Letters to the Editor: July 23, 2014

Great Sex Article

Great article about sex surrogacy (“Sexual Healing,” July 16). I can’t really complain that you interviewed Vena and Isadora. They’re both legends in the field of human sexuality. But did you know you have a sex therapist right here in Santa Rosa? (It’s me.) Now you do!

Santa Rosa

Israel’s War in Gaza

The North Bay is a long way from the carnage in Gaza, but the political support for the mass killing there comes from all over the United States—including our area, represented by Mike Thompson and Jared Huffman in Congress.

On July 11, the House of Representatives approved by unanimous voice vote—with no objections or dissent—a resolution expressing “United States support for the State of Israel as it defends itself against unprovoked rocket attacks.”

At that point, the ratio of reported deaths among Palestinians and Israelis was running at more than 100 to 1.

This was in keeping with standard political operating procedure—rhetoric aside, a routine devaluation of Palestinian lives in sharp contrast to Israeli lives.

Sadly, there’s nothing conspicuous about the keep-your-head-down behavior of Thompson and Huffman on this matter. They’re going along to get along with the prevailing biases of the sort reflected in a July 18 editorial by the New York Times.

The Times editorial declared that Hamas leaders “deserve condemnation” for military actions from civilian areas in the dense Gaza enclave—but the Israeli government merited mere expressions of “concern” about “further escalation.” Absent from the editorial was any criticism of Israel’s ongoing bombardment of homes, apartment blocks, hospitals, beaches and other civilian areas with U.S.-supplied ordnance.

In the morally skewed universe that the Times editorial board evidently inhabits and eagerly promulgates, Hamas intends to “terrorize” Israeli citizens while Israel merely intends to accomplish military objectives by dropping thousands of tons of bombs on Palestinian people in Gaza.

While sprinkling in a handwringing couple of phrases about dead and wounded civilians, the editorial had nothing to say in condemnation of the Israeli force killing and maiming them in large numbers.

Between the lines was a tacit message to Israel: Kill more. It’s OK. Kill more. And to Israel’s patrons in Washington: Stand behind Israel’s mass killing in Gaza. Under the unfortunate circumstances, it’s needed.

When the editorial came off the press, the Israeli military was just getting started. And no doubt Israeli leaders, from Netanyahu on down, were heartened by the good war-making seal of approval from the New York Times.

After all, the most influential media voice in the United States—where the government is the main backer of Israel’s power—was proclaiming that the mass killing by the Israeli military was regrettable but not objectionable.

The night after the Times editorial went to press, the killing escalated. Among the calamities: the Israeli military shelled the Gaza neighborhood of Shejaiya throughout the night with nonstop tank fire that allowed no emergency services to approach. Eyewitness media reports from Shejaiya recounted scenes of “absolute devastation” with bodies strewn in the streets and the ruins.

Two days after the editorial reached Times newsprint, over 150 more were counted dead in Gaza. No media enabler was more culpable than the editorializing voice of the Times, which had egged on the Israeli assault at the end of a week that began with the United Nations reporting 80 percent of the dead in Gaza were civilians.

The Times editorial was in step with President Obama, who said—apparently without intended irony—that “no country can accept rockets fired indiscriminately at citizens.” Later, matching Israeli rationales for a ground invasion, the president amended his verbiage by saying: “No nation should accept rockets being fired into its borders or terrorists tunneling into its territory.”

An important caveat can be found in the phrases “no country” and “no nation.” The stateless people who live in Gaza—70 percent of whom are from families expelled from what’s now southern Israel—are a very different matter.

We get plenty of lofty rhetoric while the intermittent mass killing continues. By the lights of the Oval Office and the New York Times editorial boardroom, as well as hundreds of congressional offices, the proper role of Palestinian people is to be slaughtered into submission.

Inverness Park

Dept. of Corrections

The painting shown in last weeks events calendar, Shame by Jenny Honnert Abell, is not showing at Healdsburg’s Hammerfriar Gallery, but is on display at the Petaluma Arts Center. It’s part of a group show titled: “(n) collage: a mixed media collage exhibit (n)=”new.” The exhibit runs from July 25 to Sept. 14. Abell’s work is also on display at a new Hammerfriar Gallery solo show entitled “Cry, Love Life.” The show runs until
Sept. 7. The Bohemian regrets the errors.

Write to us at le*****@******an.com.

Debriefer: July 23, 2014

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PATH TO CITIZENSHIP

Among entries on a long list of the $2.4 million in 2014 Napa Valley Community Foundation grants, one figure stands out: a $295,000 grant for a Napa County citizenship program established by the foundation.

“This is the largest discretionary grant we made this year,” says Terence Mulligan, president of the foundation.

The grant will help 2,000 legal permanent residents in Napa County apply for citizenship.

The foundation commissioned a study in 2012 from the Migration Policy Institute in Washington, D.C., which reported that immigration to Napa County had sharply dropped in recent years.

The report found that that 24 percent of Napa County residents were born outside the country (California as a whole is 27 percent), and that the 9,000 legal permanent residents added about $1 billion to the annual economy.

There is an influx of Filipino immigrants to American Canyon, the reported noted, but Mexicans remain the dominant immigrant group, and the backbone of the ag economy. Seventy percent of that workforce comes from Mexico.

The Migration Policy Institute found that Napa County Latino men are overrepresented in the workforce, which is to say that unemployment rates are low among working age Mexican men.

Those immigrants have tried to step up the economic ladder only to find the citizenship ceiling. The study found that “many immigrants in Napa County are eligible to become citizens, but they haven’t done so nearly as frequently as their peers around the state.”

Enter the citizenship initiative. Last year the foundation distributed approximately $285,000 for this same purpose, says Mulligan.

Mulligan says in its first year the program has helped more than 500 residents with legal assistance or classroom help. One hundred and sixty-five people have submitted citizenship applications.

“Sixty-five people have actually become U.S. citizens,” he says.
—Tom Gogola

LOPEZ PARK?

Nine months after 13-year-old Andy Lopez was shot at the corner of Moorland and West Robles avenues, just south of Santa Rosa, Sonoma County officials have announced receipt of a state $471,000 grant to turn the site into a county park.

The park might be completed by early 2016, says county parks deputy director Jim Nantell. Sonoma County officials will rely on community input for guidance on what to build, he says.

“We figure there would be some kind of multi-use field; we anticipate a playground, some various picnic areas,” he says.

The site is currently home to a makeshift memorial for Lopez, whose killer, Sonoma County sheriff’s deputy Erick Gelhaus, was exonerated by Sonoma County District Attorney Jill Ravitch earlier this month. The county hopes to transform a one-acre parcel and a larger lot across the street for this underserved part of the county. The nearest park is two miles away.

The land hasn’t been purchased yet, but county spokesman Peter Rumble says the state grant shows that “we’re not just paying lip service to this.”

County officials need at least another $1 million to finance the park, and a round of property appraisals, public meetings and approval from the board of supervisors are on the agenda before any construction begins.
Nicolas Grizzle

Attack of the $500,000 Tiger Salamander

California_Tiger_Salamander.jpg

Poppy. Quail. Garibaldi. Gold. California has an official symbol for just about everything, and now there’s a newcomer to the list: the California state amphibian is the red-legged frog, the frog made famous by Mark Twain’s short story “Celebrated Jumping Frog of Calaveras County.”

The California Department of Fish and Wildlife made the official amphibian proclamation July 15. “By declaring the California red-legged frog the official state amphibian of California, the Legislature and Governor acknowledge the species’ important place in the ecology, culture and history of California. It also broadcasts and reinforces the state’s commitment to protecting its rare resources, which include amphibians.”

It’s listed as a threatened species, and almost canceled a fishing derby in Rohnert Park one year. But in the North Bay, there’s another threatened amphibian that makes more headlines: the tiger salamander.

This dark, brightly-spotted creature can grow to about eight inches in length and can grow construction costs exponentially. The development community is well aware of this, as is the anti-development community—the poor little salamander is trotted out like a mouse in an elephant pen every time new development with big-box stores is proposed. Sonoma County is aware of this as well, as evidenced in an update about the proposed Moorland community park presented to the board of supervisors in March.

The park recently received a $471,000 state grant, but is seeking at least $1 million more in grant funds, and will need to match all those funds to complete the 4-acre park, officials estimate. Playgrounds, grass, goalposts and picnic tables all cost money, as does the property itself. But the California tiger salamander also costs money. “It is worth noting that the larger parcel has been identified as possible habitat for the California Tiger Salamander,” says the packet submitted to the board, “and it is anticipated that any type of development on that land will require mitigation with an estimated cost of $500,000.”

Looks like the red-legged frog gets the glory, but the tiger salamander gets the last laugh around these parts.

Ex-Black Crower Rich Robinson Treats Bohemian Readers to Sound-Check Party

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Black Crowes co-founder, Rich Robinson rolled into Napa’s lovely Uptown Theatre this weekend along with his handpicked band to perform songs off of his critically acclaimed album, “The Ceaseless Sight.” The night began for a handful of lucky Bohemian contest winners with a behind-the-scenes look at the band’s rehearsal process which included a taste of songs that were to be performed that evening. The group was then escorted into the theater’s courtyard, where they were treated to an intimate acoustic set provided by a rather under the weather Robinson, who apologetically stated that the set would be solely instrumental due to the fact that he needed to rest the vocal chords for the evening’s performance. The informal set was followed by a brief meet and greet with the performer and a chance for guests to have their memorabilia signed by Robinson._MG_5411
At around 9 p.m. the band emerged onto the unassuming stage, save the musical instruments and necessary accoutrements. For Robinson it is all about the music. This latest album is an amalgamation of life experience and a story of musical evolution. It is evident that Robinson is in his element, with the guitar (which he changed with almost every new song) on the stage playing his music. Like the earlier acoustic set Robinson performed, there was an intimacy to the show, as if the musician were letting us into his arena, his vulnerabilities portrayed through the music._MG_5578
Robinson says he is in a very positive place in his life and wants that optimism to be reflected in the music. At one point in the show, he invited those guests still glued to their seats to get up and move, which they did, motivating almost everyone in the crowd out of their seats and onto the floor. It didn’t take much considering the band’s high-energy performance.
Before he took the stage I had a chance to interview Robinson:
 “My first record was more of an experiment,” he said. “I had just stepped away from the Crowes for the first time in my adult life, but I still had all of these songs and I didn’t want them to go to waste.” Not wanting to go through the arduous process of putting a band together, Robinson decided to write the music and lyrics himself and take lead on vocals. “For PAPER it was more like, let’s just see how this goes, you never really know until you do it.”
Immediately after that first solo record came out, the Crowes re-united and the band went back on tour. During this time, Robinson felt more comfortable singing, so by the time he was ready to put out his second solo album, “Through a Crooked Sun,” he had become more confident in his abilities. “By the time that record (Through a Crooked Sun) had come out, I had been through a lot, I had just come out of a divorce, and I had a lot more to say. It was more of a reflection of where I had been in the last five years.”
This new album (“The Ceaseless Sight”) is more about “moving forward” according to Robinson. He had lost most of his equipment and guitars in Hurricane Sandy, which was more of a sign to him that it was time to move on more than anything, “I felt slightly relieved. It was very cathartic in a sense.” The lack of instruments of course did not deter him from making another record, “I went in to make this record with, literally four or five guitars, something I had not done since I was a teenager, and it felt great. I found myself feeling more positive about (this experience).”
Although the album began almost spontaneously there is a cohesive quality to it, which Robinson credits to his longstanding relationship with drummer Joe Magistro (who also performed on “Paper”) “I know what he’s going to do and he knows what I am going to do, it’s very intuitive. Being in a band is being very intuitive and knowing where things are going to go.”
The album was recorded in Woodstock, where he had recorded previously with the Black Crowes, so it felt only natural to record this new record in an environment that was familiar and comfortable to him, “I tap into something there. I like the energy of the place.”
It only seems appropriate that the milieu would reflect his commitment to creating work that is authentic and sincere. In a cultural climate that reveres fame  it can be difficult for an artist who actually want to create something substantial.
“It is easier for bands to get started now and just put their stuff on YouTube. There are a whole faction of kids out there who are making some really good music, but there are a lot of people making really, really shitty music.” Robinson declined to give specific examples. He adds that a lot of the bands out there seem to be devoid of anything that is in some way, culturally or artistically relevant, “Where are the Bob Dylans? For years, artists have strived to create something greater than themselves (until recently). There is a responsibility, as an artist to try not to suck.” Robinson adds that he can’t “write things for other people. (That is) flawed immediately.”
 
 
 

O.A.R and Colbie Caillat: Wells Fargo Center Announces Two New Shows

O.A.R. is headed to Santa Rosa.
O.A.R. is headed to Santa Rosa.

Today the Wells Fargo Center for the Arts in Santa Rosa announced two new exciting shows for September, including the first show to utilize the venue’s new flexible theater space. Last year’s $3.3 million renovation allows main floor seats to be removed, creating an open-floor venue that allows for an increased variety of performances. In this configuration, the venue’s capacity increases from 1,681 to 2,023.
Appearing on Saturday, Sept. 20, is Grammy Award-winning singer and songwriter Colbie Caillat. Then, on Tuesday, Sept. 30, rock band O.A.R. (Of A Revolution) makes their Santa Rosa debut and transforms the theater into the new open-floor design. With an intense and exciting live show, O.A.R. is the perfect act to debut the venue’s new look.
Tickets for Colbie Caillat are $59 and $49 (all seats reserved) and tickets for O.A.R. are $59 in the reserved balcony and $49 for general admission (standing) on the main floor. Tickets for both shows go on sale Friday, July 25 at noon and will be available online at wellsfargocenterarts.org, by calling 707.546.3600, and in person at the box office at 50 Mark West Springs Road in Santa Rosa.

July 16: ‘Moonbird’ at Smith Rafael Film Center

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John Hubley is not a household name, but the animator and creator of Mr. Magoo had a storied career. He first worked for Walt Disney, acting as art director on Bambi and Pinocchio. After he created his lovable near-sighted Magoo, Hubley was blacklisted for refusing to name names to the House Un-American Activities Committee. Undaunted, he moved to New York, opened his own studio with his wife and continued to make socially conscious animated shorts and Sesame Street segments. In honor of Hubley’s 100th birthday (he passed away in 1977), a showcase of his best work, including the Academy Award—winning Moonbird, screens on Wednesday, July 16, at the Smith Rafael Film Center. 1118 Fourth Stˆ., San Rafael. 7pm. $11. 415.454.1222.

July 19: Rivertown Revival in Petaluma

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It’s one of the most creative community-based events of the summer, a collection of art and music, food and local color, and it all goes down in the middle of the Petaluma River. This year, the fifth annual Rivertown Revival returns with multiple stages of music from local favorites like the Easy Leaves, Highway Poets and even performances from the Imaginists. There’s also a kids’ stage and plenty for the family, as well as dozens of homegrown vendors and a parade. The Rivertown Revival takes place on Saturday, July 19, at the David Yearsley River Heritage Center, 6 Copeland St., Petaluma. 11am. $5—$10. 707 290 6723.

July 20: Louis Landon at Dance Palace

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Solo jazz and pop artist Louis Landon is a master at the Steinway, and his serene compositions have for the last decade acted as a peaceful reminder of the simple beauty of the instrument. Landon knows that with great skill comes great responsibility. So the pianist has dedicated himself to awakening his audiences to a new and empowered sense of peace and passionate living. Writing music from the heart, Landon has toured the world over and this week he appears on Sunday, July 20, at the Dance Palace, 503 B St., Point Reyes Station. 4pm. $20. 415.663.1075.

July 22: Matt Schofield at City Winery

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His blonde locks and baby-face bely guitarist Matt Schofield’s 36 years, but when the British musician takes the stage, he’s a blistering blues artist. He’s already received accolades across the pond and in the States, Schofield is storming venues with his tasty licks and stellar songwriting. His latest collection, Far As I Can See, sees the guitarist in top form, and this week Schofield takes the stage on Tuesday, July 22, at City Winery, 1030 Main St., Napa. 8pm. $15—$18. 707.226.7372.

Letters to the Editor: July 16, 2014

Ravitch’s Decision

What if everyone was allowed to admit mistakes, even law enforcement officials? What if honesty and humility were considered signs of strength? What if the asking for and giving of forgiveness were met with compassion? What if asking for and giving forgiveness were signs of strength? What if understanding was more important than blame? Might not the aftermath of Andy Lopez’s death have unfolded differently?

Sebastopol

A tough situation. Emotion aside, it’s clear that this is not a case of criminal behavior by the officer, but rather a severe failing of civilians, young and old, being taught how to correctly act when being approached and spoken to by a policeman. Incidents of this sort—miscommunication leading to tragedy—happen constantly, and I really believe a firm understanding of how to respond to an officer would save a lot of heartache.

Via Facebook

It seems the toy is an exact replica of the real thing. That’s the problem.

Via Facebook

I grieve for the family of this young man. This must be a deeper cut to bear, like going through it all over again, I am sure. I am of an age where I remember when the police used to protect and serve. Now many officers see us as easy prey as they hide in cars that are barely recognizable as a police car, a car in the past that was easily recognizable and one you could turn to for help. When officers’ first impulse is to shoot and ask questions later, how are we to feel safe as parents when children are walking home? Everything is backwards these days.

Via Facebook

Last Straw

What a country we live in (“Welcome to Gun County,” Boho Blog July8): In open-carry states, a mostly white group of chubby, Second Amendment “gundamentalists” have taken to carrying actual assault weapons into retail and fast-food outlets with not much pushback from police, while in California, a 13-year-old Latino kid gets shot and killed by police while openly carrying a toy gun in a semi-rough Santa Rosa neighborhood. Meanwhile, there’s a school shooting practically every week—and thus the battle lines are drawn between arming everybody and, gee, how about some sane gun laws?

No child is allowed to open-carry. No one in California can own a non-neutered semi-automatic rifle. Open-carry activists usually inform police of their actions beforehand. There is not a school shooting every week, but over 50 percent of gun-homicide victims are African-American. How about constructive policy rather than your anti-NRA “gun laws” that do nothing to help anyone? Talk about drinking the Kool-Aid. Strawman much?

If you cared at all about ending gun violence, you would be talking about poverty, the war on drugs, black-on-black crime and the failure of anti-gun policy. But you’re not. You’re repeating talking points that don’t make sense. You’re demonizing your enemies and you’re tugging at the heartstrings of racism in the United States. Unbelievable.

Via online

Clean Facts

Sonoma Clean Power (“Growing Power,” July 9) “made geothermal deals in recent months with the big-industry likes of Calpine and Constellation/Exelon in the Geysers.” Calpine is one of the operators at the Geysers project in Sonoma and Lake counties. Constellation (which merged with Exelon in 2012) is not one of the operators at the Geysers or any geothermal project in California. In fact, geothermal is barely mentioned on their website (www.constellation.com). Constellation is headquartered in Pennsylvania.

Via online

Editor’s response: You are correct. Constellation Energy, a subsidiary of the Exelon Corporation, does not have a geothermal power-production contract with Sonoma Clean Power as Tom Gogola reported. SCP says: “Constellation provides hydropower, wind, biomass and power from natural gas in our current contract. We are working on a second contract with them that would potentially supply power from additional sources as well. Calpine provides geothermal power in our current contract.” The Bohemian regrets the error.

Water Wise

I may be wrong (“Saving Water in California,” Bohemian Facebook page, July 9), but I think California is relatively efficient and has become more so over recent years. The commercial water deals that big commercial farms (not new, smaller ones) have been getting, though, should be renegotiated and made more fair, IMO. In any case, we have no choice but to be much more efficient, since demand is still high and water supply is low.

Via Facebook

Write to us at le*****@******an.com.

Letters to the Editor: July 23, 2014

Great Sex Article Great article about sex surrogacy ("Sexual Healing," July 16). I can't really complain that you interviewed Vena and Isadora. They're both legends in the field of human sexuality. But did you know you have a sex therapist right here in Santa Rosa? (It's me.) Now you do! —Diane Gleim, MFT Santa Rosa Israel's War in Gaza The North Bay is a...

Debriefer: July 23, 2014

PATH TO CITIZENSHIP Among entries on a long list of the $2.4 million in 2014 Napa Valley Community Foundation grants, one figure stands out: a $295,000 grant for a Napa County citizenship program established by the foundation. "This is the largest discretionary grant we made this year," says Terence Mulligan, president of the foundation. The grant will help 2,000 legal permanent residents...

Attack of the $500,000 Tiger Salamander

But still, it's not the state's official amphibian

Ex-Black Crower Rich Robinson Treats Bohemian Readers to Sound-Check Party

Black Crowes co-founder, Rich Robinson rolled into Napa’s lovely Uptown Theatre this weekend along with his handpicked band to perform songs off of his critically acclaimed album, “The Ceaseless Sight.” The night began for a handful of lucky Bohemian contest winners with a behind-the-scenes look at the band’s rehearsal process which included a taste of songs that were to be performed...

O.A.R and Colbie Caillat: Wells Fargo Center Announces Two New Shows

Today the Wells Fargo Center for the Arts in Santa Rosa announced two new exciting shows for September, including the first show to utilize the venue's new flexible theater space. Last year’s $3.3 million renovation allows main floor seats to be removed, creating an open-floor venue that allows for an increased variety of performances. In this configuration, the venue’s capacity increases...

July 16: ‘Moonbird’ at Smith Rafael Film Center

John Hubley is not a household name, but the animator and creator of Mr. Magoo had a storied career. He first worked for Walt Disney, acting as art director on Bambi and Pinocchio. After he created his lovable near-sighted Magoo, Hubley was blacklisted for refusing to name names to the House Un-American Activities Committee. Undaunted, he moved to New...

July 19: Rivertown Revival in Petaluma

It’s one of the most creative community-based events of the summer, a collection of art and music, food and local color, and it all goes down in the middle of the Petaluma River. This year, the fifth annual Rivertown Revival returns with multiple stages of music from local favorites like the Easy Leaves, Highway Poets and even performances from...

July 20: Louis Landon at Dance Palace

Solo jazz and pop artist Louis Landon is a master at the Steinway, and his serene compositions have for the last decade acted as a peaceful reminder of the simple beauty of the instrument. Landon knows that with great skill comes great responsibility. So the pianist has dedicated himself to awakening his audiences to a new and empowered sense...

July 22: Matt Schofield at City Winery

His blonde locks and baby-face bely guitarist Matt Schofield’s 36 years, but when the British musician takes the stage, he’s a blistering blues artist. He’s already received accolades across the pond and in the States, Schofield is storming venues with his tasty licks and stellar songwriting. His latest collection, Far As I Can See, sees the guitarist in top...

Letters to the Editor: July 16, 2014

Ravitch's Decision What if everyone was allowed to admit mistakes, even law enforcement officials? What if honesty and humility were considered signs of strength? What if the asking for and giving of forgiveness were met with compassion? What if asking for and giving forgiveness were signs of strength? What if understanding was more important than blame? Might not the aftermath...
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