s been popularized in recent years thanks to influencers and podcasts, the phenomenon of men rejecting romantic relationships with women dates back to the early 2000s. In 2004, two men using the pseudonyms “Ragnar” and “Meagainstthestate” launched the first recorded MGTOW website, titled Men Going Their Own Way (now defunct). The site laid out an early MGTOW manifesto and encouraged men to reject what they viewed as a gynocentric society in favor of autonomy from women and traditional expectations.

As Men’s Mental Health Month unfolded in June, conversations around men’s emotional wellbeing began circulating on social media. One of the most viral topics is Red Pill ideology—a broad term for misogynistic, anti-feminist online subcultures. 

While much of the backlash comes from feminist voices condemning the harm these spaces inflict on women, criminologist researchers like Sarah Daly are now highlighting a less examined perspective: what draws men into these communities in the first place. Daly argues that understanding the underlying feelings of rejection, loneliness and emotional neglect that attract men to these groups is crucial for addressing the deeper issues fueling the ideology’s growing influence.

“When I first started, I thought this was just a bunch of men being gross online. It was easy to disregard them. But when you really talk to them one-on-one, they share painful experiences,” Daly said.

The term “Red Pilled” in this context is borrowed from the movie The Matrix and centers around the belief that society lies to men about gender, power and relationships, and that “taking the red pill” reveals the “truth.” Some of the major Red Pill factions, as identified by Daly and other researchers, include Men Going Their Own Way (MGTOW); Pick-Up Artists (PUAs), who focus on strategies to manipulate women in romantic contexts; Men’s Rights Activists (MRAs), who concentrate on legal and social issues they view as discriminatory against men; and Incels, or “involuntarily celibate” men who feel unable to find romantic or sexual partners.

Red Pill communities have steadily migrated across platforms—from Reddit to YouTube, TikTok and now private Discord servers. Daly says this shift helps them evade moderation and reach wider, younger audiences through algorithm-driven feeds. Media scholars Alice Marwick and Rebecca Lewis identified YouTube as a “radicalization pipeline” in a 2017 Data & Society report. A 2021 Violence & Gender study tied Red Pill content to misogyny, isolation and, at times, real-world violence. Daly warns Discord’s encryption complicates intervention.

The paradox, Daly says, is that while these online spaces often foster toxicity, they can also provide a place of comfort for Red Pilled men, as they realize that they are not alone.

Locally, the Red Pill conversation has been heating up in recent years as well. In March 2024, UC Berkeley computer science professor Jonathan Shewchuk faced widespread criticism after advising a student on the EdStem platform to “get out of the Bay Area” if they wanted to find a girlfriend. 

He claimed that “almost everywhere else on the planet is better for that” and that students would be “shocked by the stark differences in behavior of women in places where women are plentiful versus their behavior within artillery distance of San Jose and San Francisco.” His comments were deemed inappropriate and misogynistic by students and faculty alike.

His remarks drew a variety of responses from the UC Berkeley community and the broader Bay Area about misogyny in modern dating. U/Theavenues415, who posted the news from SFGATE in the r/bayarea subreddit, added a comment saying, “Red pill comments in this sub are why guys struggle. Failure to acknowledge self sabotage. Can’t blame gender ratios for everything as that is not the only thing or main thing holding you back,” with which hundreds of Redditors agreed. 

At the same time, many male-identifying anonymous users were in agreement with the professor, with one user, u/Ok-Function1920, saying, “Guy is getting scolded for honesty. Lol classic Bay Area.” And another, u/trumpet88, saying, “This is such a mild (and commonly understood) take. The backlash is insane.”

Beyond straining relationships with the opposite sex, the rise of Red Pill ideology has also fractured friendships and social circles. A San Jose-based Reddit user, u/enterthedragonball, shared a post describing the painful decision to cut off a longtime friend after he began expressing Red Pill rhetoric.

“I boiled it down to pure stupidity, lack of education, and simply too much screen time,” the user said.

Daly began studying incels in 2019, shortly after completing her doctorate dissertation on mass shootings. As an expert in mass violence, gender and online communities, she shifted her focus when her initial research reached a dead end. 

Over the next four years, Daly conducted in-depth interviews with incels to better understand their experiences. In 2022, she was invited by Palo Alto University to co-lead a “Primer on Incels” workshop, bringing together researchers and mental health professionals to share findings and develop practical strategies for addressing incel-related issues.

“I didn’t want my research to just die in the halls of academia,” Daly said. “There’s a serious mental health component to this.”

When she first embarked on her area of study, Daly found the expected common theme: a general hatred of women. But a finding that surprised her was the chances of them actually turning violent. According to a 2022 study co-authored by Daly and others, approximately 5% of individuals identifying as incels or within related online subcultures are considered at higher risk of engaging in real-world violence. This study, conducted by researchers at Swansea University and the University of Texas at Austin, surveyed 561 men in the U.K. and the U.S. who self-identified as incels.

“There’s an assumption that they will all turn violent,” Daly said. “But in my research, I’ve found that they’re more likely to harm themselves.”

According to Daly’s UT Austin study surveying 561 self-identified incels, approximately 75% met the criteria for moderate to severe depression, while 45% experienced severe anxiety. Furthermore, about 25% of participants scored at a level suggesting a likely diagnosis of autism spectrum disorder, a rate substantially higher than the general population’s prevalence of around 1%. Daly argues that social differences can increase an incel’s risk of being bullied, often triggering deeper social withdrawal and fueling a vicious cycle of isolation.

“Many have a lifetime of bullying and mistreatment,” Daly said. “I think individual therapy is fantastic to uncover the roots of some of this trauma.”

San Jose resident Jason Pham says he is a testimony that therapy works. He shared that, like many young men, he once fell down the Red Pill rabbit hole.

“It’s a defensive shield for people who don’t want to do the hard work of looking inward,” he said.

For a long time, he believed the world was unfair and that his resentment was justified. It wasn’t until he committed to consistent therapy, reading and journaling that his mindset began to shift.

“You can’t shortcut healing,” Pham said. “The growth has to come from within.”

The Art of Air: Virtuosic Air Guitarist Argo Thompson

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If the name Argo Thompson strikes a chord, it’s probably because he was the founder and is a current advisor to Santa Rosa’s Left Edge Theatre. The theater is, in turn, now housed at the California Theater, also in Santa Rosa, which Thompson opened in 2022. 

But not everyone may know him as his darker, more outrageous alter ego, Riff Raff, a true rebel and champion of the local competitive air guitar circuit. If one’s first response is to scoff and think, “Air guitar competitions? You must be joking,” they’re not alone. Thompson was himself once a skeptic.

Speaking via email, Thompson says, “Two years ago, I was directing a play called Airness at Left Edge Theatre. The play centers on characters from the world of competitive air guitar.”

Airness is “an exuberant reminder that everything we need to rock is already inside us,” he notes. “I have to admit that when I first read the play, I thought the whole world of competitive air guitar had to be a joke. It was fictitious, right? 

“But the author, Chelsea Mercantel, wrote a recommendation in the script that anyone producing the play should contact the nearest air guitar organizers for help and/or guidance. Chelsea went on to say that individuals from organized competitive air guitar would be invaluable collaborators and most likely happy to help for little or no compensation,” Thompson continues.

This forthright and, well, free support and information convinced Thompson that, while still fairly ridiculous, the world of competitive air guitar was clearly not a joke.

Indeed, the multi-hyphenate musical act-performance-art-competition has roots back as far as 1996, when it was part of the Oulu Music Video Festival in Finland. We’ll talk about Finland, the unlikely birthplace of air guitar championships, a bit later. 

But interestingly (and also, pretty ridiculously), the concept of pretending to be a musical virtuoso dates back to the 1930s, when fans of orchestra music would air conduct, using their hands to emulate the great conductors of that time. Another milestone in air playing came some 30 years later when Joe Cocker was filmed playing air guitar while covering The Beatles’ “A Little Help From My Friends” at Woodstock in 1969. 

While Cockers’ influence is arguable, the prominence of rock music gathered steam alongside people driving cars or attending concerts where playing an instrument would otherwise be challenging, as air guitar slowly worked its way into the mainstream and can often be seen in the wild at any given stoplight.

Back here in modern times, Thompson took Mercantel’s advice and says he “did some research and got in touch with Justin Hypes, who is the Master of Airemonies (yes, one must be prepared for lots of “air” puns) of the U.S. Air Guitar, San Francisco region. Justin had heard of the play, and he and two other Bay Area air guitarists (ChewRocka and Human Airer) jumped at the chance to meet with the cast and mentor our production. We were blown away by their skills, positive outlook on life and insights into this new world we didn’t know even existed.”

From there, interest was piqued, and Thompson was plugged in. Hypes “suggested that we hold our own Santa Rosa qualifier during the run of the play, which we did. He helped us organize and produce, and that was the first time I competed,” he recalls. Yet, Thompson admits, he wasn’t very good to start. 

“Though I am a professionally trained actor with [more than] 25 years’ experience and have performed in hundreds of plays, nothing prepared me for the sheer adrenaline rush of becoming a rock star for 60 seconds. I was hooked,” he adds. But, as is the key to mastering any craft, virtual or real, practice makes perfect.

Interest in competitive air guitar has built steadily, perhaps due to the popularity of the 2006 air guitar documentary, Air Guitar Nation. Thompson says, “From my point of view, there are about 20% new folks at each qualifier I attend. The rest have done it before. I believe there were 20 city qualifiers this year, and those winners get sent to the U.S. finals in San Francisco on July 26.” 

Obviously, that was last weekend. But, we can let you in on a little secret as Thompson confides, “I have recently been invited to the world air guitar qualifier in Finland on Aug. 21, and if I place high enough there, will earn a spot in the world air guitar competition the next day in Oulu, Finland. Regardless of what happens at the U.S. Air Guitar Competition in San Francisco (last weekend), I plan on going to Finland in August.”

As is the case for any competition, some prep work is involved. “Everyone who competes in air guitar has a different process,” Thompson says. “Since I come from the world of theater, my routines tend to be more like performance art. I start with a story I want to tell, then find music and choreography that supports that concept. Adding crowd pleasing situations, moves and ideas.”

While most air guitarists lean towards metal, rock, glam rock and hair metal, there have been others rocking to ’80s music, new wave, country, jazz and Spanish flamenco. 

Thompson continues, “To prepare, I watch a lot of concert videos. Prince, Muse, Bowie, Ozzy (RIP). Trying to emulate their charismatic stage presence and moves. The windmill, power kicks, playing behind the back or between the legs, the power slide, are all important moves for budding air guitarists to be able to employ. Part of the fun, for me, is trying to come up with something that no one has done before. Something that is an expression of me and that moment. That’s where the ‘airness’ lives.”

He also has quite the costume for his persona—or make that, “airsona.”

“My costume is split down the middle, with Riff on my right side and Raff on my left. Riff is a punk rocker dressed primarily in red with denim and chrome. Raff is a classic rocker dressed in blues and leather,” he explains. And he also sports some heavy makeup and eyeliner to round out the ensemble.

Speaking of airsonas, Thompson (or is it now Riff Raff speaking?) says some of the bigger names in air guitar he’s looking forward to seeing and performing against include Japanese two-time champ “Seven Seas” as well as Nicole “Mom Jeans Jeanie” Sevcik, Justin “Nordic Thunder” and Howard Luke “Van Dammage” Sevcik. There’s also the biggest name in the game, Matt “Airistotle” Burns, a two-time air guitar world champion, and four-time U.S. champ.

Thompson closes out saying he’s “amped” to possibly hit the stage at the World Cup of Air Guitar in Oulu and is thrilled to be among competitors representing their nations vying for that top spot, but also rooting each other on. He asks, “Because what is really at stake here? The winner gets a real guitar. That’s the top prize. How silly is that?”

Learn more about air guitar at usairguitar.com and stay tuned to the ‘Bohemian’ to follow Riff Raff’s journey to Finland.

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