Lydia Cabrera

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Life Wide Open: Lydia Cabrera in her adopted island home.

–>Old Cuba

Afro-Cuban spiritual life in sound

By Greg Cahill

Over the years, Americans have plundered the island nation of Cuba for everything from sugar cane to yuppie music, world-class cigars to cheap sex. But few have taken the time along the way to appreciate the subtleties of this complex society. A newly released CD on the Smithsonian-Folkways label explores the 19th-century religious roots of Afro-Cuban culture with its deep ties to the spiritual and social traditions of West Africa.

The 28-track collection Havana and Matanzas, Cuba, ca. 1957: Bata, Bembe, and Palo Songs is the follow-up to a pair of highly acclaimed 2001 compilations, Havana, Cuba, ca. 1957: Rhythms and Songs for the Orishas and Havana, Cuba, ca. 1957: Afro-Cuban Sacred Music from the Countryside. All three discs were culled from an obscure 14-album series recorded in the field during the 1950s and collected by revered ethnographer and folklorist Lydia Cabrera and photographer Josefina Tarafa. The original albums were pressed for a small label and privately issued.

These three reissues reveal some of the most significant threads of Afro-Cuban music history and underscore Cuba’s prominence in the web of Afro-Atlantic music in Brazil, Trinidad, Miami, New York, and elsewhere.

Unlike the popular Buena Vista Social Club discs–which spotlighted the island’s pop, jazz, and folk music–these historical recordings were made just prior to Fidel Castro’s rise to power and are steeped in the unblemished old-world mysticism of Yoruba, Dahomean, and Kongo-Angolan religions.

The latest release focuses on the bata (played by a small group of drummers led by a master percussionist who wore brass bells on his headband), bembe, and palo drum rhythms of praise songs, including those used for prayer and funerary rites.

Cabrera was no stranger to Cuban culture. She was born in 1900 to a prominent Havana family. Her father, a writer and publisher, had been active in the Cuban independence movement. In 1927 Cabrera moved to Paris–the same year that American entertainer Josephine Baker became the toast of Paris, sparking a huge interest in black culture–to study painting at the École des Beaux-Arts. During her schooling and initiation into the local bohemian subculture, Cabrera began to delve into the art and religions of India and Japan, which reawakened her interest in Afro-Cuban subjects. In 1928 she made her first visit to the Caribbean island. Cabrera later said that she discovered Cuba on the banks of the Seine. It was a period that also incubated Cabrera’s first published work, Cuentos Negros de Cuba (Black Tales of Cuba), originally written to entertain a novelist friend convalescing in a Swiss sanitarium.

In 1938 Cabrera returned to Cuba, restoring a dilapidated colonial mansion. During the next few years, she expanded her studies of the island’s African heritage. That essential research culminated in 1954 with the publication of Cabrera’s masterwork, El Monte, with photography by Tarafa.

Her contributions as a musicologist are perhaps the least-known aspect of her celebrated life’s work. With Tarafa’s portable tape recorder and the assistance of two sound engineers, Cabrera recorded secretive Santeria priests, many of whom were descendants of Nigerian Yoruba slaves, evoking orishas (or spirits) through ceremonial songs that serve today as a window on life in the 19th-century sugar mills and slave plantations that once peppered the landscape.

The languid chants, the clattering rhythm sticks, the pulsing drums drive simple yet majestic songs that salute the powerful Shango (king of Oyo Yoruba), pray for protection from smallpox, or honor the otherworldly protectors of the land.

After the 1960 Cuban revolution, Cabrera moved to Miami. She died there in 1991. For those serious about searching for the roots of Afro-Cuban music, and those willing to venture beyond the confines of the Buena Vista Social Club, Cabrera is the ideal guide on that armchair spirit quest.

Spin Du Jour

Ustad Farida Mahwash and the Ensemble Kaboul ‘Radio Kaboul: Hommage aux Compositeurs Afghans’ (Accords Crosies/Harmonia Mundi)

Americans are intricately bonded to Afghanistan, though most of us seldom give it a second thought. This spellbinding collection of chants by singer Ustad Farida Wahwash, one of the few Afghan women to have trained with the classical masters and a longtime fixture at the influential Radio Kaboul, serves as an engaging primer to the music of that beleaguered nation. Granted political asylum in the United States in 1991 after receiving death threats from the mujahedeen, the California-based Mahwash is backed here by a six-piece ensemble that features violin, tablas, harmonium, flute, and various traditional instruments while performing music that is a hybrid of styles drawn over centuries from the Afghani taverns and Indian courts. The music is mesmerizing, the chants honey smooth. Radio Kaboul is an invigorating excursion to a remote region of the American consciousness. –G.C.

From the January 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Long, Strange Trip in Politics

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Long, Strange Trip in Politics

Test your knowledge of aught three’s events

By Daniel Kurtzman

1. When Arnold Schwarzenegger announced his gubernatorial candidacy on The Tonight Show, what did he say was the only decision in his life that was more difficult?

a) Deciding to come clean about his use of steroids in the 1970s
b) Deciding to get a bikini wax in 1978
c) Deciding to stop having group sex in the 1980s
d) Deciding to support the campaign of Austrian president and former Nazi Kurt Waldheim in 1986
e) Deciding to risk his life to free the people of Mars in 2084

2. Match the quotation with the person who said it:

a) “I’d win in a landslide if weird people voted”
b) “Unlike Gray Davis, I am not paralyzed from the neck up”
c) “I think that gay marriage should be between a man and a woman”
d) “I’m the master of low expectations”
e) “Any time you’ve got the Pope and the Dixie Chicks against you, you’re not long for the White House”

1) George W. Bush
2) Jerry Springer
3) Arnold Schwarzenegger
4) Michael Moore
5) Larry Flynt

3. President Bush inspired a toy manufacturer to create what product?

a) A special edition of Monopoly featuring Bush’s top corporate contributors
b) A special edition of Scrabble featuring Bush’s special words
c) An “Elite Force Aviator” doll to commemorate Bush’s landing on the aircraft carrier Lincoln
d) A “nation-building” LEGO starter kit to commemorate Bush’s preemptive war doctrine

4. At a campaign stop, Howard Dean described himself as a “metrosexual.” According to Dean, what is that?

a) A straight guy who has had a Queer Eye makeover
b) A guy with a Confederate flag in his pickup truck
c) A gay person who likes to ride the subway
d) He admitted he didn’t know what the term means

5. During the California recall campaign, Gray Davis said his vision was for California to become a state that would be home to:

a) “People from every planet on the earth”
b) “The Gray Davis Presidential Library”
c) “A great Austrian-born dictator”
d) “Fewer people who hate me”

6. Which statement about the following Democratic presidential candidates is false?

a) Dennis Kucinich agreed to go on a date with a woman who won an Internet contest titled “Who Wants to Be a First Lady?”
b) While in his hometown of St. Louis, Dick Gephardt was asked to settle a bet between two women wondering whether he was a CNN weatherman or Dan Quayle
c) Asked during a debate to address voter concerns that he is aloof, John Kerry said, “Probably I ought to disappear and contemplate that by myself”
d) Speaking in New Hampshire, Wesley Clark said he hadn’t ruled out the possibility of interstellar space travel
e) After failing to win Al Gore’s endorsement, Joe Lieberman suffered another embarrassment when his own rabbi endorsed Howard Dean

7. Part of a document presented by British prime minister Tony Blair as proof of an imminent threat posed by Iraq, and cited by Secretary of State Colin Powell in his presentation to the United Nations, turns out to have been plagiarized from what source?

a) Fox News Channel
b) A graduate student’s thesis
c) Historian Stephen Ambrose
d) Dr. Strangelove

8. What celebrity threatened to sue a Los Angeles radio station after an impersonator posing as him called French president Jacques Chirac and engaged him in a five-minute conversation about the war in Iraq?

a) Comedian Jerry Lewis
b) Comedian Al Franken
c) Actor Sean Penn
d) Actor Martin Sheen

9. True or false: When Republican Rep. Scott McInnis told Democrat Rep. Pete Stark to “shut up” at a congressional committee meeting amid a legislative dispute, Stark replied: “You think you are big enough to make me, you little wimp? Come on, come over here and make me, I dare you. . . . You little fruitcake. You little fruitcake. I said you are a fruitcake.”

10. When Texas Democrats fled to New Mexico to stop a Republican redistricting plan, Republicans sent them a “care package” containing which of the following items?

a) Diapers
b) Baby rattles
c) Child leashes
d) Pacifiers
e) All of the above

11. Four of these headlines appeared in the satirical weekly The Onion. Which one actually appeared in a U.S. newspaper?

a) Bush Re-Election Campaign Creates Thousands of New Jobs
b) Bush Diagnosed with Attention-to-Deficit Disorder
c) Bush Bravely Leads 3rd Infantry into Battle
d) Latest Leak: Bush Orders an End to Leaks
e) Bush Asks Congress for $30 Billion to Help Fight War on Criticism

12. Walden O’Dell, the chief executive of Diebold Inc., one of the largest manufacturers of computerized voting machines, raised eyebrows when he said he was committed to what?

a) Rigging voting machines to ensure Democratic victories in 2004
b) Helping Ohio deliver its electoral votes to President Bush in 2004
c) Utilizing an electronic version of the butterfly ballot to confuse Florida voters again
d) Installing software enabling voting machines to make helpful suggestions

13. Porn star/California recall candidate Mary Carey offered to go on a date with anyone willing to do what?

a) Cruz her Bustamante
b) Throw an egg at Arnold Schwarzenegger
c) Dig up embarrassing details about Gary Coleman’s past
d) Donate $5,000 to her campaign

14. In hopes of aiding the war on terror, who proposed a plan (later abandoned) to create a futures market that would have allowed investors to bet on the probability of terrorist attacks, assassination attempts, and other Middle East events?

a) Martha Stewart
b) William Bennett
c) The Pentagon
d) Harrah’s Casino

15. Match the statement about Iraq’s weapons of mass destruction with the Bush administration official who said it:

A. “The absence of evidence is not evidence of absence”
B. “We found the weapons of mass destruction”
C. “I think the burden is on those people who think he didn’t have weapons of mass destruction to tell the world where they are”
D. “U.S. officials never expected that we were going to open garages and find weapons of mass destruction”
E. “The truth is that for reasons that have a lot to do with the U.S. government bureaucracy, we settled on the one issue that everyone could agree on, which was weapons of mass destruction, as the core reason”

1) George W. Bush
2) Donald Rumsfeld
3) Condoleezza Rice
4) Ari Fleischer
5) Paul Wolfowitz

Answers: 1. b. 2. A-2, B-5, C-3, D-1, E-4. 3. c. 4. d. 5. a. 6. e. 7. b. 8. a. 9. True. 10. e. 11. d. 12. b. 13. d. 14. c. 15. A-2, B-1, C-4, D-3, E-5.

From the January 1-7, 2004 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Last Call at the Long Night Club

–>Last Call at the Long Night Club

A winter solstice story

By David Templeton

It is not uncommon, when locked in hand-to-hand combat with a frightening illness, for a person to turn to religion for a bit of comfort and courage. Whenever one’s future is in doubt, there is a natural human tendency to seek solace in something larger than oneself, and often it is the simple convictions of our youth, the faiths of our mothers and fathers, to which we turn. Sunny Sommerfeld was different.

When it was, at long last, clear beyond doubt that something was wrong, that Sunny was in fact quite seriously ill, even though the specific reasons for her condition–the lingering, ever lengthening periods of daily unconsciousness–were still unexplained, she did not seek consolation from the Christian assurances with which she’d been raised. She did not consult her husband Tom’s brother, the rabbi, nor did she explore the pages of any spiritual text. With little explanation and no hesitation, she elected to follow a different path.

Overnight, Sunny became a pagan.

The blackouts began in early summer. The first occurred at 8:30am on Saturday, June 21, and lasted roughly 24 minutes. Sunny was in her studio, starting a new painting, when she felt a soft buzzing at the back of her head, followed by a sharp wave of nausea, and then blackness. When she came to, she was curled up on the floor, a paintbrush in one hand. It happened again the next morning, exactly the same way, then every morning, more or less at 8:30. When Sunny and her husband, Tom, visited the hospital, they were told the extended episodes of unconsciousness were nothing more than nerves.

Sunny had been married to Tom for five years, and together they’d recently taken over operation of the Long Road Club, a venerable barnlike tavern on the outskirts of town. It was hard work, but all the old regulars–who’d stopped coming in after the place was sold to the Sommerfelds–soon discovered that they actually liked Tom and Sunny, and the tavern was finally making money, if just enough to keep the doors open.

Then came the blackouts.

Once the medical specialists had ruled out epilepsy, diabetes, anemia, cardiac arrhythmia, brain tumor, dissociative identity disorder, and alcoholism, it was concluded that the daily stress of running a business was the probable cause of Sunny’s spells. The doctors’ benign diagnosis would have been comforting to the Sommerfelds, except for the fact that Sunny was among the most cheerful, optimistic, and stress-free individuals anyone could think of. Not that she wasn’t remarkably sensitive to her surroundings, but those sensitivities were mainly linked to the weather and the environment. She could always tell when a thunderstorm was coming. When it came to other people, and to hard work under difficult circumstances, Sunny’s cheerful nature had always been enough to keep stress and worry at arm’s length.

 

The Long Road Club was so named due to the 12-mile road patrons were forced to travel when visiting the odd little tavern on the mountain. It was nicknamed the Long Night Club due, in part, to the tavern’s original owner, Dr. Octavius Melon. A professor of astronomy, Dr. Melon decided to build a tavern in which to serve out his retirement, and selected a piece of land far enough away from the lights of the city so as to not interfere with his nightly stargazing.

As soon as the tavern was built and its doors opened, Dr. Melon set out to construct a little observatory out back. It was a thick, low building built to house a large, handmade telescope with a 16-inch reflecting mirror that Melon had crafted himself using an old glass porthole window from the broken boat he found rotting in Buster Munton’s salvage yard. Though he built it for his own use, Melon enjoyed showing it off, and the little observatory was soon attracting its own visitors to the Long Road Club.

Eventually, as more and more star watchers showed up for a beer, a sandwich, and a peek at the sky, Melon added the Star Tower. Three stories tall, it stood atop a hill overlooking the tavern. A straight, plain-sided edifice of weathered wood, the Tower had a long ladder inside, reaching all the way to the top, where there was a large, round platform with a low railing. Most nights, Octavius Melon would ascend the tower, often alone but sometimes with an astronomically inclined patron or two, where hours would be spent stretched out on the platform, faces turned up to the heavens, drinking in the vastness of the universe with naked eyes.

There was little to adorn the tower’s exterior beyond a smattering of yellow painted stars and moons. That celestial theme–stars, moons, planets–was continued in the tavern itself, where Melon filled the walls with photographs of constellations and planets. Hanging on the northernmost wall was a large circular tapestry, dark blue and deep black, on which were sewn all the constellations of the winter sky. It was Dr. Melon’s one and only firsthand attempt at art, and there were those who thought it ugly.

Sunny liked the tapestry the first time she saw it.

It was to Sunny and Tom that Dr. Melon sold the tavern when he had, after many years of declining vision, been declared legally blind. The change of ownership alarmed Buster Munton, owner of the local salvage yard, and Boden Rainbone, the high school science teacher. Each was an amateur astronomer. For years, Buster and Boden had been patrons of the Long Road Club. It was a place for people to come to talk and listen, and for amateur astronomers, there was always much to talk about, with the observatory and the Star Tower out back to offer additional stimulation.

For Buster, who was divorced, his ex-wife and five children living off in the city, and for Boden, whose brothers rarely called, the other patrons of the Long Road Club and Dr. Melon–who had moved into a large trailer just down the hill from the Star Tower–had become a kind of substitute family. One evening, inspired by the stars and moons splayed across the tavern’s interior, the observatory and the rest, Buster Munton affectionately dubbed the place “the Long Night Club.”

It was an even better nickname than anyone knew.

 

Sunny’s conversion came at the end of August. The blackouts had been worsening for two months. What began in June as a 24-minute lapse of consciousness had stretched to nearly three and a half hours, and Sunny was hungry for an explanation. She found it one afternoon, after emerging from a 178-minute faint. When she opened her eyes, she was on the floor of the tavern, with her head in Tom’s lap.

“Welcome back,” he said.

“What did I miss?” she murmured, forcing a smile as she shuddered and shook from the effort of regaining consciousness. What did I miss? It was her usual response upon waking. She might have said “Good morning,” but the blackouts were so lengthy now, she no longer came out of them while it was still morning, and she inwardly believed that “Good morning” was what people said when they had no reason to suspect that there might be no tomorrow to say “Good morning” to. On this particular morning, while Tom went on holding her, stroking her hair, Sunny smiled again, letting her gaze drift from his face to the ceiling, and finally to the big circular tapestry on the wall.

Suddenly it dawned on her. She understood what was happening.

Pulling herself to her feet, she went to the calendar on the wall. Turning back to the month of June, she tapped her finger on the 21st, the day of her first blackout. Summer solstice. The longest day of the year. There was a noise in the room, and Tom and Sunny glanced up to see Dr. Melon, Buster, and Boden, all sitting in a row in the back booth.

“Afternoon, boys,” she smiled.

 

In the Northern Hemisphere,” Dr. Melon was telling Sunny and Tom, “the summer solstice marks the longest day of the year–and the shortest night.” As he explained the scientific mechanisms of the solstice, Boden and Buster contributed a few additional thoughts of their own. Sunny and Tom soon understood the basics. The earth travels around the sun. As it does, the north-south position of the sun changes, due to the tilt of the earth, which shifts in relation to the sun, thus causing the seasons.

While the summer solstice signals the point at which the sun is as far north as it can be, creating one very long day, and one correspondingly short night. The winter solstice is the reverse, a point at which the people of the Northern Hemisphere experience the shortest day of the year.

“And the longest night,” Dr. Melon said.

“In ancient times, the winters meant darkness and cold and death,” Buster added, sipping his beer. “As the nights grew longer, people couldn’t be absolutely sure it wouldn’t keep on getting worse, with the world sliding off into some monster-sized night. Winter solstice was the day humans celebrated the turning point.”

“That’s why they burned big bonfires, to try and call the sun back to the earth,” Boden went on. “They decorated evergreen trees. They painted spirals on everything. That’s the pagan symbol for the movements of the universe, the stars and planets, life and death–the spiral.”

“Basically,” said Dr. Melon, “winter solstice was when they all got together to pray to the sun for it to return.”

Sunny stood listening, her breathing shallow, her eyes moist and bright with excitement and understanding.

“Let’s start praying,” she said.

The men stared at her as she explained her theory. Improbably, mysteriously, she’d begun picking up the movements of the sun and the earth, mirroring the darkness of the lengthening nights in her own daily blackouts, which were growing longer because the nights were growing longer.

Sunny turned to Tom. “I think I’m the new solstice queen,” she said. If her suspicions, as unlikely and bizarre as they seemed, were somehow true, then at winter solstice, when the darkness of the night stops and turns itself around, Sunny’s blackouts should begin growing shorter. Possibly, they might stop altogether. “What do you think?” she asked.

They all continued looking at her, considering her words.

“Certainly, why not?” said Dr. Melon.

 

Winter solstice was marked that year for Dec. 22. Sunny built an altar at the back of the tavern, on the mantle of the fireplace, covering it with pine boughs and candles. She read The Golden Bough and The Spiral Dance. She and Tom took long walks in the woods, considering the intertwined relationships of the natural world. Whenever possible, she arranged to have her blackouts on top of the Star Tower; some nights, she and Tom slept there, her face turned up to the night.

Though hardly a traditional pagan observance, Sunny’s favorite song became Here Comes the Sun by the Beatles. Tom, uncertain how else to help, always made sure it was playing on the jukebox or CD player whenever Sunny was coming up from one of her increasingly-long spells. “Cheer up, solstice is coming,” she’d remind him brightly, but Tom was unable to chase away the persistent thought that his young wife might be wrong. Perhaps, little by little, Sunny really was slipping away. Though he said nothing to dull her optimism, Tom feared that one day in the future she would slide off into a long blackout and never wake up again.

Sunny understood the danger.

Her newfound paganism was, for her, a way to make sense of that danger. By observing the rituals of ancient peoples, she felt that she was creating a context for her illness, one which offered a sense of hope she could not find in the doctors’ timid speculations. In becoming a pagan, Sunny was accepting that the world was full of mystery, but that it all followed a pattern, a pattern that would lead her back into the day.

With Octavius Melon’s permission, Sunny pulled down the big circular tapestry and took it out to her studio on the second floor of the Star Tower. There, upon the faded constellations of the tapestry, Sunny began painting. It was a great multicolored spiral, spinning up in a clockwise direction from inside to out. As the months moved by–September, October, November–and as the blackouts lengthened to five, eight, and twelve hours, Sunny soon ran out of room on the tapestry. She began adding pieces of old quilts, blankets, and canvas tents, sewing them on at the edges so she might expand the ever growing art piece.

As the blackouts also expanded, she had less and less time each day to work on the spiral, but Tom had taken over responsibilities of the tavern, and Sunny used what time she had for painting. When interested patrons would step by to see what she was up to, marveling at the widening circle of fabric, she explained that she liked to keep busy, but in her thoughts she knew the spiral was the one thing that helped keep her mind away from that prickling sense of rising fear–the same fear Tom was trying so hard to hide from her–that her mysterious darkness might never turn itself around.

 

“Too bad there can’t be a real bonfire,” she said. The morning of the 22nd had finally come. Sunny’s most recent blackout clocked in at 14 and a half hours. The spiral was complete, or as complete as it seemed likely to be. It now measured an astonishing 54 feet across, big enough to cover the entire platform at the top of the Star Tower, dangling down several feet or so all around. If someone could have stood that tapestry spiral on end, it would have risen one and a half times as high at the tower itself.

It was there, up on the tower in the center of the spiral, that Sunny planned to spend her solstice. Dr. Melon, Buster Munton, Boden Rainbone and several other patrons had walked up the hill to the tower to wish her well. In a few moments, they all knew, for whatever reason, cosmic or physical, Sunny would be slipping away, and by all indications this would be her longest blackout yet. Everyone planned to take turns climbing the ladder to sit with her through the long day and night. Sunny had been hoping for a bonfire, to echo the ancient ritual to call back the sun, but as there was no place nearby to build one safely, it was decided that a simple charcoal barbecue–already carried to the platform and fired up by Tom–would be enough of a bonfire to count and might serve to keep Sunny and her watchers somewhat warmer. Buster Munton planned to cook hot dogs during his shift on the platform.

At 8:15, Sunny stood in front of the tower.

“Well, here I go,” she said, “off to have the most important blackout of my life.” Followed by Tom, she stepped inside and climbed to the top. It was cold, but there was a sleeping bag, and the glowing coals of the barbecue, though a bit absurd, were strangely comforting. As she tucked herself inside the bag, she ran her hand along the swirls of color painted on the tapestry on which she was lying. Immediately, she felt the familiar buzzing in her head, the jolt of nausea. Tom took her hand and held it tight.

“Don’t leave me alone,” Sunny asked.

“You won’t be alone,” Tom promised.

She closed her eyes and slid into blackness.

 

Fifteen hours later, at midnight, a fire was blazing in the tavern fireplace. Tom was up with Sunny, now taking his fifth shift on the platform. Most of the regulars had taken at least one turn, with a steady supply of hot dogs and hamburgers sent to the tavern throughout the day and evening. This was a good thing, as there were many mouths to feed. The tavern was full, not just with people from the town, but with others–old friends and family and long-distant relatives, unexpectedly invited to make the long drive that night out to the tavern.

The phone calls started early in the evening, inspired by a comment by Dr. Melon. “You know, the modern Christmas party owes much to winter solstice,” he said, sitting at the bar. “While ancient peoples did come together to honor the turning of the year, there was another reason they congregated in those little villages each solstice. They came together because no one knew who would still be alive when the winter was over. They gathered together because they understood that this might be their last season on earth, their last chance to meaningfully love their friends and their families.”

As Dr. Melon spoke, Buster found himself wondering whom he’d want to see if this were indeed the last turn of the planet. Suddenly, he realized how much he missed his children, how much he needed to see them right then, and he went to make the call. Boden was having similar thoughts, wondering what his brothers would say if he suddenly called to invite them up to the tavern for some food and drink.

For everyone present, there was someone out there somewhere whom they were missing, whom they were needing to tell something to. Within hours, the tavern was crammed with people–family reunions, children and grandparents, old friends and new friends. Tom’s brother, the rabbi, was there with his family, and Father Ogilvie, who baptized Sunny years before, had also stopped by to lend his support as Sunny slept on.

At 1:30am, which usually marked the last call for drinks at the Long Night Club, she had still not awoken, though it had been 17 hours since she’d last spoken, over two hours longer than her longest blackout. A regular patron, Agnes Olden, the pharmacist, had just gone out to relieve Tom, but after a few moments, she pushed back through the tavern door and shouted: “The tower’s on fire!”

 

How the fire started is not known–a stray ash from the barbecue? faulty wiring in the second-floor studio?–and it is not particularly important. What mattered was that Sunny and Tom were up there, and Sunny was still unconscious. The flames had engulfed the bottom floor of the tower, and though Tom might have made it down the ladder and through the flames, it would have been impossible while carrying his wife.

The entire human contents of the tavern were now gathered at the tower. As some attempted to run hoses up from the tavern, others worked to organize a bucket brigade. Octavius Melon, standing with Boden and Buster, asked them to describe what was happening. The flames were almost as high as the spiral tapestry, which had been hanging down all around the platform until a moment ago, when Tom had pulled it up onto the platform. When Buster mentioned that they could hear the sound of hammering from atop the platform, Dr. Melon understood what was about to happen. Tom, it seems, had devised a plan of escape, and Sunny had made it possible.

“Everyone move back,” Melon said.

A minute later, one-half of the vast tapestry came fluttering down, and Buster, helped by Boden and his numerous brothers, were able to snatch the end of it before it flapped down into the flames. The other end, up on the platform, had been nailed down by Tom, who was able to bring a hammer and nails up from the second-floor studio. With dozens of people holding the spiral down on the ground, pulling it tight, they could make a kind of slide. If everyone worked fast enough, Tom and Sunny might be saved.

On the platform, Tom lifted Sunny in his arms. She was still in the sleeping bag, her head cradled against his chest. He carried her over to the edge of the platform where the tapestry was fastened on one end, with everyone they knew holding fast to the other, and the flames beginning to rise too high to make escape possible.

“You’re not alone,” he whispered to Sunny, his lips against her hair. Then he stepped out and off, and together they fell.

 

Sunny was dreaming. Though she’d never dreamed during her blackouts, she was dreaming in this one. She was flying, her hair sailing out behind her. Tom was there, floating at her side. As they flew, they passed over a mighty bonfire burning in the night, then another and another, hundreds of fires burning in the darkness, out across the world and across time. She knew that one of the fires was burning for her, but she didn’t know which one. As she sailed from fire to fire, there came singing, rising up from the world, a thousand different songs in a thousand different languages. In her dream, Tom pointed to a fire in the far distance. “That way,” Tom said, pointing, and they began to fly toward one large, very bright bonfire.

“How do we know it’s mine?” she asked Tom.

“Listen,” he said. “They’re singing your song.”

They landed softly enough, rolling to the ground from off the billowing spiral. With Tom and Sunny safely down to earth, the tapestry was released, catching ablaze as it swung back into the flames.

“Well,” Buster said, “I guess Sunny got her bonfire.”

She was still unconscious. Tom lay beside her, still holding her close, when he got an idea. “Sing,” he said to Dr. Melon. “Sing Here Comes the Sun.”

“Why not?” Melon replied.

Soon, all were singing.

Here comes the sun, and I say, it’s all right.

A few moments later, Sunny stirred. She opened her eyes. Though the world was still in the dark of night, the light of the burning tower illuminated her face. She was smiling as she looked up at Tom.

“Good morning,” she said.

From the December 25-31, 2003 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Holiday Wine

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Sweet Nectar: Finding a good, reliable, affordable holiday quaff is one of the finests gifts the season can bring.

–>Cheap Cheer

Dead grape that won’t crush your wallet

By Gretchen Giles

Welcome to the sweetest week of the year, that magical suspended seven-day stretch between Christmas Day and New Year’s Day when the rigors of ordinary life seem to stand still. The air is sweet and thin and crisp, beckoning easy idle strolls through the ruin of winter landscape. Work seems like something only foolish people do and then only in February, when there’s nothing better going on.

Like broken racehorses, the children–having released in shivers all that damned goodness they’ve been saving in advance of Santa–are calmed and absorbed in whatever was found beneath the tree. Special foods of towering caloric strength abound on countertops and crowd the fridge. The bracing fresh scent of green from the fir fills the house. Peace and love and cheer grip each grubby heart. With this eerie pause comes reflection. Because it’s time, of course, to consider the booze.

Released from work and school, we tend to drift around to each other’s houses, clamoring upon arrival for the figgy pudding of lovely little holiday drinks. Tony Marti, proprietor of the Sebastopol Fine Wines shop, recommends what he terms “cocktail wines.” Something to pour in a glass that doesn’t need a dinner plate to go with it, a cocktail wine is what you drink when drinking is what you’re doing.

Marti points to a local favorite, the Fire Station Red ($13.49), a Shiraz-Carignane blend. “It’s excellent,” Marti says. “It’s got a ton of fruit, it’s easy to drink, and it’s a real crowd pleaser.” Plus, the Fire Station Red also somewhat slakes the season’s charitable flavor, given that the wine is a benefit project for the volunteer firefighters in the Gold Ridge Fire District of western Sonoma County. Conceived as an alternative to the ubiquitous pancake breakfast, sales of this toothsome drink pay for training and equipment for a team that goes out on roughly a thousand emergency calls a year. Described by winemaker and firefighter John Drady as a “user-friendly” quaff, it’s certainly worth a try with pancakes.

For cocktails, Marti also likes the estate-bottled Olivet Lane Chardonnay ($11.99) from the Russian River. He is asked by one eager to mouth the rich adjectives of the wine industry how he would characterize it. Is it rich, buttery, oaky, apricoty, creamy? He nods wearily. “Yes, it has a creamy, oaky, buttery complexity to it.” He is rewarded with a smile. For those with a bit more cheer to spread, Marti recommends the Marimar Pinot Noir 2000 from the Don Miguel Vineyard ($26.99), pronouncing it “the top end of everyday wine.”

Not necessarily at the bottom end, the Three Thieves 2002 California Zinfandel ($9.99) nonetheless has a wonderful wino appeal. In a clear glass jug with a little Appalachian handle perfect for tipping it directly into the mouth while seated in a front porch rocking chair listening to banjo music, the Three Thieves is a project of master winemaker Joel Gott, who, with his two partners, proclaim themselves to be “liberators of world-class wine.” Bottled in the “liter format,” Marti promises, “You get an extra glass with every bottle.” Nothing to complain about there!

Out in the industrial end of northwest Santa Rosa, the din of the immense warehouse that is the Bottle Barn is at high volume. It’s just noon on a Thursday, and the place is packed, mostly with women and retirees happily filling entire shopping carts with holiday wine and spirits. Offering prediscounted prices, the Bottle Barn has a massive panoply of choices at cheerful rates. The Three Thieves is sold here for $8.99, and Noel’s Sangiovese-Cabernet la Supera blend, which normally retails for $19.99 and was produced in a limited 300-case lot, is practically given away at $6.99.

Though the staff is harried, if you can catch an employee, such rigor is rewarded; they know their stuff. But the lengthy and chatty wine notes posted near special bottles are often information enough. The Terre Rouge California Syrah ($12.29) is, for example, the Wine Enthusiast‘s 2002 pick for “the sexiest wine of the year.” Into the basket it goes.

For pure mouth ease, the HRM Rex Goliath ($5.49), a nonvintage Merlot blend from the vineyards of California’s Central Coast, is an inexpensive pleasure, perfect for pouring hugely at parties. The Toad Hollow white Vin Vivant “Risqué,” ($12.49) with its whimsical label and resealable wire-rigged top, tots along nicely as a host gift.

But the real star of this season is of course sparkling wine and the don’t-call-it-that-unless-it’s-from-there Champagne. Trader Joe’s, home of the $1.99 Charles Shaw phenomenon, certainly purveys more than its affectionate “Two-Buck Chuck,” offering J Winery’s outstanding sparkling brut for $23.99. Gloria Ferrer’s very drinkable eponymous brut is just $11.99, and the Schramsberg Crémant, with its milky, almost ice-creamy undertones, is available for $22.99.

Back in Sebastopol, Tony Marti calls Schramsberg an “icon of the Champagne industry,” explaining that “they use the classical grape varieties, sourcing them from a lot of different Sonoma County and Napa vineyards.” But for his money, the Anderson Valley’s Roederer Estate Brut ($14.99), discounted $5 for the holidays, “is a fantastic quality. It has a really nice richness and is as close as you’ll come to a French brut Champagne.”

For that special romantic bottle to be later smashed in the fireplace by just two people, Marti likes the Champagne D’Albion ($24.99), calling it a “prototypical Champagne” and remarking that “to find a French Champagne for under $35 is just amazing.” But to our pockets, to find a Spanish one for just $7.99 is even better, and the Cristalano, available as a rosé or a brut, slips nicely under the skimp of a $10 bill.

We can raise a toast to that.

From the December 25-31, 2003 issue of the North Bay Bohemian.

© Metro Publishing Inc.

‘Cold Mountain’

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Go Tell It on the Mountain: Renee Zellweger toughs it out in ‘Cold Mountain.’

–>Hot and ‘Cold’

Comic Johnny Steele takes a few swings at the Civil War odyssey ‘Cold Mountain’

By David Templeton

Writer David Templeton takes interesting people to interesting movies in his ongoing quest for the ultimate postfilm conversation. This is not a review; rather, it’s a freewheeling, tangential discussion of life, alternative ideas, and popular culture.

“Look at world history,” suggests Johnny Steele, nearly bouncing out of his coffee-shop booth. “Just read any history book,” he is saying, “and you’ll see that whenever in history life has become worthless, whenever and wherever life has lost its meaning, it always happens because people are starved. They’re either starved for food or shelter or freedom or for love. It’s when peoples’ hearts are always being broken, that’s when life becomes worthless.

“So I’m not surprised that in this movie Cold Mountain we saw all these people marauding around, killing their own people, raping and maiming, just being mean for meanness’ sake. What surprised me was that we didn’t see more of that.”

Cold Mountain, running just over two and a half hours and featuring massive battles and an arduous journey covering thousands of miles, is very much, as the movie-poster people like to say, “an epic motion picture.” Johnny Steele, standing about 6 foot 4 inches and possessing a barely controlled energy force and dagger-sharp wit, is the standup-comedy-club version of an epic. In other words, Johnny Steele, who packs dozens of ideas and zillions of words into a short 10-minute walk from theater to restaurant, gives roughly twice as much as anyone expects. Well-read, politically charged, and wildly philosophical, Steele describes his own onstage comedy style as “verbose, loquacious rambling,” adding that it’s “not the Steinbeckian economy of verbiage that’s required if you’re gonna get 36 punch lines into a single set on David Letterman.”

That description is a good example of Steele’s conversational approach. He’ll use 24 words to say “I use a lot of words.” This mile-a-minute intensity has taken him to comedy clubs around the world. A resident of Berkeley, he won first place in the 1992 San Francisco International Comedy Competition, has hosted his own radio and television talk shows, and is currently working on a one-man show about his home town of Pittsburgh, Pa. He is especially popular, it seems, in Amsterdam. He is a self-proclaimed cynic who doesn’t see the glass as being half-full or half-empty; he sees it as empty and broken, with everyone cutting themselves on it.

When it comes to movies, Steele is typically hard to please. The best praise he can give Cold Mountain (starring Jude Law, Nicole Kidman, and Renee Zellweger) is to say that it didn’t disappoint him as much as he’d expected it to. Based on the bestselling novel by Charles Frazier and directed by Anthony Minghella (The English Patient, The Talented Mr. Ripley), it’s the story of Inman (Law), a Civil War­era Odysseus who deserts his regiment in order to make his way home to his sweetheart, Ada (Kidman), a pampered Southern belle who survives wartime poverty and ruthless raiders with the help of a hardworking, chicken-slaughtering, comic-relief mountain woman (Zellweger).

“Nicole Kidman was occasionally plausible,” Steele says. “Sometimes I thought she was from Cold Mountain, N.C., and other times I thought she was from Cold Mountain Dew. She was too 21st century to pull this off.” Renee Zellweger, he observes, is perhaps a bit on the tiny side to suggest the kind of physical force her character is supposedly blessed with.

“Yep, Renee Zellweger, 93 pounds of tough, tough mountain woman,” Steele says. “When she was showing Nicole Kidman how to shovel the hay, or whatever they were shoveling in that barn, it was hilarious that Nicole Kidman couldn’t physically do it. It was just too darn hard. And I was thinking, ‘Wait, the 93-pound woman can do this stuff, but the 91-pound woman isn’t strong enough?’ This was credible?

“I understand that different people are made of different fiber, but that was just unbelievable. Maybe if the mountain woman had been played by Kathy Bates I’d believe that she could shovel a load that Nicole Kidman couldn’t, but here we had two scrawny little women, and one was supposed to be able to smack the other with brute force. What the hell is that?”

He admits he’s quibbling.

“Well, that’s what I do,” he laughs. “But these scenes people put in these movies, they insult my intelligence. Remember in The Perfect Storm, at the end when Marky Mark is bobbing on the surface, 2,000 miles off the coast, riding these 80-foot waves, and he’s mentally speaking to his girlfriend who’s standing onshore thousands of miles away–and she’s hearing him? I know, I know–‘They can hear each other because they love each other.’ So how come I’m a block away and I can’t hear my girlfriend on the cell phone?

“There’s one thing I do like about Cold Mountain, though,” he goes on. “This movie showed a bit of the truth about who we are. Americans tend to have a really skewed perception of themselves, and it’s a perception that, I’m here to tell you, no one else in the world has. I’ve always questioned this. ‘America, we’re a peace-loving society!’ Really? We are? Uh, our history doesn’t really show that.

“I don’t know if it’s fair to compare people from the Civil War time to the people of present-day America, but look at this movie–there were not a lot of good folks in this. One or two good guys, maybe half a dozen, and all the rest are marching off to slaughter each other, boys and kids marching off to wholesale slaughter! And back at home, everyone is killing everyone else and raping and stealing. Everybody you pass on the road has a gun and an agenda. I’m impressed that they were willing to show us some realistic human beings–not just human beings, but realistic Americans–as people who aren’t always so kind, and also that kindness isn’t always victorious.”

Steele, when all is said and done (though with Johnny Steele that rarely ever happens), believes that the character of Inman is a great symbolic role model for modern times. This in spite of the fact that he’s a deserter and a traitor. Actually, Steele feels he’s a good role model because of those things.

“Inman had a goal,” states Steele. “He was going to risk everything he had on this ideal. First of all, he decides not to stay in lockstep with the status quo. That’s something a lot of Americans can’t imagine. Here’s Inman, he wakes up and sees that the war is crazy, it’s carnage, it’s meanness, he’s probably going to die–and for what? So he walks, literally. He takes a walk, traveling hundreds of miles to get back to this woman who is his ideal. That’s a great statement. ‘Get out of line! Get the fuck out of the line. What’s wrong with you?’

“There was some poll that concluded that Americans’ number one and number two fears are being called up to speak in front of people and being accused of stepping out of line. Inman stepped out of line, and that was very cool.

“Granted, it was for love,” he adds. “He didn’t step out of line to save animals or to stop the destruction of the environment or the Native Americans. Face it: Inman steps out of line to go home and get laid. But it was still very cool.”

So would Johnny Steele go so far as to actually recommend Cold Mountain? When asked, he grows silent for the first time since the movie ended. He is considering the question.

“OK,” he finally says. “On a scale from one to 10, with one being the world’s sappiest, most artificial movie–a Capra film or a Spielberg thing, the kind of film they show to the herds at the Dork-a-Plex 12 every Friday night–and 10 being, you know, a Johnny Steele film festival including Ironweed, Midnight Cowboy, and The Pawnbroker, I’d put Cold Mountain somewhere in the middle. Maybe a little higher than middle, because the ending is what it is–it’s down and depressing and yet it’s still hopeful.

“So, yeah, I’d recommend it. And if you’re the kind of guy who likes a lot of explodin’ and a few rounds of screwin,’ I’d definitely recommend it, because there’s plenty of that.”

Johnny Steele will be appearing Tuesday, Dec. 30, at the Mystic Theatre in Petaluma, part of the 11th annual Big Fat Year-End Kiss-Off Comedy Show, featuring Steele and fellow comics Will Durst, Deb and Mike, and Steve Kravitz. Tickets are $15. Doors open at 7pm, show begins at 8pm. Call 707.765.2121 for info.

From the December 25-31, 2003 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Holiday Sobriety Challenge

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Race with the Devil

Local politicos drink and drive for good cause

By R. V. Scheide

Santa Rosa mayor Sharon Wright admits she’s a cheap date. After three glasses of wine, she’s as giddy as a frolicsome colt. Of course, it is only 11:30 in the morning. Perhaps she had but a light breakfast before coming to the seventh annual Holiday Sobriety Challenge at Infineon Raceway this past Dec. 19.

The purpose of the challenge is to raise awareness about the dangers of drunk driving, particularly during the holiday season. The event invites Northern California politicians, sports celebrities, and other community figures to test their capacity to handle an automobile after consuming a small amount of alcohol.

The participants, which this year included Wright, Petaluma mayor David Glass, and San Francisco Giants pitcher and San Rafael native Jesse Foppert, first drink up to three glasses of wine or beer as officers from various North Bay law enforcement jurisdictions monitor them with field sobriety tests and portable Breathalyzers.

Once the contestants (or as the CHP calls them, “test subjects”) are juiced up enough, they hop in one of the raceway’s pace cars and under the watchful eye of an instructor from the Jim Russell Racing Drivers School riding along for safety, attempt to navigate a test course set up with traffic cones in a parking lot.

Wright was winner of the unofficial contest to see who could get the tipsiest downing three drinks in a half-hour or so. For most of the participants, it was a bit early for that kind of power drinking, so encouragement was required.

“Pound it fast!” Sgt. Wayne Liese of the CHP urged Foppert, pumping his fist at the veritable beanpole of a pitcher, who was on his third drink and seemed totally unphased. “I need you to pound it fast!”

According to the CHP’s drink chart guide, a person Foppert’s size, way over six feet tall and about 220 pounds, can have two drinks in a two-hour period and remain under the legal limit for alcohol in the blood, which is .08 in the state of California. A person Wright’s size, 120 pounds or so, can have just one drink over the same time period. Thus the effects of slamming three drinks in a half-hour were predictable: the participants, even eventually Foppert, definitely got a buzz on.

“I can feel it,” the pitcher said. “There’s no way I would drive right now.”

“Not even to the stadium?” someone quipped.

He shook his head no.

San Rafael motorcycle patrolman Mike Mathus asked Josh Mooney, a KFTY TV-50 employee who had downed three beers, to perform a number of different tasks, including balancing on each foot for 10 seconds and touching his thumbs to his fingertips while counting forward and backward–one-two-three-four, four-three-two-one–three times. On the latter exercise, Mathus stopped Mooney on the sixth repetition.

“How many times did I tell you to repeat that?”

“I forgot,” Mooney admitted.

Mathus shook his head with mock concern.

“You’re scaring me, Mike!” Mooney half-joked.

In the real world, the patrolman explained, this is where the field sobriety test starts getting serious. Not being able to follow simple instructions is potentially a sign of intoxication. Mathus held a pen up in front of Mooney’s face and asked him to follow it with his eyes as the officer waved it back and forth like a pendulum. The officer suddenly broke the pen’s rhythm, and Mooney’s eyes “bounced”–visibly rattled in their sockets–trying to adjust to the change in movement.

Judging by the eye-bounce, Mathus estimated Mooney’s blood alcohol content to be about .06. Mooney then blew into a portable field Breathalyzer, which indicated his level to be .03. Mathus, who prefers the field test over the portable unit for determining whether to haul a suspect in, chalked the difference up to time–all of the alcohol had not yet entered Mooney’s bloodstream. By the time a suspect is taken to the police station for testing, it would be.

Although Mooney was well within the legal limit, Mathus pointed out an interesting facet of DUI law many people don’t realize until after their arrest. Mooney, a stout 200-pounder who said he doesn’t drink that often, was clearly intoxicated. If such intoxication leads to reckless driving, the suspect could be cited for having any alcohol in his system, even if the level doesn’t exceed the legal limit.

In fact, although no one in this year’s challenge exceeded .08 on the portable Breathalyzer, no one passed the field sobriety test with flying colors, either. The message sent by law enforcement is fairly clear: When it comes to drinking and driving, even a little booze may be too much, especially during the holidays, when traffic is denser and weather conditions are worse.

How does that message play in a region where a major sector of the economy involves enticing people to drive hundreds of miles in order to sample the area’s fine alcoholic beverages?

“Let’s face it, a large part of the economy is derived from the production of alcohol by the wineries,” said Capt. Gene Lyerla of the Napa County Sheriff’s Department. But he added the industry has long recognized that supporting DUI programs works to its benefit. “The wineries are very supportive of our DUI campaign. No one’s said anything negative about the checkpoints and awareness programs.”

He said many wineries train tasting-room employees to recognize when someone is too drunk to drive. When such customers drive off anyway, staff are trained to alert other wineries that someone who has already had too much to drink is heading their way.

If such scrutiny sounds a bit paranoid to some, Lyerla has all too often seen the damage alcohol can cause. The highest blood alcohol level he’s ever seen in someone busted behind the wheel was .48. “The guy just fell out of the car after we pulled him over,” he chuckled. “Some doctors say you’re dead at .50.”

The worst drunk-driving accident he recalls was a carload of four young adults heading home to Napa one night from the city. The driver was drunk and wrapped the car around a tree, killing the foursome. “At least they didn’t hit another vehicle and kill anybody else,” he said.

Drunk driving is a deadly serious subject that has touched many North Bay families. Mayor Wright raised four boys to grown men and says her family had its “fair share of DUIs.” Despite ever stiffer DUI penalties, the carnage continues. Last year, the CHP reported that alcohol was involved in 162 collision-related fatalities in nine Bay Area counties; an additional 5,278 persons were injured.

Perhaps because it is such a gloomy topic, the Holiday Sobriety Challenge is a light-hearted affair. No one is allowed to drink without having someone else to drive them home, avoiding potential tragedies, such as getting a DUI from the same officer who an hour ago was encouraging you to pound it down.

Mayor Wright was blowing .052 by the time her turn at the wheel came. Santa Rosa police officer Jerry Soares conducted a field sobriety test on the mayor as light rain drizzled on the canopy set up in the parking lot. Even though the mayor was under the limit, in the real world, Soares wouldn’t have let her drive.

“I would have asked her if there was someone who could give her a ride home,” he said as the mayor giggled. “You can tell she’s not a heavy drinker.”

Real concern for Wright’s passengers gripped those gathered at the scene as she slipped behind the wheel and started honking the horn, trying to get Glass, parked in front of her, to pull out onto the course. As he entered the first obstacle, she raced the engine and suddenly the Dodge Intrepid squealed out of the block as though Shirley “Cha-Cha” Muldowney were driving, totally missing the cones and running off the course.

“It’s over!” said one TV reporter, turning to the camerman. “Did you get that?”

Wright eventually regained the track, driving slowly at that point. She was still out there, trying to parallel park, as Glass returned. The instructor informed Glass, who drove slowly and cautiously, that he failed the test. After three drinks, the mayor of Petaluma just couldn’t perform the sort of multitasking required to drive a car.

“Don’t have a drink and drive, don’t have three drinks and drive,” he said. He limits himself to one drink whenever he has to drive. When it comes to drinking and driving, that may be the safest guideline to follow.

From the December 25-31, 2003 issue of the North Bay Bohemian.

© Metro Publishing Inc.

The Year in Music

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Sonic Mutations: Beck gets what’s comin’ to him: a little soul jazz.

–>Things that Go Pop

2003: Al Green dumps God and Guided by Voices go ballistic

By Greg Cahill

The world came crashing down around our ears this year in so many ways, and music as always rushed in to fill the void. And what a year it was. You might not have noticed amid the mainstream media barrage–Michael Jackson doing the perp walk, Britney and Madonna swapping spit on the MTV Music Video Awards, and Rolling Stone declaring Justin Timberlake the new King of Pop–but America embraced black hip-hop artists with a fervor. For the first time ever, black artists for a short spell this summer claimed all the 10 top spots on Billboard‘s Top 200 Albums chart. There’s no question that 2003 was more about Missy Elliott than Madonna, and Outkast’s double-dipping Speakerboxxx/The Love Below (La Face) and the soundtrack to Tupac: Resurrection (Interscope) were far more powerful than Timberlake’s blue-eyed R&B.

And what can you say about a year in which the Rev. Al Green shed his 30-year commitment to religious music with I Can’t Stop (Blue Note), a solid collection of smooth soul that found him reuniting with legendary Hi Records producer Willie Mitchell.

Say Amen!

In fact, great soul music raised its voice throughout the year. One sorely overlooked source: Soul Tribute to the Beatles (Vanguard), a compilation of Fab Four covers from Otis Redding, Aretha Franklin, Wilson Pickett, Marvin Gaye, Al Green, Fats Domino, Esther Phillips, the Supremes, the Four Tops, Natalie Cole, Ike and Tina Turner and Earth, Wind, and Fire. And then there was The Essential Sly and the Family Stone (Epic Legacy), a gloriously remastered two-CD set that celebrated the genre-fusing band that helped bring funk to the mainstream in the late ’60s and early ’70s.

In rock, the prolific Dayton, Ohio, alt-pop band Guided by Voices released their masterwork, the imaginative Earthquake Glue (Matador), followed by the 32-track compilation The Best of Guided by Voices: Human Amusements at Hourly Rates and the six CD/DVD rarities set Hardcore UFOs: Revelations, Epiphanies, and Fast Food in the Western Hemisphere. Did I mention the band is prolific?

Roots music enjoyed its share of noteworthy releases. Lucinda Williams gave us World without Tears (Lost Highway), arguably her strongest album. Lyle Lovett made the year’s second-biggest comeback with the rockin’ My Baby Don’t Tolerate (Curb), his first studio album of new songs in seven years.

Here are 10 more albums that lingered in my CD player–and I swear to the RIAA that I didn’t download a single kilobyte of sound:

The Wind (Artemis) Warren Zevon’s last album, released shortly before his death from cancer, is a sentimental affair, from Ry Cooder’s gospel licks on the self-deprecating “Dirty Life and Times” to the epitaph “Keep Me in Your Heart.”

Boogaloo to Beck (Scufflin’) Dr. Lonnie Smith gives 11 Beck songs the ’60s organ-trio, soul-jazz treatment.

Word of Mouth Revisited (Telarc/Heads Up) Former band mates of the late, great jazz bassist Jaco Pastorius reunite as a tribute band under the direction of Peter Graves along with guest soloists.

Red Headed Stranger (DiCristini Stair Builders) Ex-Geraldine Fibbers vocalist Carla Bozulich teams up with New York downtown jazz players for this reinvention of Willie Nelson’s 1975 crossover hit album.

Freak In (Bluebird) Jazz trumpet master Dave Douglas throws in everything but the kitchen sink (tablas, tape loops, synth beats) to create a provocative, postmodern pastiche.

The Old Kit Bag (Cooking Vinyl/Spin Art) Celtic folk rocker Richard Thompson’s best CD in years is a mostly acoustic powerhouse.

As Far As (Six Degrees) San Francisco-based and Algerian-born DJ Cheb I Sabbah has played tour guide on some of the world’s most exciting musical excursions. This disc is saturated with the sounds of Asia, Africa, and Arabia, and features his own rare tracks and remixes.

The Soul of a Man (Columbia/Legacy) Martin Scorsese’s ambitious seven-part PBS series on the blues was disappointing. But this volume features great new blues covers by Cassandra Wilson, Los Lobos, Bonnie Raitt, Beck, Nick Cave, and others.

The Unfortunate Rake, Vol. 2 (Copper Creek) Can’t begin to tell you how many mornings started with an old-timey blast of “Johnson Gal” by the Bay Area-based string band Crooked Jades.

Greendale (Reprise) Neil Young sizes up American society in the Bush era and unabashedly embraces his hippy ideals to create a bluesy, message-laden musical novel. Still rockin’ the free world!

From the December 25-31, 2003 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Budget Cuts

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Terminator Targets

Proposed budget cuts threaten the most vulnerable

By Tara Treasurefield

Michael DeVore has multiple sclerosis and requires personal care. He’s fortunate, though. California’s In Home Supportive Services (IHSS) program pays his wife Susan a minimal salary, so that she can stay at home and provide the care her husband needs. This arrangement, which allows the DeVores to make the best of a bad situation, may soon end.

According to the State Budget Office, Health and Human Services funding represents 20 percent of Governor Schwarzenegger’s proposed General Fund budget cuts for 2003­2004, and 76 percent for 2004­2005.

The DeVores are well-known in Sonoma County. In 1990, they founded the Family Connection, a nonprofit corporation that integrates homeless families into the mainstream community. “I’m an ordained minister in the United Church of Christ,” says Michael DeVore. “Basically, I had the choice of staying in the ministry or beginning the Family Connection. I thought that working with homeless families was more important. In the process of doing that, I wrote away all my benefits.” By 1999 symptoms caused by multiple sclerosis forced Michael DeVore to remain at home. His wife has been his personal care provider ever since. “We’re in a place very much like our clients used to be,” he says.

According to Diane Kalgian, section manager of the Adult and Aging Services Division at the Sonoma County Human Services Department, only people who earn less than $1,000 per month and have no more than $2,000 in the bank qualify for in-home health services. In Home Supportive Services pays providers $9.50 per hour for up to 283 hours per month. The average number of hours that IHSS authorizes for payment is 100.

If Susan DeVore loses her In Home Supportive Services salary, she’ll have to find work outside the home and won’t be able to care for her husband. His disability income will be subtracted from her earnings, they’ll have to finance his personal care, and he may lose his eligibility for Medi-Cal. In addition, they may no longer qualify for low-income HUD housing, and she’ll lose the Kaiser coverage she has through IHSS. “We don’t need any more than we have,” says Michael DeVore. “But if they remove what we’re getting now, which is what they’re talking about doing, I’m not sure what we’ll do.”

Eighteen-year-old Maximillian Meyers, who has lived in Sonoma County all his life, has been paralyzed from the waste down since 1997. “Since my injury, I have been doing lots of physical therapy and attending adaptive physical education classes at Santa Rosa Junior college. I’ve seen the difference good care makes in the lives of my disabled classmates,” he says. His father, Hari Meyers, is his caregiver.

Federal funding covers personal care for approximately 80 percent of the people in Sonoma County who need it. At issue are the people who need personal care that the federal government doesn’t support and that the State of California does and soon won’t if the budget cuts are approved.

According to Kalgian, California’s IHSS serves 3,300 people in Sonoma County, 891 of which either receive care from a spouse or are children who receive care from a parent. Statewide, IHSS covers 321,426 people. Approximately 86,786 of these people receive care from a spouse or are children who receive care from a parent.

The governor has also proposed caseload caps. This could prevent disabled individuals who now receive in-home care from receiving state-funded services elsewhere. How bad can it get? “If the current support systems are eliminated through budget cuts, I think homelessness becomes a likely scenario,” says Peter Tiernan, IHSS field representative for Local 250 of the Service Employees International Union.

Other targets for budget cuts are family-member providers for individuals who need such services as laundry, shopping, and transportation to doctors and schools; people with developmental disabilities; Medi-Cal; the Veterans Cash Benefit Program; services for immigrants; and the salaries of nursing-home caregivers.

Over a thousand disabled advocates from all over the state have been lobbying and rallying in Sacramento on their own behalf, and many legislators, Republicans and Democrats alike, are critical of the governor’s proposals. Under the chairmanship of Senator Wes Chesbro, the Subcommittee on Health, Human Services, Labor, and Veterans Affairs is posing hard questions to the Schwarzenegger administration. Assemblymember Patty Berg, who represents Sonoma County, says, “Throughout the budget process, I will examine each and every cut, and see what the Legislature can do to maintain vital programs like In Home Supportive Services.”

The Legislature is expected to make a decision on the proposed cuts by the end of the year. Hari Meyers says, “We ask our friends to immediately phone the governor’s office [888.780.9275, then hit #8] and tell them that these cuts are unacceptable,” says Hari Meyers. “Bring this issue to your churches and other groups.”

Ever trusting in the power and strength of community connection, Michael DeVore says, “I don’t expect that we’ll be on the streets, because I understand the way the universe works. I don’t feel hopeless about this. But I do know it’s serious.”

From the December 18-24, 2003 issue of the North Bay Bohemian.

© Metro Publishing Inc.

Maria Theresa Macias

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: Tanya Brannan and the Purple Berets have crusaded for victims of domestic violence, and their work has prompted changes in police department procedures.

–>Right to Life

Almost eight years after Maria Theresa Macias’ death, where are we in the fight against domestic violence?

By Joy Lanzendorfer

It was 1996. Maria Theresa Macias was living in the town of Sonoma in constant fear for her life. Her husband, Avelino Macias, had been stalking, threatening, and beating her for years, and there was nothing she could do to stop him.

Not that she hadn’t tried. Maria had done everything right. She got restraining orders; attended counseling; solicited the help of friends, women’s groups, churches, and Latino organizations; stayed at shelters; and even tried to learn English so she could explain her situation better to the police.

Most importantly, she continually reported every new incident to the authorities. From January to April, Maria approached the Sonoma County Sheriff’s Department 18 separate times for protection from Avelino. She even brought them a meticulously recorded diary of incidents involving Avelino, but as it was in Spanish, it was never translated.

On April 15, 1996, Avelino came to the house where Maria was living with her mother, Sara Rubio Hernandez. Hernandez immediately dialed 911, but hung up when she heard a gunshot outside. She rushed to lock the door, but not before Avelino shot her twice in the legs. Avelino then killed Maria and shot himself in the head.

Soon after, the police closed investigation of the case. The women’s advocacy group Purple Berets was appalled to learn how the police’s neglect had contributed to Maria’s death, and began looking into the situation. A lawsuit soon followed against the sheriff’s department. After one dismissal and an appeal, the case was retried. In 2002, Sonoma County agreed to pay Maria’s family $1 million. It was the first monetary award ever paid by law enforcement for failure to protect a victim of domestic violence that escalated to homicide.

After Maria’s death, police departments all over Sonoma County began studying how they handle domestic violence. New protocols, checklists, and more victim advocacy were just some of the changes. The assumption was that the new procedures would keep what happened to Maria from ever happening again. But almost eight years after Maria’s death, how much have things really changed?

“It’s a mixed bag,” says Marie De Santis, director of the Women’s Justice Center in Santa Rosa. “Things got better after Macias, but recently, the last couple of years or so, things have not been going well at all.”

Most women’s groups seem to agree that some police departments in Sonoma County do a better job overall of addressing domestic violence than others. The sheriff’s department, for example, has made a lot of changes. Others have not.

“It really varies department by department,” says Tanya Brannan of the Purple Berets, who spearheaded the Macias lawsuit. “It’s still way far behind where it should be across the board, but some departments are worse than others. Rohnert Park is the worst. Santa Rosa is not as good as it used to be. None of them are doing what they should.”

Both the Purple Berets and the Women’s Justice Center said that the Rohnert Park and Santa Rosa police departments are the worst at handling domestic violence. De Santis listed off case after case of domestic violence that she alleges were not dealt with correctly by the police from one of those two departments. Brannan claims that every case she has seen under Rohnert Park’s jurisdiction has had a problem of some sort, including missing police reports and insufficient investigations.

“I’ve seen two rape cases that Rohnert Park has completely botched up,” she says. “Without exception, every case I’ve seen under Rohnert Park has been messed up in some way.”

Lt. Dan Murray of the Rohnert Park Police Department was surprised to hear that the Purple Berets had a problem with how they handle domestic violence. He had only heard of one complaint from the group.

“I don’t know if I’m able to respond to that,” he says, “other than to say that the Rohnert Park police takes all domestic violence seriously and follows the mandated criteria.”

The Santa Rosa Police Department did not return repeated attempts to talk to them about this article.

While several women’s groups were critical, some remain enthusiastic about Sonoma County police.

“The police have been extremely helpful to us,” says Jennifer Lake, director of the YWCA Safe House, a shelter for abused women. “They are sensitive to our needs here and have worked with us and advocates.”

It’s hard to tell how big the domestic-violence problem is in Sonoma County. The YWCA 24-hour hotline has received nearly 5,500 calls in 2003, over 2,000 more calls than it received in 2002. The YWCA also filed 9,700 temporary restraining order petitions in 2003, up from 5,500 in 2002. According to the Safe House, one out of every 10 women in Sonoma County reports domestic abuse.

As for how seriously the police take domestic violence, there are very few numbers. According to the Women’s Justice Center, the police make around 2,500 domestic-violence-related crime reports a year in Sonoma County. That is a high number if you consider that only about half of domestic-violence incidents are reported in the first place. And of those that are reported, some police officers never write up a crime report.

In 2001, only 43 percent of reported domestic-violence crimes in Sonoma County led to conviction. That is far below the average conviction rate of 60 percent in other Bay Area counties. Some California counties that have prioritized domestic violence show a conviction rate as high as 80 percent.

The Sonoma County district attorney’s office is quick to point out all the improvements that have been made since the Macias case. But nothing is perfect, admits Chief Deputy District Attorney Larry Scoufos.

“The treatment of domestic-violence cases is certainly much better than it was in the past,” Scoufos says. “But there is always room for improvement. Police certainly need to give serious consideration to any case of domestic violence.”

One of the biggest problems in domestic violence is when an officer doesn’t take the situation seriously. Domestic-violence reports routinely sit on desks. Some police don’t respond to calls from women, or when they do, they side with the men. And as should be clear from the Macias case, ignoring domestic violence can have dire consequences.

“Some of it is the usual bureaucratic laziness that causes these cases to be ignored, but mainly it is an attitude within the police departments,” says De Santis. “Law enforcement is a male-dominated culture. Many police officers have a very high tolerance of the attitudes that drive violence toward women.”

The attitude among some officers may simply be that they got into law enforcement for the excitement of, say, car chases and slamming criminals up against walls. Dealing with crying children and desperate women was not what they pictured when they first envisioned themselves in their uniforms, and thus it is not high on their priority list.

More ominously, some officers may actually sympathize with the man in a domestic-violence situation. For example, a recent case brought to the Women’s Justice Center’s attention involves a Santa Rosa woman who called the police because her husband was beating their 14-year-old daughter. The father had broken one of the daughter’s teeth and busted her lip, among other injuries, because she was alone in her bedroom with a 19-year-old boy.

According to De Santis, the responding police officer sympathized with the husband and even lied on his police report to protect him. The officer said that if it were his daughter, he would have done the same thing.

This attitude, though perhaps rare, is an unfortunate reality among some officers, admits Tara Shabazz, director of programs for the California Alliance against Domestic Violence.

“Sometimes the police and the batterer have this man-to-man thing that happens and the man gets away with it,” she says. “That attitude still happens.”

A police officer who sympathizes with abusers may be one himself. Two separate studies have found that 40 percent of police officers’ families experience domestic violence compared to roughly 10 percent of families in the general population.

When domestic violence involves a police officer, it takes on a whole new level of complication. Rohnert Park citizen Mitzie Grabner says that her two-year relationship with California Highway Patrol officer Curt Lubiszewski was filled with abuse. Lubiszewski allegedly screened her phone calls, banned her friends from the house, and obsessively checked everything she did. She says he regularly showered her with verbal and physical abuse.

When Grabner left Lubiszewski, she reported the abuse to the police. After an investigation, the district attorney refused the case, citing lack of evidence. Two requests for restraining orders were also denied, because, according to some, the no-gun provision put into domestic-violence restraining orders would jeopardize Lubiszewski’s job as a police officer. But Lubiszewski’s attorneys say the restraining order was denied because of a lack of evidence.

After her case was denied, Grabner called the Purple Berets. The group claims that while Lubiszewski’s abuse was well-documented with statements from witnesses, CHP protected Lubiszewski because he is a police officer.

“The CHP was unilaterally hostile in this case,” says Brannan. “They protected Lubiszewski and continued to blow Grabner off. They were disdainful and rude to witnesses.”

Soon Lubiszewski’s ex-wife Bonnie Garrett spoke up as well, saying she sustained years of abuse at Lubiszewski’s hand but never reported it because she was afraid of him. The Purple Berets called for a meeting with eight high-level law enforcement officials, including Rohnert Park police chief Tom Bullard, CHP lieutenant Dan Moore, and Scoufos. For two hours, Grabner, Garrett, a witness, and Brannan laid out the abuse charges. By the end of the meeting, the officials agreed to reopen the case.

Since then, Lubiszewski has been charged with three counts of battery against a spouse or girlfriend. The case is now set to go to trial in January. However, the defense has filed a motion to put Lubiszewski back on the job at the CHP, and to return his gun to him. They are also requesting a recusal (a request for disqualification by a judge because of prejudice). The defense says that the district attorney is biased against Lubiszewski because he is a police officer and because law officials caved into political pressure from the Purple Berets. They point to the fact that the allegations against Lubiszewski were previously dropped by judges, and the only reason they have been reopened it is because he is a police officer and therefore under more scrutiny. The hearing is now scheduled for December 19.

“They are treating him differently because he is a police officer,” says defense attorney Stephen Turer. “They have had pressure from the outside group the Purple Berets, a group that has an axe to grind with police officers. They hear an accusation against one, they assume the officer is guilty. Brannan is a biased advocate, a zealot. I find it offensive that the DA would meet with her behind closed doors without representation for the defendant.”

The defense maintains that Grabner and Garrett brought this case up against Lubiszewski in an attempt to get revenge against an ex.

“It’s all bullshit,” says Turer. “Much of these complaints came up after Grabner broke up with him. It is the case of a woman scorned; after they broke up, she claimed all these abusive acts. They were brought up against the judge and rejected.”

The Purple Berets maintain the opposite point of view. They say that Lubiszewski evaded prosecution for so long only because he is a police officer.

“Had he not been a cop, the number of reports of domestic violence would likely have been numerous over a period of 14 years, and by now he would probably be in prison,” says Brannan.

The Purple Berets add that the idea of the DA caving into the Purple Berets is “simply laughable” and that the DA and the Purple Berets have always been adversarial. They were not expecting Scoufos to attend the meeting, and he only filed the charges against Lubiszewski after seeing the facts of the case.

Whatever happens with the case, it illustrates that when it comes to domestic violence, case history makes a world of difference. When meeting with the eight law enforcement officials, the Purple Berets laid out the abuse chronologically to establish the pattern of Lubiszewski’s alleged abuse.

In many situations, this is essential to understanding domestic violence. When officers look at case history, they can see how a breach in a restraining order or another abusive phone call is part of a man slowly moving in on a woman.

Unfortunately, looking at history is rarely done by even the best police officers, according to De Santis.

“In the case of stalking where there are multiple small offenses, the cops can’t get it in their heads that these are pattern crimes,” she says. “They are supposed to look back on the case history when they are on call, but they don’t. It’s very dangerous.”

Domestic-violence cases are fraught with entrenched biases. In many cases, women are arrested for defending themselves in domestic-violence situations. But even more common is the question, why doesn’t she just leave?

The answer is usually one word: fear.

“When women leave their batterers, that can be the most dangerous time for them,” says Shabazz. “When they decide to leave, that’s when they get murdered.”

Other reasons women don’t leave include economic problems and not wanting to break up the family for the sake of the children. And when they see little or no response from police officers, they can give up hope.

“That’s why when law enforcement squashes cases, it can be devastating to the community,” says Brannan. “The message the guy gets is that it’s OK to do this sort of thing. You steal a TV, you go to jail, but if you beat the hell out of your wife, you go to counseling. That’s not a good message to send.

“Look at what Avelino Macias said to friends,” she adds. “He said, ‘If I were doing anything illegal, they would have arrested me–right?'”

From the December 18-24, 2003 issue of the North Bay Bohemian.

© Metro Publishing Inc.

New Year’s

0

: The Zydeco Flames ring in the New Year with a touch of Cajun spice at Rancho Nicasio.

–>Surviving Amateur Night

A sensible guide to celebrating the New Year

By R. V. Scheide

They don’t call New Year’s Eve “amateur night” for nothing. Last New Year’s Eve, the California Highway Patrol busted eight Sonoma County drivers for operating vehicles under the influence; more than 100 were nabbed in the Bay Area, and a total of 534 were arrested throughout the state. The numbers in some cases were double the previous year, and this New Year’s, the CHP and local sheriff and police departments will be out in force in an effort to deter drunk drivers, keep the numbers down, and protect the public.

In the North Bay, this presents the holiday reveler with a dilemma. The selection of nonalcoholic New Year’s celebrations is pretty slim now that First Night–the ambitious, artistic, nonalcoholic downtown Santa Rosa celebration that’s had trouble getting major sponsorship since its inception in 1995–has perhaps seen its last night. We’ve listed as many as we could find here in a special, nonalcoholic section that will have to do until First Night 2004, assuming the teetotaling to-do can find some major financial backers here in the heart of wine country.

In the meantime, we’ve developed a simple guideline to follow for those who wish to join the rest of the world in ushering in the New Year: celebrate globally, drink locally. With that in mind, we’ve tried to feature events that are not necessarily alcohol-focused, and we’ve listed them county by county, city by city, moving from north to south, so that potential holiday revelers will have no problem finding a party that’s near enough to the crib to crawl home if necessary.

And boys and girls, it may be necessary.

A 120-pound woman who has more than two drinks–two glasses of wine, two beers, or two mixed drinks–in an hour is flirting with the .08 legal limit for blood alcohol content. Similarly, a 160-pound man who has more than three drinks in an hour is pushing the legal limit. A word from the wise to anyone who thinks it’s OK to get behind the wheel in such a condition: waking up in jail Jan. 1 is not a great way to start the New Year. So take a tip from the Bohemian. Celebrate globally, drink locally. Walk to the party if possible, or use a designated driver. That’s the best way to bring it on home safely and securely.

Lake County

Kelseyville

Konocti Harbor Resort and Spa. The beautiful thing about Konocti–besides the panoramic view of Clear Lake–is that, thanks to its distant location, you’re pretty much forced to get a room for the night. With overnight packages for the resort’s 14th annual New Year’s extravaganza starting at $250 per couple, that’d be the smart thing to do, and the entertainment lineup offers something for everyone: live classic rock, country-western, blues, and big-band music. Add fine dining, four full-service bars, and complete spa and gym services to aid in the next morning’s recovery, and what more do you need? Konocti Harbor Resort and Spa, 8727 Soda Bay Road, Kelseyville. $250-$550 per couple. 800.660.5253.

Napa County

Calistoga

Clos Pegase Winery. Presented entirely in “cave vision,” Clos Pegase’s “Fire and Ice” celebration features a wine reception, gourmet dinner and wine pairings, and music by Majestic Swing Band. The winery calls it the “best party in town,” and no one we’ve talked to said anything different. 8pm. Clos Pegase Winery, 1060 Dunaweal Lane, Calistoga. $175-$200. 707.942.4981, ext. 201.

St. Helena

1351 Lounge. If you have to drink–and let’s face it, some of us do–it might as well be the best fresh-squeezed fruit cocktails in the universe, which are in abundance at 1351 Lounge. No doubt New Year’s will provide cause to open the vault in this historic granite bank building. The Jake Richmond Band provide the musical backup for this year’s theme, “Glamorous Hollywood.” 9:30pm. 1351 Lounge, 1351 Main St., St. Helena. $30. 707.963.1969.

Napa

Napa Valley Opera House. Need something that’s fun–and funny–for the whole family? “Four Standup Dads: New Year’s Eve at the Napa Valley Opera House” is the ticket. Four comedians–Milt Abel, Tim Bedore, Dan St. Paul, and Kelly McDonald–poke a little PG-13 fun at family life. The Opera House cautions that the material might not be suitable for “the tattooed and pierced.” Two shows, 7pm and 10pm. Napa Valley Opera House, 1030 Main St., Napa. Tickets are $15, $30, and $40. 707.226.7372.

Napa Valley Wine Train. Don’t even think about boarding the Napa Valley Wine Train if you don’t have reservations at the Embassy Suites, the Napa Valley Marriott, the Napa River Inn, or some other Napa hotel that offers courtesy shuttle service. After a four-hour New Year’s Eve ride on the train, chances are good that more than one person–you, perhaps–will be poured off the train. Featuring live music by the Jazz Project, gourmet cuisine by chef Kelly MacDonald, and the Napa Valley’s finest wines, the Wine Train is a great way to drink in the New Year–and leave the driving to someone else. Check in at the Wine Train station 4:30pm. 1275 McKinstry St., Napa. $200-$225. 800.427.4124.

Di Rosa Preserve. Boasting one of the finest collections of contemporary art in the Bay Area, let alone the North Bay, the Di Rosa Preserve sparkles all on its own. Nevertheless, they’re offering a sparkling wine reception for two special Sparkling Tours on New Year’s Eve. Space is limited and reservations are required for the two-and-a-half-hour tours. 9:25am, 12:55pm. Di Rosa Preserve, 5200 Carneros Hwy., Napa. $15. 707.226.5991.

Sonoma County

Geyserville

Chateau Souverain. Executive chef Martin Courtman is cooking up something special for New Year’s Eve at Chateau Souverain. Rural elegance and the winery’s premium vintages make this the perfect spot for an intimate night with close friends. Chateau Souverain, 400 Souverain Road, Geyserville. Call for time and price. 707.433.3141.

Healdsburg

Hotel Healdsburg. It’s no secret that Healdsburg is happening, and when it comes to partying in posh luxury, it’s hard to beat the ultrarefined Hotel Healdsburg. Internationally acclaimed chef Charlie Parker’s Dry Creek Kitchen, located inside the hotel, provides the sumptuous vittles; East Coast jazz legends the Craig Handy Quartet provide the esoteric sounds. Hangover fears? No problem. Stay the night and hit the spa in the morning. 7pm-1am. Hotel Healdsburg, 25 Matheson St., Healdsburg. No cover. 707.431.2800.

Healdsburg Bar and Grill. Go old-school with the classic rock sounds of the Remedies at the Healdsburg Bar and Grill. This place rocks, so be prepared to crawl home. 9:30pm-1:30am. 245 Healdsburg Ave. $10. 707.433.333.

Felix and Louie’s. House is in the house as our favorite bar next door brings in a DJ for New Year’s dancing. Pool and shuffleboard for the rhythm-impaired. Warning: the people here like to party! 9:30pm-1:30am. 106 Matheson St., Healdsburg. Free. 707.433.6966.

Guerneville

Main Street Station. Wanna hit four New Year’s parties in one? Then Main Street Station’s “Time Zone” celebration of four consecutive New Year’s Eves (New York City, Chicago, Denver, and finally San Francisco), may be the best bet. Featuring the sassy Elena Welch and her jazz and blues combo, party favors, and champagne, it’s four hours of nonstop fun, Russian River-style. Dinner available but not included in price. 7:30-11:30pm. Main Street Station, 16280 Main St., Guerneville. $10. 707.869.0501.

Fifes Guest Ranch. Three C-notes might seem like a lot for a couple to spend on a New Year’s Eve excursion, but there’s no doubt it’s loads cheaper than getting a DUI on River Road. Throw in an extra night, a four-course dinner, live music, and a morning-after Champagne brunch, and we’re talking bargain, mate. Fifes Guest Ranch, 164678 Hwy. 116, Guerneville. $299. 707.869.0656.

Santa Rosa

5AM’s “Big Blue Ball.” Feeling blue? Then the “Big Blue Ball” may be for you. Featuring free beer all night long from Lagunitas Brewing Co., blue jello shots, blue Hawaiians, and blue bombs (5AM’s own drink creation), nonblue pizza, a costume contest (for whoever inspires the biggest blue balls), the good-time rock of Pat Jordan and 5AM’s own “big rock thang,” the “Big Blue Ball” is just the kind of event the men in blue like to wait outside of on New Year’s Eve. Wear something blue and get a clue: take a frickin’ cab or something. 8pm-onward. The Masonic Lodge, Seventh and Beaver streets, Santa Rosa. $20 (includes beer). Tickets are going fast! Order online at www.ticketleap.com.

Last Day Saloon. Like it or not, guys, a lot of girls seem to dig the music of the 1980s. No doubt many of them will be catching live ’80s cover band Tainted Love at the Last Day Saloon this New Year’s Eve. 9pm. 120 Fifth St., Santa Rosa. Tickets are $50 and $65. 707.545.2343.

Sebastopol

Peace Rally Dance Concert. Norton Buffalo joins Love Choir and Tudo Bem for a celebration emphasizing the need for gathering peace energy in 2004. Drum circles, light shows, peace altars, labyrinth walk. 8pm-1am. Sebastopol Community Center, 390 Morris St., Sebastopol. $35 advance; $40 door. Tickets available at www.seb.org.

Powerhouse Brewing Co. Of all the blues shows kicking it in the North Bay this New Year’s Eve, none kicks harder than master bottleneck slide guitarist Roy Rogers and the Delta Rhythm Kings at the Powerhouse. Rogers’ Grammy award-winning guitar work slides down as easily as the Iron Horse Brut sparkling-wine toast at midnight. 10pm. Powerhouse Brewing Co., 268 Petaluma Ave., Sebastopol. $40. 707.829.9171.

Rohnert Park

The Other Side. According to its website, only women and a few gay men need apply to the Other Side’s “evening of elegance and elevated night culture with ass-in-the-air and bootie-spankin’ suerplicious grooves of master DJ Page Hodel and super DJ Monicka” at the Doubletree Hotel. We couldn’t have said it better ourselves. Ballroom hip-hop dancing, finger-licking gourmet hors d’oeuvres, fantasy desserts, four full bars, and balloon drop with cash prizes. Best thing of all? Other Side guests stay at the Doubletree for just $65. Another sure sellout, so act quickly. 8:20pm-2am. Doubletree Hotel, 1 Red Lion Drive, Rohnert Park. $25 advance; $30 door. Tickets available at Milk and Honey in Sebastopol (707.824.1155), North Light Books in Cotati (707.792.4300), and Epiphany Musical Instruments in Santa Rosa (707.543.7008).

Cotati

Cotati Cabaret. For one night only, the storied Cotati Cabaret returns with the Dave Nelson Band and special guests the Horse You Rode in On. Benefits the Jewish Free Medical Clinic. 7pm. Congregation Ner Shalom, 85 La Plaza, Cotati. $30 advance; $35 door. 707.792.2800.

Tradewinds. The Pulsators are one of Cotati’s longest-lived and best-loved bands, and their performances at the Tradewinds have become a North Bay New Year’s staple. 9pm. Tradewinds, 8210 Old Redwood Hwy., Cotati. $10. 707.795.7878.

Penngrove

Black Cat Bar and Cafe. No doubt a few new bras will be added to the collection as The Black Cat rocks into the New Year with all-girl supergroup Your Sister’s Hot. Champagne, finger food, and live burlesque show in beautiful downtown Penngrove. 9pm. Black Cat Bar and Cafe, 10056 Main St. $10. 707.793.9480.

Petaluma

Cinnabar Theater. Ah! A respite from hoisting drinks in bars! Cinnabar’s Quicksilver II Theater Company presents Laughin’ at the Ritz, a zany, original cabaret-style musical farce featuring Liz Jahren, Laura Jorgensen, Eileen Morris, and Nancy Prebilich as four women holed up in New York’s glitzy Ritz hotel on New Year’s Eve. The Cinnabar Palm Court Ensemble provide live musical accompaniment to the singing, dancing, frolicsome foursome. Includes dinner, dessert, party favors, and champagne. 8:30pm. Cinnabar Theater, 3333 Petaluma Blvd. N., Petaluma. $46 general; $44 seniors and students. 707.763.8920.

Mystic Theatre. Michael Jackson may be down, but the Wonderbread 5 keep on keeping on, simple as A-B-C. Everyone’s favorite funk cover band are famed for their note-for-note perfect renditions of Jackson 5 hits, and no doubt the Mystic will be sizzling with that Motown magic. 9:45pm. McNear’s Mystic Theatre, 21 Petaluma Blvd. N., Petaluma. $55. 707.765.2121.

Zebulon’s Lounge. Ah! A respite from hoisting drinks in theaters! The Casey Cameron Quartet, featuring NYC saxophonist Kenny Shanker, celebrate happy groove year at ultracool jazz club Zebulon’s Lounge. Free hors d’oeuvres, champagne toast. 9pm-1am. Zebulon’s Lounge, 21 Fourth St., Petaluma. $45 advance; $60 door. 707.769.7948.

Sonoma

Little Switzerland. And now for something completely different. Little Switzerland and the Al Gruber Band invite you to polka till you puke this New Year’s Eve. No, not really, but down a few too many frosty lagers in those lederhosen, and that’s exactly what you’ll be doing. Dinner, party favors, midnight buffet. 6pm-12:30am. Little Switzerland, 401 Grove St., Sonoma. 707.993.9990.

Vaquero Restaurant. The aptly named (at least for New Year’s Eve) chef Robert Champagne provides the California-ranch-style cooking and the Stacy Adams Band provide the music for a New Year’s celebration that’s bound to stick to your ribs. Vaquero Restaurant, 144 W. Napa St., Sonoma. 707.996.1440.

Murphy’s Irish Pub. Blast off into 2004 with the hot licks of guitarist Andrew Freeman at Murphy’s. No admission here. All that’s asked is that you buy a couple of pints. If you’re not staying in Sonoma, don’t forget to pace yourself, especially if you’re Irish (so says this half-Irish writer). 9pm. Murphy’s Irish Pub, 464 First St., Sonoma. 707.935.0660.

Marin County

Nicasio

Rancho Nicasio. The Zydeco Flames light up Rancho Nicasio with an eclectic style drawing upon Creole, Irish, French, German, American Indian, Spanish, and African influences. 8:30pm. Rancho Nicasio Town Square, Nicasio. $35-$45. 415.662.2219.

Pt. Reyes Station

Old Western Saloon. No one can blame you for thinking the Rolling Blackouts are something you might get from having one too many at the Old Western Saloon. Actually, they’re a bad-ass rock band playing the New Year’s gig at one of the coolest dives of all time. If you’re coming from inland, well, you better plan on staying the night; it’s just too much fun. 9pm-till you drop. Old Western Saloon, 11201 Hwy. 1, Pt. Reyes Station. Free. 415.663.1661.

Dance Palace and Community Center. Now here’s a noble cause. The Artifacts provide the entertainment at this benefit for the Coastal Health Alliance. 9pm-1am. Pt. Reyes Station Dance Palace and Community Center, 503 B St., Pt. Reyes Station. $40-$60. 415.663.8198.

Bolinas

Smiley’s. The name says it all. Reputedly the oldest bar in California, Smiley’s hosts a New Year’s dance not to be missed, especially if you live in Bolinas, because there aren’t many more places to go. Live music TBA. 9pm. Smiley’s, 41 Wharf Road, Bolinas. Free. 415.868.1311.

Fairfax

19 Broadway. Chrome Johnson, the new kings of twang, usher in the New Year with their critically acclaimed roots sound. This is a hot one, so come early. 9pm. 19 Broadway, 19 Broadway Blvd., Fairfax. $15. 415.459.1091.

San Rafael

Best of the San Francisco Standup Comedy Competition. The Marin Showcase Theater almost has the last laugh (as far as this list is concerned) as Anne and Jon Fox present the best comedians from this year’s competition. Past competitions have been credited with discovering the likes of Dana Carvey, Ellen DeGeneres, Sinbad, and Robin Williams, so prepare to bust a gut. Marin Center’s Showcase Theater, 10 Avenue of the Flags, San Rafael. $25. 415.499.6800.

Mill Valley

‘For Whom the Bridge Tolls.’ Marin’s longest-running musical comedy revue yuks it up with two New Year’s Eve shows at Giorgio’s Ristorante Italiano. Shows feature a three-course dinner, party favors, and new skits lampooning George W. Bush and Arnold Schwarzenegger. First program: dinner, 6pm; show, 7:30pm. Second program: dessert buffet, 9:45pm; show, 10:30pm. Giorgio’s, 300 Drakes Landing Road. $95. 415.925.0808.

Sweetwater. Old-school funk, Latin percussion, reggae, and R&B square off as high-energy jam band Vinyl shake and rattle the Sweetwater on New Year’s. Voted one of the top 25 jam bands in a 1999 nationwide poll, this is another show sure to sell out, so act quickly. And remember, if you’re drinking, no driving. 9pm. Sweetwater Inn, 153 Throckmorton Ave., Mill Valley. 415.388.7769.


Sober Celebrations

Good News: New Year’s without the Booze

– Generally speaking, when you find yourself dancing around naked on New Year’s Eve, it’s a safe bet alcohol is involved. However, if you happen to be participating in the Friends of Unconditional Dance’s sixth annual New Year’s Dance Festival at Harbin Hot Springs, then all bets are off–along with your clothes, if that’s the way you want it. That’s the cool thing about the clothing-optional resort near Middletown in Lake County. They really mean clothing-optional, and no one will poke fun if you choose not to disrobe. This year’s festival features live tribal dance music by the bands Lost at Last and Land of the Blind, eight renowned instructors guiding classes in breathing and movement, vegetarian meals, indoor camping, and absolutely no alcohol or drugs. It just may be the perfect way to unwind and purify yourself for the coming year. Dec. 28-Jan. 1. Harbin Hot Springs, Middletown. $395 adults; $300 children accompanied by adult. 866.446.7556.

– On the other hand, if you find yourself fully clothed, sober as a judge, and doing the polka, chances are you’ve stumbled into Monroe Hall, the original 1922 Women’s Building in Santa Rosa, which is hosting a public New Year’s Eve party to celebrate the hall’s new ownership and its beautiful new sound system and stage. Polkanomics provide the live music, Monroe Hall professionals provide the dance lessons and nonalcoholic refreshments. “With no First Night, this will be the perfect place to come and hang out with a bunch of nice people and be in a great old space,” says the Hall’s Nancy Vogl. All ages are invited. 8pm-1am. Monroe Hall, 1400 West College Ave., Santa Rosa. $15 at the door. 707.539.2323.

– Dancing of a different kind will be going on at the Marin Masonic Lodge in San Rafael. Called “contra,” it’s a traditional style of New England country dance put on by the North Bay Country Dance Society. No doubt it swings, as Bay Area swing bands Swing Farm and Driving with Fergus, along with Oregon’s Woody Lane, provide the live music. 8:30pm-midnight. Marin Masonic Lodge, on Lootens Place between Fourth and Fifth streets, San Rafael. $22-$25 at the door. More info at www.nbcds.org.

– Our clean and sober New Year’s Eve celebrations end at the North Bay shore, where tantric teacher Robert Frey and Celebrations of Love invite you to “plant the seeds for the best year ever.” Frey’s teachings focus on integrating the male and female, the sensual and the spiritual. This special nonalcoholic New Year’s Eve event features a visioning ceremony, movement, chakra toning, Sufi dances, and loving interaction. A weekend retreat is also offered. Dress in white. Snacks after midnight. $30 in advance; $40 late registration (preregistration required). For registration, directions, and more information, call 415.924.5424.

–R. V. Scheide

From the December 18-24, 2003 issue of the North Bay Bohemian.

© Metro Publishing Inc.

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