Rent Vent

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Gov. Jerry Brown signed a bill Tuesday that could set the stage for the future of affordable housing in Marin County—a hot-button issue that has unfolded in recent months as the state reviews a county master plan whose housing provisions have roiled Marin in recent months.

“Affordable housing” is an oxymoron in Marin County. Rents have gone up by 13 percent on average in recent years, according to the master plan, as demand for housing drifts northward from the sky-high rental scene in San Francisco to the suburban enclaves over the bridge. Between 2011 and 2012 the average monthly rent for a two-bedroom apartment in Marin jumped from $1,777 to $2,014.

“Suburban” is the key word: The bill signed by Brown renders Marin a suburban area—no longer officially part of the greater urban sprawl of San Francisco.

The new designation translates into a mandate for fewer affordable housing units than if the urban tag had remained.

Meanwhile, the county master plan, now being reviewed by the state, includes suggestions to deal with Marin’s rents, and includes the possibility of “rent control,” two words no landlord ever wants to hear.

The rent spike means low- and middle-income workers in Marin are having a tough time in their search for an affordable place to live close to the job. Not helping matters: A small but vocal cohort of county residents has steered the debate into rough and ugly waters.

“One of thing that’s become very apparent in the past few years is that there is such a fear of affordable housing,” says Caroline Peattie, executive director of Fair Housing of Marin. “There are some very vocal people in the community who have done quite an amazing job of fear-mongering.”

Peattie cites a barrage of online comments that followed stories in the Marin Independent-Journal about affordable housing—”anonymous, hateful stuff”—as well as comments made in public forums about the master plan.

Proponents share some of the burden of excessive biliousness she says, noting that the housing squabble has been reduced to two raw sides of red meat: “People who are anti-affordable housing are labeled ‘racists,’ and people who are for affordable housing are all about ‘social engineering.'”

The bill signed by Brown this week was sponsored by Marin state Assemblyman Marc Levine and supported by the Marin County Board of Supervisors.

The former “urban” designation came via the U.S. Census Bureau, which sets a so-called density formula for affordable housing to which the county must abide. Sonoma County, a suburban area, must create 20 units of affordable housing for every acre that’s developed. In rural areas, it’s 15 units per acre. For urban areas, it’s 30.

Because of the census designation, “we have the 30-unit acre default,” says Leelee Thomas, principal planner in the Marin County Community Development Agency. “The big concern with the community is that it’s not consistent with [its] more suburban character.”

“I don’t think that most of Marin sees itself as an urban community,” says Peattie, citing the county’s rampant wealth and pale skin tones.

The county is 3 percent black and about 16 percent Latino, she notes—and many residents, she says are more concerned about the “sense of privilege that we have in Marin County: One family where each parent has a car, the kids have a car.”

She suggests those residents spend more time grappling with the needs of other socio-economic groups in their midst.

“I see how really whipped up the emotions get,” says Peattie, “where people seem to feel that the actual fabric of their existence is being threatened by the possibility of affordable housing in their neighborhood.”

“There’s not a lot of middle ground,” she adds, noting that former Marin supervisor Susan Adams was “booed out of office” over her support for affordable housing. Another, Judith Arnold, “almost lost her seat” for the same thing.

Given the jobs boom in San Francisco, says Thomas, “Marin is being looked at as a more affordable place to live than in the City,” she says.

The county’s master plan, she stresses, offers recommendations, not mandates, on the way forward.

The master plan examined housing needs—and the various constraints, challenges and barriers to affordable housing, says Thomas. “There’s no mandate for rent control,” she says. “But we will consider it and look at it. The board has not weighed in on it.”

The plan is being reviewed by the state Housing and Community Development Agency. The county Planning Commission will next have a look, and then the Board of Supervisors will vote on it. Then the plan heads back to the state for certification, Thomas says.

Peattie notes that the suburban designation will create an affordable-housing problem all its own: “The fewer units you build, the more difficult it is to manage economically,” she says. “It’s almost impossible to build affordable housing when you are building fewer and fewer units.”

Say No to Prop 1

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North Bay voters: we must reject Proposition 1, the water bond on the November ballot. This sham would burden us with $7.5 billion in new debt, which translates to $14.4 billion including interest. That’s $360 million per year for 40 years that could be used for other priorities like education and health care. For an investment like that, we have a right to expect relief from immediate drought stress and solutions to our long-term water crisis. Prop 1 fails to fulfill these critical needs.

Prop 1 was negotiated for weeks behind closed doors with little opportunity for public input. In the end, Republican legislators played hardball, refusing to support the package unless it guaranteed $2.7 billion for water storage, read: new dams. 

That’s a waste of money. Raising the Shasta Dam and building the Temperance Flat Dam on the San Joaquin River and Sites Reservoir in the Sacramento River watershed could increase the state’s water supply by only 1 percent (316,000 acre-feet), a drop in the bucket that wouldn’t be available for the years or decades it would take to build these dams. And, this trickle would not benefit the North Bay: it’s the dream of corporate agriculture interests in the west and central San Joaquin Valley who want to keep growing water-intensive crops on toxic soil to export to emerging markets like China.

What’s more, Wes Chesbro, our veteran environmental legislator on the North Coast, cast his vote against the bond in the legislature, citing potential diversions from local rivers that could hurt salmon recovery efforts.

A real water solution for California must focus on conservation, stormwater capture, and groundwater cleanup. Reports by Natural Resources Defense Council estimate that California could easily gain 5 to 7 million acre-feet of water through these methods. Another 500,000 acre-feet could be saved in major cities by fixing leaky pipes. But, Prop 1 dedicates only $100 million for water conservation and $200 million for stormwater projects—and forces taxpayers to pay for useless dam projects in order to access this woefully inadequate funding.

Reject Prop 1 and demand real water solutions.

Denny Rosatti is executive director of Sonoma County Conservation Action and Sandra Lupien is communications manager of Food & Water Watch.

Last Days

The saga of ruin and futility is painful enough for Americans to remember. The finale is even more humiliating, and that explains the sometimes tiptoe approach documentary maker Rory Kennedy (RFK’s daughter) takes in Last Days in Vietnam.

The primarily American interviewees here include the ever-exculpatory Henry Kissinger, secretary of state during the end of the war in 1975, former CIA agent Frank Snepp (the sharpest character among these analysts) and Juan Valdez and Mike Sullivan, two of the last 11 Marines airlifted off the roof of the American embassy in Saigon. Kennedy also found several officers from the USS Kirk—the vessel whose sailors deep-sixed the empty Huey helicopters into the South China Sea, in famous news photos.

The first half, in shadowy libraryish lighting, is a bit too laden with talking heads for the large screen. Stick with it, because the later story of the evacuation of Saigon is far more thrilling, and saddening. The one who isn’t there to defend his actions gets the most blame: Ambassador Graham Martin’s deliberate unwillingness to see what was coming was fatal for an untold number of our South Vietnamese allies. Martin’s hesitation meant that the U.S. had to use the worst option for removing tens of thousands of refugees—a short-notice, all-night airlift by slow, small helicopters—a military operation that was like draining a pond with a teaspoon.

Warm stories of courage enliven the second half of Last Days, amid the surreal incidents of the implosion of the Embassy (we learn it took two Marines eight hours to burn one million dollars in U.S. currency). Stay for Miki Nguyen’s incredible account of the escape of his entire family, thanks to his nerveless pilot father and a borrowed Chinook helicopter.

The finale is comfortless, with footage of ARVN soldiers leaving their boots and uniforms and melting into the crowd. But the savage vindictiveness of the victorious forces were everything that the commie haters dreamed of, and more.

Last Days in Vietnam opens Oct 3 at the Rialto Cinemas, 6869 McKinley St, Sebastopol. 707.539.5771.

Letters to the Editor: Oct. 1, 2014

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Two-Wheeled Victimization Complex

Regarding (Facebook) posts in Sept. 17 issue, by Dan Foley and Amanda Alves, I find it remarkable they both nailed it. They said in a few words what I have tried to say in many. My ideas are a little broader and more detailed but I loved their response to an ongoing and increasingly more complicated issue.

My complaint in the bike issue is one of common sense. I find it hard to find any in most dialogs on biking and safety concerns. To wit: The biker’s safety is strictly the responsibility of the motorist. What person in their right mind figured that one out? Where in the bible or anywhere does it say bikers have priority and superiority?

There is only one reason today we have paved roads. That reason is the invention of cars and trucks. The demands of these vehicles for sustained and efficient thoroughfares made possible the financing of roads through taxation and fees derived solely from them, not the bikes or bikers. Today the upkeep (be that as it may) is financed the same way.

Car and truck numbers surpass that of bikes by probably thousands to one. Their inherent value surpasses bikes by millions of dollars to one.

The qualification process to legally buy, own, and operate a motorized vehicle takes weeks of time, learning, testing and spending money to achieve. To operate a bike you just have to go to Walmart with a few bucks and walk out. No tests, no license, no skill.

The biker wants something for nothing and wants sympathy for asking for it. It begs the old quotation: “They want ice water in hell!” Typical today, the perpetrator plays the victim.

Windsor

Violence in America

Last year at a baby shower for our not-yet-born grandson, something happened that made me think about what the future might be like for this child. I began to think with increasing concern about how this impacted our national consciousness, so that a three-year-old girl can karate chop an eighteen-month-old toddler and think it okay to hurt someone she says “is not her friend.”

It was a California Sunday afternoon in a garden when we heard a child crying in the house. I went in to find Tommy sobbing loudly, tears trickling down his cheeks. I asked what happened and four-year-old Ben said, “Sissy did it,” pointing to Olivia who said, “I did ‘hi-ya.'” She mimed a karate chop with her hand. I said, “you have to say you’re sorry.” She said, “I am not. He’s not my friend.” After a quick consultation with her father, our son, I told her again that she must say she’s sorry. She did. But was she really? At three years of age, she may not have much feeling for the pain of others. Although earlier that year, after seeing a Winnie the Pooh play, she demonstrated true sadness for Eeyore the depressed donkey.

But back to violence in America. When I mentioned the “hi-ya” incident to the parents of young children, one said: “Oh, ‘hi-ya’ is the salute of four year olds.” And we laughed. I suppose that is better than pointing a forefinger saying “Bang, bang, you’re dead.”

The issue was more clearly spelled out in reading the Sunday paper and learning that Plymouth is producing a yellow Plymouth Prowler. A prowler for the name of a car? What does that suggest? Not only do we perform violent acts with little or no concern, we witness them daily on TV, read about them in the daily news, and drive vehicles that articulate our anger.

Petaluma

Bikes are Awesome

My 3-year-old son awoke one Sunday morning, a few weeks ago, bound and determined to ride his bicycle. I was surprised that he was ready, even though bicycle blood flows through his veins. I avidly rode my bike the whole time I was pregnant and he started riding a tricycle before he was one year old, moving onto a scoot bike and a training wheel bike when he was one and a half. I guess he’s been on the bike more in his short life than he’s been off.

So that morning, without further ado, he hopped on his coveted two-wheeler and after some wobbling and a couple of falls, with his dad and I running behind shouting encouragement, he was off and pedaling on his own like a flash of lightning! It all happened so fast and smoothly. The irony is that I now need a pair of running shoes to keep up with him, but I bet it won’t be long until we can ride our bicycles together.

He loves riding his bike and he rides every day for longer and longer distances. At the ripe age of 3, he is learning the rules of the road, to watch out for driveways, to stop at all intersections and look around for traffic before crossing the street. He knows how to get to our neighborhood parks and stores and friends’ houses. He is embedded in his physical community, always waving to our neighbors and passers-by, and pointing out favorite fruit trees and berry bushes.

I know that he will ride his bike for his entire life and that he will be happier, healthier, stronger and more engaged with those around him because of it. Raising a child who loves bicycles and rides them safely does so much good for our community and for our world. My son is able to get himself around under his own power and that is an inspiring and beautiful thing. I am enjoying every minute of this, even as I run along behind him trying to keep up! 

Santa Rosa

…And In Charge

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A combination of naturally powerful pipes and an unstoppable work ethic has propelled vocalist and performer Storm Large to stages around the world. This month, she makes two appearances in the North Bay, singing at the Green Music Center’s Schroeder Hall and City Winery in Napa.

In an interview, she talks about her natural gift and drive to succeed. “I had this weird, uncanny memory for sound,” recalls Storm Large. “I could listen to the Beatles’ Abbey Road and pick out all of the harmonies and sing each one individually. I didn’t realize I was teaching myself how to sing.”

Growing up in the 1980s, Storm found her inspiration and solace in punk rock records from bands like X and Black Flag. She moved from the East Coast to the Bay Area in the early 1990s and got her first taste of singing rock and roll on stage in San Francisco, where she became a local favorite.

Now living in Portland, Ore. her fame catapulted with TV appearances, a book, and a touring role in the band Pink Martini. The secret of Storm’s success is simple. “When I started I didn’t want to be famous, I wanted to be good at something,” she says.

“I don’t have an end in sight. People ask, ‘How do you know when you’ve made it?’ But you never make it, you just continuously make. I’ve had amazing career triumphs for a scruffy punk from the sticks, and I take a minute to say good job, but keep going. Keep going.”

As well as her own music, Storm Large specializes in performing exuberant theatrical renditions of classic pop, rock, and even punk songs. When she’s not performing with Pink Martini, Large fronts her own band, Le Bonheur, formerly known as the Balls.

“The Balls was my favorite band name of all time,” she laughs. “But then I started doing highbrow stuff. I didn’t care, but my band was like, ‘You can’t call us Balls anymore, you can’t do it. Meanwhile I’m touring in France and there are a lot of songs I sing with the words Le Bonheur in them, and I always laughed. And it means happiness so I thought, ‘Well what do you know about that?'”

Storm Large and Le Bonheur are currently touring the country in anticipation of their upcoming album, also titled Le Bonheur; slated for release Oct. 7. It’s a truly imaginative record, with songs like Cole Porter’s “I’ve Got You Under My Skin” and Lou Reed’s “Satellite of Love” arranged in sweeping and sonorous melodies, while songs by Black Sabbath and Bad Brains get their own brilliant homages.

Storm Large appears on Sunday, Oct. 5, at Schroeder Hall, 1801 E Cotati Ave, Rohnert Park. 3pm. $25. 866.955.6040. And again on Thursday, Oct. 9, at City Winery, 1030 Main St, Napa. 8pm. $25-$30. 707.260.1600.

Gender Bender

‘I’m a strong believer in challenging yourself, in testing your limits,” says Peyton Victoria, a student at Santa Rosa Junior College. “I’ve learned that to grow, you have to get comfortable stepping outside your own ‘comfort zone.'”

To prove that point, Victoria is stepping way outside her comfort zone. Having never appeared on stage, except for a brief appearance in a student directing project some years ago, she’s taken on the maddeningly challenging part of Rita in Craig Lucas’ supernatural gender-swap play Prelude to a Kiss, running for two weeks at SRJC under the direction of Leslie McCauley.

First produced in 1988, the play follows a young couple, Rita and Peter (Kot Takahashi), as they meet, fall in love and get married, their union instantly complicated when Rita’s soul is magically swapped with that of a depressed old man (Ron Smith) as he wanders past the wedding.

“The first time I ever heard of this play was last year in my theater history class,” says Victoria, who was intrigued enough by the play’s mysterious premise that she ordered the script online. “As soon as I started reading it,” she says, “I literally fell in love with it. I was reading it at Aroma’s in Santa Rosa, and I was so drawn into the play my coffee went cold before I remembered it again.”

It was the themes of unconditional love and the importance of taking chances in life that drew Victoria to the story, and gave her the courage to tackle so complex a role

“In this play, all hell breaks loose, and Peter doesn’t know what’s wrong—but he stays,” she says. “He commits himself to finding Rita. And he keeps on loving her—even when he finds her soul trapped inside the body of an old man.”

In playing the part, of course, Victoria not only plays Rita. She also has to play Rita as inhabited by the old man.

“And sometimes,” she laughs, “I have to play Rita’s body with the old man’s soul inside her, with him acting the way he thinks Rita would act—so it gets a little tricky.”

With her first play about to open, Victoria has set her sights on yet another way to step outside her comfort zone.

“I think I want to try a musical next,” she laughs. “Why not, right? So . . . I’ve already started taking singing lessons.”

‘Prelude to a Kiss’ runs Thursday–Sunday, Oct. 3-12 at Newman Auditorium on the Santa Rosa Junior College campus. 1501 Mendocino Ave, Santa Rosa. Wed.-Sat. at 8:00pm. 2pm matinees on Sat. Oct. 11 and both Sundays. $12-$18. 707.527.4343.

Metal Movies

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“This idea originally came up a couple of years ago,” explains musician and part-time rock god Robert Trujillo, “the question of what films the different members of Metallica all like—and which ones we’d pick to put into the festival if we were asked. When the question came up again this year, my choice was pretty simple.”

Metal heads and cineastes may now throw up the horns in appreciation

Yes, Metallica (who debuted their 3D concert extravaganza Into the Never at last year’s Mill Valley Film Festival) is back again. And this year, they’ve been named 2014 Artists in Residence at the annual October event, which ranks amongst the most distinguished non-competitive film events in the world. As Artists in Residence, each member of Metallica—currently ruling the planet as the biggest heavy metal band this side of the Great Beyond—has been asked select a film to run in the festival, and to introduce the movie with a few choice words about how that film inspires or intrigues them.

As might be predicted, the band’s choices are wildly varied.

Lead guitarist Kirk Hammett, a lifelong fan and collector of giddy-cool horror movie memorabilia, will be hosting a late-night screening of the uber-gory 1971 schlock spectacle Dracula Vs. Frankenstein (Oct. 6, 10pm), featuring Lon Chaney Jr. as a mutant ax-murderer. Drummer Lars Ulrich, known for his maniacally physical performance style, has picked a brand new film about very different, similarly driven, albeit fictional, young drummer. A hit at Sundance, Whiplash (October 7, 7) follows an ambitious young drummer and conservatory student, who locks horns with his ruthless and abusive music teacher.

Lead vocalist James Hetfield indulges his own taste for classic westerns with a fully restored, pristine print of Sergio Leone’s masterful poem to moral ambiguity The Good, The Bad, and the Ugly (Oct. 9, 7pm), featuring Clint Eastwood as the iconic Man with No Name.

And for Trujillo, bass player for the band since 2003, his choice of film was especially clear.

The emotionally stirring, eye-opening documentary Jaco (Oct. 6), about the pioneering bassist Jaco Pastorius, has Trujillo as one of its producers. An advance “rough cut” of the film, co-directed by Paul Marchand (The 50 Year Argument), will be followed by a musical celebration of Jaco, at the Sweetwater Music Hall, featuring a lineup of musicians including Trujillo and band-mate Hammett, Stephen Perkins (Jane’s Addiction), Roderigo y Gabriella, and members of the Pastorius family, all celebrating the music and indelible spirit of a true American original.

“The timing was right to present this to the world, to finally tell Jaco’s story, which is really a pretty amazing story,” says Trujillo of his choice to screen his mostly-but-not-quite-finished film, which will be released by Passion Pictures, which made a splash with the Oscar-winning Searching for Sugarman.

“We’ve had about ten different cuts of this film,” Trujillo says. “We’d think we were finished, and then some new treasure comes along, something we just had to put in the movie.”

Trujillo admits that some people are surprised when they hear that a member of a major heavy metal band is also into jazz, but points out that Jaco’s music spanned a much wider canyon than can be summed up in a single word.

“I’m gonna be 50 years old this year,” he says. “I’ve been around, I’ve heard a lot of music, and I appreciate everything from Beethoven to flamenco—and I was very lucky to have seen Jaco perform four times before his death. To me, I never looked as Jaco as just jazz. To me, it was a very personal thing. To me, he was always rock ‘n roll.”

Film, as MVFF has demonstrated annually over the last 37 years, is both widely universal and deeply personal. As Metallica’s choices illustrate, one film means different things to different people. In the course of single festival—this one features over a hundred features, shorts, documentaries, parties, panel discussions, and onstage interviews in eleven days—an audience’s reaction will be as rich and varied as possible color combinations on a painter’s palette.

In addition to the Metallica selections, this year’s festival includes The Theory of Everything (Oct. 9, 7pm), a moving filmic biography of physicist Richard Hawking. Another high-profile, math-themed film is The Imitation Game (Oct. 4, 5:45 p.m. and October 6, 4pm), featuring Benedict Cumberbatch about mathematician Alan Turing and his efforts to crack Nazi codes during World War II.

This year’s event seems to have a number of films with science, math or nature as a major theme, including the festival closer, Wild (Oct. 12 5pm), featuring Reese Withrspoon in the film adaptation of Cheryl Strayed’s bestseller about a woman hiking the wilderness alone.

“You can learn a lot from a film, seriously,” says Trujillo. “I’ve learned so much from making Jaco—and now I can’t wait to share it with a few of our friends.”

Ode to a Patty Melt

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We were on the road from Santa Rosa to Bolinas on Wednesday in the luxe and powerful Grand Marquis, rolling large and in charge, with morning business concluded: Check in with the Santa Rosa office, whack out some online business, get ready for next week’s issue.

My companion had previously dumped his car at the wrecker’s in Santa Rosa with the tow guy, and needed to grab a check for his car; now he had money burning a hole in his pocket, even after blowing $72 at the Santa Rosa Barnes & Noble and some tea at the nearby Peet’s on the main downtown drag.

We purred through Petaluma, stopped at the McEvoy Ranch for some olive oil and information—and then debated and discussed in great and animated detail, the various Pt. Reyes Station lunch options down the road—Station House Café, Osteria Stellina, Pine Cone Diner.

The piscatarian in the car emphasizes that he doesn’t eat meat, though I did recall selling him a large, barbecued and quite deliciously nasty Polish sausage at a recent Bolinas Community Center Fund-Raiser…hmm. Well.

We all have our little slips now and again.

I was about to have one of my own. I turned 47 about a month ago and decided to lay off the red meat awhile.

Maybe a long while.

Maybe until lunch Wednesday, after we rolled into Pt. Reyes Station with hunger and mirth on the mind—and the Pine Cone in our sights.

The Pine Cone Diner falls into the category of institution. You can know this even if you’ve never been there before. As diners go, it is not especially cheap, but as Marin County eateries go, it’s very affordable.

It’s a diner, and diners are by, for and of the people. I come from Long Island. We know diners, and we know when someone’s trying to jack you with some $23 offering of grandma’s meatloaf.

If journalism, at its best, is about afflicting the comforted and comforting the afflicted, let’s afflict the comfort food wannabes that ape diner food and try to convince you that macaroni and cheese is haute cuisine because you rubbed your truffles on it. The Pine Cone Diner is not one such place. Its comfort is built in, unaffected, even a little cranky at times. That’s cool.

Goshamighty, all this talk of food reminds me that I had the craving. I had the mind-eyeball for a cheeseburger, a fat, juicy burger. With a dollop of mayonnaise squeezed on the side of the plate, for extra-dipping pleasure. With French fries, glorious French fries bathed in the oil of excess.

But I thought of the pact: lay off this stuff, man.

So I scanned the menu, and scanned it again. I ignored the cheeseburgers with great effort, I scoffed at the turkey burger, I shot poison darts at the garden burger. One or two items sounded like Alice Waters was hiding under the placemat, and I ignored those, too.

And then I spotted it. Patty melt!

Hey, I thought, that’s a big step-down from the big and juicy burger. It’s verily a compromise. Why, it’s practically like ordering cottage cheese on a fantail of iceberg lettuce and some treacle-fruit from the can, right?

The Patty melt, to put the finest of points on it, was an exquisitely humble take on the old standby: butter-grilled rye, sautéed onions, melted cheese of indeterminate origins, and that godforsaken patty of love-hate-love, cooked to perfection. It’s Marin Sun Farms meat—comes from right down the road. It’s good for you.

In retrospect, I should have ordered the double patty melt.

Sept. 26-28: Valley of the Moon Vintage Festival, Sonoma

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The Valley of the Moon Vintage Festival is an annual weekend of art, music and wine. This year, the festival boasts more than 75 artists displaying their goods, local vendors and winetasting. The lineup of free music includes local legends like Blues Hall of Famer Charlie Musselwhite, Lydia Pense & Cold Blood, Frank Bey & the Anthony Paul Band and others. There’s an opening-night gala, parades and many more activities, and all proceeds benefit Sonoma Valley nonprofits. The Vintage Festival takes place Friday to Sunday, Sept. 26-28, on the Sonoma Plaza, First Street East, Sonoma. Free. 707.996.2109.

Sept. 26: Salman Khan at the Lincoln Theater, Yountville

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Salman Khan was tutoring his cousin 10 years ago when the idea came to him. He started posting his tutorials online, for free, and shared his extensive knowledge with the world. Now the Khan Academy provides thousands of lectures and educational resources. Khan comes to Yountville for a live and thought-provoking presentation Friday, Sept. 26, at the Lincoln Theater, 100 California Drive, Yountville. 6pm. Free. 707.226.8742.

Rent Vent

Gov. Jerry Brown signed a bill Tuesday that could set the stage for the future of affordable housing in Marin County—a hot-button issue that has unfolded in recent months as the state reviews a county master plan whose housing provisions have roiled Marin in recent months. "Affordable housing" is an oxymoron in Marin County. Rents have gone up by 13...

Say No to Prop 1

North Bay voters: we must reject Proposition 1, the water bond on the November ballot. This sham would burden us with $7.5 billion in new debt, which translates to $14.4 billion including interest. That's $360 million per year for 40 years that could be used for other priorities like education and health care. For an investment like that, we...

Last Days

The saga of ruin and futility is painful enough for Americans to remember. The finale is even more humiliating, and that explains the sometimes tiptoe approach documentary maker Rory Kennedy (RFK's daughter) takes in Last Days in Vietnam. The primarily American interviewees here include the ever-exculpatory Henry Kissinger, secretary of state during the end of the war in 1975, former...

Letters to the Editor: Oct. 1, 2014

Two-Wheeled Victimization Complex Regarding (Facebook) posts in Sept. 17 issue, by Dan Foley and Amanda Alves, I find it remarkable they both nailed it. They said in a few words what I have tried to say in many. My ideas are a little broader and more detailed but I loved their response to an ongoing and increasingly more complicated issue. My...

…And In Charge

A combination of naturally powerful pipes and an unstoppable work ethic has propelled vocalist and performer Storm Large to stages around the world. This month, she makes two appearances in the North Bay, singing at the Green Music Center's Schroeder Hall and City Winery in Napa. In an interview, she talks about her natural gift and drive to succeed. "I...

Gender Bender

'I'm a strong believer in challenging yourself, in testing your limits," says Peyton Victoria, a student at Santa Rosa Junior College. "I've learned that to grow, you have to get comfortable stepping outside your own 'comfort zone.'" To prove that point, Victoria is stepping way outside her comfort zone. Having never appeared on stage, except for a brief appearance in...

Metal Movies

“This idea originally came up a couple of years ago,” explains musician and part-time rock god Robert Trujillo, “the question of what films the different members of Metallica all like—and which ones we’d pick to put into the festival if we were asked. When the question came up again this year, my choice was pretty simple.” Metal heads and...

Ode to a Patty Melt

We were on the road from Santa Rosa to Bolinas on Wednesday in the luxe and powerful Grand Marquis, rolling large and in charge, with morning business concluded: Check in with the Santa Rosa office, whack out some online business, get ready for next week’s issue. My companion had previously dumped his car at the wrecker’s in Santa Rosa...

Sept. 26-28: Valley of the Moon Vintage Festival, Sonoma

The Valley of the Moon Vintage Festival is an annual weekend of art, music and wine. This year, the festival boasts more than 75 artists displaying their goods, local vendors and winetasting. The lineup of free music includes local legends like Blues Hall of Famer Charlie Musselwhite, Lydia Pense & Cold Blood, Frank Bey & the Anthony Paul Band...

Sept. 26: Salman Khan at the Lincoln Theater, Yountville

Salman Khan was tutoring his cousin 10 years ago when the idea came to him. He started posting his tutorials online, for free, and shared his extensive knowledge with the world. Now the Khan Academy provides thousands of lectures and educational resources. Khan comes to Yountville for a live and thought-provoking presentation Friday, Sept. 26, at the Lincoln Theater,...
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