Bear Necessities

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In May, in a nondescript warehouse tucked away in Rohnert Park, James Mahon emerges from the back of the shop clutching two “silver bullets.” Not the Coors Light kind.

They’re two shiny, unlabeled aluminum cans of pilsner-style beer, identically made to brewer Andy Hooper’s exacting specifications at Seismic Brewing Co. in Santa Rosa. The only difference, says Mahon, is the base malt Hooper used.

Mahon cracks the cans.

Can No. 1 is made with barley malted in a light-tasting, pilsner style, by a major supplier, thousands of miles away. It’s crisp, light and what else? Pilsner-y.

Can No. 2 is made with California-grown barley, which Mahon malted right here. It’s light and it’s crisp, but there’s more. There’s a more rich, golden color—for a pils—and more flavor, too. It’s almost like the grain is showing off the warmth of the California sun under which it grew.

The base malt Grizzly provides won’t compete on price with a product that’s malted on a bigger scale and shipped from thousands of miles away, Mahon allows. But he thinks it’s more than competitive on flavor, and local appeal. “I think there’s a great opportunity for breweries to differentiate themselves,” says Mahon.

The team at Seismic were convinced by the trial run they did with Grizzly Malt’s product. Today their Magnetic Midnight black lager is made with 100 percent Grizzly malt.

Mahon thinks that beer drinkers, too, will be as interested in tasting the difference as he is. “For me, this is an extension of my personality,” says Mahon. “I like to geek out on stuff.”

Now it’s September, and farmer Tristan Benson is on hand to demonstrate just how much grain can, or can’t, be grown in the North Coast.

Benson reaches into a bag of barley, one of a half-dozen or so similar bags containing freshly harvested barley and wheat grown in Petaluma, that he’s delivered to Grizzly for processing.

Mahon is working with several local farmers to grow barley and he’s dialing-in a malting process five years in the making. Mahon explored opening a craft brewery but now chuckles that he suspected, five years ago, that there were already too many craft breweries. Instead, he contacted agriculture specialists at UC Davis and began collaborating on test plots of new strains of barley. These were then bred for suitability to California and for flavor in brewing, instead of only for the old standards of yield and disease resistance.

Mahon ordered a malting vessel that would allow him to offer malts caramelized at higher temperatures. It took a while to get there. Meanwhile, he secured a pair of giant maple-syrup vats that a failed business had repurposed for malting. Lifting the hood of a vat, he explains that the process takes a week, and a lot can go wrong. When it goes right, heated air is sent through the bed of grains that rests on a screen inside.

A steady supply of Sonoma-grown barley may be in the offing, though many farmers are set in their ways about grain. Mahon describes how one seventh-generation rancher who’s tinkering with craft crops like hops and barley, explained his willingness to experiment because, “I’m the younger guy around here.”

Benson, another younger guy in the grain business, says the North Bay was a major grain producer a hundred years ago, one reason the region’s famed poultry and dairy operations set up here. California once grew two million acres of barley, according to Benson, much of it shipped to breweries in the Midwest.

“Now, we’re down to this,” says Benson, shrugging at the resistance among craft brewers to even believe it’s possible.

Nouveau Name

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North Bay native and vocalist Stella Heath specializes in evoking bygone eras of music, both as titular singer of the Billie Holiday Project and as bandleader for long-running Gypsy-jazz group French Oak, who are about to formally change their name to Bandjango Collectif upon the release of their new album by the same name.

French Oak got its start in 2014, when Heath moved back to her hometown of Petaluma after residing in New York for a decade. “I contacted (guitarist) Gabriel Pirard to start a jazz band,” says Heath. “I actually had the idea to name the band Bandjango in the beginning, but we wanted to target wineries and venues like that so we thought of French Oak. Now we’ve grown out of that and want to go back to the original I liked.”

After releasing a debut album in 2016 as a trio, French Oak also grew in size, to include Heath, Pirard and James Inciardi on tenor, baritone and soprano saxophone; Skyler Stover on standup bass; and Jamie Foster on drums and percussion. After recording their sophomore album—Bandjango Collectif—over the course of the last year, the group decided the album’s release would be the best time to transition to the new band name. This month, the group plays their final shows as French Oak on Sept. 20 at Redwood Café in Cotati and on Sept. 27 at Red Poppy Art House in San Francisco, before Bandjango Collectif makes its official debut on Oct. 2 at Blue Note Jazz Club in Napa.

While the name is changing, the music remains the same, French chanteuse–inspired sound.

“I’ve loved Edith Piaf ever since I was a kid,” Heath says. “I also loved Louis Armstrong, and as I started to discover jazz I was introduced to this whole genre of Gypsy-jazz made famous by Django Reinhardt.”

While Reinhardt’s French-jazz guitar inspired the band’s sound, Heath notes they’ve added more styles to incorporate Spanish and American jazz. International pop tunes are also mixed into the group’s repertoire, offering classic and contemporary styles of music in their live shows. “I want everybody to be welcome at our shows,” says Heath. “It’s a very comfortable vibe and a celebratory atmosphere.”

French Oak (soon to be re-named Bandjango Collectif) plays Friday, Sept. 20, at Redwood Cafe, 8240 Old Redwood Hwy, Cotati. 8pm. $10. 707.795.7868.

Let It Flow

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A funny thing happened on the way from the wine tasting.

After swirling and spitting some of Sonoma County’s finest wines at this year’s Taste of Sonoma event at the Green Music Center, the heat of the day set in and I stumbled into the expanded beer garden. Did I want a pale ale? The outgoing staff at the Seismic Brewing Company booth wanted to know. That hefty pour of a complex (but low-alcohol) and refreshing Namazu pale ale, which I hardly swirled and certainly did not spit, was among the few drinks that memorably brightened up the afternoon.

When the Seismic project was announced, the story was all about the novelty of Christopher Jackson, son of North Coast wine icon Jess Jackson, founding a craft brewery. When the operation got up and running, the story was about their sustainable practices—lowering water use and using geyser-based energy, for example. So what’s the story, now that beer is flowing in the taproom? Well, the beer.

But it isn’t just about Chris Jackson’s beer. “I’m not going to win any major competitions with my home brewing,” says Jackson, laughing off his attempts. Instead, he points to the contributions of his team, which includes brewer Andy Hooper, who came from Anderson Valley Brewing Co., and taproom manager Alfie Turnshek, formerly of Brewsters Beer Garden in Petaluma.

“I view myself as a facilitator,” Jackson explains. “With Alfie at the taproom and Andy in the brewery, what I did was set the standards, and got their buy-in. But when it comes to the creative execution of the brewery—that’s them.”

The taproom, anchoring a corner of the Barlow market district in Sebastopol, has style. It’s clean, contemporary and emphasizes natural wood tones. The few decor standouts include a glowing Seismic logo, an enigmatic sketch of Clint Eastwood as Dirty Harry and a curvaceous nook.

The beer also has style, although what style is difficult to pin down. Is it a Germanic take on West Coast craft-brew style? Their Shattercone IPA stands out partly for its restrained structure and use of Hallertau Blanc hops.

“There is merit to the German provincial styles of beer,” Jackson allows. “It’s fortunate that Andy and I had a similar view of what genre we wanted to be in, and that was about balance and execution, not extremes of style.”

Seismic’s core lineup includes Alluvium pilsner, Megathrust IPA and Liquifaction kölsch-style ale. The Germanic theme continues with a Doppelbock and a refreshing gose on tap.

And when it’s time, yet again, for evening winter warmers, a bourbon barrel–aged porter awaits.

Seismic Brewing Taproom, 6700 Sebastopol Ave., Sebastopol. Open daily, 11:30am–9pm; to 10pm Friday–Saturday. 707.544.5996.

Craft Cartoons

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Ken Weaver knows a thing or two about craft beer in the North Bay, as well he should; he wrote the book on it in 2012. Weaver’s The Northern California Craft Beer Guide featured his exhaustive reporting paired with his wife-and-photographer Anneliese Schmidt’s images.

Since writing the definitive who’s who of the region’s breweries and crafters putting beer on the map in wine country, Weaver keeps up with the craft beer scene these days in a new way, producing a webcomic, Massive Potions, each week for over a year, in which Weaver’s fictional post-apocalyptic brewery features a cartoon cat and other denizens who satirize craft beer clichés and poke fun at industry trends, like this summer’s hard seltzer craze.

“I got into beer more as a consumer at least a dozen years ago,” says Weaver, who earned a master’s degree in physics at Cornell University and an MFA in creative writing from the University of Maryland. “I had gotten involved in RateBeer.com back in DC, and that gave me the lay of the land. I got involved in the craft beer scene for fun, then I was writing on the side and it all came together.”

Weaver moved out to the North Bay with his wife, who had family in Marin, and the couple settled in Petaluma. In hindsight, Weaver says his Northern California Craft Beer Guide came about randomly after years of beer blogging and a timely conversation with publisher Chris Gruener of Petaluma-based Cameron + Company.

“That was a great opportunity for my wife and I both to settle into the scene,” says Weaver. “As someone new to Northern California, it was a great way to explore and become immersed in what was going on out here.”

In the intervening years, the craft beer scene in Sonoma, Napa and Marin County continued to expand. There is increasing competition to have the latest and greatest available on tap and to go, and long-running craft brewery staples like Lagunitas Brewing Company and HopMonk Tavern are now in company and competing with new breweries, taprooms and locations such as 3 Disciples Brewing, who host their Oktoberfest on Saturday, Sept. 21, in downtown Santa Rosa, and HenHouse Brewing, who’s inaugural Freshtival Beer Festival commences on Oct. 12 in Rohnert Park.

“The thought of re-doing the Beer Guide at this point feels overwhelming,” says Weaver. “There’s breweries everywhere, it’s a much more matured and developed scene; and this was a relatively mature and developed scene seven years ago. It’s gotten even more so.”

Weaver also says that the continued development of the local scene means that breweries are becoming more localized and specialized to their neighborhood. “They’re serving their local geographic area, their footprint is modest and they are working on close relationships that are much more sustainable long-term,” he says. “The growth is stable, but there’s more competition and people are having to settle for smaller niches than they originally expected.”

While another Beer Guide isn’t in the works, Weaver has been plenty busy keeping his eye on the scene and offering his takes via Massive Potions.

“I’d been kicking this concept around for a while,” says Weaver of the webcomic. “I had been trying to find my feet going down the path of writing fiction.”

The concept of and characters in Massive Potions went through several literary forms, from novel to graphic novel to four-panel webcomic once Weaver started drawing the characters on his digital device. “It felt like the right gear for what I was doing,” he says. “Adding the graphic component, a light switch flicked on, it made sense. I could get a feel for this world.”

The two focal figures of Massive Potions, the big-haired Zo and the glasses-wearing cat Whalefeather, are the heart of the brewing operation. They hang out with characters like the brewery’s easy-going and only customer Pete, the bartending cow Dennis and other interlopers like the recently arrived White Claw, who expels the virtues of hard seltzer upon the IPA enthusiasts to little avail.

Though there are blueprints for a book coming in the next year, the best way to read Massive Potions is to find the series online.

“It’s fun making fun of these things, but the nice thing about the comic is that it’s not just one voice,” he says. “Having these characters gives me the opportunity to have different opinions, different angles and concepts; it’s more fun to explore how different people are thinking about this stuff.”

massivepotions.com.

Old Reliable

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I’ve never understood the concept of “guilty pleasure.” It’s a way of expressing one’s tastes while apologizing for them. Taste is subjective—so why let other people make you feel bad about yours? If your idea of Fine Art is a black-light poster, embrace it! If you like celebrity gossip, own it! If your favorite song is “Don’t Stop Believing,” don’t apologize for it!

There’s no guilt involved when I say I like Budweiser. No hipster irony, either—for me, Bud isn’t a fermented proxy for a vintage Gulf gas station jacket. When I say I like Bud, it’s because I like Bud.

I know Budweiser is a factory product, and the choice of lunkheads everywhere. Is Bud as good as my favorite beer? Of course not—it’s my everyday beer, one I vastly prefer over most craft beers. I tend to dislike bitter flavors, so most hoppy craft beers are off limits for me.

Moreover, I prefer to buy beer from grown-ups. When I see craft beers with cringeworthy names like Hoptical Illusion and with cartoon-like label designs, it feels like kids playing dress-up. Say what you want about Bud, its brand presentation remains classic, timeless and non-generational.

Beer should be for everyone. So many craft beers seem like they’re trying to weed out the squares and the olds. Imagine your father shopping for beer and seeing Hoptimus Prime or Citra Ass Down. Even if he got the joke, he might reasonably conclude they were intended for someone else.

Beer should unite, not divide. I like Bud the same way I like the Rolling Stones, or baseball, or a burger with fries—it makes me feel connected to the rest of America. In this era of fragmented subcultures, it’s nice to feel like I’m going wide instead of narrow.

Also: Most stores and bars carry it, it’s reasonably priced, it goes down easy and the 5.0 percent ABV gives just the right buzz. So yeah, I like Bud. I’m drinking one right now, in fact. Unapologetically? Guilty as charged.

Paul Lukas is a staff writer at Sports Illustrated. He also runs the Uni Watch Blog, among lots of other projects. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Polio Grounds

Abraham Entin expounds about the pernicious pharmaceutical industry, but his real goal is to defend the anti-vaxxers (Letters, Sept. 11). Big Pharma, which I despise, makes virtually nothing on vaccines. “Of course vaccines work in the short run.” Abe old chap, you know any polio victims? I did. My mother contracted polio in 1954 in a hospital giving birth to my little sis. She survived, wearing a leg brace and paralyzed on one side, until she passed due to post-polio complications at age 65. Tell ME about side effects. You don’t want to vaccinate your kids? Fine—but keep them away from my kids.

Occidental

Russia Hoax

The article by Chris Rooney (“Divisive Data,” Sept. 11) suggested that Russia, through “RT America,” was trying to sow division in the U.S. by casting doubts about the safety of 5G technology. Besides getting several paragraphs in the text, you chose to add a subtitle that featured “reports of health risks associated with 5G linked to Russians.”

It may just be my aging memory, but in my five years or so of following RT on a more-than-daily basis I cannot recall ever reading a negative article about 5G. In fact, since the U.S. has been trying to ban sales of Huawei’s 5G technology internationally, and given Russia’s general support of all things Chinese, RT tends to have articles slanted in favor of 5G.

I use the RT android app on my cell phone and look at it several times a day, finding it a refreshing antidote to the spin of sites such as The Guardian, NPR and Democracy Now. As far as their coverage of the U.S. goes, they seem to favor Republicans more than Democrats, I think not because of a plan to sow dissent but because they tend to favor what they think of as

“traditional Western values.” I sometimes find that annoying, but, since my news otherwise comes from Democracy Now and other KPFA programs, as well as NPR and Bill Maher, I like to hear the “other side” also, and I very much enjoy their great coverage of international news, which gets short shrift in most American news.

Guerneville

I was amused by the Chris Rooney article on 5G. He correctly cites that the 10,000-plus studies, including the gold-standard, $30 million, tax-dollar-funded NTP study done recently, apparently aren’t good enough in the eyes of the FDA, FCC or many courts, though it’s curious that the richest cities like Hillsborough, Belvedere, Los Altos, etc., seem to be able to sidestep Uncle Sham’s plans for more and more wireless coverage. Apparently, we’re in a race with the Chinese. . . .

There are over 100 cell-tower sites under contract for installation in Santa Rosa. Want to do something about having a cell phone tower planted in front of your house, or your child’s school? Contact your lawmakers before it’s too late. Sonoma County for Responsible Technology has a list of current and future cell tower installations. https://www.facebook.com/groups/431787887408649/

Via Bohemian.com

Write to us at le*****@******an.com.

Self Aware

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Main Stage West kicks off a new season with big laughs in Annie Baker’s candid snapshot of a dysfunctional, modern family. Body Awareness follows five days in the lives of lesbian couple Joyce and Phyllis, Joyce’s live-in son from a previous marriage and a controversial houseguest who could sink or save the trio’s tense relationship.

Joyce (Nancy Prebilich) is struggling with 21-year-old Jared (Elijah Pinkham), who likely has Asperger’s Syndrome—a suggestion he vehemently resents—and whose social skills are sorely lacking. His violent outbursts and arrogant retorts, obsession with etymology and bizarre bond with an electric toothbrush are equal parts shocking, hilarious and moving. Pinkham’s performance is simply stellar.

Meanwhile Phyllis (Lydia Revelos) is organizing Body Awareness Week at the Vermont college where she teaches psychology. It’s her attempt at a more global, “positive” spin on what was formerly Eating Disorder Awareness Week, featuring a diverse and exhaustive line-up of guest lecturers and artists. (Baker hits on all the hallmarks of liberal academia, poking tasteful fun at its obsession with political correctness.)

But hosting visiting photographer Frank (Zachary Tendick) is not what Phyllis bargained for. A high-strung feminist who abhors the “white male gaze,” she finds his pictures of naked women objectifying and exploitative. Joyce, on the other hand, thinks they’re beautiful and empowering. Are Frank’s intentions pure, or is he just a big phony? If his art speaks to someone, should that matter?

The drama ramps up when Joyce decides she wants to pose for Frank, who’s been counseling Jared on matters of self-confidence and the opposite sex. Exposing ourselves to others may be liberating, but how and when is it appropriate? Jared tests the limits with devastating results while Joyce and Phyllis find themselves at perilous odds.

Tendick does well in his first acting role, keeping pace with a group of talented veterans. Revelos and Prebilich make convincing lovers, breathing life into all the tender and tense moments that comprise a long-term relationship. Directors John Shillington and Janine Sternlieb nail the pacing.

Baker packs subtle depth and room for meaningful reflection into an unassuming and seriously funny package. It stands in stark contrast against the much bleaker family portrait being drawn in Novato Theater Company’s coinciding production of The Humans. Body Awareness succeeds where the competition falls short, serving up a satisfying mix of humor, humility and hope. Go see it.

Rating (out of 5): ★★★★

“Body Awareness” runs through Sunday, Sept. 22, at Main Stage West, 104 N Main St., Sebastopol. Days and times vary. $15–$30. 707.823.0177.

Sept. 13-14: Wowie Bowie in Sonoma

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Though he’s been gone for over three years, David Bowie’s musical legacy and influence can still be felt everywhere. This weekend, more than 20 local musicians feel the music when they perform as part of the fourth annual Bowie Forever tribute. Spanning two nights this year, the shows feature members of Bumblin’ Bones, Gentlemen Soldiers and other popular acts performing with special guests like Bay Area guitarist David Walker and bassist Shawn Miller. Bowie’s music lives forever on Friday and Saturday, Sept. 13 and 14, at Starling Bar, 19380 Hwy 12, Sonoma. 8pm. $20. bowieforeversonoma.brownpapertickets.com.

Sept. 14: Five Years of Favorites in Healdsburg

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In the heart of downtown Healdsburg, the Paul Mahder Gallery has offered dozens of exhibits of contemporary art for five years. Now, the gallery celebrates half-a-decade of engaging the arts with a celebration that coincides with the closing reception of the gallery’s current exhibit, Wosene Kosrof’s “My Favorite Things.” Kosrof is an Ethiopian-born artist who uses the script of his native Amharic language as a core element in his paintings and sculptures. See the art, enjoy live music and dancing and celebrate the Paul Mahder Gallery on Saturday, Sept. 14, 222 Healdsburg Ave., Healdsburg. 6pm. RSVP requested. 707.473.9150.

Sept. 14: Ruby Season in Sebastopol

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This year marks Redwood Arts Council’s ruby anniversary, and the council opens its 40th season of classical concert performances with a North Bay favorite, the internationally renowned guitarist Paul Galbraith, who makes his fourth appearance courtesy of the Redwood Arts Council. Galbraith performs his specialized 8-string “Brahms guitar,” held like a cello and picked like a harp, in a concert program that includes works by Bach, Haydn and other classical composers on Saturday, Sept. 14, at Sebastopol Community Church, 1000 Gravenstein Hwy N, Sebastopol. 7:30pm. $30; students are $10; kids free with adults. redwoodarts.org.

Bear Necessities

In May, in a nondescript warehouse tucked away in Rohnert Park, James Mahon emerges from the back of the shop clutching two "silver bullets." Not the Coors Light kind. They're two shiny, unlabeled aluminum cans of pilsner-style beer, identically made to brewer Andy Hooper's exacting specifications at Seismic Brewing Co. in Santa Rosa. The only difference, says Mahon, is...

Nouveau Name

North Bay native and vocalist Stella Heath specializes in evoking bygone eras of music, both as titular singer of the Billie Holiday Project and as bandleader for long-running Gypsy-jazz group French Oak, who are about to formally change their name to Bandjango Collectif upon the release of their new album by the same name. French Oak got its start in...

Let It Flow

A funny thing happened on the way from the wine tasting. After swirling and spitting some of Sonoma County's finest wines at this year's Taste of Sonoma event at the Green Music Center, the heat of the day set in and I stumbled into the expanded beer garden. Did I want a pale ale? The outgoing staff at the Seismic...

Craft Cartoons

Ken Weaver knows a thing or two about craft beer in the North Bay, as well he should; he wrote the book on it in 2012. Weaver's The Northern California Craft Beer Guide featured his exhaustive reporting paired with his wife-and-photographer Anneliese Schmidt's images. Since writing the definitive who's who of the region's breweries and crafters putting beer on the...

Old Reliable

I've never understood the concept of "guilty pleasure." It's a way of expressing one's tastes while apologizing for them. Taste is subjective—so why let other people make you feel bad about yours? If your idea of Fine Art is a black-light poster, embrace it! If you like celebrity gossip, own it! If your favorite song is "Don't Stop Believing,"...

Polio Grounds

Abraham Entin expounds about the pernicious pharmaceutical industry, but his real goal is to defend the anti-vaxxers (Letters, Sept. 11). Big Pharma, which I despise, makes virtually nothing on vaccines. "Of course vaccines work in the short run." Abe old chap, you know any polio victims? I did. My mother contracted polio in 1954 in a hospital giving birth...

Self Aware

Main Stage West kicks off a new season with big laughs in Annie Baker's candid snapshot of a dysfunctional, modern family. Body Awareness follows five days in the lives of lesbian couple Joyce and Phyllis, Joyce's live-in son from a previous marriage and a controversial houseguest who could sink or save the trio's tense relationship. Joyce (Nancy Prebilich) is struggling...

Sept. 13-14: Wowie Bowie in Sonoma

Though he’s been gone for over three years, David Bowie’s musical legacy and influence can still be felt everywhere. This weekend, more than 20 local musicians feel the music when they perform as part of the fourth annual Bowie Forever tribute. Spanning two nights this year, the shows feature members of Bumblin’ Bones, Gentlemen Soldiers and other popular acts...

Sept. 14: Five Years of Favorites in Healdsburg

In the heart of downtown Healdsburg, the Paul Mahder Gallery has offered dozens of exhibits of contemporary art for five years. Now, the gallery celebrates half-a-decade of engaging the arts with a celebration that coincides with the closing reception of the gallery’s current exhibit, Wosene Kosrof's "My Favorite Things." Kosrof is an Ethiopian-born artist who uses the script of...

Sept. 14: Ruby Season in Sebastopol

This year marks Redwood Arts Council’s ruby anniversary, and the council opens its 40th season of classical concert performances with a North Bay favorite, the internationally renowned guitarist Paul Galbraith, who makes his fourth appearance courtesy of the Redwood Arts Council. Galbraith performs his specialized 8-string “Brahms guitar,” held like a cello and picked like a harp, in a...
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