State seeks eco rollback on cannabis rules

Legalizing recreational cannabis in California was supposed to bring illegal growers out of the shadows and into a robust, safe and regulated market. When voters approved Proposition 64 in 2016, the measure promised to end the damage to our lands and water that had long been part of the illegal marijuana industry.

Instead, while some of the small growers who characterized the illegal business have been licensed, the new market has quickly become dominated by a handful of huge corporate farmers. Hoping to save the small growers from extinction, the California Legislature is considering rolling back some of the very environmental guardrails that were supposed to make the legal industry more sustainable.

This is a big mistake. While the intent of proposals like Senate Bill 508 may be laudable, removing environmental safeguards would set a bad precedent, and it won’t save the beleaguered growers who are struggling to survive in the new market.

In fact, it will probably hasten their demise.

The state’s environmental regulations are not to blame for the struggles of small farmers. County permitting decisions, the local political climate in places where there is opposition to the industry and the inability of law enforcement to completely eradicate illicit cultivation have been much bigger hurdles.

But the largest obstacle has been simple economics.

Cannabis prices have fallen rapidly since the product became legal, and that shouldn’t be a surprise. Prior to legalization, about 80% of the cost of producing weed came from trying to avoid law enforcement, according to a RAND Corporation report. With that huge cost of production gone, larger growers entered the market and were able to use technology and other efficiencies to lower their costs.

The result is a glut of supply that has driven down the price, making it nearly impossible for small farmers in the remote forested mountains of Northern California, who once dominated the industry, to compete.

Changing the environmental rules wouldn’t change this economic reality. Instead, it would punish the small growers who navigated the permitting system and are playing by the rules. And it would give still another advantage to the large corporate farmers who have had little trouble creating and expanding their operations.

The state should focus on changes that would actually help small growers. Increasing law enforcement spending against illicit producers for at least five years would send a clear message.

Limiting the size of farms, which would give small growers a chance to compete while they establish their businesses, would also help. This was part of the original intent of Prop. 64, but the state created a loophole that allowed larger farms to be created and dominate the market.

California needs to make it easier for small growers to reach their customers. Large farmers have the resources to build vertically integrated businesses where cultivation, processing and distribution are all under one umbrella, while small growers currently lose much of their revenue to middlemen.

Providing more economic aid, including low-interest loans and grants to small farmers in general—just as we do for other small businesses—would ensure that this integral part of our state ecosystem can compete more effectively with large farmers who have much greater resources.

When voters agreed to legalize marijuana for recreational use, they were told they were helping both small farmers and the environment. The state can and should continue to pursue each of these goals, instead of retreating on both.

Climate change and depression in high schoolers

New research found natural disasters and pollution linked to climate change are contributing factors to high rates of anxiety and depression among young people.

Researchers from San Francisco-based Hopelab consulted experts and interviewed youth climate activists to determine how climate effects like wildfire, extreme heat, drought, flooding and air pollution are affecting young people’s mental health.

Emma Bruehlman-Senecal, research lead for Hopelab, is the author of the group’s Climate Generation blog.

“We are focusing on climate change because Hopelab’s mission is to support the mental well-being of young people, particularly those from communities that have been underinvested in,” Bruehlman-Senecal explained. “It’s clear that climate change is deeply impacting youth mental health, particularly the well-being of youth of color.”

Hopelab’s findings recommended more funding for youth-led activism but also to make mental health services more accessible by locating them in places where young people spend time, such as schools and community centers.

Another Bay Area nonprofit, YouthTruth, paired up with the Sonoma County Office of Education to survey students over the past eight years.

Jessica Progulske, YouthTruth lead for the county, said after 2017, when thousands of homes burned down in a series of wildfires, reports of depression and anxiety shot up.

“Some of the early research around resiliency indicates that the ability to do something about it, as a student, has the potential to offset some of the later health risks associated with childhood adversity,” Progulske noted. “In spite of climate change and climate anxiety and dread that comes with it.”

Jimmy Simpson Jr., director of partnerships for YouthTruth, said the disruption of the wildfires, followed by Covid, took a toll early on.

“There was a definite correlation between students significantly impacted, relating to less positive perceptions around engagement in school,” Simpson reported. “As well as their sense of belonging, and academics.”

More recent surveys showed while the immediate effects of the firestorm have lessened, episodes of anxiety and depression continue to affect school performance.

Wreckless Strangers release new EP

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Thursday, Dec. 7, marks the return of Bay Area Americana and blues band Wreckless Strangers to the iconic Sweetwater Music Hall in Mill Valley.

The band will celebrate the release of their latest album, an EP titled Orange Sky Dream, by co-headlining the show with Mark Karan’s Buds, another local favorite.

The EP, released on all music platforms on Sept. 29, features six songs and comes a year after their debut album, the 14-track When the Sun and a Blue Star Collide.

Vocalist and lead guitarist David Noble—who also plays with local bands Poor Man’s Whiskey and Pardon The Interruption—and frontperson Amber Morris said they were looking for a larger “rock” sound with this album. This led them to enlist the production skills of four-time Grammy winner Dave Way. Their impressive track record includes mixing work with Whitney Houston, Foo Fighters, Phoebe Bridgers and Macy Gray, just to name a few of his numerous collaborators.

Of all the big names on Way’s list, Morris said his work with Macy Gray attracted her to him. “His working with Macy Gray on that first album was just kind of organic to me in terms of what I understand [musically], so that was very appealing,” said Morris. “When we first met with him, there was a lot of interviewing going on because we wanted to make sure we had a good fit and that there was somebody willing to be that other band member in a way.”

Noble echoed this sentiment, saying that working with Way was a true collaboration and that the producer wasn’t “afraid to push back” regarding song arrangements, notes and chords. He said that he likes “the fact that he listens to the band; he’s not trying to be like, ‘OK, here’s my vision, and I’m gonna jam it down your throat.’” Added Noble, “And sometimes he would be like, yeah, we’re going to go with your idea, and other times it was more like, may the best idea in the room win.”

Wreckless Strangers started out in 2016 as an informal jam session among friends. A six-piece band, in addition to Noble and Morris, they feature Joshua Zucker (The Jones Gang, Rowan Brothers) on bass, Austin de Lone (Nick Lowe, Elvis Costello, The Fabulous Thunderbirds) on keys and vocals, Mick Hellman (The Go To Hell Man Band) on drums, vocals and Rob Anderson on guitar. As one might think, bringing together six disparate musicians into one band might create a unique sound, and that’s another thing that makes Wreckless Strangers so intriguing.

Orange Sky Dream takes its name from a day back in October of 2020 when the skies over San Francisco and the Bay Area turned orange due to wildfire. Some of the songs on the album have an environmental theme, which, while a bit of a bummer, Noble said he feels like “are things that need to be talked about.”

Kicking off the EP is the grooving “Break the Line,” which has shades of Big Star mixed with an ’80s pop-music vibe before veering into the more contemplative and layered “Roses of War.” The band also recently released a video for their song “Fast Girls,” which leans into a twangier, Texas sound—think Billy Joe Shaver—with a chorus sure to be stuck in one’s head for days.

Morris says these musical styles are intentional and leaned into on this album, as the band seeks to capture the members’ diverse musicality into a “Bay Area gumbo” sound.

For more information, visit wrecklessstrangers.com.

Merchants of Death

Hatem Ahmad Hatem Al-Hissi aged 2, Jenna Hamed Naser Al-Asatal aged 1, Esraa Mu’ayyad Yousef Abu Marzouq aged 12, Hayat Abdullah Musa Al-Asatal aged 6.

This is just a tiny fraction of the names and ages of children who have been killed in Gaza by weapons stamped “Made in USA.”

They were read on the sidewalk outside of the Raytheon corporate offices in Arlington, VA, during the run up to the opening session of Merchants of Death War Crimes Tribunal on Nov. 12. This was a people’s tribunal, which tried several large corporations for war crimes. These corporations produce weapons that our government uses to cause death and destruction all over the world, but especially in the Middle East. These corporations profit through the suffering of innocent people.

The organizers of the tribunal have spent the last couple of years gathering evidence through interviews with victims, analysts, lawyers and stakeholders. A series of videos are being released weekly over the next four months that will show how Raytheon, General Atomics, Boeing and Lockheed Martin are complicit in crimes against humanity.

These compelling videos will expose these corporations’ need to be held accountable for their crimes. More than 1,700 people worldwide registered for the opening session (watch the videos at merchantsofdeath.org).

The sidewalk outside of Raytheon has been privatized. What is usually a public place for citizens to exercise their First Amendment rights has been sold to this private corporation by Arlington County. Nonetheless, that did not deter us. We had a large Merchants of Death banner and many other signs. We read names of children who were killed in conflict. After asking us to leave [and we refused], we were put under arrest. We are from several states, and our ages ranged from 28-77 years old.

As a grandmother, it is the suffering of the children that inspires and motivates me to take action. When we know what is happening and we accept responsibility as Americans, we have no choice but to act. Some lobby, some write, some offer nonviolent direct action. All of us can participate and, when we do, we make a difference.

Joy First is a grandmother and long-time peace activist.

Merry Music: Holiday Album Guide

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As the temperatures begin to drop, holiday albums start landing, and 2023 has brought its share of these releases. Here are some choices from this year’s arrivals.

Cher: Christmas – Cher’s first-ever holiday album, not surprisingly, touches plenty of stylistic bases. There’s modern dance-pop (“Angels In The Snow”); Motown/soul/pop on “Christmas, Baby Please Come Home (with Darlene Love, who sang the original Phil Spector-produced version); acoustic balladry (with Michael Buble joining Cher on “Home”); modern R&B/hip-hop (with Tyga adding a forced-sounding rap on “Drop Top Sleigh Ride”); rock (“Run Rudolph Run”); and a touch of blues on “I Like Christmas.” Depending on one’s perspective, Cher has something for everyone here, or Christmas is stylistically scattered. Either way, it’s unmistakably Cher.

Jon Pardi: Merry Christmas From Jon Pardi – The country star’s first holiday album is highlighted by its originals, including the rocking “Beer For Santa” and the swinging “400 Horsepower Sleigh.” Pardi also does a few standards on a fun effort that’s more adventurous than the usual holiday album.

Halley Neal & Sam Robbins: You and Me on Christmas Eve – These two solo artists harmonize nicely on one of the season’s best albums. It features several strong originals, including “Christmas is Coming Soon,” an easy-going melodic folk-rock tune, and the pretty pop-leaning title track.

Michelle Malone & the Hot Toddies: Toddie Time – Malone finds a sweet spot between bluegrass-tinged roots rock and swinging jazz on this refreshing acoustic-centric set of Christmas covers.

The Burrito Brothers: Christmas – The current lineup of the band that began in 1971 as the Flying Burrito Brothers brings their familiar ’70s-rooted country sound to a set made up almost entirely of original holiday songs. It’s a pleasant, if a bit uneven, effort.

Gregory Porter: Christmas Wish – The Grammy-winning jazz singer brings together some inspired song choices (Stevie Wonder’s “Someday at Christmas” and Marvin Gaye’s “Purple Snowflakes”), a few standards and three solid originals, “Everything’s Not Lost,” “Christmas Wish” and “Heart For Christmas,” on this classy effort.

Johnny Mathis: Christmas Time Is Here – The singing legend remains in good voice on this tasteful 10-song set consisting mostly of seasonal standards. It should become a perennial favorite for fans of classic Christmas albums.

Mark Tremonti: Christmas Classics New & Old – Tremonti is best known as the guitarist for hard rockers Alter Bridge and Creed, but he’s also carving out a niche as a Frank Sinatra-styled singer. That’s the Tremonti we hear on this set of familiar holiday fare. His smooth baritone can stand alongside the likes of Michael Buble, and Tremonti’s versions of these classics—with full orchestral arrangements—make for a timeless Christmas album.

Amber Lawrence: A Very Aussie Aussie Christmas – This family Christmas album comes with a down-under twist, courtesy of Lawrence, a popular country artist in Australia. Originally released in her home country in 2017, its songs (mostly originals) blend sprightly pop and country and will appeal to kids and adults alike.

Nils Landgren: Christmas with My Friends VIII – The veteran trombonist and jazz artist returns with his eighth seasonal set. Mixing familiar holiday standards and lesser-known selections, it’s another tasteful effort that unites jazz and pop.

Tarja: Dark Christmas – This selection of gothy, classical-leaning versions of Christmas standards is plenty unique. But including tunes with light lyrics (“Jingle Bells,” “Jingle Bell Rock” and “Frosty The Snowman”) is a misstep on an otherwise intriguing album.

Matt Rogers: Have You Heard of Christmas – This comedian/singer brings together his skewed sense of humor and a taste for modern pop/R&B on this album. “Every Christmas Eve (Mrs. Claus’ Theme)” finds the jolly guy’s wife getting suspicious of her hubby’s Christmas Eve adventures, while the silky ballad “Have You Heard of Christmas” has some sneaky commentary and thoughtful observations.

Brandy: Christmas with Brandy – The popular R&B singer returns with her first holiday outing. The original material (including the sexy, silky ballad “Christmas Party For Two” and the bouncy “Christmas Gift”) makes Christmas with Brandy an album worth noticing.

Adam Blackstone: A Legacy Christmas – This multifaceted artist successfully crafts a jazzy set that also weaves in touches of R&B, hip-hop, gospel and pop over a selection of originals and freshly reinterpreted holiday favorites.

Seth MacFarlane: We Wish You The Merriest Christmas – Best known for his animated series, Family Guy and American Dad, McFarlane has also been making music rooted in the Great American Songbook. This collection of familiar holiday standards, also featuring his frequent singing partner, Liz Gillies, works well for MacFarlane and his rich baritone.

Kings Return: We Four Kings – The genre-spanning a cappella group gets plenty of vocal and sonic variety out of having just four vocalists, and the accomplished performances on “Jingle Bell Rock,” “The Kings’ Nutcracker Suite,” “Jesus Is The Reason For the Season” and others suggest Kings Return are among the best in their genre.

Philly Special: A Philly Special Christmas Special – Yes, Jason Kelce, Lane Johnson and Jordan Mailata shouldn’t quit their day jobs playing for the Philadelphia Eagles, but this trio’s second charity album is another credible effort, with a few surprise song choices (“Dominick The Donkey” and “Pretty Paper”) and notable guests (including Patti LaBelle and Amos Lee).

Joe Mullins & The Radio Ramblers: Because It’s Christmas Time – The bluegrass-rooted string band led by acclaimed banjo player Mullins gifts us a fine album of originals and not-obvious covers that are at turns frisky (“Reindeer Boogie,” “Christmas At the Old Home Place”) and gentle and melodic (“From My Broken Heart To You,” “There Once Was A Time On Earth”).

A Winter Union: Sooner After Solstice: A Transatlantic Folk Christmas – This UK folk supergroup convenes for a set of melodic originals and covers that lean toward easy-going ballads, but occasionally kick up the energy (“Boxing Day” and “Ring Out, Solstice Bells”).

George Perris: The Most Wonderful Time of the Year! – The PBS favorite makes a typical orchestral holiday album, repeating some tunes in different languages.

The Browns: Christmas in Prague – Here’s a holiday album for fans of Lawrence Welk.

A Few Other Worthy Holiday Albums

Straight No Chaser: Stocking Stuffer (an a cappella treat with humor); Michael Bolton: Christmas Time (holiday favorites with booming vocals, epic arrangements); George Gee Swing Orchestra: Winter Wonderland (a jazzy big-band-styled take on 10 standards); Christian Sands: Christmas Stories (the pianist brings jazzy accents to five classics and five original tunes); Hauser: Christmas (the Croatian cellist takes the lead on an orchestral set of Christmas classics); and The Gothard Sisters: A Celtic Christmas (the guitar/violin/flute trio puts an Irish folk accent on a dozen tunes).

Your Letters, Nov. 22

Congress Mess

Until recently, Congress was the laughing stock of American democracy. That honor has been transferred to the Supreme Court, which has recently chosen to rebuild its image of corruption and favoritism with a new internally developed code of ethics and conduct.

Sorry, boys and girls, it will take a generation or more to overcome such a monumental lack of trust in a single branch of government, with or without full disclosure on the parts of all justices of exactly what “benefits” they have received and from whom, since their respective appointments to the Supreme Court.

It is an immeasurable loss of respect, integrity and dignity for our country, an international embarrassment on a massive scale.

Craig J. Corsini

San Rafael

News Nod

Pro-peace and responsible journalism are two ideals this world needs!

Yes, it’s tragic and yes, we’re heartbroken—so many of us for both cultures and all innocent people who have been killed in the war in Israel/Palestine.

Dan Pulcrano did an excellent job of summarizing the story (“Pro-Peace Piece,” Nov. 15 Bohemian and Pacific Sun). I so appreciate when journalists do not lead me into their bias, but present a full and complete picture and allow me, as a reader, to come to my own conclusion.

This is also sorely missing, by the way, in mainstream media whenever the former president is interviewed or covered by the press.

Research. Fact check. Find a credible counterpoint. News coverage is not ranting.

Jodi Selene

Sebastopol

Olio Nuovo: Gold Ridge Organic Farms

Each year, olive oil lovers worldwide eagerly await that special first taste of olio nuovo, or new olive oil, from the new harvest.

What’s so special about olio nuovo?

Immediately after harvest, new oils are at their absolute freshest, spiciest, highest polyphenol levels and even more brilliantly hued. The sediments in olio nuovo—fresh from the press—haven’t yet had the time to settle, nor the flavors to mellow in the bottle.

There is just a short window during which these oils can be tasted and enjoyed at their most potent, raw and unfiltered finest. This window is within a couple to a few months of harvest—depending on several factors, including the climate in the region where the olives are harvested and how an oil is stored after being pressed/before being bottled.

Wellness enthusiasts prize olio nuovo for its health benefits, as antioxidants and polyphenols are highest in olive oils immediately after harvest.

In Italy, olio nuovo is revered for its potency and is poured liberally on simple dishes and foods to highlight its flavor and character best. The release of the harvest’s first new oils is also considered to signal late fall and the many events surrounding the harvest in agriculturally focused regions.

But North Bay olive oil lovers don’t need to travel to Italy to taste stunningly fresh, quality olio nuovo made from organic olives grown in their own backyard. They only need to travel the short distance to Sebastopol in west Sonoma County, where Gold Ridge Organic Farms releases their much-awaited olio nuovo blends every fall between mid to late November and early to late December.

Due to the cooler temperatures in the hills of west Sonoma County, harvest occurs later in the year than in warmer climate areas such as Tuscany or California’s Central Valley. This means that Gold Ridge Organic Farms’ olio nuovo release is usually during the holiday season.

Upcoming Events

The farm is opening its gates for the olive harvest season in November and December on Fridays and Saturdays. On two upcoming Saturdays, Nov. 25 and Dec. 9, the farm is hosting tastings of their freshly pressed olio nuovo, along with complimentary hot mulled cider, seasonal focaccia and apple cider donuts (for purchase) made especially for the holiday season by chef Bruce Hill, featuring the farm’s Honeycrisp-Fuji Apple Cider Syrup and Tuscan Blend Olive Oil.

Guests visiting the farm on days they are pressing olives can view the olive oil pressing cycle from the Farm Shop just feet from the state-of-the-art Rapanelli Oil Mill and smell the green, fresh olives in the air.

One may sample Gold Ridge Organic Farms’ four award-winning estate-grown olive oils, house-made popcorn with olive oil toppings, an array of edible goods from local makers and collaborative partners, and seasonal heirloom apples and citrus from the organic orchards for sale.

A range of gift baskets, locally produced artisan goods and curated products produced by the farm, such as olive oils, vinegars, citrus shrubs and apple cider syrup, are available for purchase.

The farm will acknowledge Small Business Saturday (10am to 4pm, Saturday, Nov. 25) by serving complimentary hot mulled cider and offering apple cider donuts (for purchase), baked fresh by chef Bruce Hill.

Two weeks later, the farm hosts its Open House at the Farm Shop (10am to 4pm, Saturday, Dec. 9), which will see much of the above plus seasonal focaccia made on the farm, with a selection of olive oils and herbs from the farm. Donuts are available while supplies last. And, of course, Holidays Along the Farm Trails runs Fridays and Saturdays through Dec. 23.

Gold Ridge Organic Farms, 3387 Canfield Rd., Sebastopol. 707.823.3110. goldridgeorganicfarms.com.

Raven Players present ‘Betty and Edith and Sue’

Shepherding a play from an idea to a fully-staged production is a long and sometimes arduous process. It’s also a bit of a financial risk for theaters because audiences tend to want to see things they know. Any theater that’s willing to stage new works should be commended and supported.

The Raven Players’ effort to bring resident playwright Tony Sciullo’s Betty and Edith and Sue from their ScriptTease New Works series to a fully staged production is no exception. The show, directed by Neva Hutchinson, runs in Healdsburg through Nov. 19.

The script is an enjoyable, if somewhat predictable, story about three Italian-American godsisters and lifelong friends. Set in Pittsburgh, PA, it centers around the women’s relationship with their godmother and how that relationship influences their lives and the lives of their daughters. The action alternates between the early 1960s and modern times. Think of it as the Italian-American version of The Divine Secrets of the Ya-Ya Sisterhood.

What the set by Jenny Brazell lacks in storytelling ability is made up for in the use of projections designed by artistic director Steven David Martin. It is rare to see projections used effectively and appropriately, and Martin has done both with this show.

The costumes by Jeanine Gray were somewhat handicapped by required quick character changes. When allowed to costume a character fully, such as Crystal Wilson’s “Young Betty,” the costumes were stunning. But quick change-induced oddities like an E.R. doctor in a pair of heels somewhat lessened Gray’s effective contribution.

A good script, a talented technical team and actors who can do a role justice are not always enough to mount a successful production. Sciullo’s script deserved better direction. After casting, timing is arguably a director’s most important job. Timing, as they say, is everything, and this show lacks it. Poor timing can lead to many issues, such as an inability to build chemistry, make consistent character choices or be fully present in the moment. Compounding the issue of timing was the inability to hear half the cast.

Directing is hard, stressful and exhausting. One must always be focused on the big picture and the nuances. Directing oneself, as Hutchinson does here, creates a conflict of interest which rarely works and, disappointingly, in this case it does not.

Like all new works, this script deserves a fighting chance, and it’s hard to win a fight without a dedicated leader.

‘Betty and Edith and Sue’ runs through Nov. 19 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Thursday–Saturday, 7:30 pm; Sunday, 2 pm. $10–$25. 707.433.6335. raventheater.org.

Well Framed: Visiting the Napa Valley’s Setting Inn

I am a sucker for conceptual art. Draw a mustache on the Mona Lisa or sign a pseudonym onto a men’s room fixture (looking at you, Duchamp), and I’m there for it.

This is why Napa Valley’s The Setting Inn made such an immediate (and joyfully abstract) impression on me. It starts with a frame—an empty picture frame, to be precise, which is the leitmotif of the venture’s branding.

From wine labels to the Instagrammable outside edifice—a massive picture frame where one can frame oneself in a selfie—the frame, by virtue of its emptiness, contains everything.

And yes, I read like an art school dropout who drank too much wine—you caught me. But I’m also someone who appreciates understated luxury, clean lines and thoughtful design. If you do as well, this historic boutique hotel is the place for you.

It starts with the location. Though technically Yountville, the inn is situated off Highway 29 (the valley’s main drag), equidistant from most local attractions. That is to say, guests feel like they’re visiting the platonic ideal of Napa Valley, in addition to being in one of the finest burgs that makes up the area.

Realized from a rebuilt 1901 farmhouse, The Setting Inn reopened in June 2019 after renovating and rebranding. The main building has spacious Signature Queen and Deluxe guest rooms, all with private terraces and views of the vineyards and the Mayacamas Mountains. Likewise, a two-bedroom, two-bathroom cottage is also available.

REST The rooms boast private terraces with vineyard views. Photos courtesy of The Setting Inn

Each accommodation is well-appointed with fireplaces and handsome soaking tubs, heated bathroom floors, Nespresso coffee makers (or Napa Valley Roasting Company custom blend coffee if you prefer), LATHER Bath amenities, and robes and slippers. Did I mention the Bouchon Bakery pastries that are delivered to your door each morning? And, of course, the interior decor boasts at least one wall with a signature empty frame.

Other amenities include complimentary on-site parking, WiFi, a boutique-sized fitness center replete with Peloton bike, lawn games and electric bicycles for cruising the bike paths that run parallel to the frontage roads lining the highway and transverse the valley.

The highlight of a recent stay was an evening experiencing pure Napa Valley hospitality—a private tasting in “The Barn,” a hip, on-site tasting room that trades pretense for casual comfort.

Naturally, The Setting Wines portfolio is superb—a pantheon of beautifully crafted Bordeaux-style wines by acclaimed winemaker Jesse Katz, including high-scoring cabernet sauvignons (as one might expect from Napa), as well as finely-hewn pinot noir and chardonnay and sauvignon blanc offerings.

In short, The Setting Inn is serene, pastoral and private. It invites visitors to experience Napa Valley on their terms without the crowds, lines or pressure, which makes for a restful and refreshing stay sure to improve your frame of mind.

The Setting Inn, 1205 Hillview Lane, Napa. thesettinginn.com. 707.927.3909.

Native American Heritage Month in the North Bay

Every year, the nation spends the month of November acknowledging and honoring the Native American heritage and history intrinsically tied to the land that every United States citizen calls home.

But very few who live in modern America can trace their family roots any further back than a few centuries. And though centuries might sound like a lot of time to some, consider this context: Scientific evidence places the existence of early human settlements in what we now call California as far back as 130,000 years ago.

For further context and to help frame the timeline of Native American civilization, consider Christopher Columbus, who infamously sailed the ocean blue in 1492…only 531 years ago. That math implies that, for nearly 129,500 years, through ice ages and evolution and the discovery of agriculture itself, the original inhabitants of the Americas lived (almost entirely) uninterrupted.

Until, of course, (audacious and entitled) European explorers brought disease and genocide to the shores of these United States.

In the North Bay, all across the sweeping hills and valleys, along the riverbanks and up and down every part of the abundant California coast, it is impossible to take a step in any direction without following in the footsteps of those who lived here long before Europeans even knew of the concept of a “new world.” Which was actually an old, nigh ancient and already well-established landscape of complex, ever-changing and evolving civilizations.

The counties of Marin, Napa and Sonoma boast a rich history of Native American heritage. And, in that, the North Bay bears the burden of having played a critical role in the events that led up to the cruel eradication of an entire group of people. And it all began when privateer, Sir Francis Drake, first landed in Point Reyes in 1579 at the behest of Queen Elizabeth I—there he was met with the Coastal Miwok, and the rest is history.

But in recent years, small changes to incrementally improve the circumstances of Indigenous Americans have come, especially since the establishment of November as Native American Heritage Month, as well as the reparative efforts for and of the remaining representatives of the first people of this place north of the Golden Gate. But these changes are slow to come and can never truly encompass or compensate for the effects of European exploration and colonization.

This November, the North Bay has some opportunities in store for those who want to learn about and experience what life looked like as a Native American, both throughout history and through the lens of the remaining few true Indigenous individuals from this area.

One such opportunity is none other than the grand reopening of Marin’s Museum of the American Indian, which temporarily closed its doors during the COVID-19 pandemic. The president and chair of the board of directors for the Museum of the American Indian, Dean Hoaglin, Tamal’ko Coast Miwok, wrote in the press release for the museum’s grand re-opening:

“We are committed to revitalizing our cultural space, restoring it to its full glory, and bringing back the heart and soul of our institution. And we invite you to play a pivotal role in this inspiring journey. Your donations will directly fund exciting enhancements, such as interactive exhibits, captivating displays, and educational programs that will leave a lasting impact on our visitors. Your commitment to our cause will enable us to preserve and celebrate history, culture, and art in an even more remarkable way.”

In honor of November being Native American Heritage month, the Museum of the American Indian in Marin has officially announced its impending re-opening, which is set to take place in early 2024. There, curious individuals can come alone or with family, friends or fellow classmates to experience carefully curated, rotating exhibits showcasing collections of artistic works, highlighting the culture and creative skillset of Novato’s early Native American inhabitants.

Alongside art exhibits, the Museum of the American Indian also provides opportunities for education through programs that include lessons about local tribes’ history, identity and knowledge of the ecological systems around them. The museum also hosts events all year round, with opportunities to attend lectures, readings, workshops and cultural events.

The Museum of the American Indian is an excellent venue to visit for those who want to know more about not only the Native American heritage and history of the North Bay, but also for those who wish to join in celebrating the preservation of creativity, tradition and a continued spirit of community support that can still be found in the North Bay to this day.

Although it is located in Novato at 2200 Novato Blvd., it is asked that all mail be sent to their PO Box 864, also in Novato. For more information about the Museum of the American Indian and its mission or to provide support in the form of a donation, visit the website at marinindian.com or call 415.897.4064.

Alongside the news of Marin’s museum re-opening, the North Bay’s Native American Heritage Month has equally exciting events across the culturally diverse cities that comprise Sonoma and Napa as well. The Sonoma County Library, for instance, has excellent resources to learn more about Native American Heritage Month. Visit the library website at sonomalibrary.org/index.php/stayinformed/librarynews/nativeamerican to learn more.

Another example can be found in Petaluma, which made historical waves on Veteran’s Day weekend by combining the annual Veteran’s Day Parade with the inclusion of Native American representatives in a tradition that has held firm since 1991. In order to show support of America’s veterans as well as represent the Native American veterans, the American Indian Preservation Fund (AIPF) annually joins the Petaluma parade and marches with a ceremonial redwood dugout canoe (or two).

“Native American veterans from Oregon and Nevada are joining us,” said chairperson of the AIPF and U.S. Marine, Terrance “Chitcus” Brown, in his press release. “From California, they’re coming in from Susanville, Sacramento, and San Jose to march in honor of those that served and those that are serving today. God Bless our Veterans. Blessings for ALL that have lost loved ones. We march to Honor those that have fallen on foreign soil. We Pray for those MIA, POWs, and Agent Orange Veterans who have been abandoned,” Brown continued.

So, whether or not it is the month of November, remember to consider the impact of the Native American heritage all along the idyllic coastal landscape of today’s North Bay. And, when possible, make it a priority to learn about, support and preserve the legacy of California’s first people.

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