Home Grown

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Wouldn’t it be great if Google or Facebook moved to Sonoma County? Well, yes and no. It would certainly create a lot of jobs, but the impact on housing prices and traffic wouldn’t be great. Anyway, such a move isn’t likely to happen, and I say that’s just as well.

Folks move to or choose to remain in the North Bay because of the quality of life, open spaces and the slower pace. Silicon Valley’s crushing traffic, Gold Rush–style development and stratospherically high cost of housing are not things we aspire to. In fact, many bail on Silicon Valley and San Francisco for those reasons, present company included.

But we still need jobs and economic development. Increasingly, that’s coming from small-scale makers, farmers and artisans, not big corporations. Small and home-based businesses are part of the North Bay experience. Local purveyors are part of what gives the North Bay its look and feel. And while they don’t have the economic might of a Google, local businesses create local jobs, reduce reliance on carbon-intensive imports, keep dollars circulating locally and contribute to the North Bay’s identity.

Last year, Sonoma County’s GoLocal Cooperative, a network of local businesses, residents and nonprofits that support local, sustainably minded businesses, produced $5.6 million in sales through its rewards card program. That generated an estimated
$2 million for the North Bay’s economy.

Two years ago farmer Kelley Rajala and weaver Pam Dale founded a different local business group called North Bay Made. The membership-based group is helping to unify small North Bay businesses by acting as their sales and marketing team. With more than 50 makers and markets in its portfolio, the group is really a force of private-sector economic development. But instead of trying to attract new business to the North Bay, North Bay Made is cultivating homegrown makers in the North Bay and stoking the benefits of a homegrown economy.

“We’re just stacking up win-win scenarios,” says Rajala

We write about local purveyors every week in the Bohemian, but in this issue we’re highlighting several of our favorites. The good news is there’s more where that came from.—Stett Holbrook

CLUTCH MONKEY

There’s something very wrong about throwing your leg over a vintage motorcycle while wearing a pair of Dockers. It’s not only fashion suicide, it’s not smart. Riding a bike requires a heavy-duty pair of trousers built to withstand hot tailpipes, flying gravel and high-speed asphalt encounters.

Jeans are the pants of choice for most self-respecting bikers, but as Bodega vintage motorcycle enthusiast Marc Bencivenga discovered, there’s not a lot of high-quality, heavyweight denim on the market, especially when you’re 6-foot-3 and 260 pounds of badass biker. (Note to self: Make sure you spell “Bencivenga” correctly.)

“There wasn’t anything out there,” says co-founder Bencivenga. His wife, Jennifer Klein, is the other founder. “That was the inspiration for Clutch Monkey. There was an unmet need.”

Clutch Monkey makes burly, selvedge denim jeans and vests for bikers and those who appreciate bulletproof denim. Selvedge is heavy, stiff (at first) denim made on shuttle looms that fell out of favor when denim went mainstream in the 1950s. Newer projectile looms make more denim faster and cheaper, but it’s not as durable as selvedge. Selvedge is made in tightly woven strips of heavy fabric and finished with bands down each side that prevent fraying and unraveling.

Turns out there is only one mill in the United States that makes selvedge to Clutch Monkey’s standards: North Carolina’s Cone Mills. Clutch Monkey also sources its selvedge from Japanese mills that use retooled Draper and Toyota looms.

“The Japanese put out the best selvedge on the planet,” says Bencivenga.

Clutch Monkey jeans and vests are designed in Bodega and sewn in San Francisco’s last denim factory. (The factory is in such high demand that Bencivenga was asked not to divulge its name. Top-secret denim!)

As a revival product, selvedge is often expensive, but Clutch Monkey sells most of its goods via crowdfunding campaigns and so can offer it at near wholesale prices, because a production run only begins with cash from backers on hand. No marketing required, although Clutch Monkey leans heavily on Facebook and Instagram.

“All the marketing comes to us in real dollars,” says Bencivenga. “People pay for what they believe in.”

If you want to handle a pair of Clutch Monkey jeans or a vest for yourself, get on your bad motor scooter and ride to the newly
opened Soul Riders in Santa Rosa (404 Mendocino Ave., 707.978.3810), the company’s only retail outlet. Opened by former Brotherhood skate shop owner Kurt Hurley, Soul Riders specializes in Southern California beach-culture ware in the form of surf, skate, hot rod fashions and reissues of classic skateboard decks along with a bin of vintage vinyl in the rear. Hurley is excited to carry Clutch Monkey denim as the one nod to the North Bay.

“The jeans will outlive you,”
he says. clutchmonkey.com.
—Stett Holbrook

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dhbetty

Spokes, cogs, chain, fenders, rims, valves—for Christine Culver, owner of dhbetty Bicycle Gems, an artist creating jewelry from upcycled bicycle parts, “it’s all about the bicycles.”

Dhbetty Bicycle Gems was the first business to connect with North Bay Made. Culver, a longtime cyclist, found a passion for bicycles in her late teens when she started racing professionally. She moved up to Sonoma County to work at a bike shop and continue racing.

Culver’s bike love led her to a position as executive director of the Sonoma County Bicycle Coalition in Santa Rosa, where she served from 2003 to 2011. The group advocates for better bicycle access throughout Sonoma County.

“I had gotten involved as a volunteer, then got myself on the board and created a job for myself,” Culver says.

While Culver was running the bike organization, she began creating her jewelry. “The thing that really kicked off this whole ‘doing the jewelry with the bicycle focus’ is that I just wanted a pendant with a bicycle on it. Everything I was finding was really chintzy. It started as a quest looking for one, and then finally I started making them.”

Culver designs bracelets, earrings, glass pendants and necklaces, some made from upcycled bicycle parts, including gears, chains, tires and spokes. Bike shops and the Santa Rosa Cycling Club donate retired bicycle parts for their next
lives as jewelry. Culver sells her jewelry at bike-based events,
local retailers and Clif Family Winery in St. Helena. dhbetty.com. —Haley Bollinger

THE SHOP

It’s a hot and delightful Thursday in Olema, and there’s really no place to be except eased back on the sun-dappled porch of a new West Marin outpost of “uncommon mercantile” called, simply, the Shop.

Sit on the porch in a Jane Brooks–designed baseball hat that features the store logo—she’s a co-owner and designer here—as you sip cold-pressed iced coffee out of a milk bottle and watch a flow customers peruse the offerings.

Repurposed as a shop of local goods, vintage wares, “Northern California classics and practical provisions,” the joint is positively bustling today.

Score! A young man of obvious means emerges with a pair of vintage California license plates tucked under his arm. There’s a whole crate of them out back, if you take the time to look.

Take the time. It’s worth it.

The Shop began in Fairfax several years ago when a quartet of West Marin makers took over the former Good Earth parking garage.

“We did a pop-up mercantile that lasted two years,” says Brooks, where she, her partner Val Yandell, Liz Lavoie and Michele Schwartz made stuff, gathered stuff and sold stuff.

When the Good Earth building sold, the women scoped out the Olema property, which last housed an art gallery. It’s the original Olema post office and there’s an old-time print behind the cash register that shows the building as it was way-back-when.

Together, the four set out to curate a retail joint that would offer and emphasize a particularized aesthetic. The gist is utility with style, preferably repurposed, salvaged or otherwise gathered from the beach, the woods or some old barn somewhere. And, where possible, Brooks says they set out to keep the preciousness factor at a bare minimum. Preferably, none at all. This is, after all, rugged and wild—and quirky—West Marin.

One section of the shop features kids toys along with Schwartz’s exquisitely soft and luxe cashmere creations, hats, ponchos and scarves repurposed from previous couture incarnations.

Elsewhere, vintage hand tools share shelf space with soft hand-made Sun Dog T-shirts that depict old maps of Mt. Tamalpais and other iconic outposts. There are hand-printed greeting cards from Bolinas’ Sirima Sataman, jewelry from Fairfax’s Sarah Roberston, and T-shirts and bags with the shop logo, to go along with that baseball cap.

The quirky factor finds a voice of sorts in the shelves themselves. The post office survived the 1906 earthquake, but the wall-in shelves wound up on a permanent slant after the fact. Hey, it adds character.

“We don’t put marbles on those shelves,” says Brooks with a laugh. They do, however, offer 5 cent pieces of Double Bubble gum to the kids.

Another anchor product comes from Lavoie. The Store is peppered inside and out with simple stencil designs of surfers (and others) rendered on repurposed grape-drying trays; those go for $90 or so.

Visitors to the Shop are heartily encouraged to hang around until they’ve uncovered every choice niblet of functional nostalgia, utility and the handmade on display here.

Oh look, a box filled with old matchbooks! Jewelry fashioned from beach flotsam and jetsam, cool. Delicious fudge offered in an old fruit jar, yum. Handmade beaded jewelry and leather bracelets from Sister Sue—beautiful.

The well-curated, handmade stuff drives the aesthetic here, like the one-of-a-kind, functional mini sailboats from Inverness’ Ray Forbes that start at about $250.

“He’s an off-the-grid craftsman who makes the most delicate and refined pieces of sculpture—and that take a ton of time to make,” says Brooks.

“We love handmade, we love vintage, and we love new stuff,” she adds, “but mostly we just love community. We’re proud to be representing people who are making things.” 9960 Hwy. 1, Olema. theshop-olema.com.
—Tom Gogola

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WILDBRINE

Driving by the unassuming Windsor Business Park, it’s hard to believe it’s the home of local fermented magic. And yet this is where business partners Richard Goldberg and Chris Glab launched Wildbrine five years ago, the go-to spot for all things pungent, crispy and spicy.

Former San Francisco residents and now proud citizens of Windsor and Santa Rosa, Goldberg and Glab have been friends for more than 30 years.

“We met through friends, and since we both were triathlon athletes, we would run together and then meet and cook for friends,” says Goldberg. Goldberg brought the restaurant and cooking experience, Glab had the food marketing background, and the two soon left corporate life behind and launched a line of cheeses, hummus and salsas. After a five-year break following that business, they opened Wildbrine.

The Windsor operation employs 40 people, and Wildbrine is currently carried in eight Whole Foods divisions nationwide and every local gourmet grocer in Sonoma County. The modest plastic jars contain some of the most unique kimchi, pickles, sauerkrauts and fermented salsas an adventurous condiments lover can wish for. Kimchi flavors include Japanese (with miso and horseradish) and Thai (with lemongrass and basil), and the sauerkrauts are not too traditional either—arame ginger or Madras curry cauliflower, anyone?

“We use our imagination and look for current trends, stuff we like that go well together. We’re both foodies and do all product development ourselves,” says Goldberg.

Smoky kale and tamari Brussels sprouts, as well as candy-striped beets and beet greens are some of the ingredients soon to make their way into Wildbrine products, and the latest innovation—fermented salsas with everything from cabbage to carrots—already has a devout following.

“I love our products as a side dish, or incorporating sauerkraut into salad dressings—I purée it!” says Goldberg. How very wild. wildbrine.com.—Flora Tsapovsky

NBC POTTERY

Settled in the mountains above St. Helena in the small town of Angwin, husband-and-wife duo Will and Nikki Callnan create intimately crafted clay works that are redefining everything from plates and vases to sculpture. Under the name NBC Pottery (named after Nikki Ballere Callnan), the pair specialize in custom-made wares designed for private customers as well as restaurants and wineries.

“We’ve been in clay and creating as long as we can remember,” says Will Callnan.

The two met while studying fine arts at Sierra Nevada College in Lake Tahoe. Originally from the East Coast, Will says they decided to stay and work in California because of the rugged beauty of the area, something that’s reflected in their work.

If you’ve ever dined in the Restaurant at Meadowood in St. Helena, you’ve eaten off their plates. Often resembling organic materials such as bark or mushrooms, the pieces highlight chef Christopher Kostow’s cuisine.

“They were looking for something different,” says Will Callnan. “With each piece, we want to show the qualities of the material.”

The flexible qualities of the clay are also on display in the way their vessels, vases and bottles mimic the fluid movements of waterfalls and birds taking flight. With a world of influence right outside their home studio, Will, Nikki, their young son Gavin, and newest addition Evie, are happy to host guests for a studio visit. Their custom wares are available for order or commission online, or directly from the studio. 707.965.1007. www.nbcpottery.com.
—Charlie Swanson

Letters to the Editor: June 24, 2015

S.C., NRA & GOP

The Confederate flag did not murder the Charleston, S.C., church folk. The NRA and Republican Party have the blood of this massacre and what will be the next one on their hands.

So can we please stop the futile and diversionary discussions of the “motivation” of the racist redneck in South Carolina, and historical analysis and further hysteria about the Stars and Bars flying on the S.C. Capitol grounds?

This ain’t the story, folks.

The blame is on the National Rifle Association and the Republican Party, who insist that anyone can have a gun. Including this guy. And the last one. And the next one.

Obama has been his normal courteous self, calmly and sadly mourning the latest victims of the NRA and its pathetic puppet, the Republican Party. Weak. The Dems and Obama should call it like it is: the NRA and Republicans are the cause of this (near weekly) massacre. No one has screamed at the top of his lungs, “Stop this insanity!” to demand absolute gun control and registration. Now!

Australia had its lunatic massacre and said, “Enough, we are a civilized society,” and they pretty much overnight eliminated guns in the country. Guess what? Murders dropped to practically nothing.

The Republicans, whose main platform is no gun control, are lubricated by the NRA. Let’s place the blame on how easily and legally the S.C. nutso hillbilly got his gun, and ask is this the society we want? Most would say no. Is it the society the Republicans and NRA want? Yes.

The media is screeching about the latest tragedy without stating the cause because they are so frightened of telling the truth, which is that we are the only “civilized” country that allows a nut-job political party to allow and encourage these predictable deaths for the profits of gun manufacturers. Nothing is sacred to these profit-seeking maniacs, neither churchgoers nor children, and it will happen again. We permit it by voting for any Republican.

We are programmed by the media, editorials, blogs and social media, and the government to wet our pants in fear over “terrorism,” spending our resources on the war machine and not our own education, environment, schools, bridges and infrastructure.

Guess how many “terrorist” deaths have occurred in the U.S. in the last 30 years? Did you guess about 3,800? Yes, under 4,000, including 9-11 and Oklahoma City. Imagine that this figure represents the thickness of a penny on a table.

Now, let’s get back to gun deaths. How many people in the same time period in the U.S. were killed by guns? If a penny’s thickness represents all terrorism deaths in the U.S. for approximately 30 years, then figure out how high the pennies would be stacked to represent U.S. gun deaths during the same time. A foot, three feet high? Maybe 10 feet high? Twenty, 50, 100 feet? No. One-third of a mile is the correct answer.

Thank you for killing us NRA and Republicans. You are more lethal than ISIS, al Qaida and all the other “terrorists.” You, NRA and GOP, are the real terrorists, and the blood of these church murders is on your hands.

Santa Rosa

Write to us at le*****@******an.com.

Mountain High

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The buzzards are circling at CADE. That’s no figure of speech, they’re nearly in our reach, on this perch on Howell Mountain so high—we’re sharing the sky as we sit on the terrace while a nice young lady pours us wine.

But my colleague is starting to fade. She had too much to sip on the last stop on our trip, and now her glass has crashed in the gravel. At first I thought the view had stirred her. Over a fountain—seems to flow off the edge of the mountain—we can see Napa Valley all the way past that sign—who said, “And the wine is bottled doggerel”?

Have I mentioned the view from CADE? It really is fantastic, and it’s yours, by reservation—with plastic—for a nonrefundable fee. That’s all I can tell you about CADE. Of CADE nothing more is required. The answers I got, when I inquired, were about what you can get for free.

So I still have so many questions about CADE, as they say. Is it an acronym or something; are they just “shouting?” No—like its sister, Plumpjack, founded by the same pack, it’s all to do with Shakespeare and wine. Guess what I learned on the internet today.

For years I’d looked forward to CADE. I’d expected a tour, that was the lure, but it’s nobody’s fault, sometimes winetasting gives you lemons. Here is my lemonade.

Speaking of which, let’s move on to refreshments. Fruity as a Kiwi SB, spicy as a Talisker, the CADE 2014 Napa Valley Sauvignon Blanc ($30) is a bit raw but surely no plonk; I prefer the lime blossom aroma and lively acidity of the 2014 Estate Sauvignon Blanc ($48)—though that’s double the coin I’d shell out for a Blanc.

The CADE 2012 Reserve Cabernet Sauvignon ($360, two-pack) has got plush, plum fruit going for it—and at first, the “melted” sort of tannins too—but it might take some time for the bitter finish to release its grip. Fortunately, the reserve Cab comes in a box of two: one to brave now, and the other to sample when it’s softened—long before, we hope, you’re old and alone and afraid.

A few weeks later I was chatting with a stranger who told me what a mistake I’d made. “So-so,” I said, to which she counseled, “No, no—you must ask for the tour at CADE!”

360 Howell Mountain Road S., Angwin. Tasting by appointment only, on the hour, 10am–3pm. Tasting fee, $40; tour, $70. 707.965.2746.

Into Darkness

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There is something refreshing about the noir worldview. There are crooks, good cops and bad cops, corrupt politicians, dames with looks that kill, and honest men fighting their way out of bad situations. Moral ambiguity has no place.

The noir genre, be it cinemagraphic or literary, endures because of its simple and enduringly American ethos. In noir, things are black-and-white, and that’s the way we like it. We need the dark the to see the light.

“Amid such darkness and its concomitant truth, however ugly and mocked, despised, or kicked-down-the-road and disowned, a good man, no matter how far down the gutter he plummets, no matter how deep he gets in, how hard it is to pull out, no matter how tight and unrelenting the frame, still! You have a fighting chance against the Fat Man. Or Peter Lorre. Or a Chinaman with a blackjack in his hand. . . . Bring on the night!”

So goes the introduction to a delightful collection of neo-noir stories by North Bay writers titled Sons of Noir (Round Barn Press). The collection is edited by Ed Coletti and David Madgalene, who both contribute stories to the book.

The stories are set in San Francisco, Oakland, the Bogotá airport, nameless cities and, in one particularly hardboiled story by Waights Taylor Jr., the mean streets of Santa Rosa.

Taylor’s story is classic noir and features a Scotch-swilling, lone-wolf private eye who finds himself in over his head on a case of high society and high crimes with a wine country twist: a meth lab masquerading as a winery. It’s a kick to see the action play out on the rainy (remember rain?) streets of Railroad Square and Fountain Grove, and the back roads of Valley Ford. You’ve heard the story before—
a crooked cop, an honest friend, a siren of a woman, a criminal enterprise—but Taylor renders it anew.

David Beckman’s “In the Mission” is a standout of the classic double-cross variety, and a debouched gem. Beckman narrates the requisite violence particularly well, as in this scene:

“Jimi clenched his right fist, took his shoulder back and, getting a lot of hip into it, threw the punch into Max’s belly. Max’s lips made an O, he let out a sound like a bellows, lost his balance and, arms windmilling, fell forward, his knife nearly flying to the ceiling. Jimi stepped against the wall as Max’ knees slammed hard onto the second step down with a crack like wood splitting, then watched Max roll forward and tumble on past, head leading, legs extending up and back. The knife cascaded ahead of him like some metallic bird.”

Another favorite is Gary Brandt’s (yes, he’s the Bohemian‘s copy editor—sue me) “Cigarette Breakfast,” a humorous, sharply written spoof of the Postman Always Rings Twice.

For co-editor Madgalene, author of the well-wrought “Lt. Oni Cha,” the noir isn’t retro. Noir is now.

“It’s very timely again,” he says. “Everything is broken or corrupt or you’re in over your head. Those are very noir qualities.”

House of Payin’

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The Sonoma
County Board
of Supervisors couldn’t resolve the issue of how much to pay county home healthcare workers this year as they signed a $1.45 billion budget.

The workers get paid $11.65 an hour. County supervisors, under pressure to raise the rate to $15, balked over concerns that a rate hike could dry up county surpluses.

The supervisors went for a limited pay hike for some—but not the 5,000 workers in the state-managed In-Home Supportive Services (IHSS) program. Those workers are on the front line of home-based eldercare and care for those with disabilities. Critics say the county pushed off the issue to the state to set a single statewide wage, which is years away.

Workers are now in limbo between a county that says it can’t raise wages without real pain, and a state that has shown little stomach for a $15 living wage. The wage picture is complicated by budget moves made by Gov. Jerry Brown that affected in-house care providers. Indeed, pay-equity advocates had to fight this year to restore billable hours cut by Brown.

The county told wage-equity advocates that “the bargaining is going to the state level soon,” says Marty Bennett of North Bay Jobs with Justice. “The supervisors are hiding behind it, but that’s not true. It’s not going to happen for some time.”

Sonoma County Supervisor David Rabbitt says the county is still in negotiations with the workers—behind closed doors. He adds that the county’s wage is ranked seventh or eighth among the state’s 58 counties—and he agrees that the workers could use a break.

“The IHSS workers are typically underpaid for what they do,” he says, “and the reality is, yes, it is a state issue.”

The backdrop for the wage fight is found in a public authority created in 2011, the statewide Coordinated Care Initiative that aimed to set the wage for these workers through negotiations with the Service Employees International Union (SEIU). But its initial reach covered only a handful of counties: Los Angeles, Orange, Riverside, San Bernardino, San Diego, San Mateo and Santa Clara.

Sonoma won’t get phased-in until 2018, and local wage-equity advocates say that’s too long too wait. Rabbitt’s personal view, he says, is that SEIU pushed for the 2011 bill in Sacramento to leverage better wages for lower-tier workers in other counties, who make as little as $8.50 an hour. “We’re already in the top tier.”

Marin County voluntarily enacted a state-high $13.10 wage for IHSS workers following creation of the state authority, but Sonoma County remains at $11.65. Rabbitt notes “that’s why we are in collective bargaining.”

“Right now, we bargain county to county,” says Ben Delgado, deputy director of government relations at SEIU-United Healthcare Workers, which represents the home-care workers.

Delgado says negotiators with the county this year accepted that the supervisors had not yet phased-in to the state authority.

“We said to the county, ‘You ultimately have to bargain with us to raise wages and benefits.’ For them to then say that the state will have [the workers] best interest, it’s pointing the finger elsewhere.”

The slow-roll toward a living wage is of a piece with moves made by austerity Democrats like Brown. Last week he agreed to a $167.6 billion budget that included $61 million above his $115.4 billion proposal. His 2015 budget left intact a 7 percent cut to billable hours directed at in-home workers—but he put $226 million back into IHSS to undo the cut. That provision lasts one year.

Closer to home, Rabbitt says
the annual county IHSS budget
is around $13.5 million, and that the county “struggled to find the 15 cents to add” to get it to $11.65.

Katie Kleinsasser, communications director at CalNonprofits, says wages for in-house workers is a nagging issue around the state as she describes a “peculiar link between county and state funding for in-house home workers.”

The IHSS budget fix, says Kleinsasser, gave Brown an opportunity to put better optics on his priorities, in light of a surplus.

“The budget doesn’t do much for seniors,” Kleinsasser says. “There’s a small piece of the budget that tries to deal with the [IHSS] hours issue as a way to get something in the budget for seniors and people with disabilities.”

The wage issue remains with the county, and Rabbitt says that “we are still in collective barganing, and we’ll negotiate in good faith.” Delgado notes that “for Sonoma, maybe we can’t pay them the $15, but there is a pathway—and what does that look like? In terms of what the state can do,” he says, “they can try and expedite the phasing-in” of the Coordinated Care Initiative, but he doesn’t see anything happening until 2018. In the meantime, the workers can’t wait.

The Sonoma IHSS contract ends in October, Delgado says, and there’s a bargaining meeting in July.

“We’re going to go back to the supervisors to get them to do right by the workers,” says Delgado.

Classical Pairing

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Wine aficionados relate flavor in terms of “notes.” This week, wine will be described purely in musical notes when pianists Jason Serfling and Van-Anh Nguyen combine their talents with flights of local wine for the “Perfect Pairing” workshop, tasting and recital.

Raised in the Sacramento Valley, by the time he was 10 years old Serfling was performing Mozart on the piano by ear and composing his own pieces. His style is described as neo-classical and his habit of fusing disparate eras of music culminates in a forthcoming piano rock album, due later this year.

International star Van-Anh Nguyen is also a prodigy acclaimed for her intensely intricate technique and crossover compositions. Born in Australia to Vietnamese parents, Nguyen has played across the globe and recently hosted Discovery Channel’s Philippines In-Sync television series, combing her love of music, travel and people.

The tasting and recital benefit the Amala Foundation and Interfaith Shelter Network, a homeless service provider. The foundation offers free music lessons and aims to promote “personal growth, clear communication, compassion and an ethos of service for children in need.”

“Perfect Pairing” takes place Saturday, June 27, at the Live Musicians Co-Op, 925 Piner Road, Santa Rosa. 8pm. $15–$35. 707.527.8845.—Charlie Swanson

Constant Gardener

Alan Rickman’s A Little Chaos puts us at the creation of Versailles in 1682 for a very flared-nostril romance between King Louis XIV’s landscape architect Le Notre (Matthias Schoenaerts) and the unorthodox gardener he hires, Sabine de Barra (Kate Winslet). Impeding their courtship is Sabine’s long-standing trauma over the way she was widowed. More trouble comes from the objections of the witchily unfaithful Mme. Le Notre (frequent villainess Helen McCrory).

Rickman directs in such a way that the king (who Rickman also plays) is the center of the film. Indeed, the film’s best scenes are the one Rickman reserves for himself and Winslet, whose curves and untidy golden hair are flattered by the outfits. She looks businesslike and weary, with heavy eyelids and parted lips. Or maybe she’s just short-winded from the tight corsets.

If there’s chaos here, it’s a chaos of accents, most of them British. The romantic dialogue, in particular, is badly stilted. And doesn’t Schoenaerts’ Le Notre come across as a little too grim for anyone to fantasize about?

Still, the supporting work is adept. Jennifer Ehle as the discarded royal favorite Mme. de Montespan is beguiling. Stanely Tucci plays the king’s well-liked homosexual brother “Monsieur,” who frets about life in the country (“Muck, or beasts making muck . . .”). Rupert Penry-Jones stands out as an ironical chevalier, taking Sabine on her first tour of court. He’s so suave one wonders why Sabine doesn’t run off with him instead of with her lovesick Le Notre.

‘A Little Chaos’ opens Friday at Summerfield Cinemas, 551 Summerfield Road, Santa Rosa. 707.525.8909.

Howdy, Neighbor

In an effort to unite our community through a simple gesture, I introduced an idea through the Sebastopol Downtown Association that was approved unanimously. We call it “Hi-Noon.” Every Friday at noon, the Main Street Sebastopol and downtown core business owners, employees and any others who want to participate, step outside and wave to one another, and to people passing by or stopped in traffic.

The idea is that we are all having a “me” experience, each one of us under different situations and different circumstances, but on Friday at noon, we recognize that we are all having our experiences in the same geographical location at the same time. So we take that moment to set aside the “me” experience to recognize the greater “we.”

To date, we have shared three “Hi-Noon” Fridays, and the number of participants and excitement about the event continues to increase. The feeling we all experience is one of genuine community, similar to what we experience when there is tragedy, except this time, we’re not coming out of our businesses to see what the emergency or police activities are about.

It’s really cool, and everyone has reported feeling great afterward, even though our shared moment literally lasts only a minute or two.

“Hi-Noon” will be on the agenda at the next Sebastopol Downtown Association meeting, and there will be city council members and business owners in attendance to discuss how to better disseminate our message to make the “Hi-Noon” event more inclusive. The meeting is at Sebastopol City Hall on Tuesday, July 7, from 1pm to 3pm. Everyone is invited to attend, because ultimately, we all must participate to make this a success.

If “Hi-Noon” continues to grow, we hope to incorporate the entire citizenry of Sebastopol, expanding outward to the whole of Sonoma County and, who knows, then to all of California and beyond.

Michael Carnacchi, who has fought an eight-year battle against U.S. Bank, owns Apple Cobbler in Sebastopol.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Death Rockers

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‘There’s going to be a lot of weird people wandering around Guerneville this weekend,” says Brian Wakefield.

He’s kidding. Mostly. As the co-founder of San Francisco cassette-tape label Death Records, Wakefield and partner Colin Arlen are celebrating their first year in business by throwing a huge shindig featuring 25 bands and plenty of good vibes within the grounds of Camp Outback, set in the ruins of the old J’s Amusement Park. Naturally, they’re calling it Deathstock.

Death Records has taken on the full-time, pro bono work of releasing music that would otherwise hardly see the light of day. “There was all this music happening, and it made sense to try to put it all in one place,” says Wakefield. “There’s been a loss of solidarity in San Francisco recently, but I feel it coming back.”

With sold-out runs of cassette releases by San Francisco bands like the shoegazing project Smiles and post-pop outfit Fleece, Death Records has not-so-quietly made its name in the city, and now Wakefield has his sights set on getting the whole crew together for a massive camp-out.

Deathstock starts Friday, June 26, with a free, 21-and-over show at McT’s Bullpen in Guerneville. Campers can stake their claim at Camp OutBack Friday night as well. Tickets for camp spots are limited; if you’re going that route, reserve a spot now. Day passes will also be available.

Headlining on Saturday, June 27, is legendary proto-punk figure Gary Wilson. “I thought if I could have one person play this show, who would it be? I went for him, and it worked out,” says Wakefield.

Wilson is famous for his 1977 new wave album You Think You Know Me, and even more famous for his subsequent 25-year disappearance from the public eye. He re-emerged in the last decade, and has been dealing out avant-garde rock and roll to continued acclaim.

Other weekend highlights include power trio Terry Malts, freak-pop producer Cole Lodge, and a Sunday headlining set by sunny garage rockers Tiaras, whose self-titled LP, released this year, has already been praised for its warm, laidback grooves. Echoing the mantra “If you book them, they will come” from Wayne’s World 2, Wakefield says the roster filled up in about a day and a half.

Deathstock will also have plenty of grilling going on, though it’s strictly BYOB, as well as an art fair curated by San Francisco collective Strange Cessation, clothing and rugs by vintage San Francisco vendor Vacation and plenty of freak-flag-waving in the natural setting of west Sonoma County.

Deathstock gets freaky from Friday, June 26, to Sunday, June 28, at Camp Outback, 16101 Neeley Road, Guerneville. $25 single-day pass; $70, weekend camp passes. Tickets available at www.longlivedeathrecords.com.

Debriefer: June 24, 2015

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ALL WET

Last week we got yet another press release from U.S. Rep. Jared Huffman, the very busy first-term Congressman from hereabouts who now says he has a Very Big Plan to deal with the drought. Huffman’s not playing—he just sounds PO’d over drought politics: “After years of partisan theater and overreaching that pits some water interests against others in a zero-sum game,” Huffman writes, “it’s time for Congress to get serious and stop treating California’s worst-ever drought as a political football.”

Huffman’s proposal arrived less than a week after Gov. Jerry Brown implemented strict drought regulations on Big Ag, a first-ever move by the state as Brown faces a rolling backlash from residents sick of being told to take two-minute showers—and sick of Big Ag as it sucks the state dry so Ohioans can eat cheap almonds.

Huffman says to drop the hostility. He’s going to help “every drought-impacted state and region without picking winners and losers, without undermining environmental laws, and without preempting state water rights.”

The bill Huffman sent is far-reaching, and he wants input from the people. So Debriefer told Huffman the facts as we see them: Enough already with the drought. We’re looking forward to El Niño.

GONE COASTAL

Speaking of recently elected and ambitious North Bay white men who like to write a lot of laws, State Sen. Mike McGuire recently helped to score a couple of state Coastal Commission grants.

Coastwalk California got a just-shy-of-$25,000 grant to support its Sonoma County Adopt-a-Beach program, and the Fort Ross Conservancy won a $9,700 grant for its kiddie ecology programs.

Coastwalk California emerged as one of the lead and very vocal opponents of proposed Sonoma County–wide beach-access fees, an idea that deadlocked that same Coastal Commission when it first grappled with it in April. A beach-fee vote split the commission 6–6. The debate started as a fight between State Parks and Sonoma County, and the tie pushed decisions about beach fees to the commission. They next meet July 8.

SPRINKLE SYSTEM

It’s so hard to keep up these days with a relentless media obsession over bisexual and transracial NAACP officials and transgendered former Olympians on the cover of Vanity Fair, not to mention 11-year-olds getting reassignment surgery. It goes on and on, and the obsession extends to the accepted nomenclature of identity and who else is in your orientation clique. Call us Caitlyn, or call us crazy, but GLBTQI is already too long. Now we’re adding an E? Really?

Apparently so.

Legendary sex-lady Annie Sprinkle participated in a panel discussion last weekend at the annual Women’s Visionary Conference in Petaluma to talk about the emergence of the “ecosexual.” As far as Debriefer can tell, this is one part plushy-gone-wild, one part tantric field-shag, and some other dirty stuff on a mountain. Sprinkle says “ecosex switches the metaphor from ‘Earth as mother’ to ‘Earth as lover,'” and she’s debuting an ecosex parade in San Francisco during Pride, on June 28. OK, fine: GLBTQIE. But that’s it!

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