Mouse Trap

My favorite films of 2013 include Captain Phillips, Her, Gravity, 12 Years a Slave, Nebraska and The Grandmaster. But the worst film of 2013 was The Lone Ranger.

What a bad year for Disney. Watch them try to burnish their image with the lie-filled Saving Mr. Banks, where they imagineered the story of starchy Brit P. L. Travers (Emma Thompson), author of Mary Poppins, learning to lay back and enjoy market penetration. Cut to The Lone Ranger, a Disney franchise that no one knew how to launch. Who was that movie for? Psychotic kids?

And then there was 2013’s Revolt of the Disney girls. Defenders of Spring Breakers (I’m not really one) claim the transgressive qualities of this thang were proved by defecting Disneyites Selena Gomez and Vanessa Hudgens, going down and dirty. (And Spring Breakers came out even before the former Hannah Montana decided to twitch her undernourished hams at that awards show.)

But I preferred Randy Moore’s all-out attack on Sleeping Beauty’s castle. Escape from Tomorrow, filmed guerrilla-style inside Disney World and Disneyland without permission, even has a counter on its website ticking off the time until the filmmakers are sued by Disney. Moore added to the encouraging black-and-white revival of 2013: Frances Ha, Much Ado About Nothing, Nebraska and the charcoal-and-snow-tinted colors of Inside Llewyn Davis. While proving the viability of monochrome, Moore also snatched his movie out of one of the most heavily monitored places on earth. You’d rather steal chump change from Smaug.

My favorite movie of the year was Blue Is the Warmest Color, with its two mesmerizing leads, but I also loved the two unfortunate women facing religious mania (or is it religious solace?) in the Romanian tragedy Beyond the Hills. And the troubled friendship in Frances Ha, and brave Beatrice sticking up for her kinswoman Hero in Joss Whedon’s typically feminist take on Shakespeare in Much Ado About Nothing.

It’s the reason why the Bechdel Test means so much as I get older, and why male buddy films mean less to me.

So Long, 2013!

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THE SPOTTED CHIHUAHUA

‘We know that there are public elected officials here today and that you’d better listen. You better start coming over to our side of town over there, and listen to what we have to say. Because now I’ve got what you’ve always had: it’s called money. And listen carefully, each of you. Until you come out and talk to us and listen to us and answer to what happened, I will take my money and run a spotted Chihuahua against you and let it win. And I mean it.’—Greg Sarris, Nov. 3

Citizens! I’m a spotted Chihuahua, and I want your vote. The above quote is from my campaign manager Greg Sarris. You may know him as the chairman of the Federated Indians of Graton Rancheria, which opened a casino in Rohnert Park a few days after Sarris’ speech announcing my candidacy. (Well, it was supposed to be a speech honoring Andy Lopez at a meeting of the North Bay Organizing Project in conjunction with a tribal donation of $8,000 to his family, but we felt the time was right for a political announcement.)

My team and I haven’t yet decided what I’m running for, exactly, but I’m leaning toward county supervisor. Good pay, high reelection rates for incumbents, ability to get into trouble without severe repercussion—it seems like a perfect fit for an ill-tempered, scrappy, undersized perrito like myself. And I hear there might be a good chance at defeating an incumbent pretty soon.

Now, I know what you’re thinking: Spotted Chihuahua, you’re adorable and everything, but where do you stand on the issues we care about? What about water conservation, commercial development and paving our roadways? I can assure you, I will pretend to care about every little thing your heart desires, just so long as I get my treats. Give me a peanut butter crunchie, and I will sing and dance for you all day.
—Nicolas Grizzle

EFREN’S UNDERWEAR

“Efren Carrillo got arrested last night. He was drunk and in his socks and underwear.”

It was the kind of text that makes you drop the phone and go “Daaaang!” And, like most people do when a public official is caught with their pants down (or missing entirely), I shot back with a joke. “Hey, it’s like the KONY 2012 guy, without the masturbation!”

But here are the facts as we know them: Around 3am on July 13, a woman placed two 911 calls after a man rustled the blinds at her bedroom window, and soon after, Carrillo knocked on her front door and ran away. The 32-year-old Sonoma County supervisor was found in only his socks and underwear, and the screen to the woman’s window was discovered to have been torn. Police believed Carrillo intended to commit sexual assault, and arrested him on suspicion of burglary, prowling and possible sexual assault in West Santa Rosa.

The day after the arrest, I tossed around a few Champagne-fueled speculations with a friend. I was convinced Carrillo had suffered some sort of mental breakdown, and initially, I empathized with the guy. I spent my ’20s and early ’30s sucking down whiskey drinks, a tendency that led me into “adventures” that might never have passed ethical muster in the light of day. Of course, I wasn’t on the board of supervisors.

My friend, on the other hand, thought this was your run-of-the-mill booty call gone awry. But as facts were revealed, it turned out that this was far from the truth. The young woman barely knew Carrillo, aside from the superficial interaction you might have with a neighbor who lives across the fence, or in this case, across the driveway. Far from a case of buyer’s remorse, this was something way more serious. For most women, an unknown man entering a bedroom window in the early morning hours is the stuff of nightmares.

As Carrillo’s charges were reduced to peeking, the calls for his ouster were repeated, but much of the press focused on whether the whole incident would have long-term repercussions for Carrillo’s rising political star. A more crucial question might be: How can the women of Sonoma County feel safe in a community that allows elected leaders to violate the safety of one of his own constituents, whatever Carrillo thought the potential outcome might be of his two-beer-in-hand, nearly naked, pre-dawn visit? As Rosanne Darling, the victim’s lawyer told the Bohemian in December, “Nobody’s talking about what this means for the women of this county. What are we willing to accept in 2013, in a place as progressive as Sonoma County?”

That’s the question we should be asking ourselves in 2014.
—Leilani Clark

SINKING ROCK

Hey, remember BottleRock? The most promising music festival to ever hit the North Bay, with the most insanely top-notch lineup of bands? Of course you do, because if you weren’t at the festival itself, you were either stuck listening to your co-workers talk about it all the time, or just plain stuck in its traffic.

Or hey! Maybe you’re one of the many people to whom BottleRock owes money. That’s because after five festival days with nearly everything running smoothly, the star-struck promoters paid the bands—and forgot to pay full invoices to the stagehands, the backstage caterer, the portable toilet company, the trash lady, the shuttle bus company, the city of Napa . . . And the list goes on. Even the father of one of the promoters filed suit against his own son to be paid. Ouch.

As of late November, a trio of new investors was interested in taking over the festival and paying off its estimated $8.5 million in debt. But between the lawsuits, the bad press, the infighting and the obscene levels of financial mismanagement, who would want to take the chance?

Meanwhile, three-day passes for BottleRock 2014 remain for sale on the festival’s website. Our tip: save your $329 until a real lineup is announced.—Gabe Meline

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THE DEATH OF A CHILD

Andy Lopez was just another 13-year-old walking through his neighborhood on Moorland Avenue in Santa Rosa, on his way to a friend’s house to return his toy gun. When he heard someone from behind yell to him, he began to turn around to see who it was. Instead, he was pumped full of bullets, killed in plain daylight by deputy Erick Gelhaus, who continued to shoot after the boy fell to the ground.

According to the autopsy, which showed the bullets’ trajectories, Andy Lopez was only halfway turned around before he was shot from behind. According to witnesses, Gelhaus didn’t identify himself as law enforcement. And according to the sheriff’s own time stamp, the whole incident—from radioing in a suspicious person with a gun, to radioing back that shots had been fired—took just 10 seconds.

Andy Lopez didn’t have a chance.

Marches, vigils and actions have been a weekly occurrence since, and you can’t walk a hundred yards in southwest Santa Rosa without seeing “Justice for Andy” painted on a car window. In other parts of town, though, things aren’t so tumultuous. The Santa Rosa Police Department is as close as ever with the Sonoma County Sheriff’s Office, and is tasked with the “outside” investigation. District Attorney Jill Ravitch is tasked with reviewing that investigation, despite being cozy as can be with Sheriff Steve Freitas—the two spoke at each others’ campaign kickoff events. A nearly all-white, middle-aged grand jury will likely dutifully stamp the results.

Lopez’s death caused us all to “have a conversation” in 2013. But with 27 officer-related fatal shootings that have occurred since 2000, and with Gelhaus back at work and likely to be cleared of any wrongdoing, it’s time to stop talking and start acting to change a system that allows such tragedies. At the very least, Ravitch should voluntarily recuse herself from reviewing the investigation of Frietas’ department—a clear political conflict of interest. Better yet would be for the formation of a civilian review board to oversee officer-related shootings, which has long been recommended for Sonoma County and is currently being studied by a task force. If it could stop even one innocent 13-year-old from being killed, it would all be worth it.
—Gabe Meline

THE ELECTEDS’ MUSICAL CHAIRS

A barrage of political candidacy announcements marked the second half of 2013 as local politicos revved up for an election year. After State Sen. Noreen Evans announced that she would not seek re-election in 2014, Sonoma County Supervisor Mike McGuire launched a bid for her state Legislature seat. (A “leaked” poll of 400 registered North Coast voters shows McGuire with a significant lead over the other two candidates, for whatever that’s worth.)

It wasn’t long before potential candidates began vying to take over McGuire’s position. Those entering the fray include James Gore, a former senior official in the Department of Agriculture under President Obama. A Sonoma County native with wine industry ties, the 35-year-old recently moved back to Healdsburg with his wife and daughter, announcing his candidacy soon afterward. Environmentally minded Windsor councilwoman Deborah Fudge will make her third attempt at supervisorial seat, as will lively, rampant Press Democrat commenter Keith Rhinehart, former Healdsburg mayor Pete Foppiano, and Healdsburg city councilman Tom Chambers.

In Santa Rosa, former Press Democrat columnist Chris Coursey announced a run for a seat on the Santa Rosa City Council. If he wins, he’ll leave behind a long journalism career for public office, leaving his loyal readers to sigh and cheer at the same time. Shout out to Erin Carlstrom for bringing her new baby to city council meetings and providing inspiration to working moms everywhere—and a brickbat to the misogynist troll who wrote that Carlstrom should “stay at home with her first child.” This was also the year that the 31-year-old attorney, who’s served less than a year on Santa Rosa City Council, announced that she would run for State Legislature . . . oh wait, no, never mind . . . make that the 10th District assembly seat, currently held by Marc Levine, who last year unseated Michael Allen. Carlstrom hasn’t made the official announcement yet, but maybe this one will stick.—Leilani Clark

DELICIOUS GAMBLE

Rohnert Park residents rejoiced this year when the long-awaited casino opened on the outskirts of town. Not because there would finally be a form of entertainment other than miniature golf or theater in the city, but because the $800 million gambling mecca has a top-notch taqueria.

The 34,000-square-foot casino is fun and all, but the real draw is La Fondita. The Santa Rosa eatery was hand-picked by tribal chairman Greg Sarris to open another outlet of its popular Roseland restaurants inside the casino. With the incredible response to the opening of a Chipotle restaurant in Rohnert Park (diners sometimes waited upwards of an hour in line), it was obvious that RP residents were in desperate need of a real burrito.

Yes, the casino was a source of controversy for over a decade before it was even built, and traffic was terrible on opening day,
Nov. 4. But the delicious tortas were worth the wait, as a full parking garage and packed gambling floors littered with drips of crema and guacamole will attest. It’s a mainstay, and even if Amy’s Kitchen does open a healthy fast-food establishment down the street, it won’t make a dent in La Fondita’s business. A healthy chorizo chimichanga is one that I don’t ever want to meet.

And if a strip mall or two opens across the street with a Taco Bell or a Baja Fresh, so be it. Station Casinos bought all the land adjacent to the casino it bankrolled, and it can lease the space to whomever it likes. You know why La Fondita doesn’t give a shit? Because their tacos are the shit—the best little meat bombs a tortilla has ever had the honor of transporting to a mouth. And the elote? That’s no gamble, that’s a sure bet for deliciousness, corn-teeth be damned. Rohnert Park has changed forever, no thanks to the smoky, flashy, loud, money-sucking sensory blitz of the Graton Rancheria Casino, but to the beautiful, rich, spicy carne asada contained within.—Nicolas Grizzle

THE INTERNET LOTTERY

Out of the thousands of things we post online every year, we’re never completely sure what’s going to capture the imagination of the public at large. But in the case of a mid-July post about a newscast, we at the Bohemian captured eyeballs worldwide. In a post titled “KTVU Reports Asiana Pilots Named ‘Sum Ting Wong,’ ‘Ho Lee Fuk,'” we had the somewhat dubious honor of being first to break the news that KTVU anchors had messed up really, really bad. In just one day, we’d amassed 250,000 views; the post would go on to break the half-million mark by the end of the week. What can we say? People all over the world like racist news bloopers.—Gabe Meline

Top Torn Tix 2013

Of the 70-something plays I see each year, I am asked every December to select 10 that were my favorites. That’s an interesting concept, favorites.

My favorite pet of all time was Waldo, a seriously flawed example of canine scrounginess, wholly unexceptional except for one detail: I loved him. I suspect he was no worthier than any other dog, and I’m sure that the experts who judge dog shows would scoff were I to suggest that Waldo deserved to be thought of as the best. But we love what we love.

Once a year, I set aside my analysis and simply name the 10 shows that got to me the most, made me laugh the hardest or cry the longest or think the juiciest thoughts. Some of these might truly belong on a list of the best shows of the year (some were awesome!), but that’s another list. These are my own personal, most-loved shows.

1. ‘Waiting for Godot’ (Marin Theater Company) Director Jasson Minadakis took one of the theater’s most minimalistic plays and stripped it down to almost nothing but the words, then put those words into the mouths of four brilliant actors. Gorgeously staged, it took audiences on a journey of absurdist extremes. Wonderfully done.

2. ‘The Price’ (Cinnabar Theater) A brilliant Charles Siebert almost stole Arthur Miller’s well-crafted drama from his three co-stars, but under the poetic direction of Sheri Lee Miller, actors John Shillington, Madeleine Ashe and Samson Hood (in his best-ever performance) kept stealing it back.

3. ‘The Sound of Music’ (Mountain Play) The Bay Area’s largest stage (atop Mt. Tamalpais) was put to spectacular use in Rodgers and Hammerstein’s beloved classic, from cars and motorcycles driving across massive pivoting sets to the von Trapp family climbing an actual mountain in the rousing and lovely finale.

4. ‘The Shape of Things’ (Main Stage West) It was a strong year for Keith Baker, who rocked as Caliban in Sebastopol Shakespeare Festival’s Tempest but had already given one of the year’s best performances in David Lear’s production of Neil LaBute’s social satire about art, love and other forms of emotional manipulation.

5. ‘Red’ (Sixth Street Playhouse) Charlie Siebert again, directed by Craig Miller, paired with actor Ryan Schabach’s in John Logan’s astonishingly good examination of the work and ideas of artist Mark Rothko.

6. ‘This Is Our Youth’ (Main Stage West) Sex. Drugs. Foul language. Toasters. Ken Lonergan’s affectionately fierce story of three rudderless young people, directed Keith Baker, was as shocking as it was entertaining.

7. ‘La Cage aux Folles’ (Cinnabar Theater) Sheri Lee Miller (who directed the above-mentioned Price and The Tempest) scored yet again with a deeply moving, emotionally grounded spin on Harvey Fierstein and Jerry Herman’s hilarious musical. Actors Michael Van Why and Stephen Walsh were wonderfully real.

8. ‘Romeo and Juliet’ (Actors Basement) Directed by Merlyn Q. Sell, this gender-bending presentation of Shakespeare’s tragic romance was cleverly staged on two sides of a window, with scenes performed simultaneously to stunning, sexy and often eye-opening effect.

9. ‘Shrek: The Musical’ and ‘Pirates of Penzance’ (Summer Repertory Theater) SRT’s strongest season in years included two supremely charming shows which worked as a pair (so I’m including them as one). Shrek: The Musical, directed by James Newman, transported the nasty-nice animated film onto the stage with a sly social message about equality and speaking truth to power. Gilbert and Sullivan’s Pirates of Penzance, directed by Brian J. Marcum, was played with giddy enthusiasm and lighthearted glee.

10. ‘The Spanish Tragedy’ (Marin Shakespeare Company) Thomas Kyd’s seldom-produced play, as directed by Lesley Currier, was a wild ride of a show, alternately violent and funny, poetic and crude, a memorably rip-roaring history lesson that had audiences buzzing from start to finish.

Still Cold

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Just because Christmas is over, baby, doesn’t mean it’s not still cold outside. With long waiting lists at the six shelters in Santa Rosa and only 417 beds, the city was looking to add more beds for the approximately 1,700 homeless in the city. In lieu of the National Guard Armory, Santa Rosa added 68 beds to the Catholic Charities–operated homeless shelter at Samuel Jones Hall on Dec. 24 in response to the extreme nighttime chill in the area. The nonprofit will operate shuttles from the shelter on Morgan Street in Santa Rosa to the Southwest Santa Rosa site. To donate warm clothing, food, time or money, call Catholic Charities at 707.542.5426.

REFLECTION TIME

The Andy Lopez tragedy has inspired numerous protests in Santa Rosa, with answers and action demanded by an increasingly distressed public. So far, their cries have not been answered; the deputy who shot Lopez, Erick Gelhaus, has even been cleared to return to work. Now a group of women has come together to take their case to the Sonoma County Board of Supervisors. Calling themselves Women in White, the group plans a protest outside the supervisors’ meeting on Friday, Jan. 7, with posters and mirrors, giving the supervisors a literal interpretation of supervisor Mike McGuire’s statement that this is a time for reflection. The women plan to ask exactly why the effort to launch a civilian review board in 2000 failed, and to call for such practices to be implemented now.

Masterful Meal

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The menu of
La Riviera reads like a beautiful sonnet, for which it has to thank 13th-century Italian poet Giacomo da Lentini: the menu’s composition as a whole would not be the same without each one of its individual lines, and each line would be lost without its place with the others. There’s no deconstruction or molecular gastronomy going on in the kitchen, just impeccable execution of Italian classics. It’s a tribute to the culinary heritage of Italy to produce such good food by simply doing everything right, with attention to small details.

Organic radicchio salad ($9) is a wonderfully balanced starter. A generous portion of deep purple shreds lay like spaghetti, punctuated with bursts of flavor from gorgonzola and fennel, and topped with fresh, thinly sliced pears and just the right amount of balsamic vinaigrette. The bitterness of the salad isn’t overwhelming, and provides the perfect setting for the sweet and salty accents.

The salad makes a good introduction for the spaghetti carbonara ($15), which is rich, creamy and overflowing with perfectly sized chunks of pancetta. If there were such a thing as too much pancetta . . . ah, but there isn’t, so the thought stops there. This is the dish spaghetti was created for, and it’s done justice here.

The beautiful fresco in the side dining room is a sight to behold. A depiction of Italy as viewed from, perhaps, a Tuscan villa, is more thought-provoking and inspiring than any bit of smartphone use in the lulls between courses. An outdoor dining space is decorated with climbing vines and bistro lighting, separated just enough from the main entrance to be romantic but not secluded. Just as the scenery sinks in, the main course arrives.

On a recent evening, one special was lamb shank over polenta. Like a good pasta, the extravagance of this dish was its perfect execution. The lamb was rich, not gamey at all, and perfectly tender—not falling off the bone, but melting in the mouth. Polenta served as a wonderful way to soak up the delicious gravy ladled gently over the dish. Hopefully, the roasted rack of lamb ($27) on the daily menu comes from the same supplier.

Dessert was the least exciting course, but that doesn’t mean one shouldn’t leave room for it. Classics like lava cake, crème brûlée and tiramisu are all priced at $7, and remind diners why they’re such after-dinner staples with, again, near-flawless execution. The tiramisu was balanced, flavorful and presented beautifully, but the bottom layer of ladyfingers was just a touch oversoaked, while the middle layer wasn’t quite soaked entirely through.

Fans will note pasta dishes named after Santa Rosa’s most famous cyclist Levi Leipheimer (spaghetti with sautéed prawns, artichoke hearts, sun dried tomatoes, garlic olive oil, $15); his wife, Odessa Gunn (ravioli with porcini mushroom and cream or fresh tomato basil, $18); and Levi’s GranFondo (spaghetti with grilled vegetables, garlic, olive oil and dry ricotta, $13)—owner and avid cyclist Giampaolo Pesce is friends with the couple.

La Riviera Ristorante has become my first choice for Italian food in Santa Rosa. Though it may be more pricey than casual dining, the quality of the food, atmosphere and service make the experience well worth the money.

La Riviera Ristorante, 75 Montgomery Drive, Santa Rosa. 707.579.2682.

Gabe’s Top 25 Albums of 2013

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1. Kanye West – Yeezus (Def Jam)
2. Beyoncé – Beyoncé (Columbia)
3. Chance the Rapper – Acid Rap (No Label)
4. Autre Ne Veut – Anxiety (Software)
5. Drake – Nothing Was the Same (Young Money)
6. Majical Cloudz – Impersonator (Matador)
7. King Krule – 6 Feet Beneath the Moon (True Panther)
8. Iceage – You’re Nothing (Matador)
9. The Knife – Shaking the Habitual (Rabid)
10. Haxan Cloak – Excavation (Tri Angle)
11. Sky Ferriera – Night Time, My Time (Capitol)
12. The New Trust – Keep Dreaming (Discos Huelga)
13. Justin Timberlake – The 20/20 Experience (RCA)
14. Merchandise – Totale Night (Night People)
15. Haim – Days Are Gone (Polydor)
16. Ka – The Night’s Gambit (Iron Works)
17. Charli XCX – True Romance (Atlantic)
18. Grouper – The Man Who Died in His Boat (Kranky)
19. The Crux – The Ratcatcher (Self-Released)
20. Helm – Silencer (PAN)
21. The-Dream – IV Play (Def Jam)
22. Julia Holter – Loud City Song (Domino)
23. Jose James – No Beginning and No End (Blue Note)
24. K. Michelle – Rebellious Soul (Atlantic)
25. Ariana Grande – Yours Truly (Republic)
Previous years here, here, here, and here.

Jan. 8: Death Cafe at the Sunflower Center

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It’s a fact: we’re all gonna have to go some time. The thing is, our loved ones have to grapple with our absence. Enter the Death Cafe, an unconventional take on the idea of a support group for those wrestling with the loss of a loved one. As noted in an April 2013 Bohemian feature, participants in the Death Cafe laugh a lot more than they cry, and the whole meeting serves to break the weirdly uncomfortable relationship humans have with something that’s so normal, it’s 100 percent guaranteed. Tea, cake and stories of shuffling off abound when Karen Garber hosts on Wednesday, Jan. 8, at the Sunflower Center. 1435 N. McDowell Blvd., Petaluma. 7pm. Free. 707.792.5300.

Jan. 7: ‘Santiago Is Santiago’ screens at the Bay Model Visitor Center

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Naturally, the stellar music drove the narrative of the award-winning documentary Buena Vista Social Club. But just as important and eye-opening were the many scenes of street life in and around Havana—the cars, dancing, street peddlers, artists and overall culture of the country that’s grown independently for 50 years. Filmmaker Warren Haack became entranced by this culture, and has released a film capturing life in the clubs, bars and streets of Cuba. ‘Santiago Is Santiago’ explores this Afro-Cuban intermingling; it screens on Tuesday, Jan. 7, at the Bay Model Visitor Center. 2100 Bridgeway, Sausalito. 6pm. Free. 415.332.3871.

Jan. 5: Mal Sharpe at No Name Bar

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We were glad to see a familiar name in this year’s SF Sketchfest lineup with the announcement of a tribute to Mal Sharpe, who with Jim Coyle revolutionized the concept of the man-on-the-street interview in the 1960s and added a touch of the absurd to the already absurdist decade. (It worked in the 1980s, too; you haven’t lived until you’ve heard Sharpe ask Reagan devotees at the Republican National Convention to name their favorite fish.) Like Woody Allen, Sharpe has been seduced by Dixieland, and plays it, properly and suitably, every week in Sausalito. Kick the new year off right, get a $7 ice cream cone and see Sharpe and band rave it up on Sunday, Jan. 5, at the No Name Bar. 757 Bridgeway, Sausalito. Free. 3—6pm. 415.332.1392.

Jan. 4-5: Sonoma Valley Olive Festival

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Everyone knows that, as a Mediterranean climate, Sonoma County is perfect for growing grapes. But what about that other Mediterranean fruit, the olive? Alas, we once had many olive farms in the region, since replaced, like the ill-fated Gravenstein apple, by the more-buck-per-pound grape. Enter the Sonoma Valley Olive Festival, which aims to restore the local olive to its throne. While there’s the Blessing of the Olives on Jan. 4 at the Sonoma Mission (11am; free), we direct your attention to olive guru Don Landis and his free workshop on curing olives in the home. Landis shares his personal recipe for “no lye” curing, and there’s a whole gang of samples on Sunday, Jan. 5, at Cline Cellars. 24737 Arnold Drive, Sonoma. Free; RSVP to Don Landis (ol******@*****il.com). For more info, visit www.olivefestival.com.

Mouse Trap

My favorite films of 2013 include Captain Phillips, Her, Gravity, 12 Years a Slave, Nebraska and The Grandmaster. But the worst film of 2013 was The Lone Ranger. What a bad year for Disney. Watch them try to burnish their image with the lie-filled Saving Mr. Banks, where they imagineered the story of starchy Brit P. L. Travers (Emma Thompson),...

So Long, 2013!

THE SPOTTED CHIHUAHUA 'We know that there are public elected officials here today and that you'd better listen. You better start coming over to our side of town over there, and listen to what we have to say. Because now I've got what you've always had: it's called money. And listen carefully, each of you. Until you come out and...

Top Torn Tix 2013

Of the 70-something plays I see each year, I am asked every December to select 10 that were my favorites. That's an interesting concept, favorites. My favorite pet of all time was Waldo, a seriously flawed example of canine scrounginess, wholly unexceptional except for one detail: I loved him. I suspect he was no worthier than any other dog, and...

Still Cold

Just because Christmas is over, baby, doesn't mean it's not still cold outside. With long waiting lists at the six shelters in Santa Rosa and only 417 beds, the city was looking to add more beds for the approximately 1,700 homeless in the city. In lieu of the National Guard Armory, Santa Rosa added 68 beds to the Catholic...

Masterful Meal

The menu of La Riviera reads like a beautiful sonnet, for which it has to thank 13th-century Italian poet Giacomo da Lentini: the menu's composition as a whole would not be the same without each one of its individual lines, and each line would be lost without its place with the others. There's no deconstruction or molecular gastronomy going...

Gabe’s Top 25 Albums of 2013

1. Kanye West – Yeezus (Def Jam) 2. Beyoncé – Beyoncé (Columbia) 3. Chance the Rapper – Acid Rap (No Label) 4. Autre Ne Veut – Anxiety (Software) 5. Drake – Nothing Was the Same (Young Money) 6. Majical Cloudz – Impersonator (Matador) 7. King Krule – 6 Feet Beneath the Moon (True Panther) 8. Iceage – You’re Nothing (Matador) 9. The Knife – Shaking the Habitual...

Jan. 8: Death Cafe at the Sunflower Center

It’s a fact: we’re all gonna have to go some time. The thing is, our loved ones have to grapple with our absence. Enter the Death Cafe, an unconventional take on the idea of a support group for those wrestling with the loss of a loved one. As noted in an April 2013 Bohemian feature, participants in the Death...

Jan. 7: ‘Santiago Is Santiago’ screens at the Bay Model Visitor Center

Naturally, the stellar music drove the narrative of the award-winning documentary Buena Vista Social Club. But just as important and eye-opening were the many scenes of street life in and around Havana—the cars, dancing, street peddlers, artists and overall culture of the country that’s grown independently for 50 years. Filmmaker Warren Haack became entranced by this culture, and has...

Jan. 5: Mal Sharpe at No Name Bar

We were glad to see a familiar name in this year’s SF Sketchfest lineup with the announcement of a tribute to Mal Sharpe, who with Jim Coyle revolutionized the concept of the man-on-the-street interview in the 1960s and added a touch of the absurd to the already absurdist decade. (It worked in the 1980s, too; you haven’t lived until...

Jan. 4-5: Sonoma Valley Olive Festival

Everyone knows that, as a Mediterranean climate, Sonoma County is perfect for growing grapes. But what about that other Mediterranean fruit, the olive? Alas, we once had many olive farms in the region, since replaced, like the ill-fated Gravenstein apple, by the more-buck-per-pound grape. Enter the Sonoma Valley Olive Festival, which aims to restore the local olive to its...
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