I Heart Merlot

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After a funny guy said something funny about Merlot in the movies, wine drinkers resolved: “That’s it! No more Merlot for me—I’m drinking with the funny guy!” Or so the story goes. Others blame Merlot for its earlier successes, which spawned a lake of insipid wine. (See Dining, this issue.)

Within a few years, I then tasted many a monstrous Merlot with pumped-up tannins. Subjective, anecdotal and based on some of the more inexpensive samples, yes—but still, I felt that wineries were going overboard to prove that, no really, Merlot can be just as serious (read tannic) as Cabernet Sauvignon! Which kind of misses the whole point of Merlot.

Sometimes a Cabernet is just a Cabernet, but just as often it’s a cigar. Critics love to celebrate cult Cab for aromas akin to cigar wrapper and cigar box, while boasting of its tongue-scraping tannins and recommending a gratuitously charred hunk of animal as food pairing. Here’s Robert Parker, enthusing about a 95-point Cabernet: “The roasted tobacco, cedar, scorched earth and creosote nuances are present, in addition to copious blackberry, blueberry, and cassis flavors.” Who doesn’t want their blueberry pie with a dollop of creosote? À la mode, at the very least.

Meanwhile, those of us hoping to actually collect on our Social Security some day have accordingly cut down on our consumption of blackened gristle, not to mention blockbuster Cabs. Merlot can be paired usefully with many other dishes, even vegetarian. “Merlot’s really generous in how it plays out with food,” says Dry Creek Kitchen wine director Rolando Maldonado. “It’s a very enticing grape.”

Rodney Strong 2013 Sonoma County Merlot ($20) Once a Young Turk of the new California wine, now an old standby, good ol’ Rodney Strong doesn’t seem to have fallen into the tannin-stuffing camp. The wine has a faint whiff of white pepper, with oily oak soon taking over on the aromatic front. The juicy palate, like the juice from almost-ripe blackberries, finishes on a note of iron that’s not entirely unpopular with fans of the “right bank” wine genre.

St. Supéry 2012 Rutherford Estate Merlot ($50) More evolved and more fruit-forward at the same time, the St. Supéry hides its 52 percent new French oak in gorgeous, classic claret aromas: sun-ripening arbor grapes, baked plums, licorice and more. It’s like feeling the roundness that barrel aging has imparted to the wine’s riper brambleberry flavors, without actually tasting the oak so much. Lush with dark berry flavor and unobtrusive in tannins, it hints at grip and sweetness and then fades away, leaving the palate not stunned but ready for another bite of something meaty—if not too awfully charred.

Plum Sauce

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Merlot is for mumblers. Some say “MARE-low,” others say “mur-LOW,” while many a farmer who actually grows the grape has been heard gruffly huffing something in between: “MUR-low.” Just say it low and say it fast, and none but the most insufferably fastidious will look at you sideways. Which reminds me of something . . . (See Swirl, this issue.)

If Merlot sounds French, that’s because it is French, and not, as some might suspect, a 1980s marketing invention of the California wine industry. An import from Bordeaux, where it has served usefully for hundreds of years in the wines of that region, Merlot is not always just a sidekick to Cabernet Sauvignon; in some areas, Merlot plays the leading role or shares the blend with its parent, Cabernet Franc. If you want to sound smart, you can say that a similar California blend is a “Right Bank” style—but say it low and say it fast.

Just don’t mistake Château Cheval Blanc for a white wine. The venerable Saint-Émilion producer got some pop-culture attention when clever people pointed out that Merlot-disparaging Miles, the protagonist in

Sideways, a 2004 wine country comedy that we’re still talking about, held dear a 1961 Cheval Blanc that contained a large percentage of Merlot.

But in France, it’s embarrassing for a bottle of Merlot to be called out by name—that’s for the cheap stuff. Trading on the fame of French regional wines, early California vintners simply affixed the labels to their own: Médoc for Cabernet-based wines, Burgundy for almost anything red and wet.

Though many vintners imported Merlot, like the ambitious John Drummond, who grew Merlot in the 1880s in his Glen Ellen vineyard (now part of the Kunde estate), Louis Martini’s combination 1968/’70 bottling is thought to be—as reported in the archives of the Bohemian in 1998—the first varietal Merlot in post-Prohibition California. Men landed on the moon before Merlot made its first single-vintage appearance, with Sterling Vineyards’ in 1969.

In light of the wine’s pedigree and attributes, it’s surprising it didn’t catch on earlier. As a grape, Merlot looks and acts a lot like its family members, the Cabernets, but is generally plumper, with thinner skin. If it makes a wine that is less intense than Cab, it’s arguably a more reliably food-friendly wine, having bright acidity, red berry flavors and lighter tannin.

Despite reports of a “Sideways effect,” Merlot hasn’t dropped off the map. According to the 2015 California Grape Acreage Report, a fun pamphlet of trivia for grape geeks, Merlot actually gained ground from 2007 to 2015, albeit at a slower pace than Pinot, which only lately eclipsed Merlot with 44,027 acres across the state, to Merlot’s 43,239. Among red grapes, Merlot takes fourth place overall, at half the acreage of Cabernet Sauvignon.

Is it up, down or sideways in restaurants? Rolando Maldonado, wine director at Charlie Palmer’s Dry Creek Kitchen, acknowledges that Merlot, as subject to fashion as any consumer product, is still sideways.

“Rare is the consumer who comes into my restaurant and asks for a bottle of Merlot,” says Maldonado.

To avoid pushback from the Merlot-averse, he employs a little subterfuge. “I’ll just ‘mark’ a table—pour wine into their glass and literally walk away from the table,” says Maldonado. “People will be surprised when it’s revealed they’re drinking a Dry Creek Valley Merlot from a fourth-generation wine family.”

Pleasantly surprised.

Good Together

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Jolie Holland is a nomadic songwriter. After a childhood spent in Texas, she called San Francisco home for much of the 1990s, building an experimental rock and roll solo career in the city before rambling off again to Vancouver, B.C. That’s where she met songwriter Samantha Parton in 1999 and formed Americana ensemble the Be Good Tanyas.

Yet Holland was only a Tanya briefly, leaving the band in 2001 to continue her wayfaring ways. In the last decade and a half she’s also called Portland, Ore., New York City and, currently, Los Angeles home. This year, Holland and Parton have reconnected after 16 years and are touring the West Coast with a slew of new collaborative tunes and fresh takes on their older material. The pair performs on July 22 at HopMonk Tavern in Novato.

“It’s a really weird thing to try to write songs with somebody,” says Holland on the phone from Vancouver, where her tour with Parton kicks off. “But it’s really cool, a totally specific thing. It’s like slow-motion improv in a way, where you’re following a ‘yes, and’ rule and keeping things open for somebody else to hear their voice on something.”

Holland, who’s released five studio albums, including 2014’s acclaimed

Wine Dark Sea, doesn’t share songwriting duties on her own albums, but her history with Parton made for an easy back and forth that has led to several new songs in the last few months of playing.

For Parton, the Be Good Tanyas continued up until 2012, when she was involved in a car accident that left her in severe pain. She suffered nerve damage in her back and limbs, and has spent the last years recovering and learning to play guitar again.

Holland and Parton originally tested the waters on the partnership six months ago. Now, with these summer dates, which also includes a show on July 21 at the Chapel in San Francisco, the two are stretching their boundaries more and more.

“It’s all kind of exploratory now,” says Holland. “We’re just making sure that it’s OK on Sam’s health.”

With members of Holland’s longtime backing band joining the two on the road, Holland is embracing this change of pace. “We’ve got plans for European dates and an album, it’s definitely moving forward,” she says. “And it’s really fun to not be the only band leader.”

Debriefer: July 20, 2016

ADAPT TO ADOPT

U.S. Rep. Jared Huffman offered a bill late last week that aims to square up a federal adoption and foster-care regulatory scheme that is for all intents and purposes nonexistent. Adoption and foster-care services are run through state agencies that are often at odds with one another insofar as tracking foster and adopted kids.

Huffman co-introduced, with fellow Democratic representative Karen Bass, from Los Angeles, the National Adoption and Foster Care Home Study Act that would “improve how adoptions are conducted in the United States, including home study standards through the creation of a national standard and registry,” says a press release about the bill. “Home study standards” refers to the process by which officials determine whether a home environment is suitable to a child who might be placed there.

The point of the bill is continuity for children in the foster-care system who find themselves getting bounced from one home to another, and sometimes with extremely terrible outcomes when foster parents are not properly screened.

The bill was inspired by Kate Cleary, executive director of the San Rafael based Consortium for Children, and arrives as the Republican Party is gathering in Cleveland to anoint their Cheeto Jesus martyr and to let the world know that they’re not about to give up on the culture war just yet. When it comes to adoption, the Republican platform “supports adoption organizations that refuse to serve gay couples,” and goes on to claim that “children raised in a traditional two-parent household are likelier to have healthier outcomes.” Adoption advocates point out, conversely, that gay parents often make the best parents.—Tom Gogola

WINES OF THE TIMES

The Sonoma County Board of Supervisors met on July 12 for a four-hour study session dedicated to the ever-growing wine industry. The chamber was jammed packed for a presentation from the Permit and Resource Management Department (PMRD) about how the wine industry is currently organized, what must change and some options for bringing about that change. Richard Kagel of the Dry Creek Valley Association called on those who are issuing permits to “go to the sites and be there in person,” instead of looking at maps and statistics when making decisions about proposed events at Sonoma County wineries.

Kathy Pons of the Valley of the Moon Alliance pointed out that the wine industry has been growing for years and this was the first meeting to address issues associated with what she sees as rampant growth. She advocated for more parking accommodations, as well as pedestrian sidewalks along heavily trafficked wine country roads such as Highway 12.

Local organizations projected a general consensus: more regulations for wineries, an emphasis on traffic and noise level abatement, and clear guidelines for wineries that are seeking permits for events.

Vikki Farrow, owner of the small-scale Amista Vineyards in Dry Creek Valley, suggested that area wineries do a better job of self-policing and interacting with their neighbors, rather than blowing out small infractions into a general indictment of the wine industry.

The meeting was held in advance of anticipated regulations in the works for early next year.

Stoned Age

Ever since Herodotus, we’ve been aware that the nomadic pastoralists of Asia Minor known as the Scythians burned marijuana as part of religious rituals and ceremonies. Now comes evidence that not only does human commerce with the pot plant extend back even further, it could have helped stimulate the rise of Western civilization.

At the end of the last Ice Age, roughly 10,000 to 12,000 years ago, people on both sides of the Eurasian land mass independently discovered and made use of marijuana, according to new research published in the academic journal Vegetation History and Archaeobotany. That same research also links an upsurge in marijuana use in East Asia with the rise of transcontinental trade at the beginning of the Bronze Age, some 5,000 years ago.

While the traditional view has been that cannabis was first used and possibly domesticated in China or Central Asia and then spread westward, a new database tracking the academic literature on trends and patterns in prehistoric pot use suggests that marijuana showed up in both Japan and Eastern Europe at almost exactly the same time, between 9,400 B.C.E. and 8,100 B.C.E.

The database suggests only people in western Eurasia made regular use of the plant. Early records of its use in East Asia are rare, Long says, at least until about 3,000 B.C.E.

At that time, marking the beginning of the Bronze Age, East Asian use picked up again, and researchers think nomadic pastoralists, like the Yamnaya people, thought to be one of three main tribes that founded European civilization, played a key role.

By the beginning of the Bronze Age, the nomads on the steppe had mastered the art of horse riding, which allowed them greater geographical scope and led to the formation of trade networks along the same Eurasian route that would become famous as the Silk Road several millennia later. The Bronze Road facilitated the spread of all sorts of commodities between East and West, possibly including marijuana.

“It’s a hypothesis that requires more evidence to test,” Long says, noting that marijuana’s high value would have made it an ideal exchange item. Burned marijuana seeds at archaeological sites suggest that the Yamnaya carried the idea of smoking cannabis with them as they spread across Eurasia.

Phillip Smith is editor of the AlterNet Drug Reporter and author of the ‘Drug War Chronicle.’

Happy B-Day, Sonoma Springs

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Sonoma Springs Brewing Company celebrates its first anniversary on July 23 with good things to eat and, of course, beer. The Sonoma brewery opened its taproom a year ago on Riverside Drive, and has teamed up with next-door neighbor Divewalk Café to celebrate with a beer-friendly menu from 1pm to 6pm that includes Hanoi tacos (grilled chicken with pickled daikon and carrots, cilantro-lime sauce and Sriracha aioli), pulled-pork tacos, green curry soup and bánh mì sandwiches filled with meatballs, grilled chicken or pulled pork.

In addition to its full lineup of beers, the brewery will debut Thorn in my Pride, a small-batch sour brew made by aging Kolsch in Chardonnay barrels for six months and souring it up with some malolactic bacteria, then blending it with prickly pear cactus picked near the brewery. Meanwhile, Sonoma Springs’ “core beers” will be available for happy hour prices all day long. 19449 Riverside Drive, Sonoma. 707.938.7422.

Turning Japanese

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It’s not quite a tsunami, but over the past 18 months a wave of Japanese-inspired restaurants have opened across the North Bay. Sebastopol’s Ramen Gaijin has grown from a once-a-month pop-up into a destination for fans of Japanese noodles, izakaya (Japanese tapas), sake and Japanese-inspired cocktails sourced from Sonoma County ingredients. Last month, St. Helena’s Two Birds/One Stone opened as a joint venture between chef Douglas Keane and his friend and L.A. chef Sang Yoon. In downtown Napa, former Oenotri chef Curtis Di Fede fed his passion for Japanese food with the opening of Miminashi in May, a high–style izakaya restaurant. That restaurant comes on the heels of chef David Lu’s Eight Noodle Shop, also in downtown Napa.

The Godzilla looming over the dining scene is Kyle and Katina Connaughton’s Single Thread restaurant and inn in downtown Healdsburg. Kyle blends a modernist style with one of the world’s most formidable résumés in Japanese cooking. Comparisons to the French Laundry are already being made, even though the restaurant hasn’t opened yet.

Of course, premium Japanese food isn’t new to the North Bay. Sushi Hana has long been an outpost of excellent sushi and sake in Rohnert Park. Morimoto Napa opened in downtown Napa in 2010. Hiro Sone’s excellent Terra, in St. Helena, has long been the standard bearer for beautiful, Japanese-influenced wine country cuisine.

But this new class of chefs is coming in hot. For some of them, the cooking marks a departure from their Western culinary roots. Ask a dozen American chefs where they’d like to spend a week eating, and I bet a majority will say the same thing: Tokyo. Japanese cuisine’s emphasis on technique, rarefied ingredients and complex yet minimalistic aesthetics are irresistible to chefs and diners alike. It makes for an exciting time to be eating out in the North Bay.

“There’s cool stuff going up,” says Connaughton as he surveys the scene.

TWO CHEFS, ONE RESTAURANT

Douglas Keane is best known for his celebrated Healdsburg restaurant, Cyrus. He also ran the short-lived Japanese steakhouse Shimo. Since Cyrus closed in 2012, Keane has focused on opening a new incarnation of Cyrus in Geyserville and running the Healdsburg Bar & Grill with partner Nick Peyton. But ever since he went to Japan on a culinary scholarship in 2007 and later on a fellowship to Kyoto with the Japanese Culinary Academy in 2010, he’s developed a passion for Japanese cuisine.

Keane remembers sushi restaurants in Japan where all they served was expertly cut fish and rice. No salads. No gyoza. Tempura shops just sold tempura, and the chefs spent a lifetime honing their craft. “There is a dedication to perfection over there,” Keane says.

Most American chefs are trained in the French tradition, which, at its root, is based on fat and carbohydrates, a stomach-filling combination that Keane has veered away from after immersing himself in Japanese food that utilizes umami, the glutamate-rich flavor found in things like seaweed, shiitake mushrooms, tomatoes and Parmesan cheese that give diners the sensation of “fullness” and “deliciousness” without loading them up.

Keane remembers eating 20-course meals in Japan that didn’t put him into a food coma. “I would walk out feeling amazing,” he says.

Keane became good friends with Sang Yoon after they appeared together as contestants on Top Chef Masters. The two decided to team up and open a yakitori restaurant, but they didn’t have a location in mind at the time. “We both have a serious love for Japanese food,” Keane says.

Yakitori, in its classic form, is skewered chicken (thigh, skin, meatballs, gizzards) grilled over bincho-tan charcoal in pubs. To make the concept fly in wine country, Keane and Yoon knew they’d have to elevate the menu above pub-grub fare. When they got the opportunity to open in the vacant restaurant space adjacent to Freemark-Abbey Winery in St. Helena, they jumped on it. It’s a stunning building with high ceilings, stone walls and lots of light.

The food is pretty great, too. There are more than a dozen small plates, like sashimi with compressed melon, warm duck egg custard and green onion pancake. The stars of the menu are the eight yakitori items. I love the juicy and meaty aged duck breast with pickled cherries, turnips and spicy tamarind glaze. Good, too, were the head-on prawns served with charred limes and sudachi salt.

Of more than two dozen dishes on the menu, only three have carbohydrates, a reflection of Keane’s embrace of the lighter Japanese approach and reliance on umami. (As good as the Japanese flavors are, be sure to seek out any of the kimchi items on the menu. They are superb, as in the grilled pork belly with lotus root kimchi.)

This being the Napa Valley, mention must be made of the eclectic wine list. All the wines by the glass were made for the restaurant by local winemakers and delivered in single barrels. When they’re gone, they make way for another bespoke barrel. The flipside of the list has bottles from outside the States.

Keane says he hopes the restaurant will give diners a reason to drive up from Napa and Yountville. “There’s really a lack of Asian food here,” he says, but is quick to add that his restaurant is not classically Japanese: “It’s a California restaurant inspired by Japanese flavor.” Because he’s not bound by tradition, he and Soon are free to be creative.

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SOMETHING DIFFERENT

Farther south in Napa, David Lu opened Eight Noodle Shop a year and a half ago for the simple reason that he loved noodles. “At the time,” he says, “there was no other noodle shop in town.”

Lu says Napa County has plenty of Mediterranean-, Italian- and French-inspired restaurants (he cooked at many of them), but felt the diners would respond to his restaurant. “They want something different and unique.”

Lu, whose family is Chinese, figures the lack of “something different” stems from the region’s homogeneity. But that appears to be changing, if not in ethnicity then in culinary sensibilities.

Erik Johnson, executive chef
at Healdsburg’s J Vineyards & Winery, works in several Japanese-inspired dishes into his tasting menus. He makes what he calls a “Sonoma County dashi” with locally grown shiitake mushrooms and bacon from Sonoma County Meats. The kombu (a thick seaweed) comes from local seaweed harvester Heidi Herrmann. It’s the backbone of the dashi, the classic Japanese stock.

“I’m definitely a Japanophile,” he says, “but it’s great to get local stuff rather than from Japan.” The salinity and funk of the seaweed are a great match for some of the winery’s estate Pinot Noirs, he says.

One of the stars of the moment is chef Curtis Di Fede’s Miminashi. Di Fede co-opened Napa’s excellent Oenotri, a southern Italian restaurant, but he left to go in a totally different direction with Miminashi. The menu ranges from izakaya to ramen and sashimi, and expresses Di Fede’s passion for Japanese food. Before opening Oenotri, he worked at Terra and Wagamama, a Japanese restaurant in London.

JUST ONE BITE

While his career has taken him to Heston Blumenthal’s Fat Duck in London and the R&D kitchens of Chipotle in New York, Japanese cuisine is Kyle Connaughton’s first and enduring passion.

It was a bite of sushi when he was nine years old that changed his life. That first taste of Japanese food in Southern California sent Connaughton on a journey into Japanese cuisine, culture and philosophy that continues today.

There are few non-Japanese chefs in the world with as much knowledge and training in Japanese food as Connaughton. He’s been visiting the country since he was a boy. He speaks Japanese and lived there for three years. He attended two Japanese culinary academies and worked at two celebrated restaurants in Japan. He also spent three years writing a book on donabe cookware (Donabe: Classic and Modern Japanese Claypot Cooking), earthen vessels made by a family of masters that go back eight generations. He just got back from Japan three weeks ago where he presented a paper on the rise of umami-loaded foods in the American diet.

“It all started with flavors,” says Connaughton of his immersion in Japanese cuisine. Now, he says, the dedication to craftsmanship and mastery of skills are what most attract him to Japanese cuisine and culture.

This culinary journey has taken him to Healdsburg where he and Katina are in the final stages of opening Single Thread restaurant and inn, easily the North Bay’s most anticipated restaurant of the year. It could open as soon as September.

Connaughton will oversee the kitchen, while his wife runs the restaurant’s farm on the Russian River and tends the restaurant’s rooftop garden. She’s growing varieties of Japanese vegetables that aren’t available here. Each day, produce from the farm will be transformed into that day’s meal.

Like his fellow North Bay chefs mentioned above, Connaughton is quick to add that Single Thread will not be a Japanese restaurant. Think of it as a Japanese-inspired restaurant rooted in Sonoma County. The multicourse, kaiseki-style menu is meant to capture “that day, that moment of time,” he says.

In many ways, that reverence for seasonality and the best expression of flavor and ingredients is very Japanese, and yet importing ingredients from Japan would be very un-Japanese.

“We want to showcase the best Sonoma County has to offer,” Connaughton says. “We would never import vegetables. That would be crazy, especially given where we are.”

Lawson’s Limbo

The old funky trailers got the boot at Lawson’s Landing after a years-long process finally played out to its conclusion on July 13. The removal of the trailers is part of a deal between the campground and the California Coastal Commission designed to keep the Dillon Beach facility in business while it makes some upgrades.

But now the question is whether the popular facility can survive long enough to stay in business and meet requirements of the Coastal Commission to bring it into compliance with the demands Lawson’s agreed to—while also figuring out how to make up the rental income that’s up in smoke now that the 200-plus rental trailers are gone.

In some ways Lawson’s Landing is an outlier among typical land-use issues tackled by the commission. Even in the absence of permits, the compound had been operating for decades within the spirit of the Coastal Act proviso to keep beach access affordable to all Californians.

The trailers were one manifestation of the 1976 Coastal Act’s for-the-people emphasis, but critics and environmental groups said the setup gave unfair access to those who had the trailers, which were plopped on lots that rented for between $400 and $500 a month on a piece of land that is frankly a developer’s dream: Lawson’s Landing is located near the mouth of Tomales Bay, where it spills out into Bodega Bay. It’s a popular and glorious destination for fishers, crabbers, campers and day-tripping tourists, and has traditionally been the cooling-off destination of choice for working-class people, historically dominated by coast lovers from the Sacramento area.

As the mandated removal and associated upgrades have rolled out, Lawson’s has said it wants to repopulate the land vacated by the semi-permanent trailers with other, more luxe trailers-on-wheels that would help keep Lawson’s in business. The family plans to expand tent-camping opportunities as part of an upgrade to the campground—which also includes building a new wastewater system—but those sites don’t provide nearly the income as the steady monthly rents that flowed from the trailers.

Tom Flynn is Lawson’s Landing representative on a five-person scientific panel studying the facility’s proposals to upgrade the campground. He says the campground will ask the Coastal Commission to drop a two-weeks-maximum camping restriction, a request that would have to be offered as an amendment to the agreement Lawson’s is currently operating under. That has yet to happen.

“They’ve removed all the trailers, and we’re trying to get the scientific survey processed,” says Flynn. That will clear the way to make improvements in the areas where the trailers have been removed, and elsewhere in the 30-acre area of the property that’s been used for camping. “They are seeking some longer term income, potentially three-month leases so they are assured some ongoing revenue,” Flynn says.

As part of the arrangement with the Coastal Commission, Lawson’s has been granted permission to build-out a section of property to accommodate more tent camping. The trade-off is the accommodation of higher-end campers to replace the funky ones.

Steve Kinsey, the outgoing Marin County Supervisor from the 4th District, and chair of the Coastal Commission, encouraged the commission’s acting executive director, John Ainsworth, to visit Lawson’s to get an on-the-ground perspective of the facilities. Flynn says that visit is scheduled for July 22.

Ainsworth was elevated to his post after the controversial firing of Charles Lester earlier this year, a move prompted in part by developers’ frustration with the commission’s slow-roll approval process for coastline development. The Lester contretemps went on for months before he was finally ousted, and Flynn says the battle over Lester didn’t help Lawson’s cause.

“For really the past year we’ve been bringing this up,” Flynn says. “Lawson’s needs an extension. Then the upheaval happened with Lester being removed. The fact is, Lawson’s is way down on the Coastal Commission’s priority list because it really isn’t an environmental threat, it’s not something that they’ve had to really worry about.”

Kinsey will leave his chairman’s post at the conclusion of his final term as Marin supervisor; he didn’t run for reelection this year and his chairmanship is contingent on his being an elected official. Kinsey’s district includes the Lawson’s property located in far northwestern Marin County, and he believes that the Coastal Commission “didn’t give its full attention to the great benefit of Lawson’s” when it comes to the site’s for-the-people mandate. He encouraged Ainsworth to go see for himself how cool it is.

As a boom-state rush to develop the California coastline continues, Kinsey notes that Lawson’s has continued to provide beach access at an affordable rate. And as Lawson’s long-unpermitted operation came into the cross-hairs of environmental groups like the West Marin Environmental Action Committee, Kinsey was at first supportive of keeping the long-term trailers in place.

But, as Flynn recounts, the family decided to not press that issue and agreed to remove the trailers, figuring they’d be able to make up some of the lost income with shorter-term rentals of the spaces to big expensive campers on wheels.

“All they are asking for in terms of an extension is the ability to let people stay more than two weeks at a time,” Flynn says. “They are seeking some longer term income, potentially up to three-month leases so they are assured of some ongoing revenues.” He notes that this new requirement on Lawson’s doesn’t apply to properties up and down the coast, “where people have apartments, condos, time shares,” and can stay in them for as long as they’d like.

The Lawson’s rep says the campsite will eke it out this year but needs to figure out how to replace the departed rental income. “I think they can get through this year, but it’s really a matter of the next couple of years,” Flynn says, “putting in the new wastewater system, all new utilities, putting in restrooms—a lot of things that are required by the permit but also improvements that they want to make.”

Visual Palate

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Ever wonder who creates the art that you see on wine bottles? In the case of Glen Ellen’s Imagery Estate Winery, the label art adorning each limited vintage wine for the past
35 years has come from an array of renowned American artists.

This past December, Imagery Estate donated more than 440 of these original pieces to the University Art Gallery at Sonoma State University, many of which are on display through July in the gallery’s current exhibit, “Palate to Palette: The Imagery Collection at SSU.”

Imagery’s collection has been curated for the last three decades by former Sonoma State faculty member, department chair and university gallery director Bob Nugent, who created the Imagery label idea with winemaker Joe Benziger.

“The connection between Imagery and SSU has been a long time in the making,” says University Gallery director Michael Schwager. “My understanding was that when the winery sold [to the Wine Group in 2015], the Benziger family wanted to keep the collection together and cared for. SSU was the logical place. We have a gallery, a professional staff and a place to store and exhibit the work. It was a perfect match.”

“Palate to Palette” features 67 labels, a modest selection of the 440 pieces donated to the university. “It was a really challenging process to go through all the works and select just enough to fit in the gallery,” Schwager says.

All the pieces share a depiction of the “Parthenon” structure on the Imagery Estate grounds similar to that of the ancient Greek architectural wonder.

The largest painting in the exhibition is by Sonoma-based artist Chester Arnold, an aerial view of the Imagery Estate done in a colorfully realist style on an oddly shaped canvas (pictured). Other standout artists include Berkeley artist Mildred Howard, whose mixed-media assemblages make references to historical figures and events. Also from the East Bay, Chinese-American artist Hung Liu produces portraits of Chinese figures based on historical photographs and propaganda art, overlaid with running colors like a wet painting left in the rain.

Schwager has utilized the collection for a museum studies program, part of the art history curriculum, to instruct students on the fundamentals of museum-collection management. Students can learn how to handle, examine, store and catalogue artwork, as well as learn how to curate a show based on a large selection such as the Imagery collection.

“I like to think that [Sonoma State has] built this fantastic Green Music Center,” Schwager says, “and that the art gallery and the program here is following in those footsteps, in terms of building a great resource for the campus and the community.”

Letters to the Editor: July 20, 2016

Bird Brains

This is very interesting research (“Put a Bird on It,” July 13). Another good example of the interface between humans and the natural order. We still have much to learn about birds and their true benefit to humans. I think tagging birds, like we have tagged other wild animals, will continue to provide us with valuable information, like how birds acclimate to changing habitat and environment. And I hope we keep protecting our environment to provide a healthy place for birds to flourish.

Via Bohemian.com

Not Factual

“[B]ut the dark side of his success is that, most likely, he consumed his siblings—not uncommon in the unsentimental world of the barn owl.” I’m sorry, this is not factual. They only consume siblings after they have died, or maybe almost died. They do not engage in siblicide. Also, vineyards that kill birds can never be bird-friendly. It’s not a few nonnative songbirds that get trapped and killed; it’s more like thousands, and it’s not OK. I appreciate that vineyards are moving towards nontoxic, predator-friendly practices. Barn owls and bluebirds are a vineyard’s best friends, as long as no poison is used. This is a great study and much-needed, but there have been others. Another study was published in the local Ag Alert paper in April of this year. I look forward to the results of this new study.

Via Bohemian.com

Save Us,
Kim Kardashian

Former presidential candidate Mitt Romney called Donald Trump “a phony and a fraud” among other things in a scorched-earth speech at the University of Utah this past March. Sen. Lindsey Graham of South Carolina has consistently trashed the brash billionaire as “un-American” and worse. Sen. Jeff Flake of Arizona states that he prefers to “mow the lawn” rather than to attend the coronation of Donald Trump at the Republican convention in Cleveland. Presidential candidate Jeb Bush slammed Trump thoroughly in an op-ed in last Friday’s Washington Post, arguing that Mr. Trump is not qualified to be president. These are just some of the high-ranking Republicans who are refusing to support the nominee of their own party. Still, mysteriously, Donald Trump does well in the polls when matched up against Hillary Clinton.

The poor white trailer trash and self-hating minorities that are the core supporters of Donald Trump are not listening to these voices of dissent. To enlighten these voters, we need more anti-Trump voices placed in the National Enquirer and Playboy. To reach these folks, perhaps Kim Kardashian can be persuaded to speak out against this despicable presidential candidate. Just an idea.

Kentfield

Write to us at le*****@******an.com.

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