Beringer Vineyards

0

I can’t imagine what Mrs. Beringer might have thought about the scene unfolding today in her ladies’ sitting room.

Decorated with floral motifs in its stained glass windows, the ladies’ sitting room of the Rhine House is open to any member of the general public who wanders in—wine tasters, use side door. The atmosphere is loosey–goosey. While my companion first overshoots then undershoots the spittoon in a game attempt to practice the essential skill of tasting and spitting, a young woman points out to us above the general din how she swirled her wine too enthusiastically and stained her pink tights. From a menu that was splotched with spills long before we arrived, we order a sample of a wine that costs more than did two acres of Napa Valley land when Jacob and Frederick Beringer purchased it in 1875.

This is my first visit to the Rhine House. I’d long wondered about it. The mansion was built in a winningly Germanic late-19th-century architectural style for Frederick Beringer, who had his brother’s modest cottage moved to a less choice spot down the hill for the purpose. Jacob did all the advance work, first securing a job in Charles Krug’s cellar; Frederick was the finance guy. What else is new? Down to their trendy long beards, the Beringer bros look less like fusty pioneers of an antique era and more like the kind of moneyed Eurobrats—calling their vineyard venture “Los Hermanos”—who might fit smoothly into the Napa scene in 2014.

That this California historic landmark is a nicely landscaped, largely unsupervised playground that can swallow hordes of drop-in tourists with ease, I’m not surprised. But my expectation that the Rhine House represented a genteel escape from the crowd was off the mark. Staff in these cramped quarters are hard-bitten but accommodating, like veterans of a rollicking good dive bar. The tasting menu is incongruously themed to “Rock Stars,” detailed with song snippets from the Rolling Stones and the Cars.

The 2012 Private Reserve Chardonnay ($44) is fruity, buttery, standard stuff; the 2011 Quantum ($65), a soft, plush Bordeaux-styled blend. But the 2010 Private Reserve Cabernet Sauvignon ($160) is surely the key pour here. With dusty framboise aromas and a raspberry-infused finish, this is the kind of refined, top-tier wine that’s unremarkable precisely because it’s so seamlessly integrated. More memorable, the 2007 Nightingale ($40 for 375ml) is a fairly convincing Sauternes-style wine, rich in treacly mandarin orange and candied walnut flavor. If the ghosts of old Beringers are still about, instead of worrying about their parlor, they’re surely retired from care in a cask of this wine, murmuring, “Let it be.”

Beringer Vineyards, 2000 Main St., St. Helena. Daily, 10am–5pm; (June–October, 10am–6pm). Tasting fee $20–$25; tours available. 707.963.8989.

Jan. 25: Howard Vlieger at the Sebastopol Grange

0

Politicians love to talk about the plight of the “American farmer,” but what they’re usually referring to are factory-farming corporations. Third-generation Iowa farmer Howard Vlieger has spent years studying the problems small farmers experience as a result of Big Ag’s insistence on GMO crops. No West County hippie, Vlieger is a conservative Christian Republican; he’s simply vehemently opposed to GMOs, and speaks about their destructive nature on Saturday, Jan. 25, at the Sebastopol Grange (6000 Sebastopol Ave., Sebastopol; 10am), Sunday, Jan. 26 at the Windsor Grange (9161 Starr Road, Windsor; 2pm) and the Seed Bank (199 Petaluma Blvd. N., Petaluma; 7pm). For more, see LabelGMOs.org.

Jan. 24: Tim Flannery at Sweetwater Music Hall

0

628x471.jpg

Whenever I’m blue in the off-season, I cue up the video of Angel Pagan, in May 2013, hitting a walk-off, inside-the-park home run in the 10th inning to beat the Rockies. The glory of Pagan’s achievement, however, must be shared by third-base coach Tim Flannery, who had the chutzpah to send Pagan to home plate as the throw came in from center field. Flannery has made plenty of similarly confident moves, a trait he brings to his side career in music. A devout Deadhead with a new solo album, The Wayward Wind, the Giants coach plays his own original songs on acoustic guitar on Friday, Jan. 24, at Sweetwater Music Hall. 19 Corte Madera Ave., Mill Valley. 8pm. $22—$24. 415.388.1100.

Jan. 23: San Francisco Symphony at the Green Music Center

0

sfsymphony.jpg

The Green Music Center is usually home to the Santa Rosa Symphony, but this week sees two visiting outfits. On Thursday, Jan. 23, the San Francisco Symphony rolls into the space with violinist Alexander Barantschik, who’ll perform Mendelssohn’s Violin Concerto in D Minor and conduct works by Mozart, Britten and Piazzolla. On Saturday, Jan. 25, Harry Bicket conducts the English Concert in Handel’s opera Theodora, featuring Sarah Connolly, Andrew Kennedy and others (7:30pm; $40—$85). Green Music Center, 1801 E. Cotati Ave., Rohnert Park. 866.955.6040.

Jan. 22: Olivia Laing at Book Passage

0

8646998280_ffc364471a_z.jpg

Ernest Hemingway. F. Scott Fitzgerald. Tennessee Williams, John Berryman, John Cheever. Raymond friggin’ Carver. What do these authors have in common? (“They were all overrated white males” is not the answer we’re looking for.) They all ordered booze by the boatful, and in her new book The Trip to Echo Spring: On Writers and Drinking, author Olivia Laing explores why. Having grown up in an alcoholic family herself, Laing removes the romance from drinking to reveal just how destructive the famous men’s habits became; she appears Wednesday, Jan. 22, at Book Passage. 51 Tamal Vista Blvd., Corte Madera. 7pm. Free. 415.927.0960.

Live Review: Mat Callahan sings James Connolly

Mat Callahan at the Arlene Francis Center

The cyclical nature of revolution songs is undeniable. Take a song from 100 years ago and it will be, at least in part, relevant today. Take, for example, the songs of Irish revolutionary James Connolly.
Mat Callahan, who fronted the San Francisco political punk/worldbeat band the Looters in the 80s, has compiled a book of Connolly’s music from original publications long thought lost to history. The book is put together well, with just enough history to give a sense of Connolly’s importance but relying mostly on the man’s own words from his music, all of which was written over 100 years ago. Connolly, a leading Marxist theorist in his day and was executed by the British in 1916.
Callahan and his wife Yvonne Moore, who now call Switzerland home, performed about a dozen songs on acoustic guitar and vocals at the Arlene Francis Center Friday night. The performance was the most punk rock thing I’ve seen all year, and will hold that title for at least a while. The duo sent a frozen shiver down my spine with lines like, “The people’s flag is deepest red, it shrouded oft our martyred dead; and ere their limbs grew stiff and cold, their hearts’ blood dyed its every fold.”
Santa Rosan Robert Ethington opened the show with original songs on acoustic guitar, accompanied by his wife Amy on vocals. They played a handful of powerful songs, suggesting they’d be a treat to see as a headlining act.
The album, “Songs of Freedom,” includes fully orchestrated versions of the songs Callahan and Moore played Friday night. It’s got Callahan’s worldbeat sensibility and arrangement, with guitar, bass, drums, Irish whistles, pipes, vocal harmony, fiddle, accordion and harp. The production is excellent, and the arrangements are updated to modern sensibility without losing their original feeling. Some tunes to Connolly’s songs were lost, so Callahan wrote original music to his lyrics. It serves to note that Connolly’s main purpose of putting these revolutionary words to music was for people to sing them and remember them, so many of the tunes are actually traditional country songs or somewhat hokey, simple melodies. They sound best when sung with 100 of your closest, most fed-up-with-the-system friends.
Get the book and CD here. It’s perfect for fans of history, revolution and Mat Callahan, each of which is equally important.
Here’s where you can catch this great show:

Live Review: Mat Callahan sings James Connolly

Mat Callahan at the Arlene Francis Center

The cyclical nature of revolution songs is undeniable. Take a song from 100 years ago and it will be, at least in part, relevant today. Take, for example, the songs of Irish revolutionary James Connolly.

Mat Callahan, who fronted the San Francisco political punk/worldbeat band the Looters in the 80s, has compiled a book of Connolly’s music from original publications long thought lost to history. The book is put together well, with just enough history to give a sense of Connolly’s importance but relying mostly on the man’s own words from his music, all of which was written over 100 years ago. Connolly, a leading Marxist theorist in his day and was executed by the British in 1916.

Callahan and his wife Yvonne Moore performed about a dozen songs on acoustic guitar and vocals at the Arlene Francis Center Friday night. The performance was the most punk rock thing I’ve seen all year, and will hold that title for at least a while. Callahan celebrated his 60th birthday three years ago but sends a frozen shiver down my spine with lines like, “The people’s flag is deepest red, it shrouded oft our martyred dead; and ere their limbs grew stiff and dead, their hearts’ blood dyed its every fold.”

The album, “Songs of Freedom,” includes fully orchestrated versions of the songs Callahan and Moore played Friday night. It’s got Callahan’s worldbeat sensibility and arrangement, with guitar, bass, drums, Irish whistles, pipes, vocal harmony, fiddle, accordion and harp. The production is excellent, and the arrangements are updated to modern sensibility without losing their original feeling. Some tunes to Connolly’s songs were lost, so Callahan wrote original music to his lyrics. It serves to note that Connolly’s main purpose of putting these revolutionary words to music was for people to sing them and remember them, so many of the tunes are actually traditional country songs or somewhat hokey, simple melodies. They sound best when sung with 100 of your closest, most fed-up-with-the-system friends.

Get the book and CD here. It’s perfect for fans of history, revolution and Mat Callahan, each of which is equally important.

Jan. 18: Sean Hayes at Hopmonk Sebastopol

0

images.jpg

When it comes to that lazy, loping, drunk-style drumming, it’s hard to beat Sean Hayes’ “When We Fall In.” A combination of folk guitar, doo-wop-style call-and-response and Hayes’ own elegant tenor voice, the song is a standout on Hayes’ 2010 album Run Wolves Run, and showcases everything that’s right with this Bay Area tunesmith who once played Jesus in a film. (These are beardy times, and half the fun of seeing Hayes live is guessing how out of control his facial hair may be at any given time.) Hayes plays this week with locals Trebuchet—who are set to release their (excellent) second album—on Saturday, Jan. 18, at Hopmonk Sebastopol. 230 Petaluma Ave., Sebastopol. 8:30pm. $22—$26. 707.829.7300.

Jan. 17: ‘Thinking Outside the Bottle’ at the Napa Valley Museum

0

ContentImage-645-60431-_MG_6978.jpg

Winery owners come from all areas of the world—both geographically and anthropologically. We’ve got retired dentists, Wall Street bankers, practicing lawyers, Oscar-winning filmmakers and at least 10 artists. At least that’s what the Napa Valley Museum is telling us with its new exhibit, ‘Thinking Outside the Bottle.’ Shining a light on winemakers, viticulturalists and winery owners who refuse to relegate themselves to one art form, the show includes painters, ceramicists and sculptors from Charter Oak, Mendelson, Zacherle and others. Both Margrit Mondavi and Eleanor Coppola are included in the show, too, which opens with a reception on Friday, Jan. 17, at the Napa Valley Museum. 55 Presidents Circle, Yountville. 5:30—7pm. $5. 707.944.0500.

Jan. 16: Colin Quinn at the Wells Fargo Center

0

colin-quinn-long-story-short-alt-1024.jpg

You might think the 1987 classic Three Men and a Baby is all about Steve “hunkalicious” Gutenberg, but you’d be overlooking the scene-stealing Colin Quinn, credited in his first film role as “Gift Shop Clerk.” Of course, over the years, Quinn would go on to expected greatness—most notably trying, in trademark affected grouchiness, to fill the enormous shoes left by Norm MacDonald on Saturday Night Live’s “Weekend Update.” Never known to say nice things about his time working for the SNL Rockefeller Peacock, Quinn turned to comedy clubs, where good Lord, he shines. See him cover 226 years of American history in his show “Unconstitutional” on Thursday, Jan. 16, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. 8pm. $37. 707.546.3600.

Beringer Vineyards

I can't imagine what Mrs. Beringer might have thought about the scene unfolding today in her ladies' sitting room. Decorated with floral motifs in its stained glass windows, the ladies' sitting room of the Rhine House is open to any member of the general public who wanders in—wine tasters, use side door. The atmosphere is loosey–goosey. While my companion...

Jan. 25: Howard Vlieger at the Sebastopol Grange

Politicians love to talk about the plight of the “American farmer,” but what they’re usually referring to are factory-farming corporations. Third-generation Iowa farmer Howard Vlieger has spent years studying the problems small farmers experience as a result of Big Ag’s insistence on GMO crops. No West County hippie, Vlieger is a conservative Christian Republican; he’s simply vehemently opposed to...

Jan. 24: Tim Flannery at Sweetwater Music Hall

Whenever I’m blue in the off-season, I cue up the video of Angel Pagan, in May 2013, hitting a walk-off, inside-the-park home run in the 10th inning to beat the Rockies. The glory of Pagan’s achievement, however, must be shared by third-base coach Tim Flannery, who had the chutzpah to send Pagan to home plate as the throw came...

Jan. 23: San Francisco Symphony at the Green Music Center

The Green Music Center is usually home to the Santa Rosa Symphony, but this week sees two visiting outfits. On Thursday, Jan. 23, the San Francisco Symphony rolls into the space with violinist Alexander Barantschik, who’ll perform Mendelssohn’s Violin Concerto in D Minor and conduct works by Mozart, Britten and Piazzolla. On Saturday, Jan. 25, Harry Bicket conducts the...

Jan. 22: Olivia Laing at Book Passage

Ernest Hemingway. F. Scott Fitzgerald. Tennessee Williams, John Berryman, John Cheever. Raymond friggin’ Carver. What do these authors have in common? (“They were all overrated white males” is not the answer we’re looking for.) They all ordered booze by the boatful, and in her new book The Trip to Echo Spring: On Writers and Drinking, author Olivia Laing explores...

Live Review: Mat Callahan sings James Connolly

The cyclical nature of revolution songs is undeniable. Take a song from 100 years ago and it will be, at least in part, relevant today. Take, for example, the songs of Irish revolutionary James Connolly. Mat Callahan, who fronted the San Francisco political punk/worldbeat band the Looters in the 80s, has compiled a book of Connolly’s music from original publications...

Live Review: Mat Callahan sings James Connolly

Nicolas GrizzleMat Callahan at the Arlene Francis Center The cyclical nature of revolution songs is undeniable. Take a song from 100 years ago and it will be, at least in part, relevant today. Take, for example, the songs of Irish revolutionary James Connolly. Mat Callahan, who fronted the San Francisco political punk/worldbeat band the Looters in the 80s, has compiled a...

Jan. 18: Sean Hayes at Hopmonk Sebastopol

When it comes to that lazy, loping, drunk-style drumming, it’s hard to beat Sean Hayes’ “When We Fall In.” A combination of folk guitar, doo-wop-style call-and-response and Hayes’ own elegant tenor voice, the song is a standout on Hayes’ 2010 album Run Wolves Run, and showcases everything that’s right with this Bay Area tunesmith who once played Jesus in...

Jan. 17: ‘Thinking Outside the Bottle’ at the Napa Valley Museum

Winery owners come from all areas of the world—both geographically and anthropologically. We’ve got retired dentists, Wall Street bankers, practicing lawyers, Oscar-winning filmmakers and at least 10 artists. At least that’s what the Napa Valley Museum is telling us with its new exhibit, ‘Thinking Outside the Bottle.’ Shining a light on winemakers, viticulturalists and winery owners who refuse to...

Jan. 16: Colin Quinn at the Wells Fargo Center

You might think the 1987 classic Three Men and a Baby is all about Steve “hunkalicious” Gutenberg, but you’d be overlooking the scene-stealing Colin Quinn, credited in his first film role as “Gift Shop Clerk.” Of course, over the years, Quinn would go on to expected greatness—most notably trying, in trademark affected grouchiness, to fill the enormous shoes left...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow