By the Book

Earlier this month, the California Department of Food and Agriculture (CDFA) released its highly anticipated emergency rules for cannabis regulation in advance of a legal recreational market next year.

The result was a mixed bag, especially for small-scale growers. I asked California Growers Association executive director Hezekiah Allen for his take on the latest legislation from Sacramento.

What are the takeaways from the new state rules?

The rules are comprehensive and thoughtful. They represent a tremendous achievement, and agency staff have put in long, hard hours getting to know our businesses, and it shows.

What are you pleased to see included?

Everything, honestly. It’s so good to finally have some sense of certainty. These are emergency regulations, so there will be changes, but we finally have an understanding of where the initial lines are.

What’s missing?

Time for small growers to transition. Proposition 64 was amended at the last minute to include this language: “The Adult Use of Marijuana Act ensures the nonmedical marijuana industry in California will be built around small and medium sized businesses by prohibiting large-scale cultivation licenses for the first five years.” Though the regulations do prevent large licenses for the first five years, they do not limit the ability of a farm to operate as a large farm by obtaining several smaller licenses. This is a violation of the spirit of Proposition 64.

What do these rules mean
for consumers?

Regulated cannabis will be tested and will be the most sustainable crop grown in California. We are one step closer to achieving those goals.

What do they mean for small-scale growers?

Many small-scale growers are feeling betrayed by the CDFA. They feel as though the emergency regulations are an offense to the electoral process, to the legislative process and to our state’s environmental laws.

What is the significance of the exclusion of the one-acre cap on grow sites?

It is significant for a few reasons. It means the emergency regulations are not consistent with the state’s environmental impact report. It means the emergency rules are inconsistent with the spirit of Proposition 64, and it means the emergency rules are inconsistent with several years of legislative deliberation. It is significant when private interests prevail over the public interest and our democratic processes. It is significant because many growers are likely to fail—not because they are criminals, not because they are bad business people, but because they didn’t have time to run the permitting and regulatory gauntlet before well-capitalized, politically connected businesses capture the market and potentially capture the regulators.

Seasonal

0

Though not technically a Christmas story, Spreckels Theatre Company’s Little Women, running through Dec. 17, generously bestows all the warmth, holiday spirit and gentle, good feeling one could desire from a more specifically Christmas tale. And for what it’s worth, the story does start out at Christmastime.

The 1868 novel by Louisa May Alcott detailing the lives of a poor but loving New England family during and after the Civil War has been adapted numerous times over the last century and a half. To date, the loving, squabbling, inventive, delightful and enduring March sisters and their colorful extended family have appeared six times in motion pictures. The first two were silent films; the most recent one, in 1994, starred Petaluma’s Winona Ryder. Over the decades, Little Women has been turned into four television series, including shows in England and Japan (one, an anime series), and has been turned into numerous stage dramas, one recent opera adaptation and a Tony-winning Broadway musical.

The musical is currently onstage at Spreckels. Written by Allan Knee, Mindi Dickstein and Jason Howard, it had its Broadway debut in 2005, and was previously staged in Spreckels’ small Bette Condiotti Experimental Theatre in 2015. For those who recall that production fondly, the new production features a few of the same supporting performers. But under the direction of Michael Ross, with a mostly new cast, including the marvelous Sarah Wintermeyer as Jo March, this one frequently feels like a whole new show.

As Jo, the impulsive and somewhat selfish narrator of the tale, Wintermeyer (resembling a young Tina Fey at times) is in remarkably fine voice, is often funny, and is truly heartbreaking on occasion.

Other acting and singing highlights in a show full of strong performance are Madison Scarborough as the selfless, doomed Amy March; Eileen Morris as Marmee, the girls’ patient and unflappable mother; Albert McLeod as Theodore “Laurie” Laurence, the next-door neighbor who takes a disastrously unrequited shine to Jo; and Sean O’Brien as Professor Bhaer, the boarding house teacher who acts as the grownup to Jo’s literary Jiminy Cricket.

Special kudos to musical director Lucas Sherman, whose stripped-down piano, cello and violin orchestra brings this sweet, heart-lifting tearjerker of a musical to lush and lovely—and appropriately Christmas-y—life.

Rating (out of 5): ★★★★½

Stomping Ground

0

Contemporary country music songwriter Corey Smith was born in a small town, Jefferson, Ga., and his roots have been a huge part of his musical success. “It’s an important place to me, it’s home,” Smith says. “I never felt too inclined to leave.”

An independent performer and prolific musician, Smith has 10 well-received albums to his name, and is currently wrapping up production on his forthcoming record,

The Great Wide Underground.

Throughout his career, Smith says he’s valued creative freedom over the allure of Nashville skylines, and his self-reliant nature is reflected in catchy and heartfelt songs that connect with fans for their relatable intimacy and distinct sense of place.

“I’ve chosen to do things the hard way, perhaps because I’m stubborn,” Smith says. “But living [in Jefferson] has allowed me to develop in my own way, at my own pace.”

Today’s corporate country-rock songwriting model, especially in Nashville, is writing by committee, with content that’s influenced by label execs, managers and producers. Smith says that when he started out in the business, he flirted with the idea of relocating to the big city, but his priorities were raising a family and giving his kids stability. “Having fame and fortune never appealed to me,” he says. “It’s never been what’s most important.”

For Smith, the ability to carve out his songwriting career on his own terms is the most rewarding part of music for him. “So much of commercial music, in particular in country, is just telling people what they want to hear,” says Smith. “They get the data and know before it’s put out what kind of things will make it on the radio.

“I think that’s contrary to what art is supposed to be,” Smith adds. “Art is supposed to be someone internalizing their experience in the world and trying to turn it into something that they can put out there. It either resonates or it doesn’t, but it has to be honest.”

Smith’s forthcoming album was written last year while he toured the western part of the country over the course of six weeks, and reflects both Smith’s exhilaration in visiting new places and the homesickness of missing his family.

“It’s a snapshot of the broad swath of things I’ve been going through,” he says. “I’m excited about several of the songs on the record, because they’re very autobiographical and personal to me.”

Vengeance Is Hers

A person can be composed of a set of perfectly good facial features—a strong chin, a proud nose, kind eyes, a generous mouth—and still be basically ugly, and that’s the case with Three Billboards Outside Ebbing, Missouri.

Short hair tied up with a bandanna, dressed in coveralls as if she worked at a Jiffy Lube instead of an Ozark gift shop, Mildred (Frances McDormand) has a sudden inspiration to harass the police force in her town. Seven months previously, her daughter was raped and burned to death, and no one has been arrested yet. She decides to tell the police chief off through a set of billboards. This embarrasses the terminally ill Andy Griffith–like chief (Woody Harrelson), revered in the town in spite of (or because of) the police department’s reputation for torturing black prisoners. Dixon, his assistant—a drunk and sometimes vicious Barney Fife, well played by Sam Rockwell—is far more angry.

Through her bereavement, Mildred has a license to spit venom. It’s a role that runs a small gamut. There are little nuggets of surprise embedded in the monotony of her forcefulness, and it’s a powerful part: kicking kids, throwing firebombs, maiming a dentist and usually having the last word. But “powerful” is also a term that defines a bully.

One moment of tenderness has Mildred addressing a deer, telling it, and the audience, that she doesn’t believe it’s a reincarnation of her lost daughter. Yet there is the deer—we’ve seen the symbol of hope, and writer-director Martin McDonagh (In Bruges) gets it both ways.

Caleb Landry Jones (Byzantium) is a relief from the ambient overheatedness as a self-amused billboard salesman. Harrelson is at his most benign as the police chief, even if McDonagh is at his roughest when he tries to write tenderly.

‘Three Billboards Outside Ebbing, Missouri’ is playing in wide release in the North Bay.

Gabriel Wheaton Heads Home for Album-Release Show

0

gabwheaton
Los Angeles-based violinist and composer Gabriel Wheaton traces his musical lineage back to Sonoma County, where he was born and raised in Sebastopol. After mastering the violin at a young age and performing in chamber groups and orchestras while attending Analy High School, Wheaton moved to La La Land to study at UCLA in 2011.
Wheaton currently makes a living as a freelance musician and plays in several bands in Los Angeles, including indie-pop group We the Folk. In his spare time, Wheaton also composes folk-tinged experimental pop music as a solo performer, utilizing looping effects and improvised melodies on the violin.
This week, Wheaton unveils his new album of these inventive, instrumental compositions, Single Source, and he’s headed back to Sonoma County to perform an album-release show on Saturday, Nov 25, at HopMonk Tavern in Sebastopol.
Joining Wheaton for the post-Thanksgiving soiree is San Francisco ensemble Barrio Manouche, also celebrated for improvised shows and exuberant energy. Copies of Single Source will be available at the show, and long-time local fans, friends and family of Wheaton will want to see how much he has grown musically. For more info and tickets, click here.

Nov. 24: Big Top Holidays in Sonoma

0

Created by French-born artist Michel Michelis, the storied live circus group Cirque de Bohème is inspired by early 20th-century French circus traditions and imbued with a modern sensibility. Each holiday season, the troupe takes the stage in Sonoma to dazzle with vintage acts crafted around original productions, and this year’s theme makes timely use of the idea of “Freedom” with a cast of colorful characters whose whimsical style echoes the original Bohemians while reflecting relevant messages. “Freedom” runs through Dec. 17, opening on Friday, Nov. 24, at Cornerstone Sonoma, 23570 Arnold Drive, Sonoma. Times vary; $25 and up. cirquedeboheme.com.

Nov. 24: Deck the Walls in Healdsburg

0

Don’t settle for gifting socks to your loved ones this holiday season—surprise them with handcrafted, one-of-a-kind pieces of art and other goodies found at the 16th annual Holiday Gift Gallery at the Healdsburg Center for the Arts. Over 30 regional artists participate in the gallery show, offering gift-appropriate works in media ranging from paintings, photography, ceramics, glass, wood and other textiles. Opening in conjunction with the Healdsburg Downtown Holiday Party, in which several merchants around the plaza open late with lighted displays and Santa hangs out in the plaza’s gazebo, the HCA’s Gift Gallery opens with a reception on Friday, Nov. 24, at 130 Plaza St., Healdsburg. 5pm. Free. 707.431.1970.

Nov. 25: Bountiful Fun in Santa Rosa

0

Of all the things to be thankful for this holiday weekend, the ability to laugh in spite of the year’s events has to be at the top of the list. At least it is for the folks at Crushers of Comedy, who host the Give Thanks for Laughter standup showcase this weekend with a cornucopia of popular Sonoma County comics hitting the stage. The lineup includes homegrown talents Juan Carlos and Cody Smit, as well as Bay Area and Sacramento comedians Steve Ausburne, Josh Argyle and Charlie Adams. The laughs happen on Saturday, Nov. 25, at the Laugh Cellar, 5755 Mountain Hawk Way, Santa Rosa. Doors, 5pm; show, 7pm. $28. 707.843.3824.

Nov. 29: Community Rising in Petaluma

0

Award-winning author Rebecca Solnit’s 2010 book, ‘A Paradise Built in Hell,’ examines the altruism and generosity that emerges in communities experiencing natural disasters. Hey, the North Bay can relate. Solnit speaks on the topic with fellow author and activist Peter Coyote in a benefit for Undocufund’s fire relief for undocumented fire victims. The evening also includes a raffle with goods from local businesses, authors and friends of the North Bay, including a handmade side table from actor, author and woodworker Nick Offerman. Space is limited, so RSVP and arrive early on Wednesday, Nov. 29, at Copperfield’s Books, 140 Kentucky St., Petaluma. 7pm. $5 donation. 707.762.0563.

Food to the Rescue

0

It’s not quite an army of volunteers that wait for a truck to roll up to the service entrance of the Vintage House senior center on a recent Wednesday morning. The volunteers, mostly from the charitable Kiwanis Club of Sonoma Plaza, number about a dozen. But they do prove an effective force—and it could be said they have a capable general.

As soon as the refrigerated truck’s lift-gate hits the pavement, the volunteers pounce on a pallet of crates at the direction of a petite woman wearing a pink, knitted cap with pussycat ears. Sheana Davis owns the Epicurean Connection catering and culinary education center in Sonoma. During the North Bay fires in October, she found herself suddenly leading one of the area’s rapidly evolving, seat-of-the-pants food-relief efforts that paired Bay Area chefs with thousands of displaced people.

Now that the urgent needs of evacuees have past, the fires have exposed the continuing needs of thousands of people who are still on the edge. And the ad-hoc relief efforts are struggling to keep the supply chain going.

Breaking up the pallets and parceling out crates of donated food, which arrived direct from the kitchens of Facebook, Davis divvies them up on the spot: “Moose is 200 meals,” she confirms, rationing a portion for the charitable Moose Lodge of Sonoma. Then a marimba ringtone calls her away to the next 15-second negotiation. Every minute or two the phone chimes again.

When the fires forced Davis to evacuate her home, she and her husband landed at the Sonoma Valley Inn, in the same boat with many others there—just lucky to have their pets with them. “They were kind enough to let me bring my dog and my three very bad cats,” Davis says.

Davis had just catered a cassoulet fundraising dinner
for the Bouverie Preserve in
Glen Ellen.

“To know we were doing a dinner the night before, and wake up to have it burnt down, is surreal,” says Davis. But she had a refrigerator full of prepared food and 28 more events suddenly canceled, so she brought the gourmet fare to the hotel and began doling it out.

Meanwhile, Alexander Valley resident and food-policy advocate Melanie Wong evacuated only days before a planned trip. She decided it was best to just go ahead with her plans.

While waiting to catch her plane at SFO, she got a call from Steve Guilliams, a San Francisco engineer with family ties to the North Bay. He wanted to know if she could help with his idea for a “scaled strategy” to feed large numbers of people through commercial kitchens.

Through his Silicon Valley connections, Guilliams quickly secured a commitment for prepared food from Facebook chefs. “I talked to him Thursday,” says Wong, “and the first delivery was Sunday morning.”

Asked if she knew who in Sonoma County might be able to provide a ground game, Wong knew just the person—Davis.

Now at Sonoma Springs Community Hall on Highway 12, Davis and her staff and volunteers repackaged and served the donations from Facebook, as
well as from Jackson Family Wines and San Francisco chefs, under the banner No Pay Café/Café Gratis.

They served 7,500 meals a day at peak operation. Wong says Facebook is an ideal partner because chefs for the social media company already whip up grub for more than 30,000 employees on any given day. “It’s not hard for them to do 5,000 extra meals a day,” Wong says. “And it’s fresh, wholesome food.” It was served with no questions asked, no proof of residency required.

It also gave restaurants a break as they struggled to regroup, she says. “Our idea was, we’ll take care of feeding the people and give you the chance to get back in business again and kickstart our tourism economy and get our food system going again.”

[page]

On Nov. 1, the operation transitioned to a “virtual” No
Pay Café. Instead of serving meals out of a kitchen, Davis sends them out to charity partners, assisted by the Kiwanis. The need is still great, Davis says, but local charities, senior centers and shelters are best positioned to reach out to the communities they serve.

In the offices of the Council on Aging in Santa Rosa, there’s a zucchini about the size of a dachshund on a desk. No, it wasn’t a donation from someone trying to be helpful, says Sonoma Family Meal founder Heather Irwin—although they might as well make zucchini bread, she laughs. It was found in a volunteer’s garden—like the surge of support and volunteerism that made Sonoma Family Meal possible, another unexpected bounty that grew during the fires.

Irwin, a food and cannabis writer for the Press Democrat, is more worried about what to do with the half-ton of squash they just received from the Central Valley.

The Sonoma Family Meal story also starts in early October, when friends and family, including Irwin’s 93-year-old grandmother, gathered around a farmhouse table in Sebastopol in a daze.

“We were just sort of grabbing things out of the fridge and throwing them on the table,” Irwin says. “And it wasn’t a very impressive meal.” She knew that similarly displaced families were sharing their situation in crammed houses across the county. “Cooking for 10 to 11 people is not an easy thing to do—although now it looks like a snap.”

At the same time, Irwin was getting calls from her contacts in the restaurant world who wanted to help. “And they couldn’t really take pans of lasagna to the Red Cross.” So they asked her, “Hey Heather, how can we help?”

She thought she could bring the need and offers together. “And maybe for a couple of days, we’d do this silly little thing where we put them in these little half pans,” she says, picking up one from 60,000 cases of donated aluminum serving trays, “and it’d be a little gourmet meal—gourmet comfort food, really—but it would taste good, it would look good, and it would be served with dignity. And a hug. My mom’s the chief hug giver-outer.”

They set up at John Franchetti’s restaurant in Santa Rosa. Franchetti’s gas was out, but he had his wood-fired ovens. “I said, ‘Can we serve 800 meals in your kitchen?'” Irwin recounts, “‘because Traci Des Jardins [owner of San Francisco restaurant Jardinière] is sending us up prepared meals that we’re going to repackage for families of four to six.’ And he said, sure!”

Adding vegetables and fruit donated by local produce distributor FEED Sonoma, they put it all in an oven. “So we had these beautiful meals with a meat, a carbohydrate, and fresh, organic produce,” Irwin says. “Well, by lunchtime, we were pretty much out of food. And I panicked.”

[page]

Soon after Irwin buzzed her restaurant contacts, more food came down the line—from Josh Silvers, chef and owner of Jackson’s Bar and Oven in Santa Rosa, Sondra Bernstein, founder of Girl & the Fig restaurant in Sonoma, and many others. A team of volunteers prepped heaps of fresh vegetables at John Ash & Co., and the pickup point moved almost from day to day, with stops at Santa Rosa Junior College and the Santa Rosa Veterans Memorial Building.

Later, mostly focused on preparing meals from scratch, Sonoma Family Meal found a sweet spot at the Council on Aging/Meal on Wheels facility. Tucked away off Santa Rosa Avenue, it was, in fact, built as a disaster-relief kitchen but, surprisingly, had sat unused most of the day.

In the kitchen on Nov. 7, turkey has already been prepared and shipped out the door—with sides of herbed buttermilk mashed potatoes, beet salad with microgreens—and volunteers, certified to handle food (it can be done online in an hour, says Irwin), chop, slice and mix ingredients for the next batch. What’ll be made with those big slabs of smoked meat over there? “Good question!” says chef Matthew Laurell on his fast-paced travels around the kitchen.

Laurell is on loan from Mark and Terri Stark, for whom he’s still on salary as executive catering chef. But even then, he and his family may not have a place to live in a few days. That’s the kind of stuff that’s going on right now, says Irwin. “And this guy’s running a disaster kitchen!”

Meanwhile, volunteer Woody Mosgers, a caterer, stirs butternut squash into an outsized bowl of pasta. Bright orange, it’s reminiscent of mac and cheese—which raises the question: in a time like this, why not just mac and cheese? Why gourmet pasta, eggplant and microgreens?

“Because there are a lot of places you can go eat shitty food,” Irwin states flatly. “And I’m going to say that straight up. Because some of the food we’ve seen is literal garbage.” Whole pallets of kindly donated but spoiled food had to be tossed, Irwin says, and there’s more to her insistence on chef-made meals than foodie whimsy. “I’ve heard a number of horror stories that were happening all around our county,” says Irwin. “To me, it was real important that we did this professionally.”

At the pickup point in the Empire College parking lot, in front of cheery tablescapes of flowers and gourds (arranged by Irwin’s mother), volunteers greet people and ask them how many they’re feeding.

“We just want it to feel like you’re not in a Red Cross line,” Irwin says. “We have people that come up to us and say, ‘I never thought I’d have to ask for a meal.’ That’s kind of heartbreaking. That’s why we’re doing this, because we want somebody that thought they’d never have to ask for a meal not to feel demeaned and shamed by having to ask for one. I mean, I’d be pretty stoked to get that meal!”

“Thank you for being here,” says one recipient to Irwin’s husband, Jason Stanbrough, who’s overseeing what he calls a “controlled chaos” of rotating volunteers.

Everyone here seems appreciative, but not accustomed to lining up for free food. Not the middle-aged pair who pause to thank Stanbrough a moment later. “A lifesaver,” says the man toting a stack of trays, sounding upbeat, with a background tinge of the strain of the past weeks. “And the volunteers are so nice,” says his counterpart. “I don’t have to feel so . . .” She hesitates to say bad for walking up to take free food.

By Nov. 15, Irwin sounds weary. After serving an estimated 70,000 meals, Sonoma Family Meal won’t be able to make it to Thanksgiving. They have to cease service that evening. “We are really grateful for the community’s outpouring of love,” says Irwin, improvising her press release. “And we are going to look in to how to best serve our community in the future.”

The bright spot for now is that generous friends are helping Laurell and family to move into a tiny home.

Later that day, Sheana Davis checks the time and announces they’ve done pretty well: it’s noon and the volunteers have broken up three pallets, hauled the crates to their respective staging areas, packed up their vehicles and the meals are on the way to their destinations.

Packaged in plastic, the bulk meals are refrigerated, not frozen, and marked with temperature cooked and cooled, and meal type: scrambled eggs, sausage, hash browns and pasta. This is no Thanksgiving dinner, and Davis isn’t worried about whether the next drop is packed with dressing and yams or not. The holiday weekend is more of a concern, she says, because children are out of school extra days and parents who were already living paycheck-to-paycheck will be out of work that much longer.

“We’re feeding for the long haul.”

By the Book

Earlier this month, the California Department of Food and Agriculture (CDFA) released its highly anticipated emergency rules for cannabis regulation in advance of a legal recreational market next year. The result was a mixed bag, especially for small-scale growers. I asked California Growers Association executive director Hezekiah Allen for his take on the latest legislation from Sacramento. What are the takeaways...

Seasonal

Though not technically a Christmas story, Spreckels Theatre Company's Little Women, running through Dec. 17, generously bestows all the warmth, holiday spirit and gentle, good feeling one could desire from a more specifically Christmas tale. And for what it's worth, the story does start out at Christmastime. The 1868 novel by Louisa May Alcott detailing the lives of a poor...

Stomping Ground

Contemporary country music songwriter Corey Smith was born in a small town, Jefferson, Ga., and his roots have been a huge part of his musical success. "It's an important place to me, it's home," Smith says. "I never felt too inclined to leave." An independent performer and prolific musician, Smith has 10 well-received albums to his name, and is currently...

Vengeance Is Hers

A person can be composed of a set of perfectly good facial features—a strong chin, a proud nose, kind eyes, a generous mouth—and still be basically ugly, and that's the case with Three Billboards Outside Ebbing, Missouri. Short hair tied up with a bandanna, dressed in coveralls as if she worked at a Jiffy Lube instead of an Ozark gift...

Gabriel Wheaton Heads Home for Album-Release Show

Los Angeles-based violinist and composer Gabriel Wheaton traces his musical lineage back to Sonoma County, where he was born and raised in Sebastopol. After mastering the violin at a young age and performing in chamber groups and orchestras while attending Analy High School, Wheaton moved to La La Land to study at UCLA in 2011. Wheaton currently makes a living as a freelance musician...

Nov. 24: Big Top Holidays in Sonoma

Created by French-born artist Michel Michelis, the storied live circus group Cirque de Bohème is inspired by early 20th-century French circus traditions and imbued with a modern sensibility. Each holiday season, the troupe takes the stage in Sonoma to dazzle with vintage acts crafted around original productions, and this year’s theme makes timely use of the idea of “Freedom”...

Nov. 24: Deck the Walls in Healdsburg

Don’t settle for gifting socks to your loved ones this holiday season—surprise them with handcrafted, one-of-a-kind pieces of art and other goodies found at the 16th annual Holiday Gift Gallery at the Healdsburg Center for the Arts. Over 30 regional artists participate in the gallery show, offering gift-appropriate works in media ranging from paintings, photography, ceramics, glass, wood and...

Nov. 25: Bountiful Fun in Santa Rosa

Of all the things to be thankful for this holiday weekend, the ability to laugh in spite of the year’s events has to be at the top of the list. At least it is for the folks at Crushers of Comedy, who host the Give Thanks for Laughter standup showcase this weekend with a cornucopia of popular Sonoma County...

Nov. 29: Community Rising in Petaluma

Award-winning author Rebecca Solnit’s 2010 book, ‘A Paradise Built in Hell,’ examines the altruism and generosity that emerges in communities experiencing natural disasters. Hey, the North Bay can relate. Solnit speaks on the topic with fellow author and activist Peter Coyote in a benefit for Undocufund’s fire relief for undocumented fire victims. The evening also includes a raffle with...

Food to the Rescue

It's not quite an army of volunteers that wait for a truck to roll up to the service entrance of the Vintage House senior center on a recent Wednesday morning. The volunteers, mostly from the charitable Kiwanis Club of Sonoma Plaza, number about a dozen. But they do prove an effective force—and it could be said they have a...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow