Opera Returns to Petaluma with ‘La Rondine’ 

Mercury Theater’s final show of the 2025-26 season leans heavily into romance, freedom and high drama with a production of Puccini’s operetta, La rondine, stage directed by Elly Lichtenstein with musical direction by Mary Chun. 

The show, a co-production with San Francisco’s Pocket Opera, opens in Petaluma on June 12 with Friday evening and Sunday afternoon performances through June 28.

La rondine is the story of beautiful mistress Magda, who risks her sequestered life of lavish Parisian luxury with the wealthy Rambaldo for a chance to be with young and dashing Ruggero. Can true love conquer all? Can Magda overcome the trappings of her gilded cage to realize her true worth? 

Another compelling storyline features Lisette, Magda’s spirited maid, who has big dreams of her own. The story follows the two women as they take leaps of faith to seek their highest selves.

Sung in English, this sumptuous tale features plenty of arias, and numerous, high energy dance numbers, including a waltz, a tango and a foxtrot. There’s even a polka. 

One doesn’t have to be an opera fanatic to appreciate this production, however. According to Chun, the music isn’t composed of the stereotypical tragedy-driven laments, but full of “a lighter, ironic wit.” The English translation also makes the story much more accessible to average audience members.

Lichtenstein emphasizes that “to watch opera in such an intimate setting, where the performers and story-telling are so accessible and the music is just about sitting in your laps, there’s nothing quite like it.”

This production of La rondine also highlights the art and beauty of the Bellé Epoqué era, which many know as the era of Art Nouveau, with sets designed by Joe Elwick. Lichtenstein explains: “Each act has been inspired by a famous artist of the time: Act One features Gustav Klimt, Tiffany rules the second act, and the third act evokes the (French) Riviera with the great seaside paintings of the time.” 

By producing La rondine, Mercury Theater carries forth the 50-year vision of Marvin Klebe, who founded the theater space that currently houses Mercury and who wanted to bring accessible opera shows to Sonoma County. 

“Opera remains the linchpin of the intimate building’s theatrical function,” says Lichtenstein. “If you’ve never taken in an opera, or if the Grand Opera stage didn’t do it for you, we do opera for everyone. Even die-hard aficionados love our work, as it brings everything home to you.

Mercury Theater presents ‘La rondine’ from June 12–28 at 3333 Petaluma Blvd. N., Petaluma. Fri, 7:30pm; Sun, 2pm. $25–$55. 707.658.9019. mercurytheater.org.

Sonoma Sunday Supper Series Explores Stewardship 

What does it really mean to steward a place? A new local supper series explores the question through conversation, cuisine and an immersive evening rooted in the land and—in its upcoming iteration—the sea.

The Sonoma Sunday Supper Series is a quarterly program curated by Place Matters in partnership with Asombrosa, a 63-acre estate on the outskirts of Petaluma. Each gathering combines place-based conversation with a Sunday supper prepared by chef Stephane Saint Louis of Bijou Restaurant, beverages from Barber Cellars and, weather permitting, a self-guided tour of the property’s forests, gardens and labyrinth.

The June 28 event, titled “Stewarding Place,” focuses on environmental stewardship and features Bill Sydeman, president and chief scientist of the Farallon Institute, alongside Lily Verdone, executive director of the Marin Agricultural Land Trust.

For Place Matters founder Carin Jacobs, the concept of stewardship offered an opportunity to examine Sonoma County through multiple ecological and cultural lenses at once. While one speaker works in marine science and the other in agricultural land conservation, Jacobs said the overlap between those disciplines felt natural given the interconnectedness of the region’s ecosystems.

“The lens for this event is stewardship, which felt tied to pride of place, to legacy and to future generations,” says Jacobs. “MALT was founded in 1980 and the Farallon Institute in 2007. While each organization has a unique history and addresses a particular ecosystem, they are both part of the larger ecosystem of the North Coast, and it felt inclusive to treat the topic holistically, given the interdependent nature of local environments.”

The series also reflects Jacobs’ belief that people often connect more deeply to environmental concerns through direct experience rather than abstract policy discussions.

“I like to say that any place is an amalgam of its built environment, its natural environment and its people,” notes Jacobs. “It is my hope that this series features all these pillars by bringing humans together in real time to both reflect on history and to become part of it. Audiences should be generative as well as passive, creating new ideas and connections where they didn’t exist before. It is this alchemy of unexpected mashups of people and places that excites me in my work.”

That philosophy extends to the setting itself. Rather than staging a traditional lecture or panel indoors, the event immerses guests in the landscape under discussion.

“It’s hard to feel invested in a place if you’ve never experienced it directly through multiple senses,” Jacobs observes. “We’ve tried to curate an evening that brings together social, environmental and cultural constructs for engagement and fosters both understanding and ownership.”

The speakers themselves also emphasize both urgency and practicality.

As Sydeman observes, “Fortunately, the natural environment of Sonoma County and its associated marine realm is relatively healthy and productive, providing a natural aesthetic as well as goods and services to society. We cannot be complacent, though, as major unanticipated changes can occur rapidly, and cause substantial impacts and damages to our precious sea- and landscapes. Regular monitoring of key land and sea ecosystem components is therefore key to sustainability of our remarkable Sonoma County.”

Verdone likewise frames conservation as a series of individual decisions that collectively shape the future of the region.

“Working landscapes don’t preserve themselves—they stay open because farmers and ranchers choose to keep working them, and because communities decide that land is worth protecting,” says Verdone. “Farmland protection happens one family, one ranch, one decision at a time. The landscapes people love are inseparable from the agriculture that sustains them.”

The Sonoma Sunday Supper Series takes place from 4-8pm, Sunday, June 28. Tickets are $150 per person. For reservations and location information, visit placematters-sonoma.com.

Royal Oakie Revue, Maternal Horrors and Human Rights

0

Point Reyes Station

Royal Oakie Revue

The Old Western Saloon hosts a well-curated strain of indie-roadshow mysticism when the Royal Oakie Summer Tour rolls through Point Reyes Station. Headlined by Northern California songwriter Donald Beaman alongside Bill Baird, and
Dead Nettle, the evening promises a blend of stellar if beautifully off-center American songwriting. The tour, assembled by Royal Oakie Records, leans toward artists who operate just outside the mainstream’s field of vision—exactly the sort of music that tends to sound best in a weathered West Marin roadhouse with a drink in hand. Friday, June 12, at Old Western Saloon, 11201 Hwy. 1, Point Reyes Station. Tickets and showtime information available at royaloakierecords.com.

Corte Madera
Maternal Horrors

Motherhood gets the speculative-horror treatment when novelist Tiffany Tsao visits Book Passage to discuss her unsettling new novel, But Won’t I Miss Me. Blending domestic anxiety, body horror and psychological unease, the book has drawn comparisons to Nightbitch and The Substance for its exploration of identity, sacrifice and the quietly grotesque pressures surrounding modern motherhood. Tsao’s work turns the familiar rituals of parenting into something stranger and more existential, asking what parts of the self are surrendered in the process of caring for others. She’ll appear in conversation with Marthine Satris, associate publisher at Heyday. Literary discomfort, thoughtfully administered. 6pm, Monday, June 15, at Book Passage, 51 Tamal Vista Blvd., Corte Madera. Free admission. More information at bookpassage.com.

Santa Rosa
Human Rights in Action

The Sonoma County Commission on Human Rights launches its inaugural Human Rights Summit & Immigration/Consumer Resource Fair with a full day devoted to civic dialogue, community resources and the complicated work of building a more inclusive county. Held at the Sonoma County Administration Building, the gathering brings together advocates, educators, elected officials and nonprofit leaders for conversations centered on equity, belonging and public accountability. Highlights include a keynote address from internationally recognized human rights advocate Nas Mohamed, a fireside discussion featuring leaders from organizations across Sonoma County and a spoken-word performance by attorney and poet Bernice Espinoza. The event also includes an immigration and consumer resource fair connecting residents directly with local support organizations. Civic engagement with a distinctly Sonoma County flavor: practical, aspirational and deeply local. 10am–4pm, Friday, June 26, at Sonoma County Administration Building, Room 100A, 575 Administration Dr., Santa Rosa. Free admission; advance registration requested. More info at bit.ly/soco-human-rights.

Winning Streak: Roy Ellamar Cooks Up the Graton Casino 

On May 4th, Graton Resort & Casino debuted the next phase of its transformative expansion, notably introducing a 28,000-square-foot indoor-outdoor dining space called AYA Rooftop Restaurant. Led by award-winning chef Roy Ellamar and VP of culinary operations Jennifer Murphy-Ellamar, the new venue showcases chef Ellamar’s “local to the max” philosophy and live-fire cooking preferences.

A Hawaii native, chef Ellamar grew up surrounded by farmers and fishers who instilled in him a deep respect for responsibly sourced food. After refining his craft in acclaimed kitchens across Chicago, Los Angeles and Las Vegas, including L’Atelier de Joël Robuchon and Bellagio’s Harvest, he launched the critically praised Fine Company in 2021. 

At AYA, he has crafted a modern coastal California menu through the lens of his Hawaiian-Filipino heritage, with daily sourcing from the restaurant’s dedicated 40-acre farm. One may visit for dishes such as shiso Salt-Baked Snapper with ginger-ogo salsa and hot oil or a Calamansi Tart featuring an ancient “dinosaur egg” Filipino sea salt shaved tableside.

Amber Turpin: How did you get into this work?

Roy Ellamar: I was inspired by all the family dinners growing up. There were so many great cooks in my family: my mom, my grandfather, my dad. My uncle was a chef in San Francisco, and I remember him coming back to Hilo in his chef uniform, cooking for us and doing these incredible vegetable carvings. As a child, that really stuck with me. I was very impressionable at that age, and it made me aspire to follow a similar path.

What is your favorite thing to cook (or eat) and why?

I love grilling and smoking; those are my favorite things. I love cooking on fire, and that’s why I designed AYA’s kitchen this way. The first week we opened, on the first night, one of my chefs shared that he wondered what this place was going to smell like … what is the smell of AYA going to be? The smell of AYA is what I love to cook: fire, soy sauce and grilled meats. 

What ingredients do you use or eat the most?

My pantry is huge. It covers so many different types of cuisine. I would say Asian ingredients are the ones that I use the most—various types of soy sauce and fermented fish sauces. 

What are some of your go-to places to go out for a sit-down meal? What about takeout?

For a sit-down meal, The Matheson in Healdsburg, Central Market in Petaluma and Della Fattoria Downtown Café in Petaluma. For takeout, Kellys Sandwiches and Drinks in Santa Rosa or this Vietnamese place in Rohnert Park called Simmer. 

Last meal on Earth?

Anything from my mom. She is an incredible cook and very inspirational in my life and career.   AYA Rooftop Restaurant at Graton Resort and Casino,288 Golf Course Dr. W., Rohnert Park, 707.588.7100, graton.com/dining/aya.

Free Will Astrology, June 10-16

0

ARIES (March 21-April 19): Many of you have a fraught relationship with discipline. You recognize you need it if you want a life rich with epic adventures. Yet you sometimes resist planning ahead or organizing your resources, fearing it might dampen your immediate pleasures. The problem is that when you skip the planning and organizing, the short-term fun you default to may turn out to be unsatisfying. That’s the challenging news. The encouraging news is that you’re now in a cycle when you can transform how you relate to discipline. I bet you can render some of those old patterns obsolete.

TAURUS (April 20-May 20): Gemologists evaluate opals less for flawless uniformity than for their mesmerizing play‑of‑color. They study how light interacts with a stone’s microscopic internal structure to produce vivid, shifting hues. The most prized opals aren’t necessarily the most perfect in shape, but the ones whose internal pattern and rainbow-like displays are most vibrant, varied and alive. This is a marvelous metaphor for you in the coming weeks. I hope you don’t obsess on consistency or smooth away your complications. Let the world see your play-of-color.

GEMINI (May 21-June 20): “Dear Oracle: Why do we always have to start at the beginning? I’d much prefer just jumping into the middle of things. Right now, I would love to bypass all the tedious baby steps I’m being forced to take as I try to get some momentum going. Please slip me a few clues about how to fast-forward directly to the fun stuff. —Bored with the Groundwork.” Dear Bored: Your timing is perfect. The planetary omens say you are now authorized to vault over the preludes and prologues and dive right into the heart of the action.

CANCER (June 21-July 22): Restoration ecologists work to revive damaged prairies. They’ve discovered that seeds of many native plants can lie dormant in the soil for years, waiting for the right conditions to germinate. If they remove invasive species and restore the land’s natural cycle of controlled fire, wildflowers long absent from the landscape spring back to life. With this metaphor in mind, Cancerian, consider what dormant possibilities may lie buried in your own psyche. What seeds did you plant long ago and then forget? What dreams or talents are waiting for you to clear away the choking overgrowth and create space for them to emerge? Old potentials may be patient, not dead.

LEO (July 23-Aug. 22): Better than any other sign, you understand that ego and generosity can be collaborators rather than enemies. Your charismatic radiance is often a public service. When you express your interesting beauty, you give others permission to tap into their own luminosity. The world always craves your unique flavor of audacious joy, and especially now. The rest of us need your intense insistence that flair and flamboyance are forms of resistance against the forces that would diminish life’s splendor. 

VIRGO (Aug. 23-Sept. 22): Many people struggle with what could be called “imagined ugliness,” a condition clinicians refer to as body dysmorphic disorder. It usually involves fixating on a supposed physical defect, or even on a flaw that exists only in one’s mind. I suspect that almost everyone carries a trace of this tendency, including you and me. The good news, though, is that the current astrological climate is ideal for you to at least partially shatter its spell. You are poised to transform your self-image so vigorously that you begin to regard yourself as a flawless exemplar of quirky, one-of-a-kind beauty.​

LIBRA (Sept. 23-Oct. 22): The Golden Gate Bridge, which is a few miles from my home, is painted continuously. Painters start at one end, work their way across, and by the time they reach the other side, it’s time to start over. The job is never finished; maintenance is the permanent condition. Some people find this depressing, but I find it oddly liberating. It means the bridge doesn’t have to achieve some final, perfect state. It just has to be tended. Similarly, you don’t have to fix everything once and for all, Libra. The relationships, projects and internal states you’re concerned about aren’t meant to reach completion. You shouldn’t worry about trying to finish what’s meant to be an ongoing practice. Just keep starting the cycle again.

SCORPIO (Oct. 23-Nov. 21): Innovative theater director Viola Spolin was a Scorpio. She taught that the best scenes emerge when the actors avoid trying to control outcomes. Instead, they fully commit to the reality they’re creating together. Spontaneous responses are their gold standard. Let’s make this a keynote for you in the coming weeks. Your assignment is to give yourself heartily to improvisation. The most interesting magic will happen as you relax into the collaborative process, trusting it to guide you toward beauty and meanings none of you could have scripted alone.

SAGITTARIUS (Nov. 22-Dec. 21): Musicologists distinguish between “perfect pitch” and “relative pitch.” A person with perfect pitch can sing or identify a specific note without hearing any other music beforehand. Relative pitch is the ability to recognize musical notes in relation to other notes. In the coming weeks, Sagittarius, relative pitch will be a more useful metaphor for you than perfect pitch. Don’t insist on perfect clarity about what’s right and wrong, beautiful and ugly, worthy and unworthy. Instead of obsessing on fixed standards, practice relational discernment.  How does this choice feel compared to that one? How does a person behave in this context versus another? For you right now, truth lives in the intervals and connections.

CAPRICORN (Dec. 22-Jan. 19): The best way to eliminate a bad habit is to replace it with a good one. Now is an excellent time to acquire more expertise in this art. Start by choosing a specific habit that drains your energy, time or self-respect. Then identify what that habit is secretly trying to give you, like comfort, distraction or a sense of control. Your mission is to find a healthier behavior that offers a similar payoff without the damage. For example, maybe you go online and binge-scroll through bad news because you imagine it soothes your anxiety. Instead of that, read an uplifting book or listen to serene music for a while. Be concrete: When the itchy habit hits, what exactly will you do as an alternative?

AQUARIUS (Jan. 20-Feb. 18): In 1905, 26-year-old Albert Einstein worked full-time as a clerk in a Swiss patent office. During his off-hours, he wrote four audacious papers that fundamentally changed how physics understood space, time, light and matter. He accomplished his revolution without the sponsorship of a renowned university or laboratory. His example suggests that we can perhaps re-imagine and recreate the world even if we’re not supported by glamorous circumstances. I suspect this principle applies to you these days. Breakthrough insights and earth-shaking realizations may arrive while you’re doing ordinary tasks. Be alert for the flashes that arise in seemingly routine and modest situations.

PISCES (Feb. 19-March 20): For linguists, “untranslatable” words are concepts that exist in one language but have no equivalent in others. One example is mono no aware, which in Japanese refers to the tender poignance and appreciation you feel in the presence of fleeting beauty, like cherry blossoms falling. I bring this to your attention, Pisces, because I suspect that you, too, are untranslatable right now. My advice is to forget about trying to get others to grasp what’s going on with you. Here’s a suggestion that might help: Find soulful artists and emotionally intelligent creatives who speak the language of your mystery.

Homework: What gifts do you have that you have never yet given with fullness? https://tinyurl.com/33ss33ss.

Your Letters, June 10

Charades Played

Let’s take a moment out for a hearty laugh at The New York Times. The paper recently published a piece by Thomas Friedman titled ‘Trump Has Failed As Commander in Chief.’

Not news, Tom.

Here is the problem. Like other news services, the Times has conferred a level of respect on the degenerate imbecile that we citizens have elected twice, for no reason.

To me, it is a bit of a stretch to grant even a smidge of respect to someone who has never been anything but a thief, con artist and crook, a person who is a credible resource on no subject, and who has the emotional intelligence and developmental skills of a poorly raised teenager. He is capable of almost nothing, apparently including taking a shower.

So, why? Why the charade? What would cause us to purposely, voluntarily present America as the perpetual laughingstock of the globe? Why now and why ever? Are we done yet?

Craig J. Corsini
San Rafael

Artificial Irrelevance

First it was Teslas in Sebastopol. Then crypto guys buying vineyards. Now, apparently, Marin and Sonoma counties are becoming the next frontier for AI startups fleeing the South Bay in search of “authenticity,” which goes right out the window the moment they arrive. I mean, like “artificial” is in the name of their industry.

Mark my words: Today it’s a coworking space in San Rafael with standing desks and mushroom coffee. Tomorrow it’s a stealth AI incubator in a converted barn warehouse in Petaluma called something like “Neural Grove.” Soon enough, local zoning meetings will be packed with 20-somethings asking whether server farms qualify as agricultural use.

I suppose this is what progress looks like—our quaint rural communities transformed into a backup hard drive for Silicon Valley’s latest nervous breakdown.

At least the robots will finally have somewhere nice to sip wine when they replace us.

Cassady Caution
Petaluma

We appreciate your letters—send them to le*****@********un.com or le*****@******an.com.

Love Revolutionary, Cincinnatus Hibbard

This is Locals 100—and I am the subject. It marks the 100th article in this series, or as I see it, the 100th person added to the broad canvas portrait of a community. Beyond an honest desire to paint myself into the picture, this self-portrait is an opportunity to state something I haven’t said plainly before—the motivation behind this work.

Cincinnatus Hibbard: Self, tell these others what you’re all about.

Cincinnatus Hibbard: Well, I love ideas—ideas in application, ideas in action. You know, I once adapted my business card into a dance musical called Actionable Ideas (laughs). It’s on my YouTube—with a lot of other odd things.

I consider myself a writer and conceptual artist. I’m working in the tradition of the human potential movement… I’m a utopian—which just means I think things can get much better (as well as much worse). I’ve written about fever dreaming inspiration, the medium of new art media, holidays, happiness, the politics of reconciliation and unmasking our common humanity, etc.

That’s my work, but I am best known for my attempts at impact journalism and for throwing heartfelt ragers.

And you’re something of a performer?

Yes, well—ideas excite me. They make me want to get up and dance. They make me want to sing. Again, they animate me. Big ideas make big feelings. That’s something I think people mistake about ideas—they are really about feelings. Ideas and feelings are just two sides of the same spinning coin.

What is your intention behind your column, ‘Locals’ (and your podcast, ‘Community Portrait’)?

This will sound pretentious, but  in my modest and typo-strewn way, I’m attempting to paint and energize a broad coalition of progressive leadership in the North Bay—those people with the working ideas and initiative to lead us into MLK’s ‘beloved community.’ Read through the past hundred articles and see for yourself—I think we could be a model for the nation.

Why do you want to do this? What is your need?

I think, deep down, I am a child (perhaps with the agency and naivety of a child) that wants his family to stop fighting and be together. I want them to acknowledge each other and help each other and to love each other. As an adult, I see the whole world as my family. I see what’s happening in America as a family fight.

Tell us about your passion project.

Well, I believe it is the purpose for which I was made (laughs). It’s a book—but also a film and event series about love—love in its spiritual aspect.

In a nutshell, I believe that transcendent love and the mystical experience of the universe are the same thing. When you put them together, you define what love is lucidly. It is the light-filled answer to all our problems. It’s a workable, practical answer that points to a whole set of alternative, love-based institutions. Maybe it seems a bit naive to write about love in this political moment, in which fear (anxiety, dread, phobia, paranoia, terrorism) is paramount, but I have a child-like faith that the coronation of fear will be the hinge on which the historic  pendulum will swing. I’m getting us ready for it.

Isn’t that a departure from your work with Locals?

No—love ties it all together. 

What is your picture of heaven?

A musical—where even our fights are part of a harmonious music.

Learn more: Enter the url linktr.ee/cincinnatushibbard to learn more. Cincinnatus Hibbard can be hired to speak about love.

Government Efficiency: Don’t Know What Ya Got Till it’s Gone

Recently, I had the opportunity to experience government efficiency at work, and I am so very grateful.  

While getting boarding passes to fly to France on a recent Friday, I was told my passport would expire before our return, so I could not get on the plane. Needless to say, panic ensued before grief set in. Fortunately, San Francisco has one of three offices in California with same-day passport service. With great hope and high anxiety, I was in line at the Federal Building at 7:30am Monday morning. At 8am, a security guard let me inside. By 9:30am, I had an appointment. At 3:30pm, I picked up my new passport.

People, this is our government (and our taxes) at work for us.

Every employee that day was kind, helpful and “efficient.” Meanwhile, Donald Trump and his cronies are working tirelessly to eliminate federal agencies and fire federal employees. Why? Because they think nothing has value unless it profits them personally. 

Right now, they are gunning for Social Security and the U.S. Postal Service. True, efforts to privatize both precede Trump. But until 47, there was never a federal agency with the purpose and authorization to destroy other federal agencies.

DOGE was created to dismantle our government so that wealthy businesspeople could buy and profit from critical government services. Social Security and the Postal Service are just two of the largest and most visible agencies the Trump regime is trying to dismantle. 

We may never know the extent to which DOGE accessed and utilized our private information when Musk’s techies invaded Social Security Administration offices. We do know that 7,000 jobs were cut and dozens of offices were closed. Ten thousand postal workers were forced out.

Trump, who has made at least $3 billion as president, and Musk, who has profited to the tune of $38 billion from U.S. government contracts, will never need Social Security or the USPS. But for millions of Americans, these agencies are absolute lifelines. Is DOGE going to audit Musk’s contracts? Or Trump’s taxes? The hypocrisy could not be more blatant.

Inanna LaFevre is a North Bay-based writer.

Petaluma Director Brings Horror to National Cinemas

The theatrical release and box office explosion of the new A24 psychological horror film, Backrooms, represent a landmark moment in modern cinema. It serves as the intersection of three major contemporary cinematic trends: the box office dominance of horror, the mainstream acceptance of a new YouTube-to-cinema pipeline and a successful push to get Gen Z into movie theaters instead of streaming from home.

The smash success of Backrooms and last month’s Obsession has me seeing a future for movie theaters that, just a year ago, felt impossible.

With chain cinemas closing all over the country, it recently felt like the communal theater-going experience was on its way to extinction. But if small movies like these can not only get the under-30 crowd back into seats but also end up dethroning Star Wars at the box office, we’re entering unprecedented times for small-to-mid-budget films.

Directed by Kane Parsons—just 17 when his initial short film went viral on YouTube—Backrooms signals a massive shift in how Hollywood discovers talent and concepts. As major studios increasingly look to digital spaces for fresh intellectual property, this film stands not just as a bastion for the future of cinema, but as a testament to the creepiness of “liminal space” horror and the inherent power of “mindf**k” cinema that challenges our perception of reality.

To understand why a studio like A24 scrambled to greenlight a feature-length film based on a series of YouTube videos directed by a Petaluma teenager, one has to look at the current state of the film industry, where horror movies are experiencing a massive, sustained golden age. While traditional blockbusters struggle to draw audiences away from streaming services, horror has proven to be uniquely bulletproof. It’s a genre designed for the communal, theatrical experience. Audiences want to scream together in a dark room.

Horror also consistently delivers astronomical returns on investment. Look at The Blair Witch Project. It made $250 million on a $200,000 budget. That’s a return studios will never stop chasing.

What Parsons has done brilliantly with his theatrical debut is not just gracefully expanding on that initial concept of someone accidentally “noclipping” out of reality and into an infinite, randomly segmented maze of empty rooms. The film is anchored with two absolutely remarkable actors: Chiwetel Ejiofor and Renate Reinsve. Ejiofor plays a depressed and struggling furniture store owner who discovers the backrooms in his basement, while Reinsve plays his skeptical therapist, who worries for his mental health.

With two actors of such extraordinary caliber grounding the film, even the long, silent stretches of the characters walking through the distorted, impossible, yellow rooms become fraught with tension. Both effortlessly convey this dread using just their eyes. It’s a masterclass in physical performance that I’m shocked such a young filmmaker was able to cultivate.

The concept of Backrooms taps perfectly into the phenomenon of “liminal spaces”—places like schools, malls or offices that are usually bustling with people, but become deeply eerie and unnatural when completely vacant. Note: Please don’t let this become the fate of all movie theaters.

The film contains many moments where absolutely nothing scary is in frame, yet the alien strangeness of the environment is profoundly unsettling and induces a deeply primal dread. One character describes the backrooms as incomplete and incorrect memories taken from the minds of those who have become lost in the endless hallways. That scares the absolute hell out of me.

But Backrooms contains no jump scares or typical horror tropes. Instead, I would lovingly place the film within the genre of “Mindf**k” movies—psychological and surrealist films that actively attempt to distort reality, break logic and leave audiences questioning the world around them as they drive home. Mindf**k cinema transforms the act of watching a movie from a passive experience into an active, intellectual puzzle that, as with the best of movies, actively rewires the viewer’s brain.

Films like Christopher Nolan’s Memento and Inception, Charlie Kaufman’s Synecdoche, New York or basically anything from David Lynch refuse to hand the audience easy answers. Instead, they force viewers to decipher shifting timelines, unreliable narrators and dream-logic. It’s fun. I swear.

Backrooms embodies this genre perfectly by weaponizing spatial and psychological disorientation. The horror doesn’t come from monsters jumping out of corners, but from the existential dread of infinity, the breakdown of linear time and the terrifying realization that the architecture around you makes absolutely no sense. It forces the human brain to confront a space that looks at once deeply familiar yet fundamentally wrong.

While the film makes a few minor rookie mistakes with its script—making too many things literal that could have been understood on a purely instinctual level—it’s an astonishingly assured and tonally immaculate first feature by such a young filmmaker.

Backrooms might not convert anyone who inherently dislikes being spooked at the movies, but it’s worth watching for the anti-horror crowd simply to see how atypical the genre can be when approached by someone with a singular vision. It’s filmmaking like this that saves the theatrical experience just as much as Top Gun or Ryan Gosling. Let’s see where this goes.

‘Backrooms’ is currently playing at Rialto Cinemas and on other local screens.

Drinking Buddies

 There was an awkward “Bro” hug, and then mutual backslaps. Guys nights out always seem to start this way. 

The other universal greeting, the handshake, is similar in that there is a right way and a wrong way. And those two things are contingent upon who the friends are. Don’t believe me? Try giving your boss a very aggressive handshake and just see how that goes.

“Dude!” was posited.

“Dude!” was reciprocated.

The basics of male friendships aren’t very complicated. Proving that point, two whiskeys were ordered. Easy peasy.

“Hey, sorry about last time,” said one of the two men.

“No problem,” replied the other man. “I was just a little annoyed that you forgot your wallet after what had happened before.”

“It was an honest mistake,” said the first man, stirring his whiskey with his finger. “I did really appreciate you helping me move.”

“Yeah, but when I had to help you move, and then I had to buy you dinner too, that kind of irritated me.”      

They both sat in silence for a while, rotating the large spherical ice cubes in their glasses with their fingers, the whiskey sheeting down like prescient reddish clouds on a crystal ball.

Menus weren’t even glanced at.

“You have hamburgers, right?”

“We do,” replied the bartender.

“Two cheeseburgers then, with bacon.”

That man smiled at the single woman sitting next to him. It wasn’t clear whether it was because of that, or for other reasons, until it was clear.

“What are you drinking? he asked the woman.

“Rosé,” she said.

And then he went back to talking to his friend.

The two men then sat side by side staring at the sporting event on the TV. Nothing was said again, until the burgers—cheeseburgers—arrived.

“Another round,” said the first man, making a circling motion.

“I’m fine,” said the second man.

“Come on, I’m taking care of you for taking care of me,” said Man 1.

“You don’t have to do that,” replied Man 2.

“But I want to.”

“Sure, but I have to use the bathroom first.”

The second man got up and went to the restroom all by himself, an observable behavior peculiar to just the male of the species.

“Let me get you another,” said Man 1, turning his attention back to the single woman on the other side of him.

“Sure,” said the woman.

That brief superfluous conversation ended the minute his friend returned.

More drinks followed. And more food. And another glass of wine for that woman. Gratitude can so often be gratuitous. Dessert and coffee then followed. It was the full ride.

The only thing in the restaurant equation more annoying than waiting for your first drink, is waiting for your check. And the last thing a person reliant on gratuities should ever do, is irritate someone right before they figure out exactly what that will be.

“I got this,” said Man 1, extravagantly producing his credit card.

He said something similar when that card was declined, and also when the next one was.

“Will you take a check?” he asked the bartender.

Not likely, after two declined credit cards.

His friend was now forced to produce his own credit card, because if your friend can’t pay, you are going to have to, it’s the law.

“I can’t believe this,” said Man 2, looking at the extravagant bill, with two drinks for a complete stranger, that he was now forced to pay.

“Sorry, dude,” said Man 1.

Leaving me with these thoughts:

• What do you call a friend without any benefits? Asking for a friend.

• “Fool me once shame on you, fool me twice shame on you,” said circus man PT Barnum.

• Just kidding, PT Barnum never actually said that. He did say “There’s a sucker born every minute.”

• Nope, he never said that either.

• Sometimes drinking buddies aren’t really buddies, sometimes they’re not even friends.

Opera Returns to Petaluma with ‘La Rondine’ 

Mercury Theater’s final show of the 2025-26 season leans heavily into romance, freedom and high drama with a production of Puccini’s operetta, 'La rondine.'
Mercury Theater’s final show of the 2025-26 season leans heavily into romance, freedom and high drama with a production of Puccini’s operetta, La rondine, stage directed by Elly Lichtenstein with musical direction by Mary Chun.  The show, a co-production with San Francisco’s Pocket Opera, opens in Petaluma on June 12 with Friday evening and Sunday afternoon performances through June 28. La...

Sonoma Sunday Supper Series Explores Stewardship 

The Sonoma Sunday Supper Series' event on June 28 focuses on environmental stewardship
What does it really mean to steward a place? A new local supper series explores the question through conversation, cuisine and an immersive evening rooted in the land and—in its upcoming iteration—the sea. The Sonoma Sunday Supper Series is a quarterly program curated by Place Matters in partnership with Asombrosa, a 63-acre estate on the outskirts of Petaluma. Each gathering...

Royal Oakie Revue, Maternal Horrors and Human Rights

Crush features North Bay art and cultural events, including the Royal Oakie Summer Tour with a line-up of eclectic musicians.
Point Reyes Station Royal Oakie Revue The Old Western Saloon hosts a well-curated strain of indie-roadshow mysticism when the Royal Oakie Summer Tour rolls through Point Reyes Station. Headlined by Northern California songwriter Donald Beaman alongside Bill Baird, andDead Nettle, the evening promises a blend of stellar if beautifully off-center American songwriting. The tour, assembled by Royal Oakie Records, leans toward...

Winning Streak: Roy Ellamar Cooks Up the Graton Casino 

Graton Resort & Casino debuted a 28,000-square-foot indoor-outdoor dining space called AYA Rooftop Restaurant, led by award-winning chef Roy Ellamar.
On May 4th, Graton Resort & Casino debuted the next phase of its transformative expansion, notably introducing a 28,000-square-foot indoor-outdoor dining space called AYA Rooftop Restaurant. Led by award-winning chef Roy Ellamar and VP of culinary operations Jennifer Murphy-Ellamar, the new venue showcases chef Ellamar’s “local to the max” philosophy and live-fire cooking preferences. A Hawaii native, chef Ellamar grew...

Free Will Astrology, June 10-16

Free Will Astrology
ARIES (March 21-April 19): Many of you have a fraught relationship with discipline. You recognize you need it if you want a life rich with epic adventures. Yet you sometimes resist planning ahead or organizing your resources, fearing it might dampen your immediate pleasures. The problem is that when you skip the planning and organizing, the short-term fun you...

Your Letters, June 10

Charades Played Let’s take a moment out for a hearty laugh at The New York Times. The paper recently published a piece by Thomas Friedman titled ‘Trump Has Failed As Commander in Chief.’ Not news, Tom. Here is the problem. Like other news services, the Times has conferred a level of respect on the degenerate imbecile that we citizens have elected twice,...

Love Revolutionary, Cincinnatus Hibbard

Locals columnist Cincinnatus Hibbard takes a slight departure from profiling community leaders to interviewing himself.
This is Locals 100—and I am the subject. It marks the 100th article in this series, or as I see it, the 100th person added to the broad canvas portrait of a community. Beyond an honest desire to paint myself into the picture, this self-portrait is an opportunity to state something I haven’t said plainly before—the motivation behind this...

Government Efficiency: Don’t Know What Ya Got Till it’s Gone

Donald Trump and his cronies are working tirelessly to eliminate federal agencies and fire federal employees.
Recently, I had the opportunity to experience government efficiency at work, and I am so very grateful.   While getting boarding passes to fly to France on a recent Friday, I was told my passport would expire before our return, so I could not get on the plane. Needless to say, panic ensued before grief set in. Fortunately, San Francisco has...

Petaluma Director Brings Horror to National Cinemas

A24 still from 'Backrooms'
While the film makes a few minor rookie mistakes with its script—making too many things literal that could have been understood on a purely instinctual level—'Backrooms' is an astonishingly assured and tonally immaculate first feature by such a young filmmaker.

Drinking Buddies

 There was an awkward “Bro” hug, and then mutual backslaps. Guys nights out always seem to start this way.  The other universal greeting, the handshake, is similar in that there is a right way and a wrong way. And those two things are contingent upon who the friends are. Don’t believe me? Try giving your boss a very aggressive handshake...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow