Cone Zone

0

Hoping to see what might be the North Coast’s first mechanized hop harvest in generations, I’m a little confused to be directed to a parking lot.

While feeding bright, green vines into a rattling green machine called the Hop Harvester 1000, Fogbelt Brewing co-founder and brewer Paul Hawley explains that this is what he means by picking hops—it’s not cutting down the trellised vines in the field. Because the delicate flower cones of Humulus lupulus, an essential ingredient to most beers and ales, are so light, it can take an hour for one person to pick one pound off the vines. At about $8 per pound for fresh hops, any profit the grower might have made is erased, relegating the local hop revival to an occasional indulgence for craft brewers.

“Small-scale hop farming is simply not feasible without this $14,000 piece of equipment,” says Hawley, who helped found the NorCal Hop Growers Alliance, connecting brewers with farmers. Together they purchased the refrigerator-size machine, which strips 30 pounds of hops off the vine in half an hour.

Fogbelt released five “wet-hopped” beers in an event on
Sept. 10 to help promote the movement. Other brewers making fresh-hopped beers from the Alliance’s hops this year include Russian River Brewing’s Vinnie Cilurzo.

Most commercial brewers, including craft brewers, use hops that are dried whole, or dried and pelletized. While this can be a high-quality product, there’s a difference. “It’s kind of like cooking with fresh herbs instead of dried herbs,” says Hawley.

Fogbelt’s Atlas blonde, brewed with Chinook and Columbus hops grown in Cloverdale, is a milky, citrus-tinged refresher that’s certainly wet, but not too hopped. Treehouse saison, all biscuit and orange peel, is lightly hopped with Cascade and Chinook hops from Fogbelt’s own plot.

Brewed with 100 percent Cascade hops—think Sierra Nevada—Sentinel pale ale is a mellower, fresher version of the classic California style. Contrary to my expectation that these beers would be hopped-up, they show agreeable restraint and balance. I am told that the Fresco Del Norte IPA is earthier than usual, without the pelletized hops that show a more tropical character. But the bitter oils from Clearlake-grown Centennial and Chinook hops outlast the toasty, woody malt flavor and linger for a long time after I’ve left the brewery. It’s bitter—but a clean, memorable, NorCal bitter.

Fogbelt Brewing Company, 1305 Cleveland Ave., Santa Rosa. Open Friday–Sunday, 11am–8pm; Monday–Thursday, noon–10pm. 707.978.3400.

Tax Cheeto

As anyone who has been following this year’s presidential race knows, there are two main candidates for the office, and one of them has refused to release his federal tax records.

This despite a decades-long tradition of presidential candidates releasing the information so that voters might, you know, make an informed decision about who to vote for.

That candidate is known in some quarters as the Cheeto Jesus, and at last reckoning, he has still refused to release his recent federal IRS tax records. Donald Trump has claimed that people don’t care, and has also claimed that releasing them would open the door to questions best left unasked.

It is surreal in the extreme that Trump is getting away with this degree of hands-off media coverage of his taxes and financial entanglements, which a Newsweek story from last week found to be quite substantial and problematic from a national-security perspective.

Trump has claimed that he’s not allowed to release his tax returns because he’s under audit by the IRS, a position that some have referred to as “a lie.”

And U.S. Rep. Jared Huffman has just called him out on it.

Last week, the Marin County congressman introduced a bill designed to close the so-called liar’s loophole whereby candidates can lie about whether they are being audited in order to lie about why they are not releasing their returns.

Under current law, the IRS isn’t allowed to tell the public whether a presidential candidate, or anyone else for that matter, is being audited—but that restriction does not restrain a candidate from making news of one’s audit a matter of the public record, as mega-billions liberal Warren Buffett recently and quite humorously noted during a post-convention appearance with Hillary Clinton.

Buffett is himself under audit, and gave a presentation to Clinton supporters where he dismissed Trump’s malarkey claim that he was forbidden to release his returns: an audit does not restrict a candidates’ ability to release tax returns for the years that are being investigated by the IRS, despite Trump’s claims to the contrary.

In a statement, Huffman rightly notes that citizens have a right to evaluate candidates’ tax history, if for no other reason than to be “fully informed about the candidates financial ties.” He goes on to note that “the current system allows candidates to provide what could be a trumped-up excuse for hiding their returns by claiming a pending IRS audit, whether or not that is actually happening.” That’s right. Trumped-up.

Huffman’s bill would close the liar’s loophole by “requiring the IRS to disclose whether a presidential candidate is subject to any pending tax audits. The stakes of a presidential election are too high to allow a candidate to hide from disclosing their tax returns by giving an excuse that cannot even be verified under current law.”

The bill has a whole pile of Democratic co-sponsors, including St. Helena U.S. Rep. Mike Thompson—but nary a Republican sponsor is to be
found.

Letters to the Editor: September 20, 2016

Rolling the Dice

If you have taken the time to meet with Lynda Hopkins, you have found her to be both bright and personable. You may have wondered about her qualifications to be a county supervisor but assumed that a smart person like her would simply learn on the job. It is a little harder to explain away her big money backers. We all know who they are by now.

This is Lynda’s big gamble. Can she take considerable sums from these industries and still convince the voters that she is the environmental candidate? Lynda says that she has not signed any pledges to special interests. So the obvious question is, why are they backing her? Why has the Sonoma County Farm Bureau placed those big “Hopkins” signs on all the vineyards? Is this the same farm bureau that opposes open space initiatives, community separators, riparian ordinances, GMO bans and other environmental regulations? Could they be afraid of the environmental record of Noreen Evans? But what if Lynda turns her back on them? That is their big gamble.

Occidental

Got Bias?

I don’t have an opinion on whether the bill granting overtime pay to farmworkers should have excluded dairy workers (“Milk Money,” Sept. 7), and this unbalanced article did not assist me in making up my mind. The bulk of the views cited in the article came from an interview with Anja Raudabaugh, a dairy industry spokesperson, and legislators who opposed or abstained on the bill. The only “pro” quote favoring the overtime provisions was a few sentences from Marty Bennett of North Bay Jobs for Justice. Where are the interviews from actual dairy farmworkers or their representatives?

The article directs us to feel sympathetic to small dairies receiving federal subsidies producing high-priced luxury cheeses. Because life is tough for the dairy owners, farmworkers should make do without the same legal entitlements as other workers. So apparently, luxury products should be subsidized by workers. Since some of those workers, due to their high skill level, make a whopping $20 per hour, they should not be entitled to the same overtime wages as a $20 per hour office worker in a nonfarming small business. Really? Why not?

Farmworkers “volunteer” for that job, states Raudabaugh; after all, they could have been aerospace engineers or attorneys or stock brokers, but since they’ve “volunteered” to be farmworkers, they’re stuck with whatever shitty legal protections exist.

Up your game, Bohemian! Present both sides of a story, or publish it as an editorial.

Napa

Othello the Arab

You know what would be even more “impressive” (“Out of Darkness,” Oct. 14)? The day that any theater company actually casts an Arab in the role of Othello. A “moor,” by the name and the times of those days, was an Arab, not white, not African, not Indian, etc. God forbid anyone should ever actually break with stereotypes and tradition and complete a play as Shakespeare actually wrote it.

Via Bohemian.com

Write to us at le*****@******an.com.

Debriefer: September 20, 2016

ID THEIVERY

Napa state assemblyman Bill Dodd announced last week that Gov. Jerry Brown had signed a bill he wrote to expedite the “resolution process for victims of identity theft who find themselves in debt collection.”

That sounds like a terrible fate for anyone, and Dodd notes that he has himself been a victim of identity theft and knows first-hand that current law around identity theft is inadequate—it doesn’t require debt collectors to work expeditiously when investigating claims of identity theft “or notify a consumer of the results of that investigation,” according to a statement from his office.

Dodd’s bill got the thumbs-up from Sonoma County district attorney Jill Ravitch, who noted in a statement of her own that an individual’s credit rating is often where the consequences of laggard investigations into identity theft play out.

“Consumers can spend months trying to navigate through a confusing and overwhelming system to remove the negative reporting,” Ravitch says. “Any legislation that provides a more expedient resolution for cases of identity theft is a positive step for consumer protection.”

Dodd is a one-term assemblyman and a former longstanding Republican supervisor in Napa County who isn’t just a victim of identity theft; he claimed a new ID for himself. The shape-shifting pol, a social liberal and pro-biz conservative, jumped the GOP ship for the Democratic Party in late 2012 in advance of his run for the state Assembly. Now he’s running for state Senate in the 3rd District, the seat vacated by the termed-out Democrat Lois Wolk.

Dodd is hosting a Fraud Prevention Town Hall today (Sept. 21) at the Sonoma Community Center,
276 E. Napa St., Sonoma, 10am–noon. “Please join me and learn from the experts how best to protect your money and property,” Dodd says in a statement.

SEBASTO-POLS

The Sebastopol Grange is hosting a four-candidate forum next Wednesday, Sept. 28, that features the quartet of would-be contenders for Sebastopol City Council. Craig Litwin is a write-in candidate who has been endorsed by Sen. Mike McGuire and is a former mayor and Sebastopol councilperson. Jonathon Greenberg has written for this paper a few times and says he was inspired to run by Bernie Sanders. Among his other passions, Greenberg is a big promoter of libraries.

Neysa Hinton says she’ll protect the environment and build affordable housing and invest in infrastructure. Sounds good. Michael Carnacchi, the Main Street cobbler and lawsuit-bringer—who played the role of David to the Goliath of U.S. Bancorp when the bank overreached after a four-day-late loan payment back in 2007 (he sued)—says he’s worried about traffic and parking downtown. How very prosaic. We’ll have more on this race and many others in our election issue blowout in November.

WHEN IN A’ROMA

The Bohemian enjoyed a coffee-with-a-cop event earlier this year out in Roseland, and the Santa Rosa police force just keeps the events coming—next one’s at A’Roma Roasters Coffee & Tea in Railroad Square on Sept. 29 at 8:30am. This strikes us as a pretty choice locale for a meet-and-greet given the large numbers of downcast and downtrodden this part of town attracts, mostly because of the nearby Redwood Gospel Mission, and the hobo-draw of the railroad tracks. Santa Rosa city leaders have spent much time and energy in the last few years trying to deal with its large homeless-resident population, and it will be interesting to hear what Santa Rosa cops have to say about transience, trains and the criminalization of the homeless and mentally ill.

GUALALA LAND

The Sonoma Coast Chapter of the Surfrider Foundation gave us the heads-up last week that the Sonoma Superior Court had ruled on Sept. 15 to “temporarily halt further logging of the controversial Gualala River floodplain within the ‘Dogwood’ timber harvest plan while litigation proceeds.” That logging plan was approved in July (see Will Parrish’s “Last Stands” in the July 27 issue) and includes some 300 acres of redwood stands with trees up to 100 years old. Doug Bosco, the well-connected former congressman, California Coastal Commission chairman and current general counsel at the Press Democrat, is one of the lawyers representing Gualala Redwoods Timber, which wants to cut the trees down. Now the county says no logging while the injunction is in place. FYI: trees are the source material of paper, on which news is occasionally printed.

POT LUCK

The California Growers Association got in touch with us with a schedule of pre-regulatory meetings being held by various state agencies around California, the ones that are “responsible for licensing cannabis businesses.” And so it was that the State Water Resources Control Board met in Ukiah and Eureka and Weed (no, really); the California Department of Food and Agriculture held meetings all over the state and in Oakland and Coalinga this week. How about a little pre-regulatory love for Santa Rosa? Coming right up. The Bureau of Medical Cannabis Regulations and the California Department of Public Health are hosting meetings for transporters, manufacturers, distributors, labs and retailers, beginning on Sept. 19 in Redding and going through Oct. 5 in San Diego, with a stop-off in Santa Rosa this Thursday (Sept. 22). The event runs most of the day, 1–7pm, at the Santa Rosa Veterans Memorial Building, Lodge Room, 1351 Maple Ave.

A Feast of Theater

0

The unpredictable combustible power of people eating dinner together is prominently featured in two notable stage plays currently running in the North Bay.

Marin Theatre Company’s August Osage County, directed by Jasson Minadakis, is a solid, well-performed, but oddly distant and frequently unsatisfying staging of the 2008 Pulitzer winner from Tracy Letts. Usually presented with detailed realism, this is a deliberately surreal production that emphasizes the family-meal elements of the script by building a massive tabletop structure into the stark, skeletal bleacher-like set.
With a magnificent lead performance by Sherman Fracher as Violet Westin, the ferocious pill-popping matriarch of an Oklahoma clan gathering together after the disappearance of their paterfamilias dad (Will Marchetti), the play is solidly performed by a strong cast of 13. Minadakis’ choice to have the actors pantomime some props is interesting, placing metaphorical emphasis on those props (pills, pot, cigarettes, alcohol) that are real. But in attempting to turn Letts’ meticulously realistic play into a tone poem about the addictiveness of casual family cruelty, this admirable but unsuccessful production blunts the razor-sharp edges of the playwright’s brilliantly brutal storytelling.

★★★ ½

Dan LeFranc’s high-concept The Big Meal — inaugurating Left Edge Theater’s brand-new 60-seat performance space at Luther Burbank Center — covers four generations in the life of a typical American family, as told through a series of short (sometimes very short) vignettes, all told by a character-shifting cast of eight actors, each and every scene set in a restaurant. Directed by Argo Thompson, the ensemble show features a superb nine-person cast that includes Sonoma County veteran actors Kimberly Kalember (playing Woman #1) and Joe Winkler (Man #1), along with Sandra Ish (Woman #2), Graham Narwhal (Man #2), Liz Frederick (Woman #3), and Jacob de Heer (Man #3).

All are excellent, playing sweeping arcs of love and loss in a show that is as ambitious in its scope and as it is, unfortunately, a bit lacking in any real payoff or point. Not that life has a payoff or point, which of course, is part of the point of ‘The Big Meal.’ That said, the combined pleasure of seeing so much good acting one stage, in a story about learning to savor life as long as we can, makes this uniquely-told story well worth pulling up a chair for.

★★★★

Corner Story

0

In every city it seems there’s a cursed corner, a location where restaurants don’t last long. For Santa Rosa, that corner is Mendocino and Clement avenues. Over the years, several establishments have tried their luck there, including, most recently, Heritage Public House.

A month ago, it became the home of Steele & Hops, a brewpub with a compact food menu and a long list of ales, IPAs and sours. Not much has changed since it was Heritage: the decor is still the same, the patio is still cozy, the number of diners, on a Thursday night, still relatively modest. The food, however, got an upgrade.

Consider the Pub Caesar salad ($9.5), for example. The fresh, crunchy romaine lettuce wedges and the croutons are accented with briny boquerones (white wine vinegar–marinated anchovies), which make the old classic taste significantly more exciting. The creamy dressing, flecked with black and chile pepper flakes, ties the whole thing together.

Then there are the appetizers. The beet-pickled deviled eggs ($4) are a popular food right now, but they could use some taming at Steele & Hops. The egg whites are a bit sour and the filling too heavy on the horseradish. The mushroom toast, however, is as indulgent as they come. A crispy piece of sourdough, browned button mushrooms, gooey Gouda and caramelized onion jam come together to form a delicious union. For $7 apiece, it’s proof that San Francisco’s overpriced toast game is now strong in Santa Rosa, too.

Even better are the brisket cigars ($7), crispy, cigar-shaped phyllo filled with shredded, house-smoked brisket and mixed with cheddar and steak sauce. Not many places favor the cigar, a throwback to the ’90s, but this version is daring and relevant thanks to the clever filling. Served with hot-pepper jelly, a liquid Sriracha-like dipping sauce, it’s the perfect balance of smoky and spicy, crunchy and chewy.

The winning streak continues with the seemingly humble smoked turkey pot pie ($13.5). The golden and properly flaky puff pastry hides mushrooms, potatoes, carrots, peas and cubes of smoked turkey swimming in a rich, spicy sauce. Not as starchy as some pot pies, it’s comforting yet bold.

The fish and chips ($14) are quite good, too, but pose a technical issue for me. The thick-cut chips are easy to eat with your hands, and can be dipped in one of three sauces: ketchup, bright and fresh tartar sauce and a dodgy curry dip. The cod filet, however, arrives as one big piece coated in browned, crispy beer batter. The delicate flesh was very flaky, making breaking it to smaller pieces for dipping nearly impossible. The sauces have to be piled on the fish and eaten with a fork. I prefer an informal, eat-with-your-hands method for fish and chips.

Steele & Hops acts and looks like your average brewpub. The name change might go unnoticed, but the menu holds some pleasant surprises, especially when it comes to the reimagined comfort food. For the sake of the brisket cigars, the pot pie and the mushroom toast, I hope Steele & Hops breaks the corner curse and sticks around.

Steele & Hops, 1901 Mendocino Ave., Santa Rosa. 707.523.2201.

Pedal It Forward

0

What starts with b and connotes freedom to young and old and in-between? If you guessed “bicycle,” you got it! My son, Sylvester, just turned five and he has been on one form of wheeled conveyance or other since he was three months old: bicycle trailer, handlebar front seat on my bike, tricycle, scoot bike, rear child seat on our bikes, trail-a-bike, back of a cargo bike, and he is now on his third two-wheeled bike.

The really cool thing is that every single one of these was handed down to us from bicycling friends who had outgrown them. And we, in turn, have handed down all that we have grown out of. The first two-wheeler that my son rode on his own was a small blue and white Specialized that we got from friends and, yes, part of me wants to have it bronzed and hung on our wall, but the more rational part of me knows that bikes need to get ridden by another little person finding his balance. And so we passed it on.

My son just graduated from 16-inch wheels to 20-inch wheels, and it is such a joy to ride with him as he navigates on this bigger bike. His current bike was given to him by a dear 10-year-old friend who had just gotten too big for it. My husband lowered the seat, put on some smaller handlebars and—voilà!—Sylvester was ready to roll. We go for longer rides these days, and Sylvester’s joy is as contagious as a ’60s pop song!

If you have any too-small bikes sitting in your garage collecting dust and rust, fix ’em up and think of a kid you might give one of them to—a neighbor down the street, a schoolmate, a niece or cousin, or a friend of the family. There are lots of kids out there who do not have bikes that fit them well, and by passing down your old, unused bikes, you’ll be spreading freedom, joy and health to our youth.

Sarah Hadler lives in Santa Rosa and works for the Sonoma County Bicycle Coalition.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Small But Mighty

There’s an entertainment trope wherein an embittered geek contrives an occasion to show his oppressors A) who’s boss, B) who’s an evil super-genius, C) who has the most toys. Though not an exact fit for Mike Holbrook, creator of the annual fan fest Santa Rosa Toy Con and Comic Con, two outta three ain’t bad.

“It started out as bitterness,” says Holbrook, who founded his convention after failing to get tickets to the annual juggernaut known as San Diego’s Comic-Con for the third consecutive year. “Then it turned into a passion.”
In 2012, Holbrook, a lifelong toy collector-turned- dealer, sold off portions of his own collection to finance his first convention at Sonoma County Fairgrounds’ Grace Pavillion. It found immediate resonance with North Bay conventioneers who rallied behind an event that boldy went where no convention had gone before – namely their hometown.

Holbrook doesn’t consider Toy Con a competitor to other conventions on the circuit – it’s more of a complement to a growing ecosystem of fan-friendly enterprises that celebrate all manner of superhero, sci-fi, manga, and the infinite other evolutions of geek culture. Holbrook is eager to shout out Lumacon, a non-profit educational event created by the librarians at the Petaluma Joint Union High School District and the Sonoma County Library, which will convene for the third time next January.

“It’s great local convention, too,” he says. “Fortunately, I’ve been selling at other conventions as a dealer for years so I already know all the promoters and we all talk to each other to make sure our dates don’t step on each other’s toes. We all sell at each other’s shows – we all work together, it’s just a big community.”

In the four years since Holbrook launched Toy Con, he says dozens of new conventions have taken root over the nation. “And every one of them is welcomed by their community and loved by everyone who goes. It might just be a fad, it might die-off but I hope it doesn’t because I want to keep going with it.”

The convention community goes beyond dealers, collectors and fans. It also includes independent and local artists. When the geeks inherited the earth (if you don’t believe this has happened, visit your local multiplex), their close cousins, the arty types, seemed to have been sidelined. Toy Con, with its emphasis on local indie producers, advocates for a geek-artist hybrid. It’s like The X-Men Academy got an Art Department.

“Oftentimes people are discovering my work for the first time so being able to exhibit at comic-cons like this one are great chance to connect directly with new readers and create new fans,” says Alexis E. Fajardo, creator of the Kid Beowulf comic series. “It’s even better when the comic-con is in our own backyard!”

“For a lot of (artists), it’s the best way to promote their stuff. Some have goals to be picked up by Marvel or DC,” Holbrook says referring to the present titans of comics publishing. “But some want to remain how they are and the best way to get their name and their books out there is to regularly do this kind of stuff. Being the only convention up here, they all want to attend because it’s a whole market they haven’t touched yet.”

The artists will join a throng that amounts to three buildings of comics, toys and games spread over 200 vendor tables. Other on-premise activities include LARPing (live action role playing with foam swords), a mini disc-golf course, live wrestling, a video game tournament room, the obligatory cosplay and Q&As and signings with celebrity guests.

Among the marquee names making appearances this year are Veronica Taylor who voiced Ash Ketchum in the Pokémon anime for its first eight seasons, Vincent M. Ward of TV’s The Walking Dead fame, Phil Lamar who voiced characters in animated series Justice League and Futurama, and Catherine Sutherland, known to fans for her portrayal of the “second Pink Power Ranger” in the Power Rangers TV series. Dozens of other guests familiar to fandoms far and wide will also attend (including those unfamiliar to fandoms like the author of this article).

“I try to aim for the fan-friendly guests, the guests that are going to shake your hand and smile not the one ones who are ‘Ugh, my career is down to conventions,’” says Holbrook, who hopes to eventually bag the grandsire of comics himself, Marvel-founder Stan Lee.

“I’d like it to snowball into something big so I can afford a Stan Lee or a current big name but right now I can’t,” says Holbrook, who adds that personalities of Lee’s stature often require appearance fees in the tens of thousands of dollars. “I understand – they’re in such demand that if they didn’t put that price there they would be at some podunk thing every weekend, signing stuff until their fingers bleed.”

Bloody fingers aside, Holbrook anticipates a good turn out (in recent years it’s been thousands). “You have people who come for just the toys, or for the art and the guests and you have people who have never been to one before and want to check it out,” says Holbrook. “My goal, with my event, is to make everyone single one of those people leave with a smile on their face.”

The Avett Brothers Show Green Music Center Some Love

0

Show Poster by Todd Slater
Show Poster by Todd Slater

North Carolina’s the Avett Brothers, aka siblings Scott and Seth Avett, have been making lovely harmonic country folk music since 2000, when they were still in college and high school, respectively. With a slew of critically beloved albums–including this summer’s masterfully emotional True Sadness–and a reputation for rollicking and heartfelt live shows, they’ve become one of the biggest ‘indie’ acts touring today.
And if their show last night at Sonoma State University’s Green Music Center is any indication, their hard-working ethics and dynamic musicianship is a strong as ever. The band played a high soaring set of music from their entire 16-year catalogue in the beautiful Weill Hall, with the back wall open and fans packed on the lawn. Folks sung and clapped along for the two-hour set that saw the brothers power through dozens of their best songs.
With no opener, the band came out strong with an instrumental opener complete with kazoo solos. Backing the banjo picking Scott and guitar slinging Seth is bassist Bob Crawford, cellist Joe Kwon, violinist Tania Elizabeth, pianist Paul DeFiglia and drummer Mike Marsh. The ensemble offered lots of selections from True Sadness, though they also reached back to the earlier works and gave every member of the group a chance to spotlight their talents.
I’ve had the pleasure of seeing the Avett Brothers play live four times now over the last few years, from the fields of BottleRock Napa Valley and under the columns of Berkeley’s Greek Theatre, to an intimate theater in Visalia, and last night’s performance stood out for it’s eclectic mix of song selections and juxtaposition of hushed acoustic and all-out electric power. At one point, Seth took his guitar into the crowd for a blazing rock and roll guitar solo, and Tania Elizabeth damn near stole the show with an amazing violin performance that sounded like a full assortment of stringed players.
Congrats to whoever is booking the shows at the Green Music Center. They’ve got a great ear for music and a great taste for a wide range of acts. For a list of upcoming concerts there, click the link.

Watch Lungs and Limbs Cover Tears for Fears

[youtube]https://www.youtube.com/watch?v=61-cymWQKmo[/youtube]
Onstage with Jim and Tom continues to be one of the most entertaining musical series in the North Bay, a combination of interviews and performances that take place at the historic Phoenix Theater in Petaluma, hosted by Phoenix manager Tom Gaffey and music booker Jim Agius. Featuring an eclectic and talented array of North Bay musicians and bands, the video podcast always entertains.
Recent episode with rising indie pop stars Lungs and Limbs is no exception, and this week, Onstage shared a video of the band covering one of the greatest ’80s songs ever, “Everybody Wants to Rule the World,” by Tears for Fears. Watch the video above and marvel at the spot-on guitars by Nick Tudor, sultry vocals by Karina Rousseau and fuzzed-out backbeat by drummer Matt Power and bassist Chris Casey.
For more Onstage antics, click the link here.

Cone Zone

Hoping to see what might be the North Coast's first mechanized hop harvest in generations, I'm a little confused to be directed to a parking lot. While feeding bright, green vines into a rattling green machine called the Hop Harvester 1000, Fogbelt Brewing co-founder and brewer Paul Hawley explains that this is what he means by picking hops—it's not cutting...

Tax Cheeto

As anyone who has been following this year's presidential race knows, there are two main candidates for the office, and one of them has refused to release his federal tax records. This despite a decades-long tradition of presidential candidates releasing the information so that voters might, you know, make an informed decision about who to vote for. That candidate is known...

Letters to the Editor: September 20, 2016

Rolling the Dice If you have taken the time to meet with Lynda Hopkins, you have found her to be both bright and personable. You may have wondered about her qualifications to be a county supervisor but assumed that a smart person like her would simply learn on the job. It is a little harder to explain away her big...

Debriefer: September 20, 2016

ID THEIVERY Napa state assemblyman Bill Dodd announced last week that Gov. Jerry Brown had signed a bill he wrote to expedite the "resolution process for victims of identity theft who find themselves in debt collection." That sounds like a terrible fate for anyone, and Dodd notes that he has himself been a victim of identity theft and knows first-hand that...

A Feast of Theater

The unpredictable combustible power of people eating dinner together is prominently featured in two notable stage plays currently running in the North Bay. Marin Theatre Company’s August Osage County, directed by Jasson Minadakis, is a solid, well-performed, but oddly distant and frequently unsatisfying staging of the 2008 Pulitzer winner from Tracy Letts. Usually presented with detailed realism, this is...

Corner Story

In every city it seems there's a cursed corner, a location where restaurants don't last long. For Santa Rosa, that corner is Mendocino and Clement avenues. Over the years, several establishments have tried their luck there, including, most recently, Heritage Public House. A month ago, it became the home of Steele & Hops, a brewpub with a compact food menu...

Pedal It Forward

What starts with b and connotes freedom to young and old and in-between? If you guessed "bicycle," you got it! My son, Sylvester, just turned five and he has been on one form of wheeled conveyance or other since he was three months old: bicycle trailer, handlebar front seat on my bike, tricycle, scoot bike, rear child seat on...

Small But Mighty

There’s an entertainment trope wherein an embittered geek contrives an occasion to show his oppressors A) who’s boss, B) who’s an evil super-genius, C) who has the most toys. Though not an exact fit for Mike Holbrook, creator of the annual fan fest Santa Rosa Toy Con and Comic Con, two outta three ain’t bad. “It started out as bitterness,”...

The Avett Brothers Show Green Music Center Some Love

North Carolina's the Avett Brothers, aka siblings Scott and Seth Avett, have been making lovely harmonic country folk music since 2000, when they were still in college and high school, respectively. With a slew of critically beloved albums–including this summer's masterfully emotional True Sadness–and a reputation for rollicking and heartfelt live shows, they've become one of the biggest 'indie' acts...

Watch Lungs and Limbs Cover Tears for Fears

https://www.youtube.com/watch?v=61-cymWQKmo Onstage with Jim and Tom continues to be one of the most entertaining musical series in the North Bay, a combination of interviews and performances that take place at the historic Phoenix Theater in Petaluma, hosted by Phoenix manager Tom Gaffey and music booker Jim Agius. Featuring an eclectic and talented array of North Bay musicians and bands, the...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow