Dance Fever

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Skylight Motion Picture sounds like something out of a flashy 1980s movie. The new Napa-based electronic dance trio utilize the era-appropriate synthesizers and effects for a jazzy, melodic and beat-driven pop that would have taken the charts by storm in the decade of Miami Vice and New Order.

This week, Skylight Motion Picture premieres their debut, self-titled EP, with a dance party in Napa that also features San Francisco electronic wizards Vice Reine.

Made up of Napa-based wine-industry professionals, Skylight Motion Picture was founded by keyboardist Ezekiel Hampton and drummer Joel Quigley as a bedroom project done in the after hours. The two focused on creating swirling synth-pop that carried emotional weight. Soon after their initial sessions, they brought in singer and bassist Lamar Engel to add those lyrical dimensions to their music, and the trio recorded their debut at Napa’s Humanitas Wines over the last year. The EP boasts hook-filled pop sensations as well as spacey, atmospheric gems for a truly cinematic texture.

Skylight Motion Picture’s flashback of sound pumps with energy on Thursday,
May 11, at Silo’s, 530 Main St., Napa. 7pm. $10–$15. 707.251.5833.

Letters to the Editor: May 10, 2017

Let It Rest

Little is as Machiavellian as scoring political points off the tragic, legally justifiable shooting death of a teenager by a deputy doing his duty. Other than Andy Lopez’s family, no one grieves him more than Sgt. Erick Gelhaus (“Over a Barrel,” May 3).

Sgt. Gelhaus saved lives. A less skilled marksman shooting eight bullets would have sprayed them into the other children. Apparently armed with an automatic weapon bearing on two peace officers, Andy was hit seven times. Given the inhuman stress, that kind of weapon control is rarely seen even among weapons experts.

Time should have been put into teaching Andy how to properly handle a gun, i.e., never point it at anyone; always carry it encased when not in use; guns are not toys; gun ownership has very strict, highly enforced rules; and guns require absolute responsibility. At least as much time as put into designing the caps and T-shirts “memorializing” Andy’s life.

Let Andy and his family, Sgt. Gelhaus and his family, and the community rest. Work on the real problems in our criminal justice system and society.

Too many cunning, duplicitous, bad faith points have already been scored by people who don’t really care about Andy’s, Sgt. Gelhaus’ or your life.

Guerneville

Mother’s Milk

Last week, the Washington Post published a major exposé of the U.S. dairy industry, concluding that mega-dairies scam consumers into paying extra for “organic” milk that isn’t. The timing, a few days before Mother’s Day, could not be more appropriate. Dairy cows, worldwide symbols of motherhood, never get to see or nurture their babies.

The newborn calves are torn from their mothers at birth and turned into veal cutlets, so the dairy industry can sell their milk. The distraught mothers bellow for days, hoping in vain for their babies’ return. Instead, they are chained on a concrete warehouse floor, milked by machines, then impregnated artificially to renew the pregnancy and keep the milk flowing. When their production drops, around four years of age, they are ground into hamburgers.

This Mother’s Day, let’s all honor motherhood and our natural compassion for animals by rejecting the dairy industry’s cruelty. Let’s replace cow’s milk and its products, laden with cholesterol, saturated fats, hormones, and antibiotics. Let’s choose delicious, healthful, cruelty-free, plant-based milk, cheese and ice cream products offered at our grocery store.

Santa Rosa

Bud System

It seems to me that there is already more than enough wine industry. (“Branded Buds,” May 3). I’d like to see more food crops and, not just cannabis, but also other healing herbs and plants. Sonoma County could lead the nation in diversity, filling all the needs of a healthy population. And why not make it all organic while we’re at it?

Via online

Write to us at le*****@******an.com.

Royal ‘Taj’

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There are works of art that are exciting and captivating to experience, but which quickly lose their initial spark of pleasure, diminishing in brightness the more you think of them. Guards at the Taj, by Rajiv Joseph (Bengal Tiger at the Baghdad Zoo), does the exact opposite. It leaves one a bit stunned and baffled, then gradually begins to reveal its own weird wisdom and audacious genius in the hours and days after.

That’s the effect that director Jasson Minadakis’ bizarre and beautiful new production at Marin Theatre Company had on me, anyway. There will surely be those who have a very different reaction to Joseph’s uncomfortably funny, heartbreakingly horrifying, Monty Python–tinged retelling of a certain gruesome ancient folktale about the famous Taj Mahal.

In other words, it’s not for everybody. In fact, Guards is as polarizing a piece of stagecraft as I’ve seen in years.

But for those who, like me, hunger for something different and who don’t mind a few hundred gallons of fake blood, then MTC’s twisty assault on its viewers’ hearts, heads and souls could easily become one of the most memorable and important theatrical experiences of 2017.

There is not much more I can say without spoiling Joseph’s carefully crafted storytelling. So if you’re already inclined to check the play out, please stop reading and go buy your tickets now. For the rest, allow me to reveal these few details.

The Taj Mahal, built in in India in the mid-1600s, is widely considered the most beautiful palace ever built. In Joseph’s inspired takeoff on a (probably) fictional myth, a pair of lowly guards—played brilliantly by Jason Kapoor and Rushi Kota—must stand watch outside the Taj during its construction. The ruling shah has decreed that none may look upon it before completion, on pain of death, and that no other structure shall ever surpass its beauty. In fact, he has devised a brutal plan to assure that none of its builders will ever attempt its equal.

Then things get really messy.

What follows is underscored by a brilliant verbal give and take between our two hapless heroes, delivered with modern, f-bomb-dropping, Cheech-and-Chong-ish parlance that’s as refreshingly funny as it is achingly endearing. Guards is a challenging, off-putting and amazing theatrical fable, one that you won’t, and shouldn’t, soon forget.

Rating (out of 5): ★★★★½

‘Guards at the Taj’ runs Tuesday–Sunday through May 21 at Marin Theatre Company. 397 Miller Ave., Mill Valley. Times vary. $20–$58. 415.388.5208.

American Pod

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The other day, I was driving through Petaluma, flipping through the radio, and there was Rush Limbaugh, engaging with a man who had called in to let him know that he didn’t believe anything he saw on the news anymore. Not a darn thing. It’s all fake news.

Say it, man, say it! Limbaugh cooed to the man.

The Pod People are coming! Defiant in their ignorance, pugnacious in their reactionary outbursts, the Trump invasion has snatched the body politic from the grasp of a culture-war victory and is pulling out the stops to enforce a platform of rote subjugation to whatever nutbag edict emerges from the White House.

Just in time, this week the Alexander Valley Film Society is airing the original ’50s-era Invasion of the Body Snatchers, and Charlie Swanson has the details in the Crush column (p19).

Body Snatchers was subjected to the politics of Hollywood editing, and wound up as both a critique of the Joseph McCarthy, anti-communist witch hunts, and a critique of the potential for American totalitarianism courtesy of the Russians. The more things change . . .

The film has something of a happy ending—Hoover’s FBI arrives in time to keep the pods and the Pod People out of the big cities—where, in our recent election, voters by and large did not turn out for Trump and the FBI was less than helpful.

The 1978 remake of the film stars Donald Sutherland and takes on the post-’60s cultural shift toward “Me-ism,” and does not have a happy ending—but it’s a great, scary ending. The Pod People are victorious in the remake—victorious in their mandate to enforce a monoculture sameness, and in San Francisco, no less.

The original version arrives in Sonoma County amid a national convulsion over free speech in the Trump era, where, for example, high-media supporters such as Ann Coulter blast Berkeley’s recent and reasonable decision to cancel her appearance after she refused to accept security demands made by the university.

It comes as “heritage”-supporting citizens arrive in New Orleans to stand by cultural signifiers of the Confederacy and make free speech arguments about the expressive content of a Robert E. Lee statue. And it comes as the White House just told federal agencies that the house TV channel is now Fox News, turn off that CNN—fake news.

The Pod People are coming! And they don’t care about free speech. Indeed, the queen-bee of the Pod hive-mind violently opposes the free speech rights of those she disagrees with. When the misguided Marin native John Walker Lindh joined the Taliban, Coulter noted that “we need to execute people like [him], in order to physically intimidate liberals.” When domestic terrorist Timothy McVeigh blew up a federal building, Coulter noted, “My only regret with Timothy McVeigh is he did not go to the New York Times building.”

The Pod People are coming! Keep an eye out for this nasty, invasive species in our parts. It’s a real killer. Break out the RoundUp if you need to, desperate times require desperate measures.

Fish Stories

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Greg Brummett’s roadside smoked-salmon business is open on weekends, except when it’s not.

If he’s open and you decide to buy his applewood-smoked fish, that’s great. If not, that’s OK too. It’s not a moneymaker for him. But that hasn’t stopped him from running the business for the past 35 years.

Brummett, 73, is as much a fixture of the West County landscape as apple orchards and Pinot vineyards. He wants to sell you his smoked salmon, but he’s just as happy to sit in his trailer and read esoteric fiction in a worn, easy chair with his shelter dog, Nudge, in his lap. Mainly he likes to talk. “I just like interaction with people,” he says.

Right now he’s reading

Where I Live Now by Lucia Berlin. (“She’s real good,” he says.) He’s also working on California’s Over by Louis B. Jones. (“It’s been a year reading it. It’s very lush.”) His current favorite is Nord by Louis-Ferdinand Céline. (“He’s a crazy son of a bitch. A real anarchist.”) “[Henry] Miller stole all his slang from Céline,” Brummett says.

Until last year, Brummett’s squat, green trailer, with its signature salmon-smoking-a-pipe sign, was a weekend fixture on Highway 1 just south of the Russian River near Jenner. But Caltrans gave him the boot, so now he parks his trailer on Highway 12 west of Sebastopol. It’s right across the street from his home and where he smokes his Alaskan salmon. (Local salmon is too expensive and sporadically available, he says.) He liked his former location better because it was easier for cars to get on and off the highway. He also misses the drive up Highway 1.

But Brummett is adaptable, and so is Nudge, a once anxious and yappy terrier who’s now a friendly, sweet dog who climbs out the window of his trailer to meet customers as they open up the coolers that hold the smoked salmon. Nudge will soon be featured wearing a Superman cape on Brummett’s new business cards. Brummett likes to put his dogs on his cards in crazy get-ups. His current cards have a photo of his former dog Photoshopped on a hang glider soaring above the mouth of the Russian River and Goat Rock. A previous set of business cards depicted another late dog on a surfboard. Because, why not?

The salmon, by the way, is dry-brined and hot-smoked—it’s pleasantly salty-sweet. I think the jerky-like end pieces are best. The thicker pieces can be rather dry.

Brummett’s is a cash-only business, but Brummett will often float credit to customers who come up short. “You can pay me the rest in February,” he told one.

When Brummett worked as a checker at various grocery stores, he loved the express lane best.

“It was short and quick. You get the best stories because they don’t stick around very long,” he says.

Those are the interactions he has now with his salmon customers. He spends Monday through Friday alone, reading and smoking salmon. Come the weekend, he craves conversation.

“You gotta do something,” he says.

As I prepare to leave with a package of smoked salmon, Brummett offers a rough quote from another favorite writer (after Henry Miller), Saul Bellow: “The last of the human freedoms is to choose your attitude in any set of circumstances.”

Shun Him

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After this week’s Senate hearings with former acting Attorney General Sally Yates, how can any Democrat in Congress continue to pledge to work with the crooked Trump on an issue dear to them?

That’s been the party line from Rep. Mike Thompson, the “Blue Dog” Democrat who represents Napa and parts of Sonoma County (including Santa Rosa), and has explicitly promised that he’ll work with Trump if the White House comes up with an infrastructure bill that would deal with the nation’s horrible roads and bridges.

Trump’s been pimping a possible $1 trillion build-out in the face of disapproval of such spending from the hard-right House Freedom Caucus. Democrats like Thompson have embraced the idea.

The upshot of the Senate hearing is that the picture is clear, and unsettlingly so, that Trump’s inner circle had contacts with Russia during the campaign, and that his former national security adviser, Michael Flynn, was actively working against American interests, and getting paid for it, when he interacted with Russian officials and then lied to the vice president about it. Former director of national intelligence James Clapper reiterated his agency’s findings that it was obvious the Russians really wanted Trump to win. And then there’s James Comey…

We also learned from the hearing that Obama warned Trump against hiring Flynn two days after the election, but Trump did it anyway—and then blamed Obama for not properly vetting Flynn in the first place. Despite Trump’s abject disrespect for Thompson’s fellow Democrat Obama, and Trump’s ongoing attempt to smear the former president at every available occasion, Thompson continues to hold out hope that he can work with Trump on an infrastructure plan.

He’s consorting with a felony-level impeachable thug in doing so. Before the hearing this week, Trump tweeted some aggressive hostility about Sally Yates that a CNN panel correctly identified as an attempt to intimidate a witness, which can be construed as a federal crime.

But since everyone’s become so inured to Trump’s rolling display of vulgar impunity to norms of decency or the law—Hey, fix a few potholes and we’ll be cool? I don’t think so.

It’s time for Thompson to ditch the “I’ll work with him even as I disagree with . . .” posture, even if it costs the congressman votes among that portion of his constituency that supported Trump and keeps sending the conservative Blue Dog back to Washington.

Tom Gogola is the news editor of the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Odd Campanian

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Aglianico—just the name is so lovely. Listen to it as pronounced by a native Italian speaker: Aglianico. The g is silent, not hard as in “Grenache,” and the accent falls on the second a, but more like a woman’s sigh—c’mon, this is Italian we’re talking about—than an exclamation.

Sangiovese says, “Here I am!” But Aglianico laments, “Where are you?”

Where is Aglianico, indeed. Trailing even such Cal-Ital grapes of mixed success as Sangiovese and Barbera, Aglianico has a tenuous hold on just a few acres of soil in Sonoma and Napa counties. Grown in Campania, in the vicinity of Naples, Aglianico is “arguably Southern Italy’s greatest dark-skinned grape,” according to Jancis Robinson and Hugh Johnson’s World Atlas of Wine. As the principal ingredient in legendary Falernian wine, Aglianico commanded such high prices in the early Roman Empire that some observers suspected more was sold than was produced.

In my search for Aglianico, I reached out to Healdsburg’s DaVero Farms & Winery, where they are happy to point to a map to demonstrate the latitudinal sisterhood of Sonoma and Southern Italy—ergo, we should be growing the same grapes. Last year, they made 18 different Italian varietal wines, but, alas, no Aglianico even here.

Late-ripening Aglianico is said to produce finely on volcanic soils. Say, do we have any of those around here? That aren’t already covered with Cabernet Sauvignon? Ah well, Aglianico.

In St. Helena Cab country, brave Benessere Vineyards makes a little 2014 Napa Valley Aglianico ($56), along with its other Italian varietals. In Healdsburg, a winery with even deeper Italian roots opts to hold its wine back a few years: the upcoming release from Seghesio Family Vineyards, the 2009 Alexander Valley Aglianico ($38), wears its 30 months in oak well. Sweet oak, blackberry and black cherry float over furry tannins, spicing the palate with Zinfandel-like accents. It’s a challenge to get the extraction from the thick-skinned, late-ripening grapes just right, says winemaker Ted Seghesio. “It’s not for the faint of heart.”

The Jacuzzi Family Vineyards 2014 Tracy Hills Aglianico ($28) is evocative of some forgotten arbor of grapes overgrown with blackberries, and rhubarb chocolate cordial, if there is such a thing. Not awesomely tannic, this might be nice with something Cal-Ital, like pizza with figs and goat cheese, or just quiet contemplation of an ancient savor. The Tracy Hills AVA, by the way, is a fancy way of saying the Central Valley west of Modesto. But just listen to how it sounds in Italian.

Cloud Cover

In any discussion about Napa Valley culture, the first two words that invariably come up are “wine” and “food.” But there’s a third dimension to the region—the arts—that has been steadily expanding in scope and inspiring residents and visitors to enjoy and embrace their creative side.

At the forefront of this cultural dimension is Nimbus Arts, a nonprofit arts center based in St. Helena that offers eclectic art classes for students and engages with the community through public projects and installations.

As Nimbus prepares for its annual Nimbash fundraising event on May 13—the valley’s biggest art party of the year—along with a summer filled with art camps, the close-knit community of artists and organizers involved in the nonprofit reflect on the center’s history and its two-fold impact on the cultural landscape of the North Bay.

“Our mission is to reach communities that need art,” says executive director Jamie Graff. “But our other big mission is to support local artists, to make life feasible for them here, because they’re such an asset to the community.”

Nimbus first took shape in 2005 after founder Dana Johnson’s daughter spent a week in a children’s hospital. While there, Johnson saw art projects in the hospital’s playroom that helped alleviate the stress of the situation. After her daughter’s recovery, Johnson sought to share her experience with the community at large, and recruited Graff to form Nimbus.

“It started out just trying to explore what the community wanted from an arts center,” says Graff, who spent 12 years as a winemaker before Johnson approached her.

One of the group’s earliest offerings was a sculpture camp, which Graff says involved studying and creating clouds through sculpture. “What’s important about that one is it’s where our name came from,” says Graff. “And it was also the model that would become the Nimbus style to teaching a multidisciplinary approach to creativity.”

From the early days of painting and drawing classes, Nimbus grew organically, and as Graff found more and more local artists to work with, the center’s ability to teach other disciplines expanded.

“We had a group of people here [in St. Helena] committed to making it work,” Graff says. Today, the center boasts metal, ceramics, glass and other media classes from nearly 40 artists.

“We have a think-tank style of developing our programs,” Graff adds. “We get the artists together for meals, and have conversations about the directions of the center; it’s a really dynamic, creative way to do it as a team.”

Graff calls the Napa Valley art scene bohemian and says the region’s artists have an ability to tap into people’s imagination with creative flair. “Everybody here knows everybody; seamstresses, painters, musicians. It’s a really close-knit community. You don’t have to go far if you need something from someone. It’s a really supportive environment.”

THE FAMILY

Anne Pentland has been living and working in Napa Valley for the last 25 years, teaching and making art, and organizing projects for the Napa Valley Wine Auction, the Calistoga Education Foundation and Safari West in Santa Rosa, among other groups.

Graff recruited Pentland while she was teaching after-school classes in Calistoga. Pentland, coming up on 11 years at Nimbus, is now the resident artist. She designs a lot of the programming and collaborations with groups like Mariposa, a prevention program of the Napa County Office of Education that empowers Latina youth in middle and high school to break the cycle of violence through the creation
of large murals in locations
like downtown Napa and the
St. Helena elementary school.

“The magic of Nimbus is that we are really a family,” Pentland says. “We’re a lot of artists doing different things, but when we come together there’s a synergy and the sum is greater than the parts.”

Nikki Ballere Callnan echoes that statement. A ceramicist who takes inspiration from natural forms and found objects, Ballere Callnan runs NBC Pottery with her husband, Will, and creates custom works for clients like the Restaurant at Meadowood. She has also taught at Nimbus since the satellite days.

“Where we live is a very special place. We are lucky enough to have a lot of people in the community who support art,” says Ballere Callnan. “Like a cat, Nimbus has always landed on its feet. We just want to share our passion, and Nimbus, when you’re there, you’ve found home.”

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HIDDEN GEMS

While art is largely supported by locals, tourists and visitors still struggle to see the creative side of Napa Valley when they swirl at the wineries and nosh at the restaurants.

“When I first moved here, I wasn’t sure we were going to see any art,” says artist and graphic designer Nick Cann. “We soon found out that there were thousands of artists in the valley, but you don’t hear much about it. Nobody talks about it; they just do it.”

After working in Los Angeles as a freelance set and costume designer and living in Sausalito for many years, Cann and his wife moved to Napa Valley to retire. But he says he’s nowhere near retirement, teaching classes at Nimbus and inspiring students to pursue their passion. Like many of the artists working for Nimbus, Cann credits the center with providing a place where artists can make a living and express themselves at the same time.

“It’s a lot more than meets the eye,” he says of the arts community. “The schools encourage art, but they really don’t tell young people all the possibilities for careers in art, from interior design to industrial design and all the rest. I consider it my job to let the students, and their parents, know that there is a future in the arts if they want to do it.”

In addition to the center’s calendar of classes, Nimbus, located on St. Helena’s Main Street across from the Napa Valley Wine Train’s rail line, is open for visitors to schedule customizable art experiences like one-on-one classes. “We encourage them to come in with a crazy, fantastical idea,” Ballere Callnan says, “and then let them see it happen.”

ARTISTIC VITALITY

“Art, at its core, is another form of communication,” Pentland says. “In this day and age, when everyone is so connected and you have the whole world at your fingertips, literally, to have a deeper understanding or sense of your world in all of its forms and formats is important. Art is another way of processing your world, and for me, creativity is one of the most important aspects of living.”

Pentland also notes that children learn in a variety of modalities. “Some are visual learners, some are auditory learners. So art and creativity is another format for children to learn,” she says.

As a nonprofit, Nimbus partners with several grant-donating organizations, such as the Clif Bar Family Foundation, and private individuals in the region to fund its programs and pay its artists a fair rate for their time and talent.

In the last few months, the political climate has not been encouraging for the arts, with the president eager to cut funding for the National Endowment of the Arts and further limit the potential for public schools to teach extracurricular classes like art. Still, the staff at Nimbus see these times as an opportunity to further the conversation about the importance of art in our daily life.

“In fact, as a result of the current national dialogue, there is a greater spotlight on arts and arts in education,” Pentland says.

“I think this is when Nimbus has to work harder to keep art at the forefront of our community and keep it alive,” says Ballere Callnan. “Everyone at Nimbus is passionate. We do art seven days a week. Sure, you gotta work a little bit harder these days, but that’s what you do when you love what you do.”

NIMBASH

Nimbash is a unique event, says Graff. “I really want the community to understand who we are through the event, and doing an auction just didn’t feel like enough.”

With that inspiration, Nimbash opens the fundraising evening with an interactive art party for guests that includes various hands-on activities, demonstrations, silent-auction items and live music. “We have trouble getting everyone out of that party when it’s over,” Graff says.

During dinner, an art fashion show and gallery of new works displays top-notch creations from artists like St. Helena’s Baker Sisters.

The annual event adopts a different theme each year, and this year’s theme of “Street Art” will drive the creative output. After the fashion show, a live auction and a dance party cap off the night.

For anyone looking to become involved in Nimbus’ programs, the center offers two seasons of classes open to everyone in the North Bay and beyond. Graff also says that any artists in the area who are interested in working with the center simply need to call her up.

“I’m always eager to get new people involved.”

Space Ball

The summer blockbuster season starts with a bang. Our heroes in Guardians of the Galaxy Vol. 2 are pursued by the Sovereign, a gilded, genetically engineered race of stuck-ups with a lot of money for bounty hunters. Thanks to the light fingers of the thieving yet endearing Rocket (voiced by Bradley Cooper), the gang is chased by a sky full of drones operated by the golden aristos with arcade-like video game controls and vintage sound effects.

Rescue comes from an omnipotent old hippie named Ego (Kurt Russell), a self-declared “small-g god.” This omnipotent beardo is the real father of “Star-Lord” Peter Quill (Chris Pratt). Ego owns a planet that looks like million-dollar van-art, with orderly little creeks and fountains. But even with his newly gotten brawn, Pratt has to do more heavy lifting as an actor than he can sometimes handle.

The dad-and-son bonding is interspersed with the continuing quarrel between space-princess Gamora (Zoe Saldana) and her evil sister, Nebula (Karen Gillan), an iridescent creature with an enameled head. As played by the improbably gigantic Dave Bautista, Drax is the funniest interstellar muscle since Adam Baldwin in Serenity. He gets the best comeback in a movie full of them when he answers Quill’s scoff “You sound like an old woman” with “Because I’m wise?” Baby Groot, the simple little sprout, is fairly adorable as he’s coached through the process of planting an atom bomb.

The sequel shares the first Guardian‘s taste for impalement, with a series of closeup reaction shots of the transfixed, as when blue-bruiser Yondu (Michael Rooker) launches a fire arrow that leaves glowing tracers as it speeds through the chests of a small army of men. Even when the victims are murderous space pirates who deserve it, there’s an unsettling amount of barbaric glee in these movies. To enjoy them, you have to accept their argument that it’s not about violence—it’s all about fireworks. Ah, summer.

‘Guardians of the Galaxy Vol. 2’ is playing in wide release in the North Bay.

Next Level Conference Connects Local Talent & Industry Insiders

next-level-header
This past weekend, Creative Sonoma hosted its second annual Next Level Music Conference at the Luther Burbank Center for the Arts in Santa Rosa, engaging local musicians with keynote speeches, panel discussions and workshops. As with last year, the conference flew in music industry professionals and highlighted local luminaries on Sunday, May 7. This year’s offering also included a pre-conference day on Saturday, May 6, of additional workshops with Los Angeles-based songwriter and producer Sam Hollander and recording engineer and producer Glenn Lorbecki, who each worked one-on-one with a select number of musicians at Prairie Sun Studios in Cotati.
The Bohemian was on hand for Sunday’s event as a resource roundtable participant. The day started with a welcome from Sonoma County supervisor Shirlee Zane, who shared her roots in the creative community as an oil painter, and praised Creative Sonoma’s innovative approach to promoting the arts on a county-wide scale.
Then, unfortunately, Lagunitas Brewing Company founder Tony Magee experienced car trouble and couldn’t make his scheduled opening keynote. In his place, Lagunitas’ director of national sponsorships and events Jim Jacobs stepped in to speak on behalf of the company’s community service and generous donations to nonprofits.
In addition to the conference, Next Level offers a grant program that last year gave $2,500 to five Sonoma County artists. Those artists shared the stage on Sunday to talk about their year in music and the varied creative and business projects that the grant funded.

Creative Sonoma's director Kristen Madsen helps Shaun Hunter Wagnershow off the records his grant funded.
Creative Sonoma’s director Kristen Madsen helps Shaun Hunter Wagner show off the records his grant funded.

Americana duo The Easy Leaves used their money for the specific purpose of marketing themselves at last year’s Americana Music Conference in Nashville, and have seen spots at midwestern festivals and increased radio play coming from the effort. Petaluma songwriter Avery Hellman, under the name Ismay, is utilizing her money for an adventure along the Klamath River, where she will record a documentary about writing music in and inspired by nature. Shaun Hunter Wagner divided his grant money into releasing several cassettes and vinyl records on his Goth Horse record label and funding a tour to Europe with his own band the Acharis. Black Sheep Brass Band shot a “Tiny Desk” video for the annual NPR contest, and Bootleg Honey crafted a new promo package. Members from both of those bands noted that the grant money, and the consultations that came with it, motivated them to focus on new goals and new objectives.
After lunch, Hollander and Lorbecki took the stage to share their experiences from the previous day’s workshops. Hollander shared two songs in particular with dynamic before-and-after presentations. Lorbecki showed off his work with local songwriter Jimmy Cramer, where he recorded Cramer’s pop demo and helped transform it into a fully-realized work that got the crowd cheering. The conference rounded down the day with breakout sessions that focused on specifics related to booking venues and social media tactics and concluded with casual roundtables. At its core, Next Level Conference excelled as a networking opportunity for musicians and music lovers, and a motivating day of shared passions and enthusiasm.
Sheila Groves-Tracey shares tips from  lifetime of booking music and managing performers in the North Bay.
Sheila Groves-Tracey shares tips from a lifetime of booking music and managing performers in the North Bay.

Next Level is offering another grant program this year, and any music artists interested in applying should attend the information session on June 6 at Creative Sonoma’s office in Santa Rosa. Get more information by clicking here.

Dance Fever

Skylight Motion Picture sounds like something out of a flashy 1980s movie. The new Napa-based electronic dance trio utilize the era-appropriate synthesizers and effects for a jazzy, melodic and beat-driven pop that would have taken the charts by storm in the decade of Miami Vice and New Order. This week, Skylight Motion Picture premieres their debut, self-titled EP, with a...

Letters to the Editor: May 10, 2017

Let It Rest Little is as Machiavellian as scoring political points off the tragic, legally justifiable shooting death of a teenager by a deputy doing his duty. Other than Andy Lopez's family, no one grieves him more than Sgt. Erick Gelhaus ("Over a Barrel," May 3). Sgt. Gelhaus saved lives. A less skilled marksman shooting eight bullets would have sprayed them...

Royal ‘Taj’

There are works of art that are exciting and captivating to experience, but which quickly lose their initial spark of pleasure, diminishing in brightness the more you think of them. Guards at the Taj, by Rajiv Joseph (Bengal Tiger at the Baghdad Zoo), does the exact opposite. It leaves one a bit stunned and baffled, then gradually begins to...

American Pod

The other day, I was driving through Petaluma, flipping through the radio, and there was Rush Limbaugh, engaging with a man who had called in to let him know that he didn't believe anything he saw on the news anymore. Not a darn thing. It's all fake news. Say it, man, say it! Limbaugh cooed to the man. The Pod People...

Fish Stories

Greg Brummett's roadside smoked-salmon business is open on weekends, except when it's not. If he's open and you decide to buy his applewood-smoked fish, that's great. If not, that's OK too. It's not a moneymaker for him. But that hasn't stopped him from running the business for the past 35 years. Brummett, 73, is as much a fixture of the West...

Shun Him

After this week's Senate hearings with former acting Attorney General Sally Yates, how can any Democrat in Congress continue to pledge to work with the crooked Trump on an issue dear to them? That's been the party line from Rep. Mike Thompson, the "Blue Dog" Democrat who represents Napa and parts of Sonoma County (including Santa Rosa), and has explicitly...

Odd Campanian

Aglianico—just the name is so lovely. Listen to it as pronounced by a native Italian speaker: Aglianico. The g is silent, not hard as in "Grenache," and the accent falls on the second a, but more like a woman's sigh—c'mon, this is Italian we're talking about—than an exclamation. Sangiovese says, "Here I am!" But Aglianico laments, "Where are you?" Where is...

Cloud Cover

In any discussion about Napa Valley culture, the first two words that invariably come up are "wine" and "food." But there's a third dimension to the region—the arts—that has been steadily expanding in scope and inspiring residents and visitors to enjoy and embrace their creative side. At the forefront of this cultural dimension is Nimbus Arts, a nonprofit arts center...

Space Ball

The summer blockbuster season starts with a bang. Our heroes in Guardians of the Galaxy Vol. 2 are pursued by the Sovereign, a gilded, genetically engineered race of stuck-ups with a lot of money for bounty hunters. Thanks to the light fingers of the thieving yet endearing Rocket (voiced by Bradley Cooper), the gang is chased by a sky...

Next Level Conference Connects Local Talent & Industry Insiders

This past weekend, Creative Sonoma hosted its second annual Next Level Music Conference at the Luther Burbank Center for the Arts in Santa Rosa, engaging local musicians with keynote speeches, panel discussions and workshops. As with last year, the conference flew in music industry professionals and highlighted local luminaries on Sunday, May 7. This year's offering also included a pre-conference day on...
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