Letters to the Editor, March 5, 2014

Unsafe Soy

My wife and I are anti-GMO, and would caution readers of Mr. Alderson’s letter (Foxes in the Henhouse, Feb. 26), in that while it is important for all of us to be food safety-conscious, promoting soy as the safe alternative merely plays into the hands of the “soy fiefdoms” of Monsanto and DuPont.

Non-GMO is the way to go—always!

Cloverdale

Noise in Apple Town

As a resident of this community, I am amazed by what businesses can get away with. For years, my neighborhood has suffered from unbearable and excessive noise generated in downtown Sebastopol.

My husband and I chose to buy a house downtown because we love to live in the middle of this wonderful community, where we can reach everything by foot. Nevertheless, the ideal of Sebastopol as a people-friendly, green and attractive town has not been met for us.

Sebastopol

Sonoma County supervisors get raises (Top 5, Feb. 26), yet all our county library branches except Santa Rosa Central remain closed two days a week. (Whisper it: permanently?)

Sebastopol

Vegans Live Longer

This week’s Time magazine cites several reasons for vegetarians living longer. The article was prompted by a report in the American Medical Association’s Internal Medicine that a vegetarian diet lowers blood pressure, a key factor in the risk of heart failure and stroke.

The Mayo Clinic notes that vegetarians are at lower risk for developing diabetes, another factor in heart disease. Indeed, an Oxford University study of 45,000 adults in last year’s American Journal of Clinical Nutrition found that vegetarians were 32 percent less likely to suffer from heart disease.

Moreover, researchers at California’s Loma Linda University, examining records of 70,000 patients, concluded last year that a vegetarian diet protects against colorectal and other types of cancer.

It’s no wonder, then, that a 2012 Harvard University study of 120,000 people concluded that meat consumption raises the risk of death by heart disease or cancer. A more recent six-year study of 70,000 patients at Loma Linda found that vegetarians have a 12 percent lower risk of death.

The good news: each of us can find our own fountain of youth by adopting a meat and dairy-free diet. An internet search on “vegan recipes” or “live vegan” provi des ample resources.

Santa Rosa

Banana Republic

Regarding Efren Carrillo (“Wait for It,” Feb. 26): just more proof that it is good to be politically connected in the California Banana Republic.

Via Facebook

Subject:
Green Tips

With all this recent rain, it may seem like we’ve averted the drought, but we have not. According to the California Department of Water Resources, the “calendar year 2013 closed as the driest year in recorded history for many areas of California, and current conditions suggest no changes in sight for 2014.” Many of us have already put water conservation practices in place, and that’s great; reducing water usage is something everyone can do to care for this precious resource, and everything you do helps.

We can all do our part to help ensure that we are conscientious stewards of our water. For more information on water-saving ideas, look at the websites of your local, state and federal water departments. They post updates and have links to other resources, too.

Sebastopol

Write to us at le*****@******an.com.

Pan-Asian Encounters

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Foodie noun (informal)
1. A person with a particular interest in food; a gourmet.
2. The demographic for whom Sonoma County Restaurant Week was created.

In this issue, we take a trip to Asia, showcasing the diversity of flavors of Sonoma County Restaurant Week, from Thailand, China, Vietnam and Japan, even adding American and French twists in places. At times the food and atmosphere at these restaurants feels so authentic, it’s like taking a mini vacation. One half expects to see Anthony Bourdain chatting with a fellow chef while a film crew awkwardly careens in for a close-up of glistening fat globules floating atop a bowl of piping hot beef noodle soup.

But, no, these places are all within reasonable driving distance, and the only cameras will probably be part of a smartphone, destined for Instagram. Hashtag delicious. Hashtag foodporn. Hashtag—OK, you get the picture.

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But there was a time when food wasn’t about “likes” but about taste and presentation. These restaurants are a prime example of that. Pongo’s Kitchen and Tap Room in Petaluma offers Thai-inspired plates and local brews; Eight, in Sebastopol, combines Cantonese, French and American styles for a unique Asian fusion flavor; Kettle’s in Santa Rosa brings Vietnamese cuisine to the table, including the messy and wonderful Vietnamese crepe; Iconic Santa Rosa Chinese restaurant Gary Chu’s is still a top-notch favorite; and Windsor’s Ume makes elegant Japanese dishes that are as beautiful as they are tasty.

By the end of the week, you might wish it were Sonoma County Restaurant Month, because there are far more prix fixe options at all three price points—$19, $29 and $39—than allotted meal times in the week. But, hey, take it as a challenge to try as many new places as possible, revisit some old favorites offering a good deal and make a list for next year’s event. As Mae West said, “Too much of a good thing can be wonderful.”

Sonoma County Restaurant Week runs
March 10–16. For more information and a
full list of participating restaurants, visit
www.sonomacountyrestaurantweek.org.

—Nicolas Grizzle

Tried and True Comes Through: Gary Chu’s Chinese Cuisine

Say the words “Chinese food,” and the name “Gary Chu” probably comes to mind. Chu’s flagship restaurant on Fifth Street in Santa Rosa wasn’t the first in the North Bay to serve wonton soup, spare ribs and chow mein, but it was the first to serve innovative California-style Chinese cuisine, rather than plain old Chinese cooking.

With his brother, Christopher, Gary crafted a stunning menu that includes steamed sea bass, rib eye steak, tea-smoked duck and lobster with scallions and ginger. These days, Christopher does most of the cooking at Gary Chu’s on Fifth, while Gary slices fresh fish with the sharpest of knives at Osake, his popular Japanese restaurant near Montgomery Village.

I first ate at his Chinese restaurant in the 1980s, when he greeted everyone who walked through the front door. Now, more than 30 years later, his hair is whiter, though he still has youthful energy, an infectious laugh and he’s as articulate as ever on the subject of food.

“When I started out in this business, there was very little competition from other Asian restaurants,” he tells me. “Now, Thai and Vietnamese are all over the place, and we have to hustle more.”

The other major challenge, he explains, was to balance the old with the new. “Almost everything we do, we do according to American taste buds,” he says. “Americans like things sweeter than the Chinese. I do my best to respect tradition, even as I give customers what they want.”

For those who demand authentic Chinese food, Chu goes out of his way to make dishes using ingredients like dry scallops and pork belly. “I don’t have secrets,” he says. “But I’ll tell you this, my Chinese cuisine is unique.”

At his downtown restaurant, I enjoy the pork pot stickers doused with hot sauce. I then devour the fresh pea leaves sautéed in garlic, the imperial fried rice with pork and the seafood chow fun. For special occasions, I have made it a point to call in ahead of time and ask for Peking duck; a 24-hour notice is required, but it’s worth it. Tried and true, Gary Chu comes through.

“I’m not retiring anytime soon,” he says. “I have kids in college, and, besides, I love doing what I do.”—Jonah Raskin

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We Eight the Whole Thing: Eight Cuisine & Wine

“Eight is a super-lucky number in Asian culture,” says general manager Michelle Speakes as she explains the genesis of Eight Cuisine & Wine, the latest culinary outpost from restaurateur Steven Zhao. “In Shanghai, if your car has a license plate number with three consecutive 8s, you’ll never get a ticket.”

But it’s not just the lucky signifier—the numeral also represents the regions represented on the Eight Cuisine menu. The Sebastopol pan-Asian newcomer—it’s been in business about a year—offers classic Cantonese Chinese dishes (orange sesame chicken, pork spare-ribs) alongside Shanghai noodles and other French-classical dishes, prepared, as it were, with an Asian twist.

Two chefs help Eight Cuisine hold down the span-Asian offerings, says Speakes. Michael Ly (shown) is the wok-master trained in classical Cantonese cooking. The other, Ryan McDonald is “a young white boy who’s worked with Scott Howard and others,” she says.

McDonald is responsible for what Speakes describes as the “elevated higher-end side of the menu,” whose tantalizing offerings include a grilled Australian lamb with red curry lentils, bacon, coconut milk, cauliflower and mint chutney. Duck confit is served with baby kale salad, carrots, honshimeji mushrooms, hearts of palm and mandarins. A filet mignon is served with Korean bulgogi sauce.

There’s a burger, too, from Montana. That’s not quite in Asia, but the burger does feature Sriracha-based ketchup and Korean kimchi, along with the old-fashioned American fries (or your choice of a salad).

The signature “Incredible Eight Cuisine Noodles” is a noteworthy and recommended option on the lunch menu (there’s also brown and jasmine rice, and the noodles are also offered as a side dish). Incredible, indeed: monstrously thick and chewy chow mein noodles are prepared very simply with minced garlic, basil and butter. Call it Asian-Italian, or call it whatever you want—just order it.

A lunch plate called the Triple Green Jade features a basic, fresh-green-and-crunchy preparation of wok-fried snow peas, broccoli and green beans, cooked in a white wine sauce and featuring fried tofu rectangles peppered throughout the verdant victuals. It goes well with a side of noodles. A preliminary bowl of hot and sour soup reveals itself as a salty and jumbo portion of the classic Chinese offering, with a thick but never gummy broth. On a cold and rainy day in Northern California, it’s the perfect soul warmer.

Speakes says everything at Eight Cuisine is made fresh in-house every day, with high-quality ingredients rounded up from a who’s who of local purveyors of note, including Andy’s Produce, Golden Gate Meat, Rosie’s Organic Chicken and others.

The restaurant’s décor and general outlook wholly befits the casual elegance of Sebastopol itself: tablecloths are cream-colored, and service is all smiles and ease. “We don’t like stuffy service here,” says Speakes. “And we tried white tablecloths, but they were way too bright.”—Tom Gogola

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Pho Real: Kettles Vietnamese Bistro

“It’s been quite a ride,” says Kettles Vietnamese Bistro owner Cat Do, who opened her Santa Rosa restaurant almost two years ago after bailing out on an accounting career. “I didn’t want to sit behind a desk all day,” says the 35-year-old Sonoma State University graduate. “I wanted to be my own boss.”

Do, who moved to Santa Rosa from her hometown of San Diego 15 years ago, oversees a menu that spans Vietnamese food choices from classic pho to various curries and noodle-based lovelies, including specialty items such as the iron pot rice combo, a tantalizing offering of free-range chicken, pork sausages, barbecue pork and various things called “vegetables.”

Spring and summer rolls and dumplings make their de rigueur appearance on the starters menu, which also features my all-time favorite Asian appetizer, sugar cane shrimp (chao tom), which is exactly that: minced shrimp grilled on sugar cane sticks.

Do was busily putting together Kettles’ updated menu of vegan fare during my recent weekday visit. The crowd was heavy on lawyers and judges from nearby Sonoma County outposts of justice, along with various other worker bees out for a fresh and filling lunch. The vegan-friendly update, says Do, came about after customers approached her asking for modifications to dishes such as the bánh mì, which has a pepper-mayonnaise spread that’s off-limits to vegans.

The menu also notes, with pride, that Kettles’ dishes are 90 percent gluten free. “I noticed a lot of people approached us saying they are becoming more and more allergic to gluten as well,” says Do. “It’s been really fun to try and cater to this niche,” she says, adding that it’s “not fully emphasized in a lot of restaurants, at least not in Asian restaurants.” Another menu tweak that bespeaks the regional tongue: most dishes come with a suggested wine pairing.

The bánh mì is a hit. The classic Vietnamese sandwich is loaded with pickled carrots and daikon, cucumber, fresh jalapenos, cilantro and soy, all served on a crunchy-chewy French baguette. I ordered it with barbecue pork (other options include braised beef oxtail and lemongrass tofu), and doused it with numerous mega-squirts of the blessedly hot Sriracha sauce, which appeared in a tableside condiment rack, as if in a dream.

We passed on the suggested Barrique Chardonnay pairing, but the house-made limeade was a welcome accompaniment to the sandwich as we wept tears of hot-sauce bliss while devouring the super-fresh sandwich.

“We focus on a lot of things here,” Do says, “fresh, healthy and—I know it’s an abused word—natural ingredients that focus on good health.”

By all means, keep up the abuse. —Tom Gogola

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Quest for Freshness: Pongo’s Kitchen & Tap

Tucked away in an unassuming strip mall in Petaluma, Pongo’s bright, colorful interior creates a welcoming, tropical dining experience for its fresh Pan-Asian food. In fact, “fresh” and “local” are chef Pongo Pleinnikul’s keywords for inspiration at his eponymously named restaurant.

In their quest for the freshest ingredients, Pleinnikul and his family planted a garden to supply the restaurant with homegrown vegetables and herbs, adding a just-picked freshness to the dishes. Pleinnikul also searches markets for the latest seasonal ingredients, coming up with cool and spicy combinations that include Thai, Vietnamese and even Mexican flavors.

One recent special included pork belly, marinated overnight in sea salt and black pepper then pan-fried. “It’s like bacon on steroids,” Pleinnikul chuckles. Traditional Thai curries share the menu with creative fusion dishes, such as chicken satay wrap or barbecued beef with a chili lime sauce. Lettuce cups, soup bowls, rice dishes, burgers and all kinds of noodles round out the menu. The most popular menu item at the moment is Nick’s Special, created by Pleinnikul’s son, Nick. “He was hungry, and pan-fried some noodles then added vegetables and topped it with our peanut sauce,” Pleinnikul says. “Now it has become the most ordered dish.” The peanut sauce is a velvety concoction made with house-roasted peanuts and coconut milk, adding an addictive richness to whatever it’s served with.

The atmosphere at Pongo’s is cozy, though it gets pretty happening at times, especially Thursday nights when live music is featured. “We get bands that are local acts that folks know,” Pleinnikul says. Bands from Petaluma and Sonoma like Alec Fuhrman, the Messengers and Granular are a few of the acts coming up in the near future. Karaoke on Friday and Saturday nights is another popular draw.

In keeping with the local theme, the taps are filled with beers from Sonoma and Marin, including 101 North Brewing and Lagunitas. A full complement of local wines rounds out the bar, giving diners lots of options to pair with the spicy food. —Brooke Jackson

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Passion for the Ocean: Ume Japanese Bistro

Like a bright urchin glistening in a tidepool, Windsor’s Ume Japanese Bistro waits to be discovered by the curious ocean lover looking for the beauty of the natural world.

The uni, delivered fresh from Fort Bragg, tastes as if it had been plucked from the rocks that morning. The creamy, oceanic richness overwhelms my senses as I struggle to find words to show my appreciation to chef Eduardo Tejeda for making this simple yet complexly flavored dish so perfectly. But words aren’t necessary—the veteran sushi chef knows everything I’m trying to say simply by reading my face.

“Some customers come in and ask for something special, just for them,” he says. “I look at how they look at the fish. Reading the customers is a challenge, but that’s why it’s fun.”

Tejeda has been a sushi chef for 21 years, five of them at Ume. The restaurant focuses on simplicity to achieve its elegant look, both on the plate and in the dining room. “It’s like a painting,” says Tejeda about the plating of his dishes. “I start with the background, then vocalize the colors.”

And, as owner Kelly Shu chimes in, the visual aspect is a complement to the taste. Her husband, Chang Liow, is a certified sommelier, and Ume offers hand-selected sakes and wines to accompany their dishes, which can rotate on a monthly basis. Shu says Ume’s style is at times experimental, thought it sticks mostly to classic sushi and sashimi, with “a twist to traditional Japanese dishes.”

There are plenty of customers that don’t even look at the menu, “They say, ‘Just make me something,'” says Shu. Most are regulars, but some travel from as far away as Petaluma and Ukiah for the omakase, a dish that translates roughly to “trust the chef.” It’s a good bet that in a place like Ume that will be the best selection, even if it’s a complete surprise. Tejeda takes immense pride in his work. Having studied in San Francisco’s Japantown and being offered a job at Iron Chef Matsumoto’s eponymously named restaurant in Napa, he chooses to work closer to home, in Windsor.

Tejeda says a key to the restaurant’s success is teamwork. He is quick to praise his fellow chefs, saying he teaches them as much as he can. “That makes the restaurant better,” he says. And, of course, all new dishes have to pass the Shu test.

Restaurant week is a testing ground for dishes that have become menu staples, says Shu, and every dish on the tasting menu is a new, off-menu item.—Nicolas Grizzle

Fly the Miyazaki Skies

If anyone could make an appealing full-length animated film about a slide-rule jockey, Hiyao Miyazaki (Princess Mononoke, Spirited Away) is that artist.

The flaws in The Wind Rises, which has been announced as Miyazaki’s last film, weren’t in the conception. It’s a fictionalized biopic of engineer Jiro Horikoshi, who developed the A6M Zero fighter plane. As we see it here, this plane’s excellence was derived both from Jiro’s dreams and the directly observed biology of wings and bones.

To Miyazaki’s credit, there are passing acknowledgements here of the self-deception found wherever engineers toil. The problem at hand always outweighs the purpose of the finished project, and the next thing you know, there are dead bodies everywhere.

Miyazaki could have easily anticipated that we, the grandchildren and nephews and nieces of the Zero’s many victims, would have commented on his choice of subject. It’s the carrying out of that story—the dull mechanics of it—that makes The Wind Rises Miyazaki’s least picture as well as his last. And I’ll add that, like any of his fans, I don’t want this film to be his last.

In the name of accessibility, Joseph Gordon-Levitt and Emily Blunt have dubbed The Wind Rises for the American audience. While I didn’t see the dubbed version, it’s hard to imagine English dialogue improving what was already a staid and static account of an engineer’s life.

The relevance of Jiro to Miyazaki is perhaps autobiographical (take a guess why Miyazaki would make a film about someone whose life consisted of sitting at a desk and trying to excel in his field). And the master’s hand is visible in the clip-worthy moment depicting the great quake of 1923, presented as a terrifying ocean-like roll of the land. The injuries from that great disaster become a premonition of the aerial war to come, and that’s thematically more interesting than the movie itself. Here was the first stage of the leveling of that green, pre-war Japan, the land Miyazaki knows, loves, misses and tries so hard to recreate in his incomparable jewel-box colors.

‘The Wind Rises’ is now screening in select theaters.

The Katt Man Do

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The career of veteran character actor William Katt spans over 40 years of television and film roles.

Beginning with small one-off parts in iconic 1970s TV series like M*A*S*H* and Kojack, Katt first got noticed for his role in the 1976 cult classic horror film Carrie as actress Sissy Spacek‘s prom date Tommy Ross. While things in that film turned out particularly bad for Katt’s character, the actor continued to excel in countless smaller roles.

In 1981, Katt landed his most well-known role, in the titular part of The Greatest American Hero, a quirky superhero show that ran on TV for five seasons. Since then, Katt has remained active on television while appearing in small roles for independent films voiceover parts for animated fare.

One of Katt’s most recent film roles, as the villainous Matanza in Sparks, finds him acting alongside other notable underground favorites Clint Howard (Apollo 13), Jake Busey (Starship Troopers) and Clancy Brown (The Shawshank Redemption). It’s a darkly humorous tale of superheroes that plays like a ’40s noir caper—with actual capes.

This week, Katt takes questions from the audience for two nights at Santa Rosa’s Roxy Theater, first at a screening of Carrie as part of the theater’s Cult Film Series on March 6, and the next night alongside Howard, Busey and other cast and crew members for a special screening of Sparks, which runs throughout the week. Roxy Stadium 14, 85 Santa Rosa Ave., Santa Rosa. $10. 707.522.0330.

Bourbon Outfitter

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Are you trying to pull a fast one, Prohibition Spirits? First of all, you’ve named your booze company after a law that bans alcohol, and now you’re making bourbon, a uniquely Kentucky product, in Sonoma?

It’s true, but fear not, bourbon aficionados—the spirit is born in Kentucky before being shipped to California and double-barreled in Pinot Noir barrels from Schug Winery in Sonoma. As far as taste goes, it’s a spot-on, 100 proof bourbon, with hints of fruit unique to Northern California. There’s a rye with similar characteristics and a white corn whiskey that’s clear, perfect for mixing in drinks that require a certain color but beg for that brown liquor flavor.

Hooker’s Reserve, as the whiskey line is called, is named after Union Civil War general Joseph Hooker, a feisty fighter who lived for a time in Sonoma. If he were alive today (and that would be pretty scary, actually), he’d probably stock his hand-carved liquor cabinet with General’s Reserve 21-year bourbon.

The Sonoma company says it “stumbled onto something fabulous” in an old rick house in Kentucky. “What the angels left behind was amazingly complex old bourbon that can stand up to any bourbon out there,” they say. Well, if it’s good enough for the general, it’s probably good enough for anyone.

The Hunger Artifice

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Congressman Jared Huffman made the wrong call when he helped to cut food stamps recently by voting yes on the Agricultural Act of 2014, aka the Farm Bill.

Huffman should have known better. Last June, he participated in the “SNAP Food Stamp Challenge” for five days, to find out what it’s like to have just $4.50 a day to spend on food. On the first day of the effort, Huffman said, “I can already tell that [quality] protein and just about anything fresh are going to be casualties of a food-stamp diet.”

Huffman endured the ordeal for a week. Imagine coping with it for 52 weeks a year.

I had guessed that Huffman would vote no on the Farm Bill for two reasons: he had voted against cuts to food stamps in November, and he’d personally experienced what it was like to try to eat a healthy diet on a food-stamp allowance. But I called his Washington, D.C., office anyway, to state that I strongly opposed any further cuts to food stamp benefits, and urged that the cuts from November be restored.

Instead, I was horrified to learn that Huffman had in fact voted for the Farm Bill, a measure that further reduced the Supplemental Nutrition Assistance Program by $8 billion, worsening the damage done by $5 billion in cuts that were passed by the House just three months before.

Unlike most Democrats from California in the House of Representatives, Huffman chose to vote for a bill that leaves hungry people even hungrier than they were last fall. Huffman issued a statement after his vote, soft-pedaling the damage that he helped to inflict. He said that the original bill called for $40 billion in cuts, so it was good that only $8 billion over 10 years was cut. Not good enough, I say.

Huffman should have stood up and said, “It’s a disgrace that Congress would even consider cuts to basic nutrition programs in these times of record-breaking corporate profits,” and voted no.

Alice Chan is Co-Chair of the Coalition for Grassroots Progress and an elected delegate to the California State Democratic Central Committee. She lives in Sebastopol.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Tagged

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Sim Van der Ryn, California state architect under Gov. Jerry Brown in the 1970s, and a leading figure in the sustainable architecture movement, was “red-tagged” by Marin County building inspectors last year for a structure he was building on his Inverness property.

At issue was a “detached accessory structure for living space,” under construction without a permit, says Christy Stanley, the code-enforcement officer on the case. But the county inspection—which followed a confidential civilian complaint against Van der Ryn—yielded “additional violations on the property,” says Stanley. Van der Ryn submitted new building applications in late January that would bring other structures up to snuff with county rules, after “a couple of rounds of inspections, both on-site and in our office,” says Stanley, a 25-year employee of the county.

Van der Ryn modified the red-tagged building and has “chosen to scale back some of the improvements to limit his permit exposure” on other structures, says Stanley.

Van der Ryn tells the Bohemian that one red-tagged building was an attempt “to create affordable housing for some people who work here. Now those people are gone.” In Brown’s administration, “I was the state’s chief enforcement officer,” he says with a laugh as he defends the county’s code-enforcement mandate. “The county isn’t a villain, they are not the problem,” he says. “They have to do the investigation.”

For now, Van der Ryn says he’s working to bring his properties into compliance, and that the real villain is the well-heeled NIMBYism of newcomers unfamiliar with local byways (i.e., the person who called the county on him last summer).

“People can feel the change here,” he says.—Tom Gogola

Lasso Come Home

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It’s a delightfully twisty idea: a semi-fictional story about a man whose pursuit of truth led him to invent an imaginary character.

Throw in a little bondage and a three-way love story, and you have Lasso of Truth, Marin Theatre Company’s perceptive and proudly kinky premiere of Carson Kreitzer’s unforgettable new play. Directed with astonishing dexterity by Jasson Minadakis, Lasso is a kind of speculative origin story, offering a partially fabricated glimpse into the life of inventor William Marston, whose professional achievements included the invention of the lie detector and the creation of the first comic book superheroine, Wonder Woman.

“Let me now praise the beauty of strong women!” exults Marston, called the Inventor (an excellent Nicholas Rose). A psychologist with a taste for sexual danger, he’s happily married to the Wife (Jessa Brie Moreno, absolutely sensational here). The textbook description of a strong woman, she is the chief breadwinner of the family. Most importantly, she also indulges her husband’s tastes for playful bondage games, an extension of his professional interest in domination and submission.

The real Marston apparently did have a longtime polyamorous marriage that included his research assistant, here called the Amazon (Liz Sklar, sexy and electric). The play explores the idea that the women in the relationship might have had as much attraction to each other as Marston had for them, a realization that hits him hard when he discovers them engaging in their own bondage games—without him.

Of course, by this time, crushed that his lie detector hadn’t transformed the world into the better place he imagined, Marston had already fused the best elements of his lovers into his one unforgettable comic character.

The play would have had plenty of chewy material right there, but playwright Kreitzer throws in the Girl (Lauren English), a contemporary woman on a quest for the original Wonder Woman comic book, and the Guy (John Riedlinger), a collector who won’t part with it. Kreitzer uses these characters to explore the impact Wonder Woman has had on generations of girls who grew up idolizing her, and the feminist significance of the lasso-cracking Amazon comes out in these scenes, which start to make Lasso seem a bit stretched and overladen with ideas.

Still, the pleasures of the play far outweigh the faults.

Brilliantly executed, Lasso of Truth is as bold and original, as entertaining and groundbreaking, as the truth-telling Amazon who inspired it.

Rating (out of 5): &#9733 &#9733 &#9733 &#9733 &#189

Rhone Rangers

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There’s still plenty of loose talk in California about “Burgundian-style” wine, but it’s the rare wine that’s billed as such right on the bottle. I found one that is, but it’s a Rhone-style blend—pithy comment on the state of Rhone varietals and blends in advance of the Rhone Rangers 17th annual tasting event.

When I reached for two samples of nationally distributed, nicely priced blends of Grenache, Syrah and Mourvèdre recently, I found that neither said a word about these grapes on its label, front or back. Worse, it’s just as well, since neither is likely to inspire one to saddle up with the Rhone Rangers.

The good news is that, with a little more effort and not too much more money, plenty of exciting wines in this category can now be found. Unlike California’s popular “kitchen sink” blends of Cab, Zin, Syrah and other grapes, Rhone blends usually—but are not required to—conform to a formula traditional to France’s Côtes du Rhône region. But the grapevines themselves are nothing new to California, as Napa winemaker Jillian Johnson (pictured) found while working for Bonny Doon. They used wine from a singular survivor in Lodi, a 137-year-old vineyard planted entirely to Cinsault, to punch up Le Cigare Volant and other blends. Now Johnson contracts four acres for her own label. The Onesta 2011 Lodi Cinsault ($29) is peppery, warmly imbued with plum and licorice, and is a real pleasure to drink.

I expected Cline’s 2012 Cashmere ($21) to also be a pleasure to drink. From some of Cline’s heritage Contra Costa County vineyards, it’s light-bodied and soft, but smells older than its years and tastes a bit “rescued.” On the plus side, proceeds help support Living Beyond Breast Cancer.

Francis Ford Coppola‘s 2012 Chateau Red ($14) is a new addition to the winery’s Votre Santé line. More deeply colored and with stickier tannin, this hints at savory notes over black cherry fruit and is easy to drink, but seems to have been bullied into the bottle too early.

So how do they do it back in “home, sweet Rhone?” Famille Perrin’s 2010 Les Sinards Châteauneuf-du-Pape ($35) comes from the folks behind Château de Beaucastel, partners also in Tablas Creek of Paso Robles. Dried fruits are drowned out by waves of Bergamot orange, leather, fermenting hay and assorted volatile aromas that sing from the glass. Medium-bodied, astringent, tensely herbal and cherry-fruited all at once, it’s heaps wilder than the California blends, but I just keep coming back to it. Perhaps some of our Rangers will pick up the trail here.

Decarceration Nation

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For most people, the idea of abolishing prisons is right up there with colonizing Mars—a far-out concept torn straight from a science-fiction novel. But for writer and former labor union organizer Steve Martinot, the abolishment of prisons is the social justice issue of the 21st century.

“The first step towards creating a humane, egalitarian society would be eliminating the prison system and the prison ethic,” explains Martinot by phone from his home in Berkeley.

Now 74 years old, the retired UC Berkeley and San Francisco State adjunct lecturer first became involved with the prison abolition movement after attending a Critical Resistance conference in the late ’90s. Founded by former political prisoner and UC Santa Cruz professor Angela Davis, Critical Resistance takes as its mission dismantling the prison-industrial complex.

Like Thomas Paine, whose Common Sense inspired the American Revolution, Martinot turned to the pamphlet as the form through which to disseminate his argument about the prison system. He’ll be speaking on the ideas contained in “The Need to Abolish the Prison System: An Ethical Indictment” on March 9 at the Glaser Center, sponsored by Racial Justice Allies and the Peace & Justice Center of Sonoma County.

The pamphlet came about as Martinot heard people in the movement express dissatisfaction that there wasn’t a philosophical argument that made the “abolition of prison intelligible on an ethical basis.”

“I’d been doing a lot of work on the structures of racialization in the United States, so I took the project on myself to see if I could provide an ethical and political argument on a philosophical basis for the abolition of prisons,” he explains.

Considering that the U.S. Supreme Court described conditions in overcrowded California prisons as bordering on “cruel and unusual punishment,” Martinot may be on to something. In the 2011 ruling that directed California to address its prison overflow, Justice Anthony Kennedy described the situation thus: “A prison that deprives prisoners of basic sustenance, including adequate medical care, is incompatible with the concept of human dignity and has no place in civilized society.”

California was required to reduce its prisoner population from 143,000 to 110,000. The verdict is still out on whether prison realignment, which sent lower-level offenders to local and county jails, where they often benefit from early release, has been successful in alleviating the strain on a prison system that was housing almost double its capacity.

But for activists like Martinot, simply reorganizing the prison system, or reforming it through measures such as Proposition 36, the 2012 legislation that exempts nonviolent offenders in California from “three strikes” mandatory life sentences, is only a band-aid on an enormous bleeding wound.

His ideas take as foundation books like Michelle Alexander’s eye-opening book published in 2012, The New Jim Crow: Mass Incarceration in the Age of Colorblindness, which argues that the millions of African Americans locked up in prison represents the rebirth of a caste-like system, one that relegates these men and women to permanent second-class status. “She’s really doing the exposure literature of what the ‘judicial machine’ is all about,” says Martinot.

He mentions restorative justice—a movement that brings together the victim and the offender for dialogue, reparation and community dialogue—as one alternative to locking people up and throwing away the key. Another solution would be the immediate release of anyone currently in prison for what he calls a “victimless” crime. (According to Martinot, 70 percent of those currently incarcerated are in for victimless crimes like prostitution, drug possession and drug use.)

“If you define crime as an act that someone commits that makes someone else suffer, then all of these people in prison for victimless crimes are, they themselves, the victim,” he says. “So even before you can ask how we can abolish the prison system, everybody who’s been involved in a victimless crime should be released today.”

When Martinot speaks before a room of people, the reaction to his radical ideas about prison tends to be a collective silence, he says.

“A nonresponse on a group level—from my teaching background—means I’ve hit on something very profound. That silence means that whatever response my argument is going to get, I’m not going to be there to see it, but it’s going to be there and it’s going to be real.”

Letters to the Editor, March 5, 2014

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Decarceration Nation

For most people, the idea of abolishing prisons is right up there with colonizing Mars—a far-out concept torn straight from a science-fiction novel. But for writer and former labor union organizer Steve Martinot, the abolishment of prisons is the social justice issue of the 21st century. "The first step towards creating a humane, egalitarian society would be eliminating the prison...
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