Starry Night

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This year, the Oscars are like the cocktail bars at too many of today’s receptions: no-host.

One by one, some two-dozen stars will climb up and squint at the teleprompter in the Academy’s effort to keep any one figure from bearing responsibility for the trainwreck. Meanwhile, millions will throw things at the TV and shout in rage at the “In Memoriam” section, when they snub someone cool like Robert Forster in favor of some slimy MCA executive.

If the Oscars were fair, each category would have two, and only two, nominees—to make the voting more agonizing. It’s not enough that Parasite must win. Some lesser, but just as good movie (Once Upon a Time…in Hollywood), must fail in order to give us all a lesson in the bitterness of defeat and the madness of awards.

As always, the most fascinating category is best supporting actress. An Excel spreadsheet would probably show this was the single-most diverse category in age and artistic approach, a category in which the nominees may be suckling babies or tottering crones.

The Academy has nominated Laura Dern three times and she hasn’t won, and she’s Laura Dern; chemical and intelligent and witty, the savior of more bad movies than popcorn itself. Her Marriage Story performance was a glittery bit of acting, shrewd and hilarious.

Best actress: Judy, such as it was. Give her the award and get it over with.

There isn’t an undeserving name on the best actor’s list, although, as my nephew said, re: Joker, “It’s supposed to be best acting, not most acting.” If Joaquin Phoenix goes home empty-handed (never go full super villain), Antonio Banderas is one of the most consistently underrated actors of our time.

Split the best supporting actor award between Al Pacino for that weird, contrary, doomed Jimmy Hoffa in The Irishman, and Brad Pitt’s enigmatic stuntman in Once Upon A Time.

As for best director: Scorsese. The Irishman put people who saw it at home on the sofa to sleep. In a theater, however, it was his best work in years; it was clear the studious banality was a choice, not a flaw. Anyone lost and mystified at the state of the United States of today needs to watch this, to trace back the way to how we got here.

The Oscars airs live on Sunday, Feb. 9, on ABC.

Mood for Love

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No one can sing a love song like Johnny Mathis.

The legendary vocalist—whose career spans more than 60 years, 70 albums, 200 singles and three separate inductions into the Grammy Awards Hall of Fame—is best known for his silky-smooth vibrato, which can be heard on his chart-topping recordings of romantic hits such as “Chances Are,” “Misty,” “It’s Not For Me To Say” and others. He will perform live in a special Valentine’s concert on Sunday, Feb. 16, at Marin Center in San Rafael.

“I had a wonderful voice teacher,” Mathis says. “And she just said, ‘You seem to be suited, the sound of your voice, to sing songs like ‘My Funny Valentine.’ I guess also it’s a matter of my temperament that comes through with the songs that I sing. I think we all have elements of our personality that come out in different situations, and yes, without bragging, I’m kind of romantic.”

Another Valentine’s weekend concert in the North Bay is a headlining performance by gender-fluid indie-rock star Ezra Furman on Saturday, Feb. 15, at the Arlene Francis Center in Santa Rosa.

In the time since Furman’s last appearance in the North Bay, the singer-songwriter has gained international notoriety after composing the soundtrack for the Netflix series “Sex Education,” which premiered its second season last month.

He has also released an acclaimed album, Twelve Nudes, which marks his most punk-rock effort yet, with brash music that reacts directly to the tumultuous state of America and the world. Local art-rock outfit Hose Rips and queer folk-punk trio Gender Trash and San Francisco psychedelic rocker Kelley Stoltz open the show.

Also on Feb. 15, newly-formed North Bay instrumental band Bronze Medal Hopefuls releases a new single, “Pain Au Chocolat,” with a show at Elephant in the Room in Healdsburg.

The quartet consists of bassist Gio Benedetti (Toast Machine, The Brothers Comatose), guitarist Alex Leach (Kingsborough), keyboardist Nathan Dittle (The Crux) and drummer Zach Morris (Gabby La La), and they combine their talents to make a freewheeling blend of acid jazz, classic funk and indie-rock that they describe as “mini-soundtracks to imaginary movies about cardboard rocket ship adventures, puppets that travel to the North Pole and small-town, coffee-sipping detectives named Wedemski.”

Also an accomplished artist, Benedetti has animated a music video for “Pain Au Chocolat” that the band will unveil at the show, and Portland-based folk artist Jeremy James Meyer will join the Bronze Medal Hopefuls to play off his new Matt Costa–produced EP, Bobbie’s House.

Preserve Open Space

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The City of Sonoma is moving forward to renew its existing Urban Growth Boundary (UGB) for another 20 years by placing a ballot measure before voters in November 2020. This is great news for open space and agricultural lands and climate-wise, city-centered growth for the next generation.

After a robust discussion and hearing from a crowd who cared deeply about the community and environment, city leaders agreed unanimously to ask city voters to renew the existing UGB as is. Next steps will be to finalize the ballot measure text with public review at upcoming City Council and Planning Commission meetings.

Mayor Logan Harvey and Chair Robert Felder presided over the special joint meeting of the City Council and Planning Commission on Jan. 27 at Vintage House where the UGB was discussed. The Citizens to Renew the City of Sonoma’s Urban Growth Boundary were there to make a solid case for the 20-year UGB renewal and City Manager Cathy Capriola and her staff provided a draft UGB measure for public review.

The UGB is simply a line around the city that protects open space and ag lands. It prevents urbanization and development beyond the boundary without a majority vote of approval by its citizens. The UGB can be revised if needed at any time by going back to the voters. It gives the community a direct voice in the future of the city.

The city will be updating its General Plan, Housing Element and Zoning Code in coming years to determine how the community will grow. For those concerned about affordable housing, the renewed UGB is slated to contain stronger provisions requiring 100-percent affordable housing if the City Council finds a need to allow an exemption from the UGB under certain conditions.

If the UGB is not renewed in 2020, its boundary can be modified by the vote of a simple majority in the City Council. This would put the future size of Sonoma on the ballot in every city council election, every two years.

Teri Shore is Regional Director of North Bay Greenbelt Alliance. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

SMART Vote

I have read the information re: the SMART vote for an extended tax. SMART has failed to deliver what it promised. Watching 7 or 8 people sitting on a train anytime outside of the current commute time upsets me (putting it mildly), especially when the taxpayers are supplementing the fare. SMART “leadership” asks us to continue this farce. The print media supports SMART. Why? I don’t know. Of course, we see letters praising the train going to Larkspur and then the leisurely ride on the ferry to S.F. to spend the day or a few days in a swanky hotel. Well, maybe they are the 7 or 8 people riding it in the midday.

The SMART board needs to go back to the drawing board to look at salaries (and publish the position of how much is being paid; you can figure out the names), expenses, anticipated future costs and overruns. Until that happens, I will be voting “NO” on SMART. Tired of seeing the debacle being rewarded for shoddiness.

Petaluma

Gazette Troubles

It looks like editor Vesta Copestakes was lied to by Darius Anderson, whose Sonoma County Investments (SMI) group just bought up the Sonoma County Gazette (“Bought Up,” Jan. 8).

Per the article: “In a Press Democrat article about the purchase, representatives of SMI implied that they intend to keep Gazette’s content largely the same while expanding the paper’s online presence.

‘We will continue the fine tradition of local community content that Vesta [Copestakes] has nurtured for many years,’ Darius Anderson, SMI’s lead investor, told the Press Democrat.”

What a joke. Normally, the Gazette is on the newsstands on the first of each month. I checked a few locations yesterday, and all I found were empty boxes. I checked again today and found the same thing. Next, I went to the website. The only updates since last month were endorsements for Democratic candidates for the upcoming election, or stories that sound more like political ads (i.e., “Transit is Good for Your Health — Sonoma Marin Area Rail Transit”). In other words, the new content is pushing the agenda of SMI and its ilk, and
that’s about it.

Normally, TPTB implement changes incrementally so that the public isn’t even aware of what’s happening until it’s too late. Not this time.

So, Vesta, there goes your legacy. Your newspaper has simply been snuffed out.

Via Bohemian.com

Zin Debate

“People aren’t willing to pay what it costs to farm Zinfandel.” (“Future Ex,” Swirl, Jan. 29) That’s not what some vineyard owners told me. They told me that wineries stopped buying their zin grapes, and stated they won’t buy in the future either (unless you are Maple).

I love zin, but the truth is that the younger generation likes lighter wines, and the industry has already made the switch away from zin.

Santa Rosa

Via Bohemian.com

Write to us at le*****@******an.com.

Parlor Jazz Returns to Healdsburg with Album-Release Concert on Feb. 7

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Acclaimed bassist, vocalist and composer Jeff Denson is known as a trailblazer of jazz, and he recently joined forces with French guitarist Romain Pilon and powerhouse-drummer Brian Blade for a virtuoso trio that can be heard on the new album, Between Two Worlds, released last October. Featuring originals by Denson and Pilon, the album has amazing interplay and melodies that North Bay audiences can hear live in concert when Denson, Pilon and Blade perform an album-release show on Friday, Feb. 7, at Paul Mahder Gallery, 222 Healdsburg Ave., Healdsburg. 7:30pm. $30. 707.473.9150.

Isabella Rossellini Brings the Circus to Sonoma on Feb. 8

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Actress and filmmaker Isabella Rossellini is known for her fearless and peerless performances on screen and stage. Lately, her off-screen interest in animals and wildlife conservation has made its way into her work, and this weekend Rossellini is in the North Bay with a new live show, Link Link Circus, that blends lecture, puppetry, performance and film for a funny and insightful show starring herself and her dog Pan that’s about the connection between animals and humans on Saturday, Feb. 8, at Sebastiani Theatre, 476 First St. E., Sonoma. 7pm doors, 8pm show. $45. 707.996.9756.

Rumi’s Caravan Presents Ancient Poetry in Santa Rosa on Feb. 8

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North Bay collective Rumi’s Caravan is now in its 20th year, though the poetry they present at their live events goes back thousands of years and carries on an oral tradition of storytelling known as the ecstatic tradition that dates back to the 13th-century Persian poet and scholar Rumi. This weekend, Rumi’s Caravan presents an evening of poetry recited from memory but offered in the moment and accompanied by music on Saturday, Feb. 8, at the Glaser Center, 547 Mendocino Ave., Santa Rosa. 7pm. Free; donations welcomed. Rumiscaravan.com.

Honoring Black History

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Across Sonoma County are plans to celebrate Black History Month, an annual tradition that dates back almost 100 years. American historian Carter G. Woodson first established Black History Week in February 1926, choosing February to honor the birth month of abolitionist Frederick Douglass.

This year’s events will continue to expand awareness of Black History and celebrate the contributions of the Black community.

There are ample opportunities to participate throughout Sonoma County, with highlighted events presented by such local institutions as the Petaluma Historic Museum, the Sonoma County Libraries, Santa Rosa Junior College (SRJC) and Sonoma State University (SSU), which will feature a lecture by Ericka Huggins—human rights activist, poet, educator, Black Panther leader and former political prisoner.

At SSU, the month kicks off with an opening ceremony and Gospel Extravaganza with Emmy-winning Terrance Kelly and the Oakland Interfaith Gospel Choir, along with the Lighthouse Singers of Marin, directed by Rev. Ulis Redic Jr.

A special highlight of the month’s activities at SSU is the chance to learn from Huggins, who will speak about her extraordinary life. Among her many accomplishments, Huggins is the longest-running female leader in the Black Panther party and has a long career of bringing meditation and spiritual practice into activism. “A Conversation with Ericka Huggins: Social Justice Activism and Civic Engagement” is presented by the SSU Office of the President, the Black Student Union, the Center for Community Engagement, Student Involvement and the Sonoma County Commission on Human Rights.

At SRJC, Jamaican-American writer, geographer and poet Teju Adisa-Farrar will give an inspirational lecture titled “Black Futures.” Her focus includes urban culture, environmental justice and climate justice through a diasporic lens of art and activism.

Opening night of the Black History Month program at the Petaluma Historical Library & Museum features the Eighth Annual Jazz Concert, with the doRiaN Mode. The vintage jazz concert is a main fundraiser for the program’s month of events, keeping the rest of the functions free to the public. Other special events include a lecture on Black suffragists by Dr. Kim D. Hester Williams, a presentation about African-Americans and the vote, choir performances and a Gospel hour at local churches.

The organizer of the program at the Petaluma Historic Library & Museum and president of Petaluma Blacks for Community Development (PBCD), Faith Ross, says, “It is important to let everyone know that we have a rich past that has brought a lot of positive influences into America, we want others to know the truth and see how proud we are of our achievements.”

Ross, who co-founded the Petaluma nonprofit over 40 years ago and serves as vice-chair on the Sonoma County Commission on Human Rights, does most of the research for the annual museum exhibit and program, bringing little-known elements of Black history to light.

“If all you see or hear about are negative things you see on television, then you don’t have a complete story,” she explains.

Sonoma County Commission on Human Rights Chair D’Mitra Smith agrees.

“Black History is important because it’s American history,” Smith writes. “Black people continue to exemplify excellence in every sector of American life, so our history is every day for me. The chapter that’s missing here is honest discussion about the historical racism of Sonoma County, its alignment with the confederacy and Black Resistance to all of it.”

Schools have been part of Black History Month since its inception. From the beginning in 1926, Woodson reached out to schools with programs encouraging the study of African-American history. Smith also strongly supports schools expanding their curriculums.

“We are in great need of proactive, accurate curriculum in schools, Black teachers and above all, more black women in positions of leadership,” Smith says. “As the great Shirley Chisholm said, ‘If they don’t give you a seat at the table, bring a folding chair.'”

Ross adds, “Many times books tell a story the way an author wants you to know it, but unless you read, do research, look at old records, you may not get the complete picture.”

Sonoma County Libraries also have a rich program of musical and theatrical presentations. Onye Onyemaechi explores the beauty and soul of the drum in African village life. Legacy Showcases presents

The Spirit of Us, a blend of West African and European music that remembers the legacy of the involuntarily enslaved. Legacy will also offer a theatrical piece called Meet Miz. Lucretia Borgia, Ma’am, where the character talks to the audience about her life as a slave.

All the events planned will be informative and entertaining. For an interactive experience, join the Team for Inclusivity, Diversity and Equity (TIDE) for a workshop led by Tarah Fleming called Dismantling Whiteness Within. TIDE and its workshops work to make schools more inclusive and equitable for the diversity of community members. TIDE workshops use story and empathy.

The TIDE workshop page says, “Participants will focus on building language and understanding around power and privilege, internalized oppression, allied behavior and learn to practice strong dialog principles to better serve our beloved communities in highly respectful and empathetic ways.” The workshop is free for teachers, with a sliding scale beginning at $10 for tickets.

Ross emphasizes, “Just as we as black people need to understand and know the people around us, our community needs to know us. Black history, like any other history of people that live in our community, is important to know. We get a better understanding of the culture and traditions of the people around us.”

Ericka Huggins

Ericka Huggins joined the Black Panther party in 1968, at the age of 18. In 1969, she and her husband John Huggins had a baby daughter, but three weeks after the birth of their child, her husband was shot and killed. Four months after that authorities arrested her, along with Bobby Seale, on conspiracy charges that they dropped two years later.

While in prison for two years, she taught herself to meditate in order to survive the devastating separation from her daughter so soon after her husband’s death. Her spiritual practice not only helped her, but is something she brought back to share with the activist community and others.

She became editor of The Black Panther Intercommunal News Service in 1971 and in 1974 released a book of poetry called Insights and Poems, coauthored with Huey Newton.

Huggins was the director of the Oakland Community School, founded by the Black Panther Party, for over 10 years and was the first woman and the first black person appointed to the Alameda County Board of Education. In 1981 she returned to California’s prisons, this time to teach yoga and meditation to incarcerated youth and adults.

She is currently a facilitator of World Trust, an organization that uses films to document the impact of systems of racial inequity. She says on her website, “These films are tools to foster conversation about race, and all structural inequities. These conversations are powerful to personal and global transformation.”

Her life experiences give her a unique perspective to mentor other activists and community members to do the work and continue to promote social change using spiritual practices to sustain them.

Featured Events

Thursday, Jan. 30: Kick off to Black History Month & Lobo Fest

Under the direction of the Emmy-winning Terrance Kelly, the Oakland Interfaith Gospel Choir brings together over 55 singers who embody a community of diverse races, cultures and faiths. 8pm. Weill Hall, Sonoma State University, Rohnert Park.

Friday, Jan. 31: Jazz Concert Celebrating Black History MonthThe concert features local vintage jazz & blues group the doRiaN Mode. Last year’s concert sold out, so reserve tickets early. 6:30pm. Petaluma Historical Library & Museum, Petaluma.

Saturday, Feb. 1: Black History Month: The Spirit of Us

Legacy Showcases performs slave songs sung by local women from various churches and displays a pop-up exhibit on The Underground Railroad. 11am. Sonoma Valley Regional Library, Sonoma.

Monday, Feb. 3: Black History Month Opening Ceremony at SSUBlack-identified organizations launch the month with motivational speakers, impactful performances and other offerings. 6pm.

Student Center Ballroom A, Sonoma State University, Rohnert Park.

Wednesday, Feb. 5:

Black Futures: On Mermaids, Resilient Interventions & Environmental Catharsis

Adisa-Farrar leads a workshop. Noon. Our House Intercultural Center, Santa Rosa Junior College Petaluma.

Thursday, Feb. 6: African Village Celebration with Onye OnyemaechiThe master drummer leads a program of music to explore the beauty and soul of the drum in African village life. For ages 3 and up. 10:30am.

Guerneville Regional Library, Guerneville.

Sunday, Feb. 9: Black Suffragists D. Hester Williams reveals the often underwritten history of African-American women’s involvement in the suffrage movement 100 years ago. 1pm. Petaluma Historical Library & Museum, Petaluma.

Tuesday, Feb. 11: When They See Us

Film screening event presents Ava DuVernay’s miniseries drama on the Exonerated Five (formerly Central Park Five). 5:30pm. Student Center Ballroom D, Sonoma State University, Rohnert Park.

Tuesday, Feb. 25: A Conversation with Ericka Huggins: Social Justice Activism & Civic Engagement See Sidebar, this page. 6pm.

Student Center Ballroom A, Sonoma State University, Rohnert Park.

For more events, go to:

sonomalibrary.org/black-history-month-2020

sonoma.edu/calendar

events.santarosa.edu

petalumamuseum.com/events

Strange Beats

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There’s a new sound coming from the hills of West Sonoma County, courtesy of jazz-fusion quartet Sakoyana, who’ve set their sights on creating largely instrumental and always unexpected compositions that forgo guitars for horns and often wander with joyful improvisation at their live shows.

Currently comprised of bassist Stanton White, drummer Daniel Bowman, clarinet-player Sequoia Nacmanie and tenor-saxophone and keyboard-player Josh Glum, the group shares musical loves that range from classical to hip-hop, as well as everyday inspirations like gardening and meditation.

The band is now finalizing the mixing on their debut full-length album, Indefinite Island, and touring the North Bay with a schedule of over two dozen shows for the next few months, when they’ll travel from Healdsburg to Point Reyes Station, hitting popular clubs and venues everywhere in between.

“Since the group formed, it’s been just drums, bass and horns,” White says. “We all are total music nerds. Sequoia is a classical musician and an incredible music teacher, Josh is a jazz musician by schooling, I am also a jazz musician by education and Danny is totally self-taught, and at this point probably practices more than any of us and plays in something like five bands.”

White and Bowman have musical collaborations going back several years, and after meeting and jamming with Nacmanie and Glum, the four discovered they shared kindred musical interests and quickly bonded in 2018.

“That’s when the four of us really settled as a quartet and the original music started coming,” White says. “We were able to write and arrange for this group of people as opposed to just jamming or playing covers.”

Those original compositions will be heard when Indefinite Island drops in the next few months. Classifying themselves as “avant-funk,” Sakoyana is anything but traditional in their approach to blending their musical styles, crafting tunes that even White admits can get weird during their live performance improvisational tangents.

“We’re all influenced by such a diverse group of artists, musicians and different disciplines,” he says. “Because of that we wanted to write what we felt like playing. Yes, sometimes we’ll certainly surprise people, but I think the most fun is when we surprise ourselves.”

Sakoyana plays on Friday, Jan. 31, at Coyote Sonoma (44F Mill St., Healdsburg. 8pm. 707.385.9133) and Saturday, Feb. 1, at the Big Easy (128 American Alley, Petaluma. 8pm. 707.776.7163). sakoyana.com.

Cinematic ‘Stache

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During production on the artsploitation flick Pill Head, I ran to the local deli to pick up sandwiches because, this being a nano-budget indie, it was sandwiches for dinner personally delivered by yours truly, the director.

Fresh from the set, I must have entered the deli aisle with an added flourish—after all, I was in the midst of directing a feature film. The young man behind the counter eyed me as if he recognized me or at least recognized something about me. After a beat he innocently asked, “You’re someone important, right?”

Despite being the sandwich-boy auteur, I relished the moment. How could I not be someone important? I had a bag of sandwiches, a waxed mustache and a scarf billowing off the shoulder of my black blazer.

Then he asked, “Are you a magician?”

From a certain angle—like, from behind a deli case hovering with hands outstretched over the bologna and pimento loaves—yes, I look like a fricking magician. It’s the mustache. And the invisible horn section that toots “Ta-da!” whenever I gesture.

I didn’t resent this. In fact, I found it affirming. Like many kids in my generation, I had a magic kit as a kid—a wand, rings that linked, a cheap top hat, etc., and as Francis Ford Coppola once said, “I think cinema, movies and magic have always been closely associated. The very earliest people who made films were magicians.” Presto. As the caterpillar is to the butterfly, so then is the magician to the moviemaker.

So, yes, I’m a magical, mustachioed butterfly. Judge me at your peril.

To Coppola’s point, Georges Méliès is the obvious early 20th-century example of a magician-turned-filmmaker. Every one of his innovations, from substitution splices and multiple exposures to time-lapse photography and hand-tinting frames is a forerunner of a subsequent special effect.

This commingled magician-filmmaker DNA persists through the 1900s and reappears, like an atavism, in other magicians-turned-filmmakers. Among them is Woody Allen, who was also a magician in his youth and frequently depicts magicians in his work (Stardust Memories, Oedipus Wrecks, etc.). Though at present writing, Allen is a culturally-fraught premise, a film like Shadows and Fog offers a poignant depiction of the magician’s relationship to illusion, and by proxy, cinema.

At the film’s end, when Allen’s nebbish character belatedly accepts an invitation to join the circus as a magician’s assistant, someone off-screen says, “Everybody loves his illusions.” And the magician, magisterially played by Kenneth Mars, replies “Love them? They need them—like they need the air.”

And we do. Even when we’re making them. And especially when getting sandwiches.

Editor Daedalus Howell is the writer-director of “Pill Head” playing now on Amazon Prime.

Starry Night

This year, the Oscars are like the cocktail bars at too many of today's receptions: no-host. One by one, some two-dozen stars will climb up and squint at the teleprompter in the Academy's effort to keep any one figure from bearing responsibility for the trainwreck. Meanwhile, millions will throw things at the TV and shout in rage at the "In...

Mood for Love

No one can sing a love song like Johnny Mathis. The legendary vocalist—whose career spans more than 60 years, 70 albums, 200 singles and three separate inductions into the Grammy Awards Hall of Fame—is best known for his silky-smooth vibrato, which can be heard on his chart-topping recordings of romantic hits such as "Chances Are," "Misty," "It's Not For Me...

Preserve Open Space

The City of Sonoma is moving forward to renew its existing Urban Growth Boundary (UGB) for another 20 years by placing a ballot measure before voters in November 2020. This is great news for open space and agricultural lands and climate-wise, city-centered growth for the next generation. After a robust discussion and hearing from a crowd who cared deeply about...

SMART Vote

I have read the information re: the SMART vote for an extended tax. SMART has failed to deliver what it promised. Watching 7 or 8 people sitting on a train anytime outside of the current commute time upsets me (putting it mildly), especially when the taxpayers are supplementing the fare. SMART "leadership" asks us to continue this farce. The...

Parlor Jazz Returns to Healdsburg with Album-Release Concert on Feb. 7

Acclaimed bassist, vocalist and composer Jeff Denson is known as a trailblazer of jazz, and he recently joined forces with French guitarist Romain Pilon and powerhouse-drummer Brian Blade for a virtuoso trio that can be heard on the new album, Between Two Worlds, released last October. Featuring originals by Denson and Pilon, the album has amazing...

Isabella Rossellini Brings the Circus to Sonoma on Feb. 8

Actress and filmmaker Isabella Rossellini is known for her fearless and peerless performances on screen and stage. Lately, her off-screen interest in animals and wildlife conservation has made its way into her work, and this weekend Rossellini is in the North Bay with a new live show, Link Link Circus, that blends lecture, puppetry, performance and film for a...

Rumi’s Caravan Presents Ancient Poetry in Santa Rosa on Feb. 8

North Bay collective Rumi’s Caravan is now in its 20th year, though the poetry they present at their live events goes back thousands of years and carries on an oral tradition of storytelling known as the ecstatic tradition that dates back to the 13th-century Persian poet and scholar Rumi. This weekend, Rumi’s Caravan presents an evening of poetry recited...

Honoring Black History

Across Sonoma County are plans to celebrate Black History Month, an annual tradition that dates back almost 100 years. American historian Carter G. Woodson first established Black History Week in February 1926, choosing February to honor the birth month of abolitionist Frederick Douglass. This year's events will continue to expand awareness of Black History and...

Strange Beats

There's a new sound coming from the hills of West Sonoma County, courtesy of jazz-fusion quartet Sakoyana, who've set their sights on creating largely instrumental and always unexpected compositions that forgo guitars for horns and often wander with joyful improvisation at their live shows. Currently comprised of bassist Stanton White, drummer Daniel Bowman, clarinet-player Sequoia Nacmanie and tenor-saxophone and keyboard-player...

Cinematic ‘Stache

During production on the artsploitation flick Pill Head, I ran to the local deli to pick up sandwiches because, this being a nano-budget indie, it was sandwiches for dinner personally delivered by yours truly, the director. Fresh from the set, I must have entered the deli aisle with an added flourish—after all, I was in...
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