2014 Fiction Contest

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My inbox runneth over. This was my first go-around with the Bohemian‘s annual fiction contest, and I didn’t know what to expect. What would the turnout be? Would we get many good submissions? Well, I needn’t have worried. I was overwhelmed by both the number and quality of the stories I got—141 in all.

My goal was to pick one winner and four runners up. It wasn’t easy. There are some really talented writers out there, and it was a lot of fun to read about all those vampires, avenging cats, murderers, talking fish, wistful lovers and extraterrestrial gigolos.

We chose the winning stories based on how well the writers incorporated the opening and closing sentence prompts (“Suddenly, it all made sense”; “And she had the corpse to prove it”). We looked for good reads that entertained us with well-told stories or the surprise ending. And I’m a sucker for any story that involves the death of Justin Bieber.

The winners here reflect a range of genres and styles. The winning story was by Jeff Cox, who happens to be the Press Democrat‘s restaurant critic. He didn’t write about food, but rather spun an old fashioned who dunnit in the spirit of Agatha Christie. The other winning stories were variously fun, surprising and just plain ol’ weird.

Enjoy and thanks to everyone who took the time to submit a story. We’ll do it again!—Stett Holbrook

THE GOD’S EYE

By Jeff Cox

Suddenly, it all made sense. Of all the people at the party where the diamond disappeared, Colonel Murray would have been the least likely thief. He was a decorated Vietnam War veteran who had lost his sight in that conflict.   

 The party was given by Jim and Tootie McTavish for the graduation of their daughter, Sara. On the night of the party, Tootie wore her prized diamond brooch pinned to her sequined jacket. No one noticed that the central diamond, a magnificent five-carat flawless stone, was missing until Tootie’s friend Grace asked about it. “Do you keep it somewhere for safekeeping?” Grace asked. 

Tootie looked down and, panicked, realized that the diamond was gone. “No. It was there when I put on the brooch.” She looked quickly around the room. “Jim!” she called to her husband. He rushed over. “The God’s Eye is gone!” 

Jim, a practical man, immediately had two thoughts. First, the diamond must have somehow dislodged from the brooch and was somewhere on the floor. Or—someone had found it and pocketed it. 

He called for quiet, explained to the guests what had happened, and asked them to search the floor for the stone. For 15 minutes, 18 guests crawled and stooped, examining every inch of the hardwood flooring and the Chinese rug, even looking under the cushions on the chairs and couches. Nothing. 

Jim told the guests he was going to lock the doors and call the police. Every pocket of every guest would be searched before anyone could leave. Later, after the police searches were fruitlessly completed, Colonel Murray threw up his hands. “Enough,” he said. “I’m leaving.” 

“Not so fast,” a detective said. Colonel Murray drew a pistol and moved toward the door: “I said I’m leaving!” The detective drew his firearm and fired. Colonel Murray slumped to the floor. 

“I’m afraid Colonel Murray took the diamond,” Jim said. 

“How do you know that?” the detective asked. Jim pulled a glass eye from his pocket and showed it to the guests. “Colonel Murray had taken out his glass eye and hidden the diamond in the empty socket. No one could see behind his glasses. My wife told me who must have taken it when she found the glass eye under the couch.” 

Tootie had the smarts to see that. And she had the corpse to prove it.

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I’M A BELIEBER

By Evan St. Andrew

Suddenly, it all made sense. Charlene turned toward the nearest fan, a fanatically screaming teenage boy, and unleashed a backhanded blow so severe it broke his neck. He crumpled to the stadium floor like a spider crushed with a newspaper. Cleaning, cooking, washing clothes, packing lunch . . . Hot Pockets, Montel Williams . . . her whining, bratty children, der uncaring beer-bellied husband, Bud. She couldn’t take one more second of it. But now she had a purpose. Charlene knew what her destiny was.

No one had noticed the boy. The crowed shouted and cheered along with their idol— “Show you off, tonight I wanna show you off (eh, eh, eh).”

Charlene was still wearing the pink pajamas she had run off in all those months ago, but instead of their usually clean and cheery appearance, the PJs were ripped, tattered and unrecognizable. Visible underneath were no longer layers of fat, but taut sinew and hard muscle, slowly developing as she made her murderous pilgrimage to the Carnegie. Charlene’s voice pierced through the music, her primal and blood-frothed scream touched with insanity:

“HE IS MINE! JUSTIN BIEBER BELONGS TO ME!”

Like a snarling wolverine, she lashed out at anyone in sight, fans being thrown left and right like hay in a thresher. The entire stadium fell into disarray as the thousands attending ran in any direction they could. Justin’s bodyguards, even through the bedlam identifying her as a lethal threat, opened fire as Charlene closed in on her deity.

She used an unlucky fan (wearing an “I Bieber” T-shirt) as a human shield. Hurling him like a javelin into the guards, Charlene vaulted onto the stage. The men attempted to restrain the mad housewife as she howled unintelligible gibberish and broke their bones like some of kind of demented Hercules.  

All three soon dispatched; Charlene saw only Him. JBieb only managed a few awkward, shuffling steps before she was on top of him, her fingers digging into his windpipe. “Oh Justin . . . ” Charlene weeped, her saliva and tears mixing together as they dripped onto his pale face. “I’m all you need—a beauty and a beat.” His arms flailed uselessly against her. She leaned forward and planted a warm kiss on his now cold lips.

She had done it. She had become Justin Beiber’s No.1 fan. And she had the corpse to prove it.

Evan asked to give a shout out to Mrs. Bogomolny’s creative writing class.

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SUNDAY, BLOODY SUNDAY

By Karen Rasore

Suddenly, it all made sense. The baskets were proof. I didn’t go looking for them, hidden away in the back bedroom where Great Grandma died, but our families were packed into the ranch house for the holiday and the room had the only other bathroom. Kids never used it because it was dark, there were weird old dolls everywhere and you had to turn on the light by a pull switch over the bed, which was too high for kids to reach. The desperate need to pee trumped my fear.

I ran across the room, jumped onto the bed and flailed my arms about wildly until I found the cord. The room lit up and the army of dolls came alive. Fear turned to elation when I saw the six baskets overflowing with ribbons and chocolate bunnies. Then, just as quickly, injury replaced my happiness. They had lied to me. My friends were right: there was no Easter Bunny.

Grandma convinced me every Easter morning when she went to her garden armed with her shotgun. “I’m going to get that little son-of-a-bitch this year. He’s not hanging around to eat my garden.” I knew she kept meat rabbits and chickens and that she was capable of murdering a bunny, but she was Grandma so I forgave her for her vendetta against my rabbit hero. Besides, she always missed. Now I knew it was a trick and I was going to call her out.

“Grandma, got your shotgun ready?”

“Yep, gonna get him this year.”

“I saw the baskets and I know you’re lying.”

“Baskets? Where?” Now I had her.

“In the back room.”

“So, that’s where he’s been keeping them. I knew he couldn’t carry all of those baskets. I’m gonna use those as bait.” Now she was going too far.

“OK. Grandma. Shoot him, I dare you.”

I woke early, eager to catch Grandma in her lie. I went to the kitchen, ready to expose her, and then I heard the shot. Oh, my God, was I wrong? I wasn’t feeling as confident as I did the night before. I opened the door and saw Grandma walking toward me. She had her shotgun hanging in one arm and a buckskin Rex dangling from her other.

“Now do you believe me?”

She was right, the Easter Bunny was real, and she had the corpse to prove it.

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CONVICT ON THE RUN

By Cody S.

Suddenly, it all made sense. Meat lover’s pizza on a beach at sundown, olive film on a trash chard, a car bomb in the mouth of a newborn. He dreamed of a thrill, flying over roof shingles of the tiny, hoods disappearing in deactivated nighttimes and drug trees, the only thing that made sense in the first place, the expanding blobs of blindness undulating nebulously across the light boxes. Pizza, more important than human life, than a celebrity child, blonde, a teenage smile, or a sunset holding a disappearing ship, or a vacuum swallowing a nebula, or a black coal in the burn crevice. Burning in the moment, he blacked out and faced the steamy glass man, offering a cardboard mailer dripping with blood tomatoes, a boat that carried refugees from the food chain, pyramid, amoeba, to larger celled organisms to absorb and merge. It takes a village to really love a food. If you love a food, let it go, and see if it comes back. Some you are acquainted with, others strangers, still others food enemies, keep your friends close but your food enemies closer. A sadistic gaggle of retards and troglodytes and mongoloids queued in the square. They looted and dipped their booger-tainted paws into the river and came out holding the prizes, a short prayer later laughing. They anointed the voodoo makeup of babyhood, desperate prairie of the mind. Keither was this way, holding a slice, terrible justice, a limp memoir of himself and his place in the town, the town absorbed by a larger one and consumed by a city and the expanding mucus giant with its heavy cement fingers carving the creek beds to run dry in the summer far away from the market, a gray blob streaked untraced across the value chart of our concrete sunrise. Bite, the heavy taste of salt reaching, slipping around his bacteria-stained tongue erect and provoked. Primitive logic call sounded, a bushy unibrow arc and a simian slap on the ambiguously sweat-colored shirted helpmate seated within reach on this cold industrial bench and they raised their bones in victorious and feverish frenzy, grunting and howling entwined sterile hospital walls that lied with gluey placards. A sick smile swelled on sparsely stubbled folds, a maw flecked with forgotten smallers and olders and the ones that fit inside something else, weeping sores passing the granulated, the fibrous, the flaked oiled and seared. A guilty smile, a convict on the run. And he had the corpse to prove it.

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BUZZ OFF

By Mark Bellinger

Suddenly, it all made sense, and Ms. Young wished it didn’t.

“You have the wrong number, Michael. This is Ms. Young. By the way, I hope to find more formal English conventions when I read your Poe essay tomorrow,” she typed back, slowly.

A moment passed, then her phone vibrated again, indicating a new text message. “wat u mean?? u aint jenjen?”

She thought a moment, and responded, “In the parlance of your generation, Michael, I believe you have been ‘punk’d.’ Don’t fret. The last would-be suitor she fooled in this manner texted pictures.”

“how dija know im me??”

“Your spelling of ‘jenjen’ was unmistakable. Michael, please only text me with questions about American literature.”

Ms. Young, who thought of herself as “Ms. Young” even when wearing pajamas, set her phone back down on the nightstand. She had barely closed her eyes, though, when it buzzed again, twice.

“sory ms Y,” came the text from Michael’s number.

“Ms Young this is Jen Im sorry Mike texted you were out atthe movies and I though it would be funny.”

That surprised Ms. Young, since at school Jennifer worked very hard to appear as friendly and personable as a blackberry thicket. For her out to be at the movies with Michael was unexpected. For children their age to be on their phones during a movie was typical.

She replied to them both, “I will see you both after class tomorrow. Until then, goodnight.”

Her phone started buzzing incessantly.

“hey jenjen so this ur number kk thanx ms young”

“Yeah thats me now stop with the phone Mike and pay a tension to me.”

Ms. Young turned her phone off and sighed in frustration. She supposed she should be happy for young romance, but that travesty of grammar, syntax and spelling left her with a pounding headache. Scholars could claim that English was a living language, but Ms. Young knew better. English was dead, and she had the corpse to prove it.  

Debriefer: October 15, 2014

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FOAM TO MARKET

For the first time, California craft beermakers will be able to sell bottled beer at certified farmers markets under AB 2004, signed into law by Gov. Jerry Brown earlier this month. Sponsored by Assemblyman Wes Chesbro, the bill lifts restrictions on the state’s craft-beer industry at farmers markets, and lets beer-makers sell any kind of beer and wine at private, on-premises events they host. The measure enjoyed unanimous bipartisan support in Sacramento and goes into effect Jan. 1.

Critically, AB 2004 brings state beer law in line with what’s allowed in the wine industry.

The craft-beer lobby is thrilled at a bill that offers parity “with the privileges currently enjoyed by the wine industry,” says California Craft Brewers Association executive director Tom McCormick in a statement.

STAR SALE

A small group of Bolinas residents is working hard to keep Star Route Farms operational as an organic farm.

Star Route opened in 1974; it’s where modern organic farming started in the United States. But the 100-acre farm is for sale by owner Warren Weber. Asking price: about $12.5 million.

Enter CORE (Community Organic Regenerative Education), whose goal is to “bring in research and education to a farm that’s already doing fantastic,” says Bolinas resident Melinda Stone. CORE is hoping for buy-in from a regional land trust, and from a university that’s been shopping for an off-campus ag site. A deep-pockets investor would also come in handy.

REMEMBERING ANDY LOPEZ

A long and trying year has passed since Andy Lopez was shot and killed by a Sonoma County Deputy Sheriff. October 22 marks the one-year anniversary of the teen’s death in the Moorland Avenue neighborhood, and Santa Rosa criminal-justice activists have organized two weeks’ worth of Lopez-related actions and events to commemorate his passing as they push for greater police accountability.

Here’s what’s happening: The Justice Coalition for Andy Lopez (JCAL) has a memorial planned for Lopez on Oct. 15 at 4pm at the plot of land known as Andy’s Memorial Park (Moorland and Los Robles). There’s a cleanup at the park Oct. 18 at 10am and a meeting of the Sonoma County Community Oversight of Police Practices on Oct. 20—that group sprang up out of the JCAL and is working up a review of police practices in Santa Rosa.

Organizers plan a daylong protest at the Hall of Justice in Santa Rosa and at the Sonoma Board of Supervisors County Complex on Oct. 21.

Oct. 22 was Andy Lopez’ last day on earth in 2013, and, sadly, it coincides with the National Day Against Police Brutality and Mass Incarceration. There’s a daylong protest against such things in Sacramento starting at 9am—and a potluck back at Andy’s Park in the late afternoon.

Lopez’s death has already spawned legislation at the state level. At the time of his death, he was carrying a toy gun that was mistaken for a real one. Legislation sponsored by Santa Rosa State Sen. Noreen Evans and signed by Gov. Brown this year puts new restrictions on toy guns—the most obvious one being to make sure toy guns can’t be mistaken for real ones.

Small Town Drama

Embittered high-end attorney Hank Palmer (Robert Downey Jr.) returns to his practically perfect home town of Carlinville, Ind., for his mother’s funeral. Palmer intends to leave, but that’s when his father, Joseph (Robert Duvall), a judge of some 42 years standing, is arrested for a hit-and-run accident. Evidence suggests Joseph had a personal motive for the accident. The accused judge needs the best lawyer he can get . . .

David Dobkin’s film is contrived and shameless, and it derives some of its courtroom methods by a close observation of Judge Judy. (As on afternoon TV, when Joseph hammers his gavel, it echoes like the sound of a pile driver.)

All this is mitigated by one fine cast. The Oscar-bound Downey, leading them, demonstrates lashing impatience and bursts of intelligence, and proves that so much of what we describe as great acting is just a matter of clearing air fouled by the smell of moldy corn. Duvall is at home with the role’s stubbornness and graphic physical decay. Vera Farmiga, as the tattooed girl Hank left behind, is a Howard Hawks type who likes to start things first. She’s too good to be true, but she’s a hotshot. A pleasure that they didn’t go for the manic pixie, as usual.

And in this relentlessly patriarchy-pampering drama, Farmiga gives the movie some physicality, some common sense. She’s just about the only female in the film, if you don’t count Hanks’ studiously cute little girl. Thomas Newman’s soundtrack is unnoticeable until you notice it—which is a good way to furnish such a drama.

If some of the driving scenes are shot like car commercials, with the prop wash from the camera copter ruffling the corn fields, Dobkin’s people found a fairly ravishing hamlet to shoot in, and cinematographer Janusz Kaminski burnishes the locations. “Indiana” is played by river town Shelburne Falls, Mass., which works well for us in California. During a serious drought, you start to crave even the look of water.

‘The Judge’ is now playing in wide release.

Surprise Ending

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The 1998 film You’ve Got Mail portrayed Meg Ryan as the owner of a quaint, neighborhood bookstore being preyed upon by a Barnes & Noble–like behemoth.

The film foreshadowed the likelihood of heartless, corporate megastores knocking off the mom-and-pop shops one by one, leaving only a pile of brick and mortar.

Flash forward to today. The demise of the independent bookstore by online superstores has not come to pass. But in an age that embraces all things tech, how did the quaint, neighborhood bookstore endure?

According to the American Booksellers Association, despite hitting rock-bottom in 2009, the number of independent bookstores has increased 19.3 percent, from 1,651 to 1,971. This trajectory bodes well for the future of the small business.

“Reports of our death are definitely premature,” jokes Elaine Petrocelli, owner of North Bay independent bookstore Book Passage, which has been thriving for more 30 years.

She maintains that their success is a combination of things, including the people who work in the store, the more than 800 events they host and the involvement of the authors themselves. One might happen upon local author Martin Cruz Smith sipping hot tea in a corner, which, according to Petrocelli, happened only recently.

Vicki DeArmon, marketing and events director for Copperfield’s Books, with locations in Marin, Napa and Sonoma counties, asserts that these indie stores can “make bestsellers out of books,” adding that they can, “hand-sell a book, introduce it to the community,” thereby making a sleeper out of an otherwise lesser known title. This kind of symbiotic relationship is uncharacteristic of e-commerce. “You are not going to meet any authors on Amazon,” she says.

Naomi Chamblin grew up in her father’s bookstore and felt compelled to open one of her own.

“Napa was missing a bookstore. The community needed it,” she says. Thus, Napa Book Mine was born. The store has only been open a little over a year, but Chamblin and her husband, Eric Hagyard, have already opened a second location at the Oxbow Farmer’s Market in Napa.

A critical flaw in the mega-bookstore, world-wide domination theorem surfaced in 2011 when Borders closed all of its stores. The reason for their failure was a misread of the market. Peter Wahlstrom, an industry tracker for research firm Morningstar, stated in a 2011 interview for NPR, “[Borders] made a pretty big bet in merchandising, went heavy into CD music sales and DVDs, just as the industry was going towards digital. And at that same time, Barnes and Noble was pulling back.

“Barnes and Noble invested in beefing up its online sales,” Wahlstrom told NPR. “Borders did not. Instead, it expanded its physical plant and refurbished its stores. And Borders outsourced its online sales operation to Amazon. In our view, that was more like handing the keys over to a direct competitor.”

One might conclude that this casualty of commerce would create room for more online corporations to flourish. Meanwhile, Amazon announced it would be opening a store in Manhattan, close to the Macy’s flagship, a testament to the resiliency of the conventional bookshop.

Here in the North Bay, the strength of the community is integral in what makes a successful business. “We were so lucky,” says Chamblin, referring to the recent earthquake that devastated a number of businesses in Napa. “Half of our books fell to the ground, and people just showed up to help out. We were only closed for one day.” Chamblin adds, “Those experiences you cannot get in a big chain.”

And independent bookstores are as equally involved in their communities. Book Passage began its foray into civic participation when it conducted a writing class with local author Anne Lamott 25 years ago.

“The Bay Area’s liveliest bookstore” also conducts classes throughout the year for adults and children, in languages, art appreciation, cooking and writing classes as well as working closely with local schools, including Dominican University. Petrocelli believes that residents should “support the idea of locally owned businesses. It is the beauty of where we live. We are lucky to have this thriving community. We have fun!”

Copperfield’s DeArmon cannot deny the visceral element. “People want the experience of being in a bookstore, they want the experience of discovery. [The bookstore] evokes all the senses. It has the ability to create a whole experience.” She contrasts the personal experience of a bookstore to online dating and e-commerce. “It’s not sustaining. People want the contact.”

Amazon would do well to sleep with one eye open.

Letters to the Editor: October 15, 2014

It’s Complicated

The article (“Gary’s Web,” Oct. 8) suggests Mercury News executive editor Jerry Ceppos threw Gary Webb under the bus, but the truth is more complex than that.

At the time, in the Albion Monitor I paraphrased Ceppos’ editorial thus: “Look, this was an extremely important story, but it was also complex and involved staggering amounts of information. It was probably the greatest challenge I’ve seen in my three decades as a reporter. For the record, I’d like to say that I’m not satisfied with a few points. We did a great job, but I’d change a few things if I had my druthers.” In particular, Ceppos was right in saying that the series oversimplified the causes of the crack explosion in urban America.

But the New York Times pounced on his editorial and “produced an article and editorial as deceitful as Ceppos’ work was noble” (quoting again my 1997 piece that appeared in the Albion Monitor). “The Mercury News Comes Clean,” read the NYT editorial headline, falsely claiming that Ceppos and the Mercury News were retracting all or part of the story.

To the contrary, Ceppos wrote in his editorial: “Indeed, one of the most bedeviling questions for us over the past few months has been: Does the presence of conflicting information invalidate our entire effort? I strongly believe the answer is no, and that this story was right on many important points.”

The Times, the Washington Post, and the Los Angeles Times worked hard to discredit the series and succeeded, to their shame. The Post also refused to print a letter to the editor from Ceppos in response to their critique.

If Webb’s series was flawed, it’s because he didn’t delve deep enough into those bloodied waters. Yet the Times misused the Ceppos editorial as an excuse to exonerate the CIA—something far more deceptive than Ceppos’ qualified admission that they couldn’t conclusively link top CIA officials to the operation.

Via online

Eat at Molina

Best place in Marin (“Not Run of the Mill,” Oct. 8). Love the music, love the food and love Todd.

Via online

Walmart Not Wanted

What happens in Rohnert Park does not stay in Rohnert Park. That is why local environmental, labor, health and social justice organizations have consistently opposed the expansion of the Walmart store in that city.

Since Rohnert Park is a part of a regional economy and the proposed expansion is designed to attract shoppers from nearby communities, city officials should assess the long-term impacts on the region, not just their city.

Instead of supporting pedestrian and bike-friendly neighborhood shopping centers, anchored by a grocery store, as envisioned in the city’s general plan, the construction of a super-center far from any residential complex tramples that vision. It means long shopping trips across town or on 101, increasing traffic and carbon emissions in an already congested corridor.

Because Walmart ships many of its products from distant or offshore factories, its operations are energy intensive and its container ships release millions of tons of greenhouse gases. Instead of buying local, its food products are shipped by truck from factory farms or canneries, burning fossil fuels and increasing carbon emissions. This expansion and 24-7 operations will double Walmart’s carbon footprint.

This is not just about Walmart, or about Rohnert Park. We are part of a national movement against the low-wage, no benefits packages of big-box retail outlets and fast-food restaurants. Although more Americans are employed today than in 2008, they earn 23 percent less.

We welcome the promise of new jobs, but we need jobs which offer a living wage. Since Walmart does not pay a living wage, its employees qualify for food stamps, rental assistance and Medicaid.

Although Walmart supporters cite the increased revenue from sales taxes, the major increase will be in nontaxable grocery items. Any increase in sales, therefore, will be at the expense of existing businesses without increasing jobs, sales or revenue.

The big-box retail model, based on low wages and part-time employment, and pressuring suppliers and competitors to reduce employee compensation, has also played a role in the decline of the middle class. By forcing small, locally owned businesses, the major source of job creation, to close, this model reduces good job opportunities.

Under smart growth policies, workers and consumers live close to where they work and shop, reducing traffic, commuting costs and emissions. When they receive a living wage, they spend it in locally owned businesses, promoting job growth and a stable local economy.

By supporting smart growth and expressing our opposition to the big-box model, we work for a more efficient and stable economy, one which offers just compensation, protects our environment and preserves our democracy.

Santa Rosa

Write to us at le*****@******an.com.

19 Going on 30

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The building at 17 and 19 Broadway Boulevard, erected in 1921 a decade before Fairfax became incorporated, has seen nearly a century of action, first as a hotel and restaurant, then a speakeasy, and now a long-standing and popular nightclub in the city’s small but vibrant downtown.
19 Broadway Club is celebrating its tradition of presenting live music every night of the week for 30 years running.

Owners Garry and Amory Graham have spent the last few years amplifying the frequency and scale of nationally touring acts that have started making the club a regular spot on their tours. In the last few months, popular acts like reggae star J Boog, rock band the Stone Foxes and East Bay hip-hop pioneer Lyrics Born have graced the stage. This week, 19 Broadway throws itself a much deserved birthday party, commemorating three decades of good times.

The night will be a full roster of local favorites and friends. Graham’s 19 Broadway Good Time Band will bring a big-band vibe to the party. Jerry Hannan and Danny Uzilevsky will each play their spirited Americana melodies and phenomenal
guitar rock. Finally, Jon Korty, founder of
the band Vinyl and a recent co-owner of the 19 Broadway, packs in an eclectic set with an array of friends and musicians.

19 Broadway’s 30-year anniversary takes place on Friday, Oct. 17, at 19 Broadway Club, 17 Broadway Blvd., Fairfax. 9pm. $10. 415.459.1091.

Red October

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It’s a lovely afternoon for financial panic. The sun warms the air just so, the vineyards are speckled with yellow and red, and don’t all the really great stock market crashes happen in October? If it isn’t exactly October, 1929 or 1987—and who can forget the Panic of 1907?—I can’t take my eyes off the live electronic stock ticker above the bar at UPTick Vineyards. Today, every big-name stock that flashes by is in negative territory. On the plus side, there’s drink.

Just having a passion for wine is really great, but it will not build a brand-new tasting room on Westside Road with ample parking and furnish it with a baby grand piano. When owners Steven and Robin Black founded UPTick in 2007, they rather candidly themed it after the heaps of money that Steven Black made in the New York financial-services industry, having started in the mail room at Merrill Lynch at age 18.

But it’s not all no bull at UPTick. In one corner, a sculpture inspired by the Wall Street “Charging Bull” snorts and stomps under a 9-11 memorial flag. Like a hyperinflated market, the bull’s not solid—it’s convincingly spray-painted styrofoam and can be lifted with one finger, as tasting room host David Day demonstrates. Until they step out from behind the bar, the people here appear in bizarre silhouette against the vineyard—almost as if, say, an invisible hand were pouring the wine. Day, who is also assistant winemaker, explains that the tasting room was designed that way, to showcase the view, not the people. But it is actually Day’s knowledgeable and honest talk about the winery that turn this visit from a curiosity-seeking whim into a favorable impression of their efforts.

Wines are 100 percent varietal, single vineyard, and are custom-crushed in Sebastopol. The 2012 Hilda’s Rosé ($22) is crisp and steely, with strawberry highlights. The 2012 Dry Creek Valley Sauvignon Blanc ($30) has that classic Sauvignon cat-pee nose, but a nicely rounded, oak-aged body. Also well mannered, the 2011 Estate Russian River Valley Chardonnay ($30) shows barrel aging without malolactic fermentation—juicy, golden raisin and baked apple flavors linger without undue sweetness or tartness.

A diverse portfolio of reds fills out the roster: juicy Pinot Noir, toasty Syrah, old vine Zin and requisite Cabernet. Since all bubbles must pop, a light, yeasty Sparkling Brut ($25) is poured at the end to refresh the palate. Give this place a chance next time you’re joyriding in the area; although past performance is no guarantee of future results, the opportunity cost is low.

UPTick Vineyards, 779 Westside Road, Healdsburg. Open daily, 11am–5pm. Tasting fee, $10. American songbook piano, Saturdays. 707.395.0864.

Bar Fight

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It was an epic throw-down. Fourteen local establishments competed for best bar bragging rights in the annual Sonoma Bar Battle Saturday night,
Oct. 11. When it was over, many lay wasted and the streets ran crimson red—but that was probably just some spilled Sunday morning bloody Marys.

All the heavy hitters in sweet Sonoma made the scene Saturday night at the Sonoma Veterans Building: HopMonk Sonoma, Burgers & Vine, the Swiss Hotel, Town Square, Murphy’s Irish Pub, Aventine Glen Ellen, Centre du Vin, Steiners Tavern, El Dorado Kitchen, Mary’s Pizza Shack, Blue Moon Saloon, and others. They came to make drinks, and to be judged for them.

Murphy’s Irish Pub came out on top, and we think it’s pretty cool that the Irish joint won, given that those sorts of places can tend toward the beer-and-shot end of the saloon experience.

But not in sophisticated Sonoma, and not at this competition, where participants made drinks with a “secret ingredient” liquor—Courvoiser VSOP—and secret mixes that included pineapple gum syrup, spicy ginger shrub and other weird mixological offerings. There was vodka too.

Second prize in this year’s competition, the eighth annual year of the Sonoma bar battle, went to Burgers & Vine. Saddles Steakhouse came in third. HopMonk Sonoma won for best “fan favorite booth.”

All proceeds from the booze battle went to serve veterans who have fought actual ones: the Native Sons of the Golden West Parlor #111 and Jack London American Legion Post #489.

Murphy’s Irish Pub, 464 First St. E., Sonoma. 707. 935.0660.

Beautiful Earth

This Saturday, Oct. 11, the immersive multimedia performance known as Bella Gaia will be exhibiting a special display of their world music and dance performers accompanied by breathtaking scenes of cosmic imagery. The multi-sensory experience combines images of Earth and nature courtesy of NASA satellite photographs paired with live performances of music and dance from around the world. It is coming to the Marin Veteran’s Memorial Auditorium for a very rare performance, and for one night only.

The ensemble’s purpose is to deepen appreciation for our planet and the environmental challenges it faces. And it seems to be working; data from a NASA-led survey shows that “90 percent of the audience reported a transformed perspective of the Earth, and a doubling of respondents say that the Earth plays a more important role in their personal lives and their family” after attending Bella-Gaia.

“At the time, I had no idea what to do, how I would do it, or what it would look like,” says creator Kenji Williams. “But chance meetings, introductions, and a stubborn persistence led me to win several grants to start production, and develop the project. It really grew organically, through synchronous meetings, and collaborations. Bella Gaia chose me, not the other way around!”

It began with a collaboration between Williams and NASA astronaut Mike Fincke, who had lived on the International Space Station for over a year. Williams recalls: “I asked him ‘what changed when you went into space?’ and he told me that before he went to space, his favorite planets were Mars, Jupiter and Saturn, but once he went into space and looked out the window of the space station, he completely fell in love with planet Earth, and Earth became his favorite planet. I just got really inspired by this story, and got me thinking ‘How could I bring this transformative effect that Mike Fincke had, to those of us who cannot yet go to space?’ This was the primary motivation that led me to create Bella Gaia.”

“The long term goal is to create our own stand-alone custom theater,” says Williams. “Bella Gaia currently exists on multiple platforms using HD and traditional theaters, full-dome planetarium, and more. But I would like to design a theater screen and stage that combines the best of all these different types of experiences, into one ultimate experience.”

His vision is to scale up the technology and audience relationship to the performance in a new theater entirely different from anything in existence, one that caters to the many aspects of the experience of Bella Gaia and reaches more people.

At their upcoming show Bella Gaia wishes to build support for their latest single, “Biosphere Pulse”, and their forthcoming album Bella Gaia—Beautiful Earth which has a release date of Nov. 11, as well as to share this audio-visual extravaganza with the North Bay.

Tickets are $25-$75. Click here for more info.

Oct 10: Small Town Comedy Festival, Healdsburg

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Last summer, the Small Town Comedy Festival brought a bunch of funny men and women to the North Bay; and while the fest gears up for next summer, they continue to host headlining standup comedians throughout the year. This week, Small Town Comedy hosts national treasure Todd Glass and others for a night of uproarious laughs. Glass has most recently been seen on “The Daily Show” and “Conan,” promoting his new book, and his podcast, “The Todd Glass Show,” is one of the most popular around. Glass is joined by Drennon Davis, Allen Strickland Williams, and Cory Loykasek, each an accomplished comedian in their own right. The show happens on Friday, Oct 10, at Sonoma Cider Mill, 36A Mill St, Healdsburg. 8pm. $20. 707.433.8212.

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This Saturday, Oct. 11, the immersive multimedia performance known as Bella Gaia will be exhibiting a special display of their world music and dance performers accompanied by breathtaking scenes of cosmic imagery. The multi-sensory experience combines images of Earth and nature courtesy of NASA satellite photographs paired with live performances of music and dance from around the world. It...

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