Your Letters, Sept. 4

Don Patrol

Our boy, Big Don, will be the next U.S. president. It’s been in the script for quite some time. The faked assassination attempt was a public ritual that sealed his new role as “president.” Don’t expect to be seeing any deportations, affronts on big pharma, money laundering diverted from the U.S.-Israel war industrial complex or a healthy respect for the privacy of citizens here in the States.

You can vote for him, if you want, or not vote for him. Your vote won’t change the outcome. I hope none of you will be sending your sons and daughters off to be sacrificed for the international banking cabal when the call is made. I’m not sure what the solution is, but Trump will not be helping us in just about any regard.

Libby Hicks

Sebastopol

via Bohemian.com

Nobody’s Hero

Let us remind ourselves about two things. First, Joe Biden is nobody’s hero. He should have quit his “job” of being on the public dole at least 10 years ago, perhaps longer. The fact that he fired himself is not remarkable in itself, even though it was exactly the right thing to do.

Second, Donald Trump has demonstrated that he is a degenerate, imbecile sociopath who should not be allowed anywhere near a position of responsibility. To confer upon him even a whiff of skill, integrity, knowledge or ability to lead is an obvious mistake. Those who believe otherwise about him are as deluded as he. There, we are reminded.

Craig J. Corsini

San Rafael

Chatty Animals, Ember Stomping, More

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Tiburon

What Does the Sea Turtle Say?

Marta Stella Wendlinger is a local artist about to host her inaugural solo exhibit, entitled “If Animals Could Talk.” The pieces that comprise this exhibition are unique and colorful collages made from and inspired by vintage National Geographic magazines. Wendlinger creates her collages with special attention to texture, color saturation, composition, pattern construction and taste (though hopefully not in the literal sense). Her collection of collages takes on symbolic, spiritual and aesthetic angles in a complex creative feat that’s downright fun to look at. The “If Animals Could Talk” exhibition is in collaboration with The Heritage & Arts Commission of Tiburon and is open now through Saturday, Oct. 26. Tiburon Town Hall and the “If Animals Could Talk” exhibition are located at 1505 Tiburon Blvd., Belvedere Tiburon.

 

Napa

Open Sesame – No, Open Studios

Open Studios Napa Valley is a self-guided citywide art discovery tour that pairs well with a pinot noir, or so they say. Come on out to Napa and enjoy finding favorites among 75-plus artists featured in this annual Open Studios event. Those who are curious about art, artists themselves and especially anyone looking to purchase a special new piece of art should consider coming out to explore—after all, there’s no better time for shopping than the fall. The Open Studios Napa Valley citywide spirit runs from now through Sept. 30, though the actual artist studios will be open from 10am to 5pm Sept. 21 through 22 and again Sept. 28 through 29. For more information, visit openstudiosnapavalley.com.

Glen Ellen

Take a Hike

Fitness fanatics and nature enthusiasts alike may rejoice in answering the call of the wild (i.e., hiking in Jack London State Historic Park). Anyone who wants to take a hike, the guided kind, may do so in a series of hikes every Saturday beginning Sept. 7 and ending Oct. 5. Note that dogs are not invited along on these hikes, to protect the natural wildlife. Each hike in this series costs $15 per person plus a park entry fee of $10 per vehicle. Except for hike #3, all of the hikes take place at Jack London State Historic Park, located at 2400 London Ranch Rd. in Glen Ellen. Visit jacklondonpark.com to purchase tickets or learn more.

San Rafael

We Didn’t Start the Fire

Ember Stomp is back for yet another year of teaching California locals one thing: Only you can prevent wildfire. This event is educational, free to attend and designed for the whole family. There will be burn demos, food trucks, fire smart landscaping classes, live music, face painting and so much more. So, do Smokey the Bear proud and come on out to this year’s Ember Stomp 2024. To learn more, visit the website at firesafemarin.org. This year’s Ember Stomp takes place from 11am to 5pm on Saturday, Sept. 7 at the Marin Civic Center, 3501 Civic Center Dr., San Rafael.

Free Will Astrology: Week of Sept. 4

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ARIES (March 21-April 19): In 2015, a large earthquake struck Nepal, registering 7.8 on the Richter scale. It was so powerful, it shrunk Mt. Everest. I mention this, Aries, because I suspect you will generate good fortune in the coming months whenever you try to shrink metaphorical mountains. Luckily, you won’t need to resort to anything as forceful and ferocious as a massive earthquake. In fact, I think your best efforts will be persistent, incremental and gradual. If you haven’t gotten started yet, do so now.

TAURUS (April 20-May 20): We don’t know the astrological sign of Egyptian Queen Cleopatra, who ruled from 51 to 30 B.C.E. But might she have been a Taurus? What other tribe of the zodiac would indulge in the extravagance of bathing in donkey milk? Her staff kept a herd of 700 donkeys for this regimen. Before you dismiss the habit as weird, please understand that it wasn’t uncommon in ancient times. Why? Modern science has shown that donkey milk has anti-aging, anti-bacterial and anti-inflammatory qualities. And as astrologers know, many of you Tauruses are drawn to luxurious and healing influences that also enhance beauty. I recommend you cultivate such influences with extra verve in the coming days.

GEMINI (May 21-June 20): In two trillion galaxies stretched out across 93 billion light years, new stars are constantly being born. Their birth process happens in stellar nurseries, where dense clouds of gas coalesce into giant spheres of light and heat powered by the process of nuclear fusion. If you don’t mind me engaging in a bit of hyperbole, I believe that you Geminis are now immersed in a small-scale, metaphorical version of a stellar nursery. I have high hopes for the magnificence you will beget in the coming months.

CANCER (June 21-July 22): The planet Mars usually stays in your sign for less than two months every two years. But the pattern will be different in the coming months. Mars will abide in Cancer from Sept. 5 to Nov. 4 and then again from Jan. 27 till April 19 in 2025. The last time the red planet made such an extended visit was in 2007 and 2008, and before that in 1992 and 1993. So what does it mean? In the least desirable scenario, you will wander aimlessly, distracted by trivial battles and unable to decide which dreams to pursue. In the best scenario, you will be blessed with a sustained, fiery devotion to your best and most beautiful ambitions.

LEO (July 23-Aug. 22): Famous rock musicians have on occasion spiced up their live shows by destroying their instruments on stage. Kurt Cobain of the band Nirvana smashed many guitars. So did Jimi Hendrix, who even set his guitars on fire. I can admire the symbolic statement of not being overly attached to objects one loves. But I don’t recommend that approach to you in the coming weeks. On the contrary, I believe this is a time for you to express extra care for the tools, machines and apparatus that give you so much. Polish them up, get repairs done, show them you love them. And if you need new gizmos and gear to enhance your self-expression, get them in the near future.

VIRGO (Aug. 23-Sept. 22): In all of world history, which author has sold the most books? The answer is Agatha Christie, born under the sign of Virgo. Readers have bought over 2 billion copies of her 70-plus books. I present her as a worthy role model for you during the next nine months. In my astrological opinion, this will be your time to shine, to excel, to reach new heights of accomplishment. Along with Christie, I invite you to draw encouragement and inspiration from four other Virgo writers who have flourished: 1. Stephen King, 400 million in sales from 77 books. 2. Kyotaro Nishimura, 200 million in sales from over 400 books. 3. Leo Tolstoy, 413 million from 48 books. 4. Paul Coelho, 350 million from 28 books.

LIBRA (Sept. 23-Oct. 22): Centuries before the story of Jesus Christ’s resurrection, there was a Greek myth with similar themes. It featured Persephone, a divine person who descended into the realm of the dead but ultimately returned in a transfigured form. The ancient Festival of Eleusis, observed every September, honored Persephone’s down-going and redemption—as well as the cyclical flow of decay and renewal in every human life. In accordance with astrological omens, I invite you to observe your own version of a Festival of Eleusis by taking an inventory: What is disintegrating and decomposing in your own world? What is ripe for regeneration and rejuvenation? What fun action can you do that resembles a resurrection?

SCORPIO (Oct. 23-Nov. 21): The coming weeks will be an excellent time to take inventory of your community and your network of connections. Here are questions to ask yourself as you evaluate whether you already have exactly what you need or else may need to make adjustments. 1. Are you linked with an array of people who stimulate and support you? 2. Can you draw freely on influences that further your goals and help you feel at home in the world? 3. Do you bestow favors on those you would like to receive favors from? 4. Do you belong to groups or institutions that share your ideals and give you power you can’t access alone?

SAGITTARIUS (Nov. 22-Dec. 21): “Progress was all right. Only it went on too long.” Sagittarian humorist James Thurber said that, and now I’m conveying it to you. Why? Well, I am very happy about the progress you’ve been making recently—the blooming and expanding and learning you have been enjoying. But I’m guessing you would now benefit from a period of refining what you have gained. Rather than even more progress, I feel you need to consolidate and integrate the progress you have so robustly earned.

CAPRICORN (Dec. 22-Jan. 19): The people of Northern Ireland have over 70 colorful slang terms for being drunk. These include splootered, stonkied, squiffy, cabbaged, stinkered, ballbagged, wingdinged, bluttered and wanked. I am begging you, Capricorn, to refrain from those states for at least two weeks. According to my reading of the omens, it’s important for you to avoid the thrills and ills of alcohol. I am completely in favor of you pursuing natural highs, however. I would love you to get your mind blown and your heart opened through epiphanies and raptures that take you to the frontiers of consciousness.

AQUARIUS (Jan. 20-Feb. 18): Beginning 11,000 years ago, humans began to breed the fig. It’s the world’s oldest cultivated food, preceding even wheat, barley and legumes. Many scholars think that the fig, not the apple, was the forbidden fruit that God warned Adam and Eve not to munch in the famous Biblical passage. These days, though, figs rarely make the list of the fruits people love most. Their taste is regarded by some as weird, even cloying. But for our purposes, I will favorably quote the serpent in the Garden of Eden: “When you eat the fig, your eyes will be opened and you will be like God.” This is my elaborate way of telling you that now may be an excellent time to sample a forbidden fruit. Also: A serpent may have wise counsel for you.

PISCES (Feb. 19-March 20): The coming weeks would be an excellent time to file lawsuits against everyone who has ever wronged you, hurt you, ignored you, misunderstood you, tried to change you into something you’re not and failed to give you what you deserve. I recommend you sue each of them for $10 million. The astrological omens suggest you now have the power to finally get compensated for the stupidity and malice you have had to endure. JUST KIDDING! I lied. The truth is, now is a great time to feel intense gratitude for everyone who has supported you, encouraged you and appreciated you for who you really are. I also suggest you communicate your thanks to as many of your personal helpers and heroes as you can.

Homework: What are you afraid or too timid to ask for? I dare you to ask for it. Newsletter.FreeWillAstrology.com

Politicos’ Kids Not Fair Game

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Like many others, I wept watching vice presidential candidate Tim Walz’s son, Gus, express his sheer admiration of his dad during the Democratic National Convention.

Gus had tears in his eyes. As an expression of pure joy, when he pointed his index finger at his dad during his speech, he said, “I love you, dad” and “That’s my dad!”

Much has been made about the fact that Gus has a nonverbal learning disorder as well as anxiety and ADHD. While none of that matters in regard to his elated show of affection for his dad, it did perhaps offer some people the chance to think about those issues and to consider how the Walz family has admirably supported Gus.

What should not have happened is that hateful people took to the Internet to make fun of Gus. But it did. For example, conservative columnist Ann Coulter wrote on the platform X, “Talk about weird.” The comment has since been deleted, but that does not erase the despicable sentiment behind making fun of a teenager who expressed his love for his father.

Trump supporter and podcaster Mike Crispi referred to Gus as Walz’s “stupid crying son” and wrote on X, “You raised your kid to be a puffy beta male. Congrats.” Another Trump supporter, Alec Lace, who actually hosts a podcast about fatherhood, wrote, “Get the kid a tampon already.”

The issue goes beyond people saying disgusting comments about Gus Walz, however. It brings to light the fact that to some in the United States, politician’s kids are fair game. They should never be. Sadly, there is a long history of trolls attacking politician’s kids. Remember all the comments about Chelsea Clinton? How about the grotesque things people said about Sasha and Malia Obama?

It is not just conservatives who play dirty and attack the kids. Like Chelsea, Barron Trump was also ridiculed on Saturday Night Live after his dad took office. Barron faced more mean-spirited attacks when he decided to get involved politically as he was turning 18.

This really is quite simple: Leave the kids alone. They have nothing to do with their parent’s choice to run for office. There are plenty of policy issues that desperately need to be the focus of the upcoming election. Let’s pay attention to those and not to bullying kids. We can do better.

Laura Finley, Ph.D., teaches in the Barry University department of sociology & criminology.

Your Letters, 8/28

Grain Reign

While it is true I hold degrees from both Deep State and California State University, Deep, I no longer believe that Chef Boyardee conspires with Franco-American to perpetuate the myth of canned noodle supremacy over boxed Golden Grain.

Perhaps it is time for all of us to face the whole grain truth: Rice-A-Roni, the San Francisco treat, beats the shit out of any Iron Curtain-based rice pilaf, regardless of how much neofascist salt it contains. Because after all, Generalissimo Franco, despite his brutal persecution of the poet, Garcia Lorca, is still dead.

Craig J. Corsini

San Rafael

Real Change

Trump sure does stand for real change. Very much like the changes Hitler wrought in the 1930s. Thumbs down to that!

As for the military industrial complex, I thank our stars we can resist the True Believers out in the world who want to tear down our relatively progressive society.

Christopher Emley

San Rafael

Bolinas Film Fest, David Luning and a Lethal Shark

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Bolinas

Four-Day Movie Par-tay

Film buffs should definitely not miss a trip out to West Marin when the second annual Bolinas Film Festival comes to town. Some of the movies set to play at this four-day film festival extravaganza include Planetwalker, La Chimera, Giants Rising, and Maya and the Wave. Between the opening night gala, film screenings galore, plenty of panel discussions, Q&As to one’s heart’s content and a spaghetti dinner to boot, there’s enough entertainment for everybody. To learn more or purchase a pass to one or all of the days, visit bolinasfilmfestival.com. The second annual Bolinas Film Festival is set to show Sept. 19 through 22 at The Starlight Theater, 5 Brighton Ave.

Cloverdale

‘Lessons’ Learned

Americana singer-songwriter and local David Luning is set to release his highly anticipated third album, Lessons, just before heading out on a 20-date Southeast tour following his appearance at the AmericanaFest conference in Nashville. Catch Luning live at Cloverdale Arts Alliance on Thursday, Sept. 5, at 7:30pm, where he’ll bring his storytelling prowess to the stage. Lessons drops the next day. Tickets are $40 and available now at bit.ly/luning. 204 N Cloverdale Blvd., Cloverdale.

Napa

Nine Centuries of Singing

The Bay Area’s own 23-voice choir, Aeternum, is performing in Napa next month with two separate shows in its Echoes of Light concert series. Aeternum’s Echoes of Light concerts offer a choral performance so nice, it’ll take to the stage twice—its first showing is set to take place at 7:30pm, on Sunday, Sept. 8, at Mont La Salle Chapel, with the second at 7:30pm, on Saturday, Sept. 14, at St. Mary’s Episcopal Church. Tickets to see Echoes of Light are sold at aeternumchoir.org and cost $25 apiece, though students, first responders and veterans may pay a discounted price. Mont La Salle Chapel is located at 4405 Redwood Rd. in Napa, and St. Mary’s Episcopal Church is located at 917 Third St. in Napa.

Santa Rosa

DUN-DUN…DUN-DUN

There’s a screening of Jaws coming soon to a Charles M. Schulz Museum nearby! This showing of Steven Speilberg’s classic 1975 thriller, Jaws, coincides with the museum’s exhibition of “Bravo, Snoopy! Peanuts and Pawpet Theater.” Who in their right mind wouldn’t want to come out to Santa Rosa’s iconic Charlie Brown-themed museum to see the world’s most famous movie about a murderous shark? Tickets to the Friday Movie Night showing of Jaws cost only $10 per person, though museum members receive an additional discount of 20% off. And everyone will enjoy free popcorn to chomp on, just like the scary shark chomps in the movie. Tickets can be purchased in advance at schulzmuseum.org or at the door. ‘Jaws’ will play on Friday, Sept. 6, at 7pm, at the Charles M. Schulz Museum, located at 2301 Hardies Ln., Santa Rosa.

Wonder Wall: Cloverdale Muralist Blanca Molina

This is a story about a mural and the community it embraces. To see a picture of the mural, scan that QR code, or better still, take the old cruising route down Cloverdale Boulevard and wave. It’s on Cloverdale and Second, fronted by blooming crape myrtles and backed by soaring redwoods.

The business end or brush of this mural project is artist Blanca Molina, but it’s a Cloverdale family affair—La Familia Sana initiated the project, and pepster Niko Kimzim facilitated its development through many stages. Encore Dance studio contributed their 60-by-14 foot wall which the mural hugely fills.

One may recognize Molina through her art. Her distinctive and maximalist style can be seen in commissions all over Sonoma County, memorably with special addition IPA cans from Cooperage and Hen House Brewing. She is also famed for her rippling and giggling laugh.

The ‘unveiling’ of the mural is 6 to 8pm, Friday, Sept. 20, 201 N. Cloverdale Blvd., Suite B, Cloverdale.

CH: Blanca, this mural is a straight continuation of your graphic work, and its template is a vintage American, “Greetings from X,” postcard style. What more can you say about your style?

BM: That my color palettes are Mexican.

CH: They got sabor. Blanca, I understand that while this mural faces visitors, the most important audience is Cloverdalians—which it is meant to bring together in unity and pride. How did you bring the communities and factions of Cloverdale into the process?

BM: We included Cloverdale through its youth, conducting three workshops with students from Cloverdale High. We asked them what they love about Cloverdale and what were their hopes and wishes for the future. I gave them blank printouts of the block letters of the mural that they could fill with symbols and inspiring words.

CH: I understand that they and the wider community are helping you paint it. Let’s take a tour down the letters of “CLOVERDALE,” which are flanked by Sonoma roses, Cloverdale citrus, California poppies and Mexican cacti. What symbols are in the letter “L?”

BM: The letters of “DALE” are about community. The “L” has a car and a guitar, referring to the car shows and the Friday night music. The ballerina refers to Encore Dance.

CH: I see you have highlighted the letters “LOVE” in “C-LOVE-RDALE,” which front a rising sun.

BM: Yes, I gave it a pink color and flower flourishes. I want people to feel joy, happiness and pride when they see it.

Feel the Love: The ‘unveiling’ of the mural is 6 to 8pm, Friday, Sept. 20, 201 N. Cloverdale Blvd., Suite B, Cloverdale. It’s going to be a Cloverdale party, and everyone’s invited!

Bartholomew Estate Winery Leans Into Legacy

Before The Press Democrat partnered with Benovia Winery to produce a bottle dubbed “Good Press” (with proceeds benefiting local journalism), Sonoma’s Bartholomew Estate Winery started the presses on their own journo-themed bottling.

A brilliant, relatively recent rebrand frontlines the winery’s newsy backstory, with subtle cues nodding to founder Frank “Bart” Bartholomew’s past as a reporter, WWII correspondent and eventually president of global news wire service United Press International. For example, the new logo suggests a “B” key pried from a vintage typewriter. Likewise, “Press Release” is a red blend that Wine Enthusiast awarded 93 points last April.

Comprised predominantly of syrah from Viviano’s Block (a six-acre vineyard site at the estate so named for the Native American homesteader who was baptized Viviano and originally planted it in 1832), the wine also features the venture’s estate cabernet sauvignon. The result is a rich, aromatic splash into dark berries, underscored with a dusty chocolate and baking spices.

Leaning further into the syrah—and weighing in at a commendable 100%—is 2021 syrah Viviano’s Block, which ups the game with an earthy spin on blueberry jam with notes of allspice and nutmeg and an inky hue that reminds that your wine should be more purple than your prose. Both wines are excellent and a compliment to the efforts of winemaker Kevin Holt. Moreover, they pair well with an array of delectable Lebanese-inspired comestibles available to nosh al fresco through a charming tiffin arrangement the winery has with Sonoma’s Spread Kitchen.

Winemaker Holt joined the newly minted Bartholomew Estate Winery in 2019 when it opened its doors thanks to the efforts of foundation trustee Anna Pope. And though the history of the grounds is long and storied, a certain mid-century chapter set much of its current iteration in motion.

In 1943, Bart and his wife, Antonia, took over the 375-acre property and, with a vision for its future, established the Frank H. Bartholomew Foundation, a non-profit trust dedicated to preserving the property for generations to come. To wit, the park remains open to the public at no charge, offering hiking trails, walking paths, horseback riding, three picnic areas, stunning vineyard views, ponds, streams and stands of majestic oaks. All of the wine produced by the winery is certified sustainable, with profits directly supporting the park’s preservation and protection—an enduring gift to the community the Bartholomews cherished.

All that said, I’d be remiss if I didn’t share a sampling of Bartholomew’s written work, which is as wonderfully understated and whimsical as the wines that now bear his name. Note the repertorial drollery evident in how he opened Bart, Memoirs of Frank H. Bartholomew: “She was a femme fatale, if ever I met one. She had six toes on each foot—fascinating because she never wore shoes, so you could count for yourself. And she set fire to my house after attacking it with a hatchet.”

The femme fatale in question was actually the six-year-old neighbor girl with whom the then five-year-old Bartholomew was infatuated. Fortunately for us, he later found Antonia—and wine.

Bartholomew Estate Winery, 1000 Vineyard La., Sonoma. 707.509.0540. bartholomewestate.com.

New Orleans in Napa with Trombone Shorty

In the span of seven studio albums—the first three of which were released on the small independent label, Treme Records—Trombone Shorty has reached the pinnacle for a New Orleans musician.

Leading the 10-person band, Orleans Avenue, is trombonist/trumpeter Trombone Shorty (whose real name is Troy Andrews), who brings the act to Napa’s Meritage Resort as part of the Blue Note Summer Sessions on Sept. 2.

Andrews is widely considered to be the leading musician carrying forward the rich sounds, styles and heritage of New Orleans music to the rest of the world. It’s a position he treasures and treats with great respect.

“We come from a very magical place, and to be able to do my part and continue to add on to what the greats have done, it’s a special thing,” he said in a phone interview. “To be able to carry that torch and bring (New Orleans music) all over the world, it’s just an emotional (experience), like I carry that badge of honor in my heart. So whenever I go out and you see me, you know that I’m representing New Orleans to its fullest. And like I say, I stand on the shoulders of people who helped lift me up to that area.”

Now 38, Andrews has immersed himself in the music of the Crescent City almost from the day he was born. He spent his early years growing up in the musically vibrant Treme neighborhood of New Orleans, where, as a toddler, his parents first took him to second line parades and he began hearing the jazz and R&B sounds played on the streets of this storied district.

Andrews was all of four years old when he started playing trombone and showed an immediate aptitude for the instrument. That year, Bo Diddley spotted him in a crowd at the New Orleans Jazz & Heritage Festival and invited the young trombonist up on stage. He began building his skills by playing along with the musicians in second line parades and had his own band at age six.

By his teens, he had played with the Neville Brothers, joined the Stooges Brass Band and was attending the New Orleans Center for Creative Arts alongside close friend Jon Batiste. (Andrews won a Grammy in April 2022 for his contributions to the Batiste album, We Are.)

Along the way, Andrews was befriended and mentored by some of the city’s most notable musicians. A year after he graduated from high school in 2004, he toured with Lenny Kravitz as a featured member of Kravitz’s horn section. By the end of 2005, he had released his first three albums under his Trombone Shorty name.

On a local level, he continued the city’s long tradition of supporting young musicians by donating instruments to New Orleans schools and starting a popular music program for high school musicians that provides a host of courses in music, navigating the music business, sound engineering and more.

Andrews’ blossoming talents as a musician and songwriter, meanwhile, earned him a deal with Verve Records, which released three acclaimed albums—2010’s Backatown, 2011’s For True and 2013’s Say That to Say This—that propelled him onto the global stage. That earned him opening slots on tours with the Foo Fighters, Hall & Oates and the Red Hot Chili Peppers and had him being touted as New Orleans’ next great artist as he established a robust and lively musical style that spans New Orleans jazz, funk, R&B, rock and hip-hop.

His status was further affirmed when Andrews was chosen to follow Professor Longhair and the Neville Brothers as the closing act of the city’s famed annual Jazz & Heritage Festival—perhaps the greatest honor a New Orleans musician can achieve.

“I’m just blessed that Quint Davis (producer and director of the festival) thought I was strong enough as a performer to be able to take over that spot,” Andrews said. “We have hundreds of bands in New Orleans, and for him to think that I was ready to give me that opportunity, it’s unbelievable.

“So it’s a big honor for me,” he added. “We travel so much and play around the world. That is a moment where people, the fan base that I’ve built traveling and touring around the world, get a chance to come see me on my home turf.”

As all of this happened, Andrews’ global popularity continued to expand. His next album, 2017’s Parking Lot Symphony, went No. 1 on Billboard magazine’s Jazz Albums chart and marked his debut under a new deal with Blue Note Records.

This brings things to Lifted, an album on which Andrews sought to set aside some of the precision of his previous studio albums in favor of capturing more of the power and energy of a Trombone Shorty and Orleans Avenue live show

“That’s exactly what I was going for. I didn’t play it safe,” Andrews said. “And the big key point of it was let’s perform. Let’s not worry about the studio. I’m glad I thought about that. I don’t know what made me feel like that. Because normally what we would do is we’ll record and then for some reason, we always take our song that we record and we learn it as it is on the album and then rewrite it—not rewrite it, we re-frame it, I should say—we re-frame it to fit what we do live. But this album, I wanted to go there first.

“We went in there and tried to get as much of the live sound that we could get in the studio while continuing to make it as tight as we possibly could,” he said. “But the energy and the way that we played, we didn’t think about being in the studio.”

Several songs from Lifted figure to be included in the shows Trombone Shorty and Orleans Avenue play on their current tour. On recent outings, shows lasted two hours or more, and Andrews said that might happen again on his current tour.

“We have so much fun on stage, we don’t really feel it until we hit the last note, and our bodies are all tired and beat up,” he said. “We’re like ‘Oh, we didn’t realize we played that long.’ But you know, when the audience, when the love is there between the audience and the musicians, it’s hard to keep time. We just play.”

Trombone Shorty & Orleans Avenue play with special guest Big Boi, at 7pm, Monday, Sept. 2, at Meritage Resort, 850 Bordeaux Way, Napa. Tickets at bit.ly/trombone-shorty-napa.

News Blues: Google, AI and Media Money

California lawmakers are abandoning an ambitious proposal to force Google to pay news companies for using their content.

Instead, the tech giant has agreed to pay millions to support local media outlets and start an artificial intelligence program.

The first-in-the-nation agreement, announced last week, promises $175 million for local journalism across California over the next five years, but represents a significant departure from the bill pushed by news publishers and media employee unions earlier this year.

Rather than Google and Meta being forced to negotiate usage fees with news outlets directly, Google would deposit $55 million over five years into a new fund administered by UC Berkeley to be distributed to local newsrooms—and the state would provide $70 million over five years.

Google would also continue paying $10 million each year in existing grants to newsrooms.

The Legislature and the governor would still need to approve the state money each year; the source isn’t specified yet. Additionally, Google would contribute $12.5 million each year toward an artificial intelligence “accelerator” program, raising labor advocates’ anxieties about the threat of job losses.

Publishers who initially pushed for the proposal forcing Google to pay them said the deal was still a win. The UC Berkeley fund will be overseen by news industry groups; the money will be distributed according to the number of journalists employed at each publication, with some reserved for smaller or ethnic media outlets.

“This is a first step toward what we hope will become a comprehensive program to sustain local news in the long term, and we will push to see it grow in future years,” Julie Makinen, board chairperson of the California News Publishers Association, said in a statement.

Santa Rosa’s Mike McGuire, whose chambers considered a bill “to hold Big Tech companies accountable for the profits they make off” linking to news articles, also raised concerns. In a statement, he said the deal “lacks sufficient funding for newspapers and local media, and doesn’t fully address the inequities facing the industry.”

The agreement replaces two bills lawmakers had pursued the last two years as they tried to secure a cut of tech money to prop up California’s struggling local news industry. Following a nationwide trend, the state has lost one-third of its newspapers since 2005 in a trend experts say worsens civic engagement, polarization and misinformation.

To try to keep their readers, publications increasingly rely on social media and online search. Google controls the lion’s share of search in a way the U.S. Justice Department and one federal judge have said violates antitrust law.

The proposals to impose fees on Google’s use of news content in its search results prompted a flurry of tech company lobbying. In the past 18 months, for instance, Google spent more than $2.1 million lobbying lawmakers against those bills and others—more than triple what it spent in the same time period two years earlier, according to a review by CalMatters.

Introduced in February 2023, the first bill, by Oakland Assemblymember Buffy Wicks, would have required platforms such as Google and Meta to either pay a fee or negotiate with news outlets for using their news content.

It was sponsored by the news publishers association, whose members include major newspapers such as the San Francisco Chronicle and the Los Angeles Times. The bill passed the Assembly last year, but Wicks paused it to try to bridge a split among media companies over how the money would be divvied up.

Australia and Canada both passed similar measures in recent years—but the political headwinds were different in the tech companies’ home state.

Google has argued the bill would unfairly force it to pay for sending free traffic to news sites, and disadvantage smaller sites. In a legislative hearing in June, the company’s vice president of global news partnerships, Jaffer Zaidi, called the proposal “profoundly unconstitutional and problematic” since it could compel platforms to show content that they were forced to pay for.

The second bill, introduced this February by Orinda Sen. Steve Glazer, would have imposed a fee on major tech platforms to provide news outlets a tax credit to employ local journalists. The measure would have raised $500 million a year.

In response to the Wicks bill, Google temporarily removed links to California news websites from its search results. And in response to the Glazer bill, Google said it might stop funding nonprofit newsrooms nationwide.

At the time, McGuire called the threats “an abuse of power.”

Glazer shelved his bill in May, after failing to scrounge up the two-thirds majority he needed, and said he would focus on trying to improve the Wicks bill.

Tech companies doubled down on threats to stop linking to news sites in California if Wicks’ bill passed. And publishers had an incentive to support an agreement that would give them the money quicker. In Canada, the government has estimated Google is paying $73 million a year to news outlets under its new journalism industry law. But proponents of California’s deal say the money has been slow to be distributed.

By committing to pay into the new UC Berkeley fund, tech companies succeeded in killing the bill they opposed while appeasing both legacy print media and some digital-only news outlets with five years of support.

The Media Guild of the West, which represents reporters in Southern California, slammed the agreement and accused publishers and lawmakers of folding to Google’s threats.

“Google won, a monopoly won,” said Matt Pearce, the group’s president.

The guild said it was particularly concerned the deal involved a program promoting artificial intelligence technology, which it saw as a concession to the tech industry that could result in a further loss of reporting jobs. The Pacific Media Workers Guild, which represents journalists in Northern California, also opposes the deal.

The AI program appears to only be partly related to journalism: In its announcement, Wicks’ office said the program will give businesses, nonprofits and researchers “financial resources and other support to experiment with AI to assist them in their work,” addressing challenges such as environmental issues and racial inequities. OpenAI will contribute tech services, said former lawmaker Bob Hertzberg, who helped negotiate the deal. Proponents expect other tech companies to join in.

The AI accelerator would also create “new tools to help journalists access and analyze public information.” Makinen, of the news publishers association, said more details of the program “need to be made public as soon as possible,” and added that she wants to see “more of those resources directed toward publishers.”

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