Pinot, Poverty and Politics

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I‘M DRIVING DOWN Napa’s scenic Highway 29, past tasting rooms that look like castles. Coupled with cobblestone bridges and Medieval names—Pope, Church, Alpha and Omega—their wrought-iron balconies and pointed turrets seem intentionally reminiscent of feudal Europe. Everywhere, fall-colored vines stretch to the horizon in rows straight and narrow as the path to salvation.

Later that day, I’ll meet with farmworker-turned-activist Hector Olvera, who says hourly wages to pick in these fields can get as low as $5.

Along with Santa Rosa–based lawyer David Grabill, Olvera founded Latinos Unidos del Valle de Napa, which advocates—and repeatedly goes to court—on issues of affordable housing for farmworkers; namely, that with roughly 1,100 units of low-income housing and 4,000 year-round farmworkers, there isn’t enough of it.

This is the story of the state housing law that is supposed to address the needs of these farmworkers. It’s the story of how this law is not only barely enforced, but is even, at times, bent to favor those who oppose it. It’s the story of a system aimed at fixing things like regional inequity and in-commuting across the Bay Area, a system that, like the Napa landscape, isn’t quite as benevolent as it seems.

LIKE MARIN, its costly, land-restricted sister county to the southwest, Napa has a commute problem. According to a report commissioned by the Napa Community Foundation, 31 percent of the county’s native-born workforce and 39 percent of its immigrant workforce live outside Napa, which has a median monthly rent of $1,300 and home price of nearly $400,000. The study found that immigrants comprise 73 percent of all agricultural workers and contribute between $317 million and $1.07 billion to the county’s overall gross domestic product. Meanwhile, it states, Latino immigrants commuting in make an average of about $20,000 a year.

If these workers paid Napa’s median monthly rent, it would take up 78 percent of their income.

According to the state department of Housing and Community Development (HCD), this shouldn’t be a problem. In 1969, the California department enacted housing element law, which mandates that local governments plan—and, more importantly, zone—for all economic segments of their community, even those with incomes too low to rent or purchase market-rate housing. Its reasoning includes public health and environmental issues from excessive in-commuting; jobs-housing imbalances that can occur in areas with high market-rate rents; and, ultimately, a desire to combat systemized discrimination, in which those with lower incomes are excluded from the wealthy regions where, in the case of Napa or Marin, they work.

But there’s a fiefdom-sized gap in the state’s socially beneficent system. Although it requires local governments to submit housing elements that contain all their plans to zone for affordable housing, it doesn’t require that any housing actually get built (such things, like independent expenditures, are the domain of the private market). And it doesn’t exactly penalize local jurisdictions that don’t cooperate. Between this state law created 43 years ago and Napa’s low-income workforce today is a convoluted chain of agencies, officials and lawsuits—a chain that sometimes works against the very principles that housing element law was created to address.

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“SO YOU’RE NOT a regulatory agency.”

I’m sitting in a sparsely furnished office at the Association of Bay Area Governments (ABAG), and I’m stunned.

Senior regional planner Hing Wong sits across a table from me, which is covered in colorful printouts full of numbers. He’s been explaining how a critical step in the housing element process works. Every seven years, the regional planning agency receives a number from HCD, reflecting how much the region is projected to grow in the coming years.

In the past, it has broken that number up for the various cities and unincorporated county governments in the bay area, based on projected household growth and census figures. That figure becomes known as the RHNA (regional housing needs assessment) number, and is given to each municipality to outline exactly how many units of above-moderate, moderate, low and very low income housing it should zone for, theoretically helping to match jobs and population growth with ample opportunities for apartments and homes to be built.

At Novato’s heated public meetings, where I started covering issues related to housing law in early 2011, ABAG was often portrayed by those opposed to affordable housing as the long arm of Sacramento, forcing development policies on a town that didn’t want them. The term “social engineering” came up a lot.

Arguments about town character were often coupled at the podium with allegations about the crime, graffiti, underperforming students and property-value plummets that would come with the low-income population the city was zoning for, which one community member described to me in an email simply as “immigrants.” Meanwhile, affordable-housing advocates more generally saw ABAG as the good guys, using numbers and formulas to combat wealthy Marin NIMBY-ism and right a situation in which 60 percent of the county’s workforce was forced to commute in.

But as Wong shows me the new system, I see that it’s neither. The RHNA for 2014–2022 is based less on some kind of fixed, omniscient data set about future growth and is more open to influence, part of what the planner refers to as a “living thing.” Over the course of meetings lasting roughly a year, dues-paying ABAG members—elected officials, planners and advocates from all over the bay—crafted a new formula to get those zoning numbers, and it’s one in which choice plays a much bigger part.

For example, communities that decide they want a lot of growth can label themselves “priority development areas,” or PDAs, zone for more housing and be rewarded with transportation grants and other incentives. But areas that don’t want that don’t have to, even if their projected job growth is substantial. It’s a system that advocates for affordable housing have called arbitrary, because areas where low-income housing isn’t welcome are allowed to stay that way.

That’s an oversimplification, according to Wong.

“Most people in the methodology committee try to make it as low as possible for their jurisdiction,” he says. “But they understand the whole ramification, that RHNA needs to be shared. And stakeholders like housing advocates push back.”

Bits of the formula are set in place to check NIMBY zoning policies—there’s a provision for jobs and another one to add more low-income housing to excessively wealthy areas that have a shortage of it.

But toward the end of our conversation, I ask about Novato, citing the violent opposition to low-income housing that I witnessed there, despite Marin’s extremely high in-commuting rate.

“Novato has a third of the number they did last time,” Wong says. “They have a councilmember who wanted very low numbers.”

THE PRESIDENT OF ABAG’s board is Napa County supervisor Mark Luce. When I speak to him on the phone, he describes this new system as more “bottom up,” and thinks it will improve a broken process, in which, he says, costly and painful zoning battles at the city level don’t actually lead to housing.

But Luce isn’t just critical of a system in which potentially empty zoning decisions can be made—as in 2011, when Novato’s city council chose sites to zone for low-income housing that had operating businesses on them. Although he presides over the board of ABAG, Luce is no fan of zoning as a regulatory measure at all—despite its central place in housing element law.

“It’s not good for anyone when you enforce zoning when nobody wants it,” he says.

Historically, the county supervisor has been a strong supporter of Napa’s agricultural preserve, a collection of properties on the valley floor that have been designated for agricultural and open-space use. Many of these landowners receive tax relief in exchange for the designation, per the 1968 Williamson Act, and Luce’s 2012 campaign donations show some of the same names as a list of those property owners who are part of the Land Trust of Napa County.

Luce’s position of protecting open space against development has precedent in the same set of laws that mandate regulatory housing zones, specifying that, as much as possible, they should be placed in cities, near grocery stores and bus lines. He’s also been in line with the spirit of the law, helping to craft a workforce-housing program for low-income families to buy homes, though this program is targeted at incomes well above those of the county’s many farmworkers.

But in this latest election cycle, Luce, like other local officials that Wong spoke of, campaigned on a promise to use his position in the planning agency to limit housing.

“Don’t be fooled,” a slogan on his campaign website reads. “Only one candidate is working to reduce the amount of housing the state requires of us and ensure slow growth in Napa County.”

A sentence further down on the same page reads: “In my role as President of the Association of Bay Area Governments (ABAG), which will continue if I am reelected, I am in a position to better protect our county’s interests.”

In November, he was reelected to the second district with 52 percent of the vote.

Last summer, I interviewed the supervisor about his position on the controversial Napa Pipe development, a proposed market-rate site along the Napa River with some low-income units included. Instead of advocating the 945-unit zoning recommended by Napa’s planning commission, he favored a much lower zoning of 350 for the site, which—much like Roseland in Santa Rosa—is an island of unincorporated county land surrounded by city. The figure, he told me, would fulfill the letter of housing element law.

However, he admitted that that number was too low to actually interest a developer and result in any housing being built.

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NOT EVERYONE AGREES with ABAG’s new practice of giving local officials a greater role in crafting the RHNA process. Last July, a group of lawyers, including Grabill, authored a response to the 2014–’22 method, critiquing the fact that most of the Bay Area’s projected growth is placed in priority development areas, which, remember, are voluntary.

“This methodology is wholly inconsistent with the fundamental principle of housing element law that local governments all have a responsibility to accommodate their fair share of the regional need for lower income housing,” the letter states.

When I meet with the housing lawyer and Olvera, on a Thursday afternoon at Starbucks in the city of Napa, he expresses frustration with a system that rewards voluntary compliance but, he says, doesn’t do much to combat institutionalized NIMBY-ism toward lower-income housing.

“HCD doesn’t have any enforcement capability,” he says. “If a local government doesn’t do it right, HCD can’t go to court and say, ‘Shape up.’ There are some penalties that go along with it. Local governments can’t apply for certain kinds of affordable-housing funding if they haven’t complied with state laws, but that just makes it harder to do affordable housing in those jurisdictions that are reluctant. It’s not a great system.”

It’s a system that, Luce will later point out in my interview with him, private lawyers like Grabill stand to profit from.

In 2003, Grabill and three other lawyers sued Napa County for failing to update its housing element. They won, and the settlement mandated that unincorporated Napa take part in the statewide process and zone for its allocation of low-income housing units. Luce points out that this was both costly for the county and ineffective, because no new housing has been built.

“We paid the private lawyer who sued us $400,000 to settle, and were required to zone rural lands in Angwin, Lake Berryessa and Coombsville for housing anyway,” he says on his website.

Grabill contends that the settlement fee was $240,000, split between three of the four lawyers who instigated the case, for what he estimates to be 1,500 hours of work. Silva Darbinian with Napa County Counsel confirms that the settlement fee was indeed $240,000, saying of the $400,000 figure, “I don’t know where that came from.”

And Grabill believes that the lack of new housing in the county is less a fault of the zoning system itself and more of a pattern of discrimination on the part of county officials. He’s said this in court, in a new lawsuit filed in 2009. A judge sided with Napa County on that one, and Grabill appealed earlier this year, part of a process that, needed or not, had cost Napa County $700,000 as of last August, according to local newspaper reports.

Meanwhile, although three new low-income developments have been approved in the city of Napa, two of them have been legally challenged by neighborhood groups—potentially leading to more legal fees and cries of NIMBY-ism, and, most importantly, no new housing for the farmworkers who power Napa’s economy.

“Rent is very expensive here,” Olvera says in hesitant English on the afternoon when I meet with him. “And many people have to share apartments or drive two or three hours to come here.”

Since immigrating to wine country 22 years ago and working as a picker, Olvera says he’s seen other farmworkers sleeping in tents, in their cars, under bridges and on church porches.

To corroborate this story, he pulls out a document created by Napa Community Foundation, which shows the long commutes and crowded living conditions farmworkers deal with just to work in the county, an entire segment of the population falling through housing element law’s many holes.

When he pulls it out, he says something that I don’t understand. He spells it out on his palm for me, with his finger.

It says: “I don’t lie.”

This Modern Retort

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I wanted to say that I found last week’s cartoon of This Modern World (Nov. 28) to be both a racist and sexist stereotype of white males. Not all white males are racist, sexist or conservative. That is politically correct BS propaganda. Is Joe Biden racist, sexist or conservative? What about Jerry Brown? I’ve noticed how quickly some people will rush to say, “Not all Muslims are terrorists.” The white male appears to be the one group of people you can get away with bashing these days. Those of the politically correct persuasion would very zealously defend anyone else.

Also it has been many white males who have made the biggest contributions to our modern world. Our founding fathers gave us the Constitution and the Bill of Rights. The Wright brothers gave us the airplane. Gary Watson gave us IBM. Henry Ford gave us the automobile. Have you forgotten that domestic violence is more prevalent in South Asia and the Middle East? There is also the practice of “honor killings”—females are usually the target of these. This happens whenever they displease their fathers or husbands. Courts in those countries are very lenient in those cases.

The Taliban kills women before letting them go to school. Yet the white male is always the one who gets put on the hot seat for racism and sexism. Accusing any other ethnicity of racism or sexism appears to be a serious faux pas, even if it’s true. I also know from personal experience that white people get racially discriminated against. I’ve applied at a few McDonald’s and found that out. I remember two times going in for an interview and noticing all the people working behind the counter were Mexican, mostly women. I didn’t get hired at either one. Tom Tomorrow’s cartoon is flawed and misinformed.

Let’s get down to it: all ethnicities are capable of being racist and sexist. It’s only white males who you can bash for it. That’s also a racist stereotype. Please at least get that right.

Ken Stout is a fifty-something white male living in the San Jose area.Open Mic is a weekly op/ed feature in the Bohemian.

We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Grape Appeal

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On Dec. 4, the Sonoma County Board of Supervisors approved a proposal for a 10,000-case winery to be built near Mark West Creek. Henry Cornell (pictured), a wealthy Goldman Sachs partner who lives in Manhattan but owns 215 acres off St. Helena Road, released the proposal for the new winery nearly eight years ago. The supervisorial vote came after the project’s lawyers presented reports showing safeguards incorporated to protect wildlife and water. As reported by Alastair Bland in a 2011 Bohemian feature, neighbors and environmentalists protested the winery’s impact on the Mark West Watershed and the coho salmon and steelhead that once heavily populated its waters. Such protest remains, and New Old Ways Wholistically Emerging, the opposition group, is considering a legal challenge to the ruling, which they say doesn’t take the effects of a second winery upstream of Mark West Creek into consideration.

Kids on the Outside

Roughly 700 homeless youth sleep on Sonoma County streets on any given night, according to recent surveys. On Dec. 14, Social Advocates for Youth promotes awareness of this reality with the SAY Sock Walk. The walk features a cell phone walking tour that enables participants to hear directly from the homeless youth served by the Sonoma County organization. At the end of the walk, hot soup and beverages from Rendez Vous Bistro, Dierk’s Parkside Café and Big River Coffee Company are served. Hear the voices of homeless teens on Friday, Dec. 14, at Courthouse Square in Santa Rosa. 5:30pm-7:45pm. Cost is one pair of socks for homeless youth with a requested donation of $10 (no one will be turned away). 707.544.3299.

Ch-Ch-Changes

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After 130 shows at Studio E in rural Sebastopol—an orchard-bound shed which has doubled as a haven for deadhead parties and a rehearsal space for Tom Waits—Laurie Schaeffer is looking for a new venue.

“I need somewhere easier to use,” the North Bay Live promoter says. “Hopefully requiring less volunteers.”

Schaeffer, who began putting on concerts 15 years ago and has been at Studio E for the past eight years, says she wants to “invent” a venue starting in early 2013. “I’m looking at old buildings like granges, and I have some exciting potentials.” This week, Kinky Friedman (pictured) closes Schaeffer’s run at the iconic listening room on Friday, Dec. 14, at 8pm. $40. Directions provided with tickets; see www.northbaylive.com for details.

Meanwhile, the long-running dance night Rock ‘n’ Roll Sunday School this week stops just short of a mammoth 10-year run. Since its inception at the Roaring 20s dive bar in Roseland, the weekly party has made lovers out of strangers, DJs out of dancers, miracles out of martinis and rapture out of rhythm at nearly a half-dozen venues as one of the county’s most enduring institutions. Organizers say this week’s will be the last; a playlist heavy on classic jams and a bittersweet kiss to 10 years of memories is guaranteed on Sunday, Dec. 16, at Society:Culture House. 528 Seventh St., Santa Rosa. 9:30pm. 707.336.2582.

Bucklin Winery

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When Will Bucklin set out to make wine from his family’s own vineyard, his longtime grape buyer was dubious. After all, Joel Peterson had built a hugely successful winery on the strength of old vine Zinfandel from vineyards like Old Hill. It was sort of his baby, closely identified with Ravenswood Winery. But after taking one whiff of Bucklin’s version, Peterson handed it back and simply declared, “That’s Old Hill!”

They’d worked out a fastidious system to keep the harvest on a par. Planted in 1885 by William McPherson Hill, the 12-acre plot contains a hodgepodge of grapes besides Zinfandel; any variation in the pick could alter the wine’s character. Some of the vines stand out among the rest, as Bucklin’s cat demonstrates during a tour of the vineyard. Scrambling up a massive trunk, she enjoys a perch high above the Zinfandel atop a Grenache vine.

With the help of a UC Davis researcher, Bucklin developed an intricate, color-coded map of the vineyard’s resident varietals. At first glance, it might be a demographic map of lower Manhattan. Why so random? Bucklin is all too familiar with that question. Trying to guess at the overall plan is like divining meaning from the pattern of clouds—a kind of madness. Bucklin uses the map to cull Grenache from the field, resulting in the deeply colored and substantial 2010 Old Hill Ranch Grenache ($38).

Adhering to the organic practices of his late stepfather Otto Teller, who donated the ranch’s conservation easement to the Sonoma Land Trust, which he founded, Bucklin farms the vineyard with minimal input. His live-and-let-live critter policy is even extended to gophers—although the cats run their own program—and deer. As Teller used to say, “Deer got to eat, too.”

If the 2009 Old Hill Ranch Zinfandel ($34) is not simple, bright and jammy, it’s on target. Mixed spices and integrated, lingering flavors all play supporting roles in this complex field blend. Bucklin took cuttings from Zinfandel, Petite Sirah and Alicante Bouschet vines to create the new “Bambino” block. But the 2010 “Bambino” Zinfandel ($24) has a similar earthy-spicy aroma—cardamom, cocoa and cranberry bread—and rich, brooding fruit.

The Bucklins are happy to sell their wines mainly through traditional distribution channels, rather than spend a lot of time on self-promotion. Will Bucklin prefers to stay by the vineyard and walk it daily, on the insistence of his “best tool in the vineyard,” he says, gesturing toward patiently waiting dog Tanner. There’s always something new to discover in a historic vineyard that’s as unique as a thumbprint.

Bucklin Winery, 8 Old Hill Ranch Road, Glen Ellen. Visits by appointment only. 707.933.1726.

Journey’s End

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A tour of Quicksilver Mine Co. with Khysie Horn, owner of the downtown Forestville gallery, goes beyond looking admiringly at paintings, collages and sculptures. Walking among the assemblage pieces, ceramics, pen- and-ink drawings and paintings feels like attending an elegant and spirited party, one populated by Horn’s friends and mentors spanning decades.

She points out an assemblage piece of wood, nails and a baby shoe, by Raymond Barnhart, the Sebastopol artist who died in a car accident in 1996. Next, an abstract painting by Horst Trave, Healdsburg artist and co-founder of the first Beat gallery in the Bay Area, who died this year at age 94. Younger artists like Hamlet Mateo and Kai Samuels-Davis also take part in the exhibit.

Horn talks fondly of this art, her voice tinged with nostalgia; after 30 years of existence, Quicksilver Mine Co. will permanently close its doors on Dec. 31. “The Last Hurrah” exhibit, showing now, features nearly 90 artists and craftspeople, just a fraction of the 600 that have exhibited in the gallery since 1983.

It’s a bittersweet time, Horn admits, sitting on a finely crafted wooden bench in the Quicksilver sculpture garden. The space has been a prime location for gallery talks, literary events, concerts and community gatherings. And though Horn remains passionate about the work, the gallery has taken up half of her life, and it’s time for a change. “There’s nothing I can imagine that would be more interesting than to work with all of these people that do all of the amazing things,” she says, “But I can’t really go anywhere or do anything; I’m essentially married to it.”

Quicksilver’s origins go back to the early ’80s and its initial incarnation as a Guerneville gift shop stocked with Sonoma County food products and crafts (long before “local” became a buzzword), along with original art displayed in the hallway of the Cinnabar building. Soon, Horn expanded into a space that provided for a “true” gallery. A committee of local artists, including John Chambers and Bonnie Smith, helped Horn curate shows. Later, she moved into a third location in Sebastopol. In 2001, Horn bought a building in Forestville, transforming the space into a sunlit, white-walled professional gallery.

“It is a special place she’s designed for artists,” says Janet Charnofsky, a Sebastopol artist who has both exhibited and purchased work at Quicksilver. “If you want to see everybody, you come to one of the openings. The artists gravitate toward Khysie.”

Satri Pencak, West County artist and independent curator, commends Quicksilver’s professional installations and Horn’s willingness to give artists their first solo shows, always open to emerging artists as well as those with international reputations.

“Over these past many years, the Quicksilver Mine Co. has been one of the best art galleries in Sonoma County, and perhaps north of the Golden Gate Bridge,” says Pencak.

If she had the energy to run the gallery forever, Horn says, she probably would.

“I love hanging shows,” she says with a wistful smile. ” I love working with the artists. I love the part of being in business for myself. But I really know it’s the right decision for me.”

25 Days Project: Golden Carrot Natural Foods

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I can picture the red-haired Lorna Bridsall in another age, holding court in a Celtic cottage where dried herbs hang thickly from the rafters and more than one cauldron steams fragrantly over the peat fire. There, Lorna’s calm presence would have a placebo effect, getting clients to start healing even before she gave them their herbs. For a shopkeeper of the 21st century, Lorna comes pretty close to that archetype at her corner store, Golden Carrot Natural Foods. When I drop in to pick up something organic or hard-to-find, she’s usually listening patiently to someone about an ache, pain or dietary challenge; she responds not as a salesperson but as an empathetic and knowledgeable healer who’s been through it all herself and genuinely loves to help people. Small wonder her few employees do not turn over. It’s like a family. The other day her employees threw Lorna a private birthday party in the back of the store; when I came in they showed me what they’d created for her—an intricately adorned scene, replete from ceiling to table with nesting birds and bits of forest treasures. Pretty Celtic-looking, I thought, and pretty loving. You can’t buy this at Whole Foods. 1621 W. Imola Ave., Napa, 707.224.3117.—Juliane Poirier

The 25 Days Project is an online series through the month of December spotlighting some of our favorite local businesses. Read more about the project here, and about our commitment to shopping locally here.

The North Bay Shines in New Easy Leaves Video

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The new Easy Leaves video for the song “Get Down,” directed by Sebastian Nau, is a sweet little tribute to the band’s Sonoma County roots. I’m not sure where the video was filmed (maybe Petaluma?), but there’s lots of shots of lush and rolling emerald hills, grazing cows, tractors, and craggly live oaks. The premise is simple. Main band guys Kevin Carducci and Safe Fifield wake up to a day of drudgery in the fields when all they want to be doing is playing music with their friends and drinking Lagunitas beers until the wee hours of the night. It’s a simple paen by these 2011 NorBay Award Winners to the joy within “an ocean of smoke and wine.”
The Easy Leaves bring their North Bay Americana to the Great American Music Hall on January 4th. More info here: http://www.theeasyleaves.com/

25 Days Project: Starbase No. 1 Arcade

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In the late ’70s and much of the 1980s, when people wanted to play the latest video games, they didn’t turn on the TV and fire up the PlayStation. They went down to the nearest video arcade, dropped some quarters into the blinking, blurring, electronic-music-making machine of their choice, and were transported—right there in public—into a world of space invaders, centipedes, Pac-Men, paperboys and asteroids. Today, the once-thriving arcade biz has been driven to near-extinction by the multibillion dollar, often-internet-driven home-video-game business, providing an endless stream of interactive entertainment for the lonesome formats of television, laptops, tablets and cell phones. But there are still a few places to play your favorite game in public, alongside others who still appreciate the noisy thrill of the live arcade experience. Video Bob’s Starbase No. 1 Arcade, in downtown San Rafael, is a good, old-fashioned, bells-and-whistles mom-and-pop operation, not unlike the one nostalgically portrayed in the hit animated movie Wreck-It Ralph. One of the last dedicated arcades in the Bay Area, Star Base Arcade, run for years by Bob Allbritten, is a splash of newfangled video magic with the pleasantly retro charm of days gone by. 1545 Fourth St., San Rafael, 415.459.7655.—D.T.

The 25 Days Project is an online series through the month of December spotlighting some of our favorite local businesses. Read more about the project here, and about our commitment to shopping locally here.

25 Days Project: G&G Supermarket

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I’ll never forget the night I packed the final batch of my things in my station wagon and drove away for the last time. She even made me take the cat, which I guess was fair. It was 1999, and I was single again, driving to my new one-bedroom apartment. Might as well learn to cook, I thought, as I pulled into G&G Supermarket. Starting with something easy—I think it was stir-fry—I asked an employee for tips about kimchi. Quickly, I learned that everyone working at the store had ideas on cooking, and was happy to help craft my clueless ambition into edible dinners for one on a nightly basis. Those dinners are now for two—whoops, three, actually!—but they’re still bought at G&G. They’ve got a huge selection, great prices and scads of lesser common items that continue to pique my imagination after 13 years. Markets that take your whole paycheck try to seem home-spun with handwritten signs and folksy decor, but G&G’s vast collection of vintage promotional items and signs from the 1980s (the Virginia Slims conveyor belt splitter!) are proof that the Gong family has been embedded in the community for generations. And, they occasionally sell weird things, like antique telephone wire insulators (see photo). You ain’t gonna see that at Safeway, that’s for sure. 1211 W. College Ave., Santa Rosa, 707.546.6877; 701 Sonoma Mountain Pkwy., Petaluma, 707.765.1198.

The 25 Days Project is an online series through the month of December spotlighting some of our favorite local businesses. Read more about the project here, and about our commitment to shopping locally here.

Pinot, Poverty and Politics

Voters reelect a supervisor who promises to use his position at ABAG to limit housing requirements in Napa—and the lawsuits fly

This Modern Retort

All ethnicities capable of racism, sexism Ken Stout

Grape Appeal

On Dec. 4, the Sonoma County Board of Supervisors approved a proposal for a 10,000-case winery to be built near Mark West Creek. Henry Cornell (pictured), a wealthy Goldman Sachs partner who lives in Manhattan but owns 215 acres off St. Helena Road, released the proposal for the new winery nearly eight years ago. The supervisorial vote came after...

Ch-Ch-Changes

Studio E evolves, Rock 'n' Roll Sunday School ends

Bucklin Winery

The enchanting madness of Old Hill

Journey’s End

Quicksilver Mine Co. closes its doors after 30 years of art and community

25 Days Project: Golden Carrot Natural Foods

I can picture the red-haired Lorna Bridsall in another age, holding court in a Celtic cottage where dried herbs hang thickly from the rafters and more than one cauldron steams fragrantly over the peat fire. There, Lorna’s calm presence would have a placebo effect, getting clients to start healing even before she gave them their herbs. For a shopkeeper...

The North Bay Shines in New Easy Leaves Video

The new Easy Leaves video for the song "Get Down," directed by Sebastian Nau, is a sweet little tribute to the band's Sonoma County roots. I'm not sure where the video was filmed (maybe Petaluma?), but there's lots of shots of lush and rolling emerald hills, grazing cows, tractors, and craggly live oaks. The premise is simple. Main band...

25 Days Project: Starbase No. 1 Arcade

In the late ’70s and much of the 1980s, when people wanted to play the latest video games, they didn’t turn on the TV and fire up the PlayStation. They went down to the nearest video arcade, dropped some quarters into the blinking, blurring, electronic-music-making machine of their choice, and were transported—right there in public—into a world of space...

25 Days Project: G&G Supermarket

I’ll never forget the night I packed the final batch of my things in my station wagon and drove away for the last time. She even made me take the cat, which I guess was fair. It was 1999, and I was single again, driving to my new one-bedroom apartment. Might as well learn to cook, I thought, as...
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