Better Burgers

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The couple sidles up to the counter at Marin Joe’s
and plops themselves down. We’re elbow to elbow, and the man won’t stop casting sideways glances my way—those neighborly glances that
aim to engage.

I’m sitting at a stool straight across from Marin Joe’s famous open-flame grill. It’s the hot seat, and the grill’s loaded down with grilling chops and fish steaks and searing hamburgers.

A mess of chefs work open-air stations at this Corte Madera spaghetti chop-shop, which today experiences the thrum of Sunday late-afternoon business. The place opens at 4pm on Sundays, and by 4:30, it’s practically a full house.

If the cool signage didn’t already give notice, Marin Joe’s is an institution, been around since forever and remains popular with the Marin locals—it’s a classic “joint” of the “old school,” where they prep your caesar salad tableside, like that.

You already know these people, this couple, and you know that they need to be someone’s guide to Marin Joe’s. They absolutely must talk to someone, because they sure aren’t talking much to each other (although that could be my own “couples envy” expressed as embittered observation, true).

The couple’s gotten the attention of a Marin Joe’s patron seated on the other side of them—he’s getting the earful about the brochettes. Yet everyone within earshot knows they’ve been coming here for years, 38 of them.

They’ve had everything on the menu—tonight it’s spaghetti and pork for him, and a dinner salad for her—and I dope out a familiar, quaintly familial patter between the couple and the waiter, who played his role with aplomb: crusty and attentive with the kind and haunted eyes of a poet.

I stare into the flame and feel the heat on my face. I’m here for the burger, nothing else.

I watch it cook. Medium-well for me, please, and would you just look at those thick slices of mild cheddar the grillmeister is dropping on the burger as it flames-up. Wow.

Grillmeister plates the burger with an insouciant flip of the wrist. He’s already jacked the plate with accompaniments: a couple pepperoncini, a bunch of pitted black olives, strictly from the can. Nice.

There’s a handful of decently de riguer fries, and the burger is planted between chewy triangles of sourdough. A pile of sautéed onions gets dumped on the plate, and a lonely leaf of lettuce wilts under the weight of it all.

Whoosh, the waiter drops the plate in front of me. “Mustard?” he asks. Oui.

The Grey Poupon arrives, is slathered on the moist, dense burger—and suddenly I’m lost in an anti-reverie from early in the Obama presidency, when Sean Hannity declared Obama unfit for office because he, too, put mustard on his burger—the soft socialism of the Euro condiment Commie-fag, whatever.

In burgers as in politics, the extremes will either kill you or they will irritate you. That’s why we need places like Marin Joe’s and its hoary under-$15 burger. It’s the reasonable middle ground, and it’s needed now more than ever.

Consider the Glamburger, available at a London restaurant with American-diner pretensions.

Pretension being the operative word. That’s a $1,770 hamburger. It features Kobe Wagyu beef, New Zealand venison, caviar, black truffle brie, lobster poached in Iranian saffron, a hickory smoked duck egg, Himalayan salt, etc. There’s grated white truffle, and bacon. And the burger is covered in gold leaf, well-matched to the silver spoon you’ll be needing to afford this mutha.

Me, I’ll go to Phyllis’ Giant Burgers instead. I was there just the other day, in fact, and ordered the junior cheeseburger with bacon. I was at first taken aback by the burger’s diminutive size, until I remembered that I’d ordered the junior.

Phyllis’ offers a well-turned exercise in balance: spot-on char-broiling, crispy shredded lettuce and unlimited pickle spears at the condiment station. If you want pretense, go talk to the woman at the table next to me about why she’s reading Joyce Carol Oates.

If you want high-concept pretense, look no further than a recent Wall Street Journal report that interviewed professor Patrick Brown from Stanford University. Brown had mastered the art of bioengineered fake cow blood—for use on the quintessential ersatz burger his company has conjured from plant matter.

Brown is taking soylent-food dorkery to previously unexplored depths of veg-obsession at his Redwood City laboratory, where extremist vegans in white lab coats scurry about, faking everything.

Here’s my take: You want a burger, go eat one. You want a vegetarian burger, get yourself a Sunshine Burger. You can’t fake the basic purity of a sunflower-seed patty, so forget the fake bacon, the fake blood and the fake cheese, and load it up with tahini, avocado and tomato slices—trimmings appropriate to the encounter. When you order the real deal, get it with trimmings appropriate to the unwholesome encounter: Of course I’ll have that with bacon.

Marin Joe’s, 1585 Casa Buena Drive, Corte Madera, 415.924.2081. Phyllis’ Giant Burger, various locations, including 4910 Sonoma Hwy., Santa Rosa, 707.538.4004.

Oct. 16: Preston Reed in Mill Valley

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No one plays the guitar like Preston Reed. A self-taught musician, Reed’s approach to the acoustic instrument uses a one-of-a-kind, two-handed finger-plucking technique that’s as spellbinding as it is melodic. Reed’s technique often includes both of his hands on the neck of the guitar, each tapping away in an overhand style that adds an intense percussive element, especially when Reed taps on the guitar body as well as the strings. Reed incorporates blues, funk and world music genres. This week, Reed comes to the North Bay, performing compositions from his four-decade career on Thursday, Oct. 16, at 142 Throckmorton Theatre, 142 Throckmorton Ave., Mill Valley. 8pm. $20-$25. 415.383.9600.

Oct. 18: Petaluma Whiskerino at the Phoenix Theater

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In the pantheon of the manliest men in history, one common thread ties many of them together: facial hair. From the distinguished mustache of Theodore Roosevelt to the full beard of Davy Crockett, there’s no shortage in ways to wear the hair. This week the Petaluma Brothers of the Brush present the North Bay’s premier beard competition at the 56th annual Petaluma Whiskerino. Men, and women, from around the Bay come to show off their chops—whether it’s perfectly peached fuzz or business beards, classic goatees or freestyle sideburns. The fam-friendly event this year also boasts live music before the judging. The Whiskerino takes place on Saturday, Oct. 18, at the Phoenix Theater, 201 Washington St., Petaluma. 2pm. $10 to register. Free to watch. 707.762.3565.

Oct. 19: Two Man Gentleman Band, Bergamot Alley, Healdsburg

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After a two-year recording and touring hiatus, the Los Angeles acoustic folk duo the Two Man Gentlemen Band is back with a new full-length album, Enthusiastic Attempts at Hot Swing & String Band Favorites, picking right up where the band left off. Fourteen swing and string band tunes, recorded live to tape with just one microphone, are captured with the group’s signature flair and passionate exuberance. Andy Bean’s banjo and Fuller Condon’s string bass sound like they’ve been transported straight from the 1930s, and the pair’s vocals are sharply harmonious and witty. The Two Man Gentlemen Band is currently on a coast-to-coast tour of the states, and performs on Sunday, Oct. 19, at Bergamot Alley, 328-A Healdsburg Ave., Healdsburg. 7pm. Free. 707.433.8720

Oct. 22: Dana Cowin at Bottega Restaurant

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For Years, Dana Cowin kept a big secret. The editor-in-chief of the prestigious Food & Wine magazine could barely cook. With the help of friends who also happened to be all-star chefs, Cowin mastered her meals and she recently shared her kitchen mishaps and how she overcame them in her book, Mastering My Mistakes in the Kitchen: Learning to Cook with 65 Great Chefs and Over 100 Delicious Recipes. Cowin appears at the popular Bottega Restaurant in Napa Valley, presented by Book Passage, for a revealing dinner and reading event. Head chef and television personality Michael Chiarello welcomes the author, as Cowin shares some sure-fire recipes and joins patrons for a sumptuous dinner on Wednesday, Oct. 22, at Bottega Restaurant, 6525 Washington St., Yountville. 6:30pm. $140. 415.927.0960. 

Take Two

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The story of the freak-folk movement coming out of San Francisco’s scene for the last decade starts with Devendra Banhart and Andy Cabic. The two long-standing musicians and friends have together and individually shaped the city’s experimental folk sound.

Both Banhart’s psych-tinged solo career and Cabic’s indie folk outfit Vetiver are acclaimed for their effortlessly rustic and emotionally charged songwriting. This fall, the two performers appear together as a duo when they play Oct. 18 at Gundlach Bundschu Winery in Sonoma.

By phone, Cabic recalls meeting Banhart and how their relationship contributed to Cabic’s career.

“We met in a bookstore, where I worked,” says Cabic. “He was a student at the Art Institute, and he was new to town; I hadn’t been in San Francisco that long myself.”

Banhart was raised in Venezuela and Los Angeles. Cabic had recently settled in San Francisco after living in Virginia and North Carolina, where he fronted indie rock band the Raymond Brake.

Right away, the two started jamming together. “I was into playing with whoever wanted to play with me,” recalls Cabic. “[Banhart] was mostly writing poetry and doing art, so his songs were extensions of his poems. They were simple but really expressive and unique.”

Soon, the two were writing material and collaborating onstage, where Banhart’s poetic aesthetic matched well with Cabic’s uncanny ability for melody. “I think [Vetiver’s] first show was just the two of us,” says Cabic. “We did a lot of touring and traveling together. It was because he would perform with me that I even played out.”

After that initial support for each other, the two quickly became busy with their individual projects. Banhart has released eight full-length albums since 2002 and has lived in New York and Paris. Cabic is currently putting together Vetiver’s sixth record, slated for release in early 2015. “I’m a little too close to it still to give much description, but it continues what I was going for with the last record,” hints Cabic.

Until then, Banhart and Cabic are seizing the day with some select dates throughout Northern California. This tour is built on one they did together two years back in Japan.

“We’ll both be onstage together, alternating between songs of his and songs of mine,” says Cabic. “We don’t play together very often anymore; the last time we were playing was in Japan. That went really great, and was really fun to do, so we wanted it to happen again.”

Devendra Banhart and Andy Cubic perform on Saturday, Oct. 18, at Gundlach Bundschu Winery,
2000 Denmark St., Sonoma. 7:30pm. $35. 707.938.5277.

End Service Apathy

So it’s come to this. I’ve only recently entered my 30s, and I’m about to write a letter railing against today’s youth, but recent events have me concerned.

This summer I confronted a barrage of discouraging interactions with teenagers and “young people” who continually made me question our culture’s current and future state of civility. Time after time, I encountered kids working counters and booths, in stores and on the street who could barely function. I was met with rude, inattentive or otherwise incompetent service all summer long, and I have decided that I’m no longer going to act apologetic about it.

Maybe it’s because I’ve finally figured out how to behave like a professional over the last few years that the behavior I am assaulted with is so glaringly offensive. Kids today have distinct problems with seemingly simple operations such as finishing sentences and making eye contact. At venues both corporate and locally owned, I was made to feel like I was inconveniencing employees who would rather brag about partying last weekend than help the person standing right in front of them.

So, young people, here’s the headline: The age of apathy is over. It’s not cool to not care. Not anymore. I get it, you know. I grew up in the ’90s, when apathy was king. Baristas and waiters became beacons of underachieving slacker culture. And it was charming for a while, and we all slowly got used to it. But that’s done now.

As more and more youngsters find college to be a mountainous obstacle—one that’s perceived as not worth the avalanche of debt that comes with the diploma—the service industry will become an increasingly competitive industry. Expectations are going to go up with the growing demand for work, and in an arena where qualifications are low, an engaging conversation can make all the difference in landing the gig. That’s why now is the perfect time to step it up. We’re counting on you!

Charlie Swanson is the Bohemian’s calendar editor and is not a curmudgeon at all.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Laptops and Lattes: Internet Cafes with Free WiFi in the North Bay

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Cafes have always been the unofficial workplaces for creatives and freelance writers working on the next big thing. As the laptop replaced the notebook, the internet cafe was born, complete with free WiFi, good music, plenty of sockets and ‘hang out as long as you like’ policy. But finding a cafe in the North Bay that offers all of the above, while keeping coffee standards high can be a challenge, especially outside of large cities. Here are a few dignified options, whether you live on a slope in Marin, or by the river in Sonoma County..

In Sebastopol, Taylor Maid Farms is as close as it gets to a perfect second office. Opened in the beginning of 2014 at the Barlow, the place is a mecca for photographers, writers and scholars who seek a bright, friendly space to accommodate their business and creative exploration. Laptop users can choose between bar stools on the terrace, a spot on the upper level, or roomy tables by the counter, where some visitors have regular seats; many spend the whole day here.

The smell of freshly ground coffee, roasted on location, is ever-present, but the play list changes according to the staff’s mood. You might type to French chansons one day then browse to alternative rock the next. Culinary minimalism—just pastries and cookies—ensures no one will distract you with a tuna sandwich while you’re editing your short film, and the most indulgent item on the beverage menu is lavender or pumpkin latte.

The same no-nonsense attitude can be observed in other Sonoma County hotspots—smaller than Tailor Maid but very effective nevertheless. Roasting their own beans and sharing a modern design of wood and steel, both Acre Coffee in Petaluma and Santa Rosa and Flying Goat Coffee in Healdsburg and Santa Rosa host dozens of laptop users on daily basis. While Acre offers a busy, urban vibe and networking, Flying Goat’s atmosphere is laid-back and small-town friendly, welcoming yoga-practicing girls, rural entrepreneurs and nonprofit enthusiasts.

In addition to the Acre and Flying Goat, Santa Rosa has plenty of laptop-friendly options, but none of them has the sunlight or menu of Criminal Baking Co. & Undercover Noshery. This tiny SOFA district place is charming and arty, with Melody coffee and WiFi fast enough to Skype, if you must. The menu will make sure nobody goes home hungry.

Napa County’s choice of coffee shops could be improved, but glimpses of hope emerge occasionally. Yo El Rey Roasting in Calistoga may have limited seating, but the cute modern design and the excellent fair trade, organic coffee make this coffee shop a pleasant pit stop. The Calistoga Roastery is a cozy alternative, where families outnumber laptop tappers.

Marin County offers plenty of nearly-perfect spots, catering to students, tech workers and young dads on maternity leave. Fans of quirky, unusual settings and anyone who’d like to try a “scuffin,” should head to Dr. Insomniac’s in Novato. Christmas lights and homemade lattes make for a good workday boost, and the muffin-meets-scone pastries are addictive.

In San Rafael, Royal Ground Coffee and Aroma Cafe both have plenty of sunlight and a number of tables to perch your laptop on. Royal Ground has generous food portions and luscious mocha drinks, presented in a relaxed, casual environment. Aroma Cafe serves Grafeo espresso and McLaughlin Coffee Co. brew, plus a tempting Mediterranean menu. The exposed brick and the artwork, featuring local artists, make for a European vibe, perfect for an afternoon escapism session.

Alternatively, a very happening local atmosphere can be found at Mill Valley’s Depot Cafe and Bookstore, located in one of the most charming buildings in the county. An old train depot, the narrow structure’s big windows fill the space with light. As delicious salads and quiches come out of the kitchen, coffee drinks can be overlooked, but great lattes and ice coffees, courtesy of Peerless Coffee in Oakland, are available.

A similar deal—books, sun, music and coffee—makes Corte Madera’s Book Passage a favorite destination. Here, the scene is more Golden Girls than HBO’s Girls, and the menu offers delicious gluten-free options. In chic San Anselmo, where everyone seems to be on a perpetual vacation, the San Anselmo Coffee Roastery is a popular daytime spot. Located on a street corner, it pampers laptop crowds with ample seating, a very Instagrammable mural for a background and house-roasted beans.

Balancing good coffee, quietude and creative energy isn’t easily achieved, but these coffee shops hit the mark.

Whale of a Play

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Brilliant theater is not always fun.

From Arthur Miller’s unflinching Death of a Salesman to Peter Shaefer’s brutal Equus, the best playwrights and plays succeed because they depress, rattle, upset and stun us with stories that are heartrending, unsettling and just plain unpleasant. But of course, life is sometimes unpleasant, and theater, simply put, is a reflection of life—good, bad and ugly.

Samuel D. Hunter’s The Whale, a critical hit last year in New York, serves up a fearlessly blunt and bitter (but strangely compassionate) slice of life that is beautifully written, emotionally knotty, and anything but traditionally “enjoyable.” Now running at Marin Theatre Company, directed with documentary straightforwardness by Jasson Minadakis, The Whale may be the best new play I’ve seen this year—yet I cannot think of another show that I have felt more assaulted and challenged by.

Charlie (a remarkable performance by Nicholas Pelczar) is a 600-pound shut-in, an English teacher with a death wish he is close to accomplishing. Charlie (brought to life with an impressive body-sized prosthetic), rarely moves from his shabby couch, still grieving the absence of his lover, who, ironically, starved himself to death 10 years ago. With a heart that barely functions to keep him breathing, Charlie somehow manages to see the best in others while abandoning all hope and faith in himself.

Taking place over the last days of Charlie’s life—it’s Death of a Fat Man—the play’s title comes from a student’s essay about Moby Dick, coupled with a few references to the biblical story of Jonah and the whale. As Charlie resists the loving encouragement of his best friend Liz (Liz Sklar), he finds himself reaching out to two unlikely newcomers: a troubled young Mormon missionary (Adam Magill, all gangly zeal) and Ellie (Cristina Oeschger), Charlie’s deeply resentful teenage daughter, who hasn’t seen her father since she was two.

Ellie, it must be stated, is easily the most hateful, angry, cruel and unlikable character I have seen portrayed onstage in recent memory. She hates everyone and everything, especially Charlie, who still, somehow, loves her and sees her as “amazing.”

And that’s one of the many miracles of Hunter’s ingenious drama. Through Charlie’s insistence, we eventually start trying, cautiously, to somehow see what Charlie sees in this sociopathic monster. And there is the definition of brilliant theater: it allows us to enter the lives of others so deeply we begin to see the world—good, bad or ugly—through their eyes. It’s not fun, but it’s well worth the pain.

Rating (out of 5): ★★★★★

Fight of Our Lives

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Capitalism is on a death ride, and it’s taking all of us with it. So argues Naomi Klein in her new book This Changes Everything: Capitalism vs. The Climate.

The book is a galvanizing and potent dose of real talk, filled with harrowing stories of the immense damage done by free-market capitalism gone amok. But there’s still time (not much) to stave off a fossil-fuel driven endgame, argues Klein.

“Nothing is going to change until there are broad-based, muscular mass movements that are fighting for change,” says Klein, on the phone from Portland, Ore. “And not just polite NGOs having meetings with lawmakers. These should be political communities deeply invested in social change, much like the labor movement and the Civil Rights movement.” Klein appears in Santa Rosa on Oct. 17 and in San Rafael on Oct. 18 at the Bioneers Conference.

The Canadian journalist has long disrupted the status quo. Her 1999 book No Logo took on corporate branding and consumerism. In 2007,
her international bestseller
The Shock Doctrine exposed how governments and corporations exploit large-scale disasters (think: post-Katrina New Orleans) for profit.

Yet Klein spent years turning a blind eye to the biggest threat to humanity and the natural world. “I denied climate change for longer than I care to admit,” she writes in her new book. At a 2009 meeting with Angélica Navarro Llanos, the Bolivian ambassador to the World Trade Organization, Klein learned about the young woman’s call for a “Marshall Plan for the Earth.” This forced her to take a hard look at the terrible threats of climate change—and the opportunity to switch to a post-growth economic system, one fueled by renewable energy, carbon taxes, climate debt and polluters-pay legislation.

Klein immersed herself in scientific studies about climate change. The birth of her son Toma in 2013 gave the issue even more urgency, she says in the book.

Over the course of 400 pages, Klein takes the reader on a masterful ride through a maze of carbon trading, fossil fuel companies with little to no governmental regulations, indigenous battles against pipelines and the glimmer of hope found in renewable energy, with a focus on the Northern Cheyenne tribe in Montana and the Idle No More movement in Canada.

Klein favors the word “regenerative” over “resilient.”

“Humans and natural systems are resilient, but they have limits and can be pushed too far,” Klein tells me. “What I like about the idea of regeneration, and a regenerative economic model and systems in general, are that they stress reciprocity.”

We need a new paradigm, she goes on to say, one that values cycles of regeneration and fertility over the extraction-or-bust drive of the fossil-fuel industry. “Just because we can take a lot, doesn’t mean we can take everything,” says Klein.

Klein tells stories, with her trademark incisive, journalistic approach, about the Northern Cheyenne in southeastern Montana who’ve been fighting off mining companies since the 1970s. Instead of giving in, or engaging in an endless, and ultimately, doomed battle, activists turned to solar—specifically the installation of solar heaters and energy panels. Then there’s Richmond, Calif., where solar co-ops have been a successful strategy in the battle against Chevron’s polluting refineries.

Much of This Changes Everything is dedicated to big-picture economic analysis. She explains the convoluted and false promise of carbon trades—a market-based “remedy” that led corporations to pollute more instead of less. She calls out “green” billionaires like Richard Branson, and the “big green” NGOs that coddle polluters rather than holding them to task. Climate-change deniers, geo-engineers who want to “dim the sun” and short-sighted government officials are all hewed by Klein’s sharp-edged analysis.

Fresh off the People’s Climate March on Sept. 21, Klein says she was heartened by what she witnessed in the streets. “It was diverse, led by communities of color, and led by indigenous people. That to me is the game changer.”

While the fossil-fuel industry has much to lose, those people most effected by the environmental and health impacts of extractive projects have the most to gain, and the most to lose if things change, she says.

“This is also the promise of climate justice,” she says. “It could bring resources to those communities that have been on the front lines. Communities that have been on the front lines of our toxic economy should be first in line to benefit from the new economy. We can’t get there unless we’re willing to look at the path with honesty.”

Better Burgers

The couple sidles up to the counter at Marin Joe's and plops themselves down. We're elbow to elbow, and the man won't stop casting sideways glances my way—those neighborly glances that aim to engage. I'm sitting at a stool straight across from Marin Joe's famous open-flame grill. It's the hot seat, and the grill's loaded down with grilling chops and...

Oct. 16: Preston Reed in Mill Valley

No one plays the guitar like Preston Reed. A self-taught musician, Reed's approach to the acoustic instrument uses a one-of-a-kind, two-handed finger-plucking technique that's as spellbinding as it is melodic. Reed's technique often includes both of his hands on the neck of the guitar, each tapping away in an overhand style that adds an intense percussive element, especially when...

Oct. 18: Petaluma Whiskerino at the Phoenix Theater

In the pantheon of the manliest men in history, one common thread ties many of them together: facial hair. From the distinguished mustache of Theodore Roosevelt to the full beard of Davy Crockett, there's no shortage in ways to wear the hair. This week the Petaluma Brothers of the Brush present the North Bay's premier beard competition at the...

Oct. 19: Two Man Gentleman Band, Bergamot Alley, Healdsburg

After a two-year recording and touring hiatus, the Los Angeles acoustic folk duo the Two Man Gentlemen Band is back with a new full-length album, Enthusiastic Attempts at Hot Swing & String Band Favorites, picking right up where the band left off. Fourteen swing and string band tunes, recorded live to tape with just one microphone, are captured with...

Oct. 22: Dana Cowin at Bottega Restaurant

For Years, Dana Cowin kept a big secret. The editor-in-chief of the prestigious Food & Wine magazine could barely cook. With the help of friends who also happened to be all-star chefs, Cowin mastered her meals and she recently shared her kitchen mishaps and how she overcame them in her book, Mastering My Mistakes in the Kitchen: Learning to...

Take Two

The story of the freak-folk movement coming out of San Francisco's scene for the last decade starts with Devendra Banhart and Andy Cabic. The two long-standing musicians and friends have together and individually shaped the city's experimental folk sound. Both Banhart's psych-tinged solo career and Cabic's indie folk outfit Vetiver are acclaimed for their effortlessly rustic and emotionally charged songwriting....

End Service Apathy

So it's come to this. I've only recently entered my 30s, and I'm about to write a letter railing against today's youth, but recent events have me concerned. This summer I confronted a barrage of discouraging interactions with teenagers and "young people" who continually made me question our culture's current and future state of civility. Time after time, I encountered...

Laptops and Lattes: Internet Cafes with Free WiFi in the North Bay

Cafes have always been the unofficial workplaces for creatives and freelance writers working on the next big thing. As the laptop replaced the notebook, the internet cafe was born, complete with free WiFi, good music, plenty of sockets and 'hang out as long as you like' policy. But finding a cafe in the North Bay that offers all of...

Whale of a Play

Brilliant theater is not always fun. From Arthur Miller's unflinching Death of a Salesman to Peter Shaefer's brutal Equus, the best playwrights and plays succeed because they depress, rattle, upset and stun us with stories that are heartrending, unsettling and just plain unpleasant. But of course, life is sometimes unpleasant, and theater, simply put, is a reflection of life—good, bad...

Fight of Our Lives

Capitalism is on a death ride, and it's taking all of us with it. So argues Naomi Klein in her new book This Changes Everything: Capitalism vs. The Climate. The book is a galvanizing and potent dose of real talk, filled with harrowing stories of the immense damage done by free-market capitalism gone amok. But there's still time (not much)...
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