May 3: David Sedaris at the Wells Fargo Center

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At this point, in the year 2013, everyone knows the deal on David Sedaris—so much so that his new book Let’s Explore Diabetes with Owls (the most David Sedaris-y David Sedaris title in the history of David Sedaris titles) is subtitled “Essays, Etc.” In it, the celebrated NPR contributor and chronicler of his own little life, etc., writes about his unsupportive father, etc., his new job picking up trash on the side of the road, etc., nasty thoughts he writes daily in his journal, etc., drinking, etc., and, yes, owls, etc. With all this et cetera flying around, how can a diehard This American Life fan possibly experience it best? With an in-person appearance, naturally, in the company of similarly obsessed Sedaris fans. David Sedaris charms the pants on Friday, May 3, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. 8pm. $45—$65. 707.546.3600.

May 3: Kyle Martin Band at Aubergine

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In the heyday of the never-forgotten Boogie Room, a house-garden-commune-barn-venue in Southwest Santa Rosa, it wasn’t uncommon to find a hardcore band like M.D.C. playing inside the barn, while outside, around the fire pit—always—a group of people jamming together on acoustic instruments. One resident campfire standby at the Boogie Room, named Kyle Martin, has just released a solo album that encapsulates a special, rural brand of idealism. See the upbeat song “Romance”, which contrasts the insidious nature of advertising (“TV tries to sell you that you are ugly, you smell bad, you’re hairy, hey, people think you’re scary”) with the natural onset of love, which “doesn’t cost a thing.” Martin has an adventurous band and a pure heart; he plays Friday, May 3, at Aubergine. 755 Petaluma Ave., Sebastopol. 8:30pm. $5. 707.861.9190.

BottleRock Countdown: The Black Crowes

Because rock and roll is what this festival is really all about, and because we haven’t seen this video since circa 1996, our second countdown pick is “She Talks To Angels” by The Black Crowes. Aside from the video’s awesomely grainy 1990s shadow play, the song defines a generation of melancholy rock star culture: it is supposedly about a heroin-goth dilettante that lead singer Chris Robinson once met in Atlanta. We really hope they play mostly the classics.

BottleRock Countdown: The Black Keys

There is exactly one week remaining until the biggest music festival the North Bay has ever seen. In honor of the lucky concert-goers who are about to embark on a massive planning mission that will likely involve hours of calculated preparation to see as many bands as possible, we’ve decided to post some of our favorite studio and live recordings of the bands, art troupes and comedians you probably shouldn’t miss.
It’ll be impossible to highlight everyone scheduled to perform, but this unabashedly discerning (and totally subjective) must-see list should help guide you through the mind-blowing five days, 4 stages, and 60 bands at BottleRock this year. If anything, it will help ensure you don’t end up like these Coachella kooks.
Only because they are the best damn rock and roll band to come out of Ohio in the last decade, first on our BottleRock Countdown list is Akron duo The Black Keys. They just won three Grammy Awards for best rock album, best rock song, and best rock performance. There really isn’t a better reason to stop everything and get as close to the stage as possible. Check out this video of “Strange Times”, live at the Crystal Ballroom in Portland:

Letters to the Editor: May 1, 2013

Why Buy Local?

So goes the rant—buy local! But what’s in it for the local buyer, if it’s not a true local economy? Take local beer and wine, for instance. Why does beer imported from Germany or Ireland sell at the same price as beer made in Healdsburg or Petaluma? Why does wine from Italy and France sell for the same price—or less—as wine from Napa? This doesn’t happen in European cities, where the local economy is truly local; there, it benefits buyer and seller alike, where local products such as beer, wine, cheese and produce typically sell for one-fifth the cost of imports. The same goes for farmers market vs. store-bought goods: the price difference greatly benefits the local consumer buying from local independent merchants.

Until that happens in the United States, until it happens here in Sonoma County, why pretend that local economy is great for everyone?

Sebastopol

Butter & Eggs Mania

Highlights of working at a bar on Butter and Eggs Day? Where do I begin? (1) Dude getting knocked out by a kick to the face; (2) dude performing a not-so-subtle handjob on his girlfriend on the couch in front of, like, 50 people; (3) me catching two dudes doing cocaine in the emergency exit hallway while I was taking out the trash, and, when I asked, “Hey, how’s it going?” them responding, “Oh, you know, just doing cocaine” (I kid you not); (4) person in a Chewbacca costume ordering drinks; (5) seeing a guy walk up to a girl at the bar, say something apparently very rude, and her immediately turning around and hitting him as hard as she could.

I feel like I have a much better idea of what people mean now when they talk about “small-town values.” Basically, they mean handjobs, drugs and punching.

Petaluma

For the Birds

“When the Swallows Come Back to Petaluma,” sung to the tune of “When the swallows Come Back to Capistrano”:

When the swallows come back to PetalumaThat’s the time you need to take down all those netsWhen you look at the bridge in PetalumaYou will see poor little birds killed in the netsAll the people on the ground are calling all aroundThe cruelty it astounds even hearts made of lead.When the swallows come back to PetalumaThat’s the time you need to take down all those netsIf you care about birds in PetalumaPlease sign on, raise your voice, save the birds.

Via online

I have pledged $100 to Native Songbird Care & Conservation to help Veronica Bowers, her staff and her mission (“Bird Call,” April 24). I have signed the petition to remove the nets on the NSCC website. I have shared this horrible problem with over a hundred conservationists. If you can, please help. Please sign the petition at www.nativesongbirdcare.org, and please spread the word.

West County Hawk Watch

Write to us at le*****@******an.com.

Grohl’s Coming

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Consider this your final heads up: BottleRock Napa Valley is coming to kick out the jams in wine country like never before.

Kicking off with Macklemore on Wednesday, May 8, the festival continues through Sunday, May 12, with a lineup rivaling that of any other major festival: the Black Keys, Alabama Shakes, Flaming Lips, Jackson Browne, the Avett Brothers, Bad Religion, Jane’s Addiction, Zac Brown Band, Dirty Projectors, Primus, Kings of Leon and many others. (Just before press time, Furthur canceled, citing Bob Weir’s health issues.) A comedy lineup with Kristen Schaal, Tig Notaro, Jim Gaffigan, Rob Delaney and more is on tap, as well as tons of food, wine and other summertime kickoff fun.

This Monday, BottleRock presents Dave Grohl (Nirvana, Foo Fighters) in person at the Uptown Theatre, screening his film Sound City and conducting a Q&A. Tickets are $100, but in keeping with the BottleRock mission, it’s a benefit for autism causes.

Dave Grohl in Napa? Announced at the last minute? Is there anything these crazy BottleRock guys can’t do? Be in the presence of Nirvana royalty on Monday, May 6, at the Uptown Theatre. 1350 Third St., Napa. 6pm. $100. 707.259.0123.

Belly Up

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For as much rock-and-roll hype a certain barbecue-sushi joint in downtown Santa Rosa enjoys, its only connection to rock music is loud volume. To truly eat like a rock star, one needs simply to walk a few doors up the street.

Gray Rollin, chef of the new downtown Santa Rosa restaurant Belly, has been a personal touring chef for bands Kiss, Motley Crüe, T-Pain, Tori Amos and Linkin Park. His new restaurant serves what he calls “new American” cuisine; it’s a melting pot of styles from the 40 countries he’s visited while on tour. There is no central theme, other than using ingredients from the West Coast and making diners happy, and he knows the route to that goal. “When your belly’s full, you’re happy,” says Rollin.

Belly’s offerings will change with the seasons. Menu staples, though, include the crispy pork belly ($20) and the Asian quinoa and kale salad ($10). The pork belly is crusted with ginger, garlic, salt and pepper, seared, then braised for about six hours in sake and hoisin sauce. “It’s literally the first thing we do every day,” says Rollin. “We use about four bottles of sake for it.” The result is a big hunk of tender, almost pull-apart pork belly; the crust is crispy, and the pork flavor shines.

Rollin has worked wonders with the belly, and he accomplishes a similar feat with pulled pork. It’s smoky, in a somewhat sweet sauce, and again the pork flavor sits atop the palate, right out front where it should be. But putting it on a pizza ($13) diminishes its appeal. The pizza dough serves only as a sloppy vehicle for the meat—a pork hoopty, as it were—and the cheese dampens the overall flavor. It would be better on its own, served like the belly, or perhaps in a corn tortilla with fresh coleslaw.

Elsewhere on the menu, however, comfort-food successes are plentiful. The delightful two-hog mac and cheese ($10) features both Mexican and Spanish chorizo mixed in with every kid’s favorite TV dinner. Though presented in a grownup manner, the rush of nostalgia from eating mac and cheese is thankfully kept intact.

Rollin calls his fare comfort food “with a twist”; that twist includes worldly influences and healthy salads like tuna nicoise and roasted beet with goat cheese. On tour, he has to keep at least one meal kosher and one organic, gluten-free and vegan, so he’s familiar with dietary restrictions. “I don’t cook with a lot of butter or too much fat,” adds Rollin. “I’ve been around these guys long enough, so I know what makes them happy.”

Being on the road and making food for a superstar band like Linkin Park means Rollin knows good rock-band tour cooking isn’t just about what’s on the menu; it’s also about when meals are served. Upon arrival, Rollin will have at his disposal a few hundred dollars of local currency, a translator and transportation to make sure the band’s meals will be ready on time. Sometimes, he’ll get a call to have dinner ready in 15 minutes, and sometimes this happens when there isn’t much available. While on tour with Blink 182, Rollin got a request from guitarist and singer Tom DeLonge for ahi tuna, but it’s not exactly of the freshest quality in Saskatoon, Canada. A stickler for quality, Rollin suggested DeLonge wait until the band stopped in Vancouver a few days later. “Whatever happens to that band, if I feed them and they get sick, that’s my ass,” he says. “I mean, I’d let down 60,000 fans because one guy got sick.”

He himself would be one of those fans, most likely. “My first tour was with Motley Crüe—that’s my favorite band,” says Rollin. “And I used to listen to Linkin Park in college to get pumped up before playing baseball games.” Now he gets to watch each night from the stage. Dream job? “It is,” he responds coolly with a slight smile.

Between tours, Rollin now has a home base, a restaurant to try new recipes out and hang up memorabilia, like the autographed crash cymbal from Linkin Park that sits above the 28 tap-bar at Belly. The beer selection is an admirable list of local and well-known microbrews, rotating based on availability and taste.

Though their lifestyle brands are similar, Rollin doesn’t fear competition from the frosted-tipped, flame-shirt-bedecked chef who owns the well-established Tex Wasabi’s, located on the same block. “He and I actually had the same tour bus driver,” he says. “I think he’s a great chef, and I’ve heard he’s an awesome guy.”

The buzz is that there’s a chance Rollin will be on an episode of Chopped in the next couple months, and he says he’s fielded calls about doing other television shows. “My name’s on the radar,” he says.

In other words, watch out, Guy Fieri—there’s another bona fide rock-star chef nipping your heels.

Belly, 523 Fourth St., Santa Rosa. 707.526.5787.

No More Risk

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They came with their entire lives in a folder.

That’s how Jesús Guzmán, one of the founders of the DREAM Alliance of Sonoma County, describes the 160-plus undocumented youth who came to the Deferred Action Application Fair on Aug. 18, 2012.

“They had documents from anywhere they could get them, with a name and a date to show where they’d been before age 16,” he recalls.

The fair in the Roseland Elementary School gym was part of a national effort to turn these stacks of papers into social security numbers for those called “DREAMers,” children of undocumented immigrants under age 31 who came to the United States before age 16. Known as Deferred Action for Childhood Arrivals (DACA), the Obama administration’s initiative was signed into law last June, offering two-year, renewable citizenship to DREAMers who have lived continuously in the United States for at least five years.

On that Saturday in August, the room was full of volunteers and lawyers behind folding tables, with handmade signs directing applicants through the complex process. The application for Deferred Action costs $465 and asks second-generation immigrants to provide a paper trail for years during which many of their families lived and worked under the radar.

Still, Guzmán says the atmosphere in that elementary school gym was both powerful and full of hope.

“It was the first time we recognized that everyone in the room was undocumented, everyone was an ally,” he says, adding that although some of the attendees had been brought together before—to look into college resources for immigrant youth, for example—the fair was an explicit acknowledgment of citizenship status. “It took a lot of courage for folks to come out and be in the same room,” he says. “We’re taught in our own families not to say we’re undocumented, because it’s dangerous. It makes us vulnerable to deportation.”

This has been especially true under the very administration responsible for DACA. In its four years in office, the Obama administration has deported 2 million undocumented immigrants, the same number deported by the Bush administration over the course of eight years. And while Immigration and Customs Enforcement (ICE) may focus on people who have broken criminal laws—according to its website—local numbers tell a different story. According to the Press Democrat, in 2011, for example, only half of the 921 inmates released to immigration officials over the course of a year had been convicted of the crime for which they were incarcerated, or had any criminal record at all.

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Home ICE raids in the city of Sonoma’s Latino neighborhoods were an early catalyst for Guzmán’s activism. The 23-year-old grew up on a small dairy farm in Sonoma, the son of undocumented Mexican parents who emigrated when he was one year old. As a high school senior in 2007, he remembers classmates beginning to protest the seizures and deportations by quietly excusing themselves from class. And while he knew what they were doing, their protest wasn’t made explicit to anyone else.

“There was no message, so it just looked like truants walking out of school,” he recalls. “It pissed me off, because they were trivializing what we were going through.”

So he helped organize a walkout. When the group of roughly 125 students left their classes en masse, he remembers telling anyone who asked that the group wasn’t cutting school; it was trading biology or English class for a course in social justice.

At the Santa Rosa Junior College several years later, he continued organizing around immigration issues, such as vehicle checkpoints and car impounds when undocumented drivers couldn’t produce a license. In the spring of 2011, when the statewide Dream Network began mobilizing around the nascent Dream Act, he and his sister, Diana Guzmán, began rallying around the bill, which would allow DREAMers to apply for student financial aid. After Gov. Brown signed the bill in October, the student group, now known as the DREAM Alliance of Sonoma County, turned its attention toward Deferred Action.

There are 1.4 million potential DACA beneficiaries nationwide, with nearly two-thirds (900,000) between the ages of 15 and 30, according to the Immigration Policy Center. The rest are “future beneficiaries” between the ages of five and 14, who will be able to apply in high school. California has the greatest population that could benefit from DACA, at 300,000, with Texas (150,000) and Florida (50,000) as distant runners up.

But though the group sees DACA as a momentous victory for immigrant youth, Guzmán says their recent push has been around their families, whom he calls the real dreamers. Speaking of that auditorium full of hopeful students back in August of 2012, he says: “It was fantastic that we had legal protection, but it still left our families vulnerable to deportation. Our own families are still at risk.”

Fiesta Grande

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Roseland is a 100-year-old neighborhood that’s only a mile from city hall, and yet it is not included in, though surrounded by, the city limits of Santa Rosa. Officially, the city’s reasons for failing to welcome the neighborhood into the city involve sales tax and redevelopment; coincidentally, it is home to the highest concentrated Latino population in the Santa Rosa area. Make no mistake: this is Santa Rosa’s biggest shame.

But for one night, Roseland, the bastard child of city planning that for decades favored a sales-tax revenue base over the well-being of its residents, gets to rise above. The always-packed Cinco de Mayo celebration on May 5 is more than the mariachi bands, the tacos, the lowrider cars, the breakdance contest, the chicharrones. It’s the night Roseland gets to sing its presence, loudly, until the day that annexation into the city finally comes. The alcohol-free, family-friendly party is free, on May 5, at the old Albertson’s parking lot on Sebastopol Road. 3pm-9pm.

GRINDING HALT

What if the stalled economy stays that way? It’s highly possible, according to Richard Heinberg, author of The End of Growth: Adapting to Our New Economic Reality. A frightening clarion call for environmental awareness, Heinberg’s latest argues that natural limits on fossil fuels, a growing population, high levels of debt and continued underemployment are all signs that the pipe dream of an ever-expanding GDP could be well over. Author of 10 books and a senior fellow at the Post Carbon Institute, Heinberg speaks on “Navigating the New Economic Reality” on Wednesday, May 8, at the Glaser Center. 547 Mendocino Ave., Santa Rosa. 6:30pm. $10. 707.568.5381.

Reflected Notes

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Forty years into a professional life as America’s most versatile rock and blues keyboard player, Bill Payne is testing the waters as a solo performer. The Little Feat cofounder already has a personal creative outlet as an accomplished photographer, but musically, he’d always been a collaborator. Until now.

“I thought about it for a long time, to be honest,” Payne explains over the phone from his Montana home north of Yellowstone National Park. “I just could not figure out how to do it. Do I go out there and play a lot of old Little Feat songs that the band doesn’t play? What do I do?”

The result is “Tracing Footsteps: A Journal of Music, Photography and Tales of the Road,” which stops off at Mill Valley’s Sweetwater Music Hall next week, with Grateful Dead archivist and publicist Dennis McNally opening and facilitating a Q&A session with Payne and the audience.

Payne’s answer began to emerge when he started writing songs with Grateful Dead lyricist Robert Hunter, four of which appeared on Little Feat’s most recent recording, Rooster Rag. Payne credits the success of that partnership to their shared visual approach. “His lyrics provide a real cinematic approach for me as a guy trying to come up with melodies and chords. So it’s a good handshake.”

With the band “on hiatus for a while” due to guitarist Paul Barrere’s health, Payne says, the pieces seemed to fall into place. “Lo and behold, I was in possession of a lot of songs. I was also singing more the last few years with Little Feat, so my confidence in that area grew.”

But he also wanted to share more than his music.

“I thought, why don’t I share my photography, why don’t I share stories from not only Little Feat and being a road warrior, [but] all the years of being in the studio and all the things that come [from] this curve of creativity I’ve been enjoying for the last . . . well, since I was five years old.

It was at that tender age, he recalls, that he first found musical inspiration in the vista from his family’s Ventura home. “I lived up on a hill, I had a view of the Pacific Ocean, all the attendant weather patterns, and I would go from the big picture window and wander over the piano as a little kid and try to replicate what I just saw.”

These days, as he’s able to capture those visions explicitly on film as well as musically, Payne has finally found a way to combine it all, as he puts it, “under one tent.”

May 3: David Sedaris at the Wells Fargo Center

At this point, in the year 2013, everyone knows the deal on David Sedaris—so much so that his new book Let’s Explore Diabetes with Owls (the most David Sedaris-y David Sedaris title in the history of David Sedaris titles) is subtitled “Essays, Etc.” In it, the celebrated NPR contributor and chronicler of his own little life, etc., writes about...

May 3: Kyle Martin Band at Aubergine

In the heyday of the never-forgotten Boogie Room, a house-garden-commune-barn-venue in Southwest Santa Rosa, it wasn’t uncommon to find a hardcore band like M.D.C. playing inside the barn, while outside, around the fire pit—always—a group of people jamming together on acoustic instruments. One resident campfire standby at the Boogie Room, named Kyle Martin, has just released a solo album...

BottleRock Countdown: The Black Crowes

Because rock and roll is what this festival is really all about, and because we haven't seen this video since circa 1996, our second countdown pick is "She Talks To Angels" by The Black Crowes. Aside from the video's awesomely grainy 1990s shadow play, the song defines a generation of melancholy rock star culture: it is supposedly about a...

BottleRock Countdown: The Black Keys

There is exactly one week remaining until the biggest music festival the North Bay has ever seen. In honor of the lucky concert-goers who are about to embark on a massive planning mission that will likely involve hours of calculated preparation to see as many bands as possible, we've decided to post some of our favorite studio and live...

Letters to the Editor: May 1, 2013

Letters to the Editor: May 1, 2013

Grohl’s Coming

Nirvana drummer to present film at Uptown Theatre

Belly Up

Rock-star chef delivers worldly comfort food in downtown Santa Rosa

No More Risk

The DREAM Alliance of Sonoma County works to keep families together

Fiesta Grande

Roseland is a 100-year-old neighborhood that's only a mile from city hall, and yet it is not included in, though surrounded by, the city limits of Santa Rosa. Officially, the city's reasons for failing to welcome the neighborhood into the city involve sales tax and redevelopment; coincidentally, it is home to the highest concentrated Latino population in the Santa...

Reflected Notes

Little Feat keyboardist plays storytelling set
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