Unmitigated Galway

0

At one end of the murder-prone Irish town of Leenane, in County Galway, 30-ish Maureen (Jessica Short Headington) lives with her insufferable mother, Mag (Lennie Dean), trapped in a mutually destructive cycle of abuse.

Meanwhile, elsewhere in the town, brutish brothers Coleman and Valene (real-life brothers Nick and Jon Christenson) alternate between battling each other for control of their deteriorating cottage and needling the local priest, Father Welsh (Clint Campbell), whose faith is in shambles, due to the generally poor spiritual life of his parishioners.

In The Beauty Queen of Leenane and The Lonesome West, two interconnected works by Martin McDonagh (now running in repertory at the 6th Street Playhouse), the underlying bleakness of the material is countered by a complex sense of dark comedy.

In Beauty Queen, gracefully directed by Bronwen Shears, Maureen’s sense of obligation has turned to bitterness. Mag openly baits her daughter with criticisms and petty demands, while secretly sabotaging Maureen’s every chance at having her own life.

Maureen’s big chance comes when snarky local youth Ray (Jay Maudlin) delivers news that his Uncle Patto (Chris Ginesi) is visiting from London, and when Patto shows up later, clearly smitten with Maureen, everyone recognizes that Maureen’s future happiness hangs in the balance.

Lonesome West, entertainingly directed by Ginesi, who takes a second stab at the play (following his production last year in Sonoma by Narrow Way Stage Company), has similarities to its companion play: dark humor, a sense of impending violence and a tendency among the characters to argue about which snack foods are better than others. The argumentative streak extends to flirtatious Girleen (Nora Summers), who even argues with poor Father Welsh, who she clearly has a thing for.

Though the accents are sometimes a bit muddy, and a key scene in Beauty Queen is staged in such low light its hard to tell what’s happening, there is much to engage in McDonagh’s beautifully crafted studies of familial love and anger. Strongly acted by two tightly knit casts, the stories are not always pretty, but will be as hard to dismiss as a whack on the head with a heavy object.

Rating (out of 5): ★★★★

The Issa Effect

0

A recent story in the Los Angeles Times caught our attention. Seems there’s a guy running for governor of California who has some pretty interesting bona fides to recommend him to the post: first, he’s a registered sex offender; second, he was sentenced to 12 years in prison for manslaughter.

In an eyeball-popping report in the Times last week, Seema Mehta wrote about candidate Glenn Champ’s presentation to a gathering of hundreds of California Republicans, as the state GOP sorts out who will lose to Gov. Jerry Brown this November.

Representing the felony wing of the party, Champ claims his experiences will come in handy working with politicians in Sacramento. As Mehta wrote, “He calls them criminals, saying, for example, that they routinely infringe upon constitutionally protected gun rights.”

“I know what the criminal mind thinks, and I know how it works, and I know how to stop it, and that’s something [other politicians] don’t get,” Champ told the paper.

We’re calling Champ’s ascendancy into GOP legitimacy part of the “Issa effect,” after Darrell Issa, the SoCal Congressman who parlayed a life of crime—stealing cars, concealing guns—into a powerful seat in the U.S. House of Representatives. It’s unclear whom Issa will support for governor—but it is clear that the GOP ticket is shaping up as a doozy.

There’s state assemblyman and Second Amendment “gundamentalist” Tim Donnelly, who recently accused Barack Obama of being a dictator on par with Adolph Hitler. Donnelly is the California founder of a revived Minuteman movement, hypernationalist patriots bent on spilling the blood of a tyrant, if only they could get their hands on one. Donnelly got caught with a loaded gun in an airport a few years ago.

Then there’s former U.S. Treasury official Neel Kashkari, whose recently unveiled “jobs plan” includes fracking the Monterey Shale and rolling back state environmental regulations and labor laws.

Another horseman of the inevitable electoral apocalypse is Laguna Hills mayor Andrew Blount, and he’s looking pretty good right now. Blount didn’t kill anyone, he didn’t carry a loaded gun into an airport, and he didn’t call the president Hitler. We’re not sure where Blount stands on destroying California’s water supply, but we’re willing to hear him out.

Tom Gogola is a contributing editor to this paper.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Manoogian Rhapsody

0

I’d been told there’s a new winery somewhere on Occidental Road, and to look for the sandwich board. That’s all I know about Fog Crest Vineyard when I walk in, just in time to see a group of folks— “My first group!” tasting room manager Paula Minnis says—gathered under patio umbrellas, raising their glasses in a picture-perfect toast with a view of the Laguna de Santa Rosa and Sonoma Mountain completing the scene.

Staying largely behind the scenes, Fog Crest owners James and Rosalind Manoogian grant the spotlight to their new winemaker, Jérôme Chéry, who was schooled in the grape-juice way at the University of Burgundy in Dijon. Previous vintages were made by Daniel Moore and consultant David Ramey, whom Manoogian contacted specifically for his reputation for crafting a luxurious style of restaurant-wine-list-friendly Chardonnay.

Instead of pushing a silly origin story about how their tradition of winemaking began with some grandfather from the old country stomping grapes in his basement—it’s likely that said grandfather had more gainful business to attend to—the Manoogians simply explain that after James Manoogian ran a South of Market restaurant called Limbo around 1989, they headed up here and planted grapes in 1998. Both are involved in the day-to-day business. The smartly outfitted little crushpad and winery was built in 2008, while the Mediterranean-style tasting room was put on hold for better times, and completed in time for the 2014 opening.

A flick of a switch warms the room with a gas-fired hearth, designed by Bohemian Stoneworks. For now, the place smells like brand-new furnishings, but even that doesn’t overpower the 2011 Estate Chardonnay’s ($39) heady buttered-popcorn aroma. But there’s more going on with this wine: a hint of greens wrapped in caramel-apple cotton candy, with gentle acidity at the center and a savor of olive pit on the finish. Showy, but not shallow.

The 2010 Elevage Chardonnay ($39) and 2011 Laguna West Chardonnay ($29) are dialed down a bit, bringing to mind linens, pear fruit and, again, olive pit. The 2011 Laguna West Pinot Noir ($39) falls in the camp of pretty and agreeable Pinot, with bright red cherry, vanilla and crisp, dry cranberry-cherry flavors. The 2011 Estate Pinot Noir ($49) shows a little more flair: bourbon vanilla bean and cherry syrup, bright and dry.

“First Friday” wine and cheese evenings start April 4. The site is blink-and-you-miss-it on Occidental Road; look for the sandwich board.

Fog Crest Vineyard, 7606 Occidental Road, Sebastopol. Daily, 11am–5pm, June–November; Thursday–Monday, 11am–5pm, December–May. Tasting fee, $10 (waived with purchase). 707.829.2006.

Jimmy Carter’s Calling

0

For a president often accused of weakness during his four years in office, Jimmy Carter rarely shies away from conflict these days.

Working in a diplomatic capacity through his nonprofit Carter Center, the peanut farmer from Georgia has undertaken peacekeeping missions to troubled global hotspots like North Korea, Haiti and Africa, helped negotiate the 2003 Geneva Accord between Israelis and Palestinians, and built houses in Vietnam in 2009 (he’s also built houses throughout the United States through Habitat for Humanity). And he has taken U.S. policy and policymakers to task, condemning federal surveillance programs and drone strikes undertaken by the Obama administration.

Carter devoted his life to enhancing human rights and working toward world peace after his single term as president ended in 1981. In that time, he’s written almost two dozen books. His latest, A Call to Action: Women, Religion, Violence, and Power, covers women’s rights worldwide. Carter bluntly addresses religious and social constructs that stand in the way of equality for many women and encourages leaders and citizens alike to join together and end these abuses of power. And he encourages you to come to his book signing. He’ll sign copies of A Call to Action on March 29,
at Book Passage, 51 Tamal Vista Blvd.,
Corte Madera. 4pm. $30 (includes book). 415.927.0960.

North by North Bay

0

Spring has sprung in the North Bay, bringing the promise of sunny skies and blooming flowers. That’s all well and good, but some of us would still rather get out of the allergy swarm and spend the day in a dark theater watching movies.

Fortunately, spring also ushers
in film-festival season, with everything from classic Hitchcock heart-stoppers to revealing documentaries. Here are some must-see hits at four separate festivals.

Bringing independent films and filmmakers to independently minded west Sonoma County since 2007, the Sebastopol Documentary Film Festival (www.sebastopolfilmfestival.org) runs March 27–30 throughout town, and boasts over 70 films covering a wide range of topics. Highlights include the spirited Man Behind the Throne, following behind-the-scenes superstar choreographer Vincent Paterson, and Expedition to the End of the World, which follows a band of Danish sailors traveling above the Arctic Circle in three-mast schooner. Many screenings will have the filmmaker on hand, and the most interesting of these might be Mirage Men, with an appearance by director John Lundberg, which explores the government’s role in the UFO phenomenon.

Recently, news of a remake of director Alfred Hitchcock‘s classic thriller The Birds surfaced on the web with the mindless Michael Bay attached to produce. While that shudder travels down the spine, take heart that what film critic David Thomson called Hitchcock’s “last unflawed film” can still be seen on the big screen.

This year, Bodega Bay’s Hitchcock Film Festival (www.visitbodegabayca.com) shows The Birds March 29, opening a trio of Hitchcock’s best alongside Shadow of a Doubt, filmed in Santa Rosa, and the director’s most well-known masterpiece, Psycho. See all three if possible, but make sure to get there early to catch The Birds in all its suspenseful goodness before modern Hollywood mucks up another classic.

Now in it’s 17th year,
the Sonoma International
Film Festival (www.sonomafilmfest. org), happening April 2–6 in and around Sonoma Plaza, is always good for celebrity sightings along with its array of soon-to-be-hit films. Opening-night’s Dom Hemingway, starring Jude Law as a tough–as-nails safecracker, is already receiving attention for Law’s performance. Also featured is Half of a Yellow Sun, a dramatic telling of the Nigerian Civil War of the late 1960s, starring Thandie Newton (Crash) and Chiwetel Ejiofor (12 Years a Slave), that’s earning praise for its evocative exploration of class and cultural struggle.

Known as the “United Nations of film festivals,” the Tiburon International Film Festival
(www.tiburonfilmfestival.com), runs April 10–18 at the Tiburon Playhouse Theater. Two films this year in particular contrast the rural world with the modern urban one. From Kazakhstan, Little Brother is the story of a young boy in a remote village left to live on his own after his older sibling leaves for the city. And from South Korea, Sweet Corn is about an old-fashioned farmer whose son leaves to work for the newly built hotel just as the crops come under threat.

I Hate Me

0

Every now and then I take a moment to pause and reflect on one of the few things in my life that causes me profound and unshakable gratitude: Thank God, or whatever benevolent force there may be in this universe, that Twitter did not exist when I was in high school.

Of course, this introspection isn’t without cause. Every few months, there seems to arise a new chunk of evidence—or at least a new wave of think pieces—about how the internet is ruining the lives of young women. The latest comes from Katy Waldman at Slate‘s “XX Factor” blog, in a March 14 post partially titled “Social Media Makes Girls Hate Themselves.”

In one new study, Waldman explains, plastic surgeons report an uptick in teenage female clients seeking surgery because they don’t like their appearance in online photos. In another, 960 college-aged women were surveyed for disordered eating patterns, then split into groups assigned to either look at Facebook or research ocelots. The social-media-skimmers’ incidences of destructive thinking around food increased. The ocelots, thankfully, were harmless.

In addition to the data Waldman presents in her piece, the media has produced plenty of other evidence to back up her assertion that social media is making young women more vulnerable to self-loathing. Similar studies and articles have been making waves for years, including one 2011 study that claimed the more time teenage women spent on Facebook, the more prone they were to developing a negative body image.

That study inspired a CNN essay, in which a college peer counselor noted that whenever she spoke to a sobbing young woman, “Facebook was being mentioned in some way in just about every conversation.” In turn, this spawned a roundup of teen reflection on the web community Proud2BeMe, which included statements as terminally depressing as “People get positive attention in the world by losing weight” or, simply, “The less clothes you have on, the more popular you are.”

And comparing your body to those of your social-media contacts is just the beginning of the damage. It doesn’t even take into account the acute trauma inflicted by witnessing—or, God forbid, being at the center of—the online firestorms of intense personal criticism and harassment that seem to be disproportionately targeted at young women.

Consider the fate of 11-year-old Jessi Slaughter. When she posted a series of ill-advised YouTube videos in which she cursed and talked about “popping a Glock,” users on various seedy sites retaliated by publishing her address and phone number in addition to posting a “guide” for the best way to torment her. (One helpful tip: “Tell her to kill herself.”) Soon enough, Jessi’s YouTube videos were less “profane bravado,” more “footage of a young girl crying her eyes out.”

Teenage MySpace celebrity Kiki had her home vandalized and was sexually assaulted by “fans.” Multiple young women, including 17-year-old Rehtaeh Parson and 12-year-old Rebecca Sedwick have actually committed suicide following online bullying campaigns. Being a teenage girl was terrifying enough when you could only be persecuted by your classmates; God only knows what kind of paranoia and self-doubt we’re fostering in our young women by raising them in an environment where taking an unflattering photo or making a bad joke can result in international opprobrium and a flood of credible threats to their lives.

[page]

But the “social media is ruining girls’ lives” argument lacks a crucial degree of nuance. For one thing, social media’s deleterious effects are not confined to young women, or even to women, period. In a recent survey of 298 users, presumably including multiple genders, fully 50 percent said that social media made their lives and self-esteem worse, particularly “when they [compared] their own accomplishments to those of their online friends.”

For that matter, 25 percent said they’d faced “work or relationship difficulties due to online confrontations.” Having a social media presence is roughly analogous to competing in a beauty pageant while dodging heavy gunfire: everyone suffers from the pressure to create hyper-idealized portraits of themselves within a notoriously hostile and conflict-prone environment.

Yet rather than worrying about how Facebook is warping the fragile psyches of 45-year-old male finance professionals (poor little fellas), we focus on the young women. There appears to be more data and discussion about young women’s vulnerability to online psychological damage than there is about any other group. We currently exist in a media environment, after all, where opining on young women’s selfies—bold expression of self-confidence, or lesson on valuing looks over accomplishment?—can turn into a massive public debate.

This does make a certain amount of sense: young women are historically condescended to, fetishized and vulnerable to gendered violence or predation. If social media is harmful, its harmfulness will probably impact them more profoundly, simply because they face less support and more hostility from the offline world, too.

But our concern about young women and social media really hinges on an idea of these adolescents as particularly fragile and unable to fend for themselves—which, though it may be motivated by protectiveness and concern, is also an inheritance from a sexist culture. And it’s an assumption, for that matter, that their actual internet usage doesn’t seem to back up.

When we fret about young women being exposed to the internet and its alien newfangled ways, we’re forgetting that for anyone younger than about 25, the internet has basically always been around. In the face of social media’s gradual erosion of everyone’s self-esteem, young women may be more qualified to form survival strategies than anyone else, simply because they’re not adapting a pre-Facebook conception of the world to a post-Facebook experience.

[page]

Media commentators are usually men older than 30. By contrast, the users they’re wringing their hands over are mostly female and mostly young. The internet isn’t a strange new country for these girls; it’s their home turf. It’s the rest of us who are in the minority.

Thanks to this fluency, young women have also proven to be remarkably creative in terms of finding ways to use the internet to support each other and improve their lives. The microblogging site Tumblr, for example, is a haven for them: its users are 51 percent female, with some sources reporting that half its traffic comes from people younger than 25.

It’s also a hotbed for intense, diverse, literate feminist critique. It’s the platform that made a massive crossover hit out of theory-intensive in-jokes like “Pizza Feminism” and “Feminist Ryan Gosling”; it’s also where a then-unknown 23-year-old woman launched “Binders Full of Women” within minutes of Mitt Romney‘s sexist debate gaffe, getting so much traffic that she was accused of working for Barack Obama’s presidential campaign.

If social media leaves young women vulnerable to sexist harassment from strangers like never before, it also offers them a chance to connect with an unprecedented range of potential allies and to execute measurable change by making their numbers visible. Take Julia Bluhm, a teenager who launched a Change.org petition requesting that Seventeen magazine stop retouching its models; Bluhm gathered more than 84,000 signatures and received a concession from the magazine itself.

Young women also have access to pro-girl resources—such as Rookie magazine, run and largely staffed by young women, or Scarleteen, a sex-positive site about sex and relationships—that those of us in an older demographic could never have dreamed of.

So, yes, I am frequently grateful that social media did not exist when I was in high school. It is true that our conception of youth as a protected space—a time to screw up, to try things on, to not quite know what you’re doing, to make bad fashion statements and worse life choices that you’ll find intensely embarrassing a few years down the line—is evaporating as everyone’s life becomes a public spectacle. I worry about what will happen to young women’s freedom to make mistakes and grow up as their awkward years are archived online, displayed to the often merciless eye of the viewing public.

But I’m just doing what grownups are known to do: being overly nostalgic and identifying “youth” with a version of reality that no longer exists. It has always been frightening and dangerous to be a young woman in a misogynist culture. And young women have always created means by which to survive. If they have new threats to cope with, in our digital age, they also have a whole new set of tools.

March 22: Gumbo Smackdown at Kendall-Jackson Wine Center

0

The quintessential Cajun dish has got to be gumbo. While it sounds simple—meat and spices in a stew—the great thing about gumbo is that everyone can create his or her own style, with countless recipes originating from the bayous of Louisiana to the coast of California. This week, five top North Bay chefs bring their own gourmet gumbo to the table in the Gumbo Smackdown. The winner is chosen by the audience, and will take home the coveted Golden Crayfish Award and bragging rights in a night of live music and even livelier food. The Gumbo Smackdown happens Saturday, March 22, at the Kendall-Jackson Wine Center, 5007 Fulton Road, Fulton. 5pm. $50. 707.576.3810.

Screen_shot_2014-03-19_at_2.39.58_PM.png

March 22: Amber Snider Trio at Silo’s

0

Amber Snider is a songwriter who knows the importance of music in our everyday life. With no formal training, but with a musically gifted family surrounding her, Snider began her career in family bands before venturing out as a solo artist and fronting her own act, the Amber Snider Trio. Now, teaming up with Silo’s, she headlines a night of women who rock, for the purpose of giving others the chance at a musical education. Benefiting VH1’s Save the Music Foundation, dedicated to developing sustainable music programs in schools, Snider is joined by the Deborah Cooks Trio, Katie Knipp and Kristen Van Dyke for Chickapalooza. This rock ’n’ roll party kicks off Saturday, March 22, at Silo’s, 530 Main St., Napa. 7pm. $20—$25. 707.251.5833.

Screen_shot_2014-03-19_at_2.35.38_PM.png

March 23: John Langdon at Bay Weekend Gallery

0

Already displaying his own one-man art exhibition, “Beyond Geometry,” at the Art by the Bay Weekend Gallery, artist and writer John Langdon appears for a presentation of art and haiku. The multifaceted talent of Langdon expresses a poignant vision within an abstract geometrical form; his work is here with the poetic talent of Rebecca Foust, whose words have appeared in a wide array of literary journals. “A Time of Poetry, Art and Stories” takes place on Sunday, March 23, at Art by the Bay Weekend Gallery, 18856 Hwy. 1, Marshall. 3pm. Free. 415.663.1006.

Screen_shot_2014-03-19_at_2.31.40_PM.png

Unmitigated Galway

At one end of the murder-prone Irish town of Leenane, in County Galway, 30-ish Maureen (Jessica Short Headington) lives with her insufferable mother, Mag (Lennie Dean), trapped in a mutually destructive cycle of abuse. Meanwhile, elsewhere in the town, brutish brothers Coleman and Valene (real-life brothers Nick and Jon Christenson) alternate between battling each other for control of their deteriorating...

The Issa Effect

A recent story in the Los Angeles Times caught our attention. Seems there's a guy running for governor of California who has some pretty interesting bona fides to recommend him to the post: first, he's a registered sex offender; second, he was sentenced to 12 years in prison for manslaughter. In an eyeball-popping report in the Times last week, Seema...

Manoogian Rhapsody

I'd been told there's a new winery somewhere on Occidental Road, and to look for the sandwich board. That's all I know about Fog Crest Vineyard when I walk in, just in time to see a group of folks— "My first group!" tasting room manager Paula Minnis says—gathered under patio umbrellas, raising their glasses in a picture-perfect toast with...

Jimmy Carter’s Calling

For a president often accused of weakness during his four years in office, Jimmy Carter rarely shies away from conflict these days. Working in a diplomatic capacity through his nonprofit Carter Center, the peanut farmer from Georgia has undertaken peacekeeping missions to troubled global hotspots like North Korea, Haiti and Africa, helped negotiate the 2003 Geneva Accord between Israelis and...

North by North Bay

Spring has sprung in the North Bay, bringing the promise of sunny skies and blooming flowers. That's all well and good, but some of us would still rather get out of the allergy swarm and spend the day in a dark theater watching movies. Fortunately, spring also ushers in film-festival season, with everything from classic Hitchcock heart-stoppers to revealing documentaries....

Best of 2014: Back to the Future Video

Bohemian "Best Of Winners 2014" from jon lohne on Vimeo.

I Hate Me

Every now and then I take a moment to pause and reflect on one of the few things in my life that causes me profound and unshakable gratitude: Thank God, or whatever benevolent force there may be in this universe, that Twitter did not exist when I was in high school. Of course, this introspection isn't without cause. Every few...

March 22: Gumbo Smackdown at Kendall-Jackson Wine Center

The quintessential Cajun dish has got to be gumbo. While it sounds simple—meat and spices in a stew—the great thing about gumbo is that everyone can create his or her own style, with countless recipes originating from the bayous of Louisiana to the coast of California. This week, five top North Bay chefs bring their own gourmet gumbo to...

March 22: Amber Snider Trio at Silo’s

Amber Snider is a songwriter who knows the importance of music in our everyday life. With no formal training, but with a musically gifted family surrounding her, Snider began her career in family bands before venturing out as a solo artist and fronting her own act, the Amber Snider Trio. Now, teaming up with Silo’s, she headlines a night...

March 23: John Langdon at Bay Weekend Gallery

Already displaying his own one-man art exhibition, “Beyond Geometry,” at the Art by the Bay Weekend Gallery, artist and writer John Langdon appears for a presentation of art and haiku. The multifaceted talent of Langdon expresses a poignant vision within an abstract geometrical form; his work is here with the poetic talent of Rebecca Foust, whose words have appeared...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow