Dumpster Drivers

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Early one Sunday morning in downtown Santa Rosa, a man emerged from a dumpster, got on his bicycle and pedaled off. It was a strange and distressing sight to behold—a fellow human being crawling out from a garbage-filled container.

The scene was emblematic and demonstrated how the county and city homeless crisis has risen to the level of an international human-rights crisis. The Sonoma County Commission on Human Rights announced just that in late September after a Homeless Action report determined that there was “systemic and pervasive violations of at least seven articles of the Universal Declaration of Human Rights.”

This year, city and county law enforcement agencies have embarked on numerous raids of homeless encampments around the region—repeatedly displacing the already displaced without any real plan for what happens next, besides more rounds of civic hand-wringing.

Commission on Human Rights chair Kevin Jones says enough is enough, as he scolded Sonoma County and Santa Rosa following the Homeless Action report’s release and wrote that “we are not meeting our responsibility to provide sufficient resources to ensure that each person’s right to housing is met,” and added that “we have been witness to actions that we believe make individual situations worse among the shelterless, increasing risks to safety and health, and reducing any sense of dignity and support of people for whom viable options for housing do not exist.”

It’s not like city officials are unaware of the ongoing crisis. The candidates for Santa Rosa’s newly drawn 2nd and 4th City Council districts participated in a forum at City Hall on Oct. 12, and everyone agreed: Shuffling around the city’s large and visible homeless population from one place to another is not working.

Lee Pierce, who is running against incumbent John Sawyer in the 2nd, highlighted the public-image problems associated with the encampment crackdown, and pledged to “resolve homelessness in a humane way, so it doesn’t hit the papers as inhumane.”

Sawyer concurred that “just moving people around is not the solution.” He also said that when it comes to housing the chronically homeless, “we’ve done a better job than other cities.”

The sentiments were sincere and that may be true, but tell it to the human being who just emerged from a dumpster in downtown Santa Rosa.

Tom Gogola is the news and features editor of the ‘Bohemian’ and ‘Pacific Sun.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Tricks & Treats

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The Spreckels Theater Company’s production of The Addams Family, running through Oct. 28, notes that the musical is “based on characters created by Charles Addams.” It is not a recreation of the beloved 1960s sitcom or the 1990s films.

The Broadway musical by Marshall Brickman, Rick Elice and Andrew Lippa banks on the goodwill and fond memories of folks familiar with those versions but, under constraints imposed by the Addams Foundation, goes in a very different direction.

Uncle Fester (Erik Weiss) narrates the show and lets the audience know it’s gonna be a love story. A teenage Wednesday Addams (Emma LeFever) is worried about bringing her “normal” boyfriend/fiancé Lucas (Cooper Bennett) and his straight-laced, Midwestern parents (Larry Williams, Morgan Harrington) home to meet her unconventional family. Wednesday lets her father Gomez (Peter Downey) in on her marriage plans but gets him to agree not to reveal her intentions to her mother, Morticia (Serena Elize Flores), until an announcement is made at dinner. Things don’t go as planned.

It’s a stock plot dressed up with the Addams characters, though they bear little resemblance to previous incarnations. Downey comes closest with a very nice paternal take on Gomez, while Flores’ voluptuous Morticia lacks the character’s dark, funereal tone.

The score is bouncy yet unmemorable, but there are a lot of good voices delivering it. Prepare to be knocked out when Pugsley (Mario Herrera) sings about the potential loss of a playmate sister with “What If.”

Ignore the trick the show’s creators play with The Addams Family characters and you’ll enjoy a family-friendly Halloween treat.

Rating (out of 5): ★★★½

In order for a show like Count Dracula—running in Monte Rio through Oct. 27—to work, it has to either be played straight or as camp. Playwright Ted Tiller’s 1971 version of Bram Stoker’s chiller under Nadja Masura’s direction tries to do both, and the mix just doesn’t work. Tiller also seems to have worked under the assumption that no one had ever heard vampire lore before and inserted reams of lengthy, dull exposition that makes the show run an hour longer than it should.

A good set, some nice effects and a game cast can’t mask the undead weight of a leaden script. ★★

Cult of Punk

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In the five years since Ian O’Connor began booking local punk shows in and around Santa Rosa, first under the moniker of Pizza Punx and for the last two years under the name Shock City, USA, he’s brought a world of underground rock and roll to the region for the young generation of North Bay music fans.

It’s been an up-and-down year for Shock City, USA. In April, O’Connor announced that the group and its schedule of live events was likely coming to end after this year. “Our streak has just about run its course,” he wrote on social media, “and soon it will be time to move forward with other life pursuits.”

While the last few months have been quiet on the punk front, Shock City is back this week with a new and diverse show featuring nationally touring Memphis punk band Ex-Cult, French post-punk outfit Badaboum and North Bay noise rock act OVVN all performing mind-melting music on Oct. 23 at Atlas Coffee Company in Santa Rosa’s South
of A arts district.

Formed at the legendary Memphis dive bar the Lamplighter, Ex-Cult is a power-packed five-piece who incorporate influences that range from classic ’80s hardcore and post-punk to ’60s garage and psych-rock. The Southern-fried fiends have a fondness for the North Bay and return for their third show in Santa Rosa with Shock City. Fronted by the reverb-drenched vocals of Chris Shaw, who also works with the likes of Ty Segall in the band GØGGS, and featuring blistering guitars and breakneck beats, Ex-Cult never fail to impress.

Experimental all-star girl group Badaboum make their Santa Rosa debut at the upcoming gig, and if their 2018 self-titled debut LP is any indication, local audiences haven’t heard anything like this. From the opening organ swells and plucked bass lines to the eerie theremin and strained vocals, this group sounds like someone let the Phantom of the Opera out of his lair and made him watch several Italian horror films. Truly unapologetic in its angst and explosive in its ethos, the music of Badaboum walks the razor’s edge between joy and chaos.

Filling out the bill for this show is hometown favorite OVVN, who, writes O’Connor, “are back at it with more musical offerings that probably sound like an old [Steve] Albini project that never happened.”

The New Black

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The way craft beer goes, as soon as there was Double IPA it was inevitable there’d be Triple IPA, followed by Black IPA, Imperial Peanut Butter Bourbon Barrel IPA—and off to the races.

With wine, the options are generally more limited. For example, how to one-up the red blend? Easy: The dark red blend. The knobs don’t exactly go to eleven, you see, though I’m watching the wine aisle for the arrival of the “even darker red blend.”

Meanwhile, Cline Cellars has dialed back on the category-chasing reboot of their Cashmere label, rebooting once again in mid-vintage. And the novelty is only label-deep.

Cline 2016 Cashmere Red ($14.99) This label began as a single barrel sold at the 1998 Hospice du Rhône, a wine event and auction in Paso Robles that promotes Rhône-style wines. Fred and Nancy Cline added this Côtes du Rhône style blend (more economically termed in the Australian fashion as GSM, for Grenache, Syrah and Mourvedre) to their regular releases, and for a decade-plus the label’s prominent pink ribbon signified charitable donations to causes they support, via a portion of sales: some $325,000 for breast-cancer awareness and support organizations, and $100,000 more for Alzheimer’s care and research and other causes.

The new look makes me have to look for that ribbon, now a tiny gray logo on the back label, adjacent some mention of “important causes” rather than any specific vicissitudes of life. I miss the old bottle—what, was it too startling? This GSM is heaviest on the M, and if maybe a touch rustic for the targeted red-blend shopper—barn-yardy Mourvedre leads the way, brightened with crisp fruit and minty herbal aromas of Grenache, like raspberry compote presented on a bed of horse stall hay. This is an enjoyable representation of a classic regional style, not some kitchen-sink stew.

Cline 2016 Cashmere Black ($14.99) This debuted as Cashmere Black Magic, subtitled “alluring dark red blend” in case you didn’t get the nudge that if you like Apothic Dark or Bogle Phantom, this is for you. This Black is a classic California blend of Petite Sirah, Zinfandel, Mourvedre and Carignane, and like the red, is also sourced mostly from Cline’s old vines in Contra Costa County. Both labels now bear a metallic disk to represent Cline’s heritage as “original” red-blend makers, and to get back to a more serious, less trendy look, I’m told. I didn’t get it—but I do get the wine, which finds Zinfandel sweetening up the tannic Petite Sirah, and is more likable than the 2015 version with its flavors of blackberry pie filling, vanilla and chocolate. Dark chocolate.

Low-Key Laughs

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He Has a Pony Standup legend Steven Wright continues to craft sublime and subdued humor 30 years into his career.

Steven Wright possesses one of the most recognizable voices in stand-up comedy. For more than three decades, his monotone, deadpan comic delivery, verging on somnambulism, stands in sharp contrast to his razor-sharp one-liners and keen philosophical point of view.

Wright performs at the Uptown Theatre in Napa on Oct. 20.

Gifted with a deep bass voice and naturally laid-back demeanor, Wright’s signature subdued persona and non-sequitur style made him a legend in the standup scene. On groundbreaking comedy albums like I Have a Pony, his jokes are often little more than a single sentence long, like “I spilled spot remover on my dog, and now he’s gone” and “I’d kill for a Nobel Peace Prize.”

Growing up in the Boston suburbs, Wright first became enamored with comedy on The Tonight Show Starring Johnny Carson, in the early 1970s.

“That’s how I got it in my head that I’d like to try to be a stand-up comedian,” he says. His main influences at the time were George Carlin and Woody Allen, specifically Allen’s early standup comedy albums of the mid- to late-1960s.

“There was a radio show in Boston, and there was a guy who played two comedy albums every Sunday night, and I listened to it for years,” says Wright. “The guy had an unbelievable collection of albums.”

The young comic instantly turned heads at the open mics he began performing at in the late 1970s, and before long a producer from The Tonight Show spotted Wright doing a set in Cambridge, and booked him on the show in 1982.

“I was 16 when I started watching The Tonight Show, and my fantasy was to maybe go on there. And there I am, I’m 26 and I’m on there,” Wright says. “That’s still the highlight of my career. It was very surreal.”

Wright’s debut appearance on The Tonight Show so impressed Carson that less than a week later he was invited to appear on the show again, a rare occurrence for any guest.

In 1989, Wright’s career took another turn when he won an Academy Award for Best Live Action Short Film, for The Appointments of Dennis Jennings.

“That was surreal in a different way, I didn’t even think of winning an Academy Award, that wasn’t something in my mind,” he says. “We made the short film for HBO and then they played it in the theaters first. That was really out of the blue.”

While Wright has continued acting in films and voicing on animated projects, the stage is where his heart remains.

“It’s fun to think of the joke, you’re kidding around, you’re just playing,” he says. “And then being in front of the audience, everything is magnified, it’s so intense. It’s a magical place, like nothing else. The combination of writing and performing—I do it because I love doing it.”

Prescribed Burns Planned for Salt Point State Park

California State Parks is reporting today that they’re working with Cal Fire to plan prescribed burns in Salt Point State Park that could be set as early as Friday.

The burns are being coordinated with the Northern Sonoma County Air Pollution Control Board to minimize smoke impacts in the region. According to State Parks, the burn will take one day to implement followed by several days of patrolling the burn zone.

The fire won’t be set unless weather and air-quality conditions are favorable for smoke dispersal. State Parks says in release that public trails near the burn site will be closed, and that notifications will be posted at camp kiosks, trailheads and the agency’s district office in Duncan’s Mills. The fires will be set between the hours of 9am and 6pm, and residents are warned that they may smell smoke.

The burn is intended to clear vegetation, conserve the grasslands, reduce hazardous fuel loads from the 6,000-acre park, and improve wildlife habitat. “This treatment will enhance the health of the grassland by removing invading woody species, restoring essential nutrients to the soil, and reducing the chance of a catastrophic fire.”

Sounds like a plan. 

Cal Fire Ramping Up for High Wind, Low Humidity Weekend

Cal Fire says it is increasing staffing this weekend owing to the potential for “extreme fire weather across many parts of California,” according to a news release. The warning comes on the heels of a week of remembrance in the North Bay following last October’s devastating firestorm.

Cal Fire reports that the National Weather Service is predicting gusty winds and low humidity “in much of Northern California” this weekend. “We have increased our staffing,” says Chief Ken Pimlott, “but need the public to remain vigilant.’

The agency is urging weekenders who are otherwise enjoying the great outdoors to “exercise extreme caution when in or near the wild-land or open areas to prevent sparking a fire.”

They’re asking folks to refrain from mowing or trimming dry grass on windy days; to not park their cars in dry grass; to target shoot in approved areas, with lead ammo only; and to ensure that any campfires are sanctioned by Le Authorities. And: Keep an eye peeled for arsonists.

For more info, head to Cal Fire’s handy site offering fire prevention and evacuation tips: www.ReadyForWildfire.org.

Bell or High Water

“Talking about what is and isn’t funny is like talking about what does and doesn’t turn you on,” says comedian-author (and TV host) W. Kamau Bell.

“Like comedy, what turns you on is super personal, and it’s probably nobody’s business. We don’t need to compare notes and argue with each other about what turns you on as opposed to what turns me on. ‘You’re turned on by that? Well, you should only be turned on by what turns me on!’ We start doing that, and we’re back in the puritan era. Comedy is like that. How often have you laughed at a joke, only to be told you shouldn’t have laughed? They’ll say, ‘Hey. That’s not funny!’ But the truth is, it’s just not funny to them.”

Bell has had plenty of experience on both sides of such laughter.
One of the country’s most notable political comedians of the day, Bell’s work has often been described as polarizing, and at the same time, has been praised for its ability to unite audiences by finding the humor in their commonalities as well as their differences. Bell’s new book, The Awkward Thoughts of W. Kamau Bell, is an entertaining collection of essays with the binder-busting subtitle “Tales of a 6’ 4”, African American, Heterosexual, Cisgender, Left-Leaning, Asthmatic, Black and Proud Blerd, Mama’s Boy, Dad, and Stand-Up Comedian.”

His new Netflix comedy special, Private School Negro (which went live in late June), has been acclaimed for Bell’s winningly wise, affably baffled observations about life, race, fatherhood, politics, and the everyday oddities, frailties and upsets that make us all human.

Ben Jardine, of the Under the Radar website, said of the show, “In an era of political and social strife, Bell is the bright comedic light we all need.”
Bell will be in Petaluma on October 20, to headline day two of the second Wine Country Spoken Word Festival.

Launched last year by Petaluma-based comic and storyteller Dave Pokorny and his wife Juliet, an event producer and former Pixar Studios employee, the festival brings together some of the best comics, poets, storytellers, authors and speakers in the country.

In addition to Bell, this year’s festival features poet-performer Steve Connell, comedian Zahra Noorbakhsh, storyteller Bil Lepp, poetry slam champion Denice Frohman, and Tennessee storyteller Elizabeth Ellis. Some of the shows will be major showcases featuring several performers at once, with smaller up-close-and-personal appearances, where single performers deliver highlights of their repertoire or talk about how they create their material.

“I like to support local things, and this is just local enough to qualify as local for me,” says Bell. He’s known Dave Pokorny for years and adds, “The Bay Area comedy scene is not large, with every comic just one degree away from everyone else, so I’ve had plenty of opportunities to hear from Dave about the things he’s doing up in Petaluma. Now I finally have a chance to come see for myself.”

The festival includes stand-up, improv, storytelling, poetry, TEDx-style presentations, and readings from published works. “I’m probably a little light on the poetry,” Bell says, with a hint of his famous Muppet-ready laugh. “But to me, this is the best place to be, that place of existing in between all of these different styles and definitions. I feel like we too often segment different types of performances into categories. When I was in the UK, I learned quickly that they do a lot less of that over there. What they define as ‘stand-up comedy’ has a much broader definition.”

Bell would like to see more of that here in the U.S.

“I think comedy is people talking on stage, either into microphones or not,” he says. “Sometimes it’s really funny and sometimes its less funny, but it’s always about being in a room with people, finding humor in real-life situations, telling and sharing stories that come from a whole range of different perspectives.”

That wider definition encompasses Bell’s approach to comedy. “[If] someone asks me to define what I do in one word, I’ll still say ‘comedian,’ because that’s the core of who I am. I might not tell jokes, but I am funny, even if the things I talk about aren’t funny. Which is pretty funny, if you think about it.”

A successful Bell show is one in which he establishes a connection with his audience before launching into an improvisational, in-the-moment exploration of the thoughts, concerns and observations he’s been musing on.
“I have three kids,” he says, “so I don’t have the time to overthink my material. I never sit in the corner, gently rolling over my thoughts for hours. My approach is to take a piece of paper and a sharpie an hour before I go on stage and kind of mine my brain for the things I’ve been thinking about. And then I just basically wing it from there—and sometimes I’m as surprised by what I say as the audience is.” It’s risky business.

“As comedians, we take that risk all the time—the risk that what we say will not be viewed as funny to some people. Every comedian, no matter successful they are, has had somebody come up to them at some point and say, ‘I don’t like that joke. It offends me.’ Or ‘I don’t think you should be making light of that subject.’ I think it’s the job of a comedian, at those moments, is to decide: A) Are you a person I want in my audience? Because if you’re not, then I’m okay with offending you. And B) If you are a person I want in my audience, how important is it to me that you like this joke or that joke?”

Bell has, on occasion, changed material because of such conversations. But he does it very rarely.

“If a story I tell or a joke I make is about identity, and I have somehow put down a person’s identity—especially if that identity is of some group that is being oppressed a lot right now in America—then I might say, ‘You make a good point. Let me see if I can find a way around that and still keep the joke, or part of that joke. But sometimes people are just offended. . . If someone is out there in the audience, scowling and crossing their arms, letting me know I’ve offended them, I can say in my mind, ‘You’re offended? Okay. Well, I hope the next joke doesn’t offend you, or, you know, good luck in your experiences with laughter in the future.’ Because there are ways to find the humor in the world around us, and there’s just no way to tell a joke that is funny to everyone. It’s not my job to make everyone laugh, anymore than it’s your job to laugh at every joke I tell. So let’s both do our jobs, maybe everyone in the audience will laugh some of the time, if not all of the time, and we’ll all end up having a pretty good time.”

The Wine Country Spoken Word Festival runs Friday-Sunday Oct. 19-21, at the Mystic Theatre, 23 Petaluma Blvd. N. and Hotel Petaluma, 205 Kentucky St. Showtimes and ticket prices vary. Full schedule at davepokornypresents.com.

Graton Expectations

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Sonoma County resident Darius Anderson is one of California’s most powerful men. For decades he has advised and raised campaign funds for prominent state Democrats, including Willie L. Brown, Nancy Pelosi, Jerry Brown, Dianne Feinstein, Barbara Boxer, Gavin Newsom and Kamala Harris.

Anderson’s Sacramento lobbying firm, Platinum Advisors, advertises that it generates “billions of dollars in work for our clients” by navigating their deals through mazes of government bureaucracy. Anderson’s Kenwood Investments is developing Treasure Island in San Francisco Bay, in partnership with public and private entities.

But one deal Anderson tried to navigate more than a decade ago ended with a finding of fraud directed at another investment company owned by Anderson, Kenwood No. 2.

Anderson, 53, is the managing member and chairman of Sonoma Media Investments, which owns the Press Democrat and its affiliate publications. He promotes himself as a champion of liberal social causes, a philanthropist, a public servant, a man of integrity who cares about his community—especially racial minorities. That image has not survived judicial scrutiny.

After a two-month arbitration trial ended last November, three retired state judges declared that Anderson and his partners in Kenwood Investments No. 2 LLC (“Kenwood No. 2”) defrauded a Sonoma County Indian tribe between 2002–03. They ordered Anderson’s investment firm to pay $725,000 to the tribe to cover its lawyer’s fees and arbitration costs.

In a settlement arrangement, Kenwood No. 2 agreed not to appeal the judges’ findings, and the Graton Rancheria agreed to let Anderson’s firm pay less than the dollar amount of the award, says Joel Zeldin, the tribe’s arbitration counsel.

According to the arbitrating judges, Anderson breached his consulting contract with the tribe, which now owns the Graton Resort & Casino in Rohnert Park. The judges found that Anderson and his associates “fraudulently induced” and “breached” an agreement to assist the tribe in developing a Las Vegas-style casino business.

The ruling, by retired Superior Court judges William Cahill, Read Ambler and Richard A. Kramer, concluded a long legal battle between Anderson and the Graton Rancheria. It shed light on a powerful man who, the judges ruled, sought to enrich his business at the tribe’s expense.

The judicial proceedings took place behind closed doors at the San Francisco office of the JAMS mediation organization. A final binding arbitration award was issued by the judging panel this year, on April 26. It was confirmed by Superior Court Judge Richard Ulmer on June 1.

The 53-page arbitration report details how Anderson and his associate, Douglas Boxer, harmed the Graton Rancheria in multiple ways, including the loss of millions of dollars.

Boxer was a lobbyist for Platinum Advisors and Anderson’s partner in Kenwood Investments No. 2. He is the son of former U.S. Sen. Barbara Boxer, who, in 2000, wrote federal legislation that restored the national sovereignty of the Federated Indians of Graton Rancheria and authorized the tribe to establish a casino business.

In early 2002, Anderson and Boxer approached the tribe’s chairman, Greg Sarris, a novelist and professor of creative writing and Native American studies at Sonoma State University. They proposed that the newly empowered tribal nation hire Platinum Advisors to help it acquire reservation land and start a business to make it self-sufficient.

Anderson and Boxer told Sarris that Platinum Advisors had “significant real estate development experience and connections with local, state and federal politicians,” according to the arbitration award. They proffered a platform of consulting services for a monthly retainer of $1,000, with payment deferred and contingent upon success.

Sarris trusted Boxer because the lobbyist’s mother had sponsored the legislation that re-established the tribe’s sovereignty. After Anderson presented a promise-filled PowerPoint to the tribal council, it voted to hire Platinum Advisors.

Fifteen years later, arbitrators declared that Anderson and Boxer had breached their contract to deliver adequate professional services in the tribe’s interest, damaging the casino project’s prospects. Kenwood No. 2 received $1.2 million in cash payments at the expense of the tribe, the arbitrators found.

According to the arbitration document, the Graton Rancheria was afraid to expose these actions when it discovered what Anderson was doing in 2003, fearing political retaliation by the consultants.

The story only came to light because in November 2013, Anderson demanded that the Graton Rancheria pay Kenwood No. 2 a percentage of the projected revenue from its recently opened casino. Anderson insisted that the tribe pay his firm $43 million; he threatened to compel arbitration if it refused.

The tribe refused. It sued Kenwood No. 2 in state superior court, claiming that its sovereign immunity prohibited Anderson from compelling arbitration of his claim.

In November 2015, the court ruled that the tribe had waived its sovereign immunity defense in its contract with Anderson. In 2017, that judgment was affirmed by the appellate court, and the JAMS arbitration commenced.

Anderson claimed 2.5 percent of the Graton Resort & Casino’s net revenue for the first seven years of its operation, despite the fact that after 2005, the tribe had ceased doing business with his company. Insisting that the Graton Rancheria had “unjustly enriched” itself at the expense of his firm, Anderson demanded that it pay his attorney fees, too.

But it was the tribe, not Anderson, that had been wronged, the retired judges ruled. After months of sworn testimony, the panel ordered Kenwood No. 2 to pay the tribe’s attorney fees because it was Kenwood No. 2 that had breached the consulting contract, and Anderson’s claims to the contrary “lacked merit.”

The two trials generated thousands of pages of testimony, depositions and exhibits. The court record of the arbitration award was partly redacted and relabeled at Anderson’s request, according to Zeldin.

Anderson’s and Boxer’s names are replaced by “Person A” and “Person B,” respectively. “Platinum Advisors” is replaced with “Company 1.” “Kenwood No. 2” replaced “Kenwood.” The names of politicians and descriptions of their actions are blacked out. But who they are and what they did is clear from the narrative context and from contemporaneous news reports.

How It Began

In March 2002, the Graton Rancheria signed a contract with Platinum Advisors as its “exclusive agent” to provide it with “strategic advice and consultation” and to develop “political visibility.” The contract granted Platinum a right of first refusal to “partner with the tribe in any business opportunity it pursued.” The idea was to attract investors.

From the get-go, Boxer worked to convince the tribe how “‘much of a home run a casino would be’ rather than organic food processing, grape growing, strip mall, or senior assisted living facility,” according to the arbitration award. It did not take much convincing. Casinos attract cash like black holes eat planets.

Even as Anderson and Boxer worked with the tribe on a public relations campaign to further a casino project, they were making secret deals to benefit themselves, the arbitrators found.

According to a declaration filed by Anderson in 2015, he, Boxer, Jay Wallace of Platinum Advisors and Stuart Sunshine, a San Francisco city official, created Kenwood Investments No. 2 LLC in January 2003.

The arbitration judges ruled that Anderson’s new company shadowed Platinum Advisors’ tribal consulting activities, while serving a hidden agenda to make money for its principals—at the tribe’s expense.

Without informing Sarris or the tribe, Anderson and Boxer struck a deal to buy 1,736 acres of tidal wetlands near Highway 37, a major road connecting San Francisco and Oakland. Kenwood No. 2 paid $100,000 for an option to purchase the swampy property, which it sold to the tribe for $750,000.

As Kenwood No. 2 was secretly securing the option, Platinum Advisors was advising the tribe to select the Highway 37 site for its casino, even though it was a politically impossible place to pour acres of concrete.

“The site was part of 50,000 acres of tidal wetlands that conservationists had been trying to protect and restore since the 1970s,” noted the arbitration judges, who were incredulous that Anderson had suggested it. The attempt to locate the casino on the wetlands site proved to be a public relations and monetary disaster for the tribe.

As Anderson and Boxer were negotiating to buy the swampy land in late 2002, they were also negotiating casino-management deals with several Las Vegas–based casino operators, including Station Casinos, Harrah’s, Maloof and MGM, without telling the tribe.

In February 2003, Anderson sent a request for proposals (RFP) to potential casino operators. The proposal represented Kenwood No. 2 as the “exclusive development partner” and “financial advisor” for the tribe. It stated that Kenwood No. 2 would evaluate the proposals and select the casino manager for the tribe.

Kenwood No. 2 had no contractual relationship with the Graton Rancheria when it issued the RFP. The tribe’s contract was with Platinum Advisors.

According to the arbitration award, “the evidence established that the Tribe was unaware that Kenwood No. 2 had sent an RFP to operators and had not approved the contents of the RFP drafted by Kenwood No. 2.”

The trial revealed that Anderson’s RFP instructed potential casino operators to bid their services on the basis of several unusual assumptions:

• The operator would commit to buying Kenwood No. 2’s option to purchase the Highway 37 land and then buy the land from the seller on behalf of Kenwood No. 2, which would be the “titleholder.” The RFP assumed that the casino would be built on the Highway 37 site controlled by Kenwood No. 2 and that there were no other possibilities.

• The operators could charge the tribe 20 percent of the casino’s net revenues and were to “assume a management fee to Kenwood No. 2 of 10 [percent] of net gaming revenues.”

• The operators would pay Kenwood No. 2 “development fees” of $2.5 million up front to purchase the option on the Highway 37 site, and another $2.5 million when the tribe took over the site—$5 million total.

• “Lastly, operators were required to pay Kenwood No. 2 ‘pre-development fees’ of $8.4 million ($200,000 per month) for advisory and consulting services.”

The operators were not required by the RFP to make upfront cash payments to the tribe, or to provide any specific amounts of money for the tribe’s maintenance costs (i.e., its ability to maintain its existence until the casino began generating revenue).

Anderson received and evaluated four responses to the RFP, which he did not share with the tribe. Notably, Harrah’s proposed to take up to 24 percent of the net gaming revenue as its management fee. Improving on the terms of the RFP itself, Harrah’s offered to pay $100,000 a month to the tribe for the casino’s maintenance, along with $4 million pre-development fee. Harrah’s also offered to donate $100,000 per year to set up an educational scholarship fund for tribal members. And it offered to make a one-time $25 million Quality of Life loan to the tribe.

Harrah’s declined to pay a percentage of net revenues to Kenwood No. 2, although it offered to pay Anderson $50,000 a month in consulting fees, if the tribe approved of the arrangement. Harrah’s pointed out that such an arrangement was not normal business practice; it would have to be approved by the National Indian Gaming Commission.

Harrah’s expressed concern about the truth of Anderson’s claim to be representing the tribe’s interests. It asked to be put directly in touch with the tribal council before proceeding further. Anderson rejected Harrah’s proposal without consulting with Sarris and the tribe or informing them of the proposal’s existence.

Station Casinos’ response to the RFP was far more favorable toward Anderson. It suggested that Kenwood No. 2 and Station Casinos partner to manage the casino. It proposed divvying up 30 percent of the casino revenues—20 percent to Anderson, 80 percent to Station.

The Las Vegas–based corporation offered to pay Anderson $10 million cash up front and $15,000 a month for consulting services. It offered $100,000 a month for tribal maintenance, but it did not offer the tribe any development fees, scholarships or loans.

On March 7, 2003 Anderson and Boxer asked the Graton Rancheria to assign the Platinum Advisors contract to Kenwood No. 2, and claimed it would not change the terms of the agreement.

But the assignation did change the terms of the agreement. The new arrangement gave Kenwood No. 2 new authority to act as the tribe’s exclusive agent. Kenwood No. 2 was allowed to negotiate a cut of the casino operator’s management fee for itself. And, importantly, the tribe agreed to waive its sovereign-immunity defense in the case of a contract dispute—a concession it later regretted.

Anderson and Boxer had been negotiating with gaming corporations since the fall of 2002. They first told Sarris and the tribe that they had issued RFPs on March 11, 2003.

Brian Campbell, a tribal member doing legal work for the tribe, got wind of the RFP and asked Boxer for a copy. Boxer gave Campbell a copy but did not tell him about the responses that had been received.

Boxer later testified under oath that he had given drafts of the RFP to the tribe before it was sent out in 2002. The tribe’s witnesses testified that Boxer did not do that. Campbell testified that he was surprised that Anderson had asked for 10 percent of the gaming revenues and $5 million in upfront fees in the RFP.

On March 14, 2003, Anderson told the tribal council about the existence of RFP responses. He did not disclose Harrah’s offer to the tribe of tens of millions of dollars in cash.

He told the tribe that Station Casinos had made the best proposal for “superior overall economics.”

Even as members expressed outrage at Anderson’s self-dealing behavior, the tribal council accepted his recommendation that Station Casinos be selected as its casino operator.

Suspecting that Anderson was more motivated to benefit himself than the tribe, the Graton Rancheria hired attorneys from California Indian Legal Services (CILS) to watch over its interests. The CILS lawyers noted that it was a conflict of interest for Anderson to negotiate with Station on behalf of the tribe while he was also negotiating with Station on his own behalf for a cut of the management fees. Anderson agreed that he would not negotiate a separate deal.

On April 22, 2003, the tribe signed the revised agreement with Kenwood No. 2. It provided that Anderson’s company would receive 4 percent of the net gaming revenues for seven years (later reduced to 2.5 percent). Anderson agreed to donate $25,000 annually to the UCLA College of Indian Law Program.

The next day, according to trial exhibits, Anderson secretly made a separate consulting agreement with Station Casinos, despite his promise that he wouldn’t.

Kenwood No. 2 contracted to assist Station Casinos “maintain its relationship” with the tribe. Station Casinos agreed to pay Anderson $20,000 per month as it bought the option on the Highway 37 site for $750,000, netting Kenwood No. 2 a $650,000 profit.

Station Casinos agreed to pay Anderson a total of $9.5 million for achieving various “milestones” as it helped the tribe to navigate the bureaucracy of getting its casino up and running.

Anderson did not tell the tribe about his side deal with Station Casinos. “The evidence indicates that Kenwood No. 2 intentionally kept information regarding the Station/Kenwood No. 2 agreement secret from the Tribe,” the arbitrators found. “[Exhibit] 490 [Douglas Boxer] notation: ‘don’t tell Sarris: negotiation.’” Boxer did not respond to multiple requests for comment.

In fact, they did not learn of the secret side agreement’s existence until June 2003, when Station Casinos included a copy of the side agreement in the paperwork accompanying its negotiations with the tribe, the arbitrators found. Station Casinos declined to comment.

Draining the Swamp

On the same day they signed the side agreement, Station Casinos and Anderson announced that the Graton Rancheria planned to develop the Highway 37 site for a casino. A coalition of environmental groups that supported the Bay Delta Restoration Plan to restore local wetland habitats enlisted local, state and federally elected officials to vehemently oppose erecting the casino.

The tribe’s attempt to “appease these groups by offering to restore hundreds of acres of wetlands on the property” was a non-starter. After Sen. Feinstein “threatened to redraft the Tribe’s restoration language to obstruct the Tribe’s ability to open a casino anywhere,” the Graton Rancheria backed down and nixed the wetlands as a possibility.

The tribe ended up paying for and donating the Highway 37 wetlands to the Sonoma County Land Trust, which has restored it. The wetlands debacle ended up costing the tribe about $5 million, which included paying for the unusable land and for Kenwood No. 2’s profit on the land-purchase option.

Without Anderson’s assistance, Sarris and the tribe went looking for an alternative site to build their casino, and eventually bought 270 acres in Rohnert Park for $100 million. The tribe had little or no contact with Anderson and Boxer after 2005, when it stopped using their services.

Boxer testified that Kenwood No. 2 did significant work for the tribe prior to 2006. The trial record reports that in 2004 Boxer “‘killed’ a bill” in the state assembly that would “require gaming tribes to negotiate with local governments to mitigate the impact of casinos.”

Boxer said at trial that he had designed publicity and lobbying campaigns for the tribe; helped it to create a financial budget and to find office space; and “assisted tribal members in securing personal loans.”

The arbitrators determined that lobbying on the tribe’s behalf violated California law because Kenwood No. 2 was not a registered lobbying firm. Regardless, the judges found that Anderson and Boxer did not materially assist the tribe in jumping through the complicated governmental, environmental and financing procedures necessary to obtain a gaming compact and open the casino.

Sarris testified that the tribe felt that “Kenwood No. 2 was providing little or no value . . . and the Tribe wanted to sever its relationship with [Anderson and Boxer] but was afraid that if it did so, [they] might retaliate and use [their] political connections against the Tribe.”

The tribe estimated that it ended up paying Kenwood No. 2 $10,000 an hour for the services it did receive before the contract ended.

Nonetheless, the tribe invited Anderson and Boxer to attend the opening party for the Graton Resort and Casino on November 5, 2014. That same day, Anderson demanded that the Federated Indians of Graton Rancheria wire a payment of $43 million to his bank account.

In summing up their findings, the judges’ panel determined that Anderson and Boxer had fraudulently induced the tribe to contract their services. Their duty to be loyal to the tribe was violated by a series of actions, they found:

• Anderson and Boxer represented that Kenwood No. 2 had “experience and abilities that it in fact lacked.”

• Kenwood No. 2 breached its contract when it bought an option for the Highway 37 land without telling the tribe, and then promoted the land to the tribe as suitable for the casino site despite its unsuitability for development.

• Anderson and Boxer sent out request for proposals for a casino manager that benefited Kenwood No. 2 at the expense of the tribe and without telling the tribe of the existence of the RFPs.

• They rejected Harrah’s proposal without telling the tribe or informing it about Harrah’s reservations regarding the RFP terms, including concern about Anderson’s option to buy the Highway 37 site and his consulting-fee demands.

• They entered into undisclosed consulting agreements with Station Casinos “to the detriment” of the tribe. “Kenwood No. 2 defrauded the Tribe by promising to remove all conflicts of interest from its role as negotiator of the Tribe’s operator contract, and by suggesting that it would obtain compensation for this services only from its separate contract with the Tribe.” (Station Casinos was itself a party to the arrangement, although the judges did not address that issue.)

• “Despite causing major problems and virtually no effective assistance to the Tribe,” Anderson claimed that it was the tribe that had breached the consulting agreement with Kenwood No. 2. Anderson’s pursuit of his “unmerited” claim against the tribe caused it to spend significant amounts of money and to “suffer business risks and distractions.”

The judges ordered Kenwood No. 2 to pay the tribe’s attorney fees and costs of $725,657.48, and to receive nothing for itself.

Anderson did not respond to multiple requests for comment.

Real World Astrology

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ARIES (March 21–April 19) In his book The Snow Leopard, Peter Matthiessen describes his quest to glimpse the elusive and rarely seen creature in the Himalayas. “Its uncompromising yellow eyes, wired into the depths of its unfathomable spirit,” he writes, give it a “terrible beauty” that is “the very stuff of human longing.” He loves the snow leopard so much, he says, that it is the animal he “would most like to be eaten by.” I bring this up, Aries, because now would be a good time, astrologically speaking, for you to identify what animal you would most like to be eaten by. In other words, what creature would you most like to learn from and be inspired by? What beautiful beast has the most to give you?

TAURUS (April 20–May 20) Richard Nelson is an anthropologist who has lived for years with the indigenous Koyukon people of Alaska. He lauds their “careful watching of the same events in the same place” over long periods of time, noting how this enables them to cultivate a rich relationship with their surroundings that is incomprehensible to us civilized Westerners. He concludes, “There may be more to learn by climbing the same mountain a hundred times than by climbing a hundred different mountains.” I think that’s excellent counsel for you to employ in the coming weeks.

GEMINI (May 21–June 20) “It is sad that unless you are born a god, your life, from its very beginning, is a mystery to you,” writes Gemini author Jamaica Kincaid. I disagree with her because she implies that if you’re human, your life is a complete and utter mystery; whereas my observation has been that for most of us, our lives are no more than 80 percent mystery. Some lucky ones have even deciphered as much as
65 percent, leaving only 35 percent mystery. What’s your percentage? I expect that between now and Nov. 1, you can increase your understanding by at least 10 percent.

CANCER (June 21–July 22) You Cancerians may not possess the mental dexterity of Virgos or the acute cleverness of Geminis, but you have the most soulful intelligence in the zodiac. Your empathetic intuition is among your greatest treasures. Your capacity to feel deeply gives you the ability to intensely understand the inner workings of life. Sometimes you take this subtle acumen for granted. It may be hard for you to believe that others are stuck at a high-school level of emotional skill when you have the equivalent of a PhD. Everything I just said is a prelude to my advice. In the coming weeks, I doubt you can solve your big riddle through rational analysis. Your best strategy is to deeply experience all the interesting feelings that are rising up in you.

LEO (July 23–August 22) Do you ever experience stress from having to be so interesting and attractive all the time? It may on occasion feel like an onerous responsibility to be the only artful egomaniac amid swarms of amateur egomaniacs. I have a suggestion that might help. Twice a year, celebrate a holiday I call Dare to Be Boring Week. During these periods of release and relief, you won’t live up to people’s expectations that you keep them amused and excited. You’ll be free to be solely focused on amusing and exciting yourself, even if that means they’ll think you’re dull. Now is an excellent time to observe Dare to Be Boring Week.

VIRGO (August 23–September 22) A Chinese proverb says, “Tension is who you think you should be. Relaxation is who you are.” I’m happy to let you know that you are currently more receptive to this truth than maybe you have ever been. Furthermore, you have more power than usual to change your life in ways that incorporate this truth. To get started, meditate on the hypothesis that you can get more good work done if you’re calm and composed than if you’re agitated and trying too hard.

LIBRA (September 23–October 22) My astrological analysis suggests that life is conspiring to render you extra-excited and unusually animated and highly motivated. I bet that if you cooperate with the natural rhythms, you will feel stirred, playful and delighted. So how can you best use this gift? How might you take maximum advantage of the lucky breaks and bursts of grace that will be arriving? Here’s my opinion: be more focused on discovering possibilities than making final decisions. Feed your sense of wonder and awe rather than your drive to figure everything out. Give more power to what you can imagine than to what you already know. Being practical is fine as long as you’re idealistically practical.

SCORPIO (October 23–November 21) How far is it from the Land of the Lost to the Land of the Lost and Found? What’s the best route to take? Who and what are likely to provide the best help? If you approach those questions with a crisply optimistic attitude, you can gather a wealth of useful information in a relatively short time. The more research you do about the journey, the faster it will go and the more painless it will be. Here’s another fertile question to meditate on: is there a smart and kind way to give up your attachment to a supposedly important thing that is actually quite burdensome?

SAGITTARIUS (November 22–December 21) In her only novel, Save Me the Waltz, Zelda Fitzgerald described her main character like this: “She quietly expected great things to happen to her, and no doubt that’s one of the reasons why they did.” That’s a bit too much like fairy-tale wisdom for me to endorse it unconditionally. But I do believe it may sometimes be a valid hypothesis—especially for you Sagittarians in the coming months. Your faith in yourself and your desire to have interesting fun will be even more important than usual in determining what adventures you will have. I suggest you start now to lay the groundwork for this exhilarating challenge.

CAPRICORN (December 22–January 19) Russian philosopher George Gurdjieff taught that most people are virtually sleepwalking even during the day. He said we’re permanently stuck on automatic pilot, prone to reacting in mechanical ways to every event that comes our way. Psychology pioneer Sigmund Freud had an equally dim view of us humans. He believed that it’s our normal state to be neurotic; that most of us are chronically out of sync with our surroundings. Now here’s the good news, Capricorn. You’re at least temporarily in a favorable position to refute both men’s theories. In fact, I’ll boldly predict that in the next three weeks you’ll be as authentic and awake and at peace as you’ve been in years.

AQUARIUS (January 20–February 18) In the late 19th-century, American botanist George Washington Carver began to champion the nutritional value of peanuts. His influence led to the plant being grown and used more extensively. Although he accomplished many other innovations, including techniques for enhancing depleted soils, he became famous as the Peanut Man. Later in life, he told the story that while young he had prayed to God to show him the mystery of the universe, but God turned him down, saying, “That’s for me alone.” So George asked God to show him the mystery of the peanut, and God agreed, saying, “that’s more nearly your size.” The coming weeks will be a great time for you to seek a comparable revelation, Aquarius.

PISCES (February 19–March 20) Every year, people discard 3.3 million pounds of chewing gum on the streets of Amsterdam. A company named Gumdrop has begun to harvest that waste and use it to make soles for its new brand of sneakers, Gumshoe. A spokesperson said the intention was to “create a product people actually want from something no one cares about.” I’d love it if you were inspired by this visionary act of recycling, Pisces. According to my reading of the cosmic omens, you now have exceptional powers to transform something you don’t want into something you do want.

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ARIES (March 21–April 19) In his book The Snow Leopard, Peter Matthiessen describes his quest to glimpse the elusive and rarely seen creature in the Himalayas. “Its uncompromising yellow eyes, wired into the depths of its unfathomable spirit,” he writes, give it a “terrible beauty” that is “the very stuff of human longing.” He loves the snow leopard...
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