Science Festival, Art Collab 2026 and Dream Hou$e on Stage

Santa Rosa

Local Lab

Science takes over the Sonoma County Fairgrounds when North Bay Science Discovery Day returns with more than 100 exhibitors and an expected crowd of 10,000-plus curious minds. The one-day, free festival is a kinetic celebration of STEM, where kids can explore everything from rockets and robots to beehives, sharks and animation—rain or shine. Among the exhibitors this year is AspireED, whose mission centers on expanding access to STEM education. At their booth, children ages 4–12 can dive into hands-on investigations exploring invisible ink, ultraviolet-reactive beads and the microscopic world—complete with self-made slides and live brine shrimp under the lens. High school volunteers will also distribute 500 free STEM activity kits, with instructions in both English and Spanish. From big-name organizations like Tesla, Kaiser, Medtronic and Lucasfilm to local nonprofits equally devoted to sparking curiosity, the day is built around conversation, experimentation and discovery. Admission and parking are free; no tickets required. 10am–4pm, Saturday, March 7, Sonoma County Fairgrounds, Santa Rosa. northbayscience.com.

Petaluma

Art Collab

Collaborative Works 2026 brings together paintings and textiles by Anna Rochester and Barbara Libby Steinmann, whose practice hinges on direct, simultaneous collaboration. Drawing inspiration from the natural landscapes of Marin and Sonoma counties, the pair apply their respective skills to each piece at the same time, creating layered works that are both organic and intentionally intertwined. The result ranges from large-scale statements to more intimate pieces, each reflecting a shared visual language shaped in real time. An opening reception at Usher Gallery offers a chance to meet the artists, hear live music by Rojo, and enjoy light refreshments and wine while exploring the exhibition. Rochester and Libby Steinmann also serve as co-directors of Connect the Dots Art Studio, a Marin-based nonprofit devoted to community-centered art experiences. Reception 5–8pm, Saturday, Feb. 28; exhibit runs now through March 22, Usher Gallery, 1 Petaluma Blvd. N., Petaluma.

San Rafael

Arts & Crafts

Spring gets a handmade welcome at the Marin Spring Arts & Crafts Show, where more than 200 artisans fill the Marin Center Exhibit Hall with woodwork, textiles, ceramics, jewelry, furniture, artisan foods and more. Inspired by the legacy of the Arts & Crafts movement, the weekend-long marketplace celebrates craft in its purest form—objects made by the hands of the people selling them. Beyond the booths, the show offers live music, hands-on workshops, wine tasting and door prizes, making it less a shopping trip than a full-day immersion in creativity. It’s an easy excuse to wander, discover something one-of-a-kind and support working makers across disciplines. 10am–5pm, Friday–Sunday, Feb. 27–March 1, Marin Center Exhibit Hall, 20 Ave. of the Flags, San Rafael. Free admission and free parking. marinartsandcraftsshow.com.

Kentfield

Dream Hou$e

Reality TV meets family reckoning in Dream Hou$e, a sharp, crowd-pleasing comedy staged at the College of Marin’s James Dunn Theatre. Two Latina sisters appear on an HGTV-style show to sell their childhood home, but as the renovation narrative unfolds, the edges blur and the surreal slips in. What begins as a familiar property makeover becomes a pointed exploration of cultural identity, memory and the true cost of “progress.” Blending humor with heart, the play asks whether cashing in is the same as selling out—and who gets to define value in the first place. 7:30pm, Friday–Saturday, Feb. 27–28; 2pm, Sunday, March 1; additional performances through March 6, James Dunn Theatre, College of Marin Performing Arts, 835 College Ave., Kentfield. Free. Go to bit.ly/com-dreamhouse.

Free Will Astrology, Feb. 25 – Mar. 3

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ARIES (March 21-April 19): In woodworking, “spalting” occurs when fungi colonize wood, creating dark lines and patterns that make the wood more valuable, not less. The decay creates beauty as long as it isn’t allowed to progress too far. Here’s the metaphorical moral of the story for you, Aries: What feels like a deteriorating situation might actually be spalting. Are you experiencing the breakdown of a routine, a certainty or a plan? It could be creating a pattern that makes your story even more interesting and heroic. So keep in mind that an apparent decomposition may be transforming ordinary into extraordinary beauty. My advice is to play along with the spalting. 

TAURUS (April 20-May 20): I suspect you will soon be invited to explore novel feelings and unfamiliar states of awareness. As you wander in the psychological frontiers, you might experience mysterious phenomena like the following. 1. An overflow of reverence and awe. 2. Blissful surprise in the face of the sublime. 3. Sudden glimmers of eternity in fleeting moments. 4. A soft, golden resonance that arises when you hear arousing truths. 5. Amazingly useful questions that could tantalize and feed your imagination for months and even years to come.

GEMINI (May 21-June 20): If I were your mentor, I’d lead you up an ascending trail to a high peak where your vision is clear and vast. If I were your leader, I’d give you a medal for all the ways you’ve been brave when no one was looking, then send you on an all-expenses-paid sabbatical to a beautiful sanctuary to rest and remember yourself. If I were your therapist, I’d guide you through a 90-minute meditation on your entire life story up until now. But since I’m just your companion for this brief oracle, I will instead advise you to slip out of any silken snares of comfort that dull your spirit, cast off perks and privileges that keep you small, and commune with influences that remind you of how deeply you treasure being alive.

CANCER (June 21-July 22): Biologist Barbara McClintock won the Nobel Prize by developing what she called “a feeling for the organism.” She cultivated an intimate, almost empathic relationship with the corn plants she studied. She didn’t impose theories on her subjects. She listened to them until she could sense their hidden patterns from the inside. When you’re not lost in self-protection, you Cancerians excel at this quality of attention. Here’s what I see as your task in the coming weeks: Transfer your empathic genius away from people who drain you and toward projects, places or problems that deserve your devotion and give you blessings in return.

LEO (July 23-Aug. 22): Sufi writers describe heartbreak, grief and longing as portals through which divine love enters. They say that a highly defended ego and a hardened heart can’t engage with such profound and potent love. In this view, suffering that makes the heart ache strips away illusions and fixations, allowing greater receptivity, humility and tenderness toward all beings.​ I’m not expecting you to get blasted by an influx of poignancy in the near future, Leo, but I’m very sure you have experienced such blasts in the past. And now is an excellent time to process those old breakthroughs disguised as breakdowns. You are likely to finally be able to harvest the full power they offered you.

VIRGO (Aug. 23-Sept. 22): In traditional Balinese culture, Tri Hita Karana is a concept that means there are three causes of well-being: harmony with God, harmony with people and harmony with nature. When one is out of balance, all suffer. I’m wondering if you would benefit from meditating on this theme now, Virgo. Have you been focused on one dimension at the expense of the others? Are you, perhaps, spiritually nourished but socially isolated? Or maybe you’re maintaining relationships but ignoring your body’s connection to the earth? Here’s your assignment: Do a Tri Hita Karana audit. Which harmony is most neglected? Add to your altar, call a friend or go walk in the great outdoors—whichever one you’ve been shortchanging.

LIBRA (Sept. 23-Oct. 22): You are a diplomat in the struggle between beauty and inelegance. Your aptitude for creating harmony is a great asset that others might underestimate or miss completely. I hope you will always trust your hunger for classiness, even if others dismiss it as superficial. One of your key reasons for being here on Earth is to keep insisting on loveliness in a world too quick to settle for ugliness. These qualities of yours are especially needed right now. Please be gracefully insistent on expressing them wherever you go.

SCORPIO (Oct. 23-Nov. 21): The bad news: You underestimate how much joy and pleasure you deserve—and how much you’re capable of experiencing. This artificially low expectation has sometimes cheated you out of your rightful share of bliss and fulfillment. The good news: Life is now ready to conspire with you to raise your happiness levels. I hope you will cooperate eagerly. The more intensely you insist on feeling good, the more cosmic assistance you will garner. Here’s a smart way to launch this holy campaign: Renounce a certain lackluster thrill that diverts you from more lavish excitements.

SAGITTARIUS (Nov. 22-Dec. 21): In classical music, a “rest” isn’t the absence of music. It’s a specific notation that creates space, tension and meaning. The silence is as much a part of the composition as the sound. I suggest you think of your current pause this way, Sagittarius. You’re not waiting for your real life to resume. You’re in a rest, and the rest is an essential part of the process you’re following. It’s creating the conditions for what comes next. So instead of anxiously filling every moment with productivity or distraction, try honoring the pause. Be deliberately quiet. Let the silence accumulate. When the next movement begins, you’ll understand exactly why the rest was necessary.

CAPRICORN (Dec. 22-Jan. 19): Interesting temptations are wandering into your orbit. You may be surprised to find yourself drawn toward entertaining gambles and tricky adventures. How should you respond? Should you say, “Yes. Now. I’m ready.”? Or is open-minded caution a wiser approach? Conditions are too slippery for me to arrive at definitive conclusions. What I can tell you is this: Merely considering and ruminating on these invitations will awaken uplifting and inspiring lessons. P.S.: To get the fullness of the blessings you want from other people, you must first give them to yourself.

AQUARIUS (Jan. 20-Feb. 18): The engineer Nikola Tesla (1856-1943) said he envisioned his inventions in intricate detail before building them. He didn’t need literal prototypes because his mental pictures were so vivid. I suspect you Aquarians now have extra access to this power. What scenarios are you dreaming of? What are you incubating in your imagination? I urge you to boldly trust your thought experiments. Your mental prototypes may be unusually accurate. The visions you’re testing internally are reconnaissance missions to futures that you have the power to build. Regard your imagination as a laboratory.

PISCES (Feb. 19-March 20): Sufi mystics tell us that the heart has “seven levels of depth,” each one bearing progressively more profound wisdom. You access these depths by feeling deeper, not thinking harder. Let’s apply this perspective to you, Pisces. Right now, you’re being called to descend past surface emotions (irritation, worry, mild contentment) into the layers beneath: primal wonder, the wild joy you’re sometimes too cautious to express and the sacred longing that can lead you to glory. This dive might feel risky. That’s good. It means you’re going deep enough. What you discover down there will reorganize everything above it for the better.

Homework: What’s the most taboo thing you want? Can you make it any less taboo? Newsletter. FreeWillAstrology.com.

Manifesto

I am an ant

insignificant in size

one of too many

working through life

in service to power

I am powerless

joining in the belief

that I matter

I am needed

I have something to offer

In wonder I crawl

infinitely simple

destroyed by the smash

of a large hand

Not the hand of God

which does not seem to exist

Only the steel of a sword

or the grimy smell of money

host our time of living

What is my purpose?

How can I rise?

Must I lie to you?

Must I lie to myself?

I strive to be Queen of the mount

the mistress of God

the Goddess

To shape lives into righteousness

to give birth to innocence

the innocence of trust

to be trusted in return

I want to hold power in my heart

like the solar energy of hope

a light to hold the expansion

of each and every heart

I wish to believe

in the circle of our animal existence

where we depend on one another

and lift each other up

For our brains to perceive

For our eyes to have sight

and cry together

I am an angel

with wings to envelop

all human experience

To care like a mother

for the smallest corporeal existence

for the weakest emotional expression

for the frightened

who strike out to survive

only to fall

forgotten

I will remember

our breath is the wind

Know we all can fly

Rebecca O. Jones lives in San Rafael and is a member of the O’Hanlan Art Center Poetry Collective in Mill Valley, The Redwoods Writers in Sonoma County and Marin Poetry Center.

SoCo Restaurant Week Back on the Table

There’s a kind of hunger that hits Sonoma County in late February—and it isn’t for another glass of pinot noir (although that helps). It’s the hunger to taste this place. 

To sit at a table where every bite tells a story about soil and season, that quietly sings of vineyards and orchards sprawling in foggy morning light. That’s what Sonoma County Restaurant Week feels like: an invitation not just to dine, but to come home to food that tastes like it belongs here.

From Feb. 23 through March 1, restaurants across the county are rolling out prix-fixe menus designed to spotlight local producers, growers, ranchers and winemakers—and in 2026, the spotlight has never been brighter on the farm-to-table ethos that defines Sonoma’s culinary identity. The official Restaurant Week site now prominently calls out a Sonoma County Grown list—eateries offering entrées made with 100% Sonoma County-sourced ingredients and/or pouring Sonoma County wines—making it easier than ever to plan a week of meals that are as ethical as they are delicious. 

No tickets or passes? No problem. There’s no festival wristband one has to flash, no password or secret handshake required. Restaurant Week (now more than a decade old) simply asks one to show up, sit down and engage with the best of what this place grows and makes. Make a reservation. Order the prix-fixe. And eat like this is home—or one wishes it were.

Winter-ish Feast

January and February are historically slow months for restaurants up and down the West Coast, and Sonoma is no exception. As hospitality consultant Clark Wolf has observed, February sits in that culinary in-between moment—after the indulgence of December and the dining momentum of January, but before spring ingredients begin to roll in. That said, “It’s always an opportunity for people to try a new restaurant they’ve been wanting to try,” he says. The timing is strategic: Diners are still socializing, but restaurants are looking for ways to spark traffic during a quieter stretch.

Sonoma County Restaurant Week keeps things refreshingly straightforward when it comes to pricing. Participating restaurants offer structured prix-fixe options designed to make planning easy and dining accessible. Sweet Perks—typically desserts or small indulgences—are priced at $6. Breakfast features one-course options at $15 or $25. Lunch also offers one-course menus at $15 or $25, with a shared two-course lunch for four available at $50. 

Dinner includes three-course menus priced at $30, $40 or $60 per person, while a shared three-course dinner for four is offered at $70. The tiered format allows diners to budget comfortably while sampling Sonoma County’s culinary range—whether stopping in for a casual bite or settling in for a full evening out.

“You can make a plan; you can budget; you can go and have fun and … be alive, be in the community,” Wolf says.

His take—that the week is designed to be affordable, adventurous and communal—is the spirit at the heart of the promotion. 

River to Ridge

What sets this iteration of Restaurant Week apart isn’t just price or convenience—it’s the focus on the county’s farm-to-table network. The Sonoma County Grown designation highlights restaurants that are sourcing every ingredient from inside the county borders or pairing plates with Sonoma wines, making the week not just a celebration of chefs, but also of stewards—farmers and vintners who make food that tastes like place. This isn’t culinary tourism—it’s culinary homecoming.

Take, for example, restaurants like Bloom Carneros in Sonoma, a wine garden and restaurant focused on seasonal dishes and locally inspired ingredients. Or Petaluma’s Stockhome, where Swedish classics meet hearty local vegetables and seafood, turning cold-weather comfort food into something that feels intrinsic to the West Coast terroir. Both are part of the county’s yearly Restaurant Week roster, offering prix-fixe menus that reflect their deep sourcing commitments.

And then there are places like Cibo Rustico Pizzeria and Wine Bar in Santa Rosa—featuring unpretentious, sumptuous fare like the spicy Luciano pizza, made with a parmesan cheese sauce, prosciutto, calabrian chilis, fresh onions, garlic, basil and cracked pepper—or The Lodge at Dawn Ranch in Guerneville, which balances elevated cuisine with unstudied excellence. Their meals aren’t just dishes. They’re narratives: orchard to plate, pasture to fork, and vine to glass.

Why This Matters

One can feel the impact on the ground. Sonoma County’s restaurant scene isn’t just surviving in these winter months; it’s being energized by community participation. Restaurant Week gives diners reasons to say “Yes” to a place they’ve been meaning to try—and gives restaurants a chance to show off their roots, literally and figuratively.

This is economic support in its most delicious form. One isn’t just eating a meal; they’re sustaining jobs, backing small farms and strengthening an entire local ecosystem that thrives on quality, not volume. They’re making Sonoma more resilient by spending their dollars where they live—and this week in particular, they get more in return: meals that speak of forest floors and river valleys, of heirloom carrots still dusty with morning soil and olive oils pressed just up the road.

What Sonoma County Restaurant Week offers isn’t just deals—it’s an ecosystem of connection. From tiny cafes to celebrated kitchens, from $6 dessert deals to three-course dinners paired with local pinots, each restaurant tells part of the story of this place we call home. And the farm-to-table focus this year makes that story explicit: This is food by the hands of this land, for the people of this land.

Pro-Tip: Make a reservation (seriously—places fill up). And sit down for a meal that tastes like the Russian River at dawn or the sunlit slopes of the Dry Creek Valley. Because that’s what Restaurant Week has become: not just a winter promotion, but a celebration of Sonoma County itself. 

More at socorestaurantweek.org.

Noise Joint: Solful collabs with Noise Pop

Sonoma cannabis company Solful collabs with the Noise Pop Festival

San Francisco’s hometown Noise Pop Festival kicks off this week and it is no surprise that the festival where over half of the 150 plus bands playing are local chose Solful, committed buyers of local, sun-grown cannabis, to be its first cannabis sponsor. To celebrate local bands and farmers together, they released the “Snap, Crackle, Noise Pop” pre-rolls, a festival-optimized original that comes in a stylish collectible tin with five joints…and maybe a surprise inside. 

The Sonoma-rooted, conscious capitalist company opened its first dispensary in Sebastopol with the mission of building out a retail support system for local growers as regs came online in 2016. It is an organic, place-rooted strategy that demonstrates the two organizations are perfect for each other, just like weed and live music.

“We really wanted to come out with something we thought would be the perfect thing to have while you were watching live music, you know?” said Solful founder and CEO Eli Melrod when we chatted about the collab. “We actually tried a lot [before finding] a blend of two different strains from us, well,…basically rolling a bunch of jays.”

Giotis: “Extensive market research.”

Melrod: “Yeah, yeah (laughs), so from that we came up with, really, your perfect companion for live music.”

Solful understands about experience, offering the smoothest of dispensary vibes and really good, healthy cannabis in Sebastopol, Healdsburg, and San Francisco. The customer flow and budtender sensitivity to what the customer is actually looking for are legendary. Well lit, hands on, easy. Award winning. 

That is the beauty of Solful; the company has excelled at its mission of growing the infrastructure for the culture of weed. It starts with thinking about community. Solful is part of “the broader community of local businesses that are doing good work,” said Melrod, whose first concert on weed was a The Living Legends set at the Fillmore for an independent hip-hop benefit. 

“The more we can lock arms with organizations [who share the same values], the more we can find that win-win,” he added while also emphasizing the importance of building community at every level, among the staff, in the stores with customers, with the farmers.

The name for the blend, “Snap, Crackle, Noise Pop,” is inspired by a 1997 San Francisco Examiner article penned by 90s Noise Pop organizer Jordan Kurland where he laid out the homegrown aesthetic of the festival’s “subdued” and “organic” approach, much like Melrod’s own sane-scale approach to local sungrown cannabis farms. 

In the 90s the organic growth of an anticommercialization festival may have seemed obvious, but with Noise Pop venues Bottom of the Hill and Thee Parkside announcing closures, live music needs the support and participation of overlapping communities to keep the economics going. That’s us. We’re the communities.

The Snap, Crackle, Noise Pop pre-rolls are available for $35 at all Solful locations. The tins include a code for a ten percent discount off of general admission Noise Pop badges—and get this—for one blessed individual, one of the pre-roll packs, only one, is redeemable for two free general admission Noise Pop badges, unlocking every show at every venue at the festival.

I tasted this lovely joint with its 90s aesthetic. It was well suited to the live jazz-thrash gig where I previewed it—the taste vintage, almost dry, with a hint of tobacco. The kind of joint you could tuck behind the ear for a show.

Snap, Crackle, Noise Pop pre-rolls are available in Sonoma county at Solful Sebastopol, 785 Gravenstein Hwy S, Sebastopol, and Solful Healdsburg, 465 Healdsburg Ave, Healdsburg. $35 for a pack of five.

The 2026 Noise Pop Festival runs from Feb. 19 to Mar. 1 at 15 different venues in San Francisco and around the Bay. For more information and tickets, noisepopfest.com

Magical Realism: Bidding Farewell to Artist Charles Becker

Some people create magic, and some people exude magic. And some people, like late Sonoma County painter Charles Robert Becker, synergize both qualities to an uncanny degree.

Born in 1952, Becker grew up in Millbrae and spent most of his adult life in the North Bay. As a 19-year-old hippie, he met and studied under Italian still-life master painter Roberto Lupetti. From that experience, he developed his own unique style of painting, which eventually brought him international recognition.

His work defied easy categorization. Some called it still life, or nature morte—“dead nature”—but that description didn’t do justice to the unusually lustrous quality of the imagery he painted.

Said San Francisco-based Weinstein Gallery proprietor Rowland Weinstein, who signed Becker on as his first living artist and sold Becker’s paintings exclusively from 1993–2009: “… Charles’ work was so alive to me—you could take the strawberries right off the canvas, you know. You could pick up the doily. There was something so beautiful, so complete to me; it almost wasn’t like he was painting a strawberry. He was painting a portrait of a strawberry; he was painting a portrait of a plum. He was painting them like he was painting individuals.”

In time, Becker’s style came to be termed Magical Realism. In 1986, a painting of his appeared on the cover of Southwest Art Magazine, giving him widespread recognition, and in 1990 Absolut Vodka commissioned him to paint four pieces for a highly successful ad campaign, further vaulting him into the spotlight. He was featured in Time magazine, USA Today and many more publications, and his paintings appeared in galleries, exhibitions and private collections both nationally and internationally.

Those close to Becker make it clear that the magic in his paintings stemmed from him; that the man and his art were inextricably linked, each as extraordinary as the other.

“Any discussion of Charles’ work has to start with who he was as a person,” said Becker’s partner, Amanda Roze. “Each of his actions originated in love—each gesture, brushstroke and communication was filled with beauty and heart… He tried to translate all of his emotions onto the canvas and reach the hearts of the viewers. He used art as a means to connect with people.”

The effect of Becker’s paintings on those who owned or worked among them can’t be overstated.

“Charles’ work can’t disappear into the wall,” Weinstein said. “Once you had a painting of his, it brought you back into it every time you walked by it. It wasn’t on the wall to be a beautiful decoration to complete a corner.”

For many years, Becker operated two studios in Graton, while living in Sebastopol. From one, he taught Bay Area students in-person and distance students online, and in the other, he painted and displayed his work. He lived in Santa Rosa in his later years.

“The task I have undertaken, the journey I am on, is to question, to use all of my emotions, be they joy or pain, peace or passion, to believe in the creation of magic and record it on canvas,” he said. “This is what it means to be an artist. This is what it means to be alive.”

Charles Robert Becker died Jan. 21 at age 73, surrounded by family in Sonoma County. He leaves behind a lasting legacy to the many people, near and far, who marveled at the magic that flowed through him and his art. A Celebration of Life was conducted on Saturday, Feb. 14, at Harmony Elementary School in Occidental.

To learn more about Charles Becker, visit charlesbecker.com.

Pickup Line: ‘Hands on a Hardbody’ Staged at Spreckels

Get those minds outta the gutter, y’all… This is a musical about a hardbody truck

Based on true events featured in a 1997 documentary of the same name, Hands on a Hardbody is the musical journey of 10 souls seeking salvation and a free truck: the symbol of a better life. In order to attain that, all they have to do is be the last one standing in a contest of endurance held at their local Longview, Texas, Nissan. The Sheri Lee Miller-helmed dramedy runs at the Spreckels Performing Arts Center in Rohnert Park through March 1. 

Featuring many Spreckels regulars as well as some refreshing new faces, Hardbody brings together a diverse, though thinly written, group of characters who sing about their deepest desires and darkest thoughts, all while keeping one hand on the titular hardbody at all times. 

Some characters are underdeveloped and aren’t very memorable. As a singing ensemble, the cast sounds fantastic and supports one another beautifully throughout. A live orchestra under the direction of Lucas Sherman sounded great. Though between them being set onstage with the action and the actor’s mics, a lot of the songs in the first act were overpowered and many lyrics lost. 

The songs themselves can be very memorable, with the standouts being showstopper “Joy of the Lord,” led by Serena Elize Flores, and “Stronger,” performed with heartfelt emotion by Jake Druzgala as Chris. Other notable vocals, and sweet chemistry, come from Mallory Gold and Orion Pudoff in the beautiful, “I’m Gone.”

However, the show belongs to Flores as Norma, a woman of unrelenting faith. Flores has the strong vocals to carry the deeper feelings she’s living onstage straight to one’s heart. She makes one feel what would happen to their body if they were indeed to stand and barely sleep for five days. By the end of the show, it’s obvious who the winner should be.

Flores’ efforts are matched by Keith Baker as antagonist Benny. While he benefits from being the main character, Baker is full of strong choices and commitment that often carry all of the show’s momentum. His voice sounds like early Blake Shelton, and he never takes a moment for granted. Both Flores and Baker are veteran performers, carry the ensemble and never let up.

These strong performances alone make Hardbody worth one’s time.

‘Hands on a Hardbody’ runs through March 1 in the Codding Theater at the Spreckels Performing Arts Center, 5409 Snyder Ln., Rohnert Park. Fri–Sat, 7:30pm; Sun, 2pm. $16–$44. 707.588.3400. spreckelsonline.com.

An Art Showcase ‘Celebrating Women’ and ‘Imagined Worlds’ at A Cedars Gallery

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Healdsburg

Celebrating Women

Upstairs Art Gallery marks Women’s History Month with “Celebrating Women,” a vibrant showcase of watercolor paintings by Sonoma County artist Tosya Shore. Her works honor women in all their facets—capturing fleeting, intimate moments with bold shapes and interlacing patterns that elevate the everyday. Also featured in the Stairway Smallworks Showcase is Donna Schaffer’s “Ooh La La, Plein Air,” a collection of oil paintings created on a recent trip to France. Schaffer roamed the streets of Paris with palette in hand, rendering café culture and iconic landmarks—including an evocative take on the Eiffel Tower—in brisk, atmospheric strokes. Reception 4–6pm, Saturday, March 7; exhibit runs Feb. 23–March 29, Upstairs Art Gallery, 306 Center St., Healdsburg. Open daily 11am–6pm. upstairsartgallery.net.

Petaluma

Art & Poetry

The Petaluma Library hosts an exhibition of art and poetry by Duane BigEagle, an Osage Native American from Oklahoma who has lived in California since 1964 and taught Native American studies at San Francisco State University, Sonoma State University and College of Marin. The show pairs visual work with poetry rooted in history, identity and lived experience, offering a reflective lens on culture and continuity. An opening reception, poetry reading and artist talk invite the public to engage directly with BigEagle’s work and voice, bringing the written word into shared space. Opening reception, reading and talk 5:30–7:45pm, Wednesday, Feb. 18; exhibit runs now through March 19, Petaluma Library.

San Anselmo

Imagined Worlds

Dragons, enchanted trees and intergalactic visitors take over Artist Within – A Cedars Gallery this month as “Imagined Worlds” opens with a celebratory reception. The effervescent group exhibition spotlights the boundless creativity of Cedars artists, whose work conjures fantastical landscapes and story-rich scenes that blur the line between dream and daylight. Beyond the painted and sculpted realms, the show also features storytelling in motion, with animated films and written tales expanding these invented universes. It’s a reminder that imagination isn’t an escape—it’s a practice. 5–7pm, Friday, Feb. 20; exhibition runs Feb. 20–June 12, Artist Within – A Cedars Gallery, 603 San Anselmo Ave., San Anselmo. Free. cedarslife.org/events.

Tiburon

Angel Island

Angel Island isn’t just a scenic silhouette in the bay—it’s a layered archive of immigration, military history and windswept trails with some of the best views around. Ranger Casey Dexter-Lee brings it all into focus at the Belvedere Tiburon Library with an in-depth look at Angel Island State Park, weaving together stories of the island’s past, its natural landscapes and the recreational riches waiting just offshore. A state park interpreter with more than 20 years dedicated to the island, Dexter-Lee connects visitors to Angel Island’s preservation efforts and hidden corners alike. Expect history, insight and perhaps a renewed urge to catch the next ferry. 6–7:30pm, Thursday, Feb. 26, Belvedere Tiburon Library, 1501 Tiburon Blvd., Tiburon. Free.

Your Letters, Feb. 18

No Map Flap

The Supreme Court ruled that California this fall may use its new election map, which is expected to send five more Democrats to Congress. Oops. The main difference is that Californians voted for this, whereas other states mandated theirs. The Chump Administration and the GOP now wanted to ‘nationalize’ the voting process.

Let’s not forget that Chump called Georgia to find votes. Isn’t (Wasn’t) that an attempt at election fraud?

On that note, what was (is) wrong with the current process?  

Gary Sciford
Santa Rosa

Erstwhile Influence

Much has been made in the news recently about the extent of the late Jeffrey Epstein’s chokehold, even well past his unfortunate passing, on human endeavors across the globe. He has his dead fingers in presidential politics, the U.S. legal system, the situation in the Middle East, scientific research, alternative child-raising methods, the royal family and higher education, to name a few.

In my lifetime of roughly 75 years, I can think of only one other person who has had this sort of overwhelming impact upon all aspects of our society. 

Of course, I’m referring to Chuck Norris.

Craig J. Corsini
San Rafael

Empathy Machines. Can Films Increase Compassion?

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Screenwriter Will Tracy is nominated for an Oscar for his script for the film Bugonia, released in theaters last fall. Bugonia follows a disaffected paranoiac named Teddy (Jesse Plemons), who kidnaps Michelle (Emma Stone, also Oscar-nominated). Teddy, gripped with a fanatical mistrust of society at large, has convinced himself that Michelle, the wealthy CEO of an unethical pharmaceutical company, is actually an alien in disguise who plots to destroy all of humanity. 

Through this narrative lens, Tracy’s screenplay indelibly, if uncomfortably, examines several contemporary social maladies like polarization, echo chambers and a lack of empathy for our perceived enemies. 

Oscar nominee Tracy visited the local Mill Valley Film Festival when Bugonia screened there last October, and I was lucky enough to attend the film and the following Q&A. The moderator’s first query: How on Earth did Tracy write a character as unhinged as Teddy? 

Tracy gently came to his character’s defense: “Honestly, there are days where I feel like Teddy.” This was a bit of an alarming admission to make to a room full of people who had just watched Teddy’s increasingly deranged actions on the big screen for the preceding two hours. But Tracy was merely revealing that he, like any good writer, couldn’t help but feel empathy for the characters he gives life to, no matter how questionable their actions may be.

The matter of empathy is at the heart of Bugonia—key to its narrative, and its effectiveness as a work of art. Wealthy elites like Michelle ruthlessly pursue their objectives with no empathy for those who suffer the collateral damage; in turn, Teddy’s capacity to empathize with her erodes to the point where he no longer affords her basic humanity. As the mind games between Teddy and Michelle escalate, and the stakes become increasingly high, the question of empathy for those who have done terrible things becomes central to the film’s conclusion.

Empathizing with those who have done something wrong, or who hold objectionable beliefs, can be hard to do—and socially risky. Tracy even took a risk by confessing compassion for his screenplay’s demented lead character. But, of course, empathy is essential to a healthy society; we wouldn’t want to live in a world dominated by Michelles and Teddys. 

Roger Ebert once said that “films are like machines that create empathy.” I would suggest that if he was right, films are the perfect tonic for many of our current social ills. 

‘Bugonia’ is nominated for four Oscars, including Best Picture.

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