Hip Squares

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Despite the old maxim about books, we’re expected to judge a record album by its cover. By careful design, these 12-inch squares meld art and marketing in iconic images and photographs that often make the LP a work of visual, as well as musical, creativity.

Many have come with unknown but fascinating backstories, nuggets of cultural history that Marin filmmaker Eric Christensen mines in his new documentary The Cover Story.

“Some of the stories behind the albums I knew—they’re legendary—but with many, I uncovered stories of what it took to take the photograph or do the artwork,” he explains. “One of the really interesting ones is the Doors album cover that Henry Diltz did for Morrison Hotel, how they had to sneak into the hotel and take one shot and that was it.”

Along with photographers, graphic artists are the stars of The Cover Story, including several who are “intrinsically linked” with specific performers, among them Roger Dean (Yes), Storm Thorgerson (Pink Floyd) and Stanley Mouse and Alton Kelley (the Grateful Dead). They naturally welcomed the chance to discuss their work, Christensen says, but musicians, too, were happy to contribute. “They sort of lit up when asked about how the artwork links with the music, and what went into the decisions” about their covers, Christensen says.

The stories behind other album art, like Nirvana’s Nevermind, took considerable digging. The swimming baby seen underwater is now a young adult, who seems rather bemused by the whole thing.

More intensive detective work was required to identify and locate the then-11-year-old girl seen topless and holding a model spaceship on the original cover of the lone album by 1970s supergroup Blind Faith.

Even though the photographer refused to help, Christensen found her—and persuaded her to tell her story on camera. “She was a young girl and had no compunction about posing for it,” he recounts. “The way she feels now is she’s glad that people talk about it and are interested in it.”

Blind Faith was quickly repackaged with a standard band-photo cover in the United States, making it the second high-visibility case of what Christensen calls “banned covers.” (The first was the Beatles’ hastily recalled “butcher” cover for Yesterday and Today.)

“There’s a funny one where the Mamas and Papas, fully clothed, are in a bathtub, but Dunhill records put a sticker over the toilet, ’cause the toilet was dirty and they thought that was too gross,” the filmmaker notes. Several others are also featured in the film.

“A lot of these have become collectibles,” he notes, and “have a certain place in the history.”

‘The Cover Story’ screens April 13 at the Sonoma International Film Festival and April 15 at the Rafael Film Center.

Bury Me in Bacon Waffle Batter

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I’ve given it much thought, and when I die, I hope to be encased in carbonite like Han Solo in Star Wars. But I hope to have carbonite replaced with bacon-in-the-batter waffle mix.

On Saturday, April 13, Santa Rosa’s Zazu hosts a brunch to benefit the Ceres Community Project. What’s special about this, other than being hosted by two of the hottest chefs in the area (Duskie Estes and John Stewart), is that 100 percent of the proceeds go to the nonprofit—all of it. Teens from the project will help cook and serve.

The menu includes three types of breads (some with bacon), four sides (some with bacon, some with Meyer lemon) and six entrées (including bacon-in-the-batter waffles). It makes sense that each course includes an option for bacon, since that’s what the pioneering restaurant is largely known for; the chefs raise their own pigs, and therefore know exactly what goes in them, which, needless to say, does not include chemical additives like those found in most grocery-store pork.

This isn’t the first time Zazu’s partnered with Ceres, and hopefully it won’t be the last. Tickets are $39 per person for three courses with coffee. Zazu Restaurant and Farm, 3535 Guerneville Road, Santa Rosa. 707.523.4814.

Meet Me at Pick’s

In 1984, Claudia Clow went to Pick’s Drive-In, biking there with her teenage son, Todd, who had his eye on one of the cute counter girls. Though she’d lived in Cloverdale for several years, the Boonville native hadn’t yet visited the iconic burger joint. As she and Todd enjoyed their milkshakes, Clow had no idea that in six years she’d become the next in a line of longtime owners wanting to keep Pick’s alive.

Apparently, she’s not alone. “I keep a file folder of people who want to buy it,” Clow tells me on a recent afternoon, as we sit at a picnic table in the spring sunshine. It’s easy to see why. At 3pm on a Monday, not exactly peak eating time, a steady stream of customers come and go, lingering over ice cream cones and baskets of onion rings at the outdoor bar.

Relics from long ago accent the classic scene at Pick’s, now in its 90th year, like the coin-only cash register, built in 1917, and the original (though now defunct and no longer up to code) root beer mixer. Thin footrails run beneath the half of the bar without stools. There’s even a sign advertising a frosty mug of 5 cent root beer, which Clow has amended with black ink that reads “Sold out as of 1928.”

“I was tired of people asking for it,” Clow says, laughing. “It just wasn’t funny anymore.”

Opened in 1923 as a “refreshery,” the small white and green roadside stand served up the popular (and legal) Reed & Bell root beer during Prohibition. In 1950, Mayo and Johnnie Pickard, who had run the cafe at Santa Rosa’s Greyhound bus station, bought the place and renamed it Pick’s. After Reed & Bell went out of business, the Pickards painted over the original round orange and black sign, which hung outside until five years ago. “I never thought much about it,” Clow tells me, “until one of my delivery guys who collects old signs took it home, removed all the layers of green paint and brought it back to me.” (The restored sign now hangs behind the counter beneath the little-changed menu).

The fourth owner in the drive-in’s 90-year history, Clow bought the property from Bernie and Barbara Day in 1990. At the time, she was working “lots of swings and graves” as a police dispatcher for the Cloverdale Police Department. For three years, she pulled double shifts, working the grill at Pick’s until 3pm, and then answering phones at the station from 5:30 until 9pm. “Once, I answered the PD phone, ‘Hello, Pick’s,'” she admits, though the detective in the tight-knit town didn’t mind.

While she loved dispatch work, Clow—who fielded calls about choking children, suicides, cars crashed into live wires—ultimately realized she needed to choose one profession. “In police work, lots of people get labeled as bad,” she tells me, “but the truth is, not everybody’s a bad guy.”

A Cloverdale resident for almost 30 years, Clow is a repository of local legend and habits. She chats about everything from the time Art Linkletter showed up (her young employee asked, “Who?”) to the Humboldt marching band that plays on the bar at Ruth McGowan’s after the annual Citrus Fair parade every year.

From her perch behind the counter, Clow has watched the changing tides ripple through the town, for better and for worse. “I remember when that was the first stoplight you’d hit after leaving San Francisco,” she says, pointing to Cloverdale Boulevard. This was back when Old Redwood Highway meandered through all towns north but Highway 101 zipped through all towns south—before the Cloverdale freeway bypass was completed in 1994, threatening to suffocate downtown, and before the Golden Arches appeared on the horizon and Cloverdale’s downtown could still support local bookstores and shoe stores.

Though Clow admits that Cloverdale’s downtown has faded (thanks, Starbucks and Subway), she also celebrates the addition of the farmers market and Cloverdale Arts Alliance, which hosts free Friday night concerts from May until August. And even though frozen yogurt and consignment shops have dragged the little town into the 21st century, Pick’s, along with the Owl Cafe, Papa’s Pizza, the Eagles Nest and the Hamburger Ranch, keeps it anchored in its historical past.

“Pick’s is not any different today,” says 94-year-old Al Furber, whose ancestors moved to Cloverdale in 1879, “than it was back in 1936″—the year he graduated from high school and went to work at the Standard gas station next door (now Chase bank). At that time, car-hops brought trays of food to people’s windows, and Furber couldn’t wait for his break to get a root beer.

Indeed, Pick’s still looks much like it did 90 years ago. Though the menu has remained remarkably consistent over the decades, Clow has made a few changes, mostly to appease the health-conscious. In addition to replacing the deep fried chicken burger with a grilled chicken sandwich, she’s added veggie patties, black-bean burgers, turkey burgers and the larger quarter-pounder to the repertoire. She also buys antibiotic and hormone-free beef from Niman Ranch. Like many, Clow loves the classic deluxe burger. “I’m tempted to eat one every day,” she laughs, “but then you’d have to roll me home at night.”

One thing that hasn’t changed in 65 years is the famous red relish, which the Pickards bought from a local Santa Rosan who made the stuff in his garage with chow-chow and pickles. After he died, they procured the recipe from his widow. When I ask Clow if anyone’s ever asked her for the recipe, she shakes her head. “No. Everyone knows it’s top secret.”

Clow and her employees still make six gallons of the relish at a time, which lasts longer in the winter but goes quickly during peak summer and fall seasons. Pick’s closes during December and January, and reopens a week before the annual Citrus Fair. “During the winter, people say it’s like a light has gone out downtown,” Clow says. “Everyone is so happy when it reopens.”

And by “everyone,” Clow is talking about a wide swath, from diehard locals, like Jeremy from the post office who always gets a double bacon cheeseburger, and Andy who can’t do without his french fries, to the farther-flung regulars who stop by on their way to and from the coast. The first time I ever ate there, I shared the bar with a group of Germans who were touring the country by motorcycle. More than one couple—including two people who’d met and courted there—has celebrated their wedding anniversary at Pick’s.

But Clow’s true prized customers are the newest generation, like her own grandchildren, who can still hop on their bikes and enjoy an ice cream cone for a buck fifty. “I really try to keep it affordable,” she tells me, “for the kids.”

Pick’s Drive-In, 117 S. Cloverdale Blvd., Cloverdale. 707.894.2962.

More Local Media Buy-Ups

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Sonoma Media Group (not to be confused with Sonoma Media Investments, who own the Press Democrat, the Petaluma Argus-Courier and the Sonoma Index Tribune and other associated publications) today announced a $4.5 million deal to buy five local radio stations which were owned by Maverick Media Group, LLC.

I wish the investment group had chosen a different name, as it could be confusing to media consumers which local group owns which local press. The similarity is reminiscent of when North Bay Biz magazine changed their name after the North Bay Business Journal, which targets the same audience, changed its name so long ago.

Maverick Media sold KSRO, The Mix, Hot, The River and Froggy in the multi-million dollar deal. According to the Press Democrat‘s story, Lawrence Amaturo, “who previously owned KSRO and several other radio stations,” will take over the radio stations as owner/operator in May.

Happy 153rd Birthday, Recorded Sound!

The Phonautograph, first sound recording device

All lovers of vinyl need to check this out. It’s the audio of the earliest known gramophone recording, which is the grandfather of the modern vinyl record. Sure, Thomas Edison had his cylinders in the 1870s, but Emile Berliner invented the flat version of records in 1887. In the prequel to Betamax vs. VHS, or HD-DVD vs. Blu-Ray, Berliner’s gramophone disc dominated the recording industry and Edison’s neat little vertical audio cans remain mostly as footnotes in audio history.
The cool thing about this recording is not that the record itself has survived since 1890, but that it doesn’t actually exist. There are no known physical copies. So how does one hear audio from something that doesn’t exist? The Media Preservation Initiative at Indiana University, Bloomington, had found a way to take the photographs of the physical specimens from reference books and advertisements of the time and recreate the audio from those records. The result is discernible audio recordings of speech, song and a voice memo recorded as a test from the inventor to a friend.
But wait, there’s more.
These are not the first recordings ever made, nor are they the first reproduced sound. Edison’s invention was the first to reproduce the sound audibly. But it was “Au Claire de la Lune,” an 18th Century French folk song, which Édouard-Léon Scott de Martinville sang slowly into a vibrating diaphragm, that changed music forever. The long tube transferred the sound via hog’s bristle and a piece of a feather into waveforms. There was smoke, a rotating barrel and a hand crank involved. Though the phonautograph was a complicated and temperamental device (well, maybe not compared to an iPod in a WiFi-dead zone), audio could now be captured. And in 2011, a mere 151 years later, archivists have found a way to play it back. The recording was made on April 9, 1860 (before the American Civil War)–marking the birth of recorded sound.
Telephones, speakers, microphones–everything we know about audio today–is based on Édouard-Léon Scott de Martinville’s hog’s bristle and feather recording device. From one audio engineer to another, thanks, brother!

Happy 153rd Birthday, Recorded Sound!

All lovers of vinyl need to check this out. It’s the audio of the earliest known gramophone recording, which is the grandfather of the modern vinyl record. Sure, Thomas Edison had his canisters in the 1870s, but Emile Berliner invented the flat version in 1887. In the prequel to Betamax vs. VHS and HD DVD vs. Blu-Ray, Berliner’s gramophone disc dominated the recording industry and Edison’s neat little vertical audio cans remain only as footnotes in audio history.

The cool thing about this recording is not that the record itself has survived since 1890, but that it doesn’t actually exist. There are no known physical copies. So how does one hear audio from something that doesn’t exist? The Media Preservation Initiative at Indiana University, Bloomington, had found a way to take the photographs of the physical specimens from reference books and advertisements of the time and recreate the audio from those records. The result is discernable audio recordings of speech, song and voice recorded as a test from the inventor to a friend. Pretty amazing to think this was all done before the invention of the automobile (1881)!

But wait, there’s more.

These are not the first recording ever made, nor are they the first reproduced sound. Edison’s invention was the first to reproduce the sound audibly, and he actually figured out how to record it in his own way 17 years later. But it was Claire de la Lune, an 18th Century French folk song, which Édouard-Léon Scott de Martinville sang slowly into a vibrating diaphragm, that changed music forever. The long tube transferred the sound via hog’s bristle and a piece of a feather into waveforms. There’s smoke and a rotating barrel and a hand crank involved. Though the phonautograph was a complicated and temperamental device (well, maybe not compared to an iPod in a Wifi dead zone), audio could now be captured. And in 2011, a mere 151 years later, archivists found a way to play it back. The recording was made on April 9, 1860 (before the American Civil War)—marking the birth of recorded sound.

Telephones, speakers, microphones—everything we know about audio today—is based on Édouard-Léon Scott de Martinville’s hog’s bristle and feather recording device. From one audio engineer to another, thanks, brother!

Bret Michaels and His Hair Extensions Are Coming to Healdsburg

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Celebrity gossip fans, take note: Bret Michaels, singer of Poison and star of TV schadenfreude fest Rock of Love, is coming to Healdsburg on Saturday, June 8.
Michaels and his band (and his hair) will play at the finish line festival for the Grapes of Rock half-marathon, which ends at Lake Sonoma. Pete Stringfellow and Pop Rocks open the shindig, and the whole thing’s hosted by (who else?) KZST-FM’s Brent Farris. Benefitting the Salvation Army, and wine, beer, food, etc.
If you’re not running the half-marathon, tickets to the festival are currently $80. They go up to $90 on May 1, and then $100 on June 6.
Here’s Bret Michaels talking about his hair extensions on Rock of Love:

For more, see the Grapes of Rock website.

Roger

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I “hated” him. Then I loved him. His post on books is essential. His script for ‘Beyond the Valley of the Dolls‘ taught me camp. But his reviews—they’re going to be read and re-read for the next week, to everyone’s benefit. A valiant battle to the end, but moreso a hugely influential presence hovering over all reviewers, whether they like it or not (many do not). He never grew bitter like so many cranky writers, and he navigated the changing media landscape with aplomb. For every small grain of disagreement that grew in me while reading his reviews when I was younger, he earned back boulders of respect and support for longevity, insight and… that other elusive thing, that movies are our lives, that the human element is paramount, and that making sure it remained untainted was the job of a good reviewer. Anyway, I’m kinda crushed. Back to work.

Neil Gaiman Coming To Santa Rosa; Tickets Selling Fast

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gaiman.jpg

If you want to see Neil Gaiman in Santa Rosa on July 6, you’d better act fast. Tickets for his appearance at Santa Rosa High School went on sale yesterday, and even without much notice or advertising, they’re already selling quickly.

In just one day, reports Vicki D’Armon from Copperfield’s Books—sponsor of the event—roughly a quarter of the tickets are already gone. “I think I’ll probably have them through next week,” says D’Armon.

Gaiman is no stranger to local readers. I mean really—American Gods, Anansi Boys, Coraline? The Sandman? (To the uninitiated: Gaiman wrote a children’s book. He called it The Graveyard Book. That about sums it up.)

He’s also committed to his fans at a level that’s pretty unusual for authors of his stature. After the reading and Q&A, D’Armon reports, “he says he’ll stay until 4am to sign books.”

$35 gets you into the event and a copy of Gaiman’s newest, The Ocean at the End of the Lane. If you want to go with a friend and share the book, special $50 tickets allow two entries and one copy of the book.

While available, tickets are being sold at Copperfield’s stores. You can also get them online here.

Coursey: Strong Enough to Admit Lapse in Judgement

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ChrisCoursey.jpg

A round of applause to Chris Coursey for his self-critique published today in the Press Democrat.

After going through several front-page stories that acknowledged “human error” (Winnie-the-Pooh fake being one) or otherwise contained mistakes in judgement, he chastised himself for not seeing the forest for the trees in the Willits bypass story—i.e., calling the Mendocino County tree-sitting demonstrator’s tactics “futile and dangerous” and having faith that “cooler heads” (i.e. CHP and Caltrans) would work something out.

Of course, that was before bulldozers and SWAT teams were unleashed.

Whoever made that call was obviously a lot more of a hothead than anyone predicted, and I’m not sure Coursey needs to concern himself with too much hand-wringing in this case. (Not like the torrent of apologies a few weeks ago by journalists who supported the Iraq War.) But we have to say, it’s always nice to see some self-editing and ownership when errors have been made.

Hip Squares

New doc uncovers the stories behind classic album art

Bury Me in Bacon Waffle Batter

I've given it much thought, and when I die, I hope to be encased in carbonite like Han Solo in Star Wars. But I hope to have carbonite replaced with bacon-in-the-batter waffle mix. On Saturday, April 13, Santa Rosa's Zazu hosts a brunch to benefit the Ceres Community Project. What's special about this, other than being hosted by two of...

Meet Me at Pick’s

After 90 years, Pick's Drive-In is still the heart of Cloverdale

More Local Media Buy-Ups

Maverick Media sells five radio stations to a group of local investors

Happy 153rd Birthday, Recorded Sound!

All lovers of vinyl need to check this out. It’s the audio of the earliest known gramophone recording, which is the grandfather of the modern vinyl record. Sure, Thomas Edison had his cylinders in the 1870s, but Emile Berliner invented the flat version of records in 1887. In the prequel to Betamax vs. VHS, or HD-DVD vs. Blu-Ray, Berliner’s...

Happy 153rd Birthday, Recorded Sound!

All lovers of vinyl need to check this out. It’s the audio of the earliest known gramophone recording, which is the grandfather of the modern vinyl record. Sure, Thomas Edison had his canisters in the 1870s, but Emile Berliner invented the flat version in 1887. In the prequel to Betamax vs. VHS and HD DVD vs. Blu-Ray, Berliner’s gramophone...

Bret Michaels and His Hair Extensions Are Coming to Healdsburg

Celebrity gossip fans, take note: Bret Michaels, singer of Poison and star of TV schadenfreude fest Rock of Love, is coming to Healdsburg on Saturday, June 8. Michaels and his band (and his hair) will play at the finish line festival for the Grapes of Rock half-marathon, which ends at Lake Sonoma. Pete Stringfellow and Pop Rocks open the shindig,...

Roger

I "hated" him. Then I loved him. His post on books is essential. His script for 'Beyond the Valley of the Dolls' taught me camp. But his reviews—they're going to be read and re-read for the next week, to everyone's benefit. A valiant battle to the end, but moreso a hugely influential presence hovering over all reviewers, whether they...

Neil Gaiman Coming To Santa Rosa; Tickets Selling Fast

If you want to see Neil Gaiman in Santa Rosa on July 6, you'd better act fast. Tickets for his appearance at Santa Rosa High School went on sale yesterday, and even without much notice or advertising, they're already selling quickly. In just one day, reports Vicki D'Armon from Copperfield's Books—sponsor of the event—roughly a quarter of the tickets are...

Coursey: Strong Enough to Admit Lapse in Judgement

Self-examination is a good trait for columnists
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