A Picture of Tragedy

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In November of 2011, Mark Herczog wrote a short, desperate note on his calendar for the week of the 21st. It was about his son.

“It said, ‘Get help for Houston,'” his sister Annette Keys recalls.

It had been an increasingly difficult year for the Herczog family, during which 21-year-old Houston seemed to have been replaced by a different person. He had always been shy, but according to his aunt, he now shunned social interaction, waiting until after 11pm to go to the gym so he could work out alone. He stole his mom’s Adderall. He said strange things with an empty, vacant gaze that his family now refers to as “the look.” In early November, when he crashed his dad’s green Caravan and smashed his head into the windshield, he didn’t check to make sure his passengers were OK. Instead, his aunt, who was in the vehicle at the time, says he asked her about the sandwich he’d placed between them, in the center console of the car.

Houston’s family knew something was very wrong, but they didn’t know what it was. They didn’t know that three psychiatrists would eventually diagnose him with schizophrenia. They didn’t know that two of them would be appointed by Sonoma County Superior Court.

Around 1am on Nov. 21, Houston Herczog stabbed his father in the kitchen of his Rincon Valley home, using at least four knives to gash and puncture his body 60 times. He tried to cut off his head. He would later tell a court-appointed psychiatrist that he’d thought he was performing an exorcism with a cardboard version of his dad. When police arrived, he told them flatly, “I killed him.”

Mark was declared dead at 2:52am by Memorial Hospital, his face so tattered that, according to the coroner’s report, his right ear was barely attached.

He was never able to help his son.

Houston’s defense has pleaded not guilty by reason of insanity, a verdict that would likely allow him to be sent to a maximum-security facility for the criminally insane, such as Napa State Hospital. Three psychiatrists have backed up this claim. On the eve of Houston’s juried trial, however, the district attorney called for a rarely requested additional opinion, which contradicts the others’ assertions of insanity.

Herczog faces a possible murder charge that could land him in prison, where his family worries he won’t have access to the treatment they believe he needs.

Tragically, the Herczog family has landed in the criminal justice system partly because of their initial reluctance to use it. In 2007, Sonoma County police shot and killed 16-year-old Jeremiah Chass and 30-year-old Richard Desantis during psychotic episodes. Mark Herczog’s daughter, sister and ex-wife all say Mark refused to call police despite signs of Houston’s escalating violence for fear that officers would shoot his son.

As a judge prepares to sentence Houston in a Sonoma County courtroom, Mark’s surviving family is not crying for blood. Instead, they want treatment for Houston and changes in a system that too often criminalizes—and even kills—the mentally ill.

‘I’M SCARED’

Cameron McDowell, Mark’s oldest daughter, remembers a chilling moment of foresight soon before her dad was killed. At her home in North Carolina, she’d just gotten off the phone with her aunt, who’d described the vacant look that would slip over her half-brother sometimes, saying it almost seemed like he left his body and someone else came in and took his place.

“I told my husband, ‘I’m scared Houston is that kid who’s going to walk into a supermarket and open fire,'” she recalls.

This was in mid-November, but she’d suspected something was off for roughly a year and a half. The brother that she describes as shy, creative and gentle as a child had become quieter and more distant. He’d quit his band and instead spent hours playing guitar alone. McDowell’s dad once told her jokingly on the phone that her brother was such a loner, he wished Houston go out drinking if it meant he’d be with friends. On her son’s third birthday, McDowell received a card from the family that Houston had signed, “I hope you have a shitty birthday.”

McDowell wasn’t alone in her concern. Her aunt, Annette Keys, noticed him changing in 2010, after he graduated from Santa Rosa High School’s ArtQuest program and began taking classes at SRJC. He read Kant and Nietzsche obsessively. He would begin a movie with the family and then get up 30 minutes later to go sit by himself at the computer without explaining why.

Keys lives in Ohio, but she came to Santa Rosa to visit her brother Mark in early November, when she was in the car accident with Houston. On Nov. 11, the day before she flew back to Ohio, she asked Houston about the change she noticed in him.

“I said, ‘Honey, I feel like something happened to you. Did something happen that you’re not telling us about?’ And he gave me this sideways glance and said, ‘Maybe I’ll tell you about it sometime.’ It was the creepiest thing.”

In March of 2011, Houston’s mother and Mark’s ex-wife Marilyn Meschalk-Herczog began taking her son to see a private psychiatrist, Dr. Dennis Glick. Like other family members, Marilyn was increasingly concerned about her son. He was argumentative. He couldn’t keep a job. He would act out in bizarre ways, like refusing to follow his employers’ dress code.

The three psychiatrists who assessed Houston in jail reviewed Glick’s notes, which suggest several possible diagnoses for the then-20-year-old Houston—major depression, developmental issues and schizoaffective disorder. According to Dr. Alan Abrams’ review of Glick’s notes, the initial psychiatrist did not recognize that Houston was suffering symptoms of schizophrenia, despite his early note on schizoaffective disorder, and focused instead on his depression, prescribing him an antidepressant.

Glick also noted Houston’s substance-abuse history, which he writes included Adderall that Houston stole from his mom, along with alcohol, LSD, marijuana and other prescription medications. In his interview with Dr. Abrams, Houston said that he only took LSD once, in the ninth grade, and in his interview with Dr. Donald Apostle, he said he smoked pot in high school but stopped in the summer of 2009 because it made him feel psychotic. According to the review of Glick’s notes, Houston stopped taking Adderall—after being prescribed an antidepressant—until June, with sporadic use through September.

Because Houston continued to steal his mother’s Adderall, Marilyn eventually told him he needed to leave her Forestville home and live with his dad. But on Nov. 19, she says, two days before he killed Mark, Houston came back to her house.

“He had that look in his eye, and he said, ‘I feel really violent,'” she recalls. “I said, ‘Are you afraid you’re going to hurt me?'”

Marilyn says that she followed Houston through her home, out to the attached garage. As she descended the steps leading into the garage, her son grabbed her by the arm and threw her. Then he locked her in, asking her through the door if she was afraid of him.

“I said, ‘No. You’re my child. I love you and I trust you, and I don’t think you’re going to hurt me,” she recalls, crying.

“I had told him, ‘If you’re feeling violent, go out and run. Run around. It’s dark out and nobody will see you. Just run as fast as you can. Go up the hill. Just run.'”

He unlocked the door and ran outside the house. In an interview with Dr. Abrams recounting the same night, Marilyn says that when she checked her purse, more Adderall was gone.

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‘DON’T CALL THE POLICE’

After he threw her across the garage that night, Marilyn says that she called her therapist, who told her to call the police.

In California, officers can take mentally ill people who are a danger to themselves or others into temporary custody in what’s known as a 5150, or involuntary psychiatric hold.

She called her ex-husband and told him what her therapist had said. “He said, ‘No, no, please don’t call the police,'” she recalls. “I said, ‘Why not?’ And he said, ‘They shoot those kids. Please don’t call them. That’s my son.'”

Mark’s sister and daughter report similar conversations. Both say that when the idea of a 5150 was brought up, Mark insisted that the family refrain from calling the police. McDowell says that in October, her dad told her he’d looked into an involuntary psychiatric hold.

“He said that there had been some cases where parents had done a 5150, and the police have shot and killed their kids,” she says.

In Sonoma County, two mentally ill individuals died after their families made distress calls to local law enforcement. During a 2007 psychotic break in which he sat on his little brother clutching a two-inch Leatherman knife, 16-year-old Sebastopol resident Jeremiah Chass was shot 11 times by the sheriff’s deputies who answered his mother’s distress call. He died in their driveway.

A month later, bipolar 30-year-old Richard Desantis was also shot as he ran out of his house toward the sergeant and two Santa Rosa officers who responded to his wife’s call. According to the Desantis family’s attorney, he was unarmed when he was shot. He also died in front of his home.

Not long afterward in January 2008, 24-year-old Jesse Hamilton, suffering from schizophrenia and holding a butcher knife, was shot and killed by a Santa Rosa police officer after a staffer at his group home called 911.

While few national statistics on the subject exist, the nonprofit Treatment Advocacy Center reports that police kill mentally ill people in so-called justifiable homicides four times as often as they kill people who are not mentally ill.

According to McDowell, her father told her in October that he was too unsure about what Houston might do if he called the police, and that he didn’t want to lose his son.

INTO THE NIGHT

Several hours before Mark died, Marilyn says that her youngest daughter, 17-year-old Savannah Herczog, called to warn her that the strange, vacant look was coming over Houston again. She recalls thinking that he might come over to her house, safe in the knowledge that she had changed the locks.

The next phone call Marilyn received was after midnight. It was her daughter again, saying that Houston had stabbed their father.

Marilyn says she raced to Rincon Valley, still unaware of the magnitude of the crime. She remembers thinking the attack had probably resulted in some kind of minor injury, like scissor wounds in her ex-husband’s arm. But as she approached Mark’s Parkhurst Drive home, she saw police cars and paramedics surrounding the yellow house with brown trim. She says that her daughter ran into her arms, crying. She told her that Mark had been taken away, and that he hadn’t been moving at all.

The two women were taken into police custody for questioning. Several hours later, still in custody, they learned that Mark was dead.

After she was let out of police custody, Marilyn says that she went back to the house and went inside. The kitchen walls were covered in blood. She saw a denim jacket sitting on the back of a chair that was also covered in splatters of blood. She picked it up and put it on.

According to Mark Herczog’s autopsy report, a chop wound on his scalp exposed his skull. His left eyelid was punctured. Most of his right ear dangled from his face. Ten horizontal, overlapping stab wounds surrounded his neck just above his thyroid, where Houston tried to remove his head. His entire body down to the soles of his feet was covered in blood.

McDowell says the condition of Mark’s remains meant she wasn’t able to say goodbye to her father’s body; although she flew to Santa Rosa from North Carolina, she had to say goodbye to his hand. She remembers entering the funeral home, where her dad had been laid out in a body bag with one scratched-up hand poking out. A flesh-colored blanket had been draped over the body bag. She remembers thinking that it looked oddly like a Muppet, and that because her dad had a twisted sense of humor, she felt like he was with her as she had this thought.

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‘OH, DEAR. OH, GOD.’

Three psychiatrists have diagnosed Houston Herczog with paranoid schizophrenia, arguing that he killed his father in the midst of a psychotic break.

As Dr. Robbin Broadman writes: “There is no non-psychotic motive that I can see for the violence that occurred. He and his father may have had a disagreement, but the extent of violence goes beyond what one would expect from a stabbing in anger. There were 60 stab wounds.”

The National Institute of Mental Health (NIMH) defines schizophrenia as a chronic brain disorder that afflicts roughly 1 percent of the American population. It stems from a combination of genetic and environmental factors, and is often characterized by paranoia, hallucinations and a lack of interest in socialization. It typically exhibits between the ages of 16 and 30. Although NIMH cautions that most people with schizophrenia are not violent, certain tendencies, like delusions of persecution, can lead to violence.

“If a person with schizophrenia becomes violent, the violence is usually directed at family members and tends to take place at home,” NIMH’s website states.

Considering the match-up between Houston’s behaviors the year before he killed Mark and his ongoing paranoid delusions in prison—of everything from TVs speaking directly to him to the prison being a concentration camp—Dr. Abrams writes in a report dated Nov. 1, 2012: “With a very high degree of medical certainty, I believe that Mr. Herczog was insane at the time of the killing.”

Dr. Abrams was retained by Houston’s defense, public defender Karen Silver, and the two psychiatrists brought in by the impartial court agreed. Dr. Donald Apostle and Dr. Broadman examined Houston in reports dated Dec. 3, 2012, and Feb. 18, 2013, and both concluded that a verdict of not guilty by reason of insanity is applicable. Along with Houston’s behavioral patterns and the sudden and gruesome nature of his crime, the psychiatrists also interviewed him about what he believed was happening while he was stabbing his dad. The two accounts match up: he thought his father was trying to speak metaphorically to him about incest. He says he thought his dad was speaking symbolically and “in code.”

“Evil was frantic, squeezing my mind. I had to stop it. It wasn’t my dad,” he told Dr. Broadman.

Houston told Dr. Apostle that was when he grabbed a knife and began stabbing his father, who seemed to him to be plastic and unreal.

Both psychiatrists note that Houston was shaking while he talked. Dr. Apostle writes that after recounting the stabbing, he stopped, sighed and said, “Oh, dear. Oh, God.”

Silver declined the Bohemian‘s request to interview Houston in jail. At a court appearance on March 29, he stared at the ground, his shoulders hunched, and rocked slowly back and forth. His hair was short and unkempt and he wore glasses that he kept pushing up as they slid down his nose. He was unrecognizable from the thin, smiling boy with high cheekbones and wavy, blonde hair who hugged his smiling dad in graduation photos from 2010.

The National Alliance on Mental Illness’ (NAMI) jail liaison Carol Coleman agrees with the three psychiatrists, based on her contact with Houston beginning in December of 2011, soon after he was jailed. She asked that the Bohemian clarify that she was simply speaking from her own experience and not as an official spokesperson for NAMI.

Coleman recalls that Houston’s symptoms in prison were indicative of paranoid schizophrenia. She describes him as shy, depressed and traumatized, and speaking in disjointed sentences.

“I really believe, from my gut, from my background, from my experience, from my expertise, that Houston is mentally ill,” she says. “I believe that he does not belong in a prison. He really needs help and belongs in a hospital where he can get help with his mental illness.”

TRIAL AWAITS

Despite the opinions of three psychiatrists, an insanity defense can be a tough sell. A 1991 study commissioned by the National Institute of Mental Health and published by the Bulletin of the American Academy of Psychiatry found that less than 1 percent of county court cases involved the insanity defense, and, of those, only around one in four was successful. The nation’s jail cells now contain up to 400,000 mentally ill, according to NAMI, which estimates the cost of housing nearly half a million mentally ill to be $9 billion a year.

In California, defendants cannot have committed their crime under the influence of drugs or alcohol when pleading not guilty by reason of insanity, a detail that is being debated in the Herczog case.

In his blood sample at the time of arrest, Houston tested positive for amphetamine and dextromethorphan, two common ingredients in cough syrup. He also reported that he’d continued to take Adderall.

Shortly before press time, the deputy district attorney prosecuting the Herczog case, Robert Waner, received a fourth doctor’s report from Dr. James Misset. While district attorney spokesperson Terry Menshek declined to discuss the document with the Bohemian, the Press Democrat‘s Paul Payne reports that Misset’s evaluation concludes that Houston was acting under a drug-induced psychosis and not a mental illness.

The two court-appointed reports do discuss Houston’s drug use when he killed Mark.

“He did use Adderall, but his drug level was insignificant, and the duration of his psychosis both preceded and continued after his relative cessation of Adderall use,” Dr. Apostle writes.

Dr. Broadman writes that although Houston’s drug use may have exacerbated his psychotic symptoms, “it is clear that he was having hallucinations and delusions before the drug use began. His symptoms were chronic and escalated over a period of time, beginning in his late teens. This is the course of schizophrenic illness.”

The district attorney’s office declined comment for this story, citing the open case. Silver, Houston’s defense lawyer, says that she’s never seen a district attorney deviate from California’s standard practice of calling in two court-appointed physicians and seeking the additional evaluation of a third.

“I question whether he [Waner] believes in the insanity defense,” she says. “Some people don’t, even though it’s law.”

Ironically, the greatest doubt in the three doctors’ reports prior to Dr. Misset’s arises over whether Herczog’s symptoms are actually too perfect—in other words, whether he could be faking schizophrenia.

Dr. Broadman examined this most critically, quoting a jail psychiatrist who believed Houston might exaggerate and amplify his symptoms.

“He speaks in sophisticated language and seems to be logical much of the time,” she writes. “In my opinion, [he] has schizophrenia and experiences genuine delusions and hallucinations. However, he is intelligent and understands the hospital will offer him a better chance of treatment and relative comfort compared with prison. This would be a motive to exaggerate his symptoms. Even if he is exaggerating his symptoms, that does not mean he was not psychotic at the time of the offense. I believe he was.”

In the middle of her evaluation of Houston, hearing his explanation of why he’d killed his father, Broadman asked him if he felt an insanity plea was to his advantage.

According to her report, Houston’s reply was simple and brief: “I’m fucked either way.”

‘NOT CRYING FOR BLOOD’

Rallying behind Houston, the Herczog family feels misrepresented by a legal system acting on behalf of Mark. In a court case surrounding a brutal killing like Mark’s, his family might normally be the loudest voices demanding justice for the loved one.

“But we’re not crying for blood,” says Keys. “We’re crying for mercy.”

Mark’s sister adds that she believes if her brother had survived his attack, he wouldn’t have pressed charges. Her portrait of him is of a man lost, desperate—unsure what to do as he watched his son change. As he wrote on his calendar in November two years ago, he knew his son needed something. He just didn’t know what.

“All he wanted was to help his kid,” she says.

Adastra Wines

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There’s something about the name that suggests something else. Adastra! It almost demands an exclamation mark, a pyramid with black tinted glass, that sort of thing. Adastra’s hospitality center in Napa, however, located down a narrow little drive lined with poplars, within a tidy but antique farmstead, is anything but wine country moderne. It’s a big, old horse barn.

Inside, owner Chris Thorpe explains that “ad astra per aspera” means “to the stars through striving.” It’s the motto also of many a school, and, among other things, of the Martian Imperial Commandos in Kurt Vonnegut’s Sirens of Titan. The giant painting of a mammoth inside the barn? That’s another story, but it’s already clear that Adastra is a quirky mom-and-pop outfit with a sense of humor.

Thorpe grew up on a farm in Michigan, so his first idea was to get rural, not get into the wine business. He tried raising cattle first, but it turned out that grapes were less likely to bust out of the fencing. The vineyard has been certified organic since 2005.

Thorpe may have led this tour hundreds of times, but he’s in no hurry, passing leaves from the garden over for inspection: there’s wormwood, camphor, sorrel. Once a surgeon, his manner is more reminiscent of a tangent-spinning professor emeritus, his voice pitching into a mischievous lilt when he’s kidding around. He’s quick to drop the names to restaurants that serve his wine, but he’s also proud of their prize-winning tomatoes. “The Adastra tomatoes are the best I’ve ever tasted,” said one chef. “The wine is pretty good, too.”

For small groups, tasting is conducted on the kitchen table, “the way it used to be,” according to Thorpe. The 2011 N’Oak Chardonnay ($20) spent no time in barrels, but it’s got aromas of apples and cream, with a rich, lingering finish.

The 2009 Proximus Pinot Noir ($60) has more spice, texture and cranberry fruit than the 2005 Pinot Noir library sample, which has an enticing bouquet of orange rind and chocolate liqueur. The 2009 Merlot ($40) should appeal to Right Bank fans, with inky fruit, graphite and tobacco notes; fine herbs accent the 2009 Proximus Merlot’s ($60) plush red fruit and baking chocolate flavors.

Ed’s Red 2009 A.D. ($15) is nicely priced, with a silly theme and an artistic label depicting an imposing but quite extinct wooly mammoth. A pleasing, perfumy blend of Dolcetto, Zin and Syrah, it’s been a real hit for them. Ed’s Red is the brainchild of Thorpe’s son-in-law, who explains the theme thus: it goes great with mammoth. You either get it, or add “non sequitur” to this week’s Latin lesson.

Adastra Wines, 2545 Las Amigas Road, Napa. Tour and tasting by appointment, $25. 707.255.4818. Taste at Adastra and 20 other Carneros wineries during “April in Carneros,” April 20–21, 10am–4pm. Admission, $45; $39 online at www.carneroswineries.org.

Beyond Popcorn

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In certain parts of the world, film aficionados have to wait months in between film festivals, often driving hundreds of miles over bridges and into major cities to get their cinematic fix. Such people, obviously, do not live in the North Bay, where every town worth its weight in cocktail napkins now has its own film fest. This weekend, two different festivals—each known for a sense of elegance and eccentric charm—will lure film fans, and filmmakers, to their respective towns.

Now in its 12th year, the Tiburon International Film Festival (running April 11–19), as its title implies, focuses on films from around the globe, with a crystal clear motto: “Understanding the world through film.” Meanwhile, the 16-year-old Sonoma International Film Festival (April 10–14) has for years emphasized an appreciation for food and wine along with a love of fine independent cinema.

In Sonoma, highlights include Project Censored: The Movie (April 12, 6:30pm; April 14, 3pm), a short and sweet documentary inspired by Sonoma County’s legendary alternative news-gathering project. The entertaining film features interviews with Noam Chomsky, Howard Zinn and Oliver Stone. Iceland’s The Deep (April 10, 7pm; April 13, 9pm) recreates the true-life adventure of a man who survived in the freezing waters of Iceland after his boat capsized in 1984.

The Sinners (April 12, 8:30pm; April 13, 6:30pm), from Iran, is a Hitchcockian thriller set on the streets of Tehran. And for those who really like their cinema to be violent, consider The Best of Looney Tunes (April 13, 9:30am), a montage of ingenious Chuck Jones cartoons spanning the years.

For a bit of star-power, actor Ray Liotta will be present, introducing his hit-man thriller Iceman (April 10, 6:30 and 9:30pm), and Mary Louise Parker (star of Weeds and Fried Green Tomatoes) will be treated to a splashy tribute (April 13, 6pm).

Meanwhile, in Tiburon, fans of comedies will want to check out The President (April 12, 8pm), a farcical Dutch film about a lovestruck goat herder who finds himself running for president of Holland.

In Road to the Open (April 17, 8:15pm), Eric Roberts stars in a quirky love story about a depressed tennis player’s unlikely second-chance at love . . . and a tennis championship. And the festival’s local Marin Filmmakers series includes Past Their Prime, about the oldest living gorilla in captivity, and Running for Jim (April 16 and 18, 8pm) a thrilling documentary about high school track coach Jim Tracy and the length his team goes to help him once he’s diagnosed with Lou Gehrig’s disease.

For more, see www.sonomafilmfest.org and www.tiburonfilmfestival.com.

Hip Squares

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Despite the old maxim about books, we’re expected to judge a record album by its cover. By careful design, these 12-inch squares meld art and marketing in iconic images and photographs that often make the LP a work of visual, as well as musical, creativity.

Many have come with unknown but fascinating backstories, nuggets of cultural history that Marin filmmaker Eric Christensen mines in his new documentary The Cover Story.

“Some of the stories behind the albums I knew—they’re legendary—but with many, I uncovered stories of what it took to take the photograph or do the artwork,” he explains. “One of the really interesting ones is the Doors album cover that Henry Diltz did for Morrison Hotel, how they had to sneak into the hotel and take one shot and that was it.”

Along with photographers, graphic artists are the stars of The Cover Story, including several who are “intrinsically linked” with specific performers, among them Roger Dean (Yes), Storm Thorgerson (Pink Floyd) and Stanley Mouse and Alton Kelley (the Grateful Dead). They naturally welcomed the chance to discuss their work, Christensen says, but musicians, too, were happy to contribute. “They sort of lit up when asked about how the artwork links with the music, and what went into the decisions” about their covers, Christensen says.

The stories behind other album art, like Nirvana’s Nevermind, took considerable digging. The swimming baby seen underwater is now a young adult, who seems rather bemused by the whole thing.

More intensive detective work was required to identify and locate the then-11-year-old girl seen topless and holding a model spaceship on the original cover of the lone album by 1970s supergroup Blind Faith.

Even though the photographer refused to help, Christensen found her—and persuaded her to tell her story on camera. “She was a young girl and had no compunction about posing for it,” he recounts. “The way she feels now is she’s glad that people talk about it and are interested in it.”

Blind Faith was quickly repackaged with a standard band-photo cover in the United States, making it the second high-visibility case of what Christensen calls “banned covers.” (The first was the Beatles’ hastily recalled “butcher” cover for Yesterday and Today.)

“There’s a funny one where the Mamas and Papas, fully clothed, are in a bathtub, but Dunhill records put a sticker over the toilet, ’cause the toilet was dirty and they thought that was too gross,” the filmmaker notes. Several others are also featured in the film.

“A lot of these have become collectibles,” he notes, and “have a certain place in the history.”

‘The Cover Story’ screens April 13 at the Sonoma International Film Festival and April 15 at the Rafael Film Center.

Free at Last

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“Were we Jews . . . or were we slaves?”

That question is asked by John, a young black man raised as a Jew by the observant Southern slave owners to whom he recently belonged. In Matthew Lopez’s powerful, intense drama The Whipping Man at Mill Valley’s Marin Theatre Company, faith, family and the scars of slavery are just some of the many ties that bind three men together at a singular time in America’s history.

It is Passover, April of 1865, in Richmond, Va., just days after the Emancipation Proclamation. John (a first-rate Tobie Windham), seeking shelter in the ruins of the looted and abandoned home he once served in, is a mix of fear and resentment, the opposite of the older Simon (L. Peter Callender, astonishing), who also served in the house. Kinder and wiser, now cautiously optimistic about his future as a free man, Simon awaits the return of his former master, who escaped the sacking of Richmond (by Union soldiers), taking Simon’s wife and teenage daughter with him. With mixed motivations, John and Simon are caring for Caleb (Nicholas Pelczar), the master’s Confederate soldier son, grievously wounded with a gangrenous leg, his faith in the Torah shattered after years on the battlefield and the defeat of the Confederacy.

It’s a setup ripe with dramatic and philosophical possibilities. Playwright Lopez takes advantage of every one of them, never letting up on the intensity and emotion of the situation.

There is an artfully graphic onstage amputation, made more powerful following Simon’s gorgeously crafted description of the procedure to come. John, understandably angry and confused about his identity as a Jewish slave, delivers a riveting, percussive description of being sent as a boy to the whipping man, and the lessons he learned there about the divisions between him and his white owners. Most potently, there is a movingly improvised Passover Seder, cobbled together from scraps and stolen provisions, two freed slaves and their former master uncomfortably (and powerfully) recalling their ancestors’ freedom from bondage in Egypt.

Directed by Jasson Minadakis with tremendous heart and impressive attention to detail, the play was co-produced with the Virginia Stage Company, where it ran last month.

Secrets, large and small, are revealed over the course of the two-hour play, and while some moments stray toward the predictable and the melodramatic, Lopez’s boldly told tale is easily one of the best shows of the season, packed with challenging ideas and questions that just might reverberate in your mind for days.

Rating (out of 5): ★ ★ ★ ★ ½

‘The Whipping Man’ runs Tuesday–Sunday through April 28 at Marin Theatre Company. 397 Miller Ave., Mill Valley. Times vary. $36–$57. 415.388.5208.

Meet Me at Pick’s

In 1984, Claudia Clow went to Pick’s Drive-In, biking there with her teenage son, Todd, who had his eye on one of the cute counter girls. Though she’d lived in Cloverdale for several years, the Boonville native hadn’t yet visited the iconic burger joint. As she and Todd enjoyed their milkshakes, Clow had no idea that in six years she’d become the next in a line of longtime owners wanting to keep Pick’s alive.

Apparently, she’s not alone. “I keep a file folder of people who want to buy it,” Clow tells me on a recent afternoon, as we sit at a picnic table in the spring sunshine. It’s easy to see why. At 3pm on a Monday, not exactly peak eating time, a steady stream of customers come and go, lingering over ice cream cones and baskets of onion rings at the outdoor bar.

Relics from long ago accent the classic scene at Pick’s, now in its 90th year, like the coin-only cash register, built in 1917, and the original (though now defunct and no longer up to code) root beer mixer. Thin footrails run beneath the half of the bar without stools. There’s even a sign advertising a frosty mug of 5 cent root beer, which Clow has amended with black ink that reads “Sold out as of 1928.”

“I was tired of people asking for it,” Clow says, laughing. “It just wasn’t funny anymore.”

Opened in 1923 as a “refreshery,” the small white and green roadside stand served up the popular (and legal) Reed & Bell root beer during Prohibition. In 1950, Mayo and Johnnie Pickard, who had run the cafe at Santa Rosa’s Greyhound bus station, bought the place and renamed it Pick’s. After Reed & Bell went out of business, the Pickards painted over the original round orange and black sign, which hung outside until five years ago. “I never thought much about it,” Clow tells me, “until one of my delivery guys who collects old signs took it home, removed all the layers of green paint and brought it back to me.” (The restored sign now hangs behind the counter beneath the little-changed menu).

The fourth owner in the drive-in’s 90-year history, Clow bought the property from Bernie and Barbara Day in 1990. At the time, she was working “lots of swings and graves” as a police dispatcher for the Cloverdale Police Department. For three years, she pulled double shifts, working the grill at Pick’s until 3pm, and then answering phones at the station from 5:30 until 9pm. “Once, I answered the PD phone, ‘Hello, Pick’s,'” she admits, though the detective in the tight-knit town didn’t mind.

While she loved dispatch work, Clow—who fielded calls about choking children, suicides, cars crashed into live wires—ultimately realized she needed to choose one profession. “In police work, lots of people get labeled as bad,” she tells me, “but the truth is, not everybody’s a bad guy.”

A Cloverdale resident for almost 30 years, Clow is a repository of local legend and habits. She chats about everything from the time Art Linkletter showed up (her young employee asked, “Who?”) to the Humboldt marching band that plays on the bar at Ruth McGowan’s after the annual Citrus Fair parade every year.

From her perch behind the counter, Clow has watched the changing tides ripple through the town, for better and for worse. “I remember when that was the first stoplight you’d hit after leaving San Francisco,” she says, pointing to Cloverdale Boulevard. This was back when Old Redwood Highway meandered through all towns north but Highway 101 zipped through all towns south—before the Cloverdale freeway bypass was completed in 1994, threatening to suffocate downtown, and before the Golden Arches appeared on the horizon and Cloverdale’s downtown could still support local bookstores and shoe stores.

Though Clow admits that Cloverdale’s downtown has faded (thanks, Starbucks and Subway), she also celebrates the addition of the farmers market and Cloverdale Arts Alliance, which hosts free Friday night concerts from May until August. And even though frozen yogurt and consignment shops have dragged the little town into the 21st century, Pick’s, along with the Owl Cafe, Papa’s Pizza, the Eagles Nest and the Hamburger Ranch, keeps it anchored in its historical past.

“Pick’s is not any different today,” says 94-year-old Al Furber, whose ancestors moved to Cloverdale in 1879, “than it was back in 1936″—the year he graduated from high school and went to work at the Standard gas station next door (now Chase bank). At that time, car-hops brought trays of food to people’s windows, and Furber couldn’t wait for his break to get a root beer.

Indeed, Pick’s still looks much like it did 90 years ago. Though the menu has remained remarkably consistent over the decades, Clow has made a few changes, mostly to appease the health-conscious. In addition to replacing the deep fried chicken burger with a grilled chicken sandwich, she’s added veggie patties, black-bean burgers, turkey burgers and the larger quarter-pounder to the repertoire. She also buys antibiotic and hormone-free beef from Niman Ranch. Like many, Clow loves the classic deluxe burger. “I’m tempted to eat one every day,” she laughs, “but then you’d have to roll me home at night.”

One thing that hasn’t changed in 65 years is the famous red relish, which the Pickards bought from a local Santa Rosan who made the stuff in his garage with chow-chow and pickles. After he died, they procured the recipe from his widow. When I ask Clow if anyone’s ever asked her for the recipe, she shakes her head. “No. Everyone knows it’s top secret.”

Clow and her employees still make six gallons of the relish at a time, which lasts longer in the winter but goes quickly during peak summer and fall seasons. Pick’s closes during December and January, and reopens a week before the annual Citrus Fair. “During the winter, people say it’s like a light has gone out downtown,” Clow says. “Everyone is so happy when it reopens.”

And by “everyone,” Clow is talking about a wide swath, from diehard locals, like Jeremy from the post office who always gets a double bacon cheeseburger, and Andy who can’t do without his french fries, to the farther-flung regulars who stop by on their way to and from the coast. The first time I ever ate there, I shared the bar with a group of Germans who were touring the country by motorcycle. More than one couple—including two people who’d met and courted there—has celebrated their wedding anniversary at Pick’s.

But Clow’s true prized customers are the newest generation, like her own grandchildren, who can still hop on their bikes and enjoy an ice cream cone for a buck fifty. “I really try to keep it affordable,” she tells me, “for the kids.”

Pick’s Drive-In, 117 S. Cloverdale Blvd., Cloverdale. 707.894.2962.

Bury Me in Bacon Waffle Batter

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I’ve given it much thought, and when I die, I hope to be encased in carbonite like Han Solo in Star Wars. But I hope to have carbonite replaced with bacon-in-the-batter waffle mix.

On Saturday, April 13, Santa Rosa’s Zazu hosts a brunch to benefit the Ceres Community Project. What’s special about this, other than being hosted by two of the hottest chefs in the area (Duskie Estes and John Stewart), is that 100 percent of the proceeds go to the nonprofit—all of it. Teens from the project will help cook and serve.

The menu includes three types of breads (some with bacon), four sides (some with bacon, some with Meyer lemon) and six entrées (including bacon-in-the-batter waffles). It makes sense that each course includes an option for bacon, since that’s what the pioneering restaurant is largely known for; the chefs raise their own pigs, and therefore know exactly what goes in them, which, needless to say, does not include chemical additives like those found in most grocery-store pork.

This isn’t the first time Zazu’s partnered with Ceres, and hopefully it won’t be the last. Tickets are $39 per person for three courses with coffee. Zazu Restaurant and Farm, 3535 Guerneville Road, Santa Rosa. 707.523.4814.

More Local Media Buy-Ups

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Sonoma Media Group (not to be confused with Sonoma Media Investments, who own the Press Democrat, the Petaluma Argus-Courier and the Sonoma Index Tribune and other associated publications) today announced a $4.5 million deal to buy five local radio stations which were owned by Maverick Media Group, LLC.

I wish the investment group had chosen a different name, as it could be confusing to media consumers which local group owns which local press. The similarity is reminiscent of when North Bay Biz magazine changed their name after the North Bay Business Journal, which targets the same audience, changed its name so long ago.

Maverick Media sold KSRO, The Mix, Hot, The River and Froggy in the multi-million dollar deal. According to the Press Democrat‘s story, Lawrence Amaturo, “who previously owned KSRO and several other radio stations,” will take over the radio stations as owner/operator in May.

Happy 153rd Birthday, Recorded Sound!

The Phonautograph, first sound recording device

All lovers of vinyl need to check this out. It’s the audio of the earliest known gramophone recording, which is the grandfather of the modern vinyl record. Sure, Thomas Edison had his cylinders in the 1870s, but Emile Berliner invented the flat version of records in 1887. In the prequel to Betamax vs. VHS, or HD-DVD vs. Blu-Ray, Berliner’s gramophone disc dominated the recording industry and Edison’s neat little vertical audio cans remain mostly as footnotes in audio history.
The cool thing about this recording is not that the record itself has survived since 1890, but that it doesn’t actually exist. There are no known physical copies. So how does one hear audio from something that doesn’t exist? The Media Preservation Initiative at Indiana University, Bloomington, had found a way to take the photographs of the physical specimens from reference books and advertisements of the time and recreate the audio from those records. The result is discernible audio recordings of speech, song and a voice memo recorded as a test from the inventor to a friend.
But wait, there’s more.
These are not the first recordings ever made, nor are they the first reproduced sound. Edison’s invention was the first to reproduce the sound audibly. But it was “Au Claire de la Lune,” an 18th Century French folk song, which Édouard-Léon Scott de Martinville sang slowly into a vibrating diaphragm, that changed music forever. The long tube transferred the sound via hog’s bristle and a piece of a feather into waveforms. There was smoke, a rotating barrel and a hand crank involved. Though the phonautograph was a complicated and temperamental device (well, maybe not compared to an iPod in a WiFi-dead zone), audio could now be captured. And in 2011, a mere 151 years later, archivists have found a way to play it back. The recording was made on April 9, 1860 (before the American Civil War)–marking the birth of recorded sound.
Telephones, speakers, microphones–everything we know about audio today–is based on Édouard-Léon Scott de Martinville’s hog’s bristle and feather recording device. From one audio engineer to another, thanks, brother!

Happy 153rd Birthday, Recorded Sound!

All lovers of vinyl need to check this out. It’s the audio of the earliest known gramophone recording, which is the grandfather of the modern vinyl record. Sure, Thomas Edison had his canisters in the 1870s, but Emile Berliner invented the flat version in 1887. In the prequel to Betamax vs. VHS and HD DVD vs. Blu-Ray, Berliner’s gramophone disc dominated the recording industry and Edison’s neat little vertical audio cans remain only as footnotes in audio history.

The cool thing about this recording is not that the record itself has survived since 1890, but that it doesn’t actually exist. There are no known physical copies. So how does one hear audio from something that doesn’t exist? The Media Preservation Initiative at Indiana University, Bloomington, had found a way to take the photographs of the physical specimens from reference books and advertisements of the time and recreate the audio from those records. The result is discernable audio recordings of speech, song and voice recorded as a test from the inventor to a friend. Pretty amazing to think this was all done before the invention of the automobile (1881)!

But wait, there’s more.

These are not the first recording ever made, nor are they the first reproduced sound. Edison’s invention was the first to reproduce the sound audibly, and he actually figured out how to record it in his own way 17 years later. But it was Claire de la Lune, an 18th Century French folk song, which Édouard-Léon Scott de Martinville sang slowly into a vibrating diaphragm, that changed music forever. The long tube transferred the sound via hog’s bristle and a piece of a feather into waveforms. There’s smoke and a rotating barrel and a hand crank involved. Though the phonautograph was a complicated and temperamental device (well, maybe not compared to an iPod in a Wifi dead zone), audio could now be captured. And in 2011, a mere 151 years later, archivists found a way to play it back. The recording was made on April 9, 1860 (before the American Civil War)—marking the birth of recorded sound.

Telephones, speakers, microphones—everything we know about audio today—is based on Édouard-Léon Scott de Martinville’s hog’s bristle and feather recording device. From one audio engineer to another, thanks, brother!

A Picture of Tragedy

The family of Mark Herczog, a father killed by his son, pleads for compassion as a court trial looms

Adastra Wines

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Beyond Popcorn

Sonoma, Tiburon film fest highlights

Hip Squares

New doc uncovers the stories behind classic album art

Free at Last

MTC's 'Whipping Man' packed with power

Meet Me at Pick’s

After 90 years, Pick's Drive-In is still the heart of Cloverdale

Bury Me in Bacon Waffle Batter

I've given it much thought, and when I die, I hope to be encased in carbonite like Han Solo in Star Wars. But I hope to have carbonite replaced with bacon-in-the-batter waffle mix. On Saturday, April 13, Santa Rosa's Zazu hosts a brunch to benefit the Ceres Community Project. What's special about this, other than being hosted by two of...

More Local Media Buy-Ups

Maverick Media sells five radio stations to a group of local investors

Happy 153rd Birthday, Recorded Sound!

All lovers of vinyl need to check this out. It’s the audio of the earliest known gramophone recording, which is the grandfather of the modern vinyl record. Sure, Thomas Edison had his cylinders in the 1870s, but Emile Berliner invented the flat version of records in 1887. In the prequel to Betamax vs. VHS, or HD-DVD vs. Blu-Ray, Berliner’s...

Happy 153rd Birthday, Recorded Sound!

All lovers of vinyl need to check this out. It’s the audio of the earliest known gramophone recording, which is the grandfather of the modern vinyl record. Sure, Thomas Edison had his canisters in the 1870s, but Emile Berliner invented the flat version in 1887. In the prequel to Betamax vs. VHS and HD DVD vs. Blu-Ray, Berliner’s gramophone...
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