Let the People Vote

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Are corporations people? Is money speech? The Supreme Court, in deciding Citizens United v. Federal Election Commission in 2010, answered yes to these questions. The ruling maintained that, since corporations are people and money is speech, political spending is protected under the First Amendment.

This ruling has released a downpour of “dark money” through Super PACs that work to influence elections. As corporations are granted certain privacy and other legal protections, most of these contributions are never made public.

The court decided that corporations, PACs and unions are “natural” persons with constitutional rights. But in his dissent, Justice John Paul Stevens argued that corporations are not people, and are therefore not protected by the Constitution.

After the Citizens United ruling, President Obama said, “[L]ast week, the Supreme Court reversed a century of law that I believe will open the floodgates for special interests—including foreign corporations—to spend without limit in our elections.”

Obama was prophetic. The Brennan Center for Justice reports that super PACs spent $486 million in the 2014 Senate elections, more than twice what they spent in 2010. Just 195 donors gave nearly 60 percent of the $1 billion spent by super PACs on all federal elections since Citizens United was decided in 2010.

In 2014, the California Legislature passed SB 1272 to place Proposition 49 on the ballot. The non-binding legislation would have asked California’s congressional delegation to support a constitutional amendment to overturn Citizens United. But the California Supreme Court blocked the proposition because of lengthy legal review, and it was pulled from the ballot. However, if we act now, we may still have a chance to vote on Proposition 49, as the court concludes its review of the measure Oct. 6.

If you want to send a strong message to Congress, go to http://bit.ly/sign-prop49 to sign the petition and demand that the California Supreme Court let the people vote. You must sign the petition before Oct. 5. When corporations become people and money becomes speech it’s time to get involved.

Bill Wadsworth lives in Occidental.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: September 30, 2015

Up in Smoke

The legalization issue is complex (“Legalization Realization,” Sept. 23). There has not been enough research and regulation to put marijuana and all the related products, including edibles, on the market. The potential for harm on the developing brain is not talked about enough. Teens do not perceive there to be harm around using marijuana, and this is wrong. Let’s get the right messaging to parents about the real impact of marijuana on the developing brain. Today’s marijuana is not the marijuana of our youth. The THC levels are 20 to 30 percent and higher in products like wax, butter and dabs. The edibles are not regulated, and you do not know what you are consuming. Let’s do more work on this issue before we rush into destroying our teens. Twenty sixteen is too early to vote on this measure.

Via Pacificsun.com

The issue of legal marijuana has very little to do with weed itself. It’s more of a government issue of how to tax it. Many years ago, tobacco companies designed packs for joints. How to get billions of dollars from citizens legally growing pot? Another case of the “almighty dollar” over common sense.

Via Bohemian.com

I liked the style of this piece, giving direct voice to the interviewed. The North Bay Pothead was savvy. Chief David Bejarano was unfortunately disturbing.

If law enforcement leaders recognize that the public sentiment is in favor of legalization (or anything, for that matter) and law enforcement takes the stand that it is against this idea, sentiment, or trend, essentially this is a declaration that law enforcement does not identify with the people.

Via Bohemian.com

The federal government should make it legal to grow up to 500 or 1,000 plants, so that it will be legal to farm on a commercial level without allowing mega-corporations to monopolize the market. I like that it’s grown by thousands of people in relatively small amounts with love and care about the product, and not for the love of money.

Via Bohemian.com

Good Grief

This is outrageous behavior (“Back Door Men,” Sept. 23) from a local police department supposedly pledged to “serve and protect” their community. “Surveil and harass” is more like it. With so many in every community being incarcerated for nonviolent crimes and first-time offenses, why have the police increased the sense of injustice with these tactics? Good grief, three officers to conduct a parole search when no crime was suspected, no complaint made?

Via Bohemian.com

Write to us at le*****@******an.com.

Mixed Media

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A story is an illusion, a series of events that are not really taking place, presented in a way that fool an audience into believing they’re really happening. Telling that story in a book or movie is a certain kind of trick, with its own rules and traditions, and telling it on the stage is quite another. And transferring that story from one medium to another may be the hardest trick of all.

Two stories, one a classic book and the other a beloved modern masterpiece of cinema, have both landed on stage in the Bay Area, and each carries its own unique kind of cross-media magic.

At Spreckels Performing Arts Center in Rohnert Park, Robert Louis Stevenson’s Treasure Island hits the stage in a compact, robust adaptation by Ken Ludwig. Directed with humor and charm by David Yen and staged in the intimate studio theater with exhilarating, in-your-face invention and swashbuckling energy, the crafty condensation of Stevenson’s adventure story works surprisingly well.

The strong, versatile cast—led by a grounded and non-cartoonish John Rathjen as Long John Silver—slip gracefully in and out of dozens of characters. Animated projections combine with adaptable set pieces to turn the stage, in one section, into the deck of a ship, with waves rolling over the stern, and in another section, into an island jungle filled with waving foliage. The trick works well, and if some of the book’s detail and character depth are swept overboard in the process of translation, the loss is more than made up for in the rollicking fun the able-bodied cast and crew bring to the stage.

Rating (out of 5):

Translating the 2001 French comedy Amélie to the stage is a different kind of trick altogether, and turning it into a musical, as Berkeley Rep does, only makes the challenge harder. But with a book by Craig Lucas (Prelude to a Kiss) and lovely, ethereal tunes by Daniel Messé and Nathan Tysen, this supremely satisfying adaptation—directed with immense creativity by Tony-winner Pam MacKinnon—is a sweet, sneaky surprise of a show.

As Amélie, the cafe worker who sets out to make the world a happier place, Samantha Barks is everything an Amélie should be—beautiful, sweet, a little wacky and thoroughly beguiling.

Rating:

‘Treasure Island’ runs Thursday–Sunday through Oct. 4 at Spreckels Performing Arts Center, 5409 Snyder St., Rohnert Park. $16–$26. 707.588.3400. ‘Amélie, a New Musical’ runs Tuesday–Sunday through Oct. 11 at Berkeley Repertory Theatre,
2025 Addison St., Berkeley. $39–$103. 510.647.2949.

A Fence Too Far

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If the state gets its way, Kathleen Miller’s disabled adult son and some 400 other patients will be forced to leave the care of Glen Ellen’s Sonoma Development Center for a destination unknown.

“[State officials] say they want to collaborate with us, but this is a fast-track for closure,” Miller says. “They want to close it very quickly, and almost dangerously.”

Miller is the head of the Parent Hospital Association at the Sonoma Developmental Center (SDC), which the state has scheduled to close in 2018. Last week she was one of several local advocates for the center who teed off on the proposed closure plan offered by the state Department of Developmental Services.

State Sens. Mike McGuire, D-Healdsburg, and Bill Dodd, D-Napa, share her concerns and took issue with a plan that they said doesn’t address the fate of the developmentally and behaviorally disabled people now living at the facility.

“We are incredibly disappointed with the draft plan that was put forward last week,” the lawmakers asserted in a Sept. 21 press release. “The report is inadequate and lacks the specific details that we as a community expected, and quite frankly, were led to believe would be delivered.”

The question hanging in the air is what happens if efforts at community placement of residents fail by the time the facility closes?

Closing the SDC means closing a facility of last resort for some residents who might otherwise find themselves getting their mental-health services in locked-down hospital psychiatric wards or, worse, in jail.

“We already know that the Sonoma Developmental Center is home to the state’s most medically fragile residents,” the lawmakers wrote, “and we know that, in past transitions, some residents have struggled to succeed in community placement. It is unacceptable that this draft plan lacks any details about contingency planning for these residents, and others who may not thrive in the community. This report essentially takes a wait and see position on care: Wait and see if residents struggle or fail in the community, and then act to make changes.”

The state has slated the facility for closure as a cost-cutting move. It’s been in operation at the Sonoma Valley location since 1891. The state push is part of a years-long effort to get out of the pricey mental-health-services business and privatize care in smaller, group-home settings.

But the SDC is a unique asset—”the largest and most significant unprotected land in the Sonoma Valley,” says the county website—and part of the treatment for residents has historically been open access to the natural wonders around it.

Miller says the lawmakers are spot-on in their critique of the closure plan, which, she says amounts to “close it first and then let’s see what happens.”

Miller has welcomed efforts from county officials and other agencies to create an alternative to the closure, an effort that is ongoing. Susan Gorin, president of the Sonoma County Board of Supervisors, is a supporter of the parents’ coalition.

Patient advocates have called on the state to continue using the SDC. McGuire and Dodd want to use the space for specialty services and propose transitioning the facility to a health center for those with severe behavioral issues.

The state has said that while it won’t put the property into the “surplus” category—which might have meant its eventual sale to commercial interests, such as a vineyard operator—it has not shown interest in any continued use that provides services to those living there now.

Local advocates for SDC have called for a facility that provides, for example, specialized dental services for the developmentally disabled, as well as housing for the behaviorally challenged. The closure plan from Developmental Services generally rebuffs those plans while simultaneously claiming that the first priority of the state is to find adequate housing for the residents.

Many have lived there for decades, including Miller’s son. Those patients may find a tough transition road ahead.

“It feels like we have this strong local voice with this strong local vision that has been ignored by Sacramento,” Miller says.

A key issue for Miller is that the SDC is a facility of last resort for residents like her son, who is in his late 40s and has a dual diagnosis of mental illness and autism. Over the years, Miller has tried to find housing for him in smaller group homes, but he always wound up back at SDC, where he lives now.

Miller is also concerned about a state effort to replace long-term, state-run centers such as the SDC with smaller facilities that would be built to “delayed egress/secure perimeter” standards. Those are facilities surrounded by a fence where residents can’t go outside unless they are let out.

The concern is that these would wind up being a “one size fits all” solution for developmentally challenged adults.

The state of California is mandated to provide safe housing for the developmentally disabled with a minimum of restrictions on their mobility, but Miller fears that the state may over-rely on these homes as a catch-all for whoever comes out of the SDC when it closes in 2018.

State disability advocates have noted that these “delayed egress/secure perimeter” buildings are a good deal for people who would otherwise be forced into more secure facilities, such as jail. As such, the state launched a pilot program in 2014 to develop six of the facilities around the state, and loosened restrictions on existing group homes of less than 15 beds to allow for delayed egress/secure perimeter upgrades. But what about residents at SDC who are used to living in a less secure facility, have lived there for practically their whole lives and now face the prospect of being locked behind a fence?

John McCaull, land acquisition property manager at the Sonoma Land Trust, echoes Miller’s concerns. McCaull’s organization is keenly interested in the fate of the SDC grounds, which provide critical habitat and act as a wildlife corridor straddling Sonoma Regional Parks land and Jack London State Park.

The grounds originally comprised some 1,600 acres, but about 15 years ago, 600 acres were cleaved into the adjacent Jack London State Park. Of the roughly 1,000 remaining acres, about 200 are dedicated to the SDC campus itself, which contains multiple buildings, some in better shape than others; the remaining land is undeveloped and open to the public. The main building is structurally unsound and not in use.

McCaull shares Miller’s concern about the advent of secured off-site facilities and what it might mean for residents. He notes that even as the SDC campus has been downsized, there remains “a huge environmental asset that the state has managed quite well.” His organization was relieved at the state pledge to keep the land out of the surplus pile.

“Of course we care about the land, but the wellbeing of the 400 people and the thousands of people that have lived there over the years is connected to the fact that they can get around, they can move freely,” McCaull says. “It’s an open setting and being in nature has helped a lot of the people there.”

Fresh Pleasures

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The New Mastersounds formed in Leeds, England, nearly 20 years ago, and though much has changed in the lives of guitarist Eddie Roberts, drummer Simon Allen, bassist Pete Shand and keyboardist Joe Tatton, the tightly knit and funky foursome have never lost their musical connection to each other.

On Oct. 2, the New Mastersounds release their 10th album, Made for Pleasure, on the Royal Potato Family label. The band plays from the record when they hit the Sweetwater Music Hall in Mill Valley on Sunday, Oct. 4, a day after they play San Francisco’s Hardly Strictly Bluegrass Festival.

The upbeat, dance-inducing Pleasure was recorded in New Orleans, a city that has long influenced the band’s larger-than-life funk sound. Frontman Eddie Roberts spent a few years living in the city, after a stint living in San Francisco and before moving to Denver, where he resides now.

The lively sounds of the French Quarter are prominent throughout the new record, which also includes several guest appearances by the likes of multi-instrumentalist Mike Dillon (Les Claypool’s Fancy Band) and soul singer Charly Lowry (Dark Water Rising), as well as a full horn section courtesy of band mates from Roberts’ former San Francisco jazz combo, West Coast Sounds.

The New Mastersounds play from
Made for Pleasure on Sunday, Oct. 4, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $22–$24. 415.388.1100.
—Charlie Swanson

Hammerhead Swims into Santa Rosa Next Week

hammerheadpaintingbyJonnyKelson
painting by Jonny Kelson

If you were (or are) a fan of noise rock, you were (or are or should be) a huge fan of Hammerhead. The Minneapolis-based trio formed back in the not-so-halcyon days of 1991 and unleashed a flurry of pummeling rock and post-punk heaviness upon the country for six years before disbanding. Though, like a bad penny, the band turned up once again, regrouping in 2010. Since then, they’ve been expanding and compounding on their throttling experimental sound, and last month Hammerhead released, New Directionz, their first full-length album in almost 20 years.
New Directionz is one of those rare gems of a return album for a reunited band. It both revels in the same rumbling, punishing bass lines and searing, dissonant guitars of the group’s early days, and progresses the sound in new and interesting ways. There’s definitely more nuanced post-punk atmospheres throughout, a darker edge to the fuzzed-out noise, yet there’s still that old familiar thundering rhythm to bang your head along to.
Hammerhead continue to be unapologetic and awesome, and with the new record they are taking the show on the road for a massive tour with another immense figure in noise rock, Qui. The Los Angeles duo of Matt Cronk and Paul Christensen have themselves had a bit of an on-again-off-again tenure, though it looks like their as strong as ever these days. Much more angular, vocally-melodic and playful, Qui nonetheless possess a raw and exciting sound and provide a perfect alternative pairing to Hammerhead.
Next Saturday, Oct 10, Hammerhead and Qui both invade Railroad Square in Santa Rosa to play the Arlene Francis Center. Also joining them on the bill is Hot Victory, an experimental drum duo out of Portland that put on amazing, space-oddity shows and features former Santa Rosa rock star Caitlin Love (Desert City Soundtrack / the Lead Veins). Kicking off the night is Eat My Shit, the electronic solo project from PRIZEHOG’s Vern Acular.
You can get more details of the show here and preview Hammerhead’s new album below.

Sept. 24: Preservation Dinner in Healdsburg

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Nancy Singleton Hachisu
moved from California to Japan in 1988 with a plan to stay for a year. She wanted to learn the language, see some sights, no big deal. As it turns out, she fell in love with the culture, and has made the country her home. These days, the author and cooking instructor spends her time offering authentic and approachable ways to experience Japanese cuisine. Her latest book, Preserving the Japanese Way, is essential for anyone interested in traditional practices of preserving fish, fruits and vegetables. Hachisu brings theses recipes and her book with her when she hosts a dinner on Thursday, Sept. 24, at SHED, 25 North St., Healdsburg. 6:30pm. $60–$80. 707.431.7433. 

Sept. 24: Wry Cowboy in Napa

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San Francisco singer-songwriter Maurice Tani has been a fixture at Bay Area clubs, venues and roadhouses for more than 30 years. Back in the day, Tani rocked a fiery punk sound with acts like the Flamin’ Groovies and toured the country with Big Bang Beat. Since 2000, he’s taken on the life of a cowboy and perfected a dusty alt-country twang. Mixing his tenor voice with acoustic guitar, Tani formed his current band 77 El Deora, whose latest album, Blue Line, has been called both ethereal and swinging. Tani goes solo when he makes his way to the Napa Valley, performing on Thursday, Sept. 24, at City Winery, 1030 Main St., Napa. 8pm. $15. 707.260.1600. 

Sept. 25-27: Very Vintage in Sonoma

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California’s oldest festival is back for its 118th year, as the Valley of the Moon Vintage Festival once again takes over Sonoma Plaza, just like it has every last weekend of September since 1897. A full lineup of music includes Mustache Harbor at the Friday-night gala, as well as Danny Click and Lydia Pense & Cold Blood over the weekend. An abundance of fine art, delicious food and family activities like the grape stomp and the night parade mean fun for everyone, and if you’re really serious, sign up for the 12k or 5k run, which takes you through stunning wine country. The Vintage Festival runs Friday–Sunday, Sept. 25–27, Sonoma Plaza & Barracks, First Street East, Sonoma. valleyofthemoonvintagefestival.com. 

Sept. 26: Sound On in Mill Valley

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Legendary soul singer and multi-instrumentalist Booker T. Jones put Memphis label Stax Records on the map back in the 1960s, yet more than 40 years passed between his 1971 release Melting Pot and Jones’ return to the label in 2013 with Sound the Alarm. For both parties, it’s a welcome return, and Jones makes the most of the comeback, enlisting varied guest stars like Mayer Hawthorne and Vintage Trouble, and blasting out 12 tracks of classic Memphis blues with pop edges and hints of hip-hop. The Grammy Lifetime Achievement Award recipient hits the stage with Bay Area favorites the John Brothers Piano Company opening on Saturday, Sept. 26, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $57–$62. 415.388.1100.

Let the People Vote

Are corporations people? Is money speech? The Supreme Court, in deciding Citizens United v. Federal Election Commission in 2010, answered yes to these questions. The ruling maintained that, since corporations are people and money is speech, political spending is protected under the First Amendment. This ruling has released a downpour of "dark money" through Super PACs that work to influence...

Letters to the Editor: September 30, 2015

Up in Smoke The legalization issue is complex ("Legalization Realization," Sept. 23). There has not been enough research and regulation to put marijuana and all the related products, including edibles, on the market. The potential for harm on the developing brain is not talked about enough. Teens do not perceive there to be harm around using marijuana, and this is...

Mixed Media

A story is an illusion, a series of events that are not really taking place, presented in a way that fool an audience into believing they're really happening. Telling that story in a book or movie is a certain kind of trick, with its own rules and traditions, and telling it on the stage is quite another. And transferring...

A Fence Too Far

If the state gets its way, Kathleen Miller's disabled adult son and some 400 other patients will be forced to leave the care of Glen Ellen's Sonoma Development Center for a destination unknown. " say they want to collaborate with us, but this is a fast-track for closure," Miller says. "They want to close it very quickly, and almost dangerously." Miller...

Fresh Pleasures

The New Mastersounds formed in Leeds, England, nearly 20 years ago, and though much has changed in the lives of guitarist Eddie Roberts, drummer Simon Allen, bassist Pete Shand and keyboardist Joe Tatton, the tightly knit and funky foursome have never lost their musical connection to each other. On Oct. 2, the New Mastersounds release their 10th album, Made for...

Hammerhead Swims into Santa Rosa Next Week

If you were (or are) a fan of noise rock, you were (or are or should be) a huge fan of Hammerhead. The Minneapolis-based trio formed back in the not-so-halcyon days of 1991 and unleashed a flurry of pummeling rock and post-punk heaviness upon the country for six years before disbanding. Though, like a bad penny, the band turned...

Sept. 24: Preservation Dinner in Healdsburg

Nancy Singleton Hachisu moved from California to Japan in 1988 with a plan to stay for a year. She wanted to learn the language, see some sights, no big deal. As it turns out, she fell in love with the culture, and has made the country her home. These days, the author and cooking instructor spends her time offering...

Sept. 24: Wry Cowboy in Napa

San Francisco singer-songwriter Maurice Tani has been a fixture at Bay Area clubs, venues and roadhouses for more than 30 years. Back in the day, Tani rocked a fiery punk sound with acts like the Flamin’ Groovies and toured the country with Big Bang Beat. Since 2000, he’s taken on the life of a cowboy and perfected a dusty...

Sept. 25-27: Very Vintage in Sonoma

California’s oldest festival is back for its 118th year, as the Valley of the Moon Vintage Festival once again takes over Sonoma Plaza, just like it has every last weekend of September since 1897. A full lineup of music includes Mustache Harbor at the Friday-night gala, as well as Danny Click and Lydia Pense & Cold Blood over the...

Sept. 26: Sound On in Mill Valley

Legendary soul singer and multi-instrumentalist Booker T. Jones put Memphis label Stax Records on the map back in the 1960s, yet more than 40 years passed between his 1971 release Melting Pot and Jones’ return to the label in 2013 with Sound the Alarm. For both parties, it’s a welcome return, and Jones makes the most of the comeback,...
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