Winner, Winner, Porky Dinner

Porchetta

  • Porchetta

Pop-up dinners are awesome. 1) Prix Fixe meals are awesome. 2) Artisan meat producers are awesome. 3) Sitting at a table with people excited about food is awesome. 4) Wine pairing by people who know their stuff is awesome. 5) I am still full.

This was my list of notes after Sonoma’s Epicurean Connection Wednesday night Victorian Farmstead/chef John Lyle pop-up dinner. Tickets were $75, including wine pairing, tax and tip. Really, that’s like a three-course dinner for $35, because this wine pairing would be at least $15 and tax and gratuity would run about $25. This is how meals in many European restaurants are priced, and it just feels like this structure respects the food more. It’s not trying to trick a diner into not realizing the total cost of an experience, it’s offering the meal at a price that’s fair for the quality (1).

To start, chicken and dumplings were good, but not as great as what was to come. The dumplings lacked a bit of flavor for my taste, but the chicken and broth made up for it. The flesh tasted so pure, an unfortunately rare trait in commercial meat (2). The dish was surprisingly light, easing my fears of carrying a lead stomach by the end of the evening.

The star, porchetta, was impeccable. Hands down wins my vote for best main dish of the year. I don’t need to eat any more, folks. We’ve already found a winner. Pork belly, laid out flat, rolled over onto itself and cooked so the skin gets crispy, the fat gets juicy and the meat gets so, so tender but not in the “cut it with your fork” way, which I always felt to just be another way to say “mushy.” The meat had so much flavor with such little seasoning, basically just salt and pepper. “The food comes perfect right out of the ground,” says Lyle. “It’s my job not to mess it up.”

John Lyle

  • John Lyle

Indeed, it came to him near perfection in its raw form. I could probably eat it as sashimi. This pork is so pure, I could taste its diet, which I imagine consisted much of wild grasses and shrubs. Sitting next to Victorian Farmstead farmer Adam Parks, I discovered he gets his pork from Marin County, though it’s one of the few meats he doesn’t raise on his own (3). His high standards are obvious, though, with the chicken and pork both surpassing already high expectations.

The pork sat atop red buttery red potatoes, cooked whole and cut in half on the plate, as well as a mixture of greens from Bloomfield Farms. The greens were on everyone’s lips during dinner. I wanted to talk about the pork, but no, everyone was so taken with the damn side dish that I didn’t even get to my Porky Pig impression (a dinner party favorite). To be fair, they were really good greens, which Lyle said was just a simple mix of kale, spinach and chard. Again, he doesn’t do much to them here, but the mixture of flavors took away from the natural bitterness that usually turns me away from greens, especially kale. Yeah, I said it. Kale sucks. But this kale, mixed with other goodies, didn’t suck. Maybe I’m beginning to see the light. Maybe I was just high on pig juice. (Wouldn’t be the first time).

Fig tart

  • Fig tart

Dessert, spelled with two esses because you always want seconds, did in fact make me want seconds (5). The fig tart was sliced like a pie, served with vanilla ice cream and a carmel sauce that stole the show and took home the award for best supporting condiment. Served with two cheeses that “literally just came in hours ago,” it was a nice comedown after the pork. The crust was king of this dessert; Lyle is a master of this craft. “It’s a gateway pastry,” he says of pie crust. It leads to nefarious debauchery such as croissants, puff pastry and other sinful doughs. If the Body of Christ were made of Lyle’s pie crust, communion would have lines out the door.

Sheana Davis

  • Sheana Davis

I didn’t mention the wine yet, but the pairings by Sheana Davis were unexpected and well chosen (4). Idell Vineyards chardonnay with the chicken didn’t overpower the lightness of the dish, and the winemaker sat across from me at the table. (It’s pretty amazing when people who made the raw ingredients for a dinner are at the table, it shows real confidence in their work, and with good reason.) The Korbin Kameron cab had about six years to mellow out, and it wasn’t really meaty or super bold. It was more like a zin, really, like a big zin, which paired so well with the pork I almost had another glass (but I’d have left the pork all alone, and I couldn’t do that). Forget pork and pinot, this is even better. And with dessert, the 2006 Parmelee Hill syrah was a great wine that went better with the cheese than fig tart. Depth makes this a good drinking wine, which makes it a smart choice for dessert. I’ve never been a fan of super sweet wines at dessert, because dessert is already sweet. Why add more sweet? This syrah was a good choice and left a wonderful lingering reminder of the evening after we left.

I always forget Sonoma is only half an hour from Santa Rosa and half an hour from Petaluma. Actually, it’s about the same to drive between SR and P-Town as it is from either city to Sonoma, and much more pleasant. The only tough thing is passing up the great, super cheap taco-portunities on the way to the Promised Land.

Twelve and On Fire

0

Bradley Boatright is a troublemaker.

Twelve years old, possessed of a potent imagination, haunted by a childhood tragedy he considers the critical piece in his origin story, Bradley (played with elastic authenticity by New York actor Gabriel King) sees himself as the hero of an epic comic book adventure—though the real details of is life may be anything but comic. In Dan LeFranc’s colorful new youth-riot spectacle Troublemaker, or the Freakin’ Kick-A Adventures of Bradley Boatwright—running through Feb. 3 at Berkeley Repertory Theater—pre-teen angst is blended with unexpected insight. In three distinct acts, LeFranc heightens everything: the youthful dialogue is a gloriously stylized barrage of code words and slyly softened obscenities. Bullies behave like super-villains from a James Bond movie. Adults are seen as monsters, Nazis, zombies, or pirates. And though Bradley likes to treat his best friend Mickey Minkle (Chad Goodridge) as his sidekick, by the third act, even Bradley is forced to admit that maybe his troublemaking behavior is masking a monster-sized insecurity. Directed by Lila Neugebauer, the slightly stretched show is a whimsically awesome coming of age story, with an ending that is not exactly happy—but it is surprisingly, hopefully, painfully, real.

For showtime information, see Berkeley Repertory Theater.

Jan. 22: Tracy Kidder at Book Passage

0

tracy.jpg

Biographies are a dime a dozen, but Pulitzer Prize—winning nonfiction writer Tracy Kidder’s Mountains Beyond Mountains—the story of renegade physician and Partners in Health cofounder Paul Farmer—stands out. Kidder is the type of writer that can teach the rest of us writers something real and, luckily, he’s written a new book, along with magazine and book editor Richard Todd, that does just that. Good Prose: The Art of Nonfiction distills the stories and advice that developed from years of practice. Tracy Kidder talks about good prose on Tuesday, Jan. 22, at Book Passage. 51 Tamal Vista Blvd., Corte Madera. 7pm. 415.927.0960.

Jan. 19: Merle Haggard the the Uptown Theatre

0

haggard.jpg

My grandma was a big Merle Haggard fan. We spent many a summer night, sitting on the back porch of her house in Arizona, Grandma drinking Budweiser, me drinking 7-Up, Merle or Willie on the cassette player; I liked singing the chorus of “Okie from Muskogee” at the top of my lungs, whenever possible. Now in his mid-70s, Haggard’s been at this country music business for a mighty long stretch, but age ain’t nothing but a number for the poet of the common man’s voice, energy or sense of humor. After all, this is the guy who wrote, “Half of My Garden Is for Willie,” a song about growing tobacco, mushrooms and cannabis for his bandana-and-braided compadre. He plays Saturday, Jan. 19, at the Uptown Theatre. 1350 Third St., Napa. 8pm. $80—$90. 707.259.0123.

Jan. 19-20: Chris Botti at the Napa Valley Opera House

0

botti.jpg

Chris Botti is a hunk. If they made a “Sexy Men of Jazz” calendar, he would certainly be Mr. December. Just ask Katie Couric! But beyond his all-American looks, the jazz trumpeter actually possesses serious chops. Studying with Woody Shaw and Bill Adam at Indiana University before moving to New York in the ’80s, he then went the pop route, forming creative partnerships with Paul Simon, Sting and Joni Mitchell, snagging many Grammy nominations along the way. Though he’s able to hold his own at the Village Vanguard, on his latest album Botti continues to blend pop and jazz, performing “romantic melodies” with the likes of Vince Gill, Herbie Hancock, Mark Knopfler and Andrea Bocelli. He blows on Saturday, Jan. 19, and Sunday, Jan. 20, at the Napa Valley Opera House. 1030 Main St., Napa. 8pm and 7pm. $80—$90. 707.226.7372.

Jan. 17: Battle of the Baristas Final Showdown at Taylor Maid

0

coffee.jpg

I spent years behind coffeehouse counters, steaming up foamy lattes with glum despair before learning how to make a proper coffee drink. It took training by a boss who viewed coffee as an art form to change my ways. Under her tutelage, I learned the exact temperature at which milk caramelizes, how to make a superb espresso shot (tiger stripes, people), and the way to pour freshly steamed milk so as to produce crema-licious rosettes. I’m now as obsessed with a well-made cappuccino as the 30 Oliver’s Market baristas who’ve trained with Taylor Maid Farms for the past three months in preparation for the ultimate challenge. Bask in their knowledge and skill at the Battle of the Baristas Final Showdown on Thursday, Jan. 17, at Taylor Maid Farms. 7190 Keating Ave., Sebastopol. 6pm. 707.634.7129.

Roots Rave-Up

0

Any musician doling out advice on how to get press coverage will, at one point, roll his eyes and sigh. “You could always make it a benefit for something,” the ever-broke musician will say, cognizant of the power of charity to attract do-gooder media outlets.

Though we believe in pure, honest charity that edifieth and does not puffeth up, it takes more than giving “a portion of the proceeds” (read: $10, possibly) to a good cause to perk up our ears. Which is why you’re reading about Winter Roots here; in addition to being serious about charity (the last event contributed $3,500 to bird rescue), the evening promises damn fine music.

Feel like dancing? Look no further: Arann Harris and the Farm Band raise the barn roof with odes to chickens and country doctors; the Church Marching Band birth a raucous lovechild of Sousa and klezmer; Tiny Television (pictured) inject absolute rave-up to “Swing Low, Sweet Chariot,” and the Dixie Giants have sousaphone solos. Serious.

Food for Thought, the Sonoma County AIDS food bank, benefits, while Lagunitas beer and homemade tamales fuel the fleet-footed. Be there on Saturday, Jan. 19, at the Sebastopol Community Center. 390 Morris St., Sebastopol. 7pm. $15–$20. 707.823.1511.

They’re ba-a-a-ck!

0

Walmart is returning to the Rohnert Park Planning Commission on Thursday, Jan. 24, to ask once again for permission to expand its Rohnert Park store into a Walmart Supercenter. Despite overwhelming opposition in 2010 to Walmart’s proposal, and despite having lost a lawsuit over the proposal in June 2011, Walmart just won’t take no for an answer.

A number of labor, environmental and community organizations have joined together to oppose Walmart’s plans. There are many reasons why a Walmart Supercenter is a bad idea, not only for Rohnert Park but for the entire county.

1. Job loss and wage decline in the retail and grocery industry across the county.

2. Working poverty: Walmart workers make significantly less than a living wage for Sonoma County and less than other local grocers pay.

3. Gender inequity: Walmart is being sued for gender discrimination in California.

4. Healthcare and public subsidies: Fewer than half of Walmart workers have employer-provided healthcare insurance, and many must rely on healthcare services provided by local and state government.

5. Increased traffic congestion and reliance on the automobile, which undermines transit-oriented development on the 101 corridor.

6. A significant increase of greenhouse gas emissions.

7. Extra burden on law-enforcement services.

8. Unethical business practices such as the massive bribery scandal in Mexico.

United States Sen. Bernie Sanders, I-Vt., has reported that one family, the Walton family of Walmart, owns more wealth than the bottom 40 percent of Americans combined. The two main factors that resulted in such a fabulous accumulation of wealth are the low wages paid to employees, and the intense pressure put on suppliers to keep cutting wholesale prices to them.

How much is enough?

The meeting on Walmart’s expansion is on Thursday, Jan. 24, at Rohnert Park City Hall (130 Avram St., Rohnert Park) at 6pm.

Rick Luttmann is a resident of Rohnert Park, a professor at Sonoma State University, and a member of the Living Wage Coalition.

Open Mic is a weekly op/ed feature in the Bohemian. To have your essay of 350 words considered for publication, write op*****@******an.com.

Elder States

I know an indigenous elder in Napa. He’s got olive-colored skin, salt-and-pepper hair, drives a Prius and has no idea I’m applying such a sacred term to him.

He would disagree, because he yearly spends uncounted hours with the real deal—indigenous holy men in remote outposts of the Southern Hemisphere—absorbing their wisdom. It might not occur to my friend that in my urban neighborhood, he is to us what those men are to him, out in kivas and caves far away. He ponders deeply, speaks from his heart and inadvertently spreads hope and conviction in his words and actions every day.

But if I make him the “wise one” and go no further, I miss the point; all cultures have indigenous roots. Therefore, each of us can dig down inside for the so-called blood memory that reminds us what is right and who we are. (Of course it requires a time of disconnection from stimulation, including electronic devices.) According to a revered Peruvian elder, we need only “remember what we already know.”

Amazing but true: we already know how to live in balance and teach others by example. The indigenous tribes that lived in North America had an earth-centered spirituality. They looked at trees and saw “our standing brothers and sisters.” But most of the conquering Europeans came from indigenous Celtic tribes that once took tree respect even further. For the Celtic tribes, before they began to forget, divine worship took place in groves. Trees were sacred individuals that inspired awe and reverence. At times, that awe awakes in us.

It is convenient to make American Indians or indigenous people (misnomers notwithstanding) responsible for deep wisdom and connection to nature. Then we can pretend it does not belong to us. The speech attributed to Chief Seattle resonates:

“This we know—that Earth does not belong to man. . . . All things are connected like the blood that unites one family. All things are connected. What befalls the earth befalls the sons of earth.”

But Chief Seattle said no such thing. The speech came from screenwriter Ted Perry in 1971, and four decades later we still can’t believe it. Nobody wants heart-wrenching wisdom from a screenwriter named Ted; we want it from a distant romantic figure, a holy man or woman, an indigenous elder.

That would be all of us. The words resonate because they make us “remember what we already know.” Chief Seattle and the “nobody” Ted Perry both reside in us, along with the responsibility to wake up and remember our indigenous roots, that we’re part of nature—siblings of those awe-inspiring trees.

End of the Affair

Those familiar with Michael Haneke’s films realized that when he made a movie called Amour, it wouldn’t be an ordinary love story. What we see, in all of its horror, is the final stage of a successful love story, the end of the line. The film opens with doors thrown open on an apartment where an elderly woman’s flower-bedecked corpse is discovered in a gas-filled room by paramedics.

We flash back to the events leading up to this moment. Anne (Emmanuelle Riva) and Georges (Jean-Louis Trintignant, in his first film in nine years) are an elderly couple with a great love of classical music, relaxing in an apartment furnished with books, paintings and a grand piano. They discuss some of the usual pressures—familiar unhappiness, mainly, since their daughter (Isabelle Huppert) is involved with a two-timing British husband.

One morning during coffee, Anne stops in her tracks, dumbstruck. She’s lost a minute of her life to a stroke; this incident is followed by complications from surgery to relieve the damage. Then comes another stroke, paralysis and irreversible decline.

Amour‘s perfection lies in its clinical refusal to euphemize. That’s visible in the way the camera is positioned right at the foot of Anne’s bed, as if standing in the place of someone who didn’t know the sick woman all that well, who can neither politely leave the room nor sit down close to her pillow like a daughter.

The film has the 3am clarity of a fantasy of downfall, unredeemed by false uplift and spiritual afflatus about the satisfaction of dying in your own bed. (They take your bed, anyway, and replace it with one of those hospital models.) The beauty that’s said to be waiting at the end of life may just be something else that keeps people pliable—all of it just mystification, which Haneke proposes to strip away.

‘Amour’ opens Friday, Jan. 18 at the Rafael Film Center.

Winner, Winner, Porky Dinner

Porchetta and cabernet make great dance partners.

Twelve and On Fire

'Troublemaker' a Pre-Teen Angst Spectacle at Berkeley Rep

Jan. 22: Tracy Kidder at Book Passage

Biographies are a dime a dozen, but Pulitzer Prize—winning nonfiction writer Tracy Kidder’s Mountains Beyond Mountains—the story of renegade physician and Partners in Health cofounder Paul Farmer—stands out. Kidder is the type of writer that can teach the rest of us writers something real and, luckily, he’s written a new book, along with magazine and book editor Richard Todd,...

Jan. 19: Merle Haggard the the Uptown Theatre

My grandma was a big Merle Haggard fan. We spent many a summer night, sitting on the back porch of her house in Arizona, Grandma drinking Budweiser, me drinking 7-Up, Merle or Willie on the cassette player; I liked singing the chorus of “Okie from Muskogee” at the top of my lungs, whenever possible. Now in his mid-70s, Haggard’s...

Jan. 19-20: Chris Botti at the Napa Valley Opera House

Chris Botti is a hunk. If they made a “Sexy Men of Jazz” calendar, he would certainly be Mr. December. Just ask Katie Couric! But beyond his all-American looks, the jazz trumpeter actually possesses serious chops. Studying with Woody Shaw and Bill Adam at Indiana University before moving to New York in the ’80s, he then went the pop...

Jan. 17: Battle of the Baristas Final Showdown at Taylor Maid

I spent years behind coffeehouse counters, steaming up foamy lattes with glum despair before learning how to make a proper coffee drink. It took training by a boss who viewed coffee as an art form to change my ways. Under her tutelage, I learned the exact temperature at which milk caramelizes, how to make a superb espresso shot (tiger...

Roots Rave-Up

Good causes, sure, but come for the nonstop dancing

They’re ba-a-a-ck!

Walmart's Supercenter idea for Rohnert Park just won't go away

Elder States

Feeling awe, remembering what we already know

End of the Affair

Michael Haneke's 'Amour' faces death head-on
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow