Being Brave: Elizabeth Herron returns to Occidental Center for the Arts

Sonoma County Poet Laureate Elizabeth Herron bonded with nature at a young age while wandering in the woods in her free time, but it was witnessing firsthand the devastating environmental damage wrought by the Dunsmuir Spill in 1991 that galvanized her to dedicate years of her life and work to the study of certain aspects of the environment and, later, climate change. “I became conscious about what was happening to the natural environment,” she says of the experience.

Born in Chicago and raised in Hawaii, Herron earned a master’s in counseling at San Francisco State University, then studied biopoetics, earning a doctorate in psychology from the University for Integrative Learning. After a brief stint at San Francisco State University, she worked at Sonoma State University, first at the counseling center and later in the creative writing department.

By 1991 she was living in West County. That was the year of the Dunsmuir Spill, which pushed her to devote a decade of her work to the study of wild trout and salmon and threats to their survival. Today the topic of climate crisis infuses her work, and she tirelessly advocates for nature through her essays, poems and readings.

As local Poet Laureate for the 2022–24 term, Herron initiated the Being Brave Poetry Project. She writes, “As Poet Laureate I offer workshops to foster the writing of being brave poems where people who may never have written a poem before can find words for what being brave means in their lives. The workshops include conversation about what our poems tell us of what it means to live courageously. Along with each workshop a reading can be arranged.”

“What does living bravely look like in a time of radical climate change, war, inflation – flood and famine, and violence that invades our churches, our schools, our local grocery and even our neighbor’s house?” she asks, adding, “Aldo Leopold, father of the modern environmental writing, famously observed we take care of what we feel affection for, and Toni Morrison says that, ‘Beauty makes the unbearable bearable.’ My own poetry is always an effort to find the beauty that compels affection, even when the subject is otherwise unbearable. We want our hearts awakened, and poetry is about the heart.”

Her three-hour workshops are designed for groups of 5 to 25 people and include an introduction with samples of being brave poems, time for writing, time for sharing and facilitated conversations. Herron holds the workshops anywhere she is invited, be it a cafe, a house, a church or a community center. Contact her directly with questions or requests via her websites at www.elizabethherron.net or www.elizabeth-herron.com.

“Being Poet Laureate for me is an act of service; it’s a way of giving back and it’s a way of expanding the role of poetry in our lives,” she tells me.

When I ask her if she has any advice for young writers, she pauses before answering. “Write every day. Ten minutes, five minutes, so that writing is a habit so that when you are ready for the graced material that comes to you from the muse or outer space you are ready, you have your chops,” she says at length. “I write first for myself. Some of us writers, we’re led first to writing to find something in ourselves we wouldn’t find any other way.”

Her latest book, In the Cities of Sleep (Fernwood Press), is her contribution to EXTRACTION: Art on the Edge of the Abyss, a global creative project dedicated to exposing all forms of extractive industry and consisting of 50 intertwined exhibitions and events throughout 2021 and beyond. A collection of climate-crisis poems, her book addresses the bigger picture of dwindling resources and resulting discord in our rapidly warming world, pushing us, as humans, to look for more viable alternatives to our present path.

Join Herron for her In the Cities of Sleep book launch at Occidental Center for the Arts on Sunday, Jan. 29 at noon. Admission is free and all donations will be graciously received. The talk and readings will be followed by a Q&A, book sales & signing. Refreshments, including wine, beer, coffee and tea, will be available.

Herron’s own involvement with OCA stretches back decades, to when she first moved to Sonoma County. “The volunteers there have been fantastic,” she says. “Suze has been fantastic. She works so hard for the center. I have huge respect for that. And much appreciation.”

“I’ve maintained that very strong sense of ‘these are my people,'” she says of Occidental itself, though with her current title she now seeks a more encompassing, county-wide identity. “I’m reaching for parts of the county I’ve not had so much to do with, beyond Santa Rosa, Petaluma, Sebastopol.”

What’s next for Herron, after her sojourn as Sonoma County Poet Laureate ends, in the summer of 2024? Perhaps a return to simplicity and nature is in order. “I’ll write, keep writing. And I’d like to expand the animal household,” she tells me. “Right now we are down to one cat. And maybe there will be some time for me to wander through the woods, to gather Hawthorne berries to make heart tincture for my friends. I will probably want more solitary wandering.”

Sunday, Jan. 29 at 2–4 pm, Occidental Center for the Arts presents a Celebration of Elizabeth Herron, our new Sonoma County Poet Laureate, and a book launch for her recently published book, In the Cities of Sleep. OCA, 3850 Doris Murphy Way, Occidental. 707.874.9392. Occidentalcenterforthearts.org

Mark Fernquest lives and writes in West County. He spends his free time communing with his friends in a post-apocalyptic town with no name in Arizona’s magical Painted Desert.

Gauging aging: ‘maturity’ isn’t for amateurs

For most of my adult life, I had the good fortune of looking younger than my age. Until now.

I’m not going to tell you how old I am, but it begins with a six and ends with a zero. Healthwise, no complaints. Yet, I suffer—from wrinkles and zits at the same time.

Unbeknownst to me, this phenomenon probably started a while back, although I only realized it a couple of weeks ago, after I picked up my new eyeglasses with a much stronger prescription. With my newly discerning eye(s), I noticed that many of my girlfriends seem to be weathering the sexagenarian tsunami better than me. 

Enter Dr. Faye Jamali, of Belle Marin Aesthetic Medicine in Mill Valley, who enlightens me about some of the non-surgical treatments that my friends might be having. Of course, there’s Botox, a muscle relaxant used to soften lines and wrinkles. But Jamali’s anti-aging tool kit contains far more than that old standby.

Jamali describes a smorgasbord of services available, including injectable fillers to replenish lost facial volume; microneedling, which stimulates new collagen and elastin production to address hollowing and sagging; and laser therapies to improve skin tone and texture.

Maintenance visits are required to keep what Jamali calls a “better rested and more youthful appearance,” because the measures are temporary. Still, Jamali emphasizes that she’s performing medical procedures.

“This isn’t a makeup counter,” Jamali said. “You don’t want to go for a Groupon for these treatments.”

Hmm. Now that I give this more thought, it is my more affluent friends who look decidedly unaged. So, can a reporter afford to look younger?

The price for Botox and dermal fillers depends on the number of units needed. For example, to treat frown lines, the forehead and crow’s feet with Botox, Jamali estimates the cost at $600 to $750. That investment lasts about three months.

Maybe what I need here is an attitude adjustment, so I call my friend who is brutally truthful, Rachel De La Montanya. Also, she’s a hair stylist, and I need to tell her about the new feral gray hairs sticking out from my head at right angles. And my mane is thinning. Double whammy.

First, De La Montanya reassures me that gray hair is a marker of genetics, not age. Hair loss, on the other hand, could indicate an underlying medical condition or simply that I’m old. Off to Kaiser I go.

The good doctor, a man half my age, orders blood work. The following day, he calls to cheerfully provide the diagnosis for my thinning hair: “maturity.” 

Speaking of mature hair, De La Montanya says, “A lot of women are choosing to let their gray hair come in, and they have way less maintenance.” She adds, “Women can achieve that balance of looking good for themselves and feeling comfortable. I honestly don’t understand how women spend as much time as they do in a hair salon. It’s my business, but it’s not my value.”

I could go kicking and screaming into the process of growing old, but where will that get me? My sage father was delighted to age. “It beats the alternative,” he always said.

Sherri Franklin, the founder and director of Muttville, is well-known to dog lovers. In 2007, Franklin, 67, founded the Bay Area nonprofit, which is devoted to rescuing and finding homes for dogs seven years old and up. When it comes to matching senior dogs with people 62 +, she’s the expert.

One of Franklin’s first “senior for senior adoptions” was for a grandfather with early-stage dementia who had to move into a senior living community, where he had become agoraphobic. His family decided to adopt Rocky, a 10-year-old Pomeranian, for the grandfather.

Suddenly, the grandfather was taking Rocky out on walks every morning and getting to know the neighbors by name. By virtue of socializing again, his dementia seemed to diminish, according to the family.

“This is not a one-off,” Franklin says. “I hear stories like this all the time. There is science behind it.”

Indeed, there is. Studies show that having a pooch companion boosts a person’s mood and helps those who are isolated, according to the American Heart Association. In fact, the organization’s website lists more than a dozen other health benefits, including that dog owners are 31% less likely to die from a heart attack or stroke than non-dog owners.

Check. I have a dog. A senior dog, I might add. And with this info, I always will.

Oops. I apologize for using the word “senior,” which sets Dotty LeMieux’s “teeth on edge.”

“I’m on a campaign to get rid of it for anyone not about to graduate—and I don’t mean from this world into the next,” LeMieux, a 74-year-old firecracker, wrote on my Facebook page.

It’s not only LeMieux who’s particular about the terms used to describe humans of a certain age. Pamela Weintraub, an award-winning author, chimed in, too. “Older people” is correct, while “elderly and senior” are both bad.

“What is an “older person?” asks Marcia Thomas, a local artist. “To a teenager, it can be someone over 40. To someone 80, that number could be very different.”

Thomas is decidedly against using subjective words, preferring to identify a specific age range, such as “people over the age of 65.” 

I’m OK with that for the time being. But when I turn 65 and a young person lumps me in with centenarians, I’ll probably whack them with my walker.

Linda Wosskow, spunky and fiercely independent at age 76, has no fear of dying.

“It’s going to come sooner or later,” Wosskow says. “My only concern is that I want to die peacefully and quickly. I don’t want to be dependent and need medical attention.”

Wosskow’s outlook on aging is absolutely refreshing. She travels alone, won’t go out sans lipstick, loves her “silver” hair and has no regrets about her life, although the former dancer sounds wistful when she mentions that she used to have great legs. I’ll bet her gams still look gorgeous.

While there’s a plethora of perspectives about moving into the last decades of life, I’ll close with wisdom from Bay Area sailor Jim Rohrsson, 65, who prefers to stay active and optimistic.

“I get up in the morning and I’m like, ‘Wow. Another day!’” Rohrsson says. “Killing time or being bored? I’m going to wait until I’m dead to do that.” 

‘Cesar Died Today’ moves to Cloverdale

Mounting a production of a little-known play in these pandemic and inflationary-influenced times is something of a risk for most theater companies. Audiences have yet to return in full-force to live theater, so a significant leap of faith is required to produce material that has little to no track record.

Healdsburg’s Raven Players and the Cloverdale Performing Arts Center have joined together to take that leap with a co-production of Gabriel and John Fraire’s Cesar Died Today. The show recently ran for four performances at the Raven Performing Arts Theater and now moves on to the Cloverdale Performing Arts Center for performances on Jan. 28 and 29.

The play isn’t completely unfamiliar to local audiences, as it had a staged reading one year ago as part of the Raven’s ScripTease program. Originally produced in 1996 by the New Latino Visions Company at New York’s Brooklyn College, Oz Montelongo Medina directs the Raven/CPAC West Coast premiere.

Labor leader and civil rights activist Cesar Chavez has passed away on the day Mother Guerrero (Rosa Reynoza) has asked her family to gather for a special announcement. Daughter Gracie (Sky Hernandez-Simard) was once a part of the Chavez movement, but marriage and a career in nursing now occupy her time. Son Robert (Ignacio Ayala Aguilar) sees assimilation as the way to success at a financial services firm, but that success is being threatened. Youngest son Cesar (Evan Espinoza) finds his indecisiveness in everything (including on how to pronounce his name) has put his college scholarships in jeopardy.

Mother’s announcement that they are to be featured as “Hispanic Family of the Year” in a national magazine sets off a series of family arguments and debates (including whether they’re Hispanic at all), and none of them wish to participate with the article. What’s a mother to do? She must rely on her faith and an impish spirit (Paloma Victoria Rodriguez Irizarry) to set things straight.

Playwrights Gabriel and John Fraire try to cover a lot of material in their 80-minute family dramedy. The script affirms its college origins, with a heavy reliance on expositional material that comes off as more of a lecture than a theatrical piece. But there’s also some good-natured humor and laugh-out-loud moments. The play’s best moments are when the family is allowed to be a family, with Reynosa’s Mother the warm center of a lovingly bickering unit.

It’s also nice to see more progress in increasing the diversity of voices on local stages.

‘Cesar Died Today’ runs through Jan. 29 at the Cloverdale Performing Arts Center, 209 N. Cloverdale Blvd. Saturday, 7:30pm; Sunday, 2pm. $25. 707.894.2219. Masking is strongly encouraged. cloverdaleperformingarts.com.

Your Letters, Week of Jan. 25

Roman Rules

America can learn from ancient Rome how to better deal with crime today.

Because democracy generally values all human beings, democratic Rome’s criminal statutes were not designed to repress, but quickly judge and inexpensively rehabilitate. For that reason, Rome did not use prisons, except as places of detention before trial.

One historian of early and middle Roman law summarizes: “Penalties were either pecuniary or they were capital. There was nothing else.” But capital punishment was seldom utilized, because the law provided for an alternative way out of society—exile.

After the emperors overthrew democracy, penalties multiplied in variety and savagery. The convict could be sentenced to hard labor, usually in the mines, or to life as a gladiator, which eventually brought death.

Courts had discretion to inflict arbitrary, even savage, punishments like flogging, crucifixion, burning, walling up alive and feeding the felon to the circus lions.

In all this, a person possessing common sense can see two great lessons.

First, the country might want to return to the early practice of dealing with crime expeditiously and humanely, before penitentiaries became all the rage.

Second, America must by any legal means necessary prevent its governors and presidents from becoming kings and emperors and inflicting whatever damage they want on others.

Kimball Shinkoskey

Wood Cross, UT

Culture Crush, Week of Jan. 25

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Larkspur

‘Love Letters’

A.R. Gurney’s Pulitzer Prize-nominated play, Love Letters, arrives at the Lark Theater Feb. 9 and 11 for a special Valentine’s-timed engagement. The play is composed of romantic letters exchanged over a lifetime between two people who grew up together, went their separate ways, but continued to share their love for each other through letters. First written and performed in 1988 at the New York Public Library, close to 60 diverse actors, often celebrities, have performed the play since then. As the playwright once put it, the play “needs no theatre, no lengthy rehearsal, no special set, no memorization of lines, and no commitment from its two actors beyond the night of the performance.” That said, there is commitment from the actors in this production, and not just to their performances—performers Nancy Carlin and Howard Swain are a real life married couple. Love Letters has two performances, one at 7pm, Thursday, Feb. 9, and the other at 2pm, Saturday, Feb. 11, at the Lark Theater, 549 Magnolia Ave., Larkspur. Tickets are $35 ($30 for members and seniors) and available in advance at larktheater.net.

Novato

Comedy Cuvée

Standup comedy returns to Trek Winery in Novato with headliner Steve Bruner, who comedy fans will recognize from Showtime’s Comedy Club Network and An Evening at the Improv on A&E. Billed at a “lean, clean comedy machine,” Bruner specializes in observational humor about the challenges of modern life and has played clubs across the country, including The Comedy Store, The Improv, The Comedy & Magic Club, Catch a Rising Star and The Ice House. Special guest Sue Alfieri, a veteran of Hollywood Improv, The Punchline and Cobb’s Comedy Club, will also perform. The show begins at 7:30pm, Saturday, Jan. 28 at Trek Winery, 1026 Machin Ave., Novato. Tickets are $20 to $25. marincomedyshow.com.

Sonoma

‘It’s All About the Snacks’

Sonoma Valley animal shelter Pets Lifeline will host a book signing and reception for It’s All About the Snacks: Adventures in Petsitting, a picture book created by local author Allison Niver. It’s All About the Snacks features photos of dogs, cats and farm animals in Sonoma Valley. “Allison worked for Pets Lifeline many moons ago,” commented Nancy King, CEO of Pets Lifeline, “and we are thrilled to throw a homecoming party to celebrate Allison and her accomplishment of publishing this oh-so-fun book.” Some of the furry faces featured in the book will walk the red carpet and make an appearance at the book signing, which commences at 2pm, Saturday, Feb. 4 at Pets Lifeline, 19686 8th St. East, Sonoma. Wine and cheese will be served during the reception. There is no charge to attend.

Graton

Small Works

In the theater, they say there are no small parts, just small actors. Correspondingly, in the art world, there are no small artists, just small works—at least that’s the case at the Graton Gallery and its 12th annual juried small works show. Juror Tim Haworth had no small task assembling the show, which features the work of nearly 100 artists. The exhibit opened on Jan. 20, with a closing reception scheduled for 1pm, Saturday, Feb. 11, at Graton Gallery, 9048 Graton Rd. For more information, visit gratongallery.net.

Free Will Astrology, Week of Jan. 25

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ARIES (March 21-April 19): Noah Webster (1758–1843) worked for years to create the first definitive American dictionary. It became a cornucopia of revelation for poet Emily Dickinson (1830-1886). She said that for many years it was her “only companion.” One biographer wrote, “The dictionary was no mere reference book to her; she read it as a priest his breviary—over and over, page by page, with utter absorption.” Now would be a favorable time for you to get intimate with a comparable mother lode, Aries. I would love to see you find or identify a resource that will continually inspire you for the rest of 2023.

TAURUS (April 20-May 20): “The aspects of things that are most important for us are hidden because of their simplicity and familiarity.” So declared Taurus philosopher Ludwig Wittgenstein in his book, Philosophical Investigations. Luckily for you Tauruses, you have a natural knack for making sure that important things don’t get buried or neglected, no matter how simple and familiar they are. And you’ll be exceptionally skilled at this superpower during the next four weeks. I hope you will be gracious as you wield it to enhance the lives of everyone you care about. All of us non-Bulls will benefit from the nudges you offer as we make our course corrections.

GEMINI (May 21-June 20): Poet Carolyn Kizer said the main subject of her work was this: “You cannot meet someone for a moment, or even cast eyes on someone in the street, without changing.” I agree with her. The people we encounter and the influences they exert make it hard to stay fixed in our attitudes and behavior. And the people we know well have even more profound transformative effects. I encourage you to celebrate this truth in the coming weeks. Thrive on it. Be extra hungry for and appreciative of all the prods you get to transcend who you used to be and become who you need to be.

CANCER (June 21-July 22): If you have any interest in temporarily impersonating a Scorpio, the coming weeks will be a favorable time to play around. Encounters with good, spooky magic will be available. More easily than usual, you could enjoy altered states that tickle your soul with provocative insights. Are you curious about the mysteries of intense, almost obsessive passion? Have you wondered if there might be ways to deal creatively and constructively with your personal darkness? All these perks could be yours—and more. Here’s another exotic pleasure you may want to explore: that half-forbidden zone where dazzling heights overlap with the churning depths. You are hereby invited to tap into the erotic pleasures of spiritual experiments and the spiritual pleasures of erotic experiments.

LEO (July 23-Aug. 22): The circle can and will be complete—if you’re willing to let it find its own way of completing itself. But I’m a bit worried that an outdated part of you may cling to the hope of a perfection that’s neither desirable nor possible. To that outdated part of you, I say this: Trust that the Future You will thrive on the seeming imperfections that arise. Trust that the imperfections will be like the lead that the Future You will alchemically transmute into gold. The completed circle can’t be and shouldn’t be immaculate and flawless.

VIRGO (Aug. 23-Sept. 22): Shakespeare’s work has been translated from his native English into many languages. But the books of Virgo detective novelist Agatha Christie have been translated far more than the Bard’s. (More info: tinyurl.com/ChristieTranslations.) Let’s make Christie your inspirational role model for the next four weeks. In my astrological estimation, you will have an extraordinary capacity to communicate with a wide variety of people. Your ability to serve as a mediator and go-between and translator will be at a peak. Use your superpower wisely and with glee!

LIBRA (Sept. 23-Oct. 22): Libran musician Franz Liszt (1811–1886) was a prolific and influential genius who created and played music with deep feeling. He was also physically attractive and charismatic. When he performed, some people in the audience swooned and sighed loudly as they threw their clothes and jewelry on stage. But there was another side of Liszt. He was a generous and attentive teacher for hundreds of piano students, and always offered his lessons free of charge. He also served as a mentor and benefactor for many renowned composers, including Wagner, Chopin and Berlioz. I propose we make Liszt your inspirational role model for the next 11 months. May he rouse you to express yourself with flair and excellence, even as you shower your blessings on worthy recipients.

SCORPIO (Oct. 23-Nov. 21): This may risk being controversial, but in the coming weeks, I’m giving you cosmic authorization to engage in what might appear to be cultural appropriation. Blame it on the planets! They are telling me that to expand your mind and heart in just the right ways, you should seek inspiration and teaching from an array of cultures and traditions. So I encourage you to listen to West African music and read Chinese poetry in translation and gaze at the art of Indigenous Australians. Sing Kabbalistic songs and say Lakota prayers and intone Buddhist chants. These are just suggestions. I will leave it to your imagination as you absorb a host of fascinating influences that amaze and delight and educate you.

SAGITTARIUS (Nov. 22-Dec. 21): “All the world’s a stage,” Shakespeare wrote, “and all the men and women merely players.” That’s always true, but it will be even more intensely accurate for you in the coming weeks. High-level pretending and performing will be happening. The plot twists may revolve around clandestine machinations and secret agendas. It will be vital for you to listen for what people are not saying, as well as the hidden and symbolic meanings behind what they are saying. But beyond all those cautionary reminders, I predict the stories you witness and are part of will often be interesting and fun.

CAPRICORN (Dec. 22-Jan. 19): In this horoscope, I offer you wisdom from Capricorn storyteller Michael Meade. It’s a rousing meditation for you in the coming months. Here’s Meade: “The genius inside a person wants activity. It’s connected to the stars; it wants to burn and it wants to create and it has gifts to give. That is the nature of inner genius.” For your homework, Capricorn, write a page of ideas about what your genius consists of. Throughout 2023, I believe you will express your unique talents and blessings and gifts more than you ever have before.

AQUARIUS (Jan. 20-Feb. 18): Greek writer Nikos Kazantzakis (1883–1957) was nominated nine times for the prestigious Nobel Prize in Literature, but never won. He almost broke through in the last year of his life, but French author Albert Camus beat him by one vote. Camus said Kazantzakis was “a hundred times more” deserving of the award than himself. I will make a wild prediction about you in the coming months, Aquarius. If there has been anything about your destiny that resembles Kazantzakis’, chances are good that it will finally shift. Are you ready to embrace the gratification and responsibility of prime appreciation?

PISCES (Feb. 19-March 20): Piscean educator Parker Palmer has a crucial message for you to meditate on in the coming weeks. Read it tenderly, please. Make it your homing signal. He said, “Solitude does not necessarily mean living apart from others; rather, it means never living apart from one’s self. It is not about the absence of other people—it is about being fully present to ourselves, whether or not we are with others. Community does not necessarily mean living face-to-face with others; rather, it means never losing the awareness that we are connected to each other.”

The Kind Guild

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By Dr. Chad Johnson

I’m rejecting cynicism

Renouncing bitterness

Meditations while we sheltered

Have affirmed a yearning

Sanctioned a hunger

The gravitational tug

To mix with our own

We breathe with each other

Like roots of coastal redwoods

Synapses mingle

Resonating with proximity

In spontaneity mode

Let’s attend a show!

Leave our couch

C’mon, we’ll dress up

Even if it’s casual

Impromptu

Flashy or demure

Velvet, silk, flannel

At a trendy bistro

Enlivening the restaurant

We toast to ourselves

Ripe with anticipation

Of the newly reviewed release

Then a smiling stranger

Opens the theater door

Suddenly in the lobby

A startling surprise

Coincidence occurs

Old friends are here!

Fervent hugs begin at once

Maybe after all

We’re finally seeing

Totally getting it

We just dig people

Can we admit that?

Human energy

Palpable vitality

We brought fun and joy

And I wore a smile

Your response my reward

Our neighbors waved

Sealing our collaboration

I feel mysterious love

Touching hearts

An earthly communion

The Kind Guild

We loiter in our own lane

Dr. Chad Johnson is a voiceover actor, musician and writer, and a retired Marin and Sonoma county chiropractor.

I Used to Be Uncool: Where are all the real nerds?

There used to be good nerds. Band camp kids? Computer geeks? Music nerds—the ones everyone loved to hate, who only liked the band before everyone else did?

They were obsessive. They were annoying. They were vital.

I’m not sure where American nerdery went wrong, but it very much has, and boy do I wish I weren’t here for it (but also, I kinda do). To put this in well-worn terms, nerds used to be so uncool, they were cool. By contrast, most of today’s nerds are guilty of appropriation. They aren’t nerds at all. The vast lot are in fact nothing more than massive dorks.

Let’s conduct a National Survey of The Nerds. Consider: There used to be MacGuyver, the guy one really wanted instead of the Marlboro Man because he’d hack together a stick of gum and a paperclip to rescue someone from the poisonous cabin sliding down the cliff, all in time to take out the casserole. Now? There’s Vin Diesel and biohackers.

Who does a gal have to Big Bang Theory to escape the bilious billionaires buying Twitter? Billionaires, mercifully, used to be invisible. Sure, everyone knew about the one in Omaha and the one making the latest version of Windows, but they seemed alright. (Donald Trump’s Ivana era doesn’t count, because everyone knew then, as now, he was no billionaire.)

I’m not saying the ’80s were the final grand decade of nerdom, because there’s Portia from The White Lotus, but what else? Even nerd moms used to be better. Nerdier. If one is somewhere north of Millennial but south of Boomer, they’ll recall how there was always that one nerdy health mom coming back from aerobics class to make her ’80s mom salad of peas, kidney beans and pasta shells mixed with some kind of sprout or seed.

Now? There are wine moms crafting butter boards. Hashtag #passtheprosecco if she’s going to make it another #blessed (pronounced “bless-ed”) year putting up with her #biglug.

Reaching back further: Hippies. Nerds! Those lovable old stoner burnouts in their striped hemp tunics? The neighbor who never shut up about the importance of recycling, maybe even going through one’s trash to recycle it along with his? This is nerding of the highest order.

Now? There’s optimizing a marriage at dinner time with Life Dinner (I wish I were kidding), the entire concept known as Active Leisure, whiskey tangos cosplaying with Harleys and beard oil, and teenagers not having sex on purpose.

When did the Great Nerd Crisis begin? Was it homeschooling and promise rings? Was it reality television, or just the Kardashians? (I shall contrarily posit in a future column that they are among today’s only good nerds, but I digress.) Was it tech bros quaffing Soylent on the way to the latest Singularity conference? What would The Breakfast Club circa 2023 even look like?

In subsequent columns, nerd culture’s rise and fall will be interrogated with equal parts fascination and exasperation. It will be inconsistent. It will be irresponsible. It will be overly caffeinated or inebriated or both. Pickle guys will probably be picked on while overnight oats will be hypocritically lauded.

The reporting will stop at nothing (because that’s what real nerds do) to make the case that what this country needs is a few good nerds. That nerds are a cultural bellwether as crucial to determining the common health of the commonwealth as the GDP and the S&P. It’s promised that acts of shameless cherry pickery will be committed to support conclusions. I have a master’s degree in American Studies, but I assure, I won’t let scholarly integrity get in the way.

Above all, homage will be paid to the true nerds—not just the good ones (cat ladies), but the ones so bad they’re good, too (vegans). Nerdus authenticus, if one will. #Fauxnerds, wannabros (formerly known as local gods), #cryptocucks, beware: Someone is coming for you.

#nerdusauthenticus

Winery Hub: Windsor’s Grand Cru Custom Crush

In an era when it sometimes feels like big brands are taking over everything, custom crush and cooperative tasting room facilities that cater to small and micro producers offer consumers an opportunity to connect with small, burgeoning or start-up wineries.

Launched in 2017 by wine industry veterans Erin Brooks, Todd Gottula, and Erin and Robert Morris, Grand Cru was created with “a vision to build a shared creative space for established, independent wineries, allowing them to partner their unique winemaking talent with world-class production technology to create some of the best wines in Sonoma County.” Since then, the business has thrived, growing to take on more than 20 member wineries, as well as additional custom-crush only clientele.


With over 20 tiny producers under one roof, the business’ presence in Windsor—along with the Artisan Alley folks just down the road—makes Windsor one of the most unique urban wine tasting destinations in the North Bay.

The Space and Location

Grand Cru is both a custom crush facility and a cooperative tasting space, meaning that they have both a production and crush pad area, as well as individual tasting rooms (or tasting salons) leased by small brands. The tasting rooms are small, modern and polished with a tasting counter and just enough seating to facilitate a small group.

Their state-of-the-art 31,000 foot production space features a crushpad, destemmer and optical sorter, bladder and basket presses, temperature controlled barrel rooms and temperature controlled glycol systems.

The space is located off of American Way in Windsor, just next door to DuMOL winery.

The Brands

Member wineries at Grand Cru are primarily boutique or micro-winery brands producing between 1,500 and 5,000 cases. Some are established brands that may not have a tasting room of their own, while others are brand new start-up wineries trying to make a name for themselves. A growing number falls somewhere in between.

Tasting Wine at Grand Cru

Six private tasting salon spaces are on-site, where member wineries can host tastings and receive customers by appointment, though a few member brands have their own tasting rooms off-site.

There is also an option to book a “Vintner’s Selection” tasting experience, which allows guests to taste through a selection of wines from different Grand Cru member vintners. The tasting flight includes five wines, takes about 60 minutes and costs $35. There is also an option to do a red wine-only version of this flight.

The Vintner’s Selection tasting experience is a great way to find new producers and wines one may not have heard of. For those who really like a wine from a particular vintner, they can make an appointment to come back and taste more of that brand’s wines.

Single vintner tastings and Vintner’s Selection tastings can be booked on Grand Cru’s website, grandcrucustomcrush.com. Advance reservations are required for all tasting experiences.

MJ Ward Brings ‘Bedroom Pop’ to the Phoenix

What can be purer than the piercing words of a 14-year-old singer songwriter? Last month, I visited the Black Box theater at ArtQuest High in Santa Rosa to see MJ Ward play the fundraiser for his high school.

Swaying on the venue dark bench seating, teen couples and parents layed heads on shoulders while pressed right up against the stage, a dozen ebullient YAs belting out chorus after chorus along with the giggling artist.

It’s the kind of scene that reminds one why they started making art in the first place.

This weekend, Ward will be playing the Phoenix Theater in Petaluma for the second time, opening for Arizona touring artist Madilyn Mei, darling of the “bedroom pop” scene that has arisen in the wake of a YouTube and Spotify enabled re-indy-fication of music making.

I caught up with Ward recently to talk about songcraft, the show and his brand new single, “Raven.”

Giotis: How long have you been writing your own tunes?

Ward: I’ve been writing music for almost three years. I’m self-taught in like two instruments, guitar and ukulele.

Giotis: Do you play other instruments?

Ward: Yeah, I’ve played piano since I was like six, violin off and on since third grade, and cello for about a year now. I’m just constantly interested in learning new instruments. I tried drums for a little bit, but it didn’t turn out very well. (His eyes twinkle a little behind the KN95 mask.) I also tried bass and gave up on that.

Giotis: That’s so cool. We have drums and various amps in the garage at home, and the kids trade off on them. Me too when they let me play with them.

Ward: Yeah, I really just want to constantly learn how to play different instruments.

Giotis: Is there an instrument you prefer for songwriting?

Ward: I mostly write on guitar, but I used to write like every single song, just on different instruments. I would rotate between them, and sometimes I try … like if I wrote a song on guitar sometimes, I’ll try to play it on piano just to see how that sounds.

Giotis: You have said that you got your start in local open mics. What was a good experience you can share?

Ward: Over the summer, I played a song and afterwards, these two people were telling me how they really liked my lyrics. And that was just really nice to hear, yeah.

Giotis: I love that immediacy of open mics, the way you can get feedback right away. Your new single, “Raven,” just came out. What is different about this song that you haven’t done before?

Ward: Well, it’s a whole like new level of production. With harmonies and just like different background tracks, which I haven’t done before. And I feel like the lyrics are very different from, like my other releases. Just from like, getting better at writing.

Giotis: I remember some animal themes in earlier songs like “Hammerhead Sharks.” Is that a trademark thing for you?

Ward: (laughs) I think so. Yeah.

MJ Ward plays with Madilyn Mei at 7:30pm, Friday, Jan. 27 at the Phoenix Theater, 201 Washington St., Petaluma. Tickets available at thephoenixtheater.com for $12 a pop. All ages.
 

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