Of Art & Insects

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Sebastopol

Butterfly Effect at Gold Ridge

On Saturday, Oct. 11, Gold Ridge Organic Farms hosts Butterfly Effect—an immersive evening of art, music and purpose pairing creativity with impact. Fresh from her show in Prague, artist and humanitarian Layla Love presents 40 original works exploring art as a vehicle for change. She’s joined by art critic Anthony Haden-Guest, MMA champion Max “Pain” Griffin and Gold Ridge founder Brooke Hazen for conversations on art, purpose and protecting what we love. Live performances by Lily Fangz and Louise Solywoda will animate the night, alongside dance, chocolate pop-ups and superfood elixirs. The event supports Rise of the Butterfly, Redemption House and Reef Revival, organizations dedicated to empowering survivors of trafficking and restoring ocean ecosystems. 5:30–8:30pm, Saturday, Oct. 11, Gold Ridge Organic Farms, 387 Canfield Rd., Sebastopol. Free admission. Details and RSVP at bit.ly/Layla-Love.

Sebastopol

Fools’ Paradise (lost?)

A cinematic “love letter to our wild” comes to Rialto Cinemas Sebastopol on Wednesday, Oct. 8, with two screenings of Fools’ Paradise (lost?), at 1 and 7pm—each followed by a Q&A with filmmaker Alexandra Lexton, founder of Lex Productions. The 7pm discussion will be moderated by author and mindfulness teacher Mark Coleman. Filmed across numerous landscapes, the documentary explores how healing ourselves and the planet begins with reconnection to the natural world. Through intimate portraits of adventurers, scientists and changemakers—including nature photographer Jody MacDonald, author Florence Williams, Indigenous scholar Lyla June, ecotherapist Dr. John Francis and others—Lexton reveals stories of resilience, reciprocity and renewal. Part science, part soul, Fools’ Paradise (lost?) invites audiences to rediscover their own inner wild while confronting the urgent call to protect the outer one. 1 & 7pm, Wednesday, Oct. 8, Rialto Cinemas, 6868 McKinley St., Sebastopol.
Filmmaker Q&As follow both screenings. Details at
rialtocinemas.com.

Larkspur

Lavay at the Lark

Marin Jazz and the Lark Theater present Lavay Smith & Her Red Hot Skillet Lickers for a night steeped in the golden age of American jazz. Known for their pitch-perfect renditions of Count Basie, Dinah Washington, Bessie Smith and Little Esther Phillips classics, the band delivers a balanced blend of swing, blues, R&B and New Orleans soul. Led by powerhouse vocalist Lavay Smith, the group’s all-star lineup is a favorite among dancers and jazz purists alike—the Skillet Lickers have headlined major venues like Jazz at Lincoln Center and SFJAZZ, where they remain the most-booked act in the organization’s history. 7:30pm, Saturday, Oct. 25, Lark Theater, 549 Magnolia Ave., Larkspur. Tickets $65–$75. marinjazz.com.

Fairfax

Spirit of Diwali

Spirit of Diwali with the Laya Arts Collective brings the color and rhythm of India’s festival of lights to the Marin County Free Library. Led by dancer Priya Narayana, this family-friendly performance illuminates the story of the Ramayana through the classical Bharatanatyam dance form—blending movement, music and myth in a celebration of light over darkness. 1–1:45pm, Saturday, Oct. 18, Marin County Free Library, 2097 Sir Francis Drake Blvd., Fairfax. Free. Sponsored by the Friends of the Marin County Free Library. Details at bit.ly/3VREDDA.

Your Letters, Oct. 8

Mix Tix

Dale Carnegie was onto something when he encouraged stepping outside of our comfort zones. For some people, merely voting is a step too far.

In last November’s presidential election, that was about 90 million Americans. I propose an outside-our-comfort-zone approach for upcoming elections: a mixed presidential ticket. That is, a Democrat and Republican president and vice president, or vice versa.

There’s no constitutional rule against it. There are few members in both parties who might pull it off, but a mixed ticket would show voters which side truly believes in bipartisanship and wants to get things done.

Jim Newton

Chicago

MAGA Mouth

After Donald Trump’s embarrassing escalator and teleprompter rants to the world at the UN, followed by the costly, godawful performance by him and Pathetic Pete in front of 800-plus Top Brass, I would think some, if not many, MAGA people have come to the realization that Trump is all mouth and no brains.

Keep up the good work, a—hole.

Bob Canning

Petaluma

Give Peace a Chance

Peace is up against hate every minute. Let’s hope peace doesn’t give up…. (“When Peace Crashed,” Oct. 1).

Joe Na

Via Bohemian.com

Free Will Astrology: Week of Oct. 8

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ARIES (March 21-April 19): No relationship is like any other. The way we bond with another has a distinctive identity that embodies the idiosyncratic chemistry between us. So in my view, it’s wrong to compare any partnership to a supposedly ideal template. Fortunately, you Aries are in a phase when you can summon extra wisdom about this and other relaxing truths concerning togetherness. I recommend you devote your full creativity and ingenuity to helping your key bonds ripen and deepen.

TAURUS (April 20-May 20): Poet Rainer Maria Rilke advised, “Be patient toward all that is unsolved in your heart and try to love the questions themselves.” These days, dear Taurus, that’s your power move: To stay in conversation with mystery without forcing premature answers. Not everything needs to be fixed or finalized. Your gift is to be a custodian of unfolding processes: To cherish and nourish what’s ripening. Trust that your questions are already generating the early blooms of a thorough healing.

GEMINI (May 21-June 20): I am a great admirer of Bart Simpson, a fictional fourth-grade student on the animated TV show The Simpsons. He is a constant source of unruly affirmations that we could all benefit from incorporating into our own behavior when life gets comically weird. Since I think you’re in such a phase now, Gemini, I am offering a batch of Bart-style gems. For best results, use them to free yourself from the drone of the daily routine and scramble your habitual ways of understanding the world. Now here’s Bart: 1. “I will not invent a new religion based on bubble gum.” 2. “I will not sell bottled ‘invisible water.’” 3. “I will not try to hypnotize my friends, and I will not tell co-workers they are holograms.” 4. “I will not claim to be a licensed pyrotechnician.” 5. “I will not use the Pythagorean theorem to summon demons.” 6. “I will not declare war on Thursdays.”

CANCER (June 21-July 22): During its entire life, the desert plant Welwitschia mirabilis grows just two leaves. They never wither or fall off but continually grow, twist, split and tatter for hundreds of years. They keep thriving even as their ends are worn or shredded by wind and sand. I love how wild and vigorous they look, and I love how their wildness is the result of their unfailing persistence and resilience. Let’s make Welwitschia mirabilis your inspirational symbol in the coming weeks, Cancerian. May it motivate you to nurture the quiet, enduring power in your depths that enables you to express yourself with maximum uniqueness and authenticity.

LEO (July 23-Aug. 22): Have you been to Morocco? I love that so many houses there are built around spacious courtyards with intricate tilework and lush gardens. Sooner or later, of course, the gorgeous mosaic-like floors need renovations. The artisans who do the work honor the previous artistry. “In rebuilding,” one told me, “our goal is to create new magnificence that remembers the old splendor.” I hope you pursue an approach like that in the coming weeks, Leo. The mending and healing you undertake should nourish the soulfulness you have cultivated, even as you polish and refine.

VIRGO (Aug. 23-Sept. 22): Virgo novelist Agatha Christie often planned her elaborate plots while cleaning her house or washing dishes. She said such repetitive, physical tasks unlocked her creativity, allowing ideas to emerge without force. I suggest you draw inspiration from her method in the coming weeks. Seek your own form of productive distraction. Instead of wrestling with a problem in a heroic death match, lose yourself in simple, grounding actions that free your mind to wander. I am pretty sure that your most brilliant and lasting solutions will emerge when you’re not trying hard to come up with brilliant and lasting solutions.

LIBRA (Sept. 23-Oct. 22): Libra architect Christopher Alexander developed a sixth sense about why some spaces feel comfortable while others are alienating. What was the source of his genius? He avoided abstract principles and studied how people actually used spaces. His best architecture soulfully coordinated the relationships between indoor and outdoor areas, private and public zones, and individual needs and community functions. The “quality without a name” was the term he used to identify the profound aliveness, wholeness and harmony of spaces where people love to be. In the coming weeks, Libra, I hope you access your own natural gift for curating relationships and cultivating balance. Your solutions should serve multiple needs. Elegant approaches will arise as you focus on connections rather than isolated parts.

SCORPIO (Oct. 23-Nov. 21): Some medieval mystics claimed that angels spoke in paradoxes because the truth was too rich for simple logic. These days, I believe you Scorpios are extra fluent in paradox. You are raw yet powerful, aching and grateful, confounded but utterly clear. You are both dying and being reborn. My advice: Don’t try to resolve the contradictions. Immerse yourself in them, bask in them, and allow them to teach you all they have to teach. This may entail you sitting with your sadness as you laugh and letting your desire and doubt interweave. The contradictions you face with open-heartedness will gift you with sublime potency and authority.

SAGITTARIUS (Nov. 22-Dec. 21): The ancient city of Petra, built in sandstone cliffs in what’s now Jordan, was mostly hidden from the outside world for centuries. In 1812, Sagittarian Swiss explorer Johann Ludwig Burckhardt rediscovered it by disguising himself as a pilgrim. He trained extensively in the Arabic language, Islamic culture and local customs so he could travel incognito. You Sagittarians can benefit from a similar strategy in the coming weeks. Life will conspire to bring you wonders if you thoroughly educate yourself about the people and situations you would like to influence. I invite you to hike your empathy up to a higher octave, cultivate respect for what’s unfamiliar, and make yourself extra available for exotic and inspiring treasures.

CAPRICORN (Dec. 22-Jan. 19): During the 1800s, countless inventors chased the impossible dream of perpetual-motion machines: Contraptions that would run endlessly without any fuel source. Every attempt failed; such devices bucked the fundamental laws of physics. But here’s good news, Capricorn: You are close to cracking the code on a metaphorical version of perpetual motion. You are cultivating habits and rhythms that could keep you steady and vital for a long time to come. I predict the energy you’re generating will be self-sustaining.

AQUARIUS (Jan. 20-Feb. 18): Octopuses have three hearts and blue blood. They taste with their skin, solve puzzles and squeeze their entire bodies through coin-sized holes. No wonder they are referred to as the aliens of Earth, just as you Aquarians are the aliens of the zodiac. According to my analysis, now is a perfect time for you to embrace your inner octopus. I authorize you to let your strangeness lead the way. You have the right and duty to fully activate your multidimensional mind. Yes, you may be misunderstood by some. But your suppleness, radical empathy and nonlinear genius will be exactly what’s needed. Be the one who sees escape routes and paths to freedom that no one else perceives. Make the impossible look natural.

PISCES (Feb. 19-March 20): Dear Pisces, it’s like you’re in one of those dreams when you’re exploring the attic or basement of your home and discover secret rooms you didn’t realize existed. This is good! It means you are finding uncharted frontiers in what you assumed was familiar territory. It suggests you are ready to see truths you weren’t ready for before. Congrats! Keep wandering and wondering, and you will discover what you didn’t even know you needed to know.

Homework: It may be time to trade in an old symbol of security for a new one. Newsletter.FreeWillAstrology.com

Another Silent Spring: A special report on accelerating mass extinction events

Alongside the endangered redwood, the monarch butterfly is a symbol of our land.

We have taken the monarch as our emblem—one sees it in many places—on our T-shirts and jewelry, our journals, our sky-flying kites; it is on our place-making murals of fluttering monarchs and happy people. The monarch floats up from our subconscious and haunts our dreams…

Little wonder, the annual migration of the western monarchs—flying up the coast from

Mexico—is one of the great natural wonders of the North Bay.

Or, I should say, it was.

As I write, at the height of fall harvest, we are at the height of the monarch migration. Let me ask our readers—trash consumerism aside, has anyone seen a single solitary one?

Although it goes little reported, in the last 10 years, the monarch population has collapsed, from a degraded and declining baseline of several million in the 1990s to just

9,000 this last year. (See The Xerces Society for Invertebrate Conservation’s paper, Western Monarch Declines to Near Record Low, 2025.)

That means if one has been so lucky—so blessed—to see one monarch this year, in 1995 they would have seen 200 monarch butterflies floating through our skies. If they have seen 10, they would have seen 2,000 monarchs—can one imagine such a prodigy? Most likely one has seen zero. Our blue and brown, hazy skies are empty.

The only one I have seen was on one of our murals, which has been transformed, ironically, from a celebration of this place and its natural abundance into a memorial for the dead. What does the probable extinction of the monarch butterfly, our emblem, mean to us? What is the significance that monarchs are thought to carry our spirits to the afterlife according to Mexican folkloric belief? What will become of our souls when they are gone?

Emptier Skies

Poets have called butterflies “nature’s living jewels.” As a general trend, across the United States, butterfly populations are collapsing. (See North American Butterfly Association’s American Butterflies magazine story, “The Great Butterfly Die-Off,” 2025.)

Can one even imagine a world without the play of butterflies? If that thought causes pain, then one is connected to the butterfly and its pain. With its death, something dies in oneself.

It’s not just butterflies that are going extinct. As a generality, most “winged insect” populations are now in a mass die-off. That broad group and segment of life includes butterflies and moths, mosquitos, honey bees, flies, dragonflies, beetles of all stripes, wasps, cicadas, lightning bugs, ladybugs, etc.

They are all rapidly disappearing, right here, and all around the world. The rapid decline is so dramatic and distressing that some scientists are calling it “The Insect Apocalypse.” (See Current Biology Magazine, “The Insect Apocalypse and Why it Matters,” 2019.) That’s a striking phrase. It’s a big story. It’s the headline for 2025.

It’s funny we haven’t even heard of it, huh? I haven’t seen any mention of it endlessly doomscrolling my Instagram Reels. But perhaps one has noticed it, if only secondarily—with less need to spray pesticides on their lot or clean smashed bugs off their windshield.

As a class, insects represent a major part of the “biomass” on Earth—that is the weight and the number of life forms on Earth. And they’re rapidly dying away. That might not move someone. When we interact with insects, quite often it is as pests and as nuisances. “Bugs are gross.” But it should be concerning—insects, as the basis of biomass, are the basis of food chains. Pluck hard on that food web, and it ripples out to shake all living species.

Hurt by the seeming indifference of most people to insects, local butterfly expert John

Hibbard (my own father) elaborated on that point: “In the grand scheme of nature, butterflies [and caterpillars] exist to feed birds.”

The elder Hibbard is right; along with insect populations, bird populations are collapsing all around us. According to a recent report by the North American Bird Conservation Initiative (NABCI), 30% of North American bird species are now in free fall decline. (See NABC’s “The State of Birds,” 2025.) Birds are falling, from emptier skies. And silent is the spring (see Rachel Carson’s epochal Silent Spring, 1962). And these deaths are not painless deaths. Mass starvation—the inability to get insect food for themselves and their young—is a cause of their collapse.

Doubtless that moves anyone. Birds are in our hearts. They are our symbols of liberation and escape. They are the mascots of our schools, our teams, and the emblems of great nations. Birds are in our dreams. In the folkloric belief of many lands, birds are thought to communicate between earth and heaven, carrying communications from the gods (hence, “divination by augury”). So what does this augur for us? If we and our swine could even survive, would we even want to live in a world without birds?

I am afraid I am understating the case, because it’s not just butterflies and birds—it’s moths and bats too. As the basis of the food web, insects directly feed most small mammals, reptiles, ambitions and fishes, which in turn feed larger animals scaling up the food chain to apex predators. All are now at risk.

Think of all the iconic species we learned to name as innocent children and hugged as stuffed animals in the safety of our small beds. Think of all the spirit animals that guide us as adults when we are spiritually lost. They are now themselves lost, disoriented, wandering among the fast fragmenting wilds, straying, and starving into human developments, as well as dying under the wheels of heavy trucks.

Our plants are dying too. Insects feed animals, and they also pollinate flowering trees and plants—forming a vital link in their reproductive cycle and fruiting. Insect death ripples and rips through the meadows and forests where we seek spiritual refreshment and peace. All the food web is shaking violently, as in a great earthquake, as in a great storm.

The Holocene Mass Extinction

Reader—fellow human being—we have reached an inflection point, a decision point. And now, it is time to choose. Have no doubt. This is the biggest story of our times. Make no mistake. Trump is just noise. China is noise. Tik Tok trends are noise. Taylor Swift’s wedding is noise. The football season is noise. And Disney-Marvel is a desperate distraction from what is happening here and now.

Stop distracting oneself. Undeceive oneself. Put the pieces together. Endangered apes and elephants in Africa, dead coral reefs in Arabia and Australia, collapsing fisheries, disappearing kelp forests, the slash and burn destruction of the Amazon, the endangered honey bee, the last flight of the monarch—these are all pieces of a much bigger story—Global Mass Extinction.

Per The International Union for Conservation of Nature (IUCN), a once-every-four-years gathering of global nature conservation experts, leaders and decision-makers, 28% of all living species are now at risk of extinction. It won’t stop there. (See IUCN’s “Red List.”) That’s trillions of insects, plants and animals sick and starving, unable to propagate or keep their young alive. Mass extinction is the headline for 2025 and 2026 and 2027. And it’s the only story that matters.

Factors & Cause

The surprising thing is, we all already know the factors causing what scientists call the “holocene mass extinction event.” But, with a galvanic thrill, let us review them with renewed urgency.

The leading causes of mass species extinction are development: roadbuilding, land clearing, timber cutting, mining, house building, livestock grazing, monoculture farming and pollution of formerly “undeveloped land”—i.e., animal habitats and ecosystems. Development is driven by bad policy, over-population and consumptive consumerism gone mad.

Those are the general factors oppressing all other species. But there is also a specific factor, suppressing all insect life, and setting off a cascade effect of dropping dominos among the larger animals and plants that depend on them for food or reproduction.

All I can say is that it is a relatively new pesticide in increasing agricultural use. It is a broad-spectrum insect killer and long-lived. In dust suspension it has blown about everywhere, and it is present in most of the inorganic food that we eat.

I have been warned by some of my science advisors not to be more specific than that. The corporations that make it would think nothing of breaking me or burning this paper down with smear campaigns and baseless but expensive nuisance lawsuits. In fact, that seems to be part of their multibillion dollar business plan. It’s good business to close newspapers.

But the cause is us. Whether or not we are fully aware of it, we are doing this. We are making this happen with our daily choices. This is the true story of our times, and it is the true meaning of our lives. It is our legacy. Like it or not, gathered around our own good works, lie thousands of dead butterflies and bees, and birds and squirrels, lizards, snakes, fish, foxes, otters, coyotes, elk, wolves, bears, eagles and mountain lions. Don’t look away.

And while we have now exceeded the point of irreparable damage to life on Earth and may lose the innocent monarch butterfly, it is in our power to choose again, and save other species. Just as we already know the causes, we already know what to do.

But let us revisit those changes with renewed urgency and purpose. Thrill to it.

An Urgent New Environmentalism

A meta-analysis of research published by Science Magazine in 2020 revealed “Declines in Terrestrial But Increases in Freshwater Insect Abundances.” The authors of this scientific paper attributed the turn-around to environmental laws and regulations designed to clean up and protect our waterways. Those very same protections are now being torn up by the Trump Administration, which is now opening all federal land to rapacious development.

The first lesson of this story is the powerful effect that good government policy can have on reducing species loss. The second lesson is that, for the present, we can’t count on the government to lead the response to mass extinction. Still, the oft repeated refrain conservative politicians make when shredding market regulations restraining the worst impulses of capitalism is true: “The power lies in the choice of consumers.” And I will add, in the will of voters.

As consumers, we can make a daily difference. And as loud local activists and voters, we can draft and organize the local policies and programs that can scale nationally or internationally when Donald Trump topples. Here, submitted by some of the local naturalists and international scientists that helped inform this article, are priorities for a grassroots campaign to slow mass extinction. They are none of them new. It’s the old green agenda. But it’s urgent.

1. Support candidates with a green agenda.

The green new deal. Stopping the sale of federal land, new parks, linking existing parks. Fighting climate change and climate denial. Help farmers transition to organic (pesticide-free) farming and subsiding the purchasing of expensive organic food (health food for all).

2. Supporting non-profits that promote environmental conservation.

One can support them with their vote, money or in-kind donations; their volunteer time; or by using their Facebook, TikTok and Instagram to boost their message.

3. Buy less—reduce, reuse, repair.

4. Buy local—local production and shipping has a reduced environmental impact.

5. Buy organic food and wine.

6. Buy less meat—start with “Meatless Mondays”

7. Avoid purchases with high carbon footprints. If one flies, buy carbon offsets.

8. Convert part or all of one’s yard or business landscaping to promote pollinator-friendly native plants. Look up “butterfly gardening” and “national park in your backyard.”

9. Spend time connecting with wild nature. It’s good for the body and good for the soul.

10. Talk about these issues with family and friends. Have a conversation about this article. Keep this issue alive on all platforms.

One has seen this list before. But now they know we do these things for the bird and the butterfly, the otter and the oak tree. We can’t wait for Washington and Sacramento.

The Humans

Why isn’t mass extinction the story everyone is talking about? Some of the environmental activists, butterfly people, birders and research scientists I spoke to seemed to imply that people just don’t care. “People only care about people.”

But, the fact is, we do care—we are connected to these animals and flowering plants, heart and soul. We love our plants and pets. We love the monarch butterfly. And, whatever people say, humans are fundamentally moral creatures. What proves our morality is how much time and energy we spend distracting ourselves, avoiding a confrontation with the truth.

We fear the truth about our actions because, no matter what we say in public, we don’t actually think that we are good people. We know that if we confronted the truth we would be forced to change—by our own fundamentally moral constitutions.

We fear the change, and we fear the reckoning. But we forget how cleansing it can be to make amends, and how lightening it can be to make sacrifices for other living beings. And although we grumble, we forget how adaptive we are. The discomfort of change is brief, and briefly it is forgotten.

Don’t look away. When buying inorganic food or trendy plastic junk, one is buying a dead song bird too. Each time. In time, those purchases add up to a dead bald eagle, and a dead grizzly bear. One has bought those dead animals. And must pay for them—the cost comes out of their own soul. We are connected. When one buy organics, they literally save lives.

We can change. This is in our power to stop this. And change we must. In this journalistic diatribe I have emphasized what mass extinction will cost our souls (our dreams, symbols, our wonderment, emblems, archetypes, awe, mascots, cartoons, spirit guides, our love, our friends). However, mass extinction may cost us our lives too. For if there is a domino effect, collapsing up the food chain, the last domino to fall will be humans—the apex predator. We cannot simply fence off our corn and our cattle as the environment collapses and burns all around us.

The words of Dr. Joshua Arnold, a scientist who studies the role of beneficial insects in human food agriculture, put it succinctly: “There is a dogma about what we will be able to craft our way out of any problem, but the promises of technology will not be able to make up for a dying planet. Everything we do depends on the ecosystem around us. We might be able to eek on by for a time but we will suffer… Technology won’t save us.”

According to The World Economic Forum and the United Nations Food Summit, pollinating and pest eating insects are critical to the cultivation of 35% of the world’s food supply (“Why We Need to Give Insects the Role they Deserve in Our Food Systems,” 2021).

With the human population projected to increase by 2 billion by 2050, that projected food shortfall has us fighting a world war. The Insect Apocalypse is the harbinger of a greater slaughter. There still is time to avert it. Let the death of the monarch be our turning point.

Learn more & act: linktr.ee/massextinctionLINKS.

Yards of Cards at Sonoma Con

Sonoma Con is back and … they’re adding cosplay.

But before one decides to dust off those old comic books and try to sell them for far less than they thought they were worth, Sonoma Con isn’t really a comic book convention.

Rather, it’s a celebration of TCGs (Trading Card Games), TTRPG (Tabletop Role-Playing Games) and all of the wonder and whimsy that goes along with these incredibly popular hobbies.

This year’s event, the second annual, has also moved from the Santa Rosa Veteran’s Memorial building to spaces across the street at the Santa Rosa Fairgrounds. Event producer Joe Sapp is excited for the growth, saying they “are striving to create an inclusive environment, where attendees of all ages can come and celebrate their fandoms or create new ones.”

But before we delve into what the weekend will have, perhaps a little explanation of what this is all about is necessary?

TCGs are best described as Magic cards in the same way grabbing a ride-share is considered “Ubering.” In other words, Magic is the common term, but there are many, many more Trading Card Games out there. Similarly, a common example of a TTRPG would be Dungeons and Dragons, but again, there are many forms of Tabletop Role-Playing Games. This concludes the covering of our rear-ends from fans who will write letters regarding such a simple explanation of a beloved and diversified gamescape.

Fans of these games, if they’re still with us, will be thrilled to hear that according to Sapp, “This year’s convention will feature prominent Magic: The Gathering artists, as well as renowned cosplayers from Magic: The Gathering and Flesh and Blood.” He adds the weekend “will also feature some experiences that will be free to attendees, such as pumpkin painting with a local artist and Miniature ‘Paint-and-Take,’ where you can paint a miniature for free and take it home with you.”

Some of the names who will be attending include card illustrator Phil Stone, who is best known for his “Rulebook Showcase illustrations in Magic: The Gathering,” as well as some of his most famous cards, which include Ancient Copper Dragon, Sword of Forge and Frontier, and Tyrranax Rex. Other Magic-centric guests include RK Post, Randy Gallegos and Steven Russell Black.

Other notable guests in the house (or castle) include Croatian illustrator Milivoj Ćeran, veteran inker Jeff Laubenstein and voice actor Nikki Rapp, who fans may know from her work including voicing children in the original Sims series, Sims 2 and Sims 3, as well as her role as Lili Zanotto in Psychonauts, Deadeye Courtney in Broken Age and Lilly in Telltale Games’ The Walking Dead.

Sapp says Sonoma Con is the only TCG- and TTRPG-focused convention in Sonoma County and adds, “I am looking forward to the inclusion of our first cosplay competition and cosplay parade. I think it’s really cool that we get to lean into the Halloween season, and merge that with people’s love for dressing up to celebrate their fandoms.”

The event runs from 9am to 9pm, Saturday, Oct. 4, and Sunday, Oct. 5. Two-day passes are $25 for adults, $15 for those under 18, and one-day passes are $15 for adults, $10 for those under 18.

For more information, check out sonoma-con.com.

Grim Tales: ‘Into the Woods’

Before there was Grimm, Enchanted or even Shrek, there was Steven Sondheim’s two and a half hour Into the Woods, the 1986 musical that asks the important question, “What happens after happily ever after?”

Rohnert Park’s Spreckels Theatre Company, under the direction of artistic director Sheri Lee Miller and musical director Lucas Sherman, has taken on this marathon of a musical, now running through Oct. 12.

Following a Baker (Noah Vondralee-Sternhill) and his wife (Megan Bartlett) as they try to remove a curse placed on them by their next-door witch (Daniela Innocenti Beem), their journey into the woods overlaps with a book’s worth of Grimm Brothers’ characters.

There are some impressive production values here, along with excellent acting and singing. The orchestra under Sherman’s direction is excellent, efficiently dealing with a few opening night line snafus. Even the props (by Mary Jo Hamilton) look good enough to eat.

It’s also rare to find a performer who is both an actor and a singer. This production was blessed with quite a few of them. Molly Larsen Shine as Jack’s Mother, Andrew Cedeño as Jack, Nicole Stanley as Little Red, along with Beem and Bartlett, are a few of the standouts.

Sam Coughlin as Milky White, however, steals the show, though he has no lines. Puppetry is challenging; creating a stylized puppet cow that dances, cries and elicits empathy requires a great deal of hard work and raw talent.

Sadly, not everything was top-notch. There were some odd choices made, such as in the Prince and the Baker’s Wife scene, where she gives in to him right away, robbing the scene of its usual tension. Similarly, although the overall staging was good, Karen Miles’ choreography of the finales was confusing. It formed pretty stage pictures that did not further the story or account for the plot. There was also the choice by Vondralee-Sternhill (who must be noted is a fantastic singer) to play the Baker with low stakes, robbing the plot of some of its vitality.

All that being said, at the opening night curtain call, a small boy ran up to the edge of the orchestra pit to enthusiastically applaud the actors. Look, I can (and will) critique all I want, but in the end, all of us are just trying to tell the best story we can. And if one of our shows inspires the next generation like this one obviously did, that’s what actually matters.

‘Into the Woods’ runs through Oct. 12 in the Codding Theater at the Spreckels Performing Arts Center, 5409 Snyder Ln., Rohnert Park. Fri-Sat, 7:30pm; Sun, 2pm. $16–$42. 707.588.3400. spreckelsonline.com.

NorBay Theater Awards Return to Spotlight Local Stages

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The curtain is rising once again on one of the North Bay’s signature celebrations of stagecraft.

After a five-year hiatus, the Marquee Theater Journalists Association (MTJA) has announced the nominees for the 2025 NorBay Theater Awards. The program, which recognizes outstanding performances and productions in Sonoma and Napa counties, will be presented on Sunday, Sept. 28, at the California Theatre in Santa Rosa.

The MTJA first launched in 2015, designed as a critics’ collective to highlight excellence in local productions. The NorBay Awards had been warmly embraced during their first five years, but the program was put on hold when the pandemic hit in 2020. With some original members moving on and the theater world itself in recovery, it wasn’t feasible to continue at the time.

In the past two years, however, North Bay theater has regained its footing, and new contributors have joined Weeklys’ theater coverage. When local companies and artists expressed interest in reviving the awards, the association determined the time was right and that there were enough productions—and critics—to support a meaningful, critically-based program.

“To be honest, the local theater scene hasn’t changed that much in the last five years,” said Harry Duke, this paper’s resident theater critic and a founder of the MTJA. “We lost one company (Main Stage West in Sebastopol) and the theater program at Sonoma State University, and one company has taken their shows on the road (Cinnabar Theater), but we’ve gained a company as well (Mercury Theater in Petaluma).”

The most significant change the critic has observed is an increase in diversity both onstage and backstage. “That’s something that continues to need to be worked on. As far as how that’s reflected in the awards, they were always designed to recognize outstanding work, regardless of who is doing it or where,” Duke said. “That continues to be the goal.”

One innovation that has set the NorBays apart from the beginning is the elimination of gender distinctions in performance categories.

“That was one thing I insisted upon when we were developing the awards,” Duke explained. “Other categories like director or writer aren’t gender-specific, so why should performance categories be?”

Throughout, the voting process emphasized collaboration. Each member could submit up to five nominees per category, with the seven most-mentioned advancing to the ballot. The group then met to openly discuss the nominees, allowing critics to advocate for their picks and hear one another’s perspectives. After this exchange, the final decisions were made through ranked-choice voting.

“The members put a lot of thought into this process,” Duke observed.

As for trends in this year’s nominations, Duke noted, “Musicals continue to be the most popular genre of theater produced locally. Solo or small-cast shows were done a lot coming out of the pandemic, but there were few this past year, so we folded them into the drama category.”

The critics also expected more comedies “…to help us deal with the difficult political environment we’re living in now,” Duke suggested. “But maybe people are just finding it too difficult to laugh about anything these days.” – Weeklys Staff

The NorBay Theater Awards will be presented 6–8pm, Sunday, Sept. 28, at the California Theatre, 528 7th St., Santa Rosa. Admission is free. caltheatre.com.

Many Moons Festival Celebrates Asian Cultures & Community

There’s nothing more American than a cultural festival.

Enter the Many Moons Festival, bringing food, shopping and culture this Saturday, Oct. 4 to Sebastopol’s Ives Park, organized by the Asian-American Pacific Islander Coalition, North Bay.

The moon is many things in Asian traditions, goddess, calendar, yin, concepts varying with each culture. Asian-Americans and Pacific Islanders celebrate the moon’s importance to the autumn season in some of their most sacred traditions, from the Mid-Autumn Festival to Diwali to Ramadan.

These Americans from Asia or Asian families share a story with all of us. To leave the old world behind and set out into the new is one thing all Americans share—by force, choice or circumstance, knowing what it means to move to a new land while trying to bring along what one can of the old, the familiar, the proven, the wisdom and aesthetics of the place one’s people came from.

“In many ways, we have been a silent population for too long,” said AAPIC president Laurie Fong. “This festival is a ‘coming out’ to say we are here, we want to contribute and we have much to offer.”

The festival is for everyone who wants to learn, explains AAPIC director of development Lisa Johnson-Foster. “What better way to understand and support Asian cultures than to jump right in, taste, see and hear it for yourself, right in Sonoma County?”

Festival goers will enjoy a fashion show, martial arts demos, craft wares and experiences like the mesmerizing dance calligraphy of SoCo’s own JunJun Li.

More than a dozen vendors—most North Bay-based—will be offering food and treats. Think dim sum, boba, pad Thai, poke, curries and more. Vendors include: Shokakko, Momo Man, Lata’s Indian Cuisine, Shogun Japanese Restaurant, Wanna Thai Kitchen, Ube Area Bakery, and, of course, Kona Ice.

Local business owner Lani Chan of Big Spoon Sauce Co. will have her chili crisp sauces for sale while she does a dumpling demo. Asian parties gotta have dumplings.

This writer for one will be frequenting the Tambayan Filipino Eatery. Filipino workers and ranchers have been a part of the North Bay for a long time and helped to establish and tend many of the oldest vineyards in Napa—how about learning more about that story over a bowl of pancit?

AAPIC formed in response to the Asian Hate wave that came along with everything else frightening during Covid, to connect the sometimes isolated AAPI communities and provide resources for safety and support. They started by reaching out to one group at a time.

“Always around food, really great food,” said Fong; for example, Korean Thanksgiving. “That was really awesome.” Is there any doubt?

Understanding that connecting the Asian communities was only a part of an effective response to hate, AAPIC created Many Moons as a way to deepen the appreciation of our local Asian culture within the demographically larger white and Latin communities.

Connecting these richly varied Asian groups with the greater community of Sonoma County so we can all get a little better at enjoying each other’s culture? Over dumplings? It’s time to get out there.

Many Moons Festival runs from 11am to 7pm on Saturday, Oct. 4, at Ives Park, 7400 Willow St., Sebastopol. Tickets at $10 in advance at Oliver’s, Pacific Markets and online. $15 at the door. Visit manymoonsfestival.com.

When Peace Crashed

2

Peace came dressed like a census taker

clipboard in hand, mild mannered

asking who still lives here

and in what condition.

It smelled of sunscreen and burnt coffee

and Febreze

And shuffled awkwardly on the welcome mat in mismatched shoes.

But—we’re not supposed

to talk to strangers or salesmen

And so we closed the door.

Later, when Peace turned up again—

It apologized for its mussed hair and secondhand clothes

the headlines etched over the clown makeup and stubble

wet from tidying in a gas station men’s room.

“I used to live here,” Peace explained.

“Can I come in? See my old room?

Have a glass of water, maybe use the phone?”

A wing-tipped toe inched over the weatherstripping.

But—we know about vampires and death

and multi-level marketing

And we closed the door.

Later—Peace planted its ass on our stoop and sobbed

From gloaming to gloom, embarrassing and loud

Neighbors turned off their porch lights

His bony shoulders shook.

Oh, Peace, that damn old drunk, we asked—

Who do we call? Should we get you a cab?

Come inside, have some water, use the phone.

But all Peace wanted now was to borrow a shovel.

Can’t remember exactly but—

We were watching reruns on the news

And Hope, who clearly doesn’t know the rules

finally snuck Peace in through the side screen door.

And they drank all the wine and danced, and told lame jokes

And now Peace just crashes on our couch

pretty much whenever.

Because Hope says Peace is welcome

Doesn’t need an invite or even a key

And it’s been so long now it’s hard to recall

The last time the world flinched.

Daedalus Howell is at dhowell.com.

Art, Jazz and ‘Good Grief’

0

Petaluma

Whale Sounds at Usher

Whale songs turn into brushstrokes in Whale Sounds on a Canvas II, the latest exhibition by artist Firuze Gokce. Inspired by whale sound spectrograms, Gokce transforms acoustic patterns into abstract works that merge science, art and conservation. Acrylic whale portraits round out the Usher Gallery show, offering vibrant glimpses of marine life while underscoring the urgency of protecting ocean ecosystems. An opening reception on Saturday, Oct. 18, 5–8pm, features live music by the Loralee Christensen Duo, refreshments and a chance to meet the artist. The exhibition runs Oct. 14–Nov. 23 at Usher Gallery, 1 Petaluma Blvd. N., Petaluma. More at ushergallerypetaluma.com.

Santa Rosa


‘Peanuts’ Turns 75

Seventy-five years ago, Charles M. Schulz introduced the world to Charlie Brown, Snoopy and the gang with the first Peanuts strip on Oct. 2, 1950. The Charles M. Schulz Museum honors this anniversary with HA! HA! HA! HA! 75 Years of Humor in Peanuts, a new exhibition running now through March 18. Visitors can explore original comic strip art and see how Schulz’s humor evolved over 17,897 strips, cementing a legacy of laughter that continues to resonate worldwide. 10am–5pm, now through March 18, Charles M. Schulz Museum, 2301 Hardies Ln., Santa Rosa. Details at schulzmuseum.org/peanuts75.

Mill Valley

Decade of Poet and/the Bench

Poet and/the Bench kicks off its 10th anniversary season with a reception for Between Soil and Sky & Desert Rising on Saturday, Oct. 4. The show pairs Topanga Canyon artist Danielle Hutchens, whose natural pigment paintings grew from the quiet regrowth after Los Angeles’ fires, with San Francisco potter Avigail Remak, whose ceramics echo the resilience of desert flora. Both artists will be present for the opening, which runs 4–8pm. On view through Jan. 31, the exhibition continues Poet and/the Bench’s dedication to contemporary design and emerging voices. 4–8pm, Saturday, Oct. 4, Poet and/the Bench, 11 Throckmorton Ave., Mill Valley. Details at poetandthebench.com.

Mill Valley

Vuckovich & Ryan in Concert

Jazz pianist Larry Vuckovich—fresh from receiving two Lifetime Achievement awards—joins forces with vocalist Jackie Ryan for a special Sunday afternoon concert at Mill Valley Community Church. Ryan, a Marinite whose CDs have topped charts worldwide, brings her interpretations of Latin classics and jazz standards, while Vuckovich, Vince Guaraldi’s onetime student and piano partner, adds a lifetime of bebop and Afro-Cuban stylings to the keys. 3pm, Sunday, Oct. 12, Mill Valley Community Church, 8 Olive St. Tickets and details at larryvuckovich.com.

Of Art & Insects

Sebastopol Butterfly Effect at Gold Ridge On Saturday, Oct. 11, Gold Ridge Organic Farms hosts Butterfly Effect—an immersive evening of art, music and purpose pairing creativity with impact. Fresh from her show in Prague, artist and humanitarian Layla Love presents 40 original works exploring art as a vehicle for change. She’s joined by art critic Anthony Haden-Guest, MMA champion Max...

Your Letters, Oct. 8

Mix Tix Dale Carnegie was onto something when he encouraged stepping outside of our comfort zones. For some people, merely voting is a step too far. In last November’s presidential election, that was about 90 million Americans. I propose an outside-our-comfort-zone approach for upcoming elections: a mixed presidential ticket. That is, a Democrat and Republican president and vice president,...

Free Will Astrology: Week of Oct. 8

Free Will Astrology: Week of Oct. 8
ARIES (March 21-April 19): No relationship is like any other. The way we bond with another has a distinctive identity that embodies the idiosyncratic chemistry between us. So in my view, it’s wrong to compare any partnership to a supposedly ideal template. Fortunately, you Aries are in a phase when you can summon extra wisdom about this and other...

Another Silent Spring: A special report on accelerating mass extinction events

Alongside the endangered redwood, the monarch butterfly is a symbol of our land. We have taken the monarch as our emblem—one sees it in many places—on our T-shirts and jewelry, our journals, our sky-flying kites; it is on our place-making murals of fluttering monarchs and happy people. The monarch floats up from our subconscious and haunts our dreams… Little wonder, the...

Yards of Cards at Sonoma Con

Sonoma Con is back and … they’re adding cosplay. But before one decides to dust off those old comic books and try to sell them for far less than they thought they were worth, Sonoma Con isn’t really a comic book convention. Rather, it’s a celebration of TCGs (Trading Card Games), TTRPG (Tabletop Role-Playing Games) and all of the wonder and...

Grim Tales: ‘Into the Woods’

Before there was Grimm, Enchanted or even Shrek, there was Steven Sondheim’s two and a half hour Into the Woods, the 1986 musical that asks the important question, “What happens after happily ever after?” Rohnert Park’s Spreckels Theatre Company, under the direction of artistic director Sheri Lee Miller and musical director Lucas Sherman, has taken on this marathon of a...

NorBay Theater Awards Return to Spotlight Local Stages

The curtain is rising once again on one of the North Bay’s signature celebrations of stagecraft. After a five-year hiatus, the Marquee Theater Journalists Association (MTJA) has announced the nominees for the 2025 NorBay Theater Awards. The program, which recognizes outstanding performances and productions in Sonoma and Napa counties, will be presented on Sunday, Sept. 28, at the California Theatre...

Many Moons Festival Celebrates Asian Cultures & Community

There’s nothing more American than a cultural festival. Enter the Many Moons Festival, bringing food, shopping and culture this Saturday, Oct. 4 to Sebastopol’s Ives Park, organized by the Asian-American Pacific Islander Coalition, North Bay. The moon is many things in Asian traditions, goddess, calendar, yin, concepts varying with each culture. Asian-Americans and Pacific Islanders celebrate the moon’s importance to the...

When Peace Crashed

Peace came dressed like a census taker clipboard in hand, mild mannered asking who still lives here and in what condition. It smelled of sunscreen and burnt coffee and Febreze And shuffled awkwardly on the welcome mat in mismatched shoes. But—we’re not supposed to talk to strangers or salesmen And so we closed the door. Later, when Peace turned up again— It apologized for its mussed hair and secondhand clothes the...

Art, Jazz and ‘Good Grief’

Petaluma Whale Sounds at Usher Whale songs turn into brushstrokes in Whale Sounds on a Canvas II, the latest exhibition by artist Firuze Gokce. Inspired by whale sound spectrograms, Gokce transforms acoustic patterns into abstract works that merge science, art and conservation. Acrylic whale portraits round out the Usher Gallery show, offering vibrant glimpses of marine life while underscoring the urgency...
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