Dawn of a Decade

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They’ve toured around the world with popular bands, playing to thousands. They just recorded their new full-length album, Keep Dreaming, with legendary engineer Steve Albini in Chicago. And they recently sold the last of 2,000 copies on CD and LP of their 2008 release Get Vulnerable.

But the band still practices in a Petaluma chicken coop. They bring their dogs on tour. The bassist and guitarist are married. The drummer is a longtime friend. They’ve seen other guitarists come and go in their 10 years as a band.

Guitarist Sara Sanger, picking strands of white dog hair from her black clothes in the backyard of her Santa Rosa home last week, explains. “This is what this band is going to be. I’m clear on our appeal, our range of success,” she says.

“There’s an illusion when you’re younger,” Sanger continues, “when you’re first starting a band, that anything is possible. And that this might be the moment you get taken to the next step.”

Her husband, Josh Staples, bassist, singer and primary songwriter of the band, chimes in. “But that happens all the time.”

“It happens,” Sanger replies, “but it’s not going to happen to us.”

And the New Trust seem perfectly fine with that. “To put a seven-minute song as the first song on your record is pretty dumb,” says Staples. But that’s the vision the band had for this record. “If you’re not going to do it for the sake of doing it,” says Staples, “then you’re going to compromise it in the end.”

That thought is the inspiration behind “Compromise,” Keep Dreaming‘s hard-hitting, three-chord riff on the music industry. A big, powerful rock song, it’s far different than anything on the band’s first albums, which leaned more toward punkish pop with catchy guitar hooks. Keep Dreaming is slower, methodical and wise to the world. A pervasive overtone of death and rebirth, especially on “Marigolds”: “With what remains, let the soil be fortified,” sings Staples in his melancholic tenor. “Let my last cell decompose to spring forth marigolds.”

Keep Dreaming, released May 14, is lyrically deep and musically dark. The music resonates through more than just eardrums. Happiness does shine through on the last song, the only one to show any semblance of a major key, albeit for only a fleeting moment.

It’s appropriately titled “In My Dreams, You’re Still Alive.”

The New Trust play with Creative Adult, Hard Girls, Nervous, and the Happening on Saturday, June 1, at the Arlene Francis Center. 99 Sixth St., Santa Rosa. 8pm. $8. 707.528.3009.

Raka Party

NOTE: This show has been canceled.

Latin hip-hop has been coming up this past decade, and the West Coast produces some of the best artists in the game. But while the industry keeps busy hyping New York rappers with Caribbean ties, groups like Oakland’s Los Rakas are keeping independent hip-hop about the community.

Straight out of the turf-dancing, big-glasses hyphy movement, cousins DunDun and Rico are Oakland-raised with deep Panamanian roots. Their sound meshes island rhythms with uptempo hip-hop, hardline rhymes and sexy vocals. Like many Latin rappers, they flow about subjects speaking to the Latino experience, and their bilingual lyricism comes as naturally as rapping over bass-heavy bachata. Even their name is a twist on social norms, reclaiming the diminutive slur “rakataka” as a mark of cultural empowerment.

This summer, Los Rakas release the double-disc El Negrito Dun Dun & Ricardo on their label Soy Raka. If it’s anything like the anthems “Kalle” and “Abrazame,” it’ll mark one more elevating notch in the evolution of underground hip-hop.

Los Rakas open for dancehall king Mr. Vegas on Friday, May 31, at the Mystic Theatre. 21 Petaluma Blvd. N., Petaluma. 9pm. $20–$25. 707.765.2121.

Lakeville-vore

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The first time I look for Petaluma’s Pub Republic, I just want to do a drive-by to see where it is. I drive straight through town. Apparently, it’s not on Lakeville Street. The second time I look for Pub Republic, I consult Google maps. Still, I roll right out of town, having to turn out at a dairy and double back toward what ends up to be a newish shopping center on the edge of town.

The problem was I had my eyes peeled for the low-slung hole-in-the-wall I’d imagined upon learning that a couple of hopeful locals had opened a pub with Brussels sprout tacos, a signature menu item that seemed to speak of gastropub aspirations. Come-on or not, I’m a big fan of the Brussels sprout, so I had to try them.

Pub Republic fits so neatly in its space—built about seven years ago, with high ceilings, lots of glass, rustic wood details—you’d never guess that two restaurants have already inhabited it in seven years. I don’t think I ever even noticed them on dozens of trips down this highway. But owners Jory Bergman and Mark Edwards aren’t worried about the ghosts of restaurants past. “We did our due diligence,” says Bergman. “We wanted to make sure that it wasn’t the space or the location.” The Novato-based couple researched the internet and spoke with former customers, vendors and chefs. Adjacent to several business parks, it’s passed by 25,000 vehicles a day, and across the highway is a whole neighborhood in the 35-to-45-with-family demographic. All the time, new customers tell them, “I live just around the corner!”

Bergman and Edwards recycled some elements of previous restaurants, like the booths and cushioned benches, and the stonework central to the bar. Big screens beam the games silently, while the soundtrack is contemporary rock. A dining area to the side provides a space for larger groups. In fact, with its geographically vague name, familiar layout and on-cue service, Pub Republic evinces something more like a well-planned chain restaurant than my original hole-in-the-wall guess.

That blip on my corporate radar was no glitch. If Edwards winces a little at the mention, his partner laughs, it’s because he doesn’t talk much about his 23 years of experience in corporate restaurant management. But he’s game to explain that he opened dozens of successful concept restaurants like Blackhawk Grille, Alcatraz Brewing and Napa Valley Grille—all in locations like the Mall of America, far from their namesakes.

With Pub Republic, he’s applying what he learned instead to a very local, community-oriented experience. “We see it, we feel it, we sample it, and we stay on top of it,” says Edwards. They’ll jump behind the bar, greet people and make sure that people know that the owners are on the floor, and in the community.

Yes, the Brussels sprout tacos ($8) are the most talked-about item on the menu. During an anonymous drop-in, I found the tacos to be a surprisingly hearty, filling snack, meeting or exceeding expectations. Crunchy, fried sprouts provide the chewy, “meaty” base, although they could stand with a finer chop, so you’re not gnawing on large pieces rumbling inside the flour tortilla (which isn’t house-made, but that’s a lot to ask). Better yet, if all the cheese was melted.

An eight-ounce sirloin steak ($14) was attractively presented, with glistening peppercorn sauce, Parmesan scalloped potatoes and crisp sautéed green beans. The steak—grass-fed beef is the default option—was accidentally ordered “medium well” by a slip of my tongue, but was still just fine. A side of slender truffle Parmesan fries ($7) were nice and crispy, and mercifully light on the truffle oil.

Yet more Brussels sprouts are tucked into the Guinness braised beef shepherd’s pie ($14), served alongside the brick chicken ($17) and in the bacon hash with eggs and fingerling potatoes ($11). In season, some produce is sourced from nearby Green String Farm. Pistachio arugula salad ($8; $11) and crispy artichoke, green bean and watercress salad ($10) share the list with the customary caesar and mixed organic greens.

Burger accessories include smoked gouda, shallots, chipotle sour cream and gluten-free buns. The short, smart wine list includes Rack and Riddle Blanc de Blancs from Hopland. Edwards keeps the Ballast Point Sculpin IPA flowing; other beers include Highway 101, Drake’s, Lagunitas and gluten-free Widmer, too.

Bergman and Edwards built Pub Republic with the possibility of expansion in mind, but for now, they’re happy to fill a niche in this corner of Petaluma, and are appreciative of the friendly, noncompetitive atmosphere in this town.

Meanwhile, hidden behind a door, there’s a faint outline of a crazy dancing skeleton under fresh paint, left over from the previous restaurant’s decor. It’s a sort of reminder, says Bergman, of the hard work they put in to transform the space—maybe even, a sort of talisman. One thing’s for sure. They won’t slack off with the ghost of restaurants past watching them.

Pub Republic, 3120 Lakeville Hwy., Petaluma. 707.782.9090.

Down to Earth

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The artists in “Cosmic Terrain” don’t care for labels. Labels are for art critics, not for working artists like Damon Soule, Oliver Vernon and Mario Martinez, aka Mars-1.

“Cosmic Terrain” is an exuberant exhibit featuring 22 pieces (including Transcendental Disaster, by Mars-1, pictured). Infinite Tapestry Round, a 6-by-6-foot composition in black-and-white, looks like it might leap from the wall and gyrate round the room. Damon Soule’s Unfoldment and Mario Martinez’s Symbiosis could serve as the set of a sci-fi movie. Dark City, the collaboration between Martinez, Soule and two other artists, David Lee Chong and NoMe Edonna, whirls and swirls with objects both organic and mechanic. Bright colors clash, chaos engulfs the canvas, and, amazingly, it all coheres.

Coordinator Scott Hess says that since the opening, he’s never seen so many 20- and 30-somethings turn out for an art show in Petaluma. “It’s a pretty traditional town,” Hess says. “Usually, there’s a hew and cry when art so unconventional is on exhibit, but not this time.”

A closing party featuring DJ Romanowski sends “Cosmic Terrain” off in style on Saturday, June 1, at the Petaluma Arts Center. 230 Lakeville St., Petaluma. 8pm. 707.762.5600.

Wrung Dry

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During her one weekly shower, Dillon Beach resident Theresa Byrne crams her bathtub with empty peanut butter jars. When they’re full of runoff water, she carries them into her kitchen and places them on the windowsill above her sink. Throughout the coming week, she uses that recycled supply to wash her dishes—until the next time she can afford to bathe.

Byrne, 63, isn’t the only person in her remote, coastal village counting every drop that leaves the tap. With bimonthly water bills climbing as high as $600—nearly six times the average paid by households in West Marin’s other hamlets—stories of desperate water conservation abound in Dillon Beach. Lea Christensen-Morris, 64, washes her dishes with reused cooking water, saves drainage from her potted plants and wears only dark clothing, reasoning that she can launder her garments less frequently if dirt and stains blend in. Stephen and Jackie Cato, 63 and 64, don’t even have a washing machine. They skimp on bathing too, so they can afford to let their teenaged granddaughter, who lives with them, shower every day.

How did this happen? While the public North Marin Water District (NMWD) serves Point Reyes and Olema, a private utility called Cal Water bills homes in Dillon Beach. The rate difference is shocking.

In early May, 15 Dillon Beach residents filled out surveys distributed by Byrne, reporting bimonthly highs between $250 and $600. Meanwhile, the NMWD reports that the average customer in its small coastal towns pays just $107 every two months—and for more centralized Novato customers, it’s even lower. According to the public utility’s website, its average ratepayer uses 60,200 gallons—71 CCFs—a year.

A rate calculator on Cal Water’s website shows that if each household in Dillon Beach used the exact same amount of water as the average NMWD customer, bimonthly bills would likely be around $473—over four times higher than neighboring towns. And it’s about to get worse. In an upcoming rate cycle set to begin in 2014, the company has proposed hikes that would send those bloated $600 bills up to around $730.

Though a private, investor-owned utility, Cal Water is regulated by the California Public Utilities Commission (PUC), the same agency responsible for overseeing PG&E during its San Bruno pipeline rupture that killed eight people. It’s also a governing body notorious for cozy liaisons with the utilities it’s supposed to keep in check. In a recent egregious example, PUC president Michael Peevey skipped a Senate hearing in Sacramento where he was to be grilled on this very culture of elbow-rubbing, opting instead to attend an exclusive Napa reception with utility heads. The event was sponsored by a dark-money nonprofit bankrolled by many of the utilities he’s supposed to regulate.

While ratepayers on the bottom are squeezed, executives in Cal Water’s corporate office enjoy seven-figure compensation packages, multiple retirement plans, meetings that pay board members $2,300 a pop and at least one $84,000 company car. In the face of another rate hike, it’s worth asking if this public-private partnership is living up to the PUC’s supposed credo of providing “safe, reliable service at reasonable rates.”

But poring over the numbers from Cal Water’s last three rate hikes doesn’t just show requests for rate increases to fund executive office remodels and automatic gates. There’s also evidence that the company collected large sums of money for new employees who then weren’t hired, and talk of a $3.05 million refund to ratepayers that disappeared in a private negotiating session between Cal Water and the embattled PUC.

PAYING BIG IN A SMALL TOWN

Dillon Beach isn’t Cal Water’s only town struggling to pay its bills. The company serves multiple small, rural towns across California with low median incomes and high poverty rates. Locally, it provides water to parts of Guerneville and Lucerne in Lake County. In the Central Valley’s Kern County, Split Mountain and Wofford Heights are two remote communities with median incomes under $30,000 and poverty rates nearly twice the national average. Twenty percent of the population in Glenn County’s Willows and Yuba County’s Marysville live below the poverty line.

Kurt McKelvey, a member of water-advocacy group Lucerne FLOW (Friends for Locally Owned Water) in the small Lake County town, says his household’s average bimonthly bill is $250, though that isn’t the highest he’s seen.

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“Once we tried to start a vegetable garden and got a bill that was over $600,” he writes in an email. “That garden didn’t last long.”

McKelvey estimates that his average bill would climb to $375 under the proposed rate increase, which was the subject of a heated public meeting in Lucerne on April 12. Footage of the meeting, viewable on YouTube, shows townspeople lambasting Cal Water reps, accusing them of “raping” Lucerne. The owner of a local Foster’s Freeze cites $1,600 bills, claiming her rates are going to force her to shutter her restaurant. Other residents talk about vacant storefronts and empty rental units, claiming the water bills were turning their home into a “ghost town.” At one point, a local sheriff has to come to the podium to calm the room.

Gay Guidotti is the manger of Cal Water’s Redwood Valley district, overseeing both Dillon Beach and Lucerne. She explains that costs spike for these small districts because the PUC regulates water utilities differently than power providers like PG&E.

“Their outlook is that each individual system should pay for the cost of service to that system,” she says, adding that every community has unique sources of water—wells, lakes, etc.—and infrastructure for treatment and delivery. So while power companies can spread the cost of electricity and heat across a vast, sometimes-statewide customer base, utilities like Cal Water have to bill each community separately.

For Dillon Beach, that means spreading the cost of a treatment system and tank, pumps and maintenance across just 253 hookups, while public utilities like the NMWD have thousands. Guidotti says that Lucerne, though not as small, still only has 1,250 hookups to foot the cost of a $7 million plant to treat water from Clear Lake.

Unfortunately, this piecemeal approach means that the company’s small, rural towns—many of which, again, have high poverty rates—get stuck with the steepest bills. The PUC’s Division of Ratepayer Advocates (DRA), an organization within the regulation that is supposed to represent consumers, argues this in a document assessing Cal Water’s latest rate hike proposal. It concedes that district size isn’t the only factor driving customer bills above the company-wide average, but concludes that “there does appear to be a loose correlation between the size of the district and the average customer bill.”

The utility provides low-income rate assistance to customers who qualify. However, the program’s monthly discount peaked company-wide at $12 in 2012, an amount that makes only a small dent in places like Dillon Beach. At a meeting in Tomales on April 11, Christensen-Morris mocked the program, calling it a “pittance.”

Cal Water also credits its higher paying districts with a small tax obtained from each customer, as part of its rate support fund. According to the rate calculator on Cal Water’s website, this program does credit a Dillon Beach customer using NMWD’s average CCF about $50 a month, or $100 a bill, meaning the bimonthly cost would likely be around $573 without it. Jeff Young is a Dillon Beach resident acting as an “intervener” in the current rate case, and he sees hope in this fund if the credit can be tweaked.

“The formula they’re using is inequitable to Coast Springs [Dillon Beach’s micro district],” he says, adding that telecommunications utilities never charge outlying ratepayers more than 150 percent of the average overall rate.

Young adds that many of the costs hitting ratepayers are fixed—infrastructure, salaries and administrative fees that are also thinly spread over the small ratepayer base, meaning that even conservation of water has its limits.

And then there are the other costs coming from Cal Water’s central office.

EXECUTIVES RAKE IT IN

In her Dillon Beach home on May 6, Christen-Morris handed off a three-page, typed letter to be used for this article in which she calculates the exact cost of washing a head of broccoli, and states bluntly, “I have grown afraid to use water.”

Later in the letter, she writes, “I resent that each of [the] board of directors gets $2,300 to just show up at a meeting.”

It sounds alarming: $2,300 just to show up at a meeting? But her figure checks out. In fact, a perusal of Cal Water’s 2012 proxy statement “How Do We Measure Success?” reveals multiple expenses that, were this “publicly regulated” private company truly public, would surely raise taxpayer pitchforks. There are CEO Peter C. Nelson’s total annual earnings—salary, stock awards and “other compensation”—of $2.09 million. There are the other four men on top, raking in annual packages between $730,000 and $1.2 million. And there are Nelson’s pension and “supplemental executive retirement plan” with a total accumulated value of $11.6 million. (In fact, according to the DRA, this latter benefit exceeds “the amount allowed for in the qualified pension plan by the IRS.”)

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To be fair, these top-heavy “incentives” are comparable to other big-name utilities the PUC regulates. Kevin Burke, CEO of ConEdison, rakes in a far steeper yearly package of $14.8 million.

As a safeguard, these top-level packages at Cal Water are overseen by its Organization and Compensation Committee, which, the report states, cannot be made up of current employees or anyone with “any material interest” in the company. However, these five so-called non-employee directors receive a $32,500 annual retainer, a benefits plan that will pay $22,000 a year after retirement, stock awards and tidy sums of $1,800 for each meeting attended and $3,600 for each meeting chaired. Board members—many of the same people as the committee members—receive $2,300 for each board meeting they attend. In addition, three of these committee members have a retirement plan that will pay $22,000 annually for the number of years they served on the board.

It’s partially for reasons like this that a hefty portion of each rate increase goes not to maintenance in the local districts but to the central office in San Jose. Of the roughly $126.9 million in rate hikes requested by Cal Water in its current case before the PUC, $71 million—more than half—would go to its general office. A large chunk of that—$42.6 million—is requested to pay for salary and benefit increases for recent and projected hires, while other costs are tied up in rent and taxes.

But a pool of other customer-funded expenses may not seem quite so essential. There are dues associated with an organization called the Alliance of Chief Executives, which, according to its website, “creates very private, high-level, confidential environments for members to have strategic business conversations.” There are fees associated with new company cars for top-level executives and other general office staff in the $30,000–$40,000 range—even though some of them received money for new cars in the last general rate case, just three years ago.

The PUC may not allow all of these expenses to be folded into Cal Water’s current rate hike. In its back-and-forth with each utility, the DRA can recommend removal of fees that seem extravagant. In its last rate hike, Cal Water was unsuccessful in its original request to include the total cost of CEO Nelson’s car—$84,500—which the utility later said was mistakenly included.

THE REFUND THAT DISAPPEARED

In the last few rate cases, the DRA has also taken issue with Cal Water’s hiring pattern—or lack thereof. In a January 2008 report, it questioned the company’s request to hire 148 new employees in its central office—a sizable 62 percent increase over the existing staff. Meanwhile, it states that between 2005 and 2006, the company’s actual payroll expenses were $2.57 million lower than the amount allotted them in ratepayer money.

“The amount authorized in rates was much higher than the actual payroll expense, resulting in a significant windfall to its shareholders,” the report reads.

A similar issue resurfaced in 2010, when the DRA stated that 13 of the 38 positions that had been authorized with ratepayer money for 2009 were unfilled, and that Cal Water had used the number of employees authorized rather than the number of employees actually hired as a base number for expenses and future payroll needs. It even went so far as to recommend that Cal Water set up an account and refund ratepayers $3.05 million, writing: “CWS unfairly and inappropriately requested and received recovery for new position costs prior to CWS actually hiring those employees.”

Darin Duncan and Paul Townsley, Cal Water’s manager of rates and VP of regulatory matters, deny that Cal Water received any kind of windfall profits from the payroll gap.

“That was a period when we were really slow in hiring new people,” he acknowledges, citing a staffing shortage in HR and a dotcom bust in San Jose. In lieu of hiring full-time, benefited employees, he says, the company hired temp and part-time staff.

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Cal Water offered rebuttal testimony to its regulator’s claims, taking issue with its “inflammatory and accusatory” language which could “unnecessarily agitate customers.” The company claims it was burdened by excess costs in the area of healthcare, legal fees and environmental compliance, and that the DRA overstated some of the costs of its unhired employees.

“Due to these higher offsetting expenses, by not increasing its workforce to the authorized level, Cal Water still did not earn its authorized rate of return and there were no windfall profits,” the document states, displaying annual returns between 5.59 and 8.07 percent.

Lisa Bilir, a supervisor with the DRA, confirmed in an email that the issue of the $3.05 million was dropped after Cal Water’s testimony, and the company was not required to create an account for refunds. She further explained that each settlement reached between a utility and the DRA is “pro-rated,” meaning that it would more likely lower the number of new hires Cal Water could request in its upcoming rate case rather than give a refund outright. This adjustment went into effect for Cal Water; the settlement also required a higher level of documentation for several of Cal Water’s future hires.

But Bilir can’t explain why the DRA’s language was both adamant and specific about a refund prior to the settlement, if refunds are not in fact the PUC’s practice. When asked if the term was inappropriately used, she replied that it was not. She explained, however, that after all of the back-and-forth, a settlement is often reached between the DRA and a utility in which each side concedes some of its requests to reach a compromise. Surprisingly, though the final terms of such an agreement are published, Bilir says the negotiation itself was “closed,” and she can’t discuss its exact details.

“It was a very large case, and we had to look at it in context,” she says, speaking of the $3.05 million. However, she also admits: “It was a very large sum of money.”

CONFLICTS OF INTEREST

In the local districts, ratepayers have expressed outright contempt for the PUC’s style of regulation, which has allowed hike after hike—hitting Dillon Beach with rate increases as high as 150 percent in the 2006–’07 cycle, according to an April 2013 article in the Point Reyes Light. At the Tomales public meeting, residents of the tiny district lambasted the regulatory agency, scoffing at the fact that Cal Water’s vice president and CFO Thomas Smegal, who drew a compensation package of $979,000 in 2012, used to work for the PUC.

In fact, according to Reuters, three of Cal Water’s top employees have worked in the past for the very regulatory agency that oversees their current company—Smegal, vice president of corporate development Francis Ferraro and corporate secretary Lynne McGee.

“Generally speaking, there’s a revolving door between the utilities and the commission that regulates them,” says Mindy Spatt with The Utility Reform Network, a watchdog organization that has called for increased fines for PG&E in the wake of San Bruno—and for PUC head commissioner Michael Peevey’s resignation. Spatt adds that there would be more concern if the door “went the other way,” and employees of the utility went to work for their regulator. Case in point: Peevey himself was previously a top officer at Southern California Edison, and in 2008 allowed his former company $843 million more in rate hikes than the PUC’s own staffers recommended, according to Reform Network.

But other less-than-apparent links between the utility and its regulator exist. Peevey’s wife is Sen. Carol Liu, D-La Canada Flintridge, who has received campaign contributions from Cal Water—$500 each in 2008 and 2012. Liu has also received contributions from a group called the California Water Association, which represents PUC-regulated water companies. That group gave Liu $5,200 in 2010 and $1,000 in 2011, according to MapLight. In 2004, Sempra energy—also regulated by the PUC—was involved in a scandal in which its VP of regulatory affairs was caught on camera saying it would look “real bad” if someone from Sempra had not attended a fundraiser for Liu.

“To the ordinary consumer, that really looks like a conflict of interest,” says Spatt.

Duncan and Townsley declined to comment on the campaign contributions, but they denied any insider dealings with their regulator during ratemaking cases.

“There is no cozy relationship, I can assure you,” Duncan says. “It is a very arms-length process based on sworn testimony. It’s designed to be adversarial and get at the truth.”

Coziness is subjective, apparently. One final connection involves the controversial California Foundation on the Environment and Economy (CFEE)—a 501c4, or “dark money nonprofit,” which is not required to disclose its donors publicly. Such organizations have increasingly been the subject of public scrutiny due to their widespread use for lobbying purposes, though, like Super PACs, they can’t contribute directly to a single candidate or campaign.

In 2011, the San Francisco Bay Guardian reported that the CFEE footed the bill for a lush, 12-day “travel-study excursion” to Madrid, with stops in Sevilla and Barcelona. Peevey was on that trip, as was his wife and the head of PG&E. He also flew to Poland earlier this year at the CFEE’s expense. His recent jaunt to Napa—skipping a senate meeting—was for a CFEE event.

“It’s not a transparent organization,” Spatt says, adding, “There are all these opportunities for utilities and PUC appointees to hobnob at the CFEE in Napa Valley, but that’s by invitation only. The customers who will be paying Cal Water’s rate hikes are not invited.”

Like so many other utility heads, Nelson, Cal Water’s CEO with a professional history at PG&E, is on the CFEE’s board.

‘USING US LIKE A PIGGY BANK’

Meanwhile, some ratepayers in Cal Water’s small districts watching their fees climb ever skyward don’t feel even remotely protected by the PUC. “This company is using us like a piggy bank,” said Dennis Sarantapoulas at the Tomales meeting in May.

And so they conserve. But with a median age of 57, Dillon Beach has the highest concentration of senior citizens in an already graying Marin, many of whom live on fixed incomes and struggle with age-based disabilities. For some, scrimping on water doesn’t just mean re-wearing dirty clothes—it means directly ignoring medical advice. At 64, Lea Christensen-Morris claims she doesn’t clean her medical equipment daily like she’s supposed to, and uses a syringe instead of her shower faucet to rinse a chronic wound. Theresa Byrne, who lives on an SSI check of under $1,200 a month, says she’s skipped medication and dental care to pay her bills, and when two of her molars rotted, she simply had them pulled.

Another woman at the April Lucerne meeting who spoke about receiving multiple $1,000 bills addressed the room full of angry people and representatives from the regulatory agency bluntly. “I don’t know why the [PUC] is here,” she said, “expect to let we the people know that we don’t matter at all.”

Reverence for Life

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‘You have to figure out where you are and why you’re here,” says the voice on the other end of the phone line. “And once you’ve figured that out, you have to figure out why you’ve been given the gift of music. And once you figure that out, you realize you have to give it back—because it doesn’t belong to you.”

The man on the other end of the line is Charlie Haden—the hugely respected jazz legend who, like Jimmy Blanton, Oscar Pettiford and Charles Mingus before him, helped completely reshape the role of the upright bass in jazz. Over 50 albums feature him as a leader; he’s performed on hundreds more as a sideman, alongside the likes of Ornette Coleman, Hank Jones, Keith Jarrett, John Coltrane, Dizzy Gillespie, Pat Metheny, Art Pepper, Archie Shepp and countless others.

This weekend, Haden’s gifts are celebrated in a mammoth two-day tribute at the Healdsburg Jazz Festival. Appearing is a cross-section of those who’ve played with Haden in his many varied groups over the years: the pianist Geri Allen, playing solo and in a duo with Chris Potter; the saxophonist Lee Konitz, playing in a quartet; Haden’s nostalgic Quartet West with special guest Ravi Coltrane; Gonzalo Rubalcaba, playing solo piano; and the large, politically charged Liberation Music Orchestra, with Carla Bley. Even his four children—Rachel, Petra, Tanya and Josh Haden—make an appearance, singing with the guitarist Bill Frisell.

But whether Haden himself will be able to play at his own tribute is uncertain. “I’m not doing well,” he says from his home near Calabasas. “I haven’t had any solid food in two years. I’m fed with a tube in my stomach. And I can’t swallow very well. I can’t swallow my own saliva, I have to spit it out.”

When Haden was 15, he was afflicted with polio; it’s the reason he started playing bass instead of singing with the family. But the polio has returned, 60 years later. Haden’s wife, Ruth Cameron, who serves as his manager and his saving grace, has dedicated herself to taking care of his health. “I’d be dead if it weren’t for her,” Haden tells me. But he also says there is no treatment.

As for wrapping his hands around his upright bass at his own tribute, “I’m going to try,” he says determinedly.

There’s another issue, too, in addition to Haden’s health. For the last two years, the 75-year-old titan of jazz has been unable to play concerts—which, as the recording industry withers and royalties continue to disappear, serve as his primary source of income. Haden doesn’t mince words about it: there is no money coming in.

Haden is inextricably linked with the golden age of jazz, a perfect living example of what Sonny Rollins called “a lot of great innovators, all creating things which will last the world for a long, long time.” With his talents persisting to the present day, he last year received the NEA’s Jazz Masters Award—essentially jazz’s highest honor—and, this past February, accepted a Lifetime Achievement Award at the Grammys.

Born in Iowa, raised in Missouri, Haden was turned on to jazz by one of Norman Granz’s touring “Jazz at the Philharmonic” concerts, featuring Charlie Parker. Right then and there, he decided what he wanted to do. Soon, he moved to Los Angeles in order to find the pianist Hampton Hawes. Not long after, he also found Ornette Coleman, a short man with a plastic saxophone who succeeded in eliciting confusion from clubgoers. To Haden, however, he was a revelation.

With Haden, Billy Higgins and Don Cherry, Ornette Coleman set about turning the jazz world on its ear. The quartet’s residency at the Five Spot in New York marked a sea change; the avant-garde had arrived, and nothing would ever be the same.

“We really didn’t have time to stop and think about our impact,” Haden says today. “All we had time to do was play our music, and to make sure we were playing the stuff we were hearing. Because it wasn’t like anything else.”

In a way, Haden was at the wrong gig. After his sets with Coleman, he’d cross town to the Village Vanguard to listen to Bill Evans, at the time leading a now-legendary trio with drummer Paul Motian and bassist Scott LaFaro. Haden loved LaFaro, shared an apartment with him in Los Angeles, and the two learned much from listening to each other. (“Charlie had the biggest ears,” Ornette Coleman once told an interviewer.)

In his career since, Haden’s signature, lyrical bass playing has been a manifestation of beauty in settings with Keith Jarrett, Lee Konitz, Brad Mehldau, Pat Metheny, Hank Jones, Paul Motian and many others who, like Evans, are imbued with a sense of empathy. “‘Look for all the pretty notes,’ that’s what Charlie Parker said,” Haden explains.

These days, Haden spends a lot of time at home listening to music. What he keeps coming back to is those Village Vanguard recordings of the Evans trio—almost the complete opposite, aesthetically, of what he was doing with the Coleman quartet across town, but a harbinger of much of Haden’s music to come. Hearing them is bittersweet: 10 days after the Vanguard run, LaFaro died in a car accident.

Haden and Coleman still talk, usually about once a week. The two have played together as recently as 2010, but they’ve both had to cancel appearances. “He’s not working either,” Haden says of his good friend. “He’s not doing too well.”

In the meantime, Haden is open to more tributes like the one this weekend, suggested by Healdsburg Jazz Festival artistic director and tireless jazz supporter Jessica Felix, a longtime friend of Haden’s. (According to Felix, many of the musicians involved have agreed to play for reduced fees in order to help Haden with his financial situation.) Maybe, he hopes, a Doris Duke or MacArthur foundation grant will come along and help out.

In the meantime, Haden hopes more than ever to perform. In his touching Grammy acceptance speech, he closed with a tone of humility: “If through my music I have been able to bring beauty and peace to my fellow human beings, I feel truly blessed.”

On the phone, Haden expands on this. “It really doesn’t have that much to do with music—it has to do with the universe, and where are we, and why are we here? Most people will never find that out, because they’re on American Idol. But the people who are close to creativity and depth have a chance to find it out. And they’re very lucky.”

Kids: Stoked!

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Pipedreams sometimes take a while to develop, but the first metaphorical pipe of the Children’s Museum of Sonoma County is being laid this weekend with a groundbreaking ceremony. For years, the idea existed as a traveling van called Museum-on-the-Go that popped up at various functions around Sonoma County. Inspired by the Bay Area Discovery Museum in Sausalito, museum organizers leased a space next to the Schulz Museum in Santa Rosa in 2011, and on Saturday, the first shovels hit the ground for the 5,400-square-foot project, which will be open by early 2014. It goes without saying that there’ll be plenty of activities for kids. The fun starts at 11am at 1835 W. Steele Lane, Santa Rosa. $5 donation.

JAIL THE BANKERS

“I think the banking system in the United States works efficiently with an adequate amount of transparency and access to capital for all,” said nobody who is capable of rational thought. “Of course the banking system sucks, but what can I do about it?” said everyone else. That’s what the Public Banking Institute aims to find out with its Public Banking Conference, featuring speakers like Matt Taibbi, finance journalist for Rolling Stone magazine, and a host of others. The theme of the forum is “Funding the New Economy,” focusing on rebuilding local economies. The seminar takes place June 2–4 at Dominican University, 50 Acacia Ave., San Rafael; Taibbi speaks June 2. Tickets range from $35 for one night to $295 for the whole weekend. www.publicbankinginamerica.org.

Treasure Island Festival Lineup Announced

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We’re already knee-deep in music festivals, so why not mention another one? San Francisco’s Treasure Island Festival announced its 2013 lineup today, and it features a couple big names and a whole bunch of small ones.
Thom Yorke’s “side project,” Atoms For Peace, is the main draw, with the illustrious and versatile Beck as the co-headliner. Also featured are: Animal Collective, Major Lazer, James Blake, Little Dragon, Sleigh Bells, STRFKR, Tricky and a host of others. This two-day fest takes place this year on Oct. 19 and 20. Traditionally, one day is devoted mostly to electronic acts and the other to indie rock.
Two-day tickets are on sale Friday, May 31, with one-day tickets probably becoming available soon thereafter. For both days, one ticket is $130, and it goes up to $150 as the festival nears.

Summer Festivals: California Roots Festival – SOLD OUT

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Happening this weekend, (and officially SOLD OUT, although Craigslist and Facebook have got plenty of resales if you are inclined) the California Roots Music and Arts Festival has become the biggest thing to hit the tiny town of Monterey since the aquarium opened. The fest started out as a one-day show by a guy with a clothing brand. In just four years, producer Jeff Monser has nurtured Cali Roots into one of the most solid music gatherings on the West Coast. This isn’t roots music – this is pure Cali-style roots rock reggae with big names that include Slightly Stoopid, Rebelution, Matisyahu, and Katchafire plus 40 other bands. A live music feed is available on the Cali Roots website, so if you aren’t going it will be just as fun to crack a Pabst and sit around the apartment complex pool all weekend.
One of the really great trends in music festivals are their zero-waste efforts. Cali Roots is striving to become a zero-waste event by manning normal trash stations with volunteers. Instead of the barrels overflowing with mixed up garbage, staff with be educating concert-goers on how to separate organics and recyclables from landfill products. Monterey’s “Offset Project” works with vendors to provide only compostable and recyclable food ware and when the event is done, all food materials are locally processed and sent to vineyards and golf courses as compost. Good music, good deeds – we can smoke to that.
California Roots Festival, Friday May 24th – Sunday May 26th, Monterey County Fairgrounds, 2004 Fairground Rd, Monterey. $50-$150, www.californiarootsfestival.com (no phone)

What Can—and Can’t—be Known by a Short Video Clip

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Anyone who goes near the internet or a television has at least heard of the Cotati police who kicked the door down at James and Jennifer Woods’ house after being called on a domestic disturbance charge and tased Jennifer.

Crime reporter for the Press Democrat Julie Johnson wrote a story about the video going viral, and a follow-up that went a little more in depth about the incident and addressed the use of tasers.

All of these things are relevant and worth discussing. The video undoubtedly produces a visceral reaction—cops kicking in doors, a lot of yelling, a woman screaming before, during and after her tasing experience and the man with her who shot the video and who was yelling back and forth with the cops about not coming in.

Yet whatever one’s thoughts are about cops, when they are called on a domestic disturbance, they are required to check to make sure there is nothing abusive or salacious going on.

I also want to state clearly that I am not justifying in any way this particular situation or the police’s action. I am not a police apologist, I have in fact participated in Cop Watch and am very skeptical about a lot of things police-related.

But in terms of the viral video and the media issues surrounding it, my mind quickly went to ask questions about what had happened first. Why were the police there? Why was the man in the house yelling at them to go away? What was actually going on? And until there was some reporting done, and some questions were answered, what I saw was a man yelling at police who seemed to think it was very important to get into the house and used force to do so and then responded to the screaming woman by tasing her.

Certainly there are corrupt police who take advantage of their power. In my poking around into this situation, it is pretty clear this officer doesn’t have the best track record. But what interested me about this was my instantaneous negative reaction of a clip of a situation. It reminded me that in addition to “just the facts” the media needs to provide context and some analysis of a situation to create understanding. Understanding about what happened as well as understanding as to how to prevent it from happening again.

Dawn of a Decade

The New Trust 'Keep Dreaming'

Raka Party

Latin hip-hop duo Los Rakas play Petaluma

Lakeville-vore

Pub Republic, complete with Brussels sprout tacos, defies the strip-mall stigma

Down to Earth

Romanowski DJs 'Cosmic Terrain' closing party

Wrung Dry

How can a private water utility charge four times the going rate and get away with it? (Hint: PG&E's regulators are involved)

Reverence for Life

Jazz legend Charlie Haden to appear at much-deserved tribute this weekend

Kids: Stoked!

Pipedreams sometimes take a while to develop, but the first metaphorical pipe of the Children's Museum of Sonoma County is being laid this weekend with a groundbreaking ceremony. For years, the idea existed as a traveling van called Museum-on-the-Go that popped up at various functions around Sonoma County. Inspired by the Bay Area Discovery Museum in Sausalito, museum organizers...

Treasure Island Festival Lineup Announced

We’re already knee-deep in music festivals, so why not mention another one? San Francisco’s Treasure Island Festival announced its 2013 lineup today, and it features a couple big names and a whole bunch of small ones. Thom Yorke’s “side project,” Atoms For Peace, is the main draw, with the illustrious and versatile Beck as the co-headliner. Also featured are: Animal...

Summer Festivals: California Roots Festival – SOLD OUT

Happening this weekend, (and officially SOLD OUT, although Craigslist and Facebook have got plenty of resales if you are inclined) the California Roots Music and Arts Festival has become the biggest thing to hit the tiny town of Monterey since the aquarium opened. The fest started out as a one-day show by a guy with a clothing brand. In...

What Can—and Can’t—be Known by a Short Video Clip

A little context goes a long way
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