Rancho Reborn

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With the closing of Rancho Veal in February, the large agricultural community of the North Bay was left without a slaughterhouse. That is, until Marin Sun Farms owner David Evans stepped in with his plan to save the livelihood of ranchers, including his own, when he bought the Petaluma processing plant on Feb. 28. The plant began operations under new ownership this week, with a small animal-rights protest marking the grand opening.

Marin Sun has been approved to process beef and pork, and they say they’ll be able to process lamb and goats “in the near future,” according to a press release. They’re also aiming for organic certification by the end of the year. This is big news for several farms in the Bay Area who currently have no options for organic slaughter. Many, like Bodega’s Salmon Creek Ranch, raise their animals on certified organic land with certified organic feed, but haven’t had access to a certified organic slaughter facility to be able to label their product “Certified Organic” under United States Department of Agriculture standards.

It’s no surprise that Marin Sun bought the facility. In a 2011 Bay Citizen article (which was also printed in the New York Times), Evans said that if Rancho Veal closed, “the alternatives are too far away to be recognizably viable,” and that his “contingency plan” was to purchase the slaughterhouse if it were going under.

Looks like the Nostradamus of meat was on the money.—Nicolas Grizzle

Delectations of Empire

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On my way to Empire Napa recently, I was reminded of a peculiar smell from the spring of 2002.

I was a driver for the Bohemian and delivered the paper along the Napa Valley route. One stop was an old restaurant occupying a prime corner in town, the kind of place where county employees and local business folk meet for lunch hour, year in and year out. The carpets were faded, and a sad bouquet of grease clung to the air like tule fog.

I recently rounded that same corner to find a new restaurant, emblazoned with decorative torches, sleek and shiny inside. It teemed with excited young patrons who leaned in to fabulous conversations and pawed away at digital devices.

“Napa’s changed a lot in the last five years,” I was told as I sipped a sample of late ’60s Lafite. “It’s changed a lot in the last two years.” Visitors are younger, shinier, and they fill the streets as they flit from restaurant to bar. And not just wine bars. Cocktail bars. Dance clubs, like this place: “It’s like L.A.”

I recall, with a provincial cringe, the long-lost roster of Santa Rosa clubs hailed as the next “just like San Francisco” hotspot: the reverential walls of booze; the ubiquitous white kiddie sofas; the horror. Yet here I am, showing up with cat hair on my sweater. The only thing older than me in here is the Lafite, and that guy over there.

A hostess stood at an entrance backdropped with a painting of a smoke-shrouded city in ruins. “Go on in.” The dining room, part wine-country rustic, part dungeon, leads to the bar, and a bartender greeted me before I was halfway there. It was a quiet night at Empire.

Interior decor is by San Francisco designer Michael Brennan. He enjoys the gothic touch: there’s a sparkly black bar, black straws, black pencils with black erasers, and a black Slinky on the black bar. Exotic black ungulate horns grace the “library” room, which is furnished with red velvet booths, perfect for bachelorette parties. Leather “egg chairs” provide a throne for solitary types.

Initial reviews of Empire gushed over an overweening menu that has since been scrapped in favor of bar favorites like blue cheese sliders ($10) and mac-and-cheese ($8) with peas and bacon. Filet and frites ($24) was tempting, but the mac was just fine.

Signature cocktails include the Boulevardier ($13), a bourbon version of a Negroni served in a tumbler. It’s dry enough to let the spicy 12-year-old Elijah Craig shine through.

I visited Empire on “Sketch Wednesday.” There were crayons, pencils, an Etch-a-Sketch and the Slinky. Local artist Penelope painted an oil in the corner, some well-dressed ladies drifted in, and two younger guys sat at the bar, excitedly talking politics: “bifurcation” was tossed about. I am cool with this scene.

If you like a crowd, it’s here on Friday and Saturday. Even then, the bartender says the weekend scene features a more mature crowd than the nearest other scene—”You know, that one down the street,” she says.

I’ve never hit that place’s dance floor, but I’ll never forget the smell of the carpet.

Empire, 1400 First St., Napa. 707.254.8888. empirenapa.com.

The Future Is NEW

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John Harden has spent a lot of time lately thinking about the future. Not his future— the future of humankind.

“Imagining possible futures,” says the award-winning Santa Rosa filmmaker, “is the primary job description for the science-fiction writer.”

Citing Star Trek and Blade Runner as influences, Harden—whose short films tend toward the fanciful and imaginative—has been working to bring his latest filmic vision, NEW, to life. Shot last summer, the sci-fi short is set in a gleaming approximation of Sonoma County in the 22nd century. Harden has been raising money and pulling editing all-nighters to get NEW ready for spring and summer film festivals.

“That’s what happens with a project like this,” he says. “A lot of it happens up in your head, but then all the rest is just plain hard work.”

NEW follows an elderly couple who are frozen after dying, then brought back to life in the future, in 20-year-old bodies. The couple’s emotions as they react to their second chance at life, in a world they barely recognize, make for a film that’s part science fiction and part love story.

Harden elected not to make the future Sonoma County look like most sci-fi films of recent years: dark, smoggy, full of people who live in factories.

“Cautionary tales have their place, of course, and I love those movies,” says Harden, “but I think dystopian views of the future are just a trendy stock solution. It’s not a good trend, because an unvaried diet of dystopias doesn’t warn us, it just points us toward despair.”

Harden believes we need the utopias, too.

“I think that’s one reason that NEW got [an] endorsement from sci-fi author and futurist David Brin, back when we were launching our first online fundraiser,” says Harden. “He and I are simpatico on that point—which is why my movie shows a lush green future of rolling hills and puffy white clouds.”

Harden has had some success with his short films, which include La Vie D’un Chien, another science-fiction labor of love. The film, about a scientist who turns himself into a dog, was well-received at the Sci-Fi London Film Festival and won several awards. NEW has been accepted to the 2014 Sci-Fi London Fest, even as Harden puts finishing touches on the film and launches a final crowd-sourcing effort to complete the special effects.

Harden says the film is 85 percent of what he’d imagined it would be when he started writing it three years ago. There were compromises and lucky breaks along the way, as artistic decisions took a back seat to financial realities, and Harden had to find creative solutions to unexpected problems.

“You can’t predict how a film will come out,” Harden says, “like you can’t really predict the future. But I’m happy with the film.”

So much so that he plans to use it as a launching pad toward a feature-length version.

How far in the future might that be?

“Not too far in the future, I hope,” Harden says with a laugh. “Not too far.”

For more information on ‘NEW,’ visit www.newthemovie.com.

Homeless Front

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Anthony Tate had been homeless in states and cities all across America, adrift for decades under the unrelenting thumb of post-traumatic stress disorder from his service in Vietnam, when he arrived in the Bay Area three years ago for yet another chance to get it right.

Before long, the veteran had found himself a place to live with the help of a local veterans organization. With the stability came a purpose, and a profound one at that: Tate devoted himself to trying to make sure veterans from the wars in Iraq and Afghanistan didn’t wind up on the streets as he did.

Tate’s efforts on behalf of homeless vets comes as Californians will be asked, on June 3, to vote on Proposition 41, the Veterans Housing and Homeless Prevention Bond Act of 2014. The proposition would jump-start a veterans housing program that could see numerous multifamily supportive housing units for veterans sprout up throughout the North Bay in coming years.

“I got the support and the help I needed,” says Tate, who now lives in Santa Rosa’s Bethlemem Towers, and has no intention of leaving. The stability gave Tate the grounding necessary to deal with the ongoing fallout from his deployment. And then he could start the work of helping others.

Tate was a desk-bound clerk in the storied 82nd Airborne Division when he was deployed to Vietnam in 1969. It was a big surprise, he says, and one that took him 40 years to get over. “They gave me an M16, a clip of ammo, a canteen, and said, ‘Stand over there,'” he recalls.

“That’s when reality set in. They told me, if you survive 365 days, you can go home.”

Tate survived.

He was 17 when he went to Vietnam and 19 when he returned to America. He subsequently bounced around for decades and ticks off the states he passed through over the decades: Maryland, Ohio, Michigan, Colorado, Mississippi, Illinois, Indiana and elsewhere.

No matter where he was, Tate says he was haunted by the sound of chopper rotors whenever he heard civilian helicopters stateside. “It kept taking me back,” he says. When he arrived in San Francisco, he says “Little Saigon” was off limits because of the PTSD triggers there.

Nowadays, Tate and other vets set up shop outside the Department of Veterans Affairs building in Santa Rosa on weekday mornings to dispense coffee and pastries to veterans. He was hired as a volunteer with the Sonoma Housing Authority board, and he sells baseball caps affixed with military logos to raise money for a local veteran who was grievously injured by an improvised explosive device.

“Never again will one generation of veterans abandon another,” says Tate as he greets a cross-generational group of vets coming in and out of the VA building on Airport Boulevard. His first piece of advice to returning veterans who need help: “Don’t wait 40 years to get it,” he says with a slight laugh.

The second: “The first challenge is housing.”

The news is filled with numbing reports about the challenges facing returning vets—challenges that haven’t abated, even as the post-9-11 wars have wound down. Ghastly rates of suicide and post-traumatic stress disorder among Iraq and Afghanistan veterans remain in the headlines, along with the usual and unfortunate accompaniments to mental illness: alcoholism and drug abuse, crime and violence, family problems and homelessness.

“We work hard to say, ‘Look man, you need help,'” says Tate. “These guys are trained to be independent, so we have to say, ‘Hey, that pride—put it in your back pocket. You need help.'”

But in a tight economy where the concept of “affordable housing” is less an achievable goal for many than a mocking oxymoron, Iraq and Afghanistan veterans have slipped into homelessness even faster than their fellow veterans from the Vietnam conflict. “There have been lots of suicides,” Tate says sadly, “and we want to stop that cycle—and we want to stop the homelessness cycle.”

According to the U.S. Department of Veterans Affairs, about 20 Iraq and Afghanistan veterans take their own life every day. About 63,000 are homeless.

Tate is at the tip of a new post-war effort, spearheaded by President Barack Obama, to end homelessness among veterans by the end of 2015. It’s a laudable goal and a fight worth having. “It’s unrealistic,” says Tate, “but it is offered.”

Even if the country’s most recent wars aren’t popular among many Americans—especially the invasion of Iraq—the soldiers themselves have not faced the degree of animosity greeted upon those returning from Vietnam, notes Tate, an African American who grew up in yet another war zone, the notorious Chicago housing projects.

“We knew not to expect anything when we got home,” he recalls, “but these guys—they are heroes when they come back.”

Tate says doing this work with returning Iraq and Afghanistan vets is how he “started to feel proud to be a Vietnam veteran.”

California has set the stage to do its part for homeless vets by retooling a housing program for them.

The state’s putting a referendum measure on the June ballot that would, according to the Sacramento Legislative Analyst’s Office, “sell $600 million in general obligation bonds to fund affordable multifamily housing for low-income and homeless veterans,” from an undersubscribed $1 billion veterans home-loan program. The $600 million would be used to build housing more in line with the needs of modern-day veterans, many of whom are single, male and afflicted with one war-related disorder or another.

The original program was created decades ago and stipulates that the loans are for family homes or farms—$400 million would remain untouched for these loans.

California voters have to agree to do it, which raises the NIMBY-ism issue, always at hand in the North Bay.

If voters approve it, the referendum would pave the way for building housing for veterans that would include on-site social service programs, the hallmark of the “supportive housing” movement, which takes a page from addiction-therapy models when it strives to “meet people where they are,” even if where they are is poor, addicted and otherwise homeless.

The question for North Bay progressives and others is a thorny one that will play out at the ballot box: Will public support for Iraq and Afghanistan veterans translate into public support for housing that’s not the typical state-run facility for vets? Will support for veterans eclipse concerns about property values?

“We have to start somewhere,” says Tate with a chuckle as he grapples the question. “We’ve had developers who wanted to rehab a home for six or seven vets,” he says. Those developers were told, “You can’t do that here.”

The traditional model for veterans services in California has been provided at a handful of state-run facilities around the state.

One such facility in the North Bay has come under intense fire by state auditors. A recent report from the California auditor blasted the Yountville Veterans Home in Napa County for spending over $650,000 in taxpayer money on high-end frivolities of little use to troubled returning veterans; Yountville’s now-former top brass, for example, approved the construction of recreational zip-lines and an in-house tavern.

All returning veterans deserve respect (and many would argue even a fully stocked bar), but the Yountville audit highlighted a major disconnect in state-provided services for veterans: the state veterans facilities around California do not means-test veterans, so returning wounded warriors of limited means aren’t given special consideration when they come on hard times.

For those troubled men, a highway underpass in Napa Valley or a tucked-away hillside in Marin may have to do for the night—or for longer.

“We’re not going to bring everyone out of the woods, the creeks, the railroad tracks,” says Tate. As he speaks, a man emerges from the rear of the Santa Rosa VA building and gives a wave of hello to Tate.

“He’s a wilderness guy,” says Tate. “He lives out behind the VA.”

The man gets a cup of coffee and disappears.

The New Bohemians

It is an honor to introduce myself as the Bohemian‘s new editor, a position that feels like a homecoming and a new beginning.

Most recently, I was a senior editor at Sebastopol-based MAKE magazine. But before coming to MAKE, I was food editor for many years at Metro Silicon Valley, the Bohemian‘s sister paper. Previous to that, I was a reporter for various daily and weekly newspapers. In the latter part of my time at Metro, I moved to Sebastopol and wrote for the Bohemian, too, splitting my time between Silicon Valley and the North Bay. It feels good to be back.

Since moving here more than three years ago, I’ve developed a real love for the North Bay, and the opportunity to explore the region in the pages of the Bohemian is a thrill and a privilege. I’m the beneficiary of the great job done by my predecessor, Gabe Meline. I’m committed to building on that work and delivering what I hope will be essential reading for North Bay residents and visitors alike.

What will that look like? We will break news and deliver compelling investigative stories that hold the powerful accountable. We will reflect what it’s like to live, work, eat and play here, with lively coverage of the region’s most important asset, its people. We will enhance and expand our digital offerings. And we will continue to be the go-to source for event listings, so you don’t miss any of what’s going on.

I’m lucky to have a badass staff to help me. Tom Gogola is an award-winning investigative journalist, and was just named the Bohemian‘s news editor, a newly created position that reflects our commitment to news. He was the 2013 recipient of the Press Club of New Orleans’ first and second place awards for his reporting on the Orleans Parish Sheriff’s Office. Over the course of a 25-year career, Tom worked at Connecticut alt weeklies and the Lens, an online investigative website in New Orleans.

Nicolas Grizzle is our staff writer. He writes about food, music and news with equal aplomb. He grew up in Sonoma County and maintains strong roots here.

Calendar editor Charlie Swanson is another Sonoma County local devoted to the North Bay’s music and cultural scene. He spent the past decade writing about music and art, beginning with an internship at the Bohemian in 2006.

Defending the King’s English and protecting us from dangling participles is veteran copy editor Gary Brandt.

The Northern California-based company we are part of, Metronews, recently expanded its holdings with the purchase of Good Times weekly in Santa Cruz and weeklies in Hollister and Gilroy, the latter of which is establishing a wine trail this spring to celebrate its nascent cluster of wineries.

What’s that mean for Bohemian readers? It means we’re part of a growing, independently owned, local company committed to community-based journalism that’s equal parts fearless and fun-loving. Please let me know how we’re doing at le*****@******an.com.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Panties & Cheap Cologne (Not the Ol’ Dirty Bastard album)

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Out of all the things to steal from Corte Madera’s Village shopping center, two suspects were busted with $1,200 worth of panties and cheap cologne.

The Marin Independent Journal reports Florence Berry, 34, and Tonette McClain, 28, were arrested after a search of their vehicle revealed suspected stolen merchandise. That merchandise was nine bottles of Abercrombie & Fitch “Fierce” cologne and 70 pairs of panties from Victoria’s Secret. Looks like someone’s Cuddle Party is going to be a lot less intimate this weekend.

April 3: Napa Valley Collects at Napa Valley Museum

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April equals art in Napa Valley, and all month the region celebrates with private collections open to public viewing and exclusive events at dozens of venues. For its part, the Napa Valley Museum presents Napa Valley Collects, displaying significant works from various Napa Valley collections, and featuring works by Joan Brown, Marc Chagall and Pablo Picasso. This week, the museum kicks off the festivities with the Napa Valley Collects Preview Gala. Live music and fine wines accompany the outstanding art, and proceeds benefit the Arts Council Napa Valley. The Gala takes place on April 3, at the Napa Valley Museum, 55 Presidents Cir., Yountville. 6pm. $50-$60. 707.944.0500.

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April 3: Alonzo King Lines Ballet at Sonoma State University

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For more than 30 years, San Francisco dance company Alonzo King LINES Ballet has re-imagined the essence of ballet with challenging choreography and spectacular talent. Formed by Alonzo King in 1982, the company has toured the world while maintaining a residency at the Yerba Buena Center for the Arts, garnering universal acclaim year after year. In advance of the company’s upcoming Spring 2014 season, Alonzo King LINES Ballet previews their new, still untitled, work—followed by a talk with King —on April 3, at the Evert Person Theater at Sonoma State University, 1801 E Cotati Ave., Rohnert Park. 7:30pm. Free (advanced ticket required). 707.664.4246.

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April 6: Annabella Lwin at Hopmonk Tavern

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Singer Annabella Lwin stunned the world when she debuted, at the age of 13, with New Wave band Bow Wow Wow in 1980. After three albums and a number of chart-topping hits, Lwin left the band and embarked on a solo career that continues today. In between, Lwin formed her own band, the Naked Experience, and has collaborated with everyone from the Go-Go’s to Billy Corgan. Still writing material and often lending her talent to disaster relief efforts and charity benefits, Annabella appears on April 6, at Hopmonk Tavern, 230 Petaluma Ave., Sebastopol. 8pm. $15. 707.829.7300.

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April 6: Willie Wonka at the Lark Theater

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There’s no earthly way of knowing which direction we are going. There’s no knowing where we’re rowing, or which way the river’s flowing. Is it raining? Is it snowing? Is a hurricane a-blowing? Not a speck of light is showing, so the danger must be growing. Are the fires of Hell a-glowing? Is the grisly reaper mowing? Yes! The danger must be growing! For the rowers keep on rowing! And they’re certainly not showing any signs that they are slowing! AAAAAAAAAAAAAAAAUUUUUUUUGHHHH! The original Willie Wonka & the Chocolate Factory , starring Gene Wilder, screens April 6, at Lark Theater, 549 Magnolia Ave., Larkspur. 3pm.

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Rancho Reborn

With the closing of Rancho Veal in February, the large agricultural community of the North Bay was left without a slaughterhouse. That is, until Marin Sun Farms owner David Evans stepped in with his plan to save the livelihood of ranchers, including his own, when he bought the Petaluma processing plant on Feb. 28. The plant began operations under...

Delectations of Empire

On my way to Empire Napa recently, I was reminded of a peculiar smell from the spring of 2002. I was a driver for the Bohemian and delivered the paper along the Napa Valley route. One stop was an old restaurant occupying a prime corner in town, the kind of place where county employees and local business folk meet for...

The Future Is NEW

John Harden has spent a lot of time lately thinking about the future. Not his future— the future of humankind. "Imagining possible futures," says the award-winning Santa Rosa filmmaker, "is the primary job description for the science-fiction writer." Citing Star Trek and Blade Runner as influences, Harden—whose short films tend toward the fanciful and imaginative—has been working to bring his latest...

Homeless Front

Anthony Tate had been homeless in states and cities all across America, adrift for decades under the unrelenting thumb of post-traumatic stress disorder from his service in Vietnam, when he arrived in the Bay Area three years ago for yet another chance to get it right. Before long, the veteran had found himself a place to live with the...

The New Bohemians

It is an honor to introduce myself as the Bohemian's new editor, a position that feels like a homecoming and a new beginning. Most recently, I was a senior editor at Sebastopol-based MAKE magazine. But before coming to MAKE, I was food editor for many years at Metro Silicon Valley, the Bohemian's sister paper. Previous to that, I was a...

April 3: Napa Valley Collects at Napa Valley Museum

April equals art in Napa Valley, and all month the region celebrates with private collections open to public viewing and exclusive events at dozens of venues. For its part, the Napa Valley Museum presents Napa Valley Collects, displaying significant works from various Napa Valley collections, and featuring works by Joan Brown, Marc Chagall and Pablo Picasso. This week, the...

April 3: Alonzo King Lines Ballet at Sonoma State University

For more than 30 years, San Francisco dance company Alonzo King LINES Ballet has re-imagined the essence of ballet with challenging choreography and spectacular talent. Formed by Alonzo King in 1982, the company has toured the world while maintaining a residency at the Yerba Buena Center for the Arts, garnering universal acclaim year after year. In advance of the...

April 6: Annabella Lwin at Hopmonk Tavern

Singer Annabella Lwin stunned the world when she debuted, at the age of 13, with New Wave band Bow Wow Wow in 1980. After three albums and a number of chart-topping hits, Lwin left the band and embarked on a solo career that continues today. In between, Lwin formed her own band, the Naked Experience, and has collaborated with...

April 6: Willie Wonka at the Lark Theater

There's no earthly way of knowing which direction we are going. There's no knowing where we're rowing, or which way the river's flowing. Is it raining? Is it snowing? Is a hurricane a-blowing? Not a speck of light is showing, so the danger must be growing. Are the fires of Hell a-glowing? Is the grisly reaper mowing? Yes! The...
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