Funny Fanny

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‘I learned to love musical theater in the movie house, going to see musicals with my mother and sister,” says Napa-based director Barry Martin, enthusiastically citing such inspirational classics as The Sound of Music, Gypsy and Mary Poppins.

“A little later,” he says, “it was Funny Girl, where I was introduced to this amazing woman, Fanny Brice. She was unknown to me but was a peer of early performers I already admired—Al Jolson, George Cohan, W. C. Fields, the Marx Brothers.”

A history buff as well as a theater aficionado, Martin—who has just directed Funny Girl for the second time in two years (last time at the Napa Opera House and now for 6th Street Playhouse)—has always been fascinated by the pre–”talking pictures” period, a time when the stage was the dominant form of popular entertainment. It’s this period when the real-life comedian Fanny Brice became famous, though the musical that told her story, Funny Girl, would not come around until several years after her death.

A huge hit when the show was remounted in Napa last year, Funny Girl‘s resurrection at 6th Street, with Taylor Bartolucci repeating her performance as Fanny, is a personal thrill to Martin.

“Any chance a person gets to direct Taylor is a gift,” he says. “I am very grateful that 6th Street wanted to remount Funny Girl and open the season with it. It’s rare to get a second bite of such a tasty apple.”

Of the 19 original Napa cast members, six primary actors are returning, including James Sasser as Fanny’s conflicted husband Nicky Arnstein and Anthony Martinez as her long-suffering bestie Eddie Ryan. With a very different setting at 6th Street, Martin has been able to introduce some ambitious new set elements into the show, along with a number of new cast members.

“I love that some of the younger members have never heard of Fanny Brice,” says Martin. “Well, they know who she is now.”

As for the show itself, Martin loves it more now than ever.

“This is that rare musical with both a great score and a great book,” he says. “It is very funny but with a solid dramatic line. And Taylor . . . well, she was tremendous in the role last time, and she’s even better this time around. She knows Fanny Brice in depth, she loves the character and the story, and she loves playing the role. I expect a tour de force, nothing less.”

‘Funny Girl’ runs Thursday–Sunday through Sept. 14 at 6th Street Playhouse. 52 W. Sixth St., Santa Rosa. Thursday–Saturday at 8pm; 2pm matinees, Saturday–Sunday. $15–$35. 707.523.4185.

Soup Ninjas

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You can eat very well in Sonoma County, but until recently you couldn’t find a great bowl of ramen. That injustice has been rectified by chefs Matthew Williams and Moishe Hahn-Schuman.

The duo opened Ramen Gaijin five weeks ago. Right now, it’s a bimonthly pop-up in Sebastopol’s Woodfour Brewing Co. It’s open every other Monday. Williams is Woodfour’s sous chef, and Hahn-Schuman helped open the restaurant and works as consulting sous chef at SHED in Healdsburg.

Thanks to word-of-mouth buzz, they go through about 150 bowls of ramen a night. They plan to expand their schedule and, if all goes well, open a restaurant of their own.

Now, when I say ramen, you know I don’t mean five-for-a-dollar packages of noodles with the little foil spice pouch inside. Real ramen, made from slow simmered, fat-enriched broths, springy noodles and fresh toppings like pork belly, pickled bamboo shoots and seaweed, exists on a higher plane of deliciousness.

“It’s like soul food but on a whole other level,” says Hahn-Schuman.

Japan is the heartland of ramen where regional styles and variations flourish. More recently, non-Japanese chefs have tackled the craft of ramen.

Gaijin means “outside person” and refers to anyone not born in Japan. Ramen Gaijin is a fitting name for Williams and Hahn-Schuman’s venture because they are clearly non-Japanese and have created a menu that interweaves Japan and Sonoma County with local sourcing.

“We’re trying to offer an authentically Sonoma County bowl of ramen,” says Williams.

The menu changes with each pop-up, but there are two ramen offerings and a few Japanese accented salads, rice dishes and dessert. On my visit, they were sold-out of the applewood smoked mushroom and miso ramen, a vegetarian option enriched with spinach, corn, Tokyo leeks, wakame seaweed and half a ginger-, mirin- and soy-sauce-marinated egg ($13), so I went for the sublime shoyu ramen ($13).

Shoyu, or soy-sauce-flavored, ramen, is a ramen-shop standard, but soy sauce doesn’t begin to explain it. It’s based on a double broth: a dashi stock made with dried seafood and seaweed, and a chicken broth made with Valley Ford–raised chickens fed a special diet to fatten them up for the stock pot. Ham hocks go in, too, for good measure.

Each bowl gets a careful ladle of pork belly fat, a blend of viscous, salty-sweet soy sauces and sprinkles katsuobushi salt. Then come handmade, alkalinized noodles made from toasted rye flour. On top of that go squeaky-textured wood ear mushrooms, bamboo shoots, leeks, wakame and one of those delicious eggs. Oh, and few slabs of beautifully caramelized pork belly.

The luxuriously thick broth stops just short of too salty but goes way past delicious. The noodles are flawless; they remain springy and chewy to the end. Mix in the various toppings, and you’ve got something very special. Sonoma County’s food scene is now complete.

Sweet Sangre

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Since wine is the “blood of Christ,” it’s appropriate that the higher-proof vodka flows through His Mother’s veins.

The bloody Mary is a drink, a snack, an acceptable cocktail for morning hours— and now it’s been taken to new heights. The “bloody Mary bar” at Napa’s 1313 Main starts with a high high—$9 for a tall glass with freshly juiced heirloom tomato, grilled jalapeno, Meyer lemon and secret additives and spices—and aims even higher.

Add-ons range from $1 to $3, and include different kinds of house-made salts, blue cheese olives, pickled egg, house-made jerky, candied jalapeno, fried oysters, bacon-wrapped dates, thick-cut candied bacon and more. There are infused tequila floaters, too, that impart sweet, smoky and spicy flavors. Almost everything here is house-made—this is the good stuff.

Personally, I’m intrigued by the meat straw: a Twizzler–Slim Jim hybrid that’s as functional as it is flavorful. Add one of those stinky olives and—oh, we’ve got to do the bacon-wrapped dates, right? Oh, this is getting pricey. But wait, it’s like lunch too. OK, throw in the candied bacon. This is getting crowded. Can I get a bigger glass?

1313 Main’s bloody Mary bar is open 10am to 2pm with brunch available. 1313 Main St., Napa. 707.258.1313.—Nicolas Grizzle

Death Comes to Vicente

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The following story was told to me by a 14-year-old boy who went to Mexico to visit his grandparents:

In my town, a small village in Oaxaca, people believe in ghosts and spirits, and they believe that you can know when death is coming.

Vicente knew he was going to die and that the man they called “the Loco” would be the one to kill him. During the New Year’s celebration, when all the men in the village drink until they are crazy drunk and dance and shoot their guns in the air, a bullet from Vicente’s gun accidentally hit the Loco. It made a small wound, the size of a bug bite. Vicente knew then that some day the Loco would come to kill him.

And it happened a year later, just before the celebration of the new year. A few weeks before that night, Vicente began to act like a child. He left the house of his wife and child and went to his mother’s where he stayed in bed and complained of bad dreams. He became like a child, fearful and afraid to leave his mother’s side. And the Loco came and shot him, and the men made me hold his head while he bled to death. He could not be taken to the hospital because there was not one close enough. The men looked all over for the Loco, but he was not found.

After Vicente died, the people in the village complained of strange noises at night, doors slamming shut and windows banging open. They said it was Vicente’s ghost because he had died before it was his time and his soul was unhappy. Nobody would go out at night. The dark made them afraid.

I don’t want to be afraid, and I heard that if I walked up in the mountain known as La Montana de Diablo in the dark and then walked all the way down, I would leave my fear behind, and that is what I did.

I don’t want to be afraid. I am learning to ask questions and study and learn about the truth. I know that truth is important, and knowing what is true and real helps in becoming brave.

Lolly Mesches is a retired counseling psychologist and member of the Occidental Center for the Arts board of directors.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Seeing Double

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Randy and Jason Sklar, comedy’s first “openly twin” act, are not afraid to embrace their duplicity. Their penchant for sentence-finishing deliveries and rapid-fire routines has made them a popular fixture on the stage and screen alike.

A brief glimpse at their television résumé shows a long list of award-winning appearances on everything from Curb Your Enthusiasm to Entourage. The twin team has also appeared in movies, though they shine best in their live comedy. Together, the Sklars build upon jokes with an energetic Ping-Pong effect, bouncing ideas off each other and doubling up on laughs.

Growing up in the Midwest, their affection for sports led them to host athletic-inspired funny shows like Cheap Seats and star in the web series Back on Topps. Their popular podcast, Sklarbro Country, has featured sports pundits like Jim Rome and John Salley, and their latest standup special, What Are We Talking About, parodies the ESPN analytics that come with major sporting events. Currently streaming on Netflix, What Are We Talking About is a hilarious and lightning-quick hour of laughs that pokes fun at more than just sports, and offers a preview of what to expect this weekend when the brothers appear in Napa.

The Sklar Brothers perform on Sunday, Aug. 31, at City Winery, 1030 Main St., Napa. 8pm. $25–$35. 707.260.1600.

Spoils of War

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In the wake of unrest in Ferguson, Mo., where a white police officer killed a black teen on Aug. 9, “police-militarization” fever has gripped the country. Images of tear-gassed children and loaded weapons shoved in protesters’ faces raises hard questions about a Defense Department program that provides military surplus to law enforcement.

Should the police have all that gear? The New York Times “Upshot” page released a spreadsheet that lays out items acquired by law enforcement through the DoD’s 1033 program. The equipment is free for localities except for shipping. While not all of it is weaponry, in the wake of Ferguson, President Obama said he might shut the whole program down.

From 2006 to 2014 California accepted more than $90 million in military surplus. Napa, Sonoma and Marin counties account for at least $1.3 million and acquired everything from bayonets to leaf blowers.

MARIN COUNTY

Marin County received at least $347,238 worth of surplus from 2006 to 2014, including 12 assault rifles equipped with 5.62 mm barrels.

By way of comparison, hyper-twitchy Orange County added
350 rifles to its arsenal over that same time, split between 5.62 mm and 7.52 mm caliber.

Marin County also acquired dozens of night-vision goggles. Beyond that, the Marin kit is packed with mechanics’ tools, lots of first-aid gear, two rawhide mallets and a $14,000 “turret assembly kit.”

The Marin County Sheriff’s Office was unavailable for comment in time for our deadline.

NAPA COUNTY

Napa nabbed more than $400,000 in military gear since 2006. Along with 10 rifles and 16 night-vision goggles, Napa also received five Smart Boards (an updated interactive chalkboard), a 15-piece china tea set, gym equipment and lots of riot shields.

Napa County undersheriff Jean Donaldson says the military equipment is used “primarily for search-and-rescue operations and our SWAT team, and those things aren’t designated for crowd control or situations where we have civil disobedience or demonstrations.”

He said the gear is mostly for high-risk situations involving armed suspects or school shootings with live shooters. The equipment is used to enhance public safety—it’s not meant to be used as an “intimidation factor,” Donaldson says.

Donaldson adds that Napa’s participation is a reflection of fiscal responsibility. “It is obviously more fiscally beneficial to our local taxpayers if we can utilize the surplus equipment from the military. The taxpayers have already paid for it.”

SONOMA COUNTY

Sonoma County collected at least $481,520 in military surplus between 2006 and 2014. That includes almost $50,000 in rifles, 90 of them, split between 5.62 mm and 7.62 mm versions. It also includes 30 bayonets, two utility trucks, three chainsaws and 20 boxes of dispenser soap, in addition to eight pairs of night-vision glasses, a television set, a baseball-pitching machine, bicycles, athletic gear, two drums and two cymbals.

Sonoma also acquired at least seven pouches for flash-bang grenades along with numerous pouches for M4 ammunition and hand grenades—but no sign of M4 launchers, or hand grenades for that matter.

Sonoma sheriff’s Sgt. Cecile Focha provided a breakdown of how the program works, and explained some of the acquisitions in the Sonoma manifest. The DoD separates surplus into several categories, each with its own guidelines for what a local law enforcement agency is permitted to do with inventory that winds up as local surplus. And the program is monitored by the feds—especially where it concerns weapons.

“The feds do a random annual audit, and we went through it with flying colors last year,” says Focha. “Every single rifle was accounted for. Every one, with the serial number.”

Focha also stresses that acquisitions in Sonoma County have not been made for the purpose of intimidation. “Nor have I ever seen a bayonet fixed to anything in the sheriff’s office,” she says.

The program gives law enforcement flexibility to move product to other 1033-approved agencies that might make use of it. But, says Focha, the approval process for those transfers is rigorous, since the county needs approval from DoD and the state Office of Emergency Services before it can “laterally” move the gear.

And, she says, there are clear restrictions on transferring gear that’s oriented for military use.

So while the Boys & Girls Club isn’t going to get night-vision glasses, the Sonoma County motor pool can accept mechanics’ tools originally acquired by the sheriff’s department.

The drums and cymbals? They wound up in the Oak Grove Unified School District, says Focha.

Fall Guy

The ex-CIA assassin Peter Devereaux (Pierce Brosnan), dressing down a former pupil, Mason (Luke Bracey), says “You’re a blunt instrument, at best.” That was the insult 007 always used to hear—and many times while watching The November Man, you feel that James Bond is back.

Brosnan is past 60; his director Roger Donaldson is just shy of 70. If you’d like to see a movie about the limitations of being young and inexperienced, this is it. It’s a deftly brutal spy film set in a Belgrade crawling with killers after Devereaux goes rogue, trying to find the young woman who’s the key to the attempted hit he survived.

Helping him search is an NGO worker (Olga Kurylenko). The trail circles a candidate for the Russian presidency, a swine named Federov (Lazar Ristovski), ex-military intelligence with a history of unsavory deeds behind him. Leading the effort to find and kill Devereaux is a cold CIA liaison in Nelson Rockefeller glasses called Weinstein (Will Patton).

Bosnian gymnastic champ Amila Terimehik plays a female assassin, and she’s a sight to see: she has a nose as sharp as a shark’s fin, and a cruelly tight dancer’s braid down her back, as thick as a hangman’s rope.

Brosnan is an underrated actor (chief among the underrateds); Devereaux is ultimately a wider, wilder part than Bond. And yet you see him do the Bond things once more, and doing them with grace and speed, including a top-drawer fight scene in a boiler room that would mess up a man half his age.

‘The November Man’ is playing in wide release across the North Bay.

Live Review: Dickey Betts Tears Up The Sweetwater

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Southern rock legend Dickey Betts and Great Southern made a rare Bay Area performance Sunday night at a sold out Sweetwater show in Mill Valley. His performance with his band Great Southern included his son Duane, named after the late Allman Brothers guitarist, on lead guitar. Duane’s band Brethren of the Coast warmed up the night. During Dickey’s set the relatively small stage was filled to the brim including two drummers on risers. With a packed house and stage the band ripped through classics such as In Memory of Elizabeth Reed, Ramblin Man, and Jessica, which Betts won a Grammy for in 1996. Dickey and the band played a phenomenal set heating up the room to a boiling point. Dickey’s signature style was on display throughout the night with the harmonizing octaves of the lead guitars bringing it back to where it all began.

Betts, despite being a founding member of the Rock and Roll Hall of Fame inductee The Allman Brothers Band, hasn’t performed a concert with them since 2000 after a turbulent departure from the band. This year The Allman Brothers announced they would be breaking up following a run at the Beacon Theater in NYC

Photos and Text by Jamie Soja – Soja Photography

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Live Review: Sharon Jones + The Dap Kings

Sharon Jones and The Dap Kings absolutely lit up the stage at the second-ever Sonoma Mountain Village concert on Thursday night. The concert series marked the end of a brief 2014 season, which also brought in the rock band Goo Goo Dolls in July. According to Petaluma’s Second Octave Talent agency, which books the bands for SOMO, some 1,100 people were in attendance and next year promises to bring 10 more outstanding festival-like shows to fill the 3,000-person venue.
Guatemalan singer, and 2014 Latin Grammy award winner, Gaby Moreno opened the evening with a blues-infused Southern folk set that showcased the powerfully sultry, and sweetly gruff, voice that has made her the darling of Latin American folk rock. Dressed in a Western dress and tiny heels, she rocked a vintage-style Gretsch guitar as if she were a country star on a Nashville stage. But tacking down Moreno’s style is like trying to stop a butterfly to ask about her favorite flower. To my ears, her sound falls somewhere in between the finger-picking melodies of Norah Jones and the whimsy of Patsy Cline, with the vocal dynamism of Etta James and a touch of Lilly Allen’s flare. Yet the songs she sings in Spanish are perfectly Latin; a bit of bossa nova, traces of Mexican banda, the alternative pop that defined many Latin females in the late 1990’s.

Gaby Moreno - author
Gaby Moreno – author

Gaby Moreno’s Guitar – author

Under Thursday’s setting sun, Moreno varied her set flawlessly. Tempos and moods switched between smoky jazz ballads like Blues del Mar, off her latest release “Postales” (2012, Metamorfosis), and groovy blues/rock tracks like “Greenhorned Man”, from her first album “Still the Unknown” (2008, indie release). It was a marvelous opening performance that surely garnered hundreds of new North American fans.
Between acts, the promoters gave ample time to get up and stretch, refill wine and beer glasses, and chat with neighbors sitting close enough to practically share blankets. A few vendor’s booths were set up to attract wanders, as well as a semi-stocked bar for general admission ticket holders. Food offerings were cafeteria-style, catered by the Sally Tomatoes restaurant inside. The interior venue is well-known in local comedy circles as being the go-to spot for great up-and-coming acts. While the wine was good and the service was friendly, the food got less than stellar reviews. VIP ticket holders on the other hand, were treated to a fully-stocked bar and outdoor seating area complete with tables and heating lamps. While the GA grassy area offers excellent views of the stage, it could be worthwhile to purchase VIP just so you don’t have to drag in chairs and blankets. The space is intimate, with two-story buildings bordering the lawn area, and giant redwood trees framing the stage. Yet, the adjacency adds to a close-nit community vibe. And once Sharon Jones got on stage, there wasn’t a warm body to be found in a sea of abandoned lawn chairs.
The Dap Kings band formed in the early aughts under the digs of Brooklyn’s Daptone Records. Their premise was to revive the tradition of analog recording and pressing vinyl records, while bringing back the funk/soul sounds of the 1960’s and 1970’s. Sharon Jones, who grew up singing gospel in her native Augusta, Georgia, was working a day job at Rikers Island prison when label owners discovered her singing backup vocals for various bands around New York City. Soon the Dap Kings became her backing band and she went on to record five studio albums with them. With incredibly successful performances at festivals across the country, a new album to be released, and European tours in place, Jones’ career was on the rise.
Sharon Jones + The Dap Kings
Sharon Jones + The Dap Kings

But in the spring of 2013, Jones was diagnosed with pancreatic cancer and spent the summer undergoing chemotherapy. The treatments would sideline her from nearly all musical activity and essentially threaten her life. New Year’s Eve 2014 was her last chemo treatment and she’s been cancer free ever since. On the SOMO stage last night, she belted out the tune “Get Up And Get Out” off her 2013 release Give The People What They Want (Daptone), exclaiming to the crowd “I told my cancer to get up and get out! And I told my cancer, if you ain’t gonna get out, I am gonna shout you out!” Needless to say, Sharon Jones is way beyond having cancer and it is obvious her immense energy and sheer passion for life are what got her through it all.
Sharon Jones - author
Sharon Jones – author

The performance opened with an instrumental introduction from the Dap Kings eight-member, tailored-suit-clad band before Jones’ fabulous backup singers came on to sing three groove-inciting numbers. When Sharon Jones finally came on stage, the audience exploded in applause. She opened with the super up-beat “Stranger To My Happiness,” then brought up 10 ladies from the crowd to dance on stage for “Keep On Looking,” which must have made those girls entire summer. Of all the shows I’ve seen this year, I have not experienced a performer so in love with her audience, so passionate about making every fan feel special. Jones’ went on to sing a slow, sexy rendition of “Long Time,” an afro-beat inspired “How Do You Let A Good Man Down,” and the dark, jazzy soul tune “I Learned The Hard Way.”
The second half of Jones’ set included some beautiful harmonies on “There Was A Time,” a wild impersonation of Tina Turner for “Making Up And Breaking Up,” and a 10 minute showcase of 1960’s dancehall moves like the boogaloo, the pony, and the swim—the crowd thought that was a riot and all kinds of people over 60 where swinging their arms and winding their hips without a care in the world.
Sharon Jones only did one song for her encore: a brilliant take on the original Woody Guthrie ballad, “This Land Is Your Land.”  It was the defining moment of the show, a stellar interpretation of an American classic. Jones ignites the spirit of American music’s golden age—the decades that challenged the cultural status quo, brought music to the heart of the civil rights movement, and blended the colors of society in a tangled-up mishmash of incredible musicianship, neighborly conviviality, and the love for an American art form. If anyone is going to remind us that American music is steeped in a rich, passionate history, it is going to be Sharon Jones and her Dap Kings.

Dogfight!

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It’s otherwise quiet this Friday afternoon as the neighborhood wolf howls its baleful howl up the block and there’s finally that moment where you can exhale and think a minute. Think about that big dogfight up here on the Big Mesa in wild and off-leash Bolinas. The big dogfight where you jumped in to try and keep your little guy from getting his head ripped off by a dog at least ten times his size and weight.

Scary stuff. And it only strikes a humor chord in the after-action report, once the bullet has been dodged more or less officially and you are counting the could-have-been-a-lot-worse blessings.

Oh, it was big news in tiny Bolinas, and you should have seen it. The male in my pair of Mexican hairless dogs, Telly Boy, got himself into a serious scrap the other night with one of the neighbors’ dogs.

It was quite a battle: A hairless and exotic nine-pound juggernaut of Joe Pesci fury versus a humongous and hairy behemoth with murder and menace in his eyes.

I’d like to say I was proud of my little guy for standing up to the big dog, but this is not time for that. It is rather a time for reflection. What can the dog teach the human when he is so tough that he would rather die than back down?

When the dust settled, Telly had a ruptured muscle in his ribcage, and these last few days have been a stressful whirlwind of vets, x-rays, vets bills, more x-rays and consults and the prospect of even more vets bills—and that awful question that any pet owner faces about their love for their animal versus their love for not having to pay a $5,000 surgical bill.

So, for a few days this week it was wait and see, wait and see, wait and see. The vet wrapped Telly up in a compression gauze with the news that it might come to surgery if the hole didn’t close up.

Dogs are quick healers, if you give them the chance. On Tuesday, I could sit and watch the air escape Telly’s lungs and puff his skin out—easy to see since he’s a hairless. By Thursday, the vet said the latest x-ray looked excellent—and I’ve locked him down a few days just to make sure there’s no decompensation.

Funny thing, just as I was going over this posting, I heard this crazy howling come from the crate. What’s up Telly Boy?

He’s not crying out in pain but in that dog anguish that says, “Let me run free, man!” Gonna be a little while, little brother, and don’t start thinking that you’re one of them wolves in the meantime.

Our regular walk takes us right by the house of the howling wolf. I’ve only seen the animal once, and it is a beautiful animal indeed, but he does let loose with his howl a few times a day and, if it’s at night, sometimes the coyotes chime in with that Theremin spook-yap of theirs.

The story goes that there used to be two wolves up on the Big Mesa, but one broke loose a couple years ago and tried to kill a calf at the nearby cattle ranch. Mama cow took umbrage and killed the wolf.

Which is to say: This is no place for wimpy animals, and Telly Boy is not a wimpy animal.

But he is a small animal, who, like his attacker, is romping around town fully intact, with a pair of outsized, swinging balls.

Telly Boy is not “broken,” and I have not “fixed” him, at least not yet. There is always this question about men, their dogs, and their dogs’ balls. There’s that man-dog reluctance to go in there and “fix” something that isn’t broken. If you don’t have the nuts yourself, you can’t possibly understand this dynamic and reluctance. And I know I’m not the first guy to have nut-snip reservations.

The neighbor’s been on the fence, too, but says the lesson for him is: Time to get the big dog’s nuts removed.

You first.

Funny Fanny

'I learned to love musical theater in the movie house, going to see musicals with my mother and sister," says Napa-based director Barry Martin, enthusiastically citing such inspirational classics as The Sound of Music, Gypsy and Mary Poppins. "A little later," he says, "it was Funny Girl, where I was introduced to this amazing woman, Fanny Brice. She was unknown...

Soup Ninjas

You can eat very well in Sonoma County, but until recently you couldn't find a great bowl of ramen. That injustice has been rectified by chefs Matthew Williams and Moishe Hahn-Schuman. The duo opened Ramen Gaijin five weeks ago. Right now, it's a bimonthly pop-up in Sebastopol's Woodfour Brewing Co. It's open every other Monday. Williams is Woodfour's sous...

Sweet Sangre

Since wine is the "blood of Christ," it's appropriate that the higher-proof vodka flows through His Mother's veins. The bloody Mary is a drink, a snack, an acceptable cocktail for morning hours— and now it's been taken to new heights. The "bloody Mary bar" at Napa's 1313 Main starts with a high high—$9 for a tall glass with freshly juiced...

Death Comes to Vicente

The following story was told to me by a 14-year-old boy who went to Mexico to visit his grandparents: In my town, a small village in Oaxaca, people believe in ghosts and spirits, and they believe that you can know when death is coming. Vicente knew he was going to die and that the man they called "the Loco" would be...

Seeing Double

Randy and Jason Sklar, comedy's first "openly twin" act, are not afraid to embrace their duplicity. Their penchant for sentence-finishing deliveries and rapid-fire routines has made them a popular fixture on the stage and screen alike. A brief glimpse at their television résumé shows a long list of award-winning appearances on everything from Curb Your Enthusiasm to Entourage. The twin...

Spoils of War

In the wake of unrest in Ferguson, Mo., where a white police officer killed a black teen on Aug. 9, "police-militarization" fever has gripped the country. Images of tear-gassed children and loaded weapons shoved in protesters' faces raises hard questions about a Defense Department program that provides military surplus to law enforcement. Should the police have all that gear? The...

Fall Guy

The ex-CIA assassin Peter Devereaux (Pierce Brosnan), dressing down a former pupil, Mason (Luke Bracey), says "You're a blunt instrument, at best." That was the insult 007 always used to hear—and many times while watching The November Man, you feel that James Bond is back. Brosnan is past 60; his director Roger Donaldson is just shy of 70. If you'd...

Live Review: Dickey Betts Tears Up The Sweetwater

Southern rock legend Dickey Betts and Great Southern made a rare Bay Area performance Sunday night at a sold out Sweetwater show in Mill Valley. His performance with his band Great Southern included his son Duane, named after the late Allman Brothers guitarist, on lead guitar. Duane’s band Brethren of the Coast warmed up the night. During Dickey’s set...

Live Review: Sharon Jones + The Dap Kings

Sharon Jones and The Dap Kings absolutely lit up the stage at the second-ever Sonoma Mountain Village concert on Thursday night. The concert series marked the end of a brief 2014 season, which also brought in the rock band Goo Goo Dolls in July. According to Petaluma’s Second Octave Talent agency, which books the bands for SOMO, some 1,100...

Dogfight!

Dogfights test the mettle of men and beasts.
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