Letters to the Editor: October 22, 2013

Cat Call

“Black Panther” by fall writing contest winner Don Stoddard (“It Showed Up on My Doorstep,”
Oct. 16) was especially endearing; a special reminder of growing up in the ’50s. My 93-year-old mother still has her black panther proudly displayed.

Via online

What’s a Forest?

Artesa would clear-cut 1.25 million board-feet of redwood and Douglas fir at the site, based on 2004 inventory, according to what the project description in the EIR says would be logged (“Chainsaw Wine,” Oct. 16). That sure sounds more like a forest than “agriculture,” unless you define “forest” as “tree farming”—except that it’s a final harvest forever, converted to monoculture vineyards, not regenerating young forest after clear-cut.

Via online

Hemp, Not Wine

There is not one original oak left in Oakland. For 75 years, we have been destroying our forests instead of growing hemp. How many golf courses and “vineries” full of pesticides and harmful chemicals do we need?

Via online

Refusing Waste

Bea Johnson can fit her household’s annual trash inside a small jar because she defers her waste to someone else—sending back the plastic strip from her Netflix envelope is a great example of how she’s letting someone else clean up her mess (“The Simple Life,” Oct. 9). It’s important for everyone and anyone to reduce their waste output, but ooh-ing and aah-ing over the antics of a material anorexic is not the point. Industrial and corporate waste is the prime source of our ecological crisis. If Bea Johnson wants to deprive herself and her family of everything except seven pairs of shoes, let her, but I’d personally rather see articles about p eople who are fighting the real actors in the environmental breakdown we’re witnessing: Big Oil, Big Ag, Big Pharm and Big Coal. Nothing Bea Johnson is doing, so far as I can tell, impacts that.

Author, ‘Urban Homesteading’

Petaluma

Now is a good time to clarify that since 2011, the Johnson household has taken advantage of Netflix streaming, a fact that we neglected to mention in our original article.—The Ed.

No New Taxes

It’s voting time again, and many cities are asking for a sales tax increase. When is the Sonoma County taxpayer going to take a stand and say no to any sales tax increases until cities start seriously reforming the gigantic pension hole that we taxpayers are burdened with? Should we just pay higher and higher taxes so public employees can retire on twice the amount we will? Vote no to our tax dollars going to fat county and city pension plans and lifetime medical benefits. Are you getting that when you retire?

Willits Bypass

I’m a one-year, eight-month resident of Willits, a community activist and ex-biology student. I’ve been protesting this bypass project by Caltrans for more than seven months. This project has not, cannot and will not help the environment. It will probably not affect “traffic” significantly, which in any case has almost never existed in Willits, especially if locals just get off Main Street. (Honestly, 99 percent of the time it sees less traffic than the average in West Los Angeles, where I lived for 28 years.) And it will cost $300 million to $600 million, that latter balloon figure reflecting the true adjusted-for inflation bond price(s).

That’s why over one-third of all area residents have signed the petition against it. That’s why people contact their uncaring “representatives.” And that’s why people have and will continue to get arrested (some of us don’t need to, I joke, having been exposed heavily to poison oak, reducing our mobility heavily, along the way).

This is bad, but we are peaceful.

Via online

Write to us at le*****@******an.com.

Who Art in Theaters

The independently made film I’m in Love with a Church Girl is a genre-blender, with Ja Rule lending his street cred to a story of born-again conversion. The film is materialistic enough for Not of This World gear shopping sprees, private planes and pricey real estate, but sacred enough that it literally credits God as an executive producer.

Church Girl had its world premiere last week to a packed house at San Jose’s California Theatre, an awe-inspiring picture palace where I caught up with Santa Rosa’s Marjorie Mann, who plays Ja Rule’s mother in the film. Not too long ago, Mann was playing a far bigger palace, the Radio City Music Hall. There, she did flying stunts, 50 feet off the stage, for a live production of The Wizard of Oz.

Of her character, Mann says, “She’s warm, nurturing, trying to do right by her son, which is sometimes not easy because he hasn’t been on a very good path.” She and rapper Ja Rule have an easy chemistry onscreen for several scenes in the film, which was shot in San Jose.

This isn’t the first film for the vivacious Mann—she also appeared in 1992’s Class Act, and onstage has done everything from Shakespeare to Andrew Lloyd-Webber. From Detroit originally, Mann went to the University of Michigan, where she and a student named Madonna Ciccone took a choreography class together. “I stayed in touch with Madonna after I moved to New York,” she tells me. “I used to get into her shows for free at New York’s Roxie Theater.”

Lately, Mann’s been bringing history to life in performances at local schools, portraying Harriet Tubman and Coretta Scott King. But Mann is also working on a one-woman show, playing a series of characters, each under the influence of one of the Seven Deadly Sins. Her favorite? “Pride.”

With Church Girl, Mann has a reason to be proud—and not the sinful kind.

‘I’m In Love with a Church Girl’ opens Friday, Oct. 25, at the Roxy Stadium 14 in Santa Rosa.

Libretto for Rats

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Bertolt Brecht, the 20th-century Marxist playwright and poet, made him do it. That’s how Josh Windmiller, the voice behind Gypsy-punk-Americana act the Crux, explains the origin of his band’s acclaimed collaboration with experimental theater troupe the Imaginists that resulted in the 2012 stage production The Ratcatcher.

“I’d seen their production of
The Wizard of Oz and I thought, this could work really well with what the Crux is doing,” says Windmiller. “Their style is not hokey. You can feel the experimentation. They are trying to do new stuff, and they show you the gears working.”

Part social satire, part poignant commentary on what happens to the children in a community when the creative arts are shoved into a dusty corner in favor of bourgeois branding and profit margins,
The Ratcatcher took Sonoma County (and critics in the greater Bay Area) by storm during its month-long run.

Subsequently, a successful Indiegogo campaign raised $5,000, allowing the band to release the songs as a new full-length Crux album, also titled The Ratcatcher. Don’t expect a cast recording of the original play, however; as Windmiller puts it, the album should be taken as another entry in the Crux discography, which also includes last year’s Be Merry and their debut, Now, Ferment.

“I consider this album an important step in the band’s development,” says Windmiller, about the decision to sing songs himself that were voiced by different actors in the original production. “My voice being constant throughout the band is one of the few things I can have to keep that consistency going.”

The strongest tracks include the haunting “The Gate (What the Children Saw),” written and sung by Annie Cilley, the Crux’s saxophone and fiddle player. Another standout song is the epic “Dogs Made of Rust (The Mayor’s Ballad),” originally voiced by Imaginists cofounder Brent Lindsay as the town’s mayor but given a wearier, heavier weight in Windmiller’s album interpretation, sounding like a lost track from Tom Waits’ Rain Dogs.

“The play is fantastic, it’s really great, but it just played for a month or so in this town,” adds Windmiller, who plans to take the songs on the road nationally for people who might never have seen the original play. “If we’re going to put all this time and energy into this album, it needs to be able to stand on its own.”

The Crux perform ‘The Ratcatcher’ in its entirety (with help from the Imaginists) as part of the All Hallow’s Eve Multicultural Variety Showcase on Thursday, Oct. 31, at the Arlene Francis Center. 99 W. Sixth St., Santa Rosa. 7pm. $10–$15. 707.528.3009.

Live Review: Treasure Island Music Festival 2013

View from the Ferris Wheel on Treasure Island

Treasure Island Music Festival is more than just music, it’s an experience. The festival is so well produced that it wouldn’t be difficult to have a good time having never heard of any of the bands playing. The seventh incarnation of the two-day festival wrapped up yesterday, and it was another beaming success. In addition to music, there is a shopping area, arts and crafts tent, zine and comic library, silent disco (live DJ spinning for wireless headphone-wearing listeners), food trucks, a Ferris wheel, bubbles and the best people watching money can buy. Wow, that last part sounded creepy, but you get the idea.
But there’s also music—lots of it. Each stage is timed down to the minute, so there is never a dull moment. There’s also never a moment to let the ears relax, and the only booth with earplugs was selling them for a buck a pair. Note for next year, guys: GIVE AWAY FREE EARPLUGS.
I’ve listed some favorites and least favorites, not based on the quality of their set (I’m sure there are fans of the bands who might think it was the band’s best performance ever), but on entertainment quality from an outside perspective. I must stress that even what I found to be the most banal of musical performances still turned out to be quite entertaining.
Saturday’s Favorites
Atoms For Peace
Atoms For Peace: 4.5/5 Incredible texture from this group of musically sensitive players, with Flea leading the charge via driving, lead-focused bass guitar. Felt almost like a post rock version of Radiohead with Flea on bass (he is his own adjective). Very cold weather led to most people leaving before the end of the second encore (myself included), which is a shame since that’s when they played the Thom Yorke song “Black Swan,” arguably the best from his solo album.
Little Dragon: 3.5/5 Good stage presence and real instruments made this a highlight on a day of laptop-driven DJ tunes and pumping bass. Singer Yukimi Nagano flows musically and visually as the leader of this electronic music group. They split the difference with a live drummer playing an electronic drum kit.
Danny Brown
Danny Brown: 3.5/5 Once the sound engineer figured out how to properly mix rap vocals (it took a couple songs), Danny Brown’s nasally, violent delivery emerged and piqued the ears of festivalgoers that might not have come specifically to see the last-minute replacement for Tricky. The early performance was a good boost of live human energy to contrast the repetitive bass and synthesizer drum sounds the rest of the day had in store.
Saturday’s Least Favorites
Major Lazer
Major Lazer: 2/5 About 20 minutes into the set, we figured out that Major Lazer is actually just a group of hype men. There are no real instruments, no actual music being made. The three dudes in suits trade off turns at the elevated laptop station at the back of the stage, but there was no singing no playing of anything. Just guys on wireless mics yelling at everyone to jump and put their hands up. By the end of the set everyone was so tired they chose to be berated for not following directions rather than expend one more joule of energy on this choreographed high school dance.
Disclosure: 2/5 In haiku: such low energy / could not keep my eyes open / what was that you said?
Sunday’s Favorites
STRFKR: 4.5/5 Not surprised that this electro-indie group was top notch, but surprised at how well their albums translated to live performance. They know their music is, at times, slow to develop. But they spruce up the show with visuals, like two dudes in padded sumo suits going at it for a couple tunes. They even played along with the bits, and it didn’t sacrifice the quality of the music.
James Blake: 4/5 Great soundtrack for the day shifting gears into cold night. Focused songs had energy in their own way, giving a nice break from nonstop dancing. Blake is an excellent performer whose passion is evident when he plays. His songs feature piano and good songwriting, a timeless, classic combination.
Haim
Haim: 4/5 Wow. These girls rocked harder than anyone at the festival. The three sisters and their male drummer had a sound reminiscent of Prince, during his more rocking moments, and even captured some funk to go with it. Their “girl power” shtick was a little heavy at times, like when they spoke at length how they now know what Beyonce feels like when the wind blows hair into their mouths, and when they squealed with delight when handed candy from the crowd. But I’m not a young girl, so maybe it was indeed the perfect concert set for their target audience. Either way, it was impressive.
Sunday’s least favorites:
Animal Collective: 1.5/5 Sometimes art is so conceptual that it goes over my head. I was hoping this was the case with Animal Collective, and at one point I actually asked a friend if they knew what the point was supposed to be. Nobody knew. I’m not sure Animal Collective knew. A very cool stage set (inflatable teeth with individual projections made the stage look like a gigantic open mouth) and light show helped slightly, but the music was so repetitive and the melodies so simply and leading nowhere that I left to watch football about two-thirds of the way through. I still heard the music (it was impossible not to from anywhere on the island, really), and still was not impressed.
Beck. Still going after all these years. Still good, pretty much the same as the last time you saw him.

Oct. 22: UFO expert Jim Ledwith at the Sonoma Community Center

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The phrase “parental discretion advised” is a surefire attention-grabber. When it’s used in conjunction with a lecture about alien abductions titled “Strange Harvest,” it’s begging it. This week, UFO expert Jim Ledwith talks about the 10,000 animal abductions since 1967—why are farms the target of alien research? Are extraterrestrials curious, or just really hungry? With actual footage of a bovine abduction and substantiating FBI files on the subject, the answers will surely be revealed on Tuesday, Oct. 22, at the Sonoma Community Center. 276 E Napa St., Sonoma. 7pm. $5—$10. 707.938.4626.

Oct. 19: Pink Floyd Laser Spectacular at the Lincoln Theater

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It’d be easy to make a joke connecting the Pink Floyd Laser Spectacular and psychedelic drugs, but that’d be doing the spectacle a disservice. A Pink Floyd laser show is awesome, even at age 10, even at age 70, and should be experienced at least once in everyone’s life. With a 50,000-watt stereo system, the Lincoln Theater is just the place to witness this glorious combination of audio and visual stimulation. And be sure to high-five the veterans in wheelchairs who might be there—the theater routinely gives free tickets for its events to residents of the nearby veterans home. Shine on Saturday, Oct. 19, at the Lincoln Theater. 100 California Drive, Yountville. 7pm. $20—$30. 707.944.9900.

Oct. 19: Ruth Moody at the Sebastopol Community Center

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As a member of the Wailin’ Jennys, Ruth Moody has made a name for herself with a down-home vocal style and honest songs. She’s won two Juno awards (sorta like Canada’s Grammy, but with more integrity) and been featured several times on A Prairie Home Companion. Listening to her sing puts the mind at ease, stacking those troubles neatly on the shelf, in chronological order, not to be forgotten but to be managed. See her Saturday, Oct. 19, at the Sebastopol Community Center. 390 Morris St., Sebastopol. 8pm. $18—$23. 707.823.1511.

Oct. 19: Rudolf Budginas at SRJC’s Newman Auditorium

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Internationally renowned concert pianist Rudolf Budginas has an unassuming daily life as a music faculty member at Santa Rosa Junior College, but he’s about to bust out of the mold. This week, he plays in a concert with Steve Miller Band guitarist Kenny Lee and Kingsborough drummer John Whitney for a rock-themed concert called “Piano on the Edge.” His 21st-century arrangements vary from smooth-jazz versions of “Ave Maria” to dubstep-infused classical piano. Witness a rare vision on Saturday, Oct. 19, at SRJC’s Newman Auditorium. 1501 Mendocino Ave., Santa Rosa. 8pm. $20. 707.527.4011.

Oct. 19: ‘The Phantom Carriage’ at the Jarvis Conservatory

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It sounds like a slow, moody interlude of an epic post-rock group like Explosions in the Sky or Not to Reason Why, but no—it’s the soundtrack to a 1921 silent film called ‘The Phantom Carriage,’ composed by 2013 Vintage High School grad Raja Orr. The film will screen with a live performance of this new composition from the pit orchestra, comprised of members of the Napa Valley Youth Symphony and conducted by Orr himself, on Saturday, Oct. 19, at the Jarvis Conservatory. 1711 Main St., Napa. 7pm. $15. 707.255.5445.

It Showed Up on My Doorstep.

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You know the drill: pull the pile out of your mailbox, rifle through it, toss most of it in the recycling bin. And, if you’re like us, sigh a wistful reminder of when getting the mail used to mean actual surprises. Hey, we get it. There’s email, texting, Skype, Gchat, Facebook—none of this is new. But in the bulk-rate world of the physical mailbox, a genuine hand-addressed envelope or package inspires a special kind of wonder.

That’s what we were counting on when we announced this year’s writing contest, in which readers sent us their mailing addresses and we, in turn, sent them random objects on which to base a 400-word piece of creative fiction. The response was overwhelming, and 146 people signed up, a new record for our annual writing contest. Turns out people love getting free stuff in the mail.

Due to the huge response, shipping was delayed slightly, and then affected by a postage error—sorry, our fault—but eventually most everyone received a manila envelope with an object of inspiration inside. No two objects were the same, and contestants had only two rules: (1) to work the object into the story somehow, and (2) to use, in some way, the phrase “it showed up on my doorstep.”

You, dear readers, did not disappoint.

How could we forget the tales of “Nevermore and the Golden Coin,” of “magic sperm,” of “beloved Cheerios”? How could we forget the submission that was, uh, the same story submitted the year before? How could we forget phrases such as “Like an emblem for Liberace’s cat, it was sparkly and gay as all hell”?

In the end, five stories out of 146 had to be chosen as winners, and believe us when we say it was not an easy decision. That’s why we’ve picked five honorable mention entries: Andy Covert, Thea Rhiannon, Brian Gellman, Lois Pearlman and Noah Hallett, thank you. Virtual silver medals to you all.

Printed below are the five winning stories, by Don Stoddard, Amy Robinson, Diane Swan, Gabriella Buonassisi and Aloysius Beerheart. Each of the winners will receive a gift certificate to Copperfield’s Books. Please join them, and us, in a public reading and celebration on Thursday, Oct. 17, at Acre Coffee in Santa Rosa’s Montgomery Village. The whole soiree goes from 6pm to 7:30pm, all winning entries will be read and discussed, and it’s completely free. We’d love to see you.

Without further ado, the winning stories!

—Gabe Meline

THE BLACK PANTHER

By Don Stoddard

The fuse is lit, soon it will be over.

I’ve never forgotten that night all those years ago. He had been gone so long, decades. I was sure he was dead. He was a likable guy, the kind of person you would do anything for. A smooth talker with a mesmerizing voice with so much to say about the world, and how it could be better. We were young, times were different. Things were wild, free, dangerous, radical. We were a small, inseparable group of social misfits. This is how we spent that summer.

The talks started innocently enough, over coffee, listening as he spoke of the world and the things that weren’t working. He never said how, but we would fix it. We would know when it was time to act, time to make it right. Late that summer, we were gathered at his place, a small unadorned room. He served us his special tea, a deliciously bitter elixir with some definite side effects. He could always come up with a great story, but this night was going to be different.

Different indeed.

As the elixir kicked in, he removed his shirt to reveal a tattooed body like none I’d seen before or since. It was 3-D. He was covered in animals of all kinds, snakes, apes—yes, there were lions, tigers and bears—and creatures no man has ever seen or would hope to see.

The animals were interwoven with geometric symbols, strange alien writings with colors so bright and vivid they could light up a room. Everything was dancing, pulsating hypnotically, as he told his tale and laughed. I saw a black panther begin to pace back and forth, becoming larger and larger until it leapt full-size from his chest right at me. I screamed, and woke alone in my room.

I never saw him or any of the others again. Life went on. I worked, loved, grew older. Then it showed up on my doorstep: a package. In it was a beautiful, porcelain, black panther, crouched and ready to leap. I knew it was from him. He was alive. I broke it open to get my instructions. I knew the others would be getting theirs, too. We would be in sync, no matter how long it been. Things haven’t changed, maybe gotten worse. He was right. It was time. Hypnotized? Perhaps, for here I am watching the sparkle of the fuse waiting, waiting for the end.

[page]

MASS REMEMBRANCE

By Amy Elizabeth Robinson

I want a manicure. I want a new car. I want a chocolate caramel each time I check out at the grocery store. I want my life to be orderly. I want a garden with clipped hedges and bordered beds. I want a better shoe organizer.

What I don’t want is to stand on my doorstep holding this goddamned blood-colored envelope, still damp with the feel of the priest’s fingers pressing it into my hand. I don’t want the feel of his fingers. I don’t want the feel of anyone’s fingers. I want dry bone-colored china in my cabinet and a polyester blanket to wrap around myself at the end of the day.

The priest showed up at my doorstep. He wants me to remember. I don’t want to. Remember the men in your life, he says, a hiss at the back of his words. Remember God the Father above, His Son who came to save us. He pauses, snaking his neck to get a look into my eyes. Remember your father, dear, your very own, God rest his soul.

The sky is flat-gray above us. A candy wrapper rustles by. I want a wrapped-up candy. What I don’t want is the stew of remembrance, mass or otherwise. I don’t want to pay these priests so they can store my rotten memories away in a gilded box, or burn them away to heaven.

Wait . . .

I want my life to be orderly.

Wait, I say, just as he sighs and turns away.

He has one foot still on the doorstep. I hold up a finger, rush into the dark hall, find my purse, dig out some bills, stuff them in the envelope. I hunch over, sticky flap brushing my cheek, and whisper. Fiercely. I give that envelope as many memories as I think it can hold.

I straighten up, smooth my hair, seal the envelope and return to the door. The priest waits, eyes bright and greedy. I hold out the envelope. When he nods and tucks it into his robes, I am washed by the form and certainty he offers the world. I watch as he makes his way down the sidewalk for a while.

Wait . . .

I forgot to write my father’s name on there. The priest never gave me a pen. How will God know those memories are mine? I want to start over again. Wait, I call. It’s too late. He’s already gone.

MS. LILY BROACH

By Diane Swan

I was extruded from a plastic vacuform machine in Hong Kong in MCMLXXXIV. I was affixed to my first bosom in ‘LXXXV; that of an eccentric Chinese grandmother, voted out of the mahjong club for taking up chewing tobacco when the group agreed to quit smoking during games. She was so distraught that, even though I was a gift from her eldest daughter, any reminders of that fateful day were put on the curb.

Fortunately, my sidewalk stay lasted all of 10 minutes, when Patricia picked me up as a lucky token. She wore me everyday to her first job as dishwasher at Denny’s. I was the only piece of jewelry that held up in the steamy room, never fading, scratching or rusting. I was as persistent as she proved to be, until she got promoted to server and tossed the dishwashing apron in the trash with me pinned to it.

Eric/a, sever at Denny’s by day, drag queen by night, greedily rescued me. I was just what she needed to keep her left bra strap from showing when she wore the one-shoulder sarong in the ever-popular Hawaiian encore she performed at the Moose Lodge on alternating Saturday nights. One night, in a fit of passion, Eric/a flung her arms wide for her final curtsey, popping me off her shoulder into the lap of Cecilia.

Blinking twice, looking left then right, Cilly, as she called herself, clasped the broach to her chest in delight. Providence was shining on her in the entity of me, a lily broach, just what Cilly needed to adorn her sweater for piano lessons with Wilber tomorrow. He might pay attention to her instead of the piano lesson with me adorning her flat bosom.

It was Wilber who disappointed her, not me. But she unpinned me from the gray cotton sweater, putting me in the CVS bag along with other discards, to donate to the shelter for its monthly jumble sale.

I don’t honestly remember how I showed up at your doorstep. My hunch is, I got rejected from the costume-jewelry section, tossed in the not-sure-how-to-price pile and ended up in the $5 grab bag with a seed necklace with a broken clasp, a saggy bracelet whose elastic was stretched out, and a plastic watch with no battery. But I assure you, my dear, you will enjoy me. I’m eternal, plastic.

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Tiny Archer

By Aloysius Beerheart

A Tiny Archer showed up at my doorstep the other day. With nary a word he drew an arrow from his quiver and promptly put it through the thick head of a partially articulated Schwarzenegger action figure, leaving a sharp point protruding from the back of Arnold’s prematurely orange scalp.

“Tiny Archer!” I exclaimed. “You have just dispatched a former governor of California and beloved B-movie star!”

“I’m off to Chico to star in The Adventures of Robin Hood, calmly replied the archer, “and I have to eliminate any possible competition.”

I correctly pointed out to the archer that while he was indeed in Technicolor, he was a bit late to star in a movie that wrapped up in 1938. This didn’t seem to bother him at all. I asked him if he also planned to eliminate Errol Flynn, but he said that his next target was Olivia de Havilland, since he intended to play Maid Marian.

It became apparent that the archer was off his meds, so I offered to brew him some Tiger Tea, which he gladly accepted. By the third cup, he had settled down a bit, so we discussed the motion picture arts and archers in popular media. I asked him if he was familiar with the comic book character the Green Arrow. With a disgusted look he said that he would never associate with anyone whose secret identity was Oliver Queen. I had to agree with him there. It would be like creating a hockey team for San Francisco and naming them the Spiders.

It grew late, and the Tiny Archer was running out of topics of conversation. He was beginning to repeat stories from earlier in the evening, and it was decided that he should be on his way. I offered to give him bus fare to Chico, but he said that a ticket to Oroville would be enough, and that he would take public transit from there to his eventual destination in Bidwell Park. He wanted to make the detour so that he could visit the Oroville sites where O. J. Simpson starred in his very first movie. I found this to be a strange request, but knowing the archer, it probably made perfect sense to him. He packed some extra Tiger Tea into his quiver for later use at various stops during the long journey. And with that he found himself Gone with the Wind.

YOU BETTER WATCH OUT, YOU BETTER NOT CRY, YOU BETTER NOT POUT

By Gabriella Buonassisi

I demand to be seen. I will not hesitate to pound my fists on this door until they are bruised and bloody, or shout until my voice is hoarse. Do you know how much it costs to come up here? Do you even realize how far it is? I am not as fortunate as yourself to have magical beasts of burden to transport me across the globe.

I am here to discuss my son, Stanley. Stanley Wellington.

My Stanley has been exceptionally good this year. I assure you I keep precise track of these sorts of things. How can you, Sir, in good conscience not reward:

• All A’s on his report card

• First place in the science fair

• Lead in the school musical

• Winner of the regional under-12 chess tournament

• Starting third baseman in Little League

• Leading rebounder for the school basketball team

• Church choir soloist

• Eagle Scout

• Senior citizen center volunteer

• Junior Recycler of the Year Award winner

And then this . . . this thing shows up on my doorstep. Well, chimneystep or treestep I suppose would be more accurate, but I am not in the business of making up words.

Why on earth would you think a wind-up, pastel purple bunny would be appropriate for a 12-year-old boy? And at this time of year? Was this some kind of cruel joke or bizarre statement? No, this I can only chalk up to a very real, very large lapse in mental capacity. Did you even read the letter he wrote you asking for a mountain bike?

Maybe this is a wake-up call for you to slow down. I am sure your job is extremely stressful. Could you not delegate more responsibility to your, ah, diminutive associates? Listen, none of us is getting any younger, and it is well documented that as one ages, the brain simply does not function as it used to. Perhaps a holiday would be in order. The Caymans really are lovely in January.

Yet the fact remains that you cheated my Stanley, and I will not tolerate it.

I am prepared to stay here for as long as it takes you to make this right. I have hot cider and am covered from head to toe in Versatech gear. I can wait all night. I can wait until next year’s list is prepared if I have to.

Letters to the Editor: October 22, 2013

Cat Call "Black Panther" by fall writing contest winner Don Stoddard ("It Showed Up on My Doorstep," Oct. 16) was especially endearing; a special reminder of growing up in the '50s. My 93-year-old mother still has her black panther proudly displayed. —Vicki S. French Via online What's a Forest? Artesa would clear-cut 1.25 million board-feet of redwood and Douglas fir at the site, based...

Who Art in Theaters

The independently made film I'm in Love with a Church Girl is a genre-blender, with Ja Rule lending his street cred to a story of born-again conversion. The film is materialistic enough for Not of This World gear shopping sprees, private planes and pricey real estate, but sacred enough that it literally credits God as an executive producer. Church Girl...

Libretto for Rats

Bertolt Brecht, the 20th-century Marxist playwright and poet, made him do it. That's how Josh Windmiller, the voice behind Gypsy-punk-Americana act the Crux, explains the origin of his band's acclaimed collaboration with experimental theater troupe the Imaginists that resulted in the 2012 stage production The Ratcatcher. "I'd seen their production of The Wizard of Oz and I thought, this could...

Live Review: Treasure Island Music Festival 2013

Treasure Island Music Festival is more than just music, it’s an experience. The festival is so well produced that it wouldn’t be difficult to have a good time having never heard of any of the bands playing. The seventh incarnation of the two-day festival wrapped up yesterday, and it was another beaming success. In addition to music, there is...

Oct. 22: UFO expert Jim Ledwith at the Sonoma Community Center

The phrase “parental discretion advised” is a surefire attention-grabber. When it’s used in conjunction with a lecture about alien abductions titled “Strange Harvest,” it’s begging it. This week, UFO expert Jim Ledwith talks about the 10,000 animal abductions since 1967—why are farms the target of alien research? Are extraterrestrials curious, or just really hungry? With actual footage of a...

Oct. 19: Pink Floyd Laser Spectacular at the Lincoln Theater

It’d be easy to make a joke connecting the Pink Floyd Laser Spectacular and psychedelic drugs, but that’d be doing the spectacle a disservice. A Pink Floyd laser show is awesome, even at age 10, even at age 70, and should be experienced at least once in everyone’s life. With a 50,000-watt stereo system, the Lincoln Theater is just...

Oct. 19: Ruth Moody at the Sebastopol Community Center

As a member of the Wailin’ Jennys, Ruth Moody has made a name for herself with a down-home vocal style and honest songs. She’s won two Juno awards (sorta like Canada’s Grammy, but with more integrity) and been featured several times on A Prairie Home Companion. Listening to her sing puts the mind at ease, stacking those troubles neatly...

Oct. 19: Rudolf Budginas at SRJC’s Newman Auditorium

Internationally renowned concert pianist Rudolf Budginas has an unassuming daily life as a music faculty member at Santa Rosa Junior College, but he’s about to bust out of the mold. This week, he plays in a concert with Steve Miller Band guitarist Kenny Lee and Kingsborough drummer John Whitney for a rock-themed concert called “Piano on the Edge.” His...

Oct. 19: ‘The Phantom Carriage’ at the Jarvis Conservatory

It sounds like a slow, moody interlude of an epic post-rock group like Explosions in the Sky or Not to Reason Why, but no—it’s the soundtrack to a 1921 silent film called ‘The Phantom Carriage,’ composed by 2013 Vintage High School grad Raja Orr. The film will screen with a live performance of this new composition from...

It Showed Up on My Doorstep.

You know the drill: pull the pile out of your mailbox, rifle through it, toss most of it in the recycling bin. And, if you're like us, sigh a wistful reminder of when getting the mail used to mean actual surprises. Hey, we get it. There's email, texting, Skype, Gchat, Facebook—none of this is new. But in the bulk-rate...
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