Cruise Control

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As a lifelong cyclist, I live by one rule when it comes to automobiles: assume every car is driven by a careless idiot, and get out of the way whenever possible.

It seems to me that the main point of getting on your bike isn’t to wave the embattled flag of “bike culture” but, simply, to have an enjoyable, stress-relieving ride.

So why are there so many road-ragers out there on bikes?

The Point Reyes Light recently ran a letter from an older man who reported some really obnoxious treatment at the hands of a group of well-heeled young bicyclists on fancy machines, riding many abreast over the bridge leading out of town.

The lads were “victimized” by a car horn, and, like a squad of oafish reactionaries straight off the Cliven Bundy ranch, they descended on the man with a threatened beat-down.

And in April, the 40-year-old founder of Iron Data software, Jeffrey Smock, had a bike-rage blowout with a 55-year-old in a pickup at a busy Mill Valley intersection. Smock allegedly beat the man bloody, and he’s looking at a felony assault charge. Really, dude?

I give bikes their three feet of clearance, no problem—I’ve been buzzed, boxed-in and hit by enough cars to know how nerve-wracking it is when motorists speed by, inches from your handlebars. But “Share the Road” means share the road. It doesn’t mean “I’m going to play chicken-entitlement games with the nearest fool who swerves onto the shoulder.”

When a driver gives that three feet on a twisty portion of, say, Sir Francis Drake on a Saturday morning—that driver is risking a head-on collision so he doesn’t hit you. When there are four of you riding abreast, and you refuse to line up single-file—that’s just transferring the nerve-wrack to drivers, and why would you want to do that?

So stop treating every bike ride as a Critical Mass throwdown. This isn’t the Second Battle of Ypres. It’s a nice day, and everyone should enjoy the ride.

In exchange, I’ll turn my attention to that tailgating menace in the Audi—instead of worrying about you.

Tom Gogola is news editor for this paper.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

May 17: Napa Valley Youth Symphony

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Acclaimed for their award-winning level of performance, the Napa Valley Youth Symphony is a nationally recognized ensemble of some of the area’s brightest young musicians. The NVYS plays Carnegie Hall next month, but to get there, they’re going to need more than practice. This week, the NVYS holds their Red Gala event to raise funds and send the talented group to New York City. Local winetastings, food and silent auction items start off the evening, followed by a concert featuring all three ensembles in the Youth Symphony. The Red Gala takes place Saturday, May 17, at Lincoln Theater, 100 California Drive, Yountville. 5pm. $25—$50 for concert only; $150 for Red Gala event. 707.226.8742.

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May 16: Jerry Seinfield at the Wells Fargo Center

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His name is synonymous with comedy, and for the last three decades Jerry Seinfeld has dominated the worlds of standup and sitcom television with sharp observational humor. Recently, the comedian has also moved into the world of the web with his popular online series “Comedians in Cars Getting Coffee,” where the classic auto enthusiast takes his funny friends out to jabber over java. Seinfeld is also still active onstage, and this week he brings his acclaimed standup back to the North Bay with two shows on Friday, May 16, at the Wells Fargo Center for the Arts, 50 Mark West Springs Road, Santa Rosa. 7pm and 10pm. $78—$128. 707.546.3600.

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May 16: Deb Hubsmith Benefit in Fairfax

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In 2013, Deb Hubsmith was diagnosed with acute myeloid leukemia. The 44-year-old founder of Safe Routes to School National Partnership and the Marin County Bicycle Coalition recently underwent a bone marrow transplant at Stanford Medical Center and is expected to recover. Of course her medical bills threaten to be a debilitating expense, so the community is stepping up with a multi-venue benefit in Fairfax on May 16 featuring 15 bands at three popular clubs. All proceeds are going to help Hubsmith in her time of recovery. The benefit shows take place on Friday, May 16, at 19 Broadway Club (19 Broadway Blvd., Fairfax), the Sleeping Lady (23 Broadway Blvd., Fairfax) and Peri’s Silver Dollar (29 Broadway Blvd., Fairfax). 8pm. $20.

Deb Hubsmith

  • Deb Hubsmith

Q&A: Naomi Starkman

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A conversation with Penngrove’s Naomi Starkman, who runs Civil Eats with Editor-at-Large Paula Crossfield, about digital media, winning a James Beard award, sustainable agriculture, and living in Sonoma County.

What does the James Beard Foundation award mean to you?

I do think it’s a big deal that the James Beard Foundation recognized us, for a number of reasons. We’re a blog and we were named “publication of the year” amongst many different formats. Traditionally, they might name a magazine or some other kind of print edition, and I think it’s quite a statement on their behalf that they are supporting sustainable agriculture, because they are really known as a foodie organization that normally recognizes chefs, restaurants, books and food writing, and I think they are trying to elevate [sustainable agriculture] and are doing it at a time when they as an organization are also taking so steps to identify more with sustainability.

This is something that we’ve been doing for five years, and we know that we’ve been ahead of the curve. But I think we’ve reached a critical mass, and their recognition brings us to the front of the pack and allows people to say, in fact, critical, more content-driven reporting on food systems issues is really important.

What do you think this means for digital media?

I think we are unique. I like to call Civil Eats a community supported blog, kind of like community supported agriculture. We started because we found there was a lack of reporting in issue areas, and at the same time there was this burgeoning food movement. We tried to create a platform and a space for dialogue on important food-movement issues. It’s totally unique in that way. It’s not just a food blog; it’s actually a beloved space for people in the food movement, and for a long time we’ve worked with people who are not traditional writers—chef, farmers, advocates—people who are new to writing but who have something to say and didn’t have a place to say it. That’s different than a regular glossy publication and it is kind of scrappy, but I think there is a reason why Michael Pollan has called us the best online food and politics magazine. We know we’ve started a trend that’s leaking into larger [mainstream] reporting.

You’ve been volunteer-based but recently completed a $100,000 Kickstarter campaign. What’s the business model going forward?

With Kickstarter, we raised the most money ever for any news site of any subject, and that was really based on the community and the feeling that they had a piece of the pie. There was this great sense that if we didn’t fund it, it wasn’t going to happen and in order to do that, we needed people to step up. Going forward, Kickstarter is just that—it’s a project to help kickstart long-term funding of the site. In order to cultivate new writers and new voices and reach a wider audience, we need to hire and bring on other reporters. We’ve been able to hire and pay our managing editor, Twilight Greenway, and my goal for this year is to be able to hire a reporter based in Washington, D.C., to be on the ground and on the front lines. We’re not a nonprofit. I’d suggest we’re a “no-profit.” We’re not doing anything that has a profit model except for paying for reporting. But we have foundation support and individual support, and hopefully down the road we’ll have a membership-support model as well.

Where would you like to be in five to 10 years?

That’s what I’m in the process of figuring out. For so long I’ve had to serve as editor and now I can serve more as a publisher, and so my job is really to think about where does Civil Eats grow and go. I’ve always joked way before the Huffington Post had a vertical for food that we were like the Huffington Post for food. I would like for us to have that breadth and depth and multimedia component and video and really be like a news channel for food-systems issues.

Why do you live in Penngrove?

I love Sonoma County. I grew up in the Bay Area, and Sonoma County represents to me the best of why we love in the Bay Area. It still has a relative amount of ag land and Petaluma is my downtown, and it still has that old, cool vibe and it’s authentic and has local stores. I live in Penngrove because I live in a beautiful, bucolic place that’s not that far from the freeway, not that far from San Francisco, and it entitles me to incredible natural beauty and peace and quietude.

Bohemian Wins 3 CNPA Awards

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The Bohemian was a winner in the 2013 California Newspapers and Publisher’s Association Better Newspapers Contest. Three times over.

First place, Editorial Comment – How We Represent by Gabe Meline

In this 2012 article, Gabe passionately and rationally argues for Measure Q, which would have allowed for district elections in Santa Rosa City Council elections. The measure ultimately failed, but perhaps in a bit of foreshadowing, Gabe points out that Roseland, an island of County jurisdiction in the middle Santa Rosa, doesn’t get to vote in any Santa Rosa city elections. Maybe measure Q will come back in another form, and pass, when Roseland is officially part of Santa Rosa.

Second place, Investigative Reporting – Wrung Dry by Rachel Dovey

This 2013 article brought Rachel to the outskirts of Marin County, where residents were paying over $600 per month for water in a time when the average home in the county was paying less than 20 percent of that. Residents were capturing shower runoff in jars to water plants. A private water utility company was running the show in their area, and residents were at their wits end with how to pay for life’s most basic need.

Blue Ribbon Finalist – Special Section (Best Of issue)

This groundbreaking issue took the idea that all newspapers will be forced to online-only formats, crumpled it up and threw it in the face of pundits who predict the death of print media. Our Magic and Illusion theme featured creative print-only ideas, like a Mad Magazine—style fold-in, an article printed backwards that had to be held up to a mirror to read, one printed as a swirling vortex, one printed in a way to force the reader to flip the paper over to experience the sensation the article was talking about, and other cool, print-only tricks.

Congratulations are in order to everyone who worked on these issues and stories. Alternative weeklies like us don’t win many CNPA awards, since the organization includes all papers in the state, including big players like the Los Angeles Times and the San Francisco Chronicle. We even have our own national group, Association of Alternative Newsmedia (AAN) www.altweeklies.com that also does annual awards. CNPA says the plaques are being shipped to us soon, and though Gabe and Rachel are no longer with the paper, they’ve been informed of their achievements and are stoked. Totally stoked, to be exact.

The Bohemian won two CNPA awards last year as well: first place for Special Section and second place for Best Feature Story.

While on the subject of honors, Bohemian news editor Tom Gogola’s story on fracking is one of AAN’s top stories of the week this week. With hundreds of newspapers and thousands of stories each week to choose from, AAN picked ours. It’s a good indicator that we’re doing something right.

Here’s to continued success!

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May 17-18: Taste Alexander Valley

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This weekend, more than two dozen Alexander Valley wineries are hosting an array of events, and one ticket gets you access to it all. The 17th annual Taste Alexander Valley weekend includes live entertainment, special private parties, after-hours events and breakfasts with winegrowers to augment two days of casual fun in the lush 22-mile valley. The Taste Alexander Valley festivities happen on Saturday and Sunday, May 17—18, throughout the Healdsburg and Cloverdale region. 11am—4pm. $65—$75 for weekend passes. 1.888.463.0207.

Meet Kurt Stenzel, Soundtrack Composer to ‘Jodorowsky’s Dune’


Unless it’s a rockumentary like Sound City or 20 Feet From Stardom, the soundtrack to a documentary usually isn’t much more than an afterthought. But for Jodorowsky’s Dune, the new documentary about one of the greatest films never made, the music is an essential part in bringing to life a film that doesn’t exist. San Francisco composer Kurt Stenzel has done exactly that with his synth-laden, spooktacular mood setting composition for the film.

The performance artist/musician had never been asked to make a soundtrack before, but his work in the electro-art group Spacekraft caught the attention of the filmmakers. His synthesizer list is extensive, ranging from Radioshack toys to Moog to custom Dave Smith creations. The result is pulsing, warped and sometimes eerie sounds that create a sense of uncertainty. It would have had a big impact on Jodorowsky’s film vision for the epic science fiction novel, had it ever been made.
Stenzel’s ambient music is non-offensive and, like abstract art, can be interpreted in many ways—unlike his former project, the New York punk band Six and Violence. The self-taught musician admits he doesn’t have “chops” in the traditional sense, meaning he won’t bust out with a Chopin etude on request. But he does know his way around a synthesizer, and his music these days is about texture and timbre more than virtuosity.
Stenzel’s texture on Jodorowsky’s Dune is reminiscent of Isao Tomita, the pioneering Japanese musician who rose to popularity with his futuristic synthesizer renditions of Holst’s Planets suite and pieces of the Star Wars soundtrack in the 1970s. Stenzel grew up in a “classical music household,” and is familiar with Tomita’s work. He’s also a big fan of the Krautrock genre, especially Rodelius and his group, Cluster. When Dune director Frank Pavich was looking for a “Tangerine Dream type soundtrack,” Stenzel was the obvious choice.
Spacekraft’s music is also represented in the film. About nine minutes of the group’s music was left in the film after Stenzel sent over some music “as a placeholder” to Pavich, while he worked on more original music. “Some things just kind of stuck,” says Stenzel. The group is largely performance art these days, with a whole crew of “flight attendants” and more accompanying the experience of a Spacekraft show, which can be seen usually at art galleries and grand openings. Listeners can sit in airline chairs and control the music with their own iPhones, or take personality tests during the performance. “The whole thing is designed to take you somewhere else,” says Stenzel. “We’re kind of weird and make some drug references here and there,” he cautions. Sometimes, the public doesn’t quite understand what’s going on. “People ask if we’re a software company, or Scientologists, or whatever.” For the record, they’re neither.
“We’re somewhere between the pretentious art world and the happy-go-lucky-Bay-Area-friendly-lets-just-do-this-for-fun kind of thing,” says Stenzel.
The soundtrack will be released soon in full analog glory on a double-LP. Stenzel says he’s now interested in writing more music for film. “I like to be challenged,” he says. “This one, I was already doing this type of music… I would love to do a drama or something different.”
Listen to Stenzel’s work in this trailer for the film:

Making a Buck

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To most people, flattened cardboard boxes are worthless. Which is precisely why Nick Mancillas turns them into canvases, and then into currency.

“One of my goals is to give value to the valueless,” says Mancillas, who forages the cardboard from dumpsters and then creates mixed-media collages of the famous men (mostly presidents) whose stoic faces appear on our money. “I’m interested in a sort of artistic alchemy.”

Reflecting both our obsession with money and our disposable society, the Cardboard Currency collection will be part of a show called “Follow the Money” opening May 23 at the new Chroma Gallery on South A Street in Santa Rosa.

“I’m not painting on top of cardboard because I’m poor,” explains Mancillas, who’s taught art at Piner High School for 20 years, “but because it’s a throw-away material, the vernacular of the common people. And yet each box has a whole story behind it.”

Often, the box’s original purpose is reflected in the title of the piece, as in George Washington Mushrooms and Two Buck Jefferson, which features Thomas Jefferson (of the somewhat rare two-dollar bill) on a box of Charles Shaw (of the beloved “Two-Buck Chuck”). Created from the ephemeral papers of Mancilla’s life, the pieces are also deeply personal: he cuts up and creates collages out of his own TSA reports, newspapers, food package labels and even photocopied Benjamins.

Reflecting what Mancillas calls the “economic colonialism” of our continent, he’s also painted the less familiar (and even female!) faces of Canadian and Mexican currency, including a diptych of Queen Elizabeth, who appears on Canada’s $20 bill, and Juana Inés de la Cruz, a poet and nun who graces the 200 peso bill.

“I paint them backwards, to reflect the backwards nature of our economic reality,” he says, “and because I don’t want to be thought of as a forger.”

Though he’d been making art his whole life, about seven years ago his two adolescent daughters inspired him to up the ante. “I realized that I couldn’t control them,” explains Mancillas, “but I could show them what it looks like to pursue your dreams.”

For Mancillas, that meant earning an MFA in a low residency program at the Art Institute of Boston and booking shows in San Francisco and Sacramento. “I’m extremely grateful for the chance to show my art in my hometown of Santa Rosa,” he says.

Given the ubiquity of plastic credit cards, “these are nostalgic images now,” notes Mancillas, who is forthcoming about his own economic duress—a couple of houses lost to banks and two daughters in college.

His art, then, is ultimately about finding value where we least expect it. “If I could transform a turd into a gold nugget, and make it worth something to someone, I would.”

Sci-Fi’s Father

The inspirational quality of the documentary Jodorowsky’s Dune is immaterial to the potential of the half-made movie it disinters. That inspiration transcends the tunnel-vision of some of the critics thrilled by a film that might have beat their beloved Star Wars to the screen by a few years.

Now the storyboards by French cartoonist Moebius can be animated, and this mad psychedelic project can be anatomized. The mystical filmmaker, 85-year-old Alejandro Jodorowsky, who’d been tripping out elite viewers with midnight cinema such as El Topo and The Magic Mountain, describes how he and producer Michel Seydoux tried to adapt Frank Herbert’s bestseller a corrupt interplanetary empire.

The team of “warriors” they assembled included the star for the project, Jodorowsky’s own son, who was put through two years of martial arts training. Dan O’Bannon, the FX artist on John Carpenter’s Dark Star, sold his possessions and came to live in Paris to work on Dune. British illustrator Chris Foss drew living spaceships with the dapples and stripes of scorpionfish. H. R. Giger, the father of Alien‘s xenomorph, created several terrifying fortresses, bristling with spears and teeth. And Jodorowsky set off after a cast that would include Orson Welles, Mick Jagger and Salvador Dali.

Dune was an early meeting of the minds who created the science-fiction film wave to come. With his obsessions about virgin birth and messianic sacrifice, could Jodorowsky have reached audiences on the wow-level of visuals alone? David Lynch’s version—a better movie than director Frank Pavich’s documentary claims it is—didn’t succeed on that merit. I’m as inspired as anyone by Jodorowsky’s passion, but it’s chafing to hear Dune described as “the greatest movie never made.”

For a story on Kurt Stenzel, the San Francisco-based composer of Jodorowsky’s Dune soundtrack, go to http://bit.ly/1g2obsQ.

‘Jodorowsky’s Dune’ is now screening at Summerfield Cinemas,
551 Summerfield Road, Santa Rosa. 707.522.0719.

Cruise Control

As a lifelong cyclist, I live by one rule when it comes to automobiles: assume every car is driven by a careless idiot, and get out of the way whenever possible. It seems to me that the main point of getting on your bike isn't to wave the embattled flag of "bike culture" but, simply, to have an enjoyable, stress-relieving...

May 17: Napa Valley Youth Symphony

Acclaimed for their award-winning level of performance, the Napa Valley Youth Symphony is a nationally recognized ensemble of some of the area’s brightest young musicians. The NVYS plays Carnegie Hall next month, but to get there, they’re going to need more than practice. This week, the NVYS holds their Red Gala event to raise funds and send the talented...

May 16: Jerry Seinfield at the Wells Fargo Center

His name is synonymous with comedy, and for the last three decades Jerry Seinfeld has dominated the worlds of standup and sitcom television with sharp observational humor. Recently, the comedian has also moved into the world of the web with his popular online series “Comedians in Cars Getting Coffee,” where the classic auto enthusiast takes his funny friends out...

May 16: Deb Hubsmith Benefit in Fairfax

In 2013, Deb Hubsmith was diagnosed with acute myeloid leukemia. The 44-year-old founder of Safe Routes to School National Partnership and the Marin County Bicycle Coalition recently underwent a bone marrow transplant at Stanford Medical Center and is expected to recover. Of course her medical bills threaten to be a debilitating expense, so the community is stepping up with...

Q&A: Naomi Starkman

Penngrove's Naomi Starkman, founder of the award winning Civil Eats food policy blog, talks food media, digital journalism and Sonoma County.

Bohemian Wins 3 CNPA Awards

Tooting our own horn, just a little.

May 17-18: Taste Alexander Valley

This weekend, more than two dozen Alexander Valley wineries are hosting an array of events, and one ticket gets you access to it all. The 17th annual Taste Alexander Valley weekend includes live entertainment, special private parties, after-hours events and breakfasts with winegrowers to augment two days of casual fun in the lush 22-mile valley. The Taste Alexander Valley...

Meet Kurt Stenzel, Soundtrack Composer to ‘Jodorowsky’s Dune’

Unless it’s a rockumentary like Sound City or 20 Feet From Stardom, the soundtrack to a documentary usually isn’t much more than an afterthought. But for Jodorowsky’s Dune, the new documentary about one of the greatest films never made, the music is an essential part in bringing to life a film that doesn’t exist. San Francisco composer Kurt Stenzel...

Making a Buck

To most people, flattened cardboard boxes are worthless. Which is precisely why Nick Mancillas turns them into canvases, and then into currency. "One of my goals is to give value to the valueless," says Mancillas, who forages the cardboard from dumpsters and then creates mixed-media collages of the famous men (mostly presidents) whose stoic faces appear on our money. "I'm...

Sci-Fi’s Father

The inspirational quality of the documentary Jodorowsky's Dune is immaterial to the potential of the half-made movie it disinters. That inspiration transcends the tunnel-vision of some of the critics thrilled by a film that might have beat their beloved Star Wars to the screen by a few years. Now the storyboards by French cartoonist Moebius can be animated, and this...
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