Traveling Bard, Shakespeare Goes Site-Specific 

In 2023, Los Angeles-based artist Nicola Vann wanted to do accessible, stripped-down Shakespeare that didn’t feel like an English class. She texted some friends, who texted others, and, like magic, assembled the first cast for a brand-new L.A.-based company: Bardfly Theatre.

“My family’s in Sonoma,” says Vann, as to what brings her theater north. “There seemed to be more demand than is met despite the numerous great theaters up here.”

Now for the second year, Bardfly’s performing in Kenwood and Santa Rosa with the Shakespeare comedy As You Like It.  

“I wanted to do a show that has ties to nature,” notes Vann. “Plus it’s funny and has a lot of relevant themes.”

One of the things that sets Bardfly apart is the sense that there isn’t a barrier between the actors and the audience. “Bardfly is an immersive traveling production,” she explains. There are no lights or sets, and the blocking varies by venue.

“A certain amount of trust and improv are needed,” Vann says with a smile. For instance, this year for the two performances at Chateau St. Jean in Kenwood, the show will be presented in a traditional proscenium style, but when they move to Bees and Blooms in Santa Rosa, it will be in the round.

“We’re right in the middle of the lavender maze,” she points out. “It’s beautiful.”

So what should one expect if they go? “The show’s two hours,” says Vann. “We did truncate it, but it was a collaborative effort so nothing is lost that an actor might need to tell the story. There is also live music.”

The music is composed and performed by Robert Svetlik, an L.A.-based musician and actor in the show. 

One thing to keep in mind is that the shows do not shy away from the Bard’s bawdiness. “It’s really PG-13,” says Vann of the show’s appropriateness. “But,” she continues, “the most important part is not to be afraid of Shakespeare.” She notes that her favorite part of the whole experience is when people come up to her after the show and say, “I usually hate Shakespeare, but this was fun.”

So if one is looking for a bawdy, funny musical adventure in two of the more beautiful places in a county known for its beauty, they may look no further than Bardfly. 

Bardfly Theatre Co. presents ‘As You Like It’ at Chateau St. Jean, 8555 Sonoma Hwy., Kenwood, Thur, July 30 and  Fri, July 31 at 7pm, and at Bees N Blooms, 3883 Petaluma Hill Rd., Santa Rosa, Fri, Aug 1 and Sat, Aug 2 at 6:30pm. $35–$65. bardflytheatreco.com.

Technothriller: What a ‘Maligned Little Subgenre’ Tells Us About Our Tech Age

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As Steven Spielberg once said, “All science fiction comes true. It just does.”

That’s what the filmmaker had to say about the relationship between science fiction and reality in a recent interview he gave to promote his new film, Disclosure Day. 

It’s a provocative claim, and one that reminded me of Soraya Murray’s excellent new book, Technothriller: Film and the American Imagination.

In the book, Murray dives into popular films like The Andromeda Strain (1971), War Games (1983), The Hunt for Red October (1990) and many more to reveal how the technothiller film subgenre provides a unique vantage point into contemporary anxieties and assumptions about the growing role of technology in our lives. 

I recently caught up with Murray—a former professor of mine from my days in the film and digital media department at UC Santa Cruz—to discuss Technothriller. I asked her what she thought of Spielberg’s bold proclamation that science fiction eventually comes true. 

“I love the statement,” Murray said with a smile. “There is some truth to it.” Taken together, she added, the films suggest that science fiction can come true—not literally, with A.I. and robots taking over, but through the very real anxieties surrounding them. “We keep seeming to innovate toward our own destruction,” she noted, rather than considering how ethics might guide technological development.

Murray taught a course about technothriller films at UCSC for several years. The class, as she told me, revealed technothriller films as “a great touchstone for connecting with students about the increasing presence of computational, biotech and military tech in our everyday lives.” 

She is aware that not everyone considers films like Rollerball (1975) or M3GAN (2022) worthy of serious consideration for what they have to say about power and technology. 

“Some of these films are B-films, yes, but they facilitate conversations about things that are really hard and really frightening, like existential dread,” Murray said. In fact, she argues, it is “because people don’t respect them in the same kind of way” that technothriller writers and directors “can actually say a lot more because they’re operating a little bit under the radar of the kind of scrutiny of the more lauded kinds of film.”

Murray points to Michael Crichton and Tom Clancy as two writers who established many of the tropes and archetypes of the technothriller genre. She observes that these two men both grew up “in the shadow of the bomb … with that anxiety hanging over them for almost their entire lives” and subsequently spent decades reflecting American’s Cold War-era anxieties in their works of fiction. 

Of course, Crichton and Clancy were themselves drawing from older myths; one merely has to look to Frankenstein, or even the tale of Prometheus, for evidence that we’ve always feared that reckless innovation could lead to disastrous unforeseen consequences. But even though it’s “really, really tough to let go” of some of these foundational narratives, Murray finds examples within the technothriller genre that “are telling counter-narratives, saying other things about what’s possible and trying to create other visions of what may be.”

One such film is Gareth Edward’s The Creator (2023), which stars John David Washington as a disillusioned American soldier who is tasked with taking down a female A.I. scientist and her most sophisticated creation, which takes the form of a human child. 

Murray points out that The Creator is a rare example of a technothriller film in which the “innovator and its innovation are not locked in a despotic, negative father-son relation, but rather a caring mother-daughter relation. It seems like such a simple change to make, but it opens up a whole new world of conversation about what can be and how we can relate to our innovations.”

In writing the book, Murray aimed to bring the unique insights technothrillers provide to a broad audience. She noted, “I wanted to hold up this maligned little subgenre that I thought was really important to help us think about our lives right now… (These films) are beloved by audiences, and I wanted to say: This is why these films really matter; this is what I see in them; this is what I hope you’ll start to see in them yourself.”

Soraya Murray’s ‘Technothriller: Film and the American Imagination’ is available to order from the MIT Press Store, barnesandnoble.com or bookshop.org. More at sorayamurray.com.

Blame Game, Pointing Political Fingers

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On July 16, Deputy White House Chief of Staff Stephen Miller gave an important speech in Washington, D.C. Miller exhorted “normal” Americans to aggressively act to counter a huge threat to America: left-wing terrorism. 

Miller repeated the theme of a recent presidential memo, NSPM-7. His speech, and NSPM-7, are based on a big lie that there is a huge wave of left-wing terrorism engulfing our nation. The lie is easily exposed by simple research but may influence many Americans, as the administration is repeating it, over and over. 

The truth is there is indeed a great deal of extremist political violence—but it is almost all being perpetrated by extreme right-wingers. According to figures compiled by the U.S. government, in this country since 2001, right-wing extremists have committed at least 15 times as many murders as left-wing extremists. Similarly, far more non-lethal violent acts have been committed by right-wingers. There are many examples—but a striking one occurred on January 6, 2021, when Trump’s far-right-wing friends injured 140 police officers as they invaded and vandalized the capital.

In his speech, Miller used the terms left-wing terrorists, left-wing extremists and leftists, as if these all meant the same thing. Similarly, Trump has recently been conflating the word “communist” with progressive, socialist and even mainstream Democrat. 

There are only a handful of left-wing terrorists in the U.S. They are not a significant threat. There are plenty of leftists with strong views who might be called extremists but who firmly oppose violence—many of them are part of a feared fringe: pacifists. There are tens of millions of leftists in the United States. They are better citizens than Steven Miller, who in an early speech argued that high school students should not bother to pick up their trash.

Robert Nuese is a retired general and electrical contractor in Graton.

Artistic Acres: Erma Murphy, Director of O’Hanlon Center for the Arts

The O’Hanlon Center for the Arts is a cluster. Found a long way down Throckmorton Avenue, its small buildings ascend the apex of Mill Valley in steps and stages. On a high ridge above, eucalyptus grows. They cooled and spiced my climb as I rose to meet Erma Murphy, who has led O’Hanlon for the past six years.

Two buildings in the cluster stand out, monolithically, parentally. They are the former art studios of the center’s two founders and spiritual leaders—Dick O’Hanlon, the sculptor, and Ann O’Hanlon, the painter and philosopher-teacher. With plantings of flowering natives, Dick O’Hanlon’s modernist steel and granite sculptures stud the three-acre property. Ann O’Hanlon’s words are carved above the center’s open doors: “Art cannot be taught, only Perception.”

When the couple died without children, the O’Hanlons’ will disclosed an act of true philanthropy—they gave their assets to the art community so that generations of people could find their artistic voices and artistic families in their home.

That is the offer director Erma Murphy and her nonprofit board maintain for everyone. Tuesday through Saturday, O’Hanlon is freely open to the public and hosts many free and paid art events (one may bring a sketch pad, as the sunlit art library is inspiring).

Art centers such as O’Hanlon are the few unmetered public spaces in this part of the world. And would I liken them to public libraries—free public space as essential to the liberated soul as libraries are to a liberated mind (in a democracy).

Erma Murphy, what’s the vibe of O’Hanlon?

It’s a place to play and not be intimidated by having to do it right, and I think that’s what makes us unique—besides our rustic location.

Erma, give us abundance—could you share some of your upcoming offerings of your galley-residency-school?

Perception workshops, where people can start their art practice. Ceramic workshops—we have ‘build your favorite bird’ coming up. Monoprint, which is very popular, starts in the fall. We have writing workshops: a memoir writing class, a Sumi class, a Matisse class—that one is all in French. Ink painting, Shibori dyeing—workshops all the time. We also do special events and music; we have Sunday salons, and exhibitions.

I really enjoy your artist talks. Erma, I understand that the center has 10 openings a year (and two digital) and about 200 classes—as well as rentals, residencies and youth camps. How do you and your staff do it?

I realize that my job is really about … (laughs) getting people to do things. I know what needs to be done; let’s find the right person for the job to make it happen.

Yes (laughs), delegation. How do you and your board keep so many offerings free?

In part through our membership. Having 300 members helps smooth our finances.

What’s the best part of the work?

When people drop off artwork for a show, seeing their excitement and building that community.

You have lent me a book produced by the students of Ann O’Hanlon. It consists of things she said in her classes. At your invitation, I will end with one: ‘You are the discoverer of your own artwork—not its maker. Look into what it is to find it. And it will reveal to you what you are.’

Learn more: Go to ohanloncenter.org to find out the many ways to join and contribute to this art community in Mill Valley. Erma Murphy suggests coming for a first Tuesday art walk on Aug. 4 for a rare showing of the paintings of Ann O’Hanlon.

Sacred Art, Stand-Up, Poetry and Summer Scenes 

Mill Valley
Sacred Spaces

Ancestry, ritual and memory converge in Ancestral Kinship Unmasked, a new exhibition by Jacqueline López featured during the Mill Valley Art Walk. Born on the Paraguay-Brazil border, López draws on her Guaraní Indigenous and Hispanic-Portuguese heritage to create vivid acrylic paintings, ceremonial masks and mixed-media altars that explore healing, transformation and spiritual lineage. Inspired by her grandfather’s folk medicine practice and her mother’s tradition of dreams and visions, the immersive installation invites visitors into a contemplative space where past and present meet in acts of reverence and renewal. 5:30–7:30pm, Tuesday, Aug. 4, at the Mill Valley Aquatics & Fitness Center, 180 Camino Alto. Free. shamanist.art

Sonoma
Valley Laughs

The punchlines return to Andrews Hall as Valley Laughs serves up another evening of stand-up courtesy of Smit Show Comedy. Bay Area favorite Cody Smit hosts a lineup led by Los Angeles headliner Kiry Shabazz, whose sharp, conversational style has earned him a win in the StandUp NBC competition and an appearance on The Tonight Show Starring Jimmy Fallon. Featured comic Sean McKenzie opens with his trademark blend of clever writing and disarming charm, while proceeds from the night benefit Sonoma Community Center programs. One may arrive early for the Laugh Lounge, where ticket holders can grab a drink before the show. 7:30pm, Friday, Aug. 7, at Andrews Hall, Sonoma Community Center, 276 E. Napa St., Sonoma. Doors and Laugh Lounge open at 6:30pm. $25. Ages 21+. sonomacommunitycenter.org.

Petaluma
Found Poets

Poetry steps off the page and onto the stage when Found Poets returns to The Big Easy with Petaluma’s own Anna Simson as headliner. A painter, teacher and mother, Simson draws on her Mexican and Estonian heritage to craft performances that blend wit, vulnerability and hard-earned truths about identity, family and modern life. She’ll be joined by an accomplished slate of poets, including civil rights advocate Bernice “Bere” Espinoza, educator and author Tonya Ward Singer, Chicana poet Anaid Carreño and Sonoma County Human Rights Commission chair Katrina Phillips. Expect an afternoon of spoken word that is designed to be equal parts intimate, provocative and inspiring. 3:30–6pm, Saturday, Aug. 1, at The Big Easy, 128 American Alley, Petaluma. $15; free for ages 18 and under. All ages (some mature content).

Sausalito
Paint the Town

The artists aren’t just hanging work on the walls—they’re making it in full view of the public. The Sausalito Center for the Arts turns the city into an open-air studio during its Plein Air Invitational, where painters fan out across the waterfront, parks and downtown to capture Sausalito’s iconic vistas in real time. Visitors can watch the creative process unfold before the finished paintings join a companion juried exhibition of California landscapes, seascapes and cityscapes inside the gallery. The festivities culminate with an opening celebration featuring awards for the top works and a chance to meet the artists. Plein air painting takes place Aug. 2–6 throughout Sausalito. Exhibition runs Aug. 5–27 at Sausalito Center for the Arts, 750 Bridgeway. Opening reception and awards 4:30–7pm, Sunday, Aug. 9. Free. sausalitocenterforthearts.org.

Your Letters, July 29

Sicko-phants

By now, Americans who have been paying attention—and there are a few of us left—have come to realize that any focus on the petulant lying machine in the Oval Office is a tactical error if we want to get to the truth of any story. That is old news. 

What we should continue to do is focus on the legion of enablers that surround him, to understand what they are doing and to try and make them all as uncomfortable as possible when we can, because they are instruments of his corruption.

One of the great pleasures of the Trump Era is watching his loyalists squirm, suffer and shrink. 

My current favorite is Todd Blanche, who is trying to become our full-time attorney general. 

He is bogged down, just a little, by Epstein, by the IRS deal and by the oh so clever anti-weaponization fund.

Under normal circumstances, I don’t go in so much for watching people suffer, even people who deserve it. These public servants are happy exceptions. Though I hold no hope that the Team of Sycophants will ever be held individually and fully accountable, I do expect that they will grow to despise themselves as much as we do them.

Craig J. Corsini
San Rafael 

Black Kettles

Chump said that the U.S. also targets China surreptitiously, though he wasn’t specific about which U.S. actions he was referencing. Yeah, first accuse China of election fraud and spying, THEN admit the U.S. does the same. TACO.

Gary Sciford
Santa Rosa

Critics

I recently heard that Gavin Newsom was criticizing Elon Musk for being a trillionaire, and I got to thinking that would be like Volodymyr Zelenskyy criticizing Adolf Hitler for being a Nazi.

Doug Haymaker
Forestville

Kitchen Kinship: Chef de Cuisine Reed Palmer Builds on His Father’s Culinary Legacy

Reed Palmer is chef de cuisine at Folia Bar & Kitchen, the flagship restaurant inside Appellation Healdsburg. 

Born and bred here, he returned home after years abroad to apply an internationally shaped palate to Sonoma County.

Obviously, Palmer’s path into food started early, beginning with being son to Michelin-starred, celebrated chef Charlie Palmer. He also worked stages at Ilis in Brooklyn and Amass in Copenhagen before formalizing his training with a hospitality management degree from Cornell University and further culinary study at The Culinary Institute of America in Hyde Park. 

A subsequent stint at One White Street and time spent under the mentorship of the team at Blue Hill at Stone Barns rounded out his grounding in farm-forward cooking, waste-conscious kitchens and narrative-driven menus.

Another mentor, besides his dad, looms large in Palmer’s cooking. Amass founder Matt Orlando instilled a respect for ingredient integrity and creative reinvention. At Folia, Palmer partners closely with area growers and producers to build menus centered on open-flame cooking, fermentation and pickling, letting Sonoma’s bounty take the lead.

Amber Turpin: How did you get into this work?

Reed Palmer: I am lucky enough to have been exposed to the kitchen at a young age and at a very high level. It was surreal to see the way restaurants ran and the people that made it happen. I think it was natural for me to be curious, but my dad taught me to love the work that we do.

What is your favorite thing to cook (or eat) and why?

For me, it’s that time at the end of spring and beginning of summer. All my favorite produce is coming into season, and the food reflects a more simplistic approach and is all about the quality of the product.

What ingredients do you use or eat the most?

It is hard to say what one may lean on, but I would say, in general, different spices, specifically peppercorns—it’s a way to really create nuance and individuality, especially when going down the rabbit hole of the endless varieties.

What are some of your go-to places to go out for a sit-down meal? What about take-out?

I will go out of my way to eat at Swan Oyster Depot; it’s the perfect spot. And it’s always exciting to eat at any of chef Stuart Brioza’s restaurants: State Bird, Anchovy Bar or The Progress in San Francisco.

Last meal on Earth?

My dad’s ‘Fireman’s Chicken.’ It is his mother’s recipe from upstate New York. Or my mother’s famous meat loaf.

Folia Bar & Kitchen,101 Dovetail Ln., Healdsburg, 707.723.2130, foliabarandkitchen.com.

Free Will Astrology, July 29 – Aug. 4

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ARIES (March 21-April 19): Aries artist Vincent van Gogh lived in Arles, France, for 15 months in 1888 and 1889. It was the most prolific time of his career. His buoyant genius overflowed, pouring out more than 200 paintings, including the lavish Sunflowers series. I suspect you will enjoy your own surge of splashy productivity in the coming months. It may not be as manically generative as van Gogh, though. I think your creativity will be rather relaxed and deeply healing. Start planning now for how you want to channel all this imaginative exuberance.

TAURUS (April 20-May 20): I invite you to clear out every fixed idea your mind carries about where you are “supposed” to be. Once you have made that inner space wide and uncluttered, begin a fresh inquiry into the nature of your real home. Use questions like these to navigate: 1. What’s the first place you think of when you come across the word “sanctuary”? 2. Which environments reliably bring out your brightest, truest qualities? 3. Do you have what you would call power spots? If so, how do they make you feel in your body and psyche? 4. Which locations on Earth fascinate you, even if you have never visited them? 5. Could there be a future dwelling that offers a more peak-level experience of home than the familiar place where tradition now soothes you?

GEMINI (May 21-June 20): The brain doesn’t literally multitask. It rapidly shifts attention between tasks, creating the illusion of simultaneity. For many people, each interchange costs mental energy and reduces efficiency. But some brains can switch faster with a lower energy cost, making them better at sustained task-switching. I’m sure you can guess the identity of the zodiac’s number one task-switcher: you, of course. And the good news is that in the coming weeks, you will be even more adept than usual in wielding your superpower. One implication is that you will know when not to overdo it and when not to use it trivially. You will be a master of seamless, effective and meaningful transitions.

CANCER (June 21-July 22): Astronomers know that many stars don’t travel alone. Binary stars orbit each other for eons, their mutual gravity shaping each partner’s destiny. I propose we make this your featured metaphor in the coming months. It will be a favorable time to de-emphasize the notion that strength and creative power require complete autonomy. I suspect that flexible, spirited interdependence will generate far better results than lonely self-sufficiency. Which alliances and relationships will expand your orbit rather than shrink it? Invest in them.

LEO (July 23-Aug. 22): Neurologists say that when you vividly imagine performing an action like shooting a basketball or playing piano, your brain activates many of the same networks it uses in real practice. In other words, mental rehearsal can measurably improve your actual performance. Many athletes use this trick. But here’s an interesting twist: Such visualizations work for emotional and social skills too. We can enhance our resilience and better regulate our moods if we practice doing so in the privacy of our imaginations. I bring this to your attention, Leo, because you’re in a period when your fantasy life has extra-robust practical power. I invite you to rehearse being who you want to be in the theater of your mind.

VIRGO (Aug. 23-Sept. 22): Your assignment: Compose a vigorous prayer in which you ask life for something you fear you don’t deserve or are not supposed to want. What is the blessing, healing or freedom that feels “too much,” “too selfish,” “too late” or “too impossible” for you to yearn for? Name this prize and how you imagine it might allow you to give more, love more or live more honestly. You could begin your appeal with these words: “Dear Great Mystery, I’m nervous about asking for this, but I will ask anyway,” and then let your heart speak without editing. Do this at least once every day for 10 days.

LIBRA (Sept. 23-Oct. 22): In 1848, a Libra-born carpenter named James Marshall discovered a few glittering flakes of gold floating on the American River in California. His find ignited the Gold Rush, drawing hundreds of thousands of people westward. Alas, Marshall himself never became rich from the discovery, though many other people did. I’m hoping and predicting a different outcome when you locate treasure in the coming weeks, Libra. In this instance, you will share in the spoils.

SCORPIO (Oct. 23-Nov. 21): The lyrebird can imitate almost any sound, including chainsaws, car alarms, camera shutters and other birds’ songs. But they don’t just mimic sounds randomly. They compose elaborate performances, weaving a variety of imitations into complex acoustic tapestries. In a sense, they are remix artists. During the coming weeks, Scorpio, I hope you give yourself permission to resemble a lyrebird. Sample freely from everything you’ve absorbed. Weave your influences into new configurations. Express your imaginative concoctions of repurposed ideas and enchantments. The voice isn’t less yours because it borrows from other voices. Originality is in part about arrangement, not just source material.

SAGITTARIUS (Nov. 22-Dec. 21): Astronauts who have orbited Earth describe the “overview effect.” Viewing the entire globe from high above triggers rich epiphanies and cognitive shifts, providing a visceral sense of the planet’s fragility and unity. Borders dissolve. Conflicts seem absurd. I surmise you are ripe for a similar blessing, Sagittarius. You’ll be able to see your current dramas from expansive vantage points that make their true scale and significance obvious. Armed with these perspectives, you will naturally clarify your priorities and allow petty concerns to fade away.

CAPRICORN (Dec. 22-Jan. 19): You are the result of an ancestral crowd: two parents, four grandparents and eight great-grandparents. Without these 14 lives weaving together in the precise ways they did, your unique destiny would never have taken shape. Their choices and challenges helped sculpt your gifts and your rough edges, your cravings and your turn-offs. The coming weeks will be a ripe astrological moment to get more intimate with this lineage. As you delve into your family’s stories, you may uncover vital clues for refreshing your views on dilemmas that have dragged on for a while. Are you daring enough to let your sense of “where I come from” evolve—and, with it, your sense of what kind of future you want to create?

AQUARIUS (Jan. 20-Feb. 18): According to my investigations, there’s a place you need to go, but fear or timidity is holding you back. Where is it? Is it a physical location, a creative risk, a complicated conversation or a spiritual threshold? Visualize it. Who would you be if you appeared there in your full glory? What do you worry might happen if you do? What interesting future might never bloom if you don’t? I hope you formulate a feisty plan. To begin, write these words: “If I decide to go there anyway, acknowledging my fear but not being controlled by it, what first step will I take and what help will I seek?”

PISCES (Feb. 19-March 20): Professional athletes sometimes talk about “winning ugly.” That’s when they achieve a victory even though they haven’t played their very best. I foresee you using that phrase for yourself soon, after you notch a less-than-pretty but undeniably real success. There’s another expression you might also exemplify, too: “ugly ripe.” Officially, it’s the name of luscious heirloom tomatoes whose lumpy, offbeat forms contrast with the smooth, bland specimens stacked in most supermarket bins. In the coming weeks, it will describe the nonstandard yet succulent flavor of your life.

Homework: What was the pain that healed you most? https://tinyurl.com/w3w3w3w

Bohemian Groove, Protest ‘Worth the Effort’

There were no kings present at Bohemian Grove Saturday morning, as Donald Trump is not a member, but Mary Moore, who co-founded the protests there 45 years ago, was certainly Queen for a Day.

Sitting in a folding chair, Moore addressed the approximately 50 supporters who had gathered just down the road from the private Monte Rio campground. She got a big “coyote howl” for her steadfast support of bringing all the issues together at the many protests over the years, and a couple of happy birthday songs. Moore turned 91 July 14, Bastille Day.

“This is a perfect place if you’re an activist who is frustrated by single issue politics,” Moore said, naming many of the famous activists who have attended the protests in the past, including Angela Davis, Dolores Huerta and American Indian Movement founder Bill Wahpepah.

Moore and her colleagues in SONOMoreAtomics organized the first Bohemian Grove action in 1980. They had been protesting the construction of the Diablo Canyon nuclear reactor near San Luis Obispo and discovered that many who profited from the nuclear industry attended the annual two-week encampment at the Bohemian Grove. According to the U.S. Department of Energy, scientists and politicians discussed the feasibility of the first nuclear bomb, called the Manhattan Project, at the Grove.

A former employee at the Grove provided them with a membership list, which also included many prominent business and political leaders. For many years, until his death from AIDS, the employee, who they called “Deep Throat,” brought them membership lists and information about the Lakeside Talks at the encampment, which focused on both national and international issues, according to Moore.

A year later, Mother Jones magazine published an article by Rick Clogher, about the Grove and the protests, and suddenly it went from an almost secret gathering to an international story. The protest group, now calling itself the Bohemian Grove Action Network, helped Clogher sneak onto the Grove during both weekends of the encampment.

The Bohemian Club administration, however, says the encampment is actually an opportunity for like-minded men to have a good time together. It even features an opening ceremony called the cremation of care, where the men burn an effigy of “dull care” in front of a 40-foot stone statue of an owl and commit themselves to enjoying a pleasant vacation.

Unlike the large, and sometimes boisterous, protests in the 1980s and 1990s, Saturday’s event was sedate. There was no line of sheriff’s deputies holding back the crowd, only a single officer in a patrol car who drove quietly up to the Grove entrance and then back toward Monte Rio.

Instead, this protest began with a ritual called the “Resurrection of Care,” to counter the Cremation of Care, and then proceeded to a handful of speeches and a skit about protesters entering the Grove and confronting the campers. The Grove is guarded by security, and outsiders can only enter by invitation.

The protest participants Saturday were mostly gray-haired west county residents, many of whom had attended Bohemian Grove protests in the past. In her speech, Moore referred to them as “aging hippies.”

One of them, Jan Shade, said in a brief interview, “I’m here because I have a history with the Bohemian Grove protests, and I’m mighty, mighty proud of the people who have come over the years.”

Possibly the youngest participant, 45-year-old James Woodruff, pushing a small cart loaded with beverages and snacks, said, “This is different than the usual protest I go to in Santa Rosa. It’s a perfect place to protest all the inequality.”

Still, the organizing group, the newly-formed Sonoma County chapter of CODE PINK, felt the protest was worth the effort, no matter the size of the turnout.

“I think it never hurts to draw attention to the disparity of wealth,” said Robin Latham, the lead organizer.

Sleep on It, ‘Once Upon a Mattress’ Staged in Sonoma 

Sonoma Arts Live closes out its 25/26 season with Once Upon a Mattress, the musical reimagining of Hans Christian Andersen’s The Princess and the Pea. Directed by Larry Williams, the fractured fairy tale plays on the Rotary Stage in Andrews Hall through Aug. 2. 

The show, with music by Mary Rodgers; lyrics by Marshall Barer; and book by Jay Thompson, Dean Fuller and Marshall Barer, is a roughly two-hour visit to a fictional medieval kingdom where Prince Dauntless (Tim Setzer) is looking for a bride. His mother, Queen Aggravain (Beth Ellen Ethridge), along with the court wizard (L.C. Arisman), keeps devising a series of tests designed to keep Dauntless mommy’s little boy. All is going according to plan until Princess Winnifred (Daniela Innocenti Beem) shows up and steals Dauntless’ heart. 

There’s a lot of talent on this stage. Aside from Beem and Setzer, who both deliver adorably lovable performances, there’s the raw power of Whitney Isabella’s voice and the charismatic and acrobatic stage presence of Seanna Nicol.

Carly Leahy is perfectly cast as the minstrel who ushers the audience into the show’s world, and Arisman is right at home playing the kooky wizard. Jake Russell, as the mute King Sextimus the Silent, stole every scene he was in, especially during the two (yes, two) songs he performed without a sound.

Adriana Gutierrez’s costumes (with help from Barbara McFadden) bring her eye for lush fabrics and vibrant colors to the stage, though no other costume comes close to the grandeur of the Queen’s red Asian-inspired dress. 

Despite all the good, there were some questionable design decisions made, the main one being Gary Gonser’s set. Usually, I would be excited about a minimalist set for such a complex show, but the choice to make extensive use of curtain openings and closings stole precious momentum that this show simply couldn’t afford.

Scene shifts were not the only time that the pacing slowed more than the story could handle. The opening pantomime was overlong and lacked the necessary crispness to sell the clowning work being so valiantly attempted by the chorus. 

Theater is hard. Musical theater is harder. Comedic musical theater that calls for both excellent voices and clowning is quite probably the hardest. There are excellent voices, energetic and amusing acting and some truly spectacular clowning here, but together the whole doesn’t quite pass the test.

Sonoma Arts Live presents ‘Once Upon a Mattress’  through Aug. 2 on the Rotary Stage at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs–Sat, 7:30pm; Sun, 2pm. $25–$42. 707.484.4874. sonomaartslive.org.

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Actors perform Shakespeare outdoors at Chateau St. Jean Winery in Kenwood.
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Erma Murphy, executive director of O'Hanlon Center for the Arts, standing on a wood board with her hand around a tree branch.
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Ceremonial mask featured in Jacqueline López’s Ancestral Kinship Unmasked exhibition
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Reed Palmer and Charlie Palmer in white chef coats.
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Woman seated on chair speaking outdoors to a gathered crowd.
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Two actors in medieval-style costumes performing on stage.
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