Your Letters, 1/29

Flash Back

In the 1930s, the U.S. couldn’t figure out that Hitler’s Germany was taking a hard right turn toward dictatorship. However, in 2025, Germany’s diplomatic corps clearly sees what it calls America’s “maximum concentration of power with the president at the expense of Congress and the states.” (“Leaked memo reveals alarming German warnings over Trump,” Politico, Jan. 19, 2025.) America’s intellectual and constitutional downturn started long before 2015 and before the steep decline in SAT scores in the 1960s. 

It essentially started with the authoritarian veer of Franklin D. Roosevelt in the 1930s but was checked to a degree and rolled out more slowly here. After defeating Hitler’s Germany in World War II, America has been braying about world dominance so loud and for so long that we stepped into the same hot mess Germany did nearly a hundred years earlier. How sad for us and the world.

Kimball Shinkoskey
Sonoma County

Insurrection Day

I have been informed that a new national holiday will be created in honor of the new administration: National Insurrection Day. The date would be January 6.

Gary Sciford
Santa Rosa

S-S-Snake Cover

The Year of the Snake, huh? (Bohemian, Jan. 15, 2025.)  Perfect! Look what just slithered into The White House!

Bob Canning
Petaluma

Culture Crush, 1/29

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Petaluma

Get That Con On

Petaluma’s comic convention, LumaCon!, is back this Saturday to celebrate creativity, art and the joy of fandom. This free, family-friendly event transforms the Petaluma Community Center into a hub of cosplay competitions for ages 8–18 (registration required onsite by 2pm), live-action role-playing adventures featuring short sword workshops and supervised battles, and the bustling Artists’ Alley, where professional and emerging creators showcase their work. Additional attractions include chess, D&D, crafts, comic-making activities and the Sonoma County Library BiblioBus. Cameras, costumes and imagination are highly encouraged. Presented by Casa Grande High, Petaluma High and the Petaluma Regional Libraries, the event runs from 10am–4pm, Saturday, Feb. 1, at 320 N. McDowell Blvd., Petaluma. Visit LumaCon.net for more information.

Napa

From A.R. Gurney With Love

Lucky Penny Productions opens its 2025 season with A.R. Gurney’s Pulitzer-nominated play, Love Letters, an exploration of a 50-year relationship told through a lifetime of letters. The show runs from Jan. 31 through Feb. 16 at the Lucky Penny Community Arts Center in Napa. Featuring three different pairings of performers, the play offers a fresh experience each weekend. LC Arisman and John Browning kick off the run Jan. 31–Feb. 2, followed by Daniela Innocenti-Beem and Dennis O’Brien Feb. 6–9, and concluding with Lucky Penny founders Taylor Bartolucci and Barry Martin Feb. 13–16. Performances begin Friday, Jan. 31, at the Lucky Penny Community Arts Center, 1758 Industrial Way, Napa. For tickets and details, visit luckypennynapa.com.

Yountville 

Short Films Go Big

The 7th Annual Yountville International Short Film Festival (YISFF) lights up the screen Feb. 1–4, with 20 screening blocks, filmmaker Q&A sessions and exclusive VIP wine-tasting events. More than 100 short films will be showcased at two venues: the Yountville Community Center’s Heritage Room, featuring cabaret-style seating and complimentary popcorn, and The Estate Yountville’s newly remodeled Barrel Room. Festival highlights include Opening Night, Cuvée Cinema, Cabernet Cinema, The Art of Cinema featuring winemaker Rob Lloyd’s wines and Sunday’s Champagne Cinema. Genres span animation, suspense, fantasy, science fiction, drama and foreign films, offering a global cinematic journey. Passes range from $15 for individual screenings to $199 for the All-Access VIP Pass. Everything kicks off at 7pm, Thursday, Feb. 1, at the Heritage Room, 6516 Washington St., in downtown Yountville. Tickets and details are available at YISFF.com.

Mill Valley

Author Talks

Novelist and documentary filmmaker Tara Dorabji takes center stage at the Mill Valley Library’s 2025 Author Talks series with a discussion of her novel, Call Her Freedom, winner of the Simon & Schuster Books Like Us first novel contest. In conversation with College of Marin professor Susan Rahman, Dorabji will explore themes of family, colonialism and resilience in this epic story that delves into the journey of creating a home amidst loss and innocence. This event is part of the library’s Author Talks lineup, which continues through April. Dorabji’s talk is on Wednesday, Feb. 5, from 6:30 to 8pm at the Mill Valley Library. Free registration and event details are available at millvalleylibrary.org.

Habitat Forming: Amber Huntington of Cal Flora

I can be certain that this reader has noticed the stirring of currents and movement behind the concept of “habitat gardening.” For the uninitiated, habitat gardening is the planting—or rather the restoration—of native plant landscapes in suburban areas that invites local critters back into the lowlands.

While not at all replacing the sharp need for new parks and protected lands, the planting of native gardens can supplement and stitch the fragmentary wilds surrounding human development. For all their green and floral charm, many biologists and naturalists regard gardens planted with old world species as ecological dead zones for our native fauna. That is a heavy judgement. But when one has seen a well-established native garden alive with migratory birds, butterflies and bees, they can’t help but notice the deathly stillness and silence of our “colonial” gardens.

Such were sentiments shared with tea, in a brief encounter with Amber Huntington, the botanist-in-residence at Pepperwood Preserve and manager at Cal Flora Nursery. Established in 1981, Cal Flora is Northern California’s oldest native plant nursery, stocking a wide selection of California natives that thrive in the North Bay. It is currently owned by Josh Williams.

CH: Per your website, California natives are “low water” and “fire-resistant.” Can you explain?

AH: Yes, with a minimal amount of water—maybe a once-a-month soak—you can keep a native garden looking relatively lush.

CH: And still, they are fire resistant?

AH: They can resist catching and spreading fire when it comes, bounce back and even thrive if they are burnt.

CH: Where do you get your plants?

AH: It’s what we find in the wild—what seed is available if we timed it right. Seeds, cuttings, division—we never dig out plants in the wild.

CH: Is there a book that can help instruct us how-to plant native?

AH: California Native Plants for the Garden by Bart O’Brien is the go-to book. 

CH: From where you sit, is the movement growing?

AH: Since the fires, and with this younger generation, demand is up big time. We actually need to find a property two to three times larger than what we have. We’re currently doing the Tetris dance in our greenhouses (laughs).

Learn more. The Cal Flora website, calfloranursery.com, has a searchable inventory of their current stock. Easy search features allow one to pair the selection down by light exposure, bloom season and even flower color. This region can be more like itself when planting natives.

The War on Art, Sonoma State University Cuts Strike Blow

Anyone in the tri-county area within earshot of an academic has probably heard about the dramatic cuts occurring at the North Bay’s only state college—Sonoma State University.

Due to a colossal budget deficit precipitated by declining enrollment, years-long administrative woes (including a sexual harassment scandal in 2022) and inflation, the beleaguered school is eliminating several academic and athletic programs.

As reported in the campus newspaper, the Sonoma State Star, several “departments identified for closure” include the departments of art history, philosophy, theater and dance, and women and gender studies.

These bloodbath cuts are consistent with the general cant of the Trump agenda and underscore the broader culture’s consistent devaluation of the arts and overvaluation of everything from meme coins to TikTok dances.

Colleges are traditionally the intellectual nerve centers from which the rest of an area’s culture radiates. But Sonoma State? It’s had an uneven track record at best. Sure, there were the brief, shining moments in its history—like the time the fledgling experimental psych department dabbled in “butt paintings” and earned the school the moniker “Granola U.” But as a whole, the school never fully gripped the local imagination.

The surrounding environs—the burbs—could never authentically claim the coveted status of a “college town.” And without most of SSU’s liberal arts programs, it never will. Sure, it still has its wine program (for now). But if global wine sales continue their decline, that department may eventually dry up like the rest of us during Dry January.

Cutting liberal arts—or, frankly, anything preceded by the word “liberal”—is par for the course in this Brave New World. Squint hard enough, and one can make an economic case for these cuts. CollegeNPV, an online service that helps users browse the potential ROI (return on investment) of different schools, recently circulated an infographic (via social media, where people really get their news) showing that an engineering degree yields a $571,000-lifetime return, while a visual or performing arts degree results in a negative $104,000. 

The math is stark, but this spreadsheet logic ignores a key fact: Many working artists also teach. Except now, at SSU, they won’t have that option—particularly since the school also axed its education leadership master’s program.

If BFAs and MFAs are going extinct, then another acronym, AI, may be the future. That’s the line we’re all being sold. The World Economic Forum’s annual Jobs Report recently suggested that “content development roles,” including quaint relics like writing, are “highly exposed to automation.” Generative AI, they claim, can “augment” these roles, turning human creatives into “hyper-productive” machines because nothing captures the human condition like a chatbot.

When the arts have to justify their existence to the bean counters, they become collateral damage in a broader culture war. The axing of liberal arts programs at SSU isn’t just about dollars and cents; it’s about a more profound cultural shift prioritizing utility over beauty, metrics over meaning, and productivity over soul.

So where does that leave us? A college stripped of its creative core becomes little more than a diploma mill with better branding. A community without artists becomes a cultural wasteland. And a society without the arts? It’s not just poorer in spirit—it’s doomed to repeat its mistakes without the mirror of art to reflect what we are otherwise unable to see.

The arts will survive, of course—they always do. But in this climate, they’ll increasingly move underground into spaces where they can thrive, where their real ROI isn’t measured in dollars.

If the academies don’t carry the torch, the artists will take it—igniting hearts and minds faster than anyone can say, “You’re fired.”

Weekly ravings of media-making madman Daedalus Howell are available at dhowell.substack.com.

Atonement for Oligarchs Coming Sooner or Later

A recent study by the NYU Brennan Center for Justice, a watchdog group that studies election law and finance, revealed that around 44% of all the money, $481 million, raised to support then president-elect Donald Trump came from 10 individual donors.

When the Citizens United decision was announced in 2010, we all ran around with our hands in the air, crying about how corporations would buy elections. Not so. Instead, we have a system dominated by mega-wealthy individuals, the oligarchs, to an unexpected degree.

As far as disclosure goes, more money than ever is “dark” money, in which the donor’s identity is not disclosed, or is hidden behind committees, trap doors, black hoods and trick mirrors.

And, it isn’t as if money buys results. Candidate Kamala Harris raised $1.5 billion in one summer, though we don’t know if our receiving those hourly fund-raising texts through Election Day hurt her at the polls. 

We are entering a new era in which money and political power are fused. Big donors like Elon Musk essentially ran Trump’s campaign.

It’s not as though Trump cares about what to do now that he’s back in office. Don’t bother him. He’s on vacation. All he does is watch TV all day.

But the oligarchs care, and The White House side door of corruption is wide open for greedy bastards to come in and earn fat dollar amounts from government contracts designed to eliminate the government and the rest of us with their tariffs, tax cuts and endless forms of graft. Our country is for sale.

At the turn of the 20th century, Americans grappled with similar wealth and power issues. When J. Pierpont Morgan faced an antitrust lawsuit, he told President Theodore Roosevelt, “If we have done anything wrong, send your man to my man, and they can fix it up,” which is oligarch speak for “Up yours, buddy.”

Roosevelt had a different way of looking at the cycle of corruption and reform. “Sooner or later,“ he told a member of the working press, “unless there is a readjustment, there will come a riotous, wicked, murderous day of atonement.”

Craig Corsini lives and writes in Marin County.

Follow Me: Social Media Butterfly

Rejection is par for the course for working writers, more so for non-working writers. 

This is a direct lift from my latest rejection:

“Although I like your writing and appreciate your sense of humor, I’m afraid I cannot offer my representation at this time. In the current competitive market, publishers will not even consider nonfiction projects by writers with a platform of less than 100,000 followers.”

For scale, that’s like the combined population of every sentient being in Novato and Petaluma. But convincing them, or anyone, to do anything en masse short of watching Netflix in athleisure wear is a fool’s errand.

The agent’s rejection letter continued: “I suggest that you start building your platform and feel free to reach out to me again when you have a big enough following.” 

Dude, if I could muster that kind of influence, I wouldn’t be looking for a new agent; I’d be running a TikTok crypto cult fueled by feel-good bromides and saucy dance routines. My 15 minutes of fame would turn into 15 minutes of blame for breaking the Internet.

Social media gurus talk about “engagement” but never disengagement, which has been the key metric of my social media marketing strategy. My followers may be finite, but my non-followers are infinite—they’re legion, and they’re loyal (to the fact that they will never know who I am).

The social professionals have polite terms for punters like me—“micro-influencer,” “niche-influencer” and “irrelevant non-entity,” but I’ve never claimed to be an influencer. I’m more like an under-the-influencer, but only on payday, which is twice a month if the planets align. Then I raise a glass to the invisible masses and say, “Without you, I’m nobody, and with you, I’m still nobody—here’s to consistency and always never being there.”

Thus far, adding up all of my followers, across all of my social media platforms, I can just scrape the bottom of 10,000. And most of those are Russian bots. I can tell because every so often, I get an email from Kollektiv Robotov that reads, “пожалуйста, прекрати,” which translates to “please stop.”

So, follow me, comrades. I’ll be here, shouting into the void and pretending the echo is applause. Who needs 100,000 followers when I can have the undivided attention of a dozen mildly interested strangers?

I may never go viral, but obscurity? That’s a niche I can dominate.

Follow me at instagram.com/daedalushowell.

Feds Decision Greenlights Controversial Windsor Casino

One of the Biden administration’s final moves of its 2021-25 term will likely be felt in Northern Sonoma County for years to come. Last Monday, just one week before the Jan. 20 inauguration of President Donald Trump, the federal Bureau of Indian Affairs approved a bold request from the Koi Nation, a small but mighty Southeastern Pomo tribe from Lake County.

Koi leaders asked that around 70 acres of vineyard land they own along the southeastern edge of Windsor be placed in “federal trust”—and the bureau obliged. This means the Koi are allowed to move forward with their plan to build a giant new Wine Country casino on the plot.

Darin Beltran, chairman of Koi Nation, called this “a historic moment of opportunity and justice” for his tribe, which has for decades sought to secure a chunk of its own federally protected casino land.

He added in a statement: “The Koi Nation has been afforded for the first time in over a century a real opportunity to build a sovereign land base that will provide economic development, self-governance, and a bright future for current and future generations of our tribal citizens.”

The Koi’s plans call for a $600 million complex to be known as the Shiloh Resort & Casino to be built at the intersection of Shiloh Road and Old Redwood Highway—filled with 2,500-plus slot machines; a five-story, 400-room hotel; six restaurants and bars; a large event center and more.

And much to the chagrin of Windsor residents who live nearby, this new gaming campus would butt up against the town’s quiet Shiloh neighborhood and Esposti Park, a popular family hub.

Windsor Town Manager Jon Davis said last week that while he is supportive of any Indigenous people’s efforts to become sovereign and support themselves, the placement of this particular casino feels inappropriate. “We’ve never seen one approved this close to a neighborhood community—directly adjacent,” he said. “It came as a surprise.”

‘A Black Box’ 

Sonoma County Supervisor James Gore, whose jurisdiction includes the proposed site of Shiloh Resort & Casino (or used to, until it became federal Indian land last week), was less surprised by the decision. He’s seen it happen before, he said, and predicts it will happen again.

“The Bureau of Indian Affairs process is a black box,” Gore said. “You never know if it’s based on process or politics.” (Last week, Gore announced his intention to run for the state Senate seat being vacated by Mike McGuire at the end of his current term.)

In the nearly two-and-a-half years since the Koi first unveiled their Windsor casino concept, government officials at the town, county and even state levels have made long lists of all the things they’re worried about. Chief among them: heavy strain on the water supply, increased traffic on local roadways, clogged wildfire evacuation routes, and the potential security and crime issues that might arise from a gambling emporium with millions of visitors per year.

Windsor neighbors, too, submitted hundreds of comments and letters during an environmental review process held by the Bureau of Indian Affairs last year, according to Gore.

But now that the feds gave their blessing, the Koi have free reign to take or leave the community input. Gore said he and other local officials will try to hammer out terms with the Koi that best serve the surrounding area. However, he predicts that “neighborhood people will come to us and ask us to negotiate with authority that we don’t have.”

The supervisor added: “We’re going to have to honor the decision of the federal government—there’s no other way.”

‘Preposterous’

Perhaps most outraged of all are the five Native American tribes that claim Sonoma County as their original homeland, most of them Southern Pomo: the coastal Kashia Band, the Cloverdale Rancheria, the Lytton Rancheria, the Graton Rancheria and the Dry Creek Rancheria Band of Pomo Indians.

These tribes wield significant financial and political power around here. And the latter two run the county’s existing tribal casinos, both huge moneymakers: the Graton Resort & Casino to the south in Rohnert Park and River Rock Casino to the north in Geyserville.

Greg Sarris, head of the Graton Rancheria band, has been especially vocal against the Shiloh casino proposal. He rejects the Koi’s case that Sonoma County is their rightful modern-day home because of their old trade routes through this area, and because of the eventual migration of many of their 100 or so members from Lake County to Sonoma County.

“They’re over 50 miles and two mountain ranges away from this land of Southern Pomo,” Sarris said. “It’s just preposterous.”

Sarris insisted this fight isn’t about casino competition. “Obviously there would be an impact, and we’d compete strongly as a business,” he said. “But what’s more important is that another tribe has been enabled to come in and make decisions on and about land that is ours, historically and culturally.”

Graton’s chairman also believes the Koi decision sets a dangerous precedent for other tribes eyeing prime casino sites far from home.

“You could end up having a casino on every street corner,” Sarris said. “It’s madness—it’s complete chaos. And it will pit Indian against Indian.”

Tribal War?

Indeed, the Koi proposal has already sparked something of a local tribal war. Graton Rancheria and Sonoma County’s other tribes are now preparing to take the issue back to court. “We will fight,” Sarris said. “The four Indian nations here will mount an aggressive legal battle against this decision.”

Across town from Shiloh, on Windsor’s western flank, another of these tribes has been celebrating a big victory along its own path toward sovereignty. More than half a century after the feds kicked them off their original land in the Alexander Valley, the Lytton Rancheria finished construction last year on an idyllic, 150-home community near Riverfront Regional Park. 

“For the first time since our termination, we are able to live together on our tribal homeland,” Chairman Andy Mejia said in a celebratory statement last summer.

The approved Koi casino is an especially tough pill for Lytton to swallow, seeing as they gave up their plans for a Windsor-adjacent casino during a decade of negotiations and compromises with local officials.

Lytton Rancheria does run a casino, though; it’s just located about an hour’s drive south from their new home west of Windsor, in the small Bay Area city of San Pablo. The casino’s profits reportedly fund more than half of that city’s budget—along with all of Lytton’s construction, philanthropy and campaign contributions here in Sonoma County.

In reaction to the Shiloh news, Lytton’s chairman said: “These decisions are an affront to the sovereignty of impacted tribes and a betrayal of the federal government’s trust responsibilities.”

Mejia was speaking not only about the Biden administration’s approval of Shiloh, but likewise its approval a few days earlier of an even larger casino that a different Lake County tribe proposed down in Vallejo.

“Reservation shopping” is what Mejia called this tactic, with tribes “choosing lucrative sites far from their historical territory purely for financial gain.”

Supervisor Gore agreed: “This could create a feeding frenzy.”
For more information on the Shiloh Resort & Casino project, visit the Town of Windsor website at townofwindsor.ca.gov/1303/koi-nation-resort-and-casino-project and the Koi Nation website at koinationsonoma.com.

Something for Every Body at The Yoga Post

It’s probably safe to say that many people have resolved to be healthier at this time of year. But when it comes down to it, we just want someone to care for us. Luckily, at The Yoga Post, one can combine their yoga practice with the comfort of a day spa and have both. 

“We pride ourselves on saucha (that’s Sanskrit for cleanliness), as well as the overall experience from the moment you step into our space,” says co-owner Lacey Calvert Shelton. 

Indeed, a newcomer to the expansive yoga studio is well cared for from start to finish. The reception at the front desk is welcoming, and it’s easy to sign up either ahead of time online or in person when one arrives. 

Once inside, the spacious, high-ceilinged space is pleasing and spotless. Broad sliding doors on the studio’s far end overlook the Petaluma River and are often open for a welcome breeze. It’s recommended to bring one’s own mat. But if one forgets, don’t worry because free loaners are available. The space is well-stocked with clean blankets, bolsters, blocks and everything else needed for a good practice. 

With a wide variety of knowledgeable and kind instructors, The Yoga Post offers four to five classes a day, every day of the week. These include flow (vinyasa style), yin yoga, yoga basics (great for beginners or those who want a refresher), restorative yoga and more. 

“Our community is constantly growing,” Calvert Shelton says. “It truly was an idea that took off, and we can’t wait to see where else it can grow.”

The studio is a dynamic space. “We introduced the concept of ‘yoga strength’ to Petaluma,” Calvert Shelton explains. “It combines yoga postures with strength training and short cardiovascular movement.” Also, this year, the studio offerings even include aerial yoga classes, where students move through yoga postures while suspended in the air from hammocks.

While the studio doesn’t shy away from expanding yoga practice into the air, they also take it outside the studio. During the summer season, one will find The Yoga Post classes at Wickersham Park, stand-up paddle yoga classes on the Petaluma River alongside The FloatHouse, and various other workshops and experiences. And with the donation-based yoga in the park, limited finances don’t have to hold anyone back.

The Yoga Post is co-owned by Amy Wolff, Kathleen Barnette, Bob Conover and Lacey Calvert Shelton, who, between them, have more than 50 years of yoga experience and a genuine love for the town of Petaluma. The studio opened to more than 100 students in the first week, just a year after the pandemic began. 

“The four of us came together in the midst of the pandemic lockdown, looking to build a home for our communities that was safe, inclusive, clean and abundant with love,” Calvert Shelton says. “It was a quick turnaround from a lunch together to the seeds of opening a studio to actually opening our space in January 2021. We wanted to be a strong standing pillar for our community during a time that felt unsteady.”

The co-owners’ varied backgrounds include yin, power and restorative yoga; reiki; acupuncture; strength training and more. The variety brings something for everyone.

“Our community thrives off its diversity,” notes Calvert Shelton. “We want to be a true space of inclusivity and a home for those who are looking for one. We all truly believe that yoga is for every body, and we see that in our classes firsthand.”

When is the best time to start? “There is no better time than the present,” she says with a smile.

For more information, visit theyogapostpetaluma.com.

Renegade Orchestra Takes the Baton in Cloverdale

Describing themselves as an “orchestra for everyone,” the ensemble group Renegade Orchestra is taking the stage at Cloverdale’s Performing Arts Center on Feb. 1. 

Renegade Orchestra is led by local musician Jason Eckl, who, when he’s not touring with bands like Dirty Cello, Death and Taxes Swing Band, and the San Francisco Yiddish Combo, is the leader of the rock band program at Cal State East Bay.  

When asked about how the idea for a rock and roll orchestra for all came about, Eckl dove in on the feeling that orchestral performances can be a bit stiff. “My wife is cellist Rebecca Roudman, who is a member of a number of Bay Area orchestras [including both the Oakland East-Bay Symphony and the Santa Rosa Symphony], and this means I’ve been to a lot of orchestra concerts,” he said.

“Often, while watching her concerts, I thought about how many barriers there are to enjoy a standard classical orchestra. These include the formality, the hard-to-enjoy modern pieces, and the unspoken rules about how and when you can applaud,” Eckl continued.

While Eckl is a trained conductor and says his main instrument is the guitar, it’s refreshing to hear a frank answer from someone intricately involved in the orchestra scene. 

“With the Renegade Orchestra, we remove all of these barriers—we want people to relax and have fun, perhaps even dance. The orchestra loves mid-song cheering. Our concerts feel like rock and roll shows, not sleepy orchestral concerts. There is improvisation, joyful playing and some surprises,” he noted.

Those who have not heard Renegade Orchestra before might be surprised. The group covers a variety of rock classics, inspiring the Mercury News to proclaim, “The Renegade Orchestra would rather tackle Hendrix than Handel.” 

Indeed, the band’s setlist often includes Hendrix’s “Purple Haze,” Iron Butterfly’s “In-A-Gadda-Da-Vida” and Creedence Clearwater Revival’s classic “Proud Mary,” just to name a few. A real highlight is their rendition of Queen’s “Bohemian Rhapsody,” as well as local and worldwide faves Metallica with a cool cover of “Enter Sandman.”

Since Renegade Orchestra is such a large group of working, professional musicians, how difficult is it to get everyone nailed down for rehearsals and shows? Eckl says there is not as much cat herding as one would expect. 

“They are tied to their calendars and can tell you where they will be playing, often over a year in advance. The members of the Renegade Orchestra are also chosen not only for their playing ability and responsibility but also because they are nice and fun people who rock out on stage,” Eckl explains.

In terms of what this different style of music means to Eckl and the rest of the Renegades, he said, “One of the best parts of Renegade Orchestra is the diverse and exciting musicians that make up the group.

“These are folks who have spent years and years becoming amazing musicians, and in a standard orchestra, they are often treated as interchangeable parts—dressed the same, seldom individually acknowledged and easily replaced. With the Renegade Orchestra, our players finally get the cheers and appreciation they deserve as individuals and as part of the group,” he continued.

“They all went to the top music schools, and everyone has heard them on Hollywood soundtracks, Grammy award-winning albums and in wedding string quartets, but in the Renegade Orchestra, they really get to let their hair down,” noted Eckl.
The Renegade Orchestra performs at 7:30 pm, Saturday, Feb. 1, at the Cloverdale Performing Arts Center, 209 North Cloverdale Blvd., Cloverdale. Tickets are $25 online,$30 at the door, and are available at cloverdaleperformingarts.com. For more information, visit renegadeorchestra.com.

Stop the Presses While Cinnabar Presents ‘Gutenberg!’ Show

Contrary to popular opinion, not all actors can work a room. Yes, they can embody a character, get lost in the truth of the moment and enfold an audience in the tension of a play, but the ability to turn up the lights and face a reactive audience can be the stuff of nightmares.

However, it is a skill that both Trevor Hoffman and Zane Walters fully display in Cinnabar Theater’s Gutenberg! The Musical! Cinnabar’s second show “on the road” runs in Warren Auditorium on the campus of Sonoma State University through Jan. 26. 

A title ending with an exclamation point should tell one all they need about what type of play it is. Meta-theatrical plays are not new. Perhaps the best-known entry in this genre of entertainment is the movie Waiting for Guffman. That the genre is done a lot and the jokes are predictable (bordering on sophomoric) is less critical in a show like this than whether or not the actors can hold an audience’s attention.

In a nutshell, the answer is yes. Donning multiple hats (literally), Hoffman and Walters dance, sing and spritz—with some excellent water bottle choreography—their way through a backers audition for their big Broadway musical.

Bud (Hoffman), a senior barista at Starbucks, and Doug (Walters) have decided to write a Broadway musical. After two failed attempts, the hapless duo tries their luck with historical fiction (That’s “fiction that’s true,” Bud informs us). They choose Johannes Gutenberg’s creation of the printing press as their subject. Of course, they know next to nothing about Gutenberg, medieval Germany or getting a play to Broadway, but that’s not going to stop them. 

Aissa Simbulan’s set is a gorgeous example of how one must be good to appear they are doing something badly. A lesser designer might have gone over the top or too minimalistic with the “unfinished” set, but Simbulan hits a harmonious and tricky middle ground.

Similarly gifted is musical director and onstage pianist Brian Senello, who has the rare gift of knowing when the music is a character and how best to support the actors instead of making the actors support the music. 

If one wants to turn off their brain for two hours and just laugh with three talented entertainers, then Gutenberg! The Musical! has their name printed all over it.

Cinnabar Theater presents ‘Gutenberg! The Musical!’ through Jan. 26 at Warren Auditorium in Ives Hall at Sonoma State University.  1801 E. Cotati Ave., Rohnert Park. Fri–Sat, 7:30pm; Sun, 2pm. $38–$60 plus parking fee. 707.763.8920. cinnabartheater.org.

Your Letters, 1/29

Flash Back In the 1930s, the U.S. couldn’t figure out that Hitler’s Germany was taking a hard right turn toward dictatorship. However, in 2025, Germany’s diplomatic corps clearly sees what it calls America’s “maximum concentration of power with the president at the expense of Congress and the states.” (“Leaked memo reveals alarming German warnings over Trump,” Politico, Jan. 19, 2025.)...

Culture Crush, 1/29

Petaluma Get That Con On Petaluma’s comic convention, LumaCon!, is back this Saturday to celebrate creativity, art and the joy of fandom. This free, family-friendly event transforms the Petaluma Community Center into a hub of cosplay competitions for ages 8–18 (registration required onsite by 2pm), live-action role-playing adventures featuring short sword workshops and supervised battles, and the bustling Artists’ Alley, where...

Habitat Forming: Amber Huntington of Cal Flora

I can be certain that this reader has noticed the stirring of currents and movement behind the concept of “habitat gardening.” For the uninitiated, habitat gardening is the planting—or rather the restoration—of native plant landscapes in suburban areas that invites local critters back into the lowlands. While not at all replacing the sharp need for new parks and protected lands,...

The War on Art, Sonoma State University Cuts Strike Blow

Anyone in the tri-county area within earshot of an academic has probably heard about the dramatic cuts occurring at the North Bay’s only state college—Sonoma State University. Due to a colossal budget deficit precipitated by declining enrollment, years-long administrative woes (including a sexual harassment scandal in 2022) and inflation, the beleaguered school is eliminating several academic and athletic programs. As reported...

Atonement for Oligarchs Coming Sooner or Later

A recent study by the NYU Brennan Center for Justice, a watchdog group that studies election law and finance, revealed that around 44% of all the money, $481 million, raised to support then president-elect Donald Trump came from 10 individual donors. When the Citizens United decision was announced in 2010, we all ran around with our hands in the air,...

Follow Me: Social Media Butterfly

Rejection is par for the course for working writers, more so for non-working writers.  This is a direct lift from my latest rejection: “Although I like your writing and appreciate your sense of humor, I'm afraid I cannot offer my representation at this time. In the current competitive market, publishers will not even consider nonfiction projects by writers with a platform...

Feds Decision Greenlights Controversial Windsor Casino

One of the Biden administration’s final moves of its 2021-25 term will likely be felt in Northern Sonoma County for years to come. Last Monday, just one week before the Jan. 20 inauguration of President Donald Trump, the federal Bureau of Indian Affairs approved a bold request from the Koi Nation, a small but mighty Southeastern Pomo tribe from...

Something for Every Body at The Yoga Post

It’s probably safe to say that many people have resolved to be healthier at this time of year. But when it comes down to it, we just want someone to care for us. Luckily, at The Yoga Post, one can combine their yoga practice with the comfort of a day spa and have both.  “We pride ourselves on saucha (that’s...

Renegade Orchestra Takes the Baton in Cloverdale

Describing themselves as an “orchestra for everyone,” the ensemble group Renegade Orchestra is taking the stage at Cloverdale’s Performing Arts Center on Feb. 1.  Renegade Orchestra is led by local musician Jason Eckl, who, when he’s not touring with bands like Dirty Cello, Death and Taxes Swing Band, and the San Francisco Yiddish Combo, is the leader of the rock...

Stop the Presses While Cinnabar Presents ‘Gutenberg!’ Show

Contrary to popular opinion, not all actors can work a room. Yes, they can embody a character, get lost in the truth of the moment and enfold an audience in the tension of a play, but the ability to turn up the lights and face a reactive audience can be the stuff of nightmares. However, it is a skill that...
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